#unknown the series meta

[wen-kexing-apologist]

Unknown, Ep 11: To Grow Taller

Alright y’all, I just want to say that I am not super thrilled with how Episode 11 went. I felt like they completely obliterated the emotional build up to the change over after they did such a great job of navigating it in Episode 10. 

So as much as there were some lovely images of hands, I’m not that interested in writing about it. So it is time, it is time to do the thing I should have done long ago. 

It is time to write about Lili and San Pang. 

Hands down my favorite part of this episode (and probably one of my favorite scenes of the series) was seeing the two of them interact, of seeing more of Lili’s inner workings, of understanding that she knows more than she lets on. I loved Yuan telling Qian that Lili is smart, and I loved the proud little smile Qian had when he heard that. 

The most important scene in this episode, to me, starts with the height wall. That thing has been causing me psychic damage since episode one. It pans down to Lili. I like how long the camera lingers on her eyes. Lili has seen everything that has happened in their lives and she’s been spared from a lot of the violence, but that doesn’t mean she hasn’t beared witness to it. 

I was really struck by her words to San Pang: 

“When we were little, Qian was always there to help us with everything we did. He would measure our height every year. I always wondered when I could grow taller than him. Then I could protect him.” 

I know we have seen Lili constantly take a back seat in this story. We have seen her even acknowledge Qian’s focus on Yuan multiple times throughout the show. We don’t see her doing as much for Qian as Yuan does. She doesn’t know how to wrap up leftovers, she’s not a great cook, she doesn’t try to pay the household bills. But that’s because she loves Qian like a sister does, she’s got a secure position in the household, she’s not trying to be Qian’s partner, and it is a testament to Qian’s love for Lili that she does not know how to do some of the basic life things, because it means that she’s been so well taken care of she hasn’t been forced to learn.

There are all these little elements scattered across the series that show Qian’s love for Lili. The picture on his desk at home is of him, Yuan, and Lili at Qian’s graduation. He has the magazine she’s featured in on display. He immediately softens on his anger towards her relationship with San Pang when she asks him to go on a family vacation. 

She has seen how much Qian has suffered, and she loves Qian enough to want to shield him from any more harm. 

And San Pang is so lovely in this scene, with his head resting on the stair railing, a sleepy look of love on his face as he stares at Lili. I love the way San Pang smiles to himself when she tells him this. Because Qian is family to San Pang and San Pang is family to Qian. San Pang loves Qian and wants what is best for him always. And I do think there is a difference there between the soft, dreamy, comfortable expression he has when looking at the woman he loves, and the small smile that lights up his eyes at the thought of Lili loving her brother enough to want to protect him.

Lili’s face is serious, and she does not always look in San Pang’s direction when she talks:  

“Even though he is a few years older than us, his hands are always covered in scars and calluses.” Lili tells the ground. It’s interesting to me to see when she is comfortable enough reviving a memory to look San Pang in the eyes because she doesn’t do so until partway through her hand cream story:

“One year, I took the hand cream my classmates gave me” she looks at San Pang “and rubbed it on his hands at midnight.”

The camera cuts to San Pang who is listening to Lili absolutely enraptured by her. And I do have to commend the show for how they have navigated Lili and San Pang’s relationship change. In very few frames, with little fanfare or flare they have made San Pang and Lili’s relationship clear, understandable, and believable. We’ve had like, two minutes of them together up through now, and all I need to believe these two will be together forever is all in the way that San Pang looks at Lili. That man is not only head over heels in love with Xiao Bao, he’s ass over tea kettle in love with her as well. 

“He scolded me for it. Do you know why?”

“I do.” San Pang says with a smile. And I love that because we remember that San Pang and Qian have grown up together. San Pang has been helping take care of Qian and the rest of the family for years. You know in the way that San Pang smiles that he is remembering Qian as a young man complaining about Lili lotioning his hands in the middle of the night. Hell, I can picture Qian’s rant right now. “Because it smelled like roses.”

Lili laughs and covers her face in embarrassment. “That’s right.”  

But like a lot of scenes in this show, the transition from lighthearted to more serious changes on a dime. Lili’s face slips back in to a frown as she turns over a thought. “Nobody cares about Qian.”

And this is what it feels like sometimes, with how stubborn Qian is, with how much weight he wants to carry for himself, with how much debt he owes to the likes of Le, Xiong, and San Pang. But they don’t expect repayment, they did this because they care about Qian. San Pang has helped Qian weather many many storms. He has pushed when Qian needed pushing, he has pulled when Qian needed to be held back. 

“Yes, they do. We all love your brother.” 

Qian has so much love in his life, if only he stopped long enough to see it. If only he let go long enough to feel it. I was not thrilled with how they fumbled so much of the emotional weight of Qian and Yuan getting together in this episode, but I am glad the show took time to highlight how much they all love Qian and to show the audience that they want to protect Qian just as much as Qian wants to protect the rest of them. 

All this to say San Pang and Lili work incredibly well together as a couple, and I’m so happy that we got to have this little moment between them, both to breathe a bit more life in to their relationship and to remind us all that Yuan is right. Lili is not as naive as she seems.

__

All gifs by the lovely, wonderful, marvelous @wanderlust-in-my-soul. THANK YOU SO MUCH YOU ARE THE BEST <3

#this scene is so important to me #I have been severely neglecting talking about Lili and San Pang and that sin ends today #unknown #unknown the series #unknown the series ep 11 #unknown the series analysis #unknown the series meta #san pang #wei lili #xiao bao #san pang x wei lili #she loves her brother so much #she sees what he has done for her and for their family #she hoped to one day be big and strong enough to protect him #i was so close to crying about it y'all

[ah-bee-blogs]

I have been thinking about the shifting dynamic between Qian and Yuan all week. A ton of people have written really insightful posts about these two, and I can’t get them off my mind.

I’ve said it before, and I’ll say it again and again: the tragic backstory is not used as a shock factor or just to make you sympathetic towards a character. It is ingrained into Qian and Yuan’s thoughts, behaviors, actions, and responses. And it contributes to their compelling relationship.

Qian is hesitant around intimacy of any kind. Yuan is eager to care for the person who saved him.

We’ve seen from the beginning how much of a caretaker Yuan is for Qian. The vast majority of intimate physical contact Qian accepts is from Yuan (and by intimate I don’t mean romantic. I mean familiar, personal, etc.).

Qian rarely ventures beyond surface level relationships with people. His experiences growing up left him in a constant state of survival. He focuses on work as a means of survival and doesn’t consider slowing down as an option.

We see this at work, where he is often separated from his coworkers and rarely interacting with them outside of a professional capacity. He often stays late and arrives early at the expense of his own wellbeing.

It’s Yuan who bridges the gap. Who asks coworkers to take care of his brother. Who makes Qian sleep and eat right. Who is there at work and at home ensuring that Qian won’t overwork and exhaust himself.

But their relationship is not one-sided. Qian takes care of Yuan as well, making sure he’s able to take advantage of academic opportunities and clubs and things that Qian never had a chance to partake in. He gives Yuan a life where survival is a guarantee, not something to earn.

Qian protects Yuan through hard work. Yuan protects Qian through tender care.

When Yuan is sent away to study abroad, the time skip works because it isn’t used at the very end of the series to jump to happily ever after. Too often, time skips force us to miss important character growth and leave us unsatisfied and wanting more. By placing the time skip towards the middle of the series and using it as an actual part of the story and character development, we are able to see how Qian and Yuan live during the separation and the impact it has on their relationship.

And their reunion is more than one scene before the credits roll. There’s still many episodes for them to keep learning and growing together.

Once Yuan returns, the line between them has shifted. Qian actively seeks out Yuan’s care in a way he never did before. He’s always watching Yuan, reaching out for him, and aware of his presence. He had always welcomed it, but the separation forced him to feel what the absence of Yuan’s care was like. He was miserable.

