Tumgik
#when I have free time of course
myearts-uwu · 2 years
Text
... Should I write some Felix x Claude one-shots again?
14 notes · View notes
halalgirlmeg · 2 years
Text
Boss makes a dollar I make a dime that's why I print gothic horror short stories on company time
1 note · View note
mobius-m-mobius · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
#a man who DESERVES A SLICE OF PIE
1K notes · View notes
lampochkaart · 4 months
Text
I really love this parallel between Kaito and Kokichi.
Kaito has the persona of a stereotypical hero. He built his personality around the "hero-protagonist" archetype. He always talks abot himself in that way. He literally calls his close friends "sidekicks."
But with all this, the the main character of the game is Shuichi, Kaito's “sidekick”. And from the viewer’s perspective, Kiibo can be considered protagonist.
Kokichi plays the role of a clichéd villain. He constantly chatters about how he has a huge villainous organization, he exiles unwanted people to Siberia, he controls the entire government, etc. He plays the terrible villain as best he can. Later in game he even pretends to be a mastermind.
But at the same time, he is not the actual villain. He is not a mastermind. He was not the one, who imprisoned everyone in that academy and forced them to kill each other. Moreover, by nature he is a pacifist and spent all his time in the killing game trying to find a way out and save the most people.
In short, Kaito and Kokichi play the roles of clichéd hero and villain, without actually being them.
181 notes · View notes
kidokear · 1 month
Text
Tumblr media
My current Ultrakill brainrot + my excitement over ep 7 of Murder drones = 👆
123 notes · View notes
57sfinest · 1 year
Text
calling harry a “can opener” was SUCH a good play for so many reasons i think about it every day.
in the context of his work, it makes him a tool. as many people have pointed out, including martin luiga, part of the hdb tragedy is that he simply cannot leave the force, and his superiors know that and are using it to their advantage. no matter what happens, even if harry hated every nanosecond of every bit of the work and wanted to leave, he can’t and won’t leave. they can leverage anything they want against him and then reel him back in with a facade of kindness when they “allow” him to keep his job, as long as he does what they want him to. the 41st knows he has this inexplicable talent with people and they use him for it. he’s a cop: that talent can be used in so many awful ways, to push so many different agendas. and they won’t even be his own. a can opener has no particular desire to open a can, aside from maybe the satisfaction of fulfilling a purpose. a can opener has no agency, it’s just a tool for someone else to use to get what they want. and he’s learned to be okay with being used as long as it means he gets to stay. his complacency with this system makes him guilty even if he’s also being harmed by it.
but in the context of his personal life you kind of... flip it. the people around him are going to be opened up whether they want to be or not, and it’s terrible for his relationships. it’s shown that the questions, the prying- the can-opening- it’s become inextricable from who he is as a person. it’s like he doesn’t know how else to communicate, except it’s hardly communication when you’re just ripping people open. he’s invasive as all hell, although whether he means to be is debatable. he’s the kind of person that wants to take things apart to see what makes them tick. he dissects people, but really that’s too delicate of a word for what he does; if he doesn’t get what he wants right up front, he’ll abandon all subtlety and go for brute force. if he can’t get your screws loose he’ll just smash you on the ground and pick through your pieces until he’s satisfied, and if what he did to you isn’t fixable? oh well, there are other cans to open. 
and he’ll use it for personal gain: we already know he is (was?) manipulative. once he knows how you operate, he knows how to make you keep him. he can yell or he can cry; he can threaten you or he can threaten himself; he can be completely suffocating or he can withdraw completely; he can be an incorrigible liar or brutally honest; he can present himself as a threat or a joke or a talent. he’s a chimera- that’s why he’s got this inexplicable magnetism, even when people know they shouldn’t like or trust him. fidelity of character means nothing to him. he’ll be whatever he needs to be as long as it gets him what he wants. the can-opening is just his way in.
880 notes · View notes
caliblorn · 9 months
Text
Tumblr media
He shows you his sea lamprey collection right after sex. Wyd (?!??!?!?!)
