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#wanting to write but being unable to
adonis-koo · 3 months
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What do you do when you have writer's block? Or when you're stuck on something, like a character or even a story, whenever you're writing.
at this point??? I just don’t even bother and wait for a miracle to strike 💀
but honestly, I haven’t had a strong care of writers block in a long time, my problem usual stems from poor time management and either just wanting to spend time doing something else, I always seem to have ideas and things to write, I just never have the time to dedicate to sitting down and writing it.
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i love you, i love you (kill me in the morning) ; suguru geto
synopsis; everyone has a weakness. some are harder to get rid of. (or, alternatively; suguru geto befriends a non-sorcerer as a child.)
word count; 10.0k
contents; suguru geto/reader (not explicitly romantic but the subtext is there), gn!reader, geto-typical angst, childhood friends to [redacted], mild gore, suguru geto’s defection but with added angst, twisted depictions of love, depictions of stalking, depictions of death/murder, general bloodlust (geto wants to kill u soo bad but also not really), unresolved yearning, hurt/no comfort, curse user geto is his own warning tbh
a/n; ok so. this is kind of a mess. just my own take on geto’s childhood and defection + how i think he’d deal with a non-sorcerer reader after defecting……. so it turned out kinda. Dark. it’s entirely sfw to be clear!!! just sorta twisted. in conclusion i love my cult leader wife who wants me dead <3 (pls listen to ’kill me’ by indigo de souza it is SO geto)
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suguru geto meets you in the afterglow of sunset, by a dusty summer creek.
it’s his special place, hidden in the outskirts of your tiny town; a place where the water glimmers with silver-hued fish, and all the biggest cicadas reside, singing softly and waiting to be caught.
a place where he can be himself. alone, with no one to curse him.
— except, this time, he isn’t alone.
your crying face is the first thing he sees. big, wet tears, cascading down your scrunched-up face, accompanied by little sniffles as you sit there. curled up into a ball, knees against your heaving chest.
the next thing he sees is the bruise on your leg. a scrape on your knee, gritty and a little bloody, but it’s not so awful. he can tell that it hurts, though — you bite your lip to stop yourself from trembling, like you’re trying to be brave. but you look pained. 
and it sends a tremor running through his very soul.
suguru was born with a bleeding heart, an empathy unusually developed for his age. always pushing him forward, coaxing him into taking action; this nagging desire to protect, to nurture. born with an inability to avert his gaze from the suffering of others.
so when the two of you lock eyes, he manages a smile. warm and soothing, even though deep down he’s alarmed. but he masks it, slathers over it with something kind, something comforting — and he can tell that it works, from the way your teary eyes seem to soften in the buttery hue of the afternoon glow.
you’re crying. and suguru finds himself wanting to wipe those tears away, more than anything. you look small, and you’re in pain.
(protect the weak, urges some voice in the back of his mind. insatiable. protect those who can’t protect themselves.)
he asks for your name, all while cleaning your wound. the wince that slips from your lips when the cold water of the creek licks at your knee makes his heart clench.
but you tell him. you tell him your name, as the sun sets in the horizon, and he tells you his. 
suguru. a sweet kid who sees you fall and patches you up. a cool kid who teases you a little for being so clumsy. who holds your hand tightly in his own, to make sure you won’t fall again.
the sun melts away beyond the cluster of trees that surround you, its burning glow breaking through the gaps between the branches and dyeing the summer creek a deep red. illuminating your blurry silhouettes, as you walk back home. hand in hand.
and that’s how it begins.
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the two of you grow closer, in the same way flowers who share a stem learn to lean on each other, grow in the same direction, a mess of mingled roots. a natural connection, blooming out of nothing more than a sweet coincidence — that kind of blissful, innocent childhood friendship. the kind you never have to question.
you learn very quickly that suguru isn’t like the rest. that when compared to all the other kids you know, he’s mature, almost mystical, like he knows something they don’t.
you learn that there’s a gentleness to him, one he could never fully hide. one that shines through when he looks at you, when you play and laugh to fill the silence of the hills overlooking the small town you both live in.
you also learn that he can see ghosts.
curses, you’ll both come to learn, but that’s later. for a child in a remote town, isolated and alone, the familiarity of the ghost stories that adults tell you is the only kind of comfort suguru has to cling to. something lighthearted, to explain the predicament that haunts him — the flickers of black in his vision, that lingering taste of charcoal on his tongue.
suguru is different, you realize, different from the rest. and you eventually learn, from him, that you are far from alone in that belief.
in the town you both had the misfortune of being born into, suguru is the black sheep. his parents think there’s something wrong with him. the other kids think there’s something wrong with him. he isn’t right in the head, they whisper, he sees things that aren’t there.
(it’s a debilitating isolation that never truly leaves him.)
so suguru learns to stay silent, learns to keep his pretty little mouth shut, learns to lie. it’s easier that way. easier to survive, in the remoteness of your tiny town, with all the adults who scorn him and look at him like he doesn’t belong anywhere at all.
and suguru learns to be content, in that solitude. that heaven-granted isolation. a lone white chrysanthemum, in a sea of red and lavender; blossoming alone.
but then suguru meets you.
and, contrary to everyone else, you don’t think there’s anything wrong with him. when you tell him that he’s different from the rest, you mean it in the best possible way. you say it with starlight in your eyes, gleeful, giddy. like he’s special, not broken. like you’re also tired of those other kids, those sneering adults, the silence of a town so isolated it could crush a child’s heart.
like you have something in common. like you’re the same.
and you stay by his side. throughout the most difficult years of his early life, when he’s still growing accustomed to the duty he’ll have to bear for the rest of his life, you’re there. every single day. to smile at him, to speak to him like you’re both just normal kids — even though suguru is well aware that he’s anything but normal.
(when he’s with you, he feels like it, though. feels like he’s just a normal boy, like there isn’t something glued down wrong inside his brain. something twisted, something that needs to be plucked out.)
suguru finds comfort in you. in your presence, in the notes you pass him when classes get boring, in the way you cling to his sleeve while exploring the woods during recess. in the way you grin so brightly after managing to catch a firefly in the darkness of the summer night, all proud and toothy, a childlike innocence he wishes he still had.
you’re sweet, and understanding, and suguru thinks you might be the coolest person he knows. you’re his friend, his very best friend, his one and only.
and when he tells you what’s wrong with him — when he tells you what he can see — you ask him something that will forever rest in his subconscious. a flicker of precious, fleeting, genuine acceptance, one he won’t ever feel again. not until he meets a certain boy with blue eyes, but that comes later.
(a memory he’ll return to, over and over again. even after all the evil in the world has already descended upon him like a crackling hurricane.)
what do they look like?
there is no judgement in your voice, in the way the question slips from your lips. no mocking laughter, no silent rejection or whisper of crazy, evil, wrong. there’s only you, the way you’ve always been, curious and understanding and wise beyond your years.
suguru decides, right then and there, that he’ll protect you forever. no matter what.
you can’t see curses. you aren’t like him, in that regard, and he learns that quickly. and as suguru grows up, grows a little taller, a little wiser, he is glad that it’s true. he’s glad, because he already knows what kind of road lies ahead of him.
he already knows what kind of world you both live in, how unforgiving it can be. how many people die every day, every second, because of monsters only a select few can even see. he already knows that curses aren’t the eccentric, silly ghosts you were hoping for when you were kids — but pure, unadulterated evil.
(he already knows what they taste like.)
and suguru takes careful measures, day by day, to keep you away from it. as much as he can without lying outright. you’re curious, by nature, almost fascinated by curses and sorcery and everything you do not understand. an endearing trait, though it exasperates him to no end.
someone like you has no business sticking their nose into that kind of cruelty, he thinks, that kind of bloodshed.
and you’ve always been clumsy, a little scatterbrained. enough to make him worry instinctively when you’re out of his sight. like when you tripped and scraped your knee, by that tiny summer creek, all because you wanted to catch a dragonfly.
so he tries his best to keep you away from it, all of it, away from a darkness he knows would swallow you whole. away from the small, weak curses that sometimes litter the woods or the schoolyard; away from his cursed technique, the disgust of a power he never once asked for. 
(he never lets you see him swallow those things, never lets you witness the way he throws them right back up again before it happens so many times that he grows used to the disgust. you’re sharp, though, and he can’t hide the grimace that always lingers on his features.
you don’t ask — you only give him a packet of gum, to chew away the taste with, and suguru thinks to himself that he’ll love you forever.)
time passes by, slowly but surely, and the two of you stick together.
and as he grows into his teenage years, so much weight already resting on his tiny shoulders, suguru has already developed some sense of it all. of his ability, of the world of sorcerers. he’s already spoken to people like him, has already been made well aware of his potential. 
he’s already been given a choice, a choice that was never really a choice at all, but he decides that it doesn’t matter.
suguru decides to become a sorcerer. to train his abilities, to hone his skills. to eventually move away, from the stifling silence of that town, the silence that was only ever filled by you.
and suguru thinks to himself that he’s doing this for you. that in doing this, in being this, he’ll fulfill his promise to protect you.
(forever. no matter what. he echoes the words in his mind like a prayer.)
suguru wants to protect those who cannot protect themselves. those who are weak, those who are alone, people he has the power to help.
but more than anything, above all else, suguru wants to protect you. 
you are the most precious thing in his life. and if he can turn the world a little brighter for you, just a little bit kinder, then isn’t that enough? isn’t there enough meaning in that to give him the strength he needs?
there is. suguru decides that there is.
so when he tells you about his plans, under a pleasant, ephemeral starry sky, he does so with conviction. he knows that you will understand, because he knows you. you’re his best friend.
and he’s right. you do understand. you’re proud of him, and he’s your best friend, too.
i’ll support you, no matter what. 
the instantaneous answer makes suguru smile. not the kind of smile he plasters on to appease the adults around him, nor the smile he wears when he needs to lie convincingly. a full, genuine smile, that reaches his eyes and blossoms like a flower in the light of the moon; a warm, gentle smile, one you’ll always, always associate with him. 