Yuan matured on his own and still knows that he loves Qian. Being away only confirmed what he already knew. And Qian is starting to realize that he loves Yuan too.

Yuan knows exactly where the boundary is between them, but he’ll let Qian be the one to break it down. They have complex relationship, and it is being respected, not rushed. Moments are earned, not pulled randomly from the trope bucket.

#gahhh I could write about this series all day #everything is so intentional #so much thought and passion went into this series #unknown the series #unknown the series meta #unknown the series analysis #unknown bl #yuan x qian #qian x yuan #unknown #taiwanese bl #ah bee writes

[wanderlust-in-my-soul]

Devotion.

I just want, or rather need, to write about this scene, because it stuck in my head for the last seven days. And because of the wonderful @lurkingshan I decided to post it...

This scene is the culmination, the end of the years that Qian has forbidden himself to feel joy or love. Romantic love that doesn't demand, that doesn't require him to be in control, to take care, to be the big brother. So far he has not allowed the depth of his feelings for Yuan to surface. He has kept them locked away, kept control of them. He knows they were there, but couldn’t or didn’t dare to face them, to name them. And he would have continued to do so if Yuan hadn't finally told him what he actually wants from him. It wasn't enough for him to tell Qian that he loves him, that it was his own problem, not Qian's, that he was content if the person he loved was happy. The talk with San Pang and the staircase talk were the first steps, Qian is finally able and willing to face those emotions, but couldn’t make up his mind. Still couldn't name those feelings.

Everything is too much for him. He is overwhelmed by the decision he has to make and the possible outcome of that. He could lose Yuan, if they don't work out in the end. If those boundaries are finally crossed, there is no going back to where they were. So Qian needed to hear that Yuan doesn't want him as a brother. Every time Yuan told Qian he can take care of him, he is there for him and holds up the world together with him, it was as a brother. In Qian’s mind, he said that as a brother. All Qian brought Yuan was suffering and sadness and abandonment, because he fell in love with him.

In his mind, Yuan shouldn’t love him as something else than a brother, because that would harm both of them. Because loving Qian isn’t a good thing to do. Qian knows that Yuan loves him but hasn't understood, or rather wanted to understand, the extent of his feelings. Yuan wants to be his partner. He wants him to be able to rely on him, to be Qian's rock, no matter what life brings, he wants to be there for him. And not just for the moment, but for the rest of his life. And not just as a brother Qian has to take care of, but as a lover, the one person who puts Qian first.

He wants to be Qian's partner, he wants to protect him and take the burden off his shoulders. He wants Qian not to have to deal with everything on his own, but to open up to him, to share his worries and hardships with him. And Qian finally understands what it means when Yuan tells him that he can summarize his life in two words: Wei Qian. Yuan puts Qian above himself, he would run to the end of the world for him if he had to, he would fight against the rest of the world if he had to, he will protect him, he will take care of him and love him no matter what the world holds. And finally Qian understands that it's good, that Yuan won't just leave him once he opens up, because he loves everything about him, his dark sides and his light ones. Yuan can take care of him to the end, can love him to the end. And Qian surrenders. He's always in fucking control, no matter what, he has to control everything, even his heart. But at some point, all resistance breaks. He just had to understand.

And when they get into the bedroom, Qian is beaming. The lightning focusses on his face, this delighted face. He is like pudding under Yuan’s kisses, touches, breathes. In that moment he exists only out of his emotions. There is nothing more and nothing more is needed in this situation. He has never looked so weightless before and has certainly never felt like this.

We know what Yuan imagines at night, or at least we have a pretty good idea. We have witnessed countless moments when his love and affection for Qian literally leaked out of his face, while Qian tried to suppress his feelings with a petrified expression. But finally, he can feel them. He allows himself to give in. He allows Yuan to take care of his world, to let him feel how much he loves and desires him. The power of emotions and sensations are depicted on Qian’s face. He has his eyes closed, tasting every single moment, savouring every single touch. Blissfully.

Yuan's presence is Qian's entire focus. Just as Qian is Yuan's entire focus. And he makes sure that Qian feels good, that he forgets everything, all problems and responsibilities, illnesses and losses, for the moment. He takes care of his world. This one thing he wanted to do for so long, he is finally able to do.

(Well, there is an edited version out now with this whole scene as one without the flashbacks, but I saw the other one first and I loved it, so I stick to it.) The whole scene is repeatedly interrupted by scenes from the past and it is always Yuan. I was also a bit irritated by the time jumps at first, I get why people are annoyed by this, but it makes sense. We know that Qian is Yuan's whole world, the centre around which he has revolved for years and for which he would do anything. We see scenes that led to where they are now. Their shared history. Their shared memories. The sequences speed up and at some point it's just Yuan’s face at its core. Yuan. Yuan. Yuan.

And you can understand, without needing to be told, that Yuan is also Qian's whole world. He is the centre, the heart that gives his own life warmth, with whom he can let himself fall, who knows him better than anyone else, who was always there, even when he physically wasn't, the only one who could tell him to do things he didn’t want to do, the one he can’t fucking live without. And Qian surrenders. The feelings he couldn't allow for so long are now boiling out and we have these close-ups of his face and see how he's longed for it. How touch starved this boy was.

I don't need a close-up of Yuan to know that he's enjoying every single second. Would it have been nice? Sure, but I think narratively, that's the way they wanted and needed to go. And I love this whole scene. It's aesthetic, it advances the story, it's intimate and it's fitting for the show. Because Qian always was Yuan’s world and Yuan is Qian’s whole world.

I just wanted or needed to say I love this scene, its buildup, its pace, its hecticness and this disconnected feeling. It's Qian's scene. It's what we've all been dying for, for Qian to finally give in. And when the emotions overwhelm you, then it becomes hectic, then nothing hangs together and thoughts can't be grasped, can't be put in order. You jump from moment to moment, starting at one point and ending at a completely different one. It's Qian's scene. It's not Yuan's. We've had enough scenes to see Yuan's love and devotion, now it's time for Qian. We are, like Yuan, experiencing Qian in his first moment of absolute devotion. Without time, without place, without anger or fear. He doesn't think about the past or worry about the future, because for the first time he lives in the present. Yuan gives him this security that he can let his guard down, give up the control. I don't think Qian has ever felt as safe, secure, and loved as he does in this moment. And I love it so fucking much! Perhaps I just ignore my little dissappointement in them rushing this whole thing, because I watch those scenes with a narrator in my mind and he is giving me so much more in those scenes than the actual scene shows. But I understand everyone who is dissapointed with this scene and editing.

#unknown #unknown the series #unknown ep 11 #qianyuan #chris chiu #kurt huang #qian x yuan #bl drama #bl series #asianlgbtqdrama #taiwanese bl #taiwanese drama #taiwanese series #queer drama #lgbtq+ #just my thoughts #josi watching bl #unknown meta #long post

[romchat]

Unknown (2024) visual analysis (ep. 1-8): How to film heartache

This show.

The writing and acting continue to be fantastic, but I feel like I haven't seen enough appreciation for Unknown's cinematography, which captures the heartache of Qian and Yuan's changing relationship so beautifully.

Here are some of my favorite moments of visual storytelling so far...

Framing & Composition

Something that I immediately noticed about Unknown is how much dirty framing it uses. "Dirtying the frame" is when a cinematographer uses architecture, nature, objects, or even people in the foreground to add depth to a shot. In earlier episodes, we often see Qian and Yuan framed together by everyday household objects.

These shots emphasize the uniqueness of their relationship: they are brothers because of the domesticity surrounding them and yet at the same time the framing almost tucks them away into a private space of their own. Their relationship is born from yet separate from the familial space they share with Lilli.

So when Yuan drunkenly confesses his feelings and shatters any lies Qian might have been telling himself about their complex relationship, the camera language loses its earlier intimacy.

We suddenly see more medium and long (versus close-up) clean shots where the characters are surrounded by tons of negative space, isolated from each other.