254 notes · View notes
Note
okay but the realization that Howdy is actually a little bit of a scoundrel? a scammer even?? was like the BEST part of the update for me!!! his got a bit of spice to him i like that!
idk if it’s just me but it feels like it’s very important that Eddie was the only have like a extra audio thing on his character sheet in the neighborhood besides Wally and the You page?? like that feels significant somehow right??
i just really loved both Howdy and Eddie in these updates they were so great
GOD i know i know he's got some Kick to him! he's got Flavor! i love how he turned the common perception of his character on its side - everyone expected him to be wholesome and helpful and sweet, and then the update came in with the fuckin steel chair-
hmmmm i can see both sides of the beetle on Eddie's bio - the significance, and the possibility of it just being There because most pages had 1-2 bugs, and the audio was about Eddie. but ALSO its so so likely that is Was significant! i honestly thought so as well!
i mean, the beetle is very uhhh, Valentine looking? the prevalent heart shapes, the soft pink-yellow-white coloring, plus its an audio centered on Eddie and Frank. we already know FranklyDear is going to be an established Couple - so i'd agree that the significant is There! and if we lived in an alternate world where we didn't know about FranklyDear, we'd all be losing our collective shit over this and theorizing the hell outta it
66 notes · View notes
skitskatdacat63 · 7 months
Text
Lone Ranger Gunslinger! Fernando (context)
Tumblr media
35 notes · View notes
bylrndgm · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media
summer 1985, hawkins.
byler week 2023 | day iv: summer love song used
130 notes · View notes
thingsarentgreat · 6 months
Text
Beware of propaganda coming from multiple angles.
You Are Not Immune To Propaganda has become a meme, but remember that it's frighteningly true. Read the articles, not just the headlines. Then read between their lines. Carve out some time to do a little research for multiple sources.
Decolonize Palestine is a good source that's been going around lately. There is also a lot of easy-to-access information on Wikipedia regarding broad overviews of wars, their inciting incidents, their outcomes, their treaties, who benefitted from what, etc. If you can go the extra mile, please use it more as a springboard to access the primary sources listed in their "External Links" section. I've linked a lot of Wiki entries in the following paragraph to introduce topics.
Look into the history of the Israeli-Palestinian Conflict to at least familiarize yourself with an overview of Palestine's internal and external struggles against Israel's colonialism. Know about the 1948 Palestine War, the 1956 Suez Crisis, the 1967 Six Day War, the 1987 First Intifada, the 1993 and 1995 Oslo Accords, the 2000 Second Intifada. Pay attention to the numbers of civilian casualties listed in each of those war articles, too. Take a minute to learn what Fatah is in comparison to Hamas, when the last time an election between the two was held (2006), and then which of them currently runs Gaza. Try to look both further back and further forward than that. Not everything is in this post. This is one of the world's longest continuing conflicts.
"I don't want to do homework and this is really complicated" ok well it is complicated but it is also required reading for you to participate in the class discussion, even if you just take 30 minutes on your lunch to skim a little more than a headline or Twitter post. You gotta inoculate yourself with knowledge of history. Like I said, the sources linked here are mostly Wikipedia for broad overviews - scroll to the bottom and find their primary sources. Look up these topics on your own and find more sources.
I'm saying ALL of this not only because it's important on its own, but also because as expected, every damn right-winger and conservative war hawk is using the most recent tragedy as a way to ramp up Islamophobia, while white nationalists are using it to ramp up antisemitism. It's the same type of game plan deployed again and again to take advantage of sorrow, fear, and outrage following intense violence. They want to channel it into hatred of an ethnic group instead. They want your support to pursue more violence against that ethnic group while cloaked in the name of retaliatory justice and peace.
Remember that your enemy is not Islam nor Judaism, nor innocent Palestinians trying to live, nor innocent Israelis trying to live - your enemy is and always has been the states which oppress the people trapped under their boots. Making sure you blur the separation is part of the game-plan.
24 notes · View notes
muiromem · 2 months
Text
Just... repeatedly rotating An Idea around in my head
(and yes it's still Tom/Harry/B'Elanna OT3 because I'm obsessed with them, but I also love Janeway's and Tom's weird friendship)
Basically, something Big and Insane and Sci-Fi happens, and somehow all of the known universe in time/space is just sort of.... gone. Or dying, or being destroyed. Stars are going out, everything is vanishing out of existence. Planets, galaxies, creatures and anomalies and time/space itself - all completely gone.