(forever and ever. no matter what.)
and when suguru eventually has to leave, for a high school he’ll spend the next few years of his life living at, he carries that conviction with him. his choice is steadfast, unyielding, inevitable. the only one that matters.
the whistling of the wind breaches his ears, as you both stand on the platform and wait for his train to arrive. a spring breeze caresses your skin, and suguru’s bangs flutter in the wind. sunlight scatters across the train tracks and seagulls cry out in the distance, and the acute sensation of a parting lies heavy in the air.
it’s embarrassing. it’s childish. suguru wants to claim that he isn’t a child, anymore; that he wouldn’t give in to hesitation, at the sight of your meek expression. that he wouldn’t cry, at the thought of moving away from his best friend.
but the slight puffiness under his eyes is evidence enough. evidence of the tears he shed last night, when the reality of the situation finally dawned on him. 
suguru doesn’t want to part from you. he’s nervous, too — leaving you alone in that town, all by yourself, with no one around to protect you properly.
it's stupid. because deep down, he knows that you’ll escape too. that you’ll come after him, no matter how long it takes, that'll you'll both end up in tokyo. that you'll end up together, despite his duty as a sorcerer — eating soft serve ice cream cones, playing shooting games at the arcade, strolling around the big city aimlessly. doing all those things you always talked about doing.
because the two of you will always, always find your way back to each other. just like how he found you with that bruise on your leg, all those years ago, a fated encounter as natural as the glow of sunset. two lone dragonflies, who always meet somewhere in the middle of a dusty summer creek.
still, suguru can’t help but feel sad. a little lost. he can only hope you don’t notice the soft frown on his face, the faint redness of his eyes. 
(then again, when have you ever not noticed something he was trying to hide?)
there's no need to worry about it, suguru knows. he’s never had to worry about you judging him, looking down on him. never you.
and when his gaze falls on your face, after the train he’s supposed to board screeches to a halt behind him, your own tears are enough to make him realize how silly he’s being.
he laughs, from the bottom of his stomach, when you tackle him into a hug and tell him with teary eyes that you’ll come visit. he squeezes you especially tight, in a boyish fashion he can never quite hide from you, and murmurs into your ear that he’ll be waiting.
he asks you not to forget him. you laugh through your tears, and tell him that you never could.
before he has to let go and step into the train, you tell him that you love him, and his grin blooms with honeyed affection. he ruffles your hair, always gentle, always teasing, always the same suguru.
he tells you that he loves you, too.
— then he’s gone.
(you’ll forever regret not convincing him to stay.)
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the two of you stay in contact, all throughout his first year. texting, calling — making sure neither of you get the chance to forget the other. suguru tells you about his life, his missions, his classmates, leaving out all the gritty details. and you listen; attentive, curious.
at one point, you even visit him. his friends tease him relentlessly, but all he does is roll his eyes and flick their foreheads, biting back a smile. that makes you laugh, and he’s relieved that the sound hasn’t changed in the slightest.
and suguru stays the same, throughout that one first year. he is steadfast, unyielding, decisive. he has a conviction he’ll never let go of, and people he's vowed to protect. people he needs to protect. 
(non-sorcerers, is what he tells satoru, and he means it. but suguru chooses to omit the fact that he specifically wants to protect one single non-sorcerer, above all else.)
and suguru is happy, with his choice. thoroughly and wholly. the road ahead of him will be long, full of obstacles and thorns, but he always knew that would be the case. and he knows that it’ll hurt, that it’ll be tough, but he also knows that this is what he sincerely wants to do. what he was meant to do. the only choice worth making.
suguru is content. suguru will not falter.
— then, his second year descends upon him.
riko amanai dies. toji fushiguro dies.
satoru gojo becomes the strongest sorcerer of the modern era.
(and suguru geto is left behind.)
it is a slow, sinking realization. one whole year to lose sight of his goal, lose sight of the conviction he held onto so tightly. one whole year to feel it slip through the gaps between his fingers, helpless to stop its course. everything grows muddled, molding, rotting before he has a chance to root it out — and all he can do is wait, as it festers like bile in the bottom of his gut.
suguru geto falters.
(he doesn’t quite know who he is, anymore.)
words he’s swallowed down like curses all his life keep flooding his subconscious, building up inside the back of his throat, spinning and spinning and spinning inside his brain until he feels sick enough to throw up. evil. crazy. protection. responsibility.
duty, duty, duty —
(what does that word even mean?)
suguru doesn’t remember. he can’t recall what made him step onto that train with such conviction, how he was able to smile so assuredly. how he was able to laugh, from the very bottom of his gut, as if it was the easiest thing in the world. he just can't remember.
who is he doing this for? what meaning lies in all this pain? 
suguru keeps watching, hoping for an answer that’ll save him just enough. waiting and watching. he’s always just watching, isn’t he? never changing anything. always too late, too weak, too fucking useless to stop even a single person from dying. 
he watches helplessly as a little girl gets shot in the head, for the crime of having been born different, for the sake of simple currency. watches helplessly as satoru carries her lifeless body in his arms, across a room full of people so vile that some deep, rotten, intrinsic part of suguru just wants to —
but there would be no meaning to it.
(does there really need to be one?)
suguru honestly doesn’t know, anymore.
riko dies.
(curses spring up like flies. he devours and devours.)
then haibara dies, too. 
(in the distance, he thinks he hears the sound of clapping.)
sorcerers. non-sorcerers. curses.
the words begin to rot inside his mouth, like wilted flowers, syrupy sweet and nauseating. crumbling on his tongue, numbing his senses until it’s all he can taste. a mouthful of honey, sticking to the walls of his throat, too sweet to stomach.
this is wrong, he thinks. everything is all wrong.
everything is wrong and i don’t know how to fix it.
— and then there’s you.
during your third year, both of you are busier than usual, but still find the time to talk when you can. the normalcy of your little stories is a comfort, to suguru — but also makes him burn with something he fears may be close to envy.
you tell him about your new school, your new town, your new beginning; bright and dazzling. one that suits you just fine.
the two of you are different, he realizes, all at once. some part of him always knew. you were born to be happy, kept away from the bloodshed, hands unsullied by the deep red that always dries beneath his fingernails. there was never a place for you in the world of curses. and he’s glad, that it’s true, he always has been, but —
(resentment festers in his gut. he can’t tell how long it’s been there, and he’s afraid to know the answer.)
these days, suguru takes a little longer to answer your texts. his voice comes out sounding a little more fatigued when he’s speaking to you through the phone, and he doesn’t talk as much as he used to. your voice soothes him, though, he thinks. just a tiny bit. but it’s enough.
(he’s doing this for you, too. he can’t forget that.)
and when you come to visit him, during his third year, suguru is surprised. surprised to see you, standing outside of his dorm, bags full of his favorite snacks in hand. smiling.
you look the same as always.
(he’s the only one who’s changed.)
it’s a pleasant surprise, though, despite everything. he really did miss you. in his life, your presence alone has been nothing but a comfort, for as long as he can remember. even now, when everything feels so blurry and uncertain, you appear to him as a flicker of starlight; shining through the darkness that’s been plaguing him for the past year.
so he tries to smile, tries to sound the same as always, but he knows you don’t buy it. you know because you know him, despite everything.
suguru wonders what you would think of him, if you could hear the thoughts he’s been having these past few weeks. he wonders what he looks like, reflected in your eyes. he wonders how much he’s changed since you last saw him.
(he hasn’t felt like himself in months.)
your presence is like a balm, to his soul, but it also seeks to hurt him further. because you’re still the same. still so understanding and wise and patient. you can tell that he’s fading, and he can tell that you can tell. but he doesn’t want to tell you why. he refuses to open up to you, because what would that accomplish? how could you possibly understand?
how could you understand his hatred, his resentment, towards the very people he’s supposed to protect? he told you that, himself. he decided to protect them, on his own accord. that’s his duty — steadfast, unyielding, inevitable. that’s all it was ever meant to be.
protect the weak. protect the ugly. protect everyone except his comrades, until all of them lie dead in a pile of maggots and tangly limbs and buzzing flies.
a bitter, heavy kind of vomit settles inside his chest, his throat. and somewhere deep inside suguru’s mind, in the very bottom of a drawer he vowed never to open, the image of non-sorcerers shifts, distorts, flickers on and off under the light.
protect those monkeys until his very last breath.
(what a fucking joke.)
you couldn’t understand. he doesn’t want you to. he promised himself that he would keep you away from that kind of darkness, no matter what, and —
and you’re the only good thing he has left.
not only that — you’re a non-sorcerer, too. and suguru knows what that means. if what his brain is telling him is true, if that’s really how it is, then you are no exception. then you’re just like the rest, something lesser, nothing but a —
(he thinks he might throw up.)
suguru does not tell you anything. despite everything, despite your pleading expression, despite the heavy bile at the bottom of his gut. he does not tell you what is truly wrong. he does not open up to you. 
and that is suguru’s first act of betrayal, to you. before he even betrays the jujutsu world.
(it is perhaps the only betrayal he’ll ever feel any kind of remorse over.)
you try, though. persistent in your affection. he loathes how little you’ve changed, how brightly you still shine when reflected in his eyes. you sit right next to him, under a pleasant, ephemeral starry sky, stars blurred by the light pollution, and tell him what you always have.
i’ll support you, no matter what. 
suddenly, all he can hear is the whooshing of the sea. as if he's been pulled underwater, a heavy weight tugging at his limbs, lungs gasping for air that doesn't exist. pure static, in his ears, a sharp crack of something. like a rib, or a train of thought. all he can taste is saltwater.
the dam begins to break. it cracks at the edges, like two giddy children poking a stick into a puddle layered with ice, giggling at their scattered reflections. memories resurfacing, images flashing in his subconscious. suguru looks at you like he’s lost. something inside of him breaks, disintegrates into a pile of despair. 
because you don’t understand what you’re telling him. you don’t understand what he thinks about doing, sometimes, when the nights are especially long and the school is especially empty and the taste of curses lies especially thick on his tongue.
you don’t understand. you never will. 
but you’re smiling at him, so very gentle. so accepting, so all-encompassing of everything that’s good, everything worth cherishing. just like always. 
suguru recalls your teary face; when you scraped your knee, when he left that town behind. he recalls all the ways you’ve soothed him, saved him, in all the years you’ve known him.
i’ll definitely come visit. i love you.
i’ll support you, no matter what.
what do they look like?