I also don't think it's an accident that we start seeing more dirty frames again once Yuan leaves for America and Qian realizes how much he misses him.

The New Years scene is a perfect example of this. As Qian miserably cheers an absent Yuan, we see the camera subtly pans to the side of the table where he'd usually sit. No one has been able to occupy that private space at home or in Qian's heart.

Visual Parallelism

In a previous post, I've talked about how visual parallelism (when we link characters, events, storylines, etc. through a shared image) can signal major changes in the relationship between two characters, and the show uses this technique in multiple ways. (Yuan’s cheeky and completely satisfying “is there something you want me to do?” in Episode 8’s seatbelt scene, for one.)

But I think the most striking moment is when Yuan asks Qian to confront his own feelings at the end of Episode 8.

When we look at the composition, camera angles, and actor blocking (how the actors are positioned in relation to one another) we can see that the scene directly mirrors the moment that Yuan gifts Qian with cufflinks in Episode 6. In that episode, Yuan is shot from a high angle, making him look even younger and more vulnerable, while Qian cups his face from above, anchoring him as he tries to give misguided advice:

Qian: I actually feel sorry for you. Isn't it tiring to love him? Yuan: It is. It's so tiring to like someone you shouldn't like. Qian: Then what are you doing? Why are you limiting yourself?

It's notable then that during the last scene of Episode 8, the roles are reversed and the blocking and camera language changes accordingly. Throughout Episodes 7-8, we can see the ways Yuan adopts a more mature approach to his interactions with Qian. He has made it clear that he still cares about him but he will only make another move if Qian clearly expresses his desires. Now it's Qian who is the most unsure and vulnerable, with Yuan anchoring him:

Yuan: Wei Qian, don't you like Wei Zhiyuan? If you do, is it only because we're brothers? This thing about us, is it that you don't want it or that you don't dare?

Like Qian had advised him years ago, Yuan now asks why Qian insists on limiting himself by denying what he wants.

Bonus Parallelism:

Both Yuan and Qian's kiss fantasies mirror each other as well.

#unknown the series #關於未知的我們 #meta #cinematography #taiwanese bl #bl dramas #chris chiu #kurt huang

[heretherebedork]

Yuan's first line in an episode full of Qian looking away from him every time eye contact was made?

Because he knows that Qian can't handle looking at him when his eyes are open.

And the only way to get him to look is to show him that love that shines out of him in a different way.

#unknown bl #qian x yuan #關於未知的我們 #unknown the series #taiwan bl #taiwanese bl #yuan x qian #taiwanese series #taiwanese drama #asianlgbtqdramas #asian lgbtq dramas #bl drama #bl series #unknown meta

[waitmyturtles]

I’ve been internally comparing Yuan to Old Fashion Cupcake’s Togawa, which isn’t quite fair, because a shade of Togawa is his self-shame at what he revealed to Nozue when he admitted his feelings in OFC episode 5. But at least Yuan and Togawa share this strong and bold sense of sassiness within and vis à vis their attraction and list for the older men they court.

Today, in Unknown, episode 9, I got a sense of Nozue in Qian. I know that embrace at the end of the episode may be read in part as a shipping embrace, but what I also realized about that hug was that:

As Nozue had to contemplate “crossing a line,” as it were, to DECIDE on embracing his queer revelation, what is so beautiful about watching Qian’s process of change is that we get to watch his DECISION-MAKING about crossing A FIRST line from big brother/father to lover, and we’re seeing ALL THE BURDENS and senses of responsibility he has to his YOUNGER BROTHER/CHILD there. There’s a lot more there than a queer revelation, so much more — there’s a decision that he has also has to walk away (because Yuan is now self-sufficient) from brotherly/parental RESPONSIBILITY. He needs to process this, and San Peng is there to remind Qian of this.

These are two BIG LINES! (Togawa even talks to Nozue, at the end of OFC, about being identified as a social minority — but we’re not even there yet in Unknown, and that separately is a huge behavioral decision and deal for the outcome of any queer revelation we see in dramas, that someone who previously identified as straight and who will come out as queer will have to contemplate a minority social status. The second season of She Loves to Cook, and She Loves to Eat covered this beautifully.)

We’re being blessed or cursed with Unknown spoilers of Qian and Yuan smoochin’, but this episode 9 embrace meant a lot more to me than a prelude to smooching. I think this show in part is affecting me so much as a mom, because Qian has GOT to accept Yuan as a self-sufficient and emotionally responsible adult before making an emotional transition to becoming a lover.

Not the lover part as much, but the acceptance that a kid has grown up: that is something that parents and older siblings really struggle with, because we want to box our youngsters into a segment of our memories when they were younger, dependent, unconditionally loving, and we as caretakers could BE depended on in an expected and reliable way. Admittedly, so many of us parents even want and explore the unbalanced power dynamic there.

Yuan’s fuckin’ up that power dynamic with his damn sassiness, it is so amazing to see, but I also empathize with Qian so much, because the adult growth transitions that HE has to make as a former caretaker are just really emotionally huge. And the show is allowing him his pace of growth that’s right for his character, and it’s really just getting me in the gut for how emotionally sound and empathic this journey is going.

#unknown #unknown the series #chris chiu #kurt huang #qian x yuan #yuan x qian #this show is sound and solid #unknown meta

[incorrect-star-allies]

Meta Knight: He needs to learn morals and values.

Dedede: You look at him and tell me there’s a god.

Kirby: He made me in his own image.

#incorrect star allies #submission #incorrect quotes #kirby series #incorrect kirby quotes #meta knight #king dedede #kirby #source: unknown

[squeaker6352]

Daroach: Cuddling with a sleeping Dark Meta Knight Aw... How precious...

Dark Meta Knight: In his sleep I'm gonna kick your ass.

Daroach: Lovingly I know.

#Daroach #DarkRoach #Dark Meta Knight #Kirby series #Incorrect quotes #source: unknown

[alyakthedorklord]

*cracks knuckles*

So you know those fics/ideas where the batfam pretends to be winged cryptids (“loading and aspect ratio” by JUBE514 is beautiful, as is the series “f’ing demon bats” by KingJai) completly inhuman, entirely different, unknown species?

People start trying to like, study/classify them, along with other metas and species that are emerging. (Atlanteans, alien species, ext.) At first, they think the bats and the birds are different species, deciding to co-habitate, because- duh. Bats are mammals. Birds are birds. But then, why do they all have the same whistle chitter language? The same claws, fangs, cape-like base to thier wings? All the babies call Batman dad, what if its really a bloodline family? But if thats the case, then why are they so different?

The answer lies in the batgirls.

The bat… GIRLS.

Black bat, batgirl (all 3 of them), batwoman, all are female. The robins, nightwing, red hood, are all male.

The feathered members of the family are SHOWIER. They’re stealthy, sure, but they’re dramatic, using their brighter colors and their words to draw attention to themselves. Even red robin, the drabbest and most silent of the bunch, will get into loud debates with riddler and such. Clearly, these are displays to attract a mate. Just look at nightwing.

The leather-winged members, on the other hand, are quieter, talking less often, sticking more to the shadows and silent+violent takedowns. Black Bat almost never speaks. Oracle is never even seen. Spoiler is louder and more brightly colored, but who is Gotham to enforce gender roles onto their cryptid? They’re noticing trends.

But then… where does batman fit into this? His coloration is the closest to black bat. His fighting style fits in the shadows, not as flashy as other males of his species, so what gives? Is this theory just a theory?

No, of course not. The answer is obvious. Batman is trans.

Trans Cryptid Batman.

Idk how Duke fits into this give him a bird theme or smth.

BONUS POINTS if Alfred (grandpa gotham cryptid) is “revealed” to have lovely white feathered wings. Its meant to be a play on how he’s an angel looking out for them (an angel for putting up with them) but it kickstarts the whole thing.