Of course, Voyager is in the eye of the storm (so to speak) of this catastrophe that happened around them, and therefore one of the few things that remains for now (much like Kirk and the crew still existed after McCoy accidentally changed the timeline in "The City on the Edge of Forever"). Obviously, they're trying to stop it - to fix whatever this catastrophe was that could unmake all of existence.
With the wonders of Science-Fiction, there is a theoretical way to fix things; a jump-start essentially, to reset everything to what it was before this catastrophe and repair the wound it created. But even with this theoretical plan, there's something missing: a blueprint, of sorts. If they set off this insane spatial-temporal reaction, everything would be reset, but there's no telling what state the universe would actually be in after it was done. It would be like setting off a Genesis device on a war-destroyed Earth and hoping it would magically return everything and everyone to how they once were. There was nothing to guide this theoretical process of rebirth - and literally everything was at stake.
Even the great minds of Tuvok, Seven, B'Elanna and everyone else are at a loss for what to do. Unless they had someone like Q, omnipotent as he was, how could they feed something into this reaction of theirs to tell it what to do? How could they ever have enough information to rebuild all of existence from scratch?
It's Tom, of all people, who comes up with the answer: let him go.
At first everyone just sort of looks at him like he's insane because, what? What could he possibly be talking about? But even though he can't really remember, Tom still has a theory: the Warp 10 flight.
For a brief time, he was literally everywhere in time and space, all at once. Existing throughout all of existence simultaneously. Could his body, his unconscious mind, have somehow remembered that time? Could it have imprinted something onto him? Perhaps his very cells? He figures if there was a chance, even a small one, that his theory was correct - they had to take it. Because if he was right, then technically he was a living, breathing blue-print of all the known and unknown universe... and their only chance at saving everything.
That's when the riot starts, a great uproar of arguments. Facts and theoretical probabilities from Seven and Tuvok, horror and concern from Harry, even more from B'Elanna and the Doctor. They're startled, angry, because even if that were true the process would almost certainly kill him. And then there's Janeway, putting a stop to all the noise with a hand and saying that if there was a chance this theory would work, if the Doctor or someone could find even a speck of evidence to support it, then she would do it. Because even if everyone else forgot, she'd passed the transwarp threshold too.
Tom tries to argue, Chakotay and the Doctor too, but Janeway insists. She sends Tom to be looked over by everyone for proof of his concept, but says that if the time comes, she'll be the one to do it. As Captain, it's her job to keep everyone safe, no matter what. No one can argue, but no one is happy. Even this one chance at survival feels like it will come at too great a cost.
Time passes, with everyone rushing to do what they can before Voyager is also consumed by the nothingness. But eventually the verdict comes - Tom's idea has merit. His very atoms are somehow encoded with cross-temporal chronotrons and other signs that the theory may work. Once he knows what to look for, the Doctor scans Janeway and sees that she has these markers too, though hers are... fainter, for lack of a better term. She theorizes that it's because she only went through the Warp 10 process once, while Tom did it twice. The Doctor admits that there is a possibility Tom's the better candidate for this mission, only because he has a stronger "imprint" so to speak. Janeway still insists, refusing to send one of her officers to die in her place.
When everyone finally gets this complex and theoretical "reset" device figured out and constructed in one of the cargo bays, Tom begs to come with Janeway. He says that after everything she's done for him, he wants to see her off one last time. She relents, and once B'Elanna has started the reaction up from the safety of Engineering, shining beyond the doors like an imploding star, the two make their way there.
The entire deck has been cordoned off to keep chroniton and other radiations from killing the crew before they can set this whole thing in motion. It's just the two of them there. Tom takes a moment - as the doors open and they're both hit with a wave of heat, energy, and the unknown - and he thanks Janeway properly. For giving him a second chance, for believing in him, and for everything that followed after; like meeting Harry and B'Elanna, and finding a home aboard Voyager. Then he says "get them home" and before Janeway can realize what's happening, briefly thrown by his intense sincerity, he's shoving her aside - hitting the mechanism to shut the cargo bay doors. Inside, Tom grabs some tool and smashes the console so the door won't open without a manual override. That would probably buy him enough time.
