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#very rude actually
otrtbs · 1 year
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i am back in texas for a bit and i love it and it’s very great and cool and fun but i did not account for the fact that @motswolo is not here w me in texas and i am wilting and withering like a little flower without her :((
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melissa-benoists · 2 years
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so rude of charlie and abbie to both drag me back into my swan queen obsession by live blogging ouat 
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mumblesplash · 3 months
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he's not even that light impulse is just really strong
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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I still think one of the funnier aspects of the spones dynamic is that McCoy is the sometimes the only person Spock will actually acknowledge that he has emotions with BUT it's only to make McCoy feel bad.
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canisalbus · 6 months
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Everyone's talking about how cute raccoons are, and while i agree wholeheartedly, all i can think about it the time i was at camp and i woke up to raccoons in our tent cause one was patting my ass through my cot, and then another grabbed one of the other girls' hands and she screamed and our councilor had to literally sweep the raccoons out of our tent with the broom she grabbed to hit intruders with lol. we made extra sure everything was zipped all the way closed after that
.
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funkbun · 3 months
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Okay but, I read your tags, and my mind instantly went "You fucking squeeb" and I lost it
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new bugsnax update where everything's exactly the same expect Beffica's allowed to say Fuck
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theminecraftbee · 2 months
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can i request three somehow forced into a fake dating situation
Three stares directly into Martyn’s eyes. They are blue and of an average size. It feels as though maybe this should be against the rules, but according to the book it had read, this was… normal. A normal thing to do on a date. Look deeply into someone’s eyes. It would not be suspicious at all, even though Three isn’t really sure how to look more or less deeply into anyone’s eyes at all. Eyes are not flat, but even when Three Looks, it isn’t as though there is anything interesting in there.
Martyn is sweating somewhat. He looks away first.
Three’s pretty sure this counts as a victory, especially given Martyn can’t see Three’s face behind the mask anyway. It is good Three has now won the game of ‘staring lovingly into its date’s eyes’, because that had been a strange, threatening mortal ritual. It would rather not do that again.
“Haha, thanks again for agreeing to this date,” Martyn says, very suspiciously looking around the small cafe in a bustling semi-private Origins server. “It’s been so long since we’ve gotten to hang out like this. Gods, do I sound stupid.”
“You do,” Three says.
“You don’t have to answer those,” Martyn says.
“Will comply,” Three says.
“Oh, for the love of—we’re on a date. A date!” Here, Martyn winks obnoxiously. “It’s not a mission.” He winks obnoxiously again. “Besides, you should lighten up!”
“Will comply,” Three says.
“You know, I had forgotten how obnoxious that was,” Martyn says cheerfully. “Anyway, I should order us some drinks! Have some conversation! Keep an eye out around us, yeah, for our waiter?”
“You are not very subtle,” Three says.
“I don’t know what you’re talking about,” Martyn says. “Besides, honestly? I am really glad to just hang out with you. Because we’re dating! On this server for fancy couples. Yep.”
The problem is, of course, that a fancy origins server is a great place for the strangest of people to hide.
When Martyn had asked a favor, Three had been… uncertain. This was not because Three doesn’t care for Martyn—it does, greatly—or because Three didn’t want to see Martyn—they’d met up a few times before now, tentative and quiet and frustrated and all the things that were hard to explain, and then in all the ways they were okay again—but because Martyn, for all Three cares for him, is still an idiot.
Three is its own handler, now. It does not have to follow handlers that are morons. It had told Martyn this. When Martyn had stopped wheezing, he’d explained that it’d be fun. Not Listener business, he promised; he still hadn’t quite gotten out, but he wouldn’t drag Three in, Scout’s honor.
(Three believes him. It’s never been that Three doesn’t trust him.)
It was a friend of Martyn’s that had gone missing. Apparently, on some fancy modded server? And now, Martyn wanted Three to come help him do some recon because, quote, “Jimmy laughed at me until he cried and that hurt me a little bit, not going to lie, and I’ve used up the favors Ren owes me, and Oli was busy. Have you met Oli? You’d like Oli.”
(Three did not like Oli.)
Three agreed, despite its better judgement. The reason it thought this may be a poor plan was because—
“Ah, the lovely Valentines,” the waiter says. He gives them a plate of lovely heart-shaped calamari. Three wonders if they had belonged to heart-shaped squid. “It’s a lovely evening, isn’t it?”
“Yes, it’s wonderful here with my beloved!” Martyn says.
The waiter and Martyn both look at Three. Three doesn’t say anything and sits perfectly still.
“Um,” the waiter says.
“It’s for a health condition,” Martyn says, which technically isn’t a lie.
“Very well, sirs, although it may get in the way of the kissing competition!”
Martyn, who had just started sipping some wine, chokes on it.
“I will win the kissing competition,” Three says.
Martyn chokes harder.
“I will see you to it!” the waiter says. “And of course, our patented species comparability exam is the highlight of the evening.”
“Oh. I am not sure I can produce viable offspring,” Three says.
The waiter stares at Three. Three stares back, although not into the waiter’s eyes, as to not cause any confusion. The mask somewhat prevents that from working, though.
“Very well then,” the waiter says. “I suppose just—do you need help?”
“It knows what it’s doing,” Martyn hisses.
“I did do research before coming here,” Three says.