(EDIT: more bonus points if Bruce is either A: Actually trans or B: Bryce trying to avoid sexism, and cannot for their AFAB life figure out how they got clocked as biologically female)

#cryptid batman #batfam #wing fic #misconceptions #batman #dc prompt

[wen-kexing-apologist]

Episode 10: The Couch

Wow @lurkingshan, it’s like you really know me! This scene is exactly what I was going to talk about for Episode 10 because the fucking TENSION put so much weight in to the air when I was watching that I could hardly breathe. 

CHRIS CHIU

THE ACTOR THAT YOU ARE

Scene Breakdown time!

First of all, I love the little couple dynamic moments we get between Lili and San Pang, where Lili has to tap San Pang in to Yuan and Qian’s fight. San Pang arrives and in a very strategic move informed by knowing Qian and Yuan for a significant amount of their lives, he arrives with food he knows will go over well with Qian and will test Yuan’s ears (he comes down the stairs from his room to throw the food away after all). 

Which, let’s just acknowledge that when Yuan comes downstairs and takes all the alcohol and greasy food away, the moment Yuan approaches the coffee table, Qian looks back towards the TV screen pretending he is disinterested in the situation at hand. But his eyes give him away because he keeps glancing at Yuan when he thinks he can steal a second. And stealing is what he is trying to do because he keeps his head pointed directly towards the television, while looking for half a second at Yuan out of the corner of his eye when Yuan leans over to collect the food. After that moment, Qian does not look towards Yuan again until Yuan has turned around and Qian can stare at his back. 

It must be said. Chris is a phenomenal actor, because even without seeing his face, just the top of his head, you can kind of tell the mood that Qian is in as Yuan walks away, because he turns towards Yuan. We see Yuan look in Qian’s direction, Qian moves his head further back to look at San Pang, then looks away shaking his head. I acknowledge I’m probably reading too much in to it, but I can feel the incredulity radiating off of that head shake. 

Yuan heads up the stairs, and Qian looks towards the staircase only after Yuan has disappeared. His head movement is so much more obvious than his previous motions that it literally looks like Qian is breaking character, or like he was previously frozen and had only now been allowed to breathe. Qian’s eyes look up towards the staircase (towards Yuan’s absence), then downward as he thinks about his next move, then back towards San Pang, then down once more as he makes a decision about whether or not he wants to Start The Conversation. 

gif by @wanderlust-in-my-soul (my savior)

Qian here is trying to check that Yuan is out of earshot because he Will Not have the The Conversation about His Feelings if there is a chance that Yuan will know about it. 

With the heaviest of sighs, Qian gives San Pang an opening: “Did you buy those for me, or for him to throw away?”  Qian asks, and once again looks out of the corner of his eye, getting serious “Or for him to throw away?” 

And there is no doubt in my mind that it is the latter. San Pang bringing food that would trigger Yuan’s care instincts towards Qian, cause Yuan to intervene, and San Pang to bear witness to the tense and angry energy from Yuan towards Qian and force the issue. I think it’s partially why Qian does not deliberate for long in starting the conversation despite his hesitancy. 

San Pang scoffs and says in response “He wouldn’t have done that if he didn’t care about you. Xiao Yuan can’t bear to leave you alone.” holds up the salad as a physical example of the care that Yuan has for Qian. 

gifs by @wanderlust-in-my-soul

Qian gives another giant exhale and looks contemplative. Something that I do find really important in good acting is the use of internal monologue. Qian always has something on his mind that he is sitting with. And the benefit of a scene like this is that the production team, and the camera trust the strength of their actors to hold the silence that settles over the room as Chris runs the gambit of Qian’s internal thoughts. 

Qian is well and truly sitting with the acknowledgement of Yuan’s feelings from San Pang. Maybe I am wrong because I am not an actor, but I do not have the kind of intentional and conscious control over my face to have the kinds of lip twitches that Chris has when Qian is thinking about Yuan’s care for him. They may have twenty seconds of silence on screen, but that does not mean the scene isn’t still in motion. There are so many little things happening in the span between San Pang’s comment about Yuan and his next reflection on sending Yuan away. 

“Xiao Yuan can’t bear to leave you alone,” Qian turns that over in his mind, to me it’s like he’s feeling the weight of it on his tongue, in his body. Qian looks up, and then around, and tosses the remote to the side, breathes heavily again. That feels like a begrudging acceptance of the statement. At the very least it is permission from Qian to proceed with the difficult conversation. 

“Before I had Yuan leave the country, I had been thinking I was doing the right thing for you two. But seriously, be honest, did you feel empty when Yuan was away?”

gif by @wanderlust-in-my-soul

Qian blinks twice and we cut to a flashback of a lovely little isolated frame of Qian feeling Yuan’s absence. We cut back to a close up of Qian’s face and his lip twitches. Which I love because it feels like an involuntary admission. We know Qian, we know that boy is stubborn and stoic, that he muscles through all the pain, that he does not let many people see his weaknesses. San Pang asks Qian if he felt empty and Qian does. not. move. He holds exactly the same position, lounging on the couch with his hand behind his head like he is unmoved, unaffected by San Pang’s question. But that little twitch of his lip gives him away. San Pang has struck a nerve. San Pang has forced Qian to hold a spotlight to the feelings he’s been trying to numb for the last four years. 

“Let me tell you something. When Lili and I first got together,” 

I don’t know about anyone else, but I snorted at the way Qian turned his head to look at San Pang in warning. We still have not seen Qian approve of that relationship. And San Pang knows that he’s staring at the precipice of some truly hot water, which is why he follows up with a “hear me out.” 

Qian relaxes and once again turns to look away from San Pang. From San Pang’s position very little of Qian’s face is visible. So Qian keeps holding a position that will give San Pang as little of a chance of reading him as possible. 

“I’ve struggled too. I…I always wondered what happiness could I bring her? Was I doing the right thing? How could I face you? And then…I felt it wasn’t right. Life is too short.”

gif by @wanderlust-in-my-soul

Again, I just have to say. CHRIS CHIU IS A PHENOMENAL ACTOR. He does not move a muscle, but you know Qian is locked in on what San Pang is saying because of how he moves his eyes. When San Pang says “life is too short” you can actually see the moment where Qian starts paying more attention to San Pang’s words, because he looks away from the TV and more downward in thought. 

“Getting hung up over it for years, would it be worth all the lost time?” 

Chris changes how he breathes here. You can see Qian take in a deep breath, but he holds it for a few seconds, he lets his nostrils flare, and then you see a large release of breath in the movement of Qian’s chest. This is really really getting to Qian. That nostril flare was not because he was breathing in. Because he’d already taken a breath. It was not because he was breathing out, because we see that happen a few seconds after the nostril flare, without his nose moving again. When Qian flares his nostrils, he is holding his breath, for a rather noticeable amount of time too. 

I love Chris because he embodies Qian so well, I can almost feel the way Qian is feeling internally in all the subtle little ways Chris plays with how Qian holds and releases tension and attention. 

“Who’s been good to me?”

Qian blinks twice, letting the question hit him, and only then does he finally release his breath. 

“Who put me before themselves?” 

San Pang looks at Qian after he finishes asking these hypothetical questions. But Qian is still looking ahead towards the TV, trying to come across as disengaged in the conversation as possible. And San Pang notices that, and that is why he continues to talk. Because Qian is hearing him, he’s listening and processing, but he isn’t engaged. He hasn’t put his body in to the conversation yet, he hasn’t responded to anything that San Pang has said to him. So San Pang keeps pushing. 

“A lot of things are only between you and Yuan. Unless you really have something against being with a guy, Yuan’s the only one who will be by your side, no matter what. Are you really not going to confront it?”

And I love that we pull away from that question to Qian looking like he is lying in a therapist’s chair. And Qian holds that position he has been maintaining throughout the conversation for a few seconds longer. The number of times he blinks the only indication that what San Pang has said is getting through and that Qian is mulling it all over. 