Inside the cargo bay, it's like being trapped with the birth of a star; plasma, light, and colors all swirling in strings and shapes and a great sphere of something. There's no special switch for Tom to flip, no complicated sequence he has to follow. The best Voyager's brightest minds could figure out was for him to simply... walk into the singularity and hope for the best. He thinks of his family on Voyager, he thinks of his father and so many things unsaid, he thinks of B'Elanna and Harry and hopes that they'll still take care of each other when he's gone. And to keep them safe, to preserve everything that ever was or ever would be.... he walks into the fires of rebirth.
Outside the cargo bay, Janeway is screaming - trying to get in, to override the doors. She gets them open, only in time to see a tall silhouette disappearing - almost disassembled before her eyes, like dust being scattered away on the wind. Then there's just light - so bright it feels like it somehow pierces through her skin and bones and the very atoms of her being. Then.......
She wakes up. There's no telling how long it's been; all Janeway knows is that she's on the cargo bay floor, ears still faintly ringing, and Chakotay is gently helping her sit up. All around her it's... quiet. The cargo bay looks untouched - no crumpled bulkheads, no scorch marks, nothing. Even the vast, cobbled together machinery for the reset is simple gone. Once her head finally clears, Chakotay asks if she's alright, if her plan worked - but Harry's comm. from the bridge interrupts the question. Excitedly, Harry announces with great relief that the nothingness, the catastrophe, seems to be gone. His scans, Voyager's databanks - everything seems to be showing up normal. As far as they can tell, the universe was back to how it should be.
Back, except for one thing: Tom Paris.
As far as Janeway can see, Tom isn't in the cargo bay. She asks the computer to locate him; the reply is that Lieutenant Paris is no longer aboard. This is announced just as B'Elanna is running in through the cargo bay door, no doubt to see the result of all her hard work. She comes to a halt, looking at Janeway - staring because she wasn't supposed to be here, she was supposed to... After only a fraction of a moment, the computer's announcement finally registers and suddenly B'Elanna is running at Janeway with fists flying, screaming about how could she let him do this? Where is he, dammit, where the hell is Tom?!
She gets a few good hits to Janeway's chest and shoulders before Chakotay holds her back, and Janeway just lets her do it. Because this is her fault - she should have known Tom would try to pull that stunt with the doors, should never have let him come to see her off. She barely registers that B'Elanna's fury soon devolves into angry, choked back tears which Chakotay tries to soothe. When Harry arrives soon after and sees her expression, probably sees Janeway's too, it's all too easy for him to put two and two together. He and B'Elanna end up clinging to each other in their grief. Though Chakotay comes to Janeway to try and comfort her too, to reassure her that she's not responsible, all she can do is look at the cargo bay and see the silhouette where Tom last was - lost now to the ether of the universe.
The next few days are... hard. Harry might as well have aged a decade, and instead of the righteous fury that Janeway had expected, B'Elanna's just gone quiet. When Janeway stops by Sickbay, even the Doctor has become subdued, staring wistfully into the distance at nothing when he'd normally be working on some experiment or other. She still asks him, and Seven, and anyone who might be of use, if there was anything that could be done. But as far as anyone can tell, Tom Paris is gone - he'd sacrificed himself to save everyone else.
But Janeway feels like something is still wrong, like Tom's ghost is... haunting her somehow. It's a figure of speech when she admits it to a concerned Chakotay, but one night, she startles awake from a dreamless sleep, and there he is - standing in her quarters. Tom looks confused, exhausted, and he's... well she can see right through him. He looks at her, seemingly just as startled as she is, and she swears she hears him whisper "Captain?" But then suddenly he's convulsing, curling in on himself with a cry of pain and Janeway is horrified as she watches him.... unmade. It's like he's nowhere and everywhere, born and dying, unraveled but stitched together all at the same time until he's once again vanished into nothingness.