— suguru falters. these days, that’s all he ever seems to do.
how could he hate non-sorcerers, when you’re among them? how could he hate a world that has you in it?
(he can’t, he can’t, he can’t. he can’t hate you. not you.)
the words that spill so very easily from your lips break him. he can’t tell if you’ve mended the damage, or only worsened it. he can’t tell where the jagged hole inside his chest ends and begins. he can only tell that it’s extending, extending, extending.
suguru wants to fall apart. he wants to fall apart, for only you to see, because you’ve always been the only one who could ever understand. the only one who wouldn’t turn your eyes away from him, even back then. the only, only one. the only other white chrysanthemum.
he wants so desperately to be honest with you, to let every dark thought he’s ever had flow out from his lips. for you to hear, for you to scorn or to accept at your leisure, doom him or bless him, a bleeding dog at your feet. to get rid of the tangled mess of thoughts inside his muddled mind — to just let go of everything, even if it’s only for a minute or two. just a second would be fine.
suguru wants to drag you down with him. drag you down into the depths, into the abyss, to share the weight of his suffering. so that you can be together, just like you always have; through thick and thin. always and forever.
but he doesn’t.
(and what a betrayal that is.)
suguru keeps his pretty little mouth shut, and he gives you a smile. a smile that doesn’t reach his eyes, the kind he always wears when he needs to lie convincingly.
he could tell you so many things. could ruin you completely, take you down with him. hand in hand, staining your unsullied skin with the blood on his own. into the gaping maw.
but at the end of the day, he chooses not to.
suguru chooses your peace of mind over his, just like he always has, and feeds you a vague half-truth. not quite a lie, but something that ignores the underlying question of your statement, a silent plea for sincerity. something deep and true, but almost sorrowful.
i know, he says.
i know you will.
the moment does not save him. but suguru does feel just a little more hopeful, a little less like he’s slowly rotting from the inside out. a little less like he’s completely and utterly alone, isolated in his agony.
you are the same as always. and what a relief that is. 
(for you, he can wade through the hell for just a little longer.)
when it’s time to say your goodbyes, suguru can tell you aren’t satisfied. that you wish you could do more. but he also knows that you won’t push it, because you’ve always respected him in a way no one else ever cares enough to do. 
before you leave, you tell him that you love him. in a quiet voice, a whisper, as if trying to squeeze some sincerity from his chest — a last-ditch attempt at reaching him. he squeezes your hand, instead, and doesn’t say it back.
suguru just smiles, flimsy, a smile that doesn’t reach his eyes.
you look like you want to say something, but you don’t.
and he watches you go, with forlorn eyes, until the dot that is you gets too small to distinguish from the darkness of the night. until he can almost delude himself into thinking that you’ve turned into a star. he watches you go as if trying to burn the sight into his memory, as if this is the last time he’ll ever see you.
(the curse of i love you rots in his mouth, unspoken, unvoiced.)
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two weeks later, suguru stands in front of a cage, covered in blood.
the girls in front of him, skinny, frail, crying — beaten and exhausted — look at him like he’s a god. him, pale, smiling, with blood staining his white uniform, bathed in moonlight —
like some kind of angel of death.
suguru soaks up the metallic scent of the room, basks in that sickeningly sweet feeling of release. he soothes the girls, as best he can. he leads them away, careful not to let them see the bodies. 
(there isn’t much left of them, anyhow.)
suguru geto makes his choice. the only choice that matters. 
he will twist himself into a curse. he will devour his ideal, until it’s all that’s left of him. he will embody it, become it, through and through. it’s fine if he dies in the process, it’s fine if everyone dies — just as long as it means something.
that is the conviction he will carry with him. the decision to only ever see the line between ends and means, the bright light at the end of a never-ending tunnel.
the blood of an entire village is on his hands.
(a part of him wants to throw up. another grins with ecstasy. every part agrees that it was inevitable.)
their screams weren’t beautiful. they were aggravating, revolting, the wretched buzzing of bugs ringing like static in his ears. but it felt good. it felt just. something in his bones settling into its rightful place, a spark of affirmation.
and suguru doesn’t stop there. as if desperate for the cup to finally run over, to make sure that there truly is no going back, his feet take him to a place he always hoped he’d never have to see again.
when suguru returns to that stiflingly silent town, to kill his parents, you are no longer there.
it’s not a surprise. he knows you escaped, long ago, just like him — just like you always said you would. not quite to tokyo, to your grave disappointment, but you managed to find some other town to live in. bigger, better. the new beginning he always hoped you’d get.
suguru does not want to think of you. he doesn't want to remember your face, the sound of your laughter, the way your eyes shone in the light. he wants to erase every single trace of your existence from his memory, if only to protect you from the person he will soon become. or perhaps only to spare himself the heartache of it all.
but when he passes by that one summer creek, forgetting you becomes an impossibility. 
his eyes gaze at the silver-hued fish, sparkling beneath the moonlight, the big cicadas singing sadly under the shadows of the trees. he closes his eyes, and breathes in the solitude, and recalls a child with teary eyes.
suguru knows what school you go to. he knows what your town is called, what your street looks like.
and it is far, far away from the town he’s in. far from tokyo, too. 
— and suguru is relieved.
(it gives him an excuse not to hunt you down just yet.)
the sight of his childhood home stirs no fondness in his heart. it is empty, it is silent, it is the same as always. and now it doesn’t even have you in it, anymore.
so it doesn’t matter.
suguru moves on with conviction, with bloodstains scattered across his clothes, seeping into the fabric. the screams of his parents don’t mean anything — they blur together with old echoes of evil, crazy, wrong. 
(there is something wrong with that child.)
their blood sticks to the soles of his shoes and he is repulsed by their fragility. their blood stains his shirt and he is elated by the irony of it all. all he sees is a blur of red. 
the road before him becomes clear.
finally, there truly is no turning back. that one sliver of good still left in him, crushed beneath the heel of his boot. at last. homicide, patricide — the more he adds, the easier it’ll be. easier to distance himself, easier to convince himself that his choice matters. that the blood of mere animals is a small price to pay for the future he envisions.
that he is right. that he is just.
(self-affirmation. what a holy thing it is.)
there is still much left for him to do. so suguru leaves the town behind.
he leaves that tiny summer creek behind.
it is a premature death; a resignation of identity. he isn’t an adult, not yet, but he has long since stopped being a child. he stopped being a child the moment he saw a bullet go through the skull of an innocent girl, the moment he saw haibara’s ghostly pale skin. no sorcerers stay children for very long.
none of it matters, anymore.
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time passes with a speed that’s almost frightening. 
suguru disappears, almost entirely faded, leaving only geto in his wake. a new person, an entirely different human being — ten years of living in an echo chamber, ten years of forming his personality in the shape of something twisted.
(something almost divine.)
and geto is right. just. geto has conviction, and that’s all he needs. everything goes according to plan; geto has a goal, and a family to pursue that goal with, to pursue that goal for. everything finally feels just right. breathing feels a lot easier. living feels a lot easier. 
but everyone has a weakness.
and there is one thing, only one thing, that still acts as a thorn in his side. something that holds him back, a stain yet to be wiped away, a piece of gum stuck to the sole of his shoe. a tattered memory, clinging to his subconscious as if haunting him.
(i’ll support you, no matter what.)
if only you could see him now.
when geto left his old life behind, he did not contact you. he did not say goodbye. he threw away his phone, deleted every single thing that someone could use to locate him with, and left. he hasn’t heard from you in years, hasn’t spoken to you. 
but he has seen you.
geto knows where your town is. what your apartment looks like. he knows what university you go to, where your go-to café is located. 
so resisting the temptation eventually becomes impossible. 
he tries not to think of you, he really does. he tries to act like you are nothing, to him, because you aren’t. you are proof of weakness and a fragility that geto loathes, proof of his own foolishness, his young naivety. you are everything he hates and everything rotten and everything he’s vowed to cleanse from the earth.
but, despite that undeniable truth, geto cannot help but seek you out.
he tells himself that it means nothing. that he’s only doing it to make sure he knows where he’s got you, like a predator watching over their prey, preparing to lunge out of hiding when the moment is right. because geto knows that your death, at his hands, is inevitable. what you are is a weakness, a connection that lingers on his skin like a mold, one he still has to the creatures that disgust him so.
so it’s inevitable.
in reality, he should have killed you first. before his parents, before the village — he should have killed you, because that would have solidified his devotion in a way nothing else ever could. but he didn’t. 
geto likes to think of it as a symbol, of sorts. that he’ll save you for last. the same way children eat every last part of the cake, greedily, before gulping down the strawberry. every single non-sorcerer will be dead by the time he gets to you. you’ll be the one remaining obstacle, the one final stain to rinse away before his dream becomes reality, the one thing still standing between him and the divinity he seeks. 
it is an honour, geto thinks, an honour he would not bestow to anyone but you.
but until that time comes, all he can do is watch over you. silently, so you don’t notice. always from afar, sometimes through the eyes of the curses he’s bound to. just to make sure that you’re still alive. that you haven’t tripped over your shoelaces and gotten yourself into a car accident, or gulped down a mouthful of food too fast and choked to death, or anything similarly pathetic. he wouldn’t put it past you. really, he has no idea how you’ve survived this long without him.
weak, fragile, clumsy. soft enough to sink his teeth into. you are everything that geto hates. you are nothing, nothing at all.
(and you are the same as always, despite everything. what an aggravation that’s become.)
he watches you, anyway; like a god finding amusement in his creations, an omniscient overseer watching you stumble day to day. he watches as you live your life, as you talk to other people with that familiar smile on your face. it hasn’t changed in the slightest.
he watches you laugh, watches you grab a crêpe from a street vendor, watches you cry when you think nobody is there to see.