“I’ll just head on,” the waiter says, in a tone that suggests to Three that maybe it did not do enough research before agreeing to help Martyn.
Oh well.
At least the mask means it doesn’t have to keep a straight face as it picks Martyn off the ground and, completely flat in tone, says: “Do not die. I would be sad if you died of something as stupid as choking on wine.”
“I asked for this,” Martyn says.
“Yes,” Three says. “You did. That is why I am here.”
(Beneath the table, it grabs Martyn’s hand. Martyn squeezes Three’s hand back. It had missed him, though. For all they do not see each other often—)
(Well. It had missed him, though.)
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spaciebabie · 3 months
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okay guys so heres the thing. if i am having fun and being happy over a post and you come in my inbox and say something rude about how im enjoying something you're getting blocked lol. i have been veeeeeeeery nice so far. i dont know why you're following me if you're gonna make a stink when i reblog/make art/talk abt something i like. why are you here. you know. the blog where i talk/reblog/make art abt the things i like. if you dont like it here instead of telling me. leave. be a decent person, okay?
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xitsensunmoon · 1 month
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Hi, just a curious question but when will you write/draw about how doctor y/n first met sun and moon? because in the FAQ, you said that you will show or answer the question we might ask but it has been a year and i haven't seen any spoilers or more details about the au?
I'm saying this not only to you but to everyone out there who is asking similar questions. Stop treating creators like content generators. You're not entitled to the content you're shared with for free.
Firstly - you're not being curious, you're being rude.
Secondly - if you're not monetising the creations you like, you have no word on deciding how soon they will come out. I'm the host, you're a guest, I'm not a seller, nor you're a customer, nor a consumer.
And finally - the more you ask the less motivation I will have. The best thing you can do is engage and support. This will result in the opposite outcome.
It will come out when it will come out. I am a living person with who knows what type of everyday struggles and you're in no place to say "it has been a year".
The fact that you've read the FAQ that said "no need to ask this question" and still you decided it was ok to do so just shows how entitled you think you are to my creations.
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bonefall · 1 month
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tall shadows line of "she was only a kittypet" kinda reminds me of the line "they were only slaves" from the prince of egypt.
What kills me about it is that like, at that point in the movie, the Pharoah Is Bad. Him saying that a billion babies where fed to crocodiles is A Bad Thing. It's the point where Moses realizes he can't be part of the royal family without being complicit.
But Tall Shadow says "calm down, Bumble was less than human anyway" and Gray Wing nods along (complete with the jiggly clicking noise that comes with shaking a can of spraypaint) and this is an example of them being reasonable. Level-headed, even, not getting swept away by the passion of the angry mob.
There are so many levels to how fucked up the Bumble Debacle is that you can't explore every floor all at once. It is an onion. It has layers.
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isaidquirky · 1 year
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lottie "having women here makes me feel deep primal things in my body" matthews and natalie "it's time to stop repressing" scatorccio fucked in those woods send tweet.
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nuppu-nuppu · 3 months
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How the heck do people make themselves approachable irl and online I feel like people see me as a concrete wall with some graffiti on it that is a circle that says autistic inside of it
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chaifootsteps · 1 month
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Wanted to vent in the inbox and if I’m wrong or mistaken on any of this please let me know.
People like to shit on Raph, but if I’m honest I don’t think he’s all that bad, with the exception of when they made sexual remarks to someone online that he didn’t know.
It turns out that who he said the thing about his “nudes” to was a minor, but even if it hadn’t been a minor, I think we really just shouldn’t be saying sexual stuff to people we don’t know online. It was still sexual harassment, even if it wasn’t intended to be, and I hope Raph apologized for it.
I don’t care about Raph’s kinks or rape fetish, I don’t care if he wants to cosplay as Angel Dust every day of their life and do Val/Angel CNC role plays for 24 hours a day.
I’m upset because VivziePop lied about Raph being a survivor to justify having someone with a rape fetish storyboard what was supposed to be a serious scene, but borrowed a lot material from Raphs fetish comics.
To my knowledge, Raph never said that they were approaching the storyboards they did seriously and weren’t treating them as fetish stuff, Viv did.
Viv was the one who lied about Raph being a survivor, and while I don’t know Raph and don’t really trust them, at least he’s been consistently honest about his fetish and to my knowledge hasn’t acted like the scenes he boarded were anything other than the stuff he usually makes.
I would literally not have cared if Viv had just admitted that there was fetish material in the show, but she went out of her way to lie about it and act like there was no possibility of poison being fetishized, even though we literally can’t know if it was boarded to be so or not based on Raph’s tastes.
Oh, he didn't. He gave an extremely half-assed apology, deleted his Twitter, ran to Instagram and bragged about impulse deleting it while flashing crotch, and then months later, lied that he'd deleted his Twitter as a form of accountability.
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Also, apparently he "retracted" his apology, although if anyone could provide proof of this that would be helpful.
I think Raph's a slimebag and a liar, but I think he needs an intervention more than anything. You don't change your appearance to look like Angel Dust, start doing sex work like Angel Dust, and literally start going by Angel Dust's name unless something in your life has failed to be okay.
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thii-nii · 1 year
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The Eighth Sense Episode 7 & 8
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koldefingre · 1 month
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The son of exy fell from grace by the hand of his so called savior. Fuck you Riko Moriyama, thank you Neil Josten
Also I don’t know if I am him, or in love with him. But it’s fine.
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