And only then, after San Pang has said all these things about Qian and Yuan’s relationship, in a way that is not judgemental or against the idea of these brothers becoming romantically involved. Only after San Pang has said that Yuan would be by Qian’s side no matter what does Qian set his jaw and push himself up in to a sitting position to continue the conversation. 

San Pang does not know what happened at Le’s gang beyond them being beaten up. So while it is highly likely that he is aware saying that Yuan would follow Qian anywhere is opening a can of worms, he does not understand how much ammunition he has just given Qian to talk about the danger that loving him too deeply has put Yuan in.

We do not give enough credit to film actors for maintaining continuity across scenes, because this man sits up and the first thing Chris has Qian do is massage the back of his head, where the pain of his blood clot sits. I could probably sit here all day trying to talk about all the little facial expressions he does as Qian sits up and starts preparing himself to be vulnerable with San Pang. But we can leave it as merely that. Qian is getting ready to talk to San Pang about some deeply personal stuff.

Personal stuff that Qian usually does not typically get in to. Like, San Pang says he knows what Qian went through, but I do not think he does. I do not think Qian has told him about the sexual assault, or San Pang would not have been trying to throw women at Qian. 

gif by @wanderlust-in-my-soul

“San Pang.” He pauses, and you can see the way he is still noodling, thinking about whether or not he wants to talk to San Pang about all this. And notably, he does not meet San Pang’s eye when he begins “Do you know…” Qian looks to the side, he frowns a little bit, he taps the palm of his hand against the top of the couch arm. It feels so childish and small of him in a way that really struck me. Qian is nervous, he is redirecting that energy in to his motions. In to the tapping, in to looking away, in to not having to reveal deep personal truths sitting that close to another soul. “Do you know what my biggest wish in life is? My biggest wish in life is for them to be happy,” 

Ohhhhhh how that breaks my heart. Qian has suffered so much, he has done so much, he has survived so much. If you were to ask me, I would bet that Qian has never been happy. He was forced at a very young age to take over the role of caregiver. He is both a brother and a father to Yuan and to Lili. And it is a testament to Qian’s love for his family, and the pain he is willing to put himself through that Lili is so bright and vibrant and naive about some of the workings of the world. I believe that Lili is happy. I believe that Qian has succeeded in at least that much. But that is not something he has had a chance to do. “Even if the world comes down, I’ll hold it up.” I have not forgotten that line from last episode. Qian would hold the world together if it meant ensuring his sister’s happiness. 

I do not know what it is, but there is something in the way Chris moves his mouth after he says “My biggest wish in life is for them to be happy,” that just absolutely destroys me, because he makes himself look like this is such a huge confession. 

“Mine is the same.” 

gif from @wanderlust-in-my-soul

“I just want them to grow up healthy and happy, because I’m their big brother.” Qian’s words become so breathy and he’s jabbing his finger straight in to the arm of the couch to drive home his point. These are the words that matter, this is the wish that matters. Qian’s feelings, Qian’s happiness have nothing to do with it. If he’s empty so be it, as long as his siblings are happy and healthy he will wound himself a thousand times over. His fucking face here, once again is just…When Qian takes in a breath, it is shaky. You can tell by the movement of his jaw, which looks like it is moving from side to side a little bit. As he approaches the end of his sentence, it feels like he is trying not to cry. 

gif by @wanderlust-in-my-soul

Yuan’s life might be summed up in two words: Wei Qian 

But Wei Qian’s life is summed up in five: 

Because I’m their big brother. 

“We grew up together. You think I don’t know how hard life’s been on you? But you know that Yuan’s feelings for you are different.” 

Qian looks away incredulously, and there is something else there too, I think. Something in the way that Qian’s eyebrows furrow, the way his mouth hangs open, the way he breathes out. I don’t know that he can really believe that this conversation is happening right now. That San Pang would let these words reach the light of day, that he would acknowledge them so openly, so matter-of-factly. 

“We’ve tried everything. We even sent him abroad for years. You were miserable every day. You love him and he loves you.”

We get more of Qian’s thinking face here as San Pang says these words, his mouth agape, his breath quickening, his eyes moving back and forth as he sorts through his own thoughts. 

But I need to acknowledge San Pang. He has such an intriguing connection to Qian and his family. San Pang has power of Qian, because his parents are Qian’s landlords. He and Qian have been best friends for a very long time, and even though I think it is true that San Pang likely knows the most about Qian’s life history, he does not know it all. He is still, in many facets of his life, acting like a kicked dog and backing down every time he tries to push back against Qian now that Qian knows that he and Lili are together. But when push comes to shove. When Qian’s happiness is impeded, when Qian’s health is at risk, he will tell Qian what Qian needs to hear. 

Whether or not Qian is truly having a hard time parsing through his feelings for Yuan doesn’t matter to me as much as Qian getting permission from multiple people to actually pursue the relationship. In acknowledging all of this, San Pang, the man who at one point told Yuan he could like anyone but Qian, the man that sent Yuan away for four years, is telling Qian that it is okay for Qian and Yuan to be together. He is the external judge that is finally accepting this taboo relationship, because he knows that if he does not show Qian that it is okay for him and Yuan to change from brothers to lovers, that neither Qian or Yuan will have any chance in hell of long term happiness. 

“Even if you’re not together, he’ll be sad to see you sad.” 

Off come Qian’s glasses. Shit is getting serious now. Qian rests his head on his hand, he looks away from San Pang. He really sits with it, you can see the emotions rising up in him, in the way he breathes, in the way his nostrils move, in the way his lips tremble for a second before he speaks. 

gif by @ueasking

“I’m scared, you know?” he turns to look at San Pang, and he sucks in a huge breath through his nose. It’s the first time we’ve seen him breathe so obviously that way throughout the entire scene. GOD, QIAN KILLS ME. 

“You haven’t even tried. What are you scared of?” 

And this is the fascinating thing for me, right? Outside of Yuan, San Pang is Qian’s best friend, but they do not have conversations like this that often. San Pang has tried time and again to start the more serious conversations, to act as an emotional support for Qian, but Qian brushes those conversations off as much as he can. San Pang knew the medical issues, he knows the history, he knows about the pieces of Qian’s life that Qian can’t hide. But he does not know everything, Qian does not usually let himself be this vulnerable with San Pang, hell he hasn’t even told San Pang everything that happened with Le’s gang. He’s about to, but that is only because he is trying to make a point. 

I think he is only having this conversation with San Pang, only admitting he is scared, and confused about his feelings for Yuan because he has literally no one else to talk to about it, and he’s starting to break down to the point that he can’t hold it all in by himself. And San Pang keeps pushing. 

“You know he went to find Le by himself that day?”

“I know.” 

“He was surrounded and beaten by six people, and in the end…”

gif by @wanderlust-in-my-soul

He sucks in a breath. It takes him a moment to find the strength to form the words, so he forms a gun shape with his hand, which he points quickly a few times to fill the silence and the stillness in the room as he finds the shape of the admission on his tongue. He accentuates the severity of the memory with one final large motion. 

“...they pointed a gun at…” 

Ah, and there it is. The real reason behind Qian’s comment about wanting Lili and Yuan to be happy and healthy because he’s their big brother. Qian will not act on his feelings for Yuan, especially not right now because he is feeling guilty. Not just for sending Yuan away, not just because of the letter, but because Yuan’s unwavering loyalty, protectiveness, and love for Qian got Yuan hurt. Nearly got Yuan killed. Again. 

Qian’s whole world, his entire drive was shattered the day Yuan confessed, when Yuan told Qian that he was suffering. Yuan’s love for Qian was hurting him. But Qian just wants Yuan to be happy and healthy. The chance at having that world again was nearly destroyed with the realization that Yuan almost died abroad. His world was made complete again when Yuan returned home. And it was very nearly destroyed once more when Yuan walked in to that gang in hopes of protecting Qian. 