(the sight sends a tremor running through his soul, one he desperately wants to pretend not to feel.)
on melancholic summer days, when the sun paints the sky pink and golden, he watches you clutch onto his old sweater. one you always said you were going to return, but never did — never got the chance to. you used to tell him it was too comfortable not to steal. that it smelled like him, that it made you feel less lonely. geto so tenderly wishes he could have forgotten those words, by now.
but he watches you, in the solitude of your apartment, as you bury your face in the wool and inhale the fading tinge of his old cologne. then you cry and cry, like a child, until the moon rises in the sky; until you’re breathing softly, lulled to sleep by his scent.
(geto thinks to himself that you are a fool, to still miss him after all these years.)
it’s not an everyday occasion. most days, he does not think of you. there are many other monkeys to kill, many things to discuss. there’s money to be made, plans to be forged, wars to be brewed. geto is a busy man. a family man, no less.
but when boredom is all he can feel, he still finds himself seeking you out. just to make sure no one has gotten to you before him. just a god enjoying the struggles of a lesser being.
that’s all it is, geto tells himself. that’s all it’ll ever be, from now on.
no one needs to know if he spends the occasional morning checking up on you, curious if you did well on that exam you were studying for. no one needs to know if he absorbs the curses that sometimes cling to your fragile skin, gulping them down before they cause too much damage. no one needs to know if anyone who gives you a little too much trouble suddenly disappears off the face of the earth. 
no one needs to know if he reminisces, every once in a while, when the summer nostalgia is too much to bear. about your childhood, about that question you asked him — a million years ago, back when the center of his universe was a single summer creek. 
(no one needs to know if he finds comfort in your presence, even now.)
on days when the moon hangs low in the sky, and geto can’t choke back the longing in his chest, he sits by your bed and watches you sleep. a forlorn expression on his face, lips stuck in a tight line. it’s risky, careless, but he’s helpless to the temptation. 
most nights, you lie perfectly still. so still he can almost delude himself into thinking that it’s over, that you’ve passed on, that he won’t have to kill you after all. sometimes you twist and turn, mumble something unintelligible under your breath that he doesn’t catch.
he wonders what you dream about. he wonders if you ever have nightmares, if they’re ever about him. he wonders why he even cares at all.
geto resents you. resents you for existing, for smiling every day, for being a bridge between him and lesser creatures. he resents you, resents you, resents you.
(self-affirmation. what a holy thing, indeed.)
— he could kill you so easily. 
he wouldn’t even need a curse to do it. a flick of his pinkie would be more than enough. that’s how fragile you are; asleep, right in front of him, breathing softly while he watches you like how the fox watches the lamb.
(he could end all of this, right now, in the silence of the night. in your most vulnerable state.)
and yet, geto allows the opportunity to pass him by.
he can’t get too greedy. that’s what he tells himself, as he slips out of your window in the dead of night, leaving your sleeping figure behind him. it’s not the right time. he can let you sleep, for just a little while longer. the bags under your eyes have looked especially heavy, recently.
(he tries not to remember the sleepover you had as kids, when he stayed perfectly still as you dozed off on his shoulder. doing his best not to wake you, watching you fondly until the sun began to rise. back when all he wanted was to protect you.)
geto knows that you know he’s not dead. he knows because he’s almost certain that satoru spoke to you, back then, even if he probably didn’t let you in on any details. because he knows that you’re sharp, sharp enough to know that he’s alive.
and even if that were not the case, geto knows because he’s sent you gifts. letters. absentminded, almost taunting, cruel in their joviality — always anonymous, always mysterious and vague and impossible to trace back to him. but he knows that you know who they’re from.
a little dance, if you will. geto haunts you like a ghost. he never lets you see him, but he lets you know that he’s there, sometimes. just out of frame.
he can only hope it’ll eventually haunt you to death.
(if it ends up as a comfort to you, instead, then, well — it is what it is.)
all of it is a safety measure in disguise. a way to satisfy the yearning inside his chest, without coming too close. that doesn’t mean he never falters, though.
every once in a while, he feels strangely compelled to talk to you. to waltz into your home, in a lighthearted fashion, to soak up your shocked expression. to ask how you’ve been, casually, and watch you stammer, stumble over your words — he can imagine the face you’d make, the way the lilt of your voice would tremble. would you cry? he can’t help but wonder, sometimes.
yet he always resists the temptation. careful, cautious, with every move he makes. like a shadow. he deliberately leaves no traces of himself behind, no breadcrumbs for you to follow like the curious creature you are. geto lets you know that he’s there, but he doesn’t let you see him, because if he talks to you he knows that he’ll kill you. and he can’t have that, not just yet. 
eventually, he’ll do it. he’ll do it, and he’ll watch as your blood stains the silk of his robes like the inevitability it is. but not yet.
you’ll be the last one, the last one he’ll kill. the final proof of his devotion.
until then, he can have this. this sickeningly sweet scrutiny of your life, your life without him. the sound of your laughter, the reflection of untainted light in your iris.
(you are the same as always, and you are a weakness that geto is learning to live with.)
he can’t rest, won’t rest until it finally ends. until the curtain calls on your bloodied body, until he feels the cold skin of your palm against his lips.
only then will he finally know if it was all worth it. only then will he be free of this yearning. only then will he be able to say that the last remnants of suguru have been well and truly cleansed from his soul, that there is nothing left of the person he was.
only then will geto be able to call himself wholly divine. 
but until that time comes, he can do nothing but watch you. when the temptation begins to crawl under his skin again, when he needs to remind himself of what he’s fighting for. that one thing, at least, never once changed; suguru geto has always fought for you. for your protection, for your survival, for your demise.
for your happiness, in life or in death.
(geto hates you, loathes you, resents you for being what you are; but suguru will always, always love you. forever and ever. no matter what. 
and that will be their undoing.)
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suguru geto dies without saying goodbye to you. 
if there are any regrets to speak of, any at all, then maybe that’d be it. he never got to see that shock on your face, never got to hear you stammer in the way you always used to when you were nervous.
in the golden hue of sunset, the last of his resentment finally fades away. the curse known as geto disappears, and what remains is no more than a ghost — the ghost of suguru, the person he was, the person he never quite stopped being.
and when geto disappears, when the last of his resentment fades away, suguru finally allows himself to think of you. fully, without interruption, without unspilled blood festering beneath his tongue. just one single touch of sincerity, one last indulgence before it all ends. he thinks of you, you as a person, not you as a non-sorcerer. he gives your memory the respect it deserves. something worth cherishing.
he wonders what you’re doing, right now. he wonders if you studied enough for that exam next week, if you found a good gift for your friend’s birthday party. he wonders if you still miss him, even though he'll never be deserving of it.
satoru stands in front of him, genuine, sincere. and suguru thinks that he is a fool, just like you; to still have any kind of affection left for someone like him. after he left you both behind, that summer.
satoru doesn’t curse him. suguru wishes he would.
a soft bout of laughter falls from his lips, as the sun sets behind him, and he knows you would have found the sight breathtaking. you always did love sunsets, didn't you? the sun was setting when he found you with that bruise on your leg, he recalls — such a miniscule detail. he wonders why he remembers only now.
suguru chokes back his tears, still smiling. it’s a smile of love. a smile of regret. he thinks of satoru. 
at least curse me a little at the very end.
those should be his final words. he should avert his gaze, follow the script, tear his eyes away from the only other person besides you who ever truly knew him —
but he doesn’t. he can’t. suguru looks straight at him, at satoru, into his eyes, so blue they seem to gleam in the orange hue of the melting sun. sparkling like little galaxies, like the crinkling of soda pops, like crystallized summer skies. he looks beautiful, as beautiful as he always was.
(i wish i had told you, suguru thinks. i wish i had told you everything.)
in a voice so small he barely hears it, so tender that geto would’ve felt disgusted to his very core, suguru asks his best friend for one last favour. he’s not sure why, not sure why it matters —
but maybe, just this once, it’s fine if it’s meaningless.
satoru listens, intently. he looks at his best friend with eyes so soft it makes suguru want to laugh and cry and go back to a time when they were all happy. but they can’t, that choice was lost ten years ago — he threw it away. smothered it beneath his boot heel. there was never any going back, from the very beginning. 
satoru answers his plea. one final favour, one best friend to another. 
of course.
a shaky breath. he can’t tell who it came from.
of course i will.
suguru smiles. a full, genuine smile, that reaches his eyes and blossoms like a flower in the light of the sun. it’s the last time anyone will see it.
satoru clenches his jaw. he crouches down, and presses his fingers against his best friend’s battered body, right over his bleeding heart. he will never, ever forgive himself for what he's about to do.
(suguru already has.)
and the moment before the last flicker of light leaves his eyes, suguru chooses to think of you.
he thinks of your smile, the way your lips curled up at even the smallest things. he thinks of your curiosity, how it always lead him back to you. he thinks of what could have been.
he thinks of that question you asked him, all those years ago — how accepted it made him feel. that sensation of being understood. suguru thinks you saved his life, that day.
(he never got to thank you for it.)
you were his childhood friend. his nearest, dearest, oldest one. 
suguru doesn't believe the world he lives in is kind enough to allow him a second chance. and he doesn't think he really deserves one, either way.
but if there is a next life, if he’s lucky enough to be reborn —
then suguru hopes he’ll be born as a dragonfly, so he can find his way back to you.
he’ll meet you, again; in the afterglow of sunset, by that dusty, forgotten, tiny summer creek. framed by silver-hued fish and cicadas, and the silence of a town that glimmered while you were both in it.
he won’t be able to wipe your tears away, won’t be able to clean the bruise on your knee — but he can be with you. and maybe, in your next lives, that’ll be enough.
(what a lovely thought.)
suguru smiles, and lets a final breath of air course through his burning lungs.
— it tastes like summer.
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there is a silent understanding, between the two of you.
it’s been ten years since you last spoke to satoru gojo. it wasn’t a very pleasant conversation, and somehow, you doubt this will be an exception. an acute awareness lies heavy in the air — and deep down, some part of you knows what he’s about to tell you.