Janeway's heart is racing and she doesn't understand what she just witnessed. A dream? Hallucination? Some alien interference? She goes to the Doctor at 0400 and demands he scan her for a virus, temporal misalignment, anything. She's terrified that this was nothing more than the aftermath of radiation from being so near their "universal reset" as it went off. But there's also a tiny sliver of the smallest, most fragile hope, that this is something else - that there's a chance Tom isn't really.
The Doctor does find something, a strange resonance of sorts, connected - or perhaps coming from - Janeway. He theorizes that it's an effect of being so close to the singularity during the reset. As far as he can tell, she's not suffering from radiation damage, but believes that her guilt over Tom must have caused the hallucination. He offers to devise a treatment, and Janeway begrudgingly agrees. For him to say that what she'd seen was a hallucination though... it felt wrong somehow.
For the next few days, she hardly sleeps, too busy pouring over anything she can find - old Federation logs, complex theories, and all the research and schematics for the device they'd created. All in the slim hope to understand what had actually happened to Tom. Was he simply dead? He couldn't have been wiped from existence or surely, no one would have even known he'd existed. But had he been scattered throughout existence itself, a fundamental building block of the universe now? Seven helps her eventually, though it takes a good deal of persuasion. Chakotay and even Tuvok (though he'd never admit it) become increasingly concerned that she's grasping at straws, just trying to absolve herself of the guilt she feels because Tom took her place - but she knows it's more than that.
And eventually, she's proven right. The so-called hallucination happens again - but this time she's not the only one there. Seven and the Doctor were working with her on some experimental simulations on the holodeck when there's suddenly a terrible noise; something between electro-static and the wails of a dying creature. The holo-grid starts sparking, a console blowing out completely, until suddenly they all watch Tom Paris form out of nothingness before them. Whatever process was involved in his... reassembly, is obviously painful. Just watching the strange tangle of unidentifiable mass contort itself until it could become Tom was sickening. And when he finally takes form, still only semi-opaque, he collapses to his knees, shaking.
Janeway runs to him immediately, unsure what to do but calling his name. Here's there, he's there - it wasn't just in her head. The Doctor and Seven follow shortly, taking tricorder scans in shocked fascination. They ask questions, trying to understand what happened, but Tom doesn't know any more than they do. He says it's like he's everywhere but nowhere - and yet something keeps pulling him back into reality, back onto Voyager. He thought he would die, had come to terms with it, and yet he's still coming back. Even if he'd been completely tangible he looks awful, like he's dying every minute he's there. Janeway tries to reassure him that they'll find him, that they won't just give up, and that manages to make Tom smile. He says knows she won't give up on him - but as he starts to shift out of phase again, face clenched with pain, he asks her to promise him something. Janeway doesn't want to, knows she won't like what he has to say, but she nods anyways. "If you have to - let me go," is what he pleads. "Don't risk Voyager or anyone else for me. Just promise me that."
Janeway can't even form a reply, doesn't know how to let go, how to admit defeat. She's never given up on a crewman before, how could she possibly now? Out of habit she reaches out to touch Tom's shoulder - and even as he's fritzing, starting to disintegrate before her very eyes, she is surprised to make contact. The sounds of tricorders going haywire are behind her, but all Janeway can focus on is the fact that despite Tom literally unraveling in her hands, for a moment, just one moment, she could feel him. Then he's gone.
Everything is different this time - there was proof now, witnesses. B'Elanna and Harry are no longer withdrawn, instead racing full-steam ahead to do anything they can to help. They ask her about Tom of course, about how he's looking, and whether or not she thinks that they can save him. Janeway doesn't know what to say, how to tell them that Tom's clearly in pain and that she has no idea what even happened, let alone how to fix it....
Unfortunately, she doesn't have to. During some experimentation, Tom reappears again - much more violently this time, just when Harry and B'Elanna are present. The very air around them seems to crackle with energy, the temperature changing from too hot, then too cold, and back again. The atmospheric readings are going haywire and when Tom reappears, somehow less corporeal than before, he crumples to the ground in a heap. Harry is openly crying as they run to him, begging him to open his eyes - but when he and B'Elanna try to touch Tom, somehow their hands go right through.