There is pain in witnessing the kind of love someone would die for. 

Qian can put himself in danger for the sake of his siblings, because from my perspective, Qian never thought his life had much worth. His formative years were filled with horrific abuse, assault under the guise of love, pain, suffering, doing terrible things just to survive. But this is all because he cannot see the forest through the trees, of the life that he has built, of the home that he has built, of the safety that he has built for his siblings. 

Yuan is not allowed to believe his life is less important than Qian’s because no one has ever thought that Qian’s life was more important than theirs. 

“Fuck, you- you’re telling me that now? Then, you…Right now, you…So, you’ve lost…”

Another quick shout out to San Pang, and moreso to the writing for San Pang that they don’t always let him have these brilliant speeches. He was able to navigate the beginning of this conversation because he knew mostly what he was walking in to, but with the reveal of Yuan and Qian’s near death experience, he is fumbling. 

The camera cuts back to Qian. I’d say Qian is listening to San Pang, but not fully present. Chris is doing so many things with his face in that moment. His nostrils are flaring, his lips are tightening like he’s trying to hold something back, he’s rocking his jaw from side to side. 

gif by @ueasking

“So, this isn’t a decision I can make so lightly.” He is almost crying now, he won’t cry, I think the only time we’ve seen him cry is when he was staring the prospect of Yuan’s death directly in the face during Russian Roulette and when he was hugging Yuan afterwards. But you can see the growing frustration and the threat of the tears very clearly on his face. Qian emphasizes the statement by once again jabbing his finger into the couch. 

“I have to consider the future.”  

“Do you want him to have a future without you?”

Let me tell y’all the way I collapsed under the weight of that question…it is no wonder Qian, notoriously quiet Qian, immediately shuts his mouth. I appreciate how much San Pang is willing to be the sacrificial lamb, because that is exactly the question that Qian needed to hear. That is exactly the reality that Qian, Yuan, Lili all face if Qian does not get his blood clot treated. A future without Qian in it. 

Qian needs to know exactly what he is doing to the people he loves by continuing to delay this medical treatment, but San Pang had to know that in asking it, it would only make Qian retreat back in to himself. Which is what Qian usually does. It was a miracle in it’s own right that San Pang was able to get Qian to voice this many of his concerns, to tell him the entire truth, to talk to him about the fear. 

gif by @ueasking

Qian closes his eyes, he lets the blow of the question absorb in to him, and he nods his head. Which, in my opinion, is a brilliant choice because the way he nods does not read to me as a confession that yes, Qian does want Yuan to have a future without him in it, and more so is an admission of defeat from Qian. But because we don’t get verbal confirmation either way, we do not, San Pang does not, Yuan does not get any confirmation one way or the other about what Qian is thinking. 

Qian just nods, lets the silence hang one moment longer, and kicks San Pang out. 

“Go home.” He says. But there is a more promising follow up “Let me think about it.” 

Which feels like the only thing Qian has really been doing for the last four years, but we’ve already established, that boy is about as moveable as a brick wall, and he and Yuan both serve to lose a lot if this goes wrong. 

And there you go @lurkingshan! 4103 words on the mouth twitch, nervous body language, and tears in this scene :D

#unknown the series #unknown the series analysis #unknown the series meta #unknown #unknown episode 10 #unknown the series episode 10 #taiwanese bl #chris chiu #wka long post

[basilf1res]

Memento Mori - DPxDC

What was beyond death. Was there anything at all? Was there nothing?

That was what he always wondered.

When Clark was a child, he looked up to his fictional hero: Danny Phantom. A half-dead guy in a comic book series that led to the most bisexual awakenings in the century.

Clark liked to go back and reread the comic books from Issue #1 (they were fairly short, but all parts of an “episode”, almost like those ads on shows, but the wait time was every two weeks). He tended to read them all in one sitting, and yet oddly enough, never disturbed as he murmured the made-up summoning spell under his breath.

He could’ve sworn he had been going through them for over an hour and not twenty minutes.

It was Phantom who inspired him to continue being Superman in his darkest moments. He also considered himself physical proof that Danny’s palette swap was enough to hide his identity.

The glasses ARE enough.

When Clark found out he had a clone, he was ecstatic to be able to teach Conner anything everything, to answer any questions his little brother had.

Danielle “Dani” Phantom and her awaited return in “Issue #46 D-stabilized” caused him to become a mama bear to Conner out of the fear he would melt within a few weeks. But it wasn’t like anyone at the Watchtower had to know that small detail.

Getting married to Lois was the best day of his life, the day of Jon’s birth also fighting for that first place spot in his mind.

He had a clone brother, a wonderful wife, a beautiful son, and an amazing group of friends that work together to protect the planet he calls home.

But everything started to fall apart when a protest against metas took it too far, Jon’s powers started to develop and he was seen accidentally tripping, falling, and catching himself by hovering a few inches above the pavement.

Jon said he considered himself lucky nothing scarred. He laughed everything off when it came to the topic.

But it shook Clark, Lois, and Conner to the core.

Memento mori.

It reminded Superman that despite his impenetrable skin, Death can come at any moment. Even for him.

—————————

When Danny was a little boy, he dreamt of reaching the stars, he wanted to be able to touch the moon, explore Mars, and roam the galaxy he resides in and beyond.

He read these comic books of a league of heroes, a team with space cops, super powered humans, a man dressed in a bat suit that was more effective at capturing rogues and villains than some of the powered members, aliens, and so much more.

He flipped through the weekly published comics, learning to read better than most at a young age. He had two favorites, Superman and Martian Manhunter.

Danny wanted to explore the stars like his heroes. He wanted to be able to fight as well as the big Bat. He wanted superpowers. He wanted to help people. He wanted to fight his own set of supervillains. He wanted to be able to succeed and be loved.

Oh how he got everything he wanted but the last.

Tucker and Sam were the only reason he hadn’t broken yet, the reason he was still standing.

The anti-ecto acts, the GIW, Vlad, Pariah Dark, and his- Jack and Maddie’s sadistic comments about ghosts were the last straw.

The hero always wins… they don’t die to the evil they want to stop… right..?

Right..?

…

The sound of a scraping scalpel, the buzz of the lights, and the squeals of pleasure - as his ghostly heart was found again and again and prodded again and again - filled his ears for an unknown length of time.

His cries for help were never answered until a summoning pulled at his core, it was a personal calling, someone had managed to find his calling card.

The tears of relief stung his eyes as the dissection table with his body strapped down to it was sucked into a summons portal.

He was spat out in front of kids, most likely teenagers, due to the shrieks of horror and surprise.

Oh… oh how he prayed to the Ancients that he’d live to see another day as a tears slipped out of his eyes.

Memento mori.

——————————

Jon found out about his comic book collection and wanted to show Damian.

Clark hummed as he typed up an official report on a rogue attack to send to the Watchtower.

His blood ran cold when he heard his son scream from over in Gotham.

#dp x dc #dc x dp #dpxdc #dcxdp #dp x dc prompts #dc x dp prompt #dp x dc prompt #dc universe #dp #dc #danny phantom #giw #guys in white #ghost investigation ward #clark kent #lois lane #jon kent #damian wayne #superman #justice league #danny is not having a good time #ice core danny #memento mori

[stealingyourbones]

Hi! So I was into DP years ago, then earlier this year got into Batfam fics, then saw my first DC x DP crossover and just 💥

So now I’m on a new obsession that has me reading every one of your prompts and any stories that come from it and I just had this one flood my brain:

Presumed Alien Danny

So for [insert reason here] Danny has to flea Amity and the living world to stay in the Zone. He’s injured, and therefore forced to use the Fenton Specter Speeder, and flies it into the portal. Only, whether due to a malfunction, Clockwork, or something else, instead of the Ghost Zone, the Speeder gets spat out of a portal in the DC universe.