(as if it was an inevitability.)
gojo doesn’t smile. his voice has no masked amusement to it, no sense of joviality. if you strain your ears, you think it may even be wavering, slightly, so faint it’s hard to tell for sure. just that one low shiver of his lips, saying more than words ever could.
he doesn’t beat around the bush. and you see that for the kindness that it is, despite the ice cold chill that creeps into your veins when his words spill out into the air, a full body shiver traveling down your spine.
he tells you that suguru is dead, and you don’t flinch. you don’t even cry. that comes later.
in the moment, all you can do is nod, a little pitiful, teeth digging into the flesh of your bottom lip to stop it from wobbling. like you’re trying to be brave. 
truthfully, you had a feeling that was the case.
sometimes, it was as if you could feel him. just barely out of reach, a certain cologne lingering on your windowsill, a box of cookies you’ve liked since you were little delivered to your doorstep. a sudden feeling of being watched. a note wishing you luck on whatever exam or driver’s test or job interview you had the next day, accompanied by a silly smiley face so distinctly suguru it made you want to cry.
— how cruel of him.
but you couldn’t help but feel comforted by it, all the same. it made you feel like he was still with you, somehow, like he still cared. even though he disappeared from your life without saying anything. even though gojo told you explicitly all those years ago to stay away, if you ever saw him, as if he was suddenly dangerous —
but you could never be afraid of him. you don’t think you have it in you. 
to you, suguru will always just be the boy who helped you up when you scraped your knee, all those years ago. a sweet, cool kid, who held your hand firmly and gently wiped the blood off your skin.
(he’ll always be your nearest, dearest, oldest friend. even if you aren’t his.)
but lately, there’s been nothing. you haven't felt any traces of him at all, no lingering gazes boring into your back. so you knew. deep down, maybe you always kind of knew.
gojo looks at you with compassion, understanding. and without him having to say it, you know he loved suguru too. you know because his breathing is shaky, because his eyes look puffy from hours of crying; you know because grief is like a stench, thick and heavy, overwhelming, one that clings to your skin and haunts your very being. just like love.
and you can smell it on the both of you.
(you both loved the boy who died for his ideals, the man who was so moral it killed him.)
the news will sink in, later. you are sure that you will crumble, and you are sure that you will cry. you’re sure that the road ahead will be a long one, full of obstacles and thorns. but that’s fine. you’ll deal with it when the time comes. suguru was always a little mystical, a little too good to be true.
maybe you always sort of assumed things would end like this; that he’d walk ahead without you, with all his whispered secrets and gentle lies. 
(asshole.
he could have given you a call, at least. even just once.)
for now, all you can do is try to keep your trembling skin intact. and you assume that gojo will leave, now that you know, that this was all he came here for. just a messenger of death, coated in a grief so strong you doubt he’ll ever be rid of it.
but gojo doesn’t leave. 
he hands you something, instead.
a polaroid, you quickly realize. a photograph, of three kids — one with white hair, one with brown hair, and one with black hair. the black haired boy is trying hard not to smile, you can tell. the other two have got their arms around him, squeezing his body tightly with matching grins, throwing up peace signs. he looks at them with exasperation in his eyes, but you can tell that there’s a love there. you can tell, you know, because despite everything, you still know him.
a lump forms in your throat.
it’s not the original copy, is what gojo tells you, apologetic. you’re almost certain that he kept it for himself, and you don’t blame him. i’m sorry. but i wanted to… you know.
(he wanted to give you something to hold onto.)
the gesture is a little bit awkward, just a tad clumsy. but it’s a genuine concern, a sincere kindness. you aren’t really surprised that suguru spent his last moments with this man instead of you.
gojo continues to speak, and you continue to listen, attentive — hungry for anything to mend the hole in your heart. but your eyes never once stray from the photograph.
(suguru looks so, so happy.)
he tells you that suguru talked about you a lot, back then. and without him having to say it, you know what he really means is he loved you a lot. the words of consolation ring like static, in your ears. it hurts. the hole in your heart just keeps extending, extending, extending.
gojo notices. so he gets to the point, the final point, the only one that matters. this is his duty, too — granting suguru’s last request. the only one he ever asked of him in words.
(it’s the least he could do, for the man he loved so dearly, the one who left him behind in the shadow of summer.)
he tells you that there’s one more thing. that suguru asked him to tell you something, that it was the last thing he ever said. words that he wanted you to hear, more than anything.
gojo’s voice does not waver. it is not his place.
you listen. you listen as if it will bring him back. you listen as if it is the last thing you will ever do.
and gojo speaks.
the words mean everything, and also nothing at all. how very like him. they bounce off the walls of your apartment, spilling into the suffocating air, echoing inside your mind. cutting into your bloodstream, rooting themselves in a particularly soft spot deep within your ribcage, chrysanthemums blooming from your flesh. petals filling up your stomach until you can scarcely breathe.
the final words of your childhood friend. your nearest, dearest, oldest one; suguru geto, who you will always love, in the same way the sun loves the moon, as naturally as breathing.
the dam breaks. the sky shatters. the sob you choke on tastes salty, and gojo looks remorseful, his figure blurred by your tears. everything comes crashing down around you — an inevitability you were hoping to put off, in the same way suguru put off talking to you all those years.
and now, finally, he tells you his honest feelings. when it’s already far too late. how very, very like him.
(tell them i’m sorry. and that i hope their exam goes well.)
— honestly. what a fucking asshole.
not once did you ask for an apology. you never wanted one, never thought to even wish for it. you didn’t need one.
all you wanted was for him to come back to you. to find you, again, the way he always did.
tears cascade down your scrunched-up face, big and childlike, but no one’s there to wipe them away anymore. you cradle the photograph in your hands, savouring every single memory you have of him. all the love your heart can muster.
the tears never seem to end. they continue to run down your cheeks, until all you can smell is sea salt, until the sun has set in the horizon, until the moon has hanged itself in the sky. a silent comfort, but it’s not enough. it never will be.
a sniffle pushes past your lips, and you hear yourself laugh — bitter, raspy, gentle all the same. what a moron, you whisper, a soft lull of your tongue. didn’t he know?
(you forgave him long ago.)
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bonus 👀
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nekoshi13 · 5 months
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I know we needed the Empty to have beef with Cas so one of the trio had another awful deal shoved on them and so he could die dramatically for Dean the following season but can you imagine if it went the other way around?
Like, the Empty just wants to sleep and Cas is annoying and noisy, why would it want him there? What if instead he just got fucking banned from angel afterlife?
Imagine the Empty coming for Jack in heaven and Cas tries to fight it and the Empty is just like "fuck! the annoying guy is here, pretend you didn't see me, gotta flee before he starts talking to me" and they get Jack back genuinely for free
Imagine Billie getting into that room where this time Dean and Cas have no plan more than going down fighting and she goes for Cas and after mortally wounding him she snaps him away to the Empty like she did that one time with Jack, so there's no body and she turns to Dean who is trying to grapple with his shock and grief while also wanting to kill her for this but then they hear something colliding with the shelves and Billie turns around and Cas is there again, alive and looking like he just got thrown very hard so she's like "this is impossible, how did you do it?" and Cas just blinks, bewildered at what just happened to him "it seems I am too annoying and have been banned from dying"
So Cas just keeps shielding Dean from every attack and the Empty gets increasingly annoyed until it's throwing Cas straight against Billie so she will just stop sending him and... she dies, eventually, because Cas is literally too annoying to die
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excuse me i need to Muse on something for a moment
so in Wally's secret 'vinyl' audios, specifically the last few (if we're listening to em in chronological order), obviously he starts to sound more strained/distressed. his breathing is more labored, like it's taking all of his energy to make contact.
but the audio that really caught my attention was the "But i still can't see" one. cause he just said he has more eyes than he did before. he knows We draw them a lot, and it's thanks to that that he can see. but he still can't see?
so my question is: where is Wally physically? cause although he can (assumedly) see the WHRP goings on, he can see through the eyes We draw, that could all be on a, uh... more Intangible level of sight. like the spiral pit is forming an eye, and then there's the eye on the ceiling in the secret Staff Only section - could Wally be in the pit, that space between his reality and Ours, "watching" through the eyes? but unable to actually see with due to the pit being pitch black nothingness? is he somewhere else? is he stuck? he can see, but he can't... see.
(or is he trying to explain an abstract concept - he's not actually viewing anything, but he can sense it. like how he knows We're there, even if he can't see or hear Us. but he just doesn't have the words to describe it other than using physical senses - see, hear, look.)
and him saying "...that I can see. But it is still... I can't..." but it's still what, Wally? dark? something else that he doesn't have the words to describe, so he just says that he can't see?
i know that in the Livestream Trivia Document (compiled by @/the neighborhoodwatch) there was something said about Wally being in a box. my first thought reading that was "oh, so he's in storage? the physical puppet, i mean?" which would make sense - show's over, there's no more use for him. pack 'em up and put him away. but that paired with the "can't see" audio makes both seem a lil... connected.