Janeway is completely flummoxed. She'd touched Tom before, she knows she did. But it seemed he was becoming less and less stable each time he returned to a corporeal form - perhaps that explained the change? As the Doctor and Seven are once again running complex scans, Janeway goes to Tom's side and slowly reaches out a hand. As it lands on his shoulder, as Tom tries to sit up, she does make contact. The tricorders instantly go haywire, and Harry and B'Elanna wonder in despair - Why now? Why her? Why can't they touch him? But all Janeway can think is that this is progress. It must mean something, especially since Tom he seems to regain consciousness as she maintains contact, becoming a bit less transparent - a bit more real. When Tom sees Harry and B'Elanna this time, his eyes begin to water too - and Janeway wonders how tears could form in whatever state of flux Tom has become entwined with. But when she removes her hand to give them some space, to ask Tom if he's alright, he starts to fade once more.
This time Tom tries to reach out, to touch Harry and B'Elanna - but is just as unable to make real contact. Instead he tells them he loves them, begs them to take care of each other, to let him go - and it's painful to watch as he's once again gripped by whatever agony has been tearing him into reality and back. Hoping it might do something, Janeway grabs Tom's hand and this time she makes a promise she's going to keep: to bring him home dammit, no matter how long it takes. Just her hold on him seems to stabilize him a bit, taking the floating sands of his dissolving form and pulling them together for just a moment longer... but then the temperature goes haywire, energy crackles around them and Tom is gone once more. With him goes every sound as even the beeping of tricorder scans finally cease. In the silence, Janeway can barely seem to breathe and knows that Harry and B'Elanna must feel infinitely worse. Even more terrifying, each time Tom appears, he seems to be getting weaker, losing whatever cohesion he's managed to retain. She has no real basis to understand anything that's been happening, but Janeway has the sinking feeling that if they don't do something soon, Tom will be lost to them for good.
But then the Doctor clears his throat and holds up his tricorder, and suddenly hope floods back. "I believe I know what's happening to Mister Paris," he says, with not an ounce of boastfulness for once. Instead, the Doctor is as grim-faced as the rest of them, but holographic eyes no longer seem so empty. "And I think there's a chance we can fix it."
The process is... complex. Even for a mind as scientifically adept as Janeway's. The only important part is that Janeway wasn't just imagining that there was something connecting her to Tom. In reality, it was the other way around. Tom wasn't just being pulled back to Voyager - he was specifically being pulled back to her. It was all down to the the second transwarp flight, which they'd taken together. Crossing the barrier had created a sort of tether between them - a connection point across the vastness of reality. When Tom had entered the singularity to "reset" all of existence, in a manner of speaking his very existence was used to rebuild what had been lost. The price for this was Tom himself - every atom and molecule destroyed like the fuel necessary to keep a fire burning. But Tom and Janeway had gone to Warp 10 once together - existing everywhere in time and space at the same time. Because of that, a part of Tom still existed in Janeway, safe from the "reset" aboard Voyager within the eye of the storm. Janeway had unknowingly become a sort of temporal anchor, pulling Tom back into existence where he belonged.
At the moment though, he was trapped - pulled between reality and the strange purgatory of nonexistence. But with the magic of incredibly complex Science-Fiction and Technobabble, the crew essentially find a way to use Janeway's own Warp 10 resonance as both a magnet and a waypoint - to pull Tom back, and then reintegrate him into their time and space with the help of B'Elanna's ingenuity and a lot of Borg-enhanced technology. Harry describes is as being "like a temporal transporter" and that's already enough to give Janeway a headache, so she doesn't try to ask for details. The main idea boils down to grabbing onto what's left of Tom's "pattern" of existence, which has been imprinted onto Janeway, and using their newly constructed technology to "rematerialize" him back into reality.