So, on the other side, the Watchtower gives an alert that an unknown energy is spiking nearby, and then a spaceship/pod looking thing comes flying out of a flash of green. It’s spinning out of control, and headed for a desert on Earth. A team is dispatched, I’m thinking Superman (alien), Green Lantern (alien law enforcement) and Batman (obvious. Kid bait).

So they get there within moments of the crash, find the thing totaled, Superman hears a strange, humming/thrumming accompanied by groans, and he cracks what’s left of it open to see this green-eyed, white-haired kid with very bad injuries and green blood covering what looks like it could have been some kind of space suit. He grabs the kid, gets him out, and Lantern makes a shield that contains the massive explosion that leaves the ship/pod nothing but charred bits lying scattered across the sand.

They get the clearly alien child to the watchtower for medical help, and though they heal very quickly they still need a lot of stitches, mainly because the first set melted and they had to use ones designed for metas with corrosive abilities.

Then, a day or so later, still healing but not in danger, the kid wakes up, stares wide-eyed at the people around him, and exclaims something I a strange language.

Yeah, definitely alien.

Danny wakes up, sees a bunch of weird, costumed people all around him, and tries to ask what the heck is going on. They all stare in confusion. One guys, who’s glowing green but a different shade, had a ring that starts speaking in a different language.

So, I figure, in an alternate dimension, the English language developed differently, so Danny’s English and the DCU’s English aren’t the same. Hence more Misunderstandings.

Also, if Connor is in this, it’s not until after Danny’s been found. 😎

So Danny gets introduced via the Green Guys magic translating ring, finds out they think he’s an alien, thinks he’s still in his world, where the Anti-Ecto Acts are a thing, and goes with it. They introduce him to the younger hero’s his age, and once he’s better they set him up in their base to live, since obviously he can’t stay on the watchtower or blend in. A few weeks in is enough for Danny to get confused by all the differences and look into it, and realize he’s in a new dimension. But he’s already knee-deep in this, so he just doesn’t ever mention it, and just refers to his ‘home planet’ as Amity.

Meanwhile, the alien kid, Danny, seems to be adjusting well, if a bit confused by the strangest things at times. The planet he mentioned as home was listed by the Lantern Corps as one destroyed by a black hole a few days before Danny’s pod showed up, so they avoid asking about the clearly painful and traumatizing experience. Superman, upon learning about the boys skill set, takes him under his wing.

TLDR-

Through a series of misunderstandings and coincidences Danny is premised to be an alien child by the Justice League and taken in as Superman’s apprentice/son. He does not correct this assumption, either ever or until he is outed by something/one else.

homie I am in love with this idea. Presumed Alien Danny makes me so happy.

I will like to add: The not-quite-english that Danny is speaking is akin to old English.

#Presumed Alien Danny #danny phantom #dp x dc #dc comics #writing prompts #dpxdc #dp x dc prompt #bones replies #norasalina

[asha-mage]

Since it's my birthday my friends got me the amazing gift of 'watching the Wheel of Time show while occasionally stopping to discuss/let me loose my mind' for which I am incredibly grateful. A few random observations from this time through, as I attempted to view it through the lens of the entirely WoT uninitiated (as my friends are)-

The group shots, where the camera passes from one of the Emond's Field 5 to another, do this clever trick where Rand is never actually standing on his own. He's always standing beside or behind someone in one of these shots, so the camera doesn't actually have to cut or pan away from someone else to get to him. This serves the purpose of highlighting him in contrast to his friends, but also to subtlety downplay his presence to the audience, and build up to the Dragon reveal in episode 7 very effectively.

The cinematography in general is so exceedingly rich and delicious- the stark white of the Whitecloak camp contrasted with the bloody reality of their actions. The bright primary colors used to make the Aes Sedai visually pop and feel magical and strange, even as they are dressed (for the most part) practically for their traveling (a complaint I had about the Witcher, aside from everything being brown and grey all the time, is that the mages show up to battles dressed in ballroom dresses instead of you know, clothing that would make sense). The subtle use of lighting and camera angle to create a sense of vast isolation of Shadar Logoth, fear and danger in the Ways, and cramp sweltering heat in the Blight.

Moiraine's opening narration in episode 1 is essentially a summary of the information we get from one of the epigraphs at the ending of the Eye of the World prologue, to whit:

"And the Shadow fell upon the land, and the world was riven, stone from stone. The oceans fled and the mountains where swallowed up. and the nations where scattered to the eight corners of the world. The moon was blood and the sun was as ashes. The seas boiled, and the living envied the dead. All was shattered, and all but memory lost, and one memory above all others, of him who brought the shadow, and the Breaking of the World. And him they named Dragon." - Aleth nin Tearin alta Camora, The Breaking of the World, author unknown, the Fourth Age "The world is broken. Many many years ago men who where born with great power attempted to cage darkness itself. The arrogance. When they failed, the seas boiled, mountains where swallowed up, cities burned, and the women of the Aes Sedai where left to pick up the pieces. These women remembered one thing above all else, the man who brought the Breaking of the World. And him, they. named Dragon." - Moiraine

This makes me suspect their was an earlier version of the script that actually used the epigraph (maybe even both of them). I have mixed on feeling on this, as the epigraphs are one of my favorite artistic choices of Jordan's and really help emphasize the history and depth of his world, but I think filtering it through Moiriane and making it slightly less opaque was a smart choice to convey the information to the audience. I also think this works on a character level as well- here is Moiraine's understanding of this information, shaped by her biases.

Every re-watch also makes me more and more comfortable in my 'the show is a future/past turning of the wheel from the books, the broad events and truths being the same, but seen in one of those endless variations we hear about' interpretation of the series. The heart of the story and characters is the same, and the broad strokes and framework are the same, but it's in the details where things emerge as different. This interpretation has the benefit of fitting really really well with the meta-narrative stuff Jordan always liked to pull, and in freeing I think the show expectations of being a one-to-one recreation.

That said I defiantly felt the cracks in the final two episodes as a result of the Covid shutter and loosing Barney Harris more strongly this time- some of that being that this is my first re watching of season 1 since I've seen season 2. You can practically see the things they wanted/planned to do that had to re-worked because of circumstances beyond their control. Mat's absence in the group argument scene (and the 'I am so tired of you two fighting over her' line that was clearly meant to be Mat's), as well as the lack of bigger/more cohesive battle scene in Tarwin's Gap. You can also tell they hadn't quite figured out how they where going to re-work season 2 yet given that the ending for season 1 had to be changed last minute (for example, their is no reason for Moiraine to just outright admit that she released Lan's bond unless they hadn't yet decided that was where their arc was going yet).

I think the show does an exceedingly good job of structuring it's exposition to the un-intiatited, trying to stagger it so that audience is largely learning new things in pace with the characters. I know people where frustrated that things like the War of Power have yet to come up in earnest even in the Latra and Lews scene, but I think the slow and steady reveal of things matches both the core idea of 'their is always more you don't know', and trying not to overwhelm the audience. My friends had no trouble following what was going and picking up the bigger implications/subtext that underpins a lot of information. 'But why did the Dragon try to cage the Dark One? It doesn't seem like it was that simple.' came up a few times especially.

The detail that what jump-starts Perrin's wolf brother connection is having his wound healed/cleaned by the wolves in that scene from episode 2 is so incredibly clever, and a good twist on the traditional 'werewolf bite' mythology.

I love the deliberate choice to incorporate so many random ruins and remnants of things in the background of shots. Not just the 'dilapidated stone buildings' that the characters camp in, but things like the trio of carved faces that Egwene and Perrin run past while fleeing the Whitecloaks, or the boundary stones Mat and Rand pass on the road, or even just the small carvings and pillars scattered about the cave where they are holding Logain. It all helps to make you feel that ancientness, that brokenness of this world more effectively.