Wally can't see > he's likely somewhere dark > the inside of closed boxes are dark > Wally's in a box. (or maybe the Neighborhood is the box? it's a stretch, i know, but the map is a box. television sets are often set up in "boxes". maybe it's less of a physical storage box and more of a 'boxed in' sort of thing...)
one question i've had since the Start of my interest in this incredible project is: how is Wally communicating? how has he connected to the site? how does he connect to our reality? the pit almost definitely has something to do with it - most likely acting as a bridge, or the deteriorating of the barrier between our two 'worlds' - but if Wally is in a box and Not the pit or even just in the puppet's reality... how is he reaching us beyond just seeing through the eyes he's given?
or is he in their reality, and he can contact through the pit or something, but he can't actually see the other side? Our side? he knows it's there - that We're there - but none of it is visible to him. maybe his apparent disassociation in the 14 bug audios is a demonstration of him contacting Us. we can see through him, but it's a one way street.
and speaking of the pit - i just had a thought. his whole thing with Us letting him in, opening... the pit on the neighborhood map is getting bigger and clearer. but the presumed Other Side, the one on the Staff Only ceiling, is small. it's the size of a ceiling panel. it seems to me that Wally is chipping away at his side of the pit or 'portal', trying to reach Our reality, but he needs Us to do the same thing on the other side. the QA can hear him calling, but there's no phone on their (Our) side of the pit. how do We call back???
there's a fundamental barrier & lack of understanding between Wally and the QA/Us. he's trying. he wants to be let in, but what does that mean, really? let him in where? open what? he's desperate. he wants us to understand. he's trying so so hard Without the right tools to clearly communicate what he wants. he can't see Us, We can see him, both know the other is there, but there's no way to connect. and the attempts are hurting all parties involved, however unintentionally
#and its very ah. Autistic/Neurodivergent Horror i think?#the Wanting To Explain but Being Unable To because the people you're trying to communicate with#function differently than you. they don't understand. they Can't understand. their brains are wired differently.#no matter how hard you try there will never be understanding. your attempts to connect are somehow Incorrect.#and often - in my experiences at least - being that Different gets you hurt. people perceive your actions/behavior as a slight.#or as intentionally malicious! and then they get mad and you just.. dont get Why? you didn't Want to hurt anyone. you wanted to Explain.#you wanted someone to look at you and Understand. say 'oh. i see you! i get it now!' and have that Connection.#but you will never be understood. never Seen nor Heard. left in the dark. you're accidentally hurting them. they're hurting you.#it takes all of your strength to try to reach them and yet you still. fall. short. because they don't reach back.#anyway ive had these thoughts simmering for a lil while#Knowing whether or not the bug audios are present day or not would cross some theories off and write up new ones i think#that confirmation seems Important imo....#homebogging#welcome home speculation#welcome home theory#then of course there's the question of how Home fits into all of this... in the early days i was a 'home is evil' believer but now??#nah. home's not outright Evil i think. there's something complicated going on between them and wally and its role in all of this#im just... unsure of what. i think confirmation of whether his morse code says 'help me' or 'hello' would massively help clear up the sitch#is home an accomplice? a victim? a perpetrator? a secret fourth option? who's to say (yet)#i have many Thoughts about it based on a couple different things - the distorted voice under wallys. the waLLy guestbook entry. etc#but this post has gotten long enough and its Not on that particular subject#*grips the bug audios & home's morse code* you two motherfuckers would clear so much up i stg-#the bug audio's timeline placement could tell us whether or not wally is with his neighbors or if the neighborhood is intact (in some way!)#home's morse code would give Major insight into their place in all of this!!!#AGH THIS FUCKING PROJECT MAKES ME INSANE. IT'S SO GODDAMN GOOD WHO AUTHORIZED THIS-#as always take my words with a Hefty grain of salt & i hope it's coherent!#anyway there's nothing more dangerous & all-consuming than the need/desire to be understood <3
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ghost-proofbaby · 8 days
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do you ever just feel the depression fog settling in and suddenly feel like all your words, spoken and written, just aren’t making sense? like oh i’m just spewing nonstop nonsense aren’t i.
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qsmprambling · 8 months
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Imagine Egg A1 still has one life left, and it somehow manages to escape the facility... It is being followed by mobs, by Federation employees, being hurt by the poison ivy and other environmental threats, but it keeps running, because what other choice is there? That parkour course was a trick after all, the last block was a fake, it was never meant to pass that test in the first place.
So it keeps running, but the Federation workers are getting closer. It won't be able to avoid them forever...
But then it bursts through some bushes and comes face to face with someone new - and it's Bad, out building or exploring or just wandering alone. A1 is immediately afraid, of course. It is a stranger, a very visually striking stranger, the complete opposite of the pure white and featureless employees of the Federation. But there are people close behind, and it knows what will happen to it if it is caught, so... It has no choice but to try. It has no way to communicate, no signs or books, so it simply rushes to hide behind him and hopes he understands, and that he is willing to help...
And Bad, for his part, well.. he's an extremely cautious and paranoid person, and this is just an incredibly confusing and unexpected situation to be in. An unknown egg appeared out of nowhere and is hiding behind him, he can see Federation employees in the distance that are clearly looking for something... He knows that the code has been disguising itself as eggs, and that the strange egg in front of him with no marks, no distinguishing features, an egg that he has never seen before, could easily be the code monster preparing to attack at any moment...
But there is absolutely no way Bad could ever look at an egg in distress and not try to help it, even knowing it could be a trap.
So he quickly digs a shallow hole and pushes the mysterious egg into it, covering it up just in time, and when the employees throw him a book asking if he had seen anything, he lies effortlessly, he complains about nonsense, he asks them where the Ekea is and is as annoying as he can be, until they leave.
And now they're alone... just Bad an this mystery egg in the middle of the woods, A1 too afraid to leave the hole even when Bad tries to coax it out. He gives it food and tries his best to comfort it, to tell it everything is okay and that the pursuers are gone. He gives it some signs and a book, trying to see if it will write anything to him or answer any of his questions, but he gets no reply. A1 is just too afraid to even attempt to answer, and Bad doesn't even know if it understands him. He tries what few words he does know of the other languages, and still no response.
What should he do? As much as the image of a tiny, terrified egg makes him want to do all he can for it he also needs to be safe. He can't bring it home, because if it is a code there is no way he is bringing it anywhere near Dapper. Should he call someone else for help, or would that draw too much attention? Would it even be safe for him or the egg to let anyone know right now? And was this egg dangerous, or harmless and in need of protection? He wouldn't abandon it regardless but...
What now?
#Egg A1#badboyhalo#I am a Bad watcher it will always be qBad in my what ifs even if anyone could do it#Plus he is perfect for the job#I can't write fic but yes this is basically an A1 fic oops#ElQuackity you thought killing a featureless egg was a safe option but you're wrong we are all attached#I want A1 to be alive and to escape to be adored and protected#Also I bet if Bad got caught with a mystery egg I think he'd just go 'Huh? No this is my other child you just never saw them before :)'#Also for some reason my brain was calling A1 'Alice' but then I saw people using 'Ai' and that's adorable too~#Though it also makes me think 'artificial intelligence' but hey maybe that is fitting for the fabricated eggs theory XD#'What now' I ask as if I am not already imagining Bad trying to protect A1 and also be safe in case it is a threat#not wanting to think it is but unable to know otherwise#but also being so BBH about it and just being in complete dad mode when they interact#he keeps it in it's own safe little secure home and does what he can to help it with minimal communication for several days#until A1 starts to open up little by little - incredibly slowly#Bad very gradually telling very select people about it#until eventually when the Federation finds out - everyone who knows is immediately hmm what no this is our child what do you mean?#and go ultra protective#because A1 deserves the world#fic within the tags yes#Bad ruined my sleep schedule and I can't sleep mindless rambles time
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domoz · 1 year
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An a/b/o mada/hika/tobi (in that order) something or other.
(Which I need you to understand, is not something I thought I'd ever be writing. But here we are.)
In this au high status alpha/omega pairs often take a beta or two into their household to act as an assistant/handmaid/servant/etc etc. which is what Hikaku is doing here.
The moment Tobirama enters the room, Madara goes stiff. At a glance nothing seems wrong, and Tobirama pauses, seemingly as surprised at the reaction as Hikaku is.
A closer look shows Madara's pupils have blown wide, which means this is probably one of those instinctual things -- what's caused it though, Hikaku isn't sure. A deep breath of his own mostly gets him a nose full of Madara's overpowering campfire scent; if Tobirama's is doing anything different he doesn't know the man well enough to tell.
It's… A little saltier, maybe? Nothing so extreme that he couldn't chalk it up to a shift in emotion --
"You're in pre-heat." Madara blurts.
Oh. Well then.
The exclamation seems to have shocked all three of them. Tobirama's lips part for a moment before his expression tightens.
"Apologies." He says, "It's earlier than usual. I did not realize."
They probably should have expected this, all things considered. Tobirama may not be a typical omega, but spending so much time in the house with the alpha he had recently married and consummated with would wreak havoc on anyone's biology. Or so Hikaku has heard.
"Well, what do you -- I mean --" Madara sputters, color rising to his cheeks, "How do you want to handle it?"
There's a brief flash of surprise across Tobirama's face, one so small it would likely be missed by someone who's not an Uchiha, but it's there. Almost like he hadn't been expected to be asked.
"…I understand that I'm expected to bear your heirs." Tobirama says at length, "But if it is an option, I would like to wait to do so until after peace is more stable."
Until he knows they won't be born right back into another war. Madara nods, lets out a slow breath of his own.
(Breaths in through his mouth, Hikaku notices, but Tobirama's scent still seems so mild, to him).
"In that case, I think it's best if Hikaku takes care of you." Madara grunts.
Hikaku feels his eyebrows shoot up to his hairline, and wonders if Tobirama is looking at his clan head with a matching look of incredulity. What Madara's asking for isn't unheard of, but for a newly mated couple's first heat…
"I'm not ordering you to do anything that makes you uncomfortable." Madara clarifies, voice rising in pitch. His face has gone a lovely puce, but he doesn't take it back. "Either of you. Use your best judgement! But if we're trying to avoid… That, it shouldn't be me."
"…Right." Hikaku says, suddenly feeling dizzy. He's not actually ever experienced an unrelated omega's heat firsthand. He's heard plenty of stories, but all they're serving to do in this moment is leave him feeling woefully under-prepared.
But. He thinks with sudden clarity. Tobirama is hardly the kind of omega you hear about in stories. In cases like these it's best to just…
"Well then. Tobirama-san." He clears his throat and tries to fight off his own rising blush, "How do you want me to help?"
There's the twitch of an eyebrow again, the barely there surprise.
"Boil some water for tea and bring it to my rooms." Tobirama says after a moment. He hesitates where he stands in the doorway, and the silence stretches so long that it must mean that he wants to say something more, but some pride or embarrassment is stopping him.