Once they've found the method a jurry-rigged some machinery, the Doctor is standing by, both for Tom and for Janeway should anything happen. The others are farther off, manning the various machines while Chakotay and Tuvok have evacuated various decks in case of any explosions. The risks are immense, and this time Janeway had actually assembled the crew - asking them if they thought it was worth it. They'd potentially be putting the ship and everyone onboard it in danger, in a last-ditch attempt to bring one lost crewman home. It had warmed her heart when not a single person balked at the danger; Tom Paris saved them, their homes, their families and futures. Why shouldn't they try to save him too?
When the process happens, Janeway feels a sense of déjà vu; the light, the swirling mass of indecipherable colors and shapes and feelings, all cascading before her. This time she's strapped up with various bits of technology, hoping against hope to become the lighthouse that guide's Tom's way. In the very same cargo bay, bulkheads rattle and crumple this time, machines start screaming their warnings, and Janeway can feel the heat and pain and dizziness as radiation tries to eat away at her. But she can't stop yet, she won't stop. Even as the Doctor is yelling that the radiation levels are reaching critical, even as she hears Harry calling out that there's a new singularity opening and it's becoming completely unstable, Janeway sees it - a silhouette. It's only just forming, scattering in and out like a dance of lightning and sand, but it's there.
This time she won't be thrown through a cargo bay door and left to rebuild in the aftermath. This time she listens to her gut, and runs forward. She'd been the only one able to hold onto to Tom before because of whatever this bio-temporal tether was that had connected them - she sure as hell wasn't going to let him go now.
So she runs and sees an outstretched hand, breaking and reforming and scattering like light through a prism, everywhere and nowhere all at once. She ignores the pain and the feeling like she herself might be consumed by the fires of the unknown.
Kathryn Janeway takes a leap of faith, she grabs that outstretched hand, and for the sake of every person on her ship, she pulls.
Watching from afar, all the others see is a gigantic explosion of light and colors and sound. The cargo bay had been nearly cleared out before this process, but every piece of newly-made machinery has been completely destroyed. Bits and pieces scatter the floor, bulkheads have been wrenched open, sparks are flying, and Harry and B'Elanna find their ears ringing as they choke on smoke. They'd erected a level 10 forcefield for protection before starting the procedure, but in the aftermath it's been completely torn away. Even as the environmental controls kick in and start clearing out the haze, they look up from where they'd been thrown to see a massive scorch mark, spread out like a starburst across the cargo bay deck.
At it's center, they see.... something. Dizzy, confused, and still trying to see through ash and debris, initially they can't make it out. Even the Doctor is nowhere to be found, his emitter lying on the floor. It's fritzing but, after a brief inspection, seems repairable. Whatever happened must have shorted out many different systems, as Harry's attempt to use his combadge goes unanswered. He and B'Elanna make their way instead towards the center of the scorched cargo bay floor and behold... Captain Janeway.
She's covered in ash, with burns on her skin and uniform, and as they watch she kneels to the floor. There's something in her hands and after a moment it becomes clear; she's draping an emergency blanket over a long, familiar form. One with a head of messy, tawny blonde hair.
Harry and B'Elanna are running then, falling to their knees as they reach Janeway's side and behold Tom Paris - naked save for the blanket Janeway has brought to preserve his modesty. He's overly pale and clearly unconscious, but he's there, he's alive.
Harry cradles Tom to his chest, rocking him gently and bawling like a baby. B'Elanna runs her hand over Tom's hair, his face, his bare shoulders - anything she can seem to reach. They don't even know if he's fine really, but at least he's breathing. They didn't blow up the ship and they didn't have to lose him. Janeway looks exhausted and it's obvious her burns are painful, but she just stars at her three crewman, clutching onto each other with such love, and she smiles.
It feels like she sits there for an eternity, just watching them, basking in their reunion and the knowledge that they did it. In reality, it must only be a few minutes before the cargo bay doors are being forced open and Chakotay, Tuvok, and Neelix come through, bringing medical supplies and asking if everyone is alright.
By then, Harry is finally wiping his eyes and asking B'Elanna if she can get the Doctor back online because they're probably going to need him. For once, she looks reluctant to work, clearly wanting to stay there with him and Tom. In the end she agrees, but not before pressing a kiss to Harry's knuckles and Tom's forehead before taking the holo-emitter and leaving.