The reoccurring use of the Dragon's Fang to symbolize violence and destruction: the Trollocs using it as a scare tactics, it appearing in the blood in the pool after Nynaeve kills the Trolloc, being burned into Siuan's ruined childhood home....and the way that contrasts with it's use in the finale episode, when we see it whole and unbroken in the seal/yin yang symbol for the first time was really really clever. One of my friends actually gasped out loud and went 'oh' at the first shot of the whole seal when it clicked.

The show does an exceedingly good job of maintaining that core idea of the series that it's about our relationship to violence- violence never being casual or simple or easy, but always raw, hard and bloody and a little bit ugly. EVen subtle things like the way the show depicts Moraine hurling stones at the Trollocs with uncomfortable frankness, trying to literalize what in most fantasy media would be an abstract. Take it from I cast stone 2, to I inflict horrible blunt force trauma on another creature. And of course everything re: Perrin and his ax.

I have more thoughts, but I think I'll save some of them for after we watch season 1, because they relate strongly to stuff from there.

#WoT #Wheel of Time #Wot On PRime #Wheel of Time on Prime #WoT s1 #WoT Meta #Wheel of time Meta #WoT Musing #Rand al'Thor #Moiraine Damodred #Perrin Aybara #Egwene al'Vere

[romchat]

Unknown (2024) visual analysis (ep. 9): Life comes down to a few things

I adore how this show layers meaning through its visuals.

I was wondering when we'd get a cross doorway shot with all those scenes in previous episodes showing Yuan and Qian walking back-and-forth across the hall to each other's rooms, and of course it happens when Yuan tells Qian:

"Life comes down to a few things. Where you come from, where you linger, what you want, what's left."

We know that the show loves using how it frames the characters in their rooms to represent the ebb and flow of their relationship. Here, the doorways to their rooms act as frames within frames, visually directing our attention to what matters in the conversation: them. Qian is all those things Yuan lists off so it's fitting that the doorway frames him as the main subject--he is our focus as much as Yuan's.

And despite Qian's hesitation and their physical distance across the hall--the depth enhanced by these frames within frames-- Qian is also looking directly at Yuan through the door.

They are each other's family (where they come from), home (where they linger), desire (what they want), and all they can rely on (what's left).

And because of this, the fight with Le doesn't end with a shot of Qian once again carrying Yuan but instead clinging to him. They're holding up the world together, fighting against the dark that surrounds them.

#unknown the series #關於未知的我們 #meta #cinematography #taiwanese drama #taiwanese bl #bl dramas

[heretherebedork]

Yuan used to leap in anticipation of Qian's needs and that meant that Qian never had to think about Yuan's presence, never had to wonder where he was or what he was doing because Yuan was simply always there.

Then Yuan went overseas and suddenly Qian found himself aware of everything Yuan anticipated and he found comfort in cleaning up his space, in being in Yuan's place, in the familiar sights and the living place that had been so filled with life.

And now Yuan is back but he's not leaping into action. He's taking care but he's hanging back. He's waiting for invitations. He's closing the door to Qian's room. He's giving space and he's letting Qian come to him.

Now it's Qian's turn to start filling in those gaps. He called Yuan first. He told Yuan to come back if he missed home. He's going to reach out, he's going to ask questions, he's going to slowly open the doors that trauma and fear have closed.

And Yuan is ready to walk through those doors, to be there as they open, to offer a hand and support.

He's just not going to climb in windows or try to break them down any more.

#unknown the series #qian x yuan #unknown bl #關於未知的我們 #yuan x qian #unknown series #taiwanese bl #bl drama #bl series #asianlgbtqdramas #asian lgbtq dramas #unknown meta #taiwanese bl drama #taiwanese drama #taiwanese series #taiwanese bl series #taiwan bl

[lineli225]

Tomura's Kill count in Canon

I'm done with people calling Tomura a "sadistic genocidal mass murder who killed millions" BECAUSE HE ISN'T.

So, i finally decided to prove it my self.

So today I'll be listing EVERY person Tomura killed! With his reasons too.

1- His father, his first intentional kill and one of the few he felt a thrill or pleasure, justified since he abused him.

3- The two thugs, he killed them under AFO's pressure, and if you pay attention, he was wheezing during it the same way he did during his panic attacks.

Time skip to the present:

USJ had no kills (despite his attempts), Stain's arc had no kills either (except some papers and a binocular, RIP). No kills even during Kamino, as he seemed to not even want to kill Bakugou.

Tomura's first kill, chronologically, in the entire series, is ironically, only on the 4th season, and 11th story arc (Shie Hassaikai Arc)

4 kills so far, one of Overhaul's man, this kill was literally self defense (and revenge)

5- The cop driving the police car, guarding the ambulance Ovehaul was in (we don't know if he died or just lost his hand though, it might not have even been intentional considering he aimed to the steering wheel)

Then we have the Overhaul arm snatching scene, the only moment Tomura is shown as actually sadistic so far.

Totally owned though, Overhaul shouldn't have threatened him, killed and injured his friends

Then, we move to the MVA arc, where the real kill count starts

First, we have a unknown number of kills, when the league visits Creature Rejection Clan, there was around 20 visible members, assuming the kills where shared equally though the League, we can say Tomura killed around 5 or 6 of these guys.

Which he did with no Sadistic glee, actually, so far, he either kills with no emotions, or seems bothered by it (Also, racists, so owned 💅)

Anyways, around 10 kills by now.

2 kills, then i could count 32 people, so 44 kills.

Considering Deika had 110,000 Meta Liberation members, and that good part of these people had died by GigantoMachia, Twice, Dabi and others.

We don't know though, how many where killed by Tomura's decay wave.

In the end Hawks had reported around 9,946 MLA members dead

I don't know if the kill wave should be counted though- since they weren't direct intentional kills

So by far Tomura has killed around 7,000 people, but none of them where innocent people (except that cop rip) People left alive:

Now we move to the Paranormal Liberation War Arc

First kill being X-less, then once again a unknown number of both heroes and villains killed by the decay wave, let's count the visible/shown deaths.

Crust, these 2 guys, some of the list- around 15 kills by Tomura

Since the city was evacuated, no one died besides a few heroes.

Tomura didn't kill anyone else during his fight against Endeavor and Izuku, so now we move on, with a kill count of around 61 visible kills and hmm.. 8,000 off screen?

I won't count any kill during the Tartarus scape since these where clearly by All for One

So we move to Stars and Stripes! Since here Tomura and AFO's personality where already half way, i'll count thise ones too. So more 2 kills here

Then the final arc begins, but despite the absolute mess the fight against Tomura in the UA cage was- it had no deaths besides Bakugou.

FINAL COUNT:

On screen kills by Tomura: 61 kills

Kills counting ShigAFO: around 64

Kills counting off-screen deaths: around 1,000 to 9,000

Bonus: Nine lol

Ngl, owned too

Now you're probably thinking: uhh- that's still a lot of people.

But the thing is, he killed much less than it looks like, literally all kills where out of self defense or necessity, very few in the list where innocent people, the vast majority are villains, and he never killed for pleasure or in a act of sadism.

Actually, he had very good reasons to kill each one of them.

Yes yes, he did attempt to kill much more, but he didn't.. Even if he did kill "millions" because of Deika- he's still not the monster he is portrayed by some.

Like come on, if you had an entire city trying to kill you, you wouldn't try to defend your self in your way to rescue a friend? If someone threatened you and had brutally killed your friend and taken another's arm, you wouldn't feel joy in vengeance?

Anyways, Tomura is innocent

"The reason why he killed them or how he felt doesn't change the fact he killed them!"

If so same for Gran Torino's "killing is a form of saving" ass!

Like come on, look at him!

Anyways, my job here is done 😌

#shigaraki tomura #tomura shigaraki #shigaraki #bnha #mha #boku no hero academia #my hero academia #tomura #mha thoughts #mha analysis #bnha analysis #mha shigaraki