Hikaku has already given in that he's not going to get out of this situation (this entire arrangement, really) with his pride unscathed, so he forces a smile and asks, "Would it be helpful for me to bring something that smells…" He nods at Madara, who is all but hiding behind his hair at this point. Like an alpha, he means, like Madara, like your mate.
Tobirama tilts his head in consideration, no trace of whatever had been stopping him, which meant this likely wasn't what he had been considering at all.
"I suppose it couldn't hurt." He says.
Madara gapes open mouthed for a moment before ducking his head.
"Okay. I can just…" Madara pulls off his haori, looks at it pensively for a moment before rubbing the fabric on his face and neck. Hikaku politely pretends not to notice the way Tobirama is watching with rapt attention.
Seeing as how Tobirama is across the room and how Madara appears to be entirely resistant to getting any closer, he hands the garment to Hikaku, who fights to keep himself from making a face as he folds it over his arm.
It would be a wildly inappropriate time to laugh. Still, the urge is there.
Tobirama clears his throat.
"That should be fine." He says, "You may also wish to bring a book."
He turns and flees back to his room before Hikaku can ask for clarification.
With the omega gone, Hikaku lets himself sigh. Quiet enough that it doesn't draw Madara's attention away from where Tobirama just left. He looks like he's about to vibrate out of his skin.
"…Madara-sama." He says tentatively, and those dark eyes snap to him, "Do you think you could handle a patrol, right now?"
It's one of the best ways he knows to help Madara get his instincts under control, letting him guard his territory and deem it safe. At the suggestion, his clan head all but shoots to his feet.
"Yes." Madara says, and now that the mortification has passed his voice is so low it's almost a growl. "I'm going to -- yes."
Hikaku looks down. He has plenty of reason to be blushing right now so if he is, it hardly matters. He swallows hard and reminds himself that this isn't about him.
Madara takes a step towards the front door, then another before pausing.
"…Good luck."
Madara, too, disappears out the door before Hikaku can formulate a response. With him gone, too, Hikaku groans and thumps his head against the table.
This is what you signed up for. He reminds himself, you knew this could happen.
The possibility had been there yes, but reality has him feeling so nervous that his hands are shaking when he forces himself up to boil the water for tea.
Hikaku scowls at them. Trained shinobi, and here he is getting shaky over the possibility of helping an omega through their heat. Tobirama is the omega in question, so he supposes some slack could be allowed, but still.
He only has until the water is boiling to dither around, then with another deep breath (and the room still smells mostly like Madara even now) he walks to where Tobirama is waiting for him, tea tray balanced on one hand, Madara's haori and book of poetry under the other arm-- which he's still got no clue about, but Tobirama suggested it and he's just --
He's just… Here to help, that's all.
Hands full as they are, it's awkward to rap on the door, but Hikaku manages, and also to maneuver it open when after a moment Tobirama calls, "Come in."
The pale omega is sitting cross legged on the floor, a series of tins open in front of him, the contents of which he appears to have meticulously measured and mixed together.
"You can set the tray here." Tobirama gestures to the floor in front of him, "And-- hm. You may as well put on the haori."
Hikaku does not allow himself to make a sound of surprise at that, but he knows his face must be burning scarlet.
He really, really hopes that Tobirama isn't going to ask him to pretend to be Madara. Still, he pulls the over-large garment over his shoulders and shakily falls to his knees to sit across from Tobirama.
This is not how he'd imagined he might end up with Madara's clothes on.
The herbal smell of whatever mixture Tobirama has put together is strong; it too almost overpowers the sea-salt scent of what must be the omega's pre-heat smell, and it only grows stronger when he opens the teapot and dumps it in to steep.
"I would offer you some, but I can reliably inform you that it tastes abysmal." Tobirama says without inflection. Hikaku blinks.
"I take it that it's medicinal?"
Tobirama nods.
"It helps shorten heats and lessens their symptoms, among other things."
Oh, well that's…
Hikaku feels some of the weight leave his shoulders. However this goes, he can at least take some relief in knowing it won't be as bad as it could have been.
They sit in silence as the tea steeps, and then as Tobirama pours a cup without giving Hikaku the chance to do it for him. That taken from him, all Hikaku can do is observe and try not to fidget.
Now that he's noticed it, that ocean-breeze smell is really starting to fill the room. It's not a bad scent, he decides. Objectively speaking.
When Tobirama finishes, he sets down his cup without making a sound. Hikaku forces himself to breath, to not allow himself to grow tense again, because surely that will make everything that comes next more difficult.
"My heats are usually quite mild." Tobirama says at last, "With this, I'm often able to ignore them entirely, except for how they cause others to behave. Though the fact that its come early may hint that something has changed, I don’t anticipate anything too extreme."
"…Okay." Says Hikaku, throat dry, "How do you want me to help?"
Tobirama blinks, and now that he's looking, Hikaku can see the way all of Tobirama's movement has gone just a little sluggish.
"Just…Hm. Sit on the futon, for now."
Mechanically, Hikaku nods and moves to sit at the head of the futon. It's got a few extra blankets on it, he notes, but not the huge amount he's heard to expect from a nest. Maybe this is all a utilitarian man like Tobirama needs?
Tobirama sits next to him after a moment, purses his lips.
"… Stay like that." He says.
So Hikaku does -- stays frozen in place as Tobirama all but drapes himself over Hikaku's lap, loops one arm loosely around his waist, buries his face near his side where the fabric of the haori is bunched together. The omega shifts. Gets comfortable. Sighs.
"Is it true that you can smell me in heat and not feel the instinct to do anything?"
"…Yes." Says Hikaku. He thinks so, at least, because he's still not entirely certain what people mean when they talk about having instincts like that, "When I smell you I just… Think it smells nice. That's all."
"…That seems useful." Comes Tobirama's voice after what feels like an age, muffled by fabric "To not be ruled by your urges."
"…It has it's drawbacks." Hikaku admits, "I can't tell what a stranger is feeling through scent alone, and some social cues pass me by entirely."
There's a reason betas don't often enter the world of politics, after all. Entire conversations can be had just through scent.
"Hm." Is all Tobirama has to say in response to that, and then, "If you wish to pet my hair, feel free. Otherwise, I am going to nap."
"Oh." Says Hikaku blankly. "Alright."
For the moment, at least, there is no grinding or biting or leaking like Hikaku has heard often accompanies heats. Maybe if he doesn't draw attention to it, there wont be.
This, he supposes, is why Tobirama recommended him to bring a book. Which does come in handy, because Tobirama is apparently content to lay like that for hours.
After the first, Hikaku works up the courage to run his hand through Tobirama's hair, just once. It's soft, and the man doesn't respond at all because he is well and truly asleep.
After the second, Hikaku's legs start to cramp, but he remains still. This is well within the realm discomforts he's to handle as a shinobi, after all, and less than he thought he'd be feeling today.
After the third, Tobirama rolls off of his legs and blinks up blearily at him.
"If you're invested in helping, you could consider telling Madara to stop stalking back and forth outside."
Madara was --?
Well, he had been doing it unobtrusively to anyone but one of the best sensors in the world. To have done a patrol of Uchiha lands in three hours, though… Hikaku hadn't thought him so eager to return.
He takes a moment to stretch out his legs before making for the door. When he slides it open, he's immediately hit by the smell -- not just a campfire but spicy, now too.
Hikaku hadn't recognized the change in Tobirama's smell, but he's known Madara long enough to know what he smells like going into a rut.
They should have predicted this, too. After all, his new mate had gone into heat right in front of him. Personal feelings for each other aside, it would have been more surprising if this didn't happen.
Madara freezes from where he's clearly been pacing the corridor, eyes zeroing first on Hikaku, and then on the room behind him.
This, at least, Hikaku has an idea of how to deal with.
"Hold on a moment." He says. Closes the door.
"Tobirama.-san" He turns to the omega, who has been watching the proceedings with half lidded eyes, "May I borrow one of the blankets you've been lying on?"
"Mm?" Tobirama hums, "Ah. I see."
When he pulls the blanket out from under himself, Tobirama, too, nuzzles his face into it for a moment, before holding it out to Hikaku. He's decidedly less ashamed about the whole ordeal, though whether that's because he's currently in heat, or just because he's a shameless man, Hikaku can't say.
"Thank you." He says, and doesn't bother folding the blanket, because the moment he opens the door again and holds it out to Madara, the man snatches it from him, eyes blown wide.
"Do you need anything else, Madara-sama?" He asks.
Madara doesn't even seem capable of mustering words right now. He shakes his head, and retreats down the hallway without ever turning his back to Hikaku. When he finally ducks into his own room, all Hikaku can do is shake his head and fight back a fond smile.
It's a bit like introducing two cats to each other, he thinks dryly. But it can be done.
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Characters haunting their own narrative. A protagonist we don’t actually meet until four or five episodes in but who we hear of from damn near every mouth in the series. Their allies look out at the horizon and grit their teeth at their own troubles and reassure themselves like a prayer that they are coming, they’re coming, they’ll be here soon just hold out a little longer—
Their enemies look out at the destruction they have wrought and hold meetings to discuss the loss of men and territory and resources to this one person
People gather in bars and taverns and town halls and fountains to discuss the stranger who saved their lives or destroyed their businesses or liberated their people
We finally meet them when they arrive to help their friends, and the plot proper kicks off with everyone all together, we get to meet them and learn of them and see their personality, and eventually maybe we forget that they were introduced not as a person at all but as a ghost, a myth, a formless thing lurking around the edges of everything
(Sometimes they look so lost, fingers pressing to their pulse like they need the reminder their heart is beating. They confess to their closest friend that sometimes I’m not sure I’m real and their friend says sometimes I’m not sure either)
And in the end that character vanishes again, maybe dead or maybe something else, but they end the series the way they began: spoken of with a mix of love and terror, the ripples of their existence felt everywhere but they themselves nowhere to be seen, their ideals carried onward without them
Once someone they saved told them “you’re a hero! We’ll remember this forever!” And they smiled a small, sad, exhausted little smile and said it would be kinder to forget me.