Afterwards it's all a long process of scanning, repairing, and treating everyone's wounds. Janeway tries to shoo Chakotay away once they bring her to sickbay, far too worried about Tom's condition, but he pulls out the big guns. Chakotay knows that she can't say no to Neelix when he gives her those big concerned eyes and tells her that "the crew needs their Captain to be taken care of too". So she ends up lying on a bio-bed for half an hour while the Talaxian carefully treats her burns and radiation poisoning as best he can. Unsurprisingly, B'Elanna gets the Doctor's program and holo-emitter working in record-breaking time, and they're all relieved when he checks over Tom and the prognosis is good; Tom's exhausted, dehydrated, and a bit worse for wear, but he'll be fully recovered in no time. Whatever madness they'd pulled of had worked.
Eventually, he wakes up, still very weak but every bit the Tom Paris they know and love. When he sees how distressed both Harry and B'Elanna are, he even jokes that they put an awful lot of effort in "just for him". B'Elanna looks like she wants to punch him for it, but instead throws her arms around him in a hug, and the three of them share a teary, heartfelt reunion. When the lovebirds have to split off so everyone can get some rest, and once the Doctor has given her a clean bill of health, Janeway goes over to Tom's biobed to see how he's doing.
He's obviously tired but he smiles up at her. However, the first thing she tells him is that she should court-martial him and throw him in the brig for the stunt he pulled in the cargo bay by taking her place. For a moment, Tom nearly believes her. But then Janeway smiles back and pats his hand with hers and says that he may be a reckless idiot, but she's proud to say he's one of her bravest officers. She also sincerely thanks him for what he did, to which Tom replies that she risked everything to get him back, so that probably that makes them even. Janeway doesn't bother trying to make him promise never to do something that risky again, since she knows he'd only break the promise anyways if the circumstances required it. Instead, she says that if he's going to continue doing insane, reckless stunts for the good of her ship, then she'll just have to keep doing insane reckless things to keep his sorry ass alive. She receives the patented "yes ma'am" for her troubles, and Tom says that after all, he learned from the best.
The last thing she does before telling him to get some rest though, is tease him - threatening that, even if she understands why he did it, if he ever tries that switcheroo he pulled with her again, she'll have to tell the gossip mill about all the places she hadn't realized he has freckles.
Janeway can see by his slowly-dawning expression that Tom does recall something about emerging from the nothingness, naked on the cargo bay floor. The last thing she hears as she walks, grinning, away from Sickbay is a sputtered yell of "You wouldn't actually... Captain? CAPTAIN!" before the automatic doors swish shut.
12 notes · View notes
heartpascal · 10 months
Text
may have just had an idea for a spiderverse fic that could just pull me outta my slump …. will keep y’all updated 🫡
34 notes · View notes
miraclemaya · 1 month
Text
new jacob geller video is good but the problem is that The City is not the same as the other art in the video. it is through its nature as a physical piece just a continuation of settler colonialism. he does touch on it but only a little and it really does change the context of the piece. and no art can exist without context, unfortunately. you can say that it being art about colonialism by doing it makes it more interesting but it does make it damaging in a way other art isn't.
8 notes · View notes
personal-breeze · 8 days
Text
Tumblr media Tumblr media
chuuni girl and her magical girl form
7 notes · View notes
writings-on-the-moon · 9 months
Text
I don’t know if it’s a headcanon for the sake of angst, or if people genuinely believe this: but where did we get the idea that Morro starved Lloyd to make him easier to possess?
At least, when I look at this dialogue.
“This armor, it weakens me. At the same time, Lloyd is fighting my possession.” - Stiix and Stones.
“Lloyd's spirit continues to fight my possession. He's getting stronger.” Peak-a-Boo.
“Save your strength, because I'll be needing it.” - The Crooked Path.
This whole Possession has been a double-edged sword. Now especially that last line? That’s the main reason I highly doubt Morro was starving Lloyd. Whatever Lloyd feels, so does he. If Lloyd is hungry, hurt and weak, that’s not going to be helping anyone. Not saying this makes Morro a nice guy, just that for all that he’s got a list of wrongs; starving someone likely isn’t one of them.
32 notes · View notes