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teecupangel · 2 months
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desmond, in the grey: my dad did WHAT?!
basim, live watching the events of william bastard’s conception: this is too much for me to handle 🧍🏼💀
Connected to The William Miles Gets A Woman Knocked Up Grieving Desmond’s Death idea (and its minisequel) and the Statistically speaking she would be 30~40 years younger than him.
He appeared before Basim out of the blue. Basim didn’t even know who he was or when he had appeared. Yggdrasil’s prison kept him stationary and the Norns weren’t really programmed to try and mimic human behavior enough to keep a conversation going.
So the sudden appearance of a figure clad in the light of their devices was a welcomed sight.
Basim didn’t really mind that said figure had hijacked the Norns, connecting their processing power to his own place in the Gray.
Basim didn’t even know where in the Gray he resided, only that the figure had more access to the Calculations than Yggdrassil and the Norns had.
Basim did realize that he wasn’t there for the Norns’ access to the Calculations.
He was there to make the Norns process the might influx of information coming from the Calculations, using them to build his own processing unit catered to his specific need.
“You wish to find a future where the ‘Catastrophe Singularity’ does not occur?” Basim asked curiously as he watched the Norns be worked to their bones, feeling no sympathy over them. They were programs given human-like forms to make it easier to talk to them.
The figure did not acknowledge him and Basim continued to speak anyway, walking towards the stump that was slowly turning into a tree made of golden light, “I’ll be able to help you. I know quite a lot about the Calculations. Not as much as the Capitoline Triad, I admit, but being imprisoned here did leave me with no other avenue of entertainment other than-”
The moment he touched the stump, the Norns glitched around them and a large piece shatter from the stump, slowly floating to his eye level. Basim took a step back as he said, “I apologize, I did not mean to-”
The loud moan coming from the shard caught him off-guard, making him frown.
“Verdandi.” The form ordered and Basim felt like he recognize his voice but cannot remember where.
“January 21, 2013. Portland Oregon.” Verdandi answered immediately.
Basim blinked.
“Oh, Bill! Yes, oh fu-”
Basim glanced at the glowing form staring at him before saying, “A recap would be appreciated, Urd.”
“William Miles, drowning in guilt over the death of his son, the chosen one Desmond Miles, and the finality of his divorce, is now having a one-night stand with a descendant of Basim Ibn Ishaq. This single sexual encounter will lead to the conception of the Sage of Aletheia and Loki’s child, Fenrir.”
Basim’s eyes widened.
His son?
His son’s Sage?
How was that-
The glowing figure disappeared and Basim stared at the empty space he used to stand on.
“Not a very polite guest, is he?” Basim commented, ignoring the moans coming from both his descendant and some man named William Miles. Basim sighed and turned to look at Urd as he ordered, “Send me all important data concerning William Miles.”
Time was hard to grasp in the Gray so the most accurate way to explain what happened is was…
After an unknown time have passed, Basim absolutely regretted reading the report Urd compiled about William Miles.
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kanene-yaaay · 11 days
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tehee teasy lees tehee
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leavemetoplaythesims · 3 months
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hi these screenshots are making me really emotional for some reason
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quirinah · 1 month
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oomf was talking about this combi and I remembered the season 25 episode where they interact for like 30 seconds. and then i got progressively more invested
#quirinahdraws#WHATEVERRRR *exploding*#nintama#nintama rantarou#忍たま乱太郎#rkrn#nanamatsu koheita#tachibana senzou#i don’t know if i actually do ship them romantically but it’s a very fun idea to think about#Listen Listen Listen. Can anyone hear me. i just think koheita is way smarter than he looks (crazy person)#BUT REALLY. he’s quite knowledgeable and he’s very sincere and good and reading people but he’s also super intuitive#and makes most of his decisions on the spot based on how he reads a situation and how he feels so he’s difficult to keep up with#it would just be fun to see senzou whos also really smart! but likes being in control and looking unflappable and perfect#falling for a guy who he can’t read but who’s super sincere and encouraging nevertheless… (forlorn)#HE SAW THROUGH SABUROU’S DISGUISE OF SENZOU IN THE 5TH YEARS VS 6TH YEARS ARC CAN ANYONE HEAR MEEEEE (is dragged offstage)#こへ仙#kohesen#but i think they would be a fun duo nevertheless! I can’t write dialogue but i saw someone way long ago talking about how it would be fun t#see senzou as the planner/espionage kind of strategist and koheita as the guy who gets in and gets stuff done…#OR PLANNING TOGETHER I can’t write dialogue but I like to think about koheita already having assessed the circumstance and just#cooking up a plan on the fly…#I do think senzou is kind of like monjirou where he’s a little bit of a softie at heart but he isn’t around koheita all the time like monji#so it might be fun to see him more flustered/being unable to read kohe….i want to see them get along too…. (crazy person)#digital
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inafever · 7 months
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The Wreckers - Neil Gaiman
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brookheimer · 11 months
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okay. i need to rewatch the episode probably but i think my current feeling is that i like most of it a lot (rome, ken, the siblings not getting ceo, etc), think the tom ceo makes sense from a logical/character perspective but not sure how i feel about it from a broader more thematic lens (altho i'm leaning towards fine with it), and am very mixed on shiv's ending because i think it's well-conceived and meaningful from a broader thematic lens (shiv becomes her mother, the cycle always repeats, etc) but doesn't quite make sense to me from a logical/character one -- it could've worked, it could've worked brilliantly, but it was far too rushed and forced. it makes sense as an ending for shiv, but not her next step. i'm largely talking about her decision to return to tom, not her decision to vote against kendall (which i think should've been executed better and given more space but can understand given her character, mostly). i'm fine with it as an ending for shiv, but what i'm struggling to stomach is the way it played out -- it didn't feel like a choice the shiv we know would've made. it's an ending that makes sense thematically and for her character arc, but not a decision that makes sense for her character at present. that's kinda where i'm at right now
#long shiv post talking ab this upcoming lol#bc so far i haven't seen like any shiv takes i've actually agreed with#it's either entirely anti ending or pro ending#whereas like. to me the ending works as an ending for the character. it's tragic dark devastating but it works and works well#but shiv making that choice does not make sense for where she is right now. it was rushed writing that forced an ending on her#that would be a satisfying ending but not a satisfying character choice and thus NOT a super satisfying ending#could've been EXTREMELY satisfying. but shiv wasn't there yet. her fatal flaw is blowing up good situations when she feels she's being#disrespected -- she's respect > power when it comes down to it#even tho she thinks she wants power more she NEEDS respect and is unable to stay quiet or make the smart choice in the face of disrespect#or men thinking they're superior etcetcetc. so her making a choice that allots her power (wife of CEO) but is the singular least respecting#outcome imaginable (meekly returning to your husband who betrayed you and stole the job you've been fighting for your entire life right out#of your grasp alongside your closest ally/flirt guyfriend who tapped him to do it explicitly to fuck you over because you're a pregnant#woman and thus inferior to the man who inseminated you -- and EVERYONE KNOWS ALL OF THIS! everyone knows you're the daughter of#the previous CEO and on two separate instances were meant to be CEO and now the weak man you married publicly betrayed you TWICE#but you still meekly return to him and place your hand in his and have his baby like the good pawn you are...)#that does not make sense for shiv. if we saw some development on the power > respect front or had a few more scenes or episodes developing#shiv as someone who would choose to become her mother (powerful and rich yet a disrespected pawn) over literally anything else#given her fundamental fear of being disrespected than maybe this would've made sense. it could be a great meaningful devastating ending#but it's one that just does not track for shiv as we know her right now.#ok tags got long as always sorry LOL i'm gonna write a longer thing explaining my hashtag thoughts bc i haven't seen much i agreed w on thi#front yet oops. ok bye 4 now tee hee#succession#succession spoilers#casey shut the fuck up about shiv roy
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samarecharm · 17 days
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Random question about the “they should make persona for people who like good games” post. Do people think the persona series is that bad? I know they aren’t perfect but I wouldn’t call them bad games.
I had a wholeass essay written out before i realized im too tired to make it sound coherent. AND my only experience is p 4 and 5, so my opinion on it means jack shit. All i can say is that the most recent titles suffer from bad writing. (And repetitive gameplay, but thats a different issue). Be it poorly written characters and dialogue, or poorly written interactions and plot, it is hard to take some of the stuff in the more recent games at face value. One could argue that that just means the game is subpar, not necessarily bad, but thats subjective; bad means different things to different people. And i say this as someone who thinks this game is Not the best but still found it incredibly engaging and entertaining.
#chattin#i am the kind of person to write video essay length posts on games that disappointed me LOL#so i am the wrong person to ask#remember that when thinking about the quality of a game; you should ask urself#who is the target audience? is it accessible to this audience? do i need an outside source to keep up with this game ? (like a guide)#if its in a series; what does it do to separate itself from the others?#is the writing okay? characters? interactions(#?#insensitive content ?#how is it handled? the game may me okay for me but can I have my fat friends enjoy this game???#can i have my trans friends and gay male friends enjoy this game???#who can i recommend it to? my sister is unable to process all of the social links and requirements for these social links#so she just. doesnt do it. she IS the target audience bc she likes rpgs#and she likes the story and characters. but its too overwhelming#and the social links would be overwhelming regardless of the difficulty#are u meant to enjoy the game in one playthrough or across multiple runs??#is it WORTH it to do those runs? for a game that has ‘choices’ it is painfully linear#and it confuses people who are trying to follow the rules (do things in my free time to build confidants)#when theyre unable to actually hang out w confidants bc of a rush of mandatory scenes#velvet room fusions are a pain and overly complex#and the game stops being about making a good build#and it starts to become ‘make a shadow null to everything bc the game will keep instakilling you’#forcing a game over when ur main character dies is ALWAYS bad to me i will swear by this#u make more interesting builds when u arent scared of a gameover#weh. rambling#the game is as bad or good as u want it to br#people clearly love it; we talk about our faves all the time. but how many of us are replaying a game meant to be replayed. not many.
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gaypirate420 · 11 months
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Being a Jasper girlie (gender neutral) is constantly living on the fucking threnches.
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