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#words from my ex
vodkatales · 2 years
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For old times sake is actually such a heartbreaking and beautiful sentiment. Like, let’s do it for the love that used to be here. It is reason enough.
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muffinlance · 3 months
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Wait, what’s going on with Embers???? That fic has been on my read later list since 2021, what’s happened with it???
Brief overview, then I'm likely never touching this topic again, because this is not a Drama Blog:
Context: Embers is a super old AtLA fic that was written during the early fandom days, read widely at the time, and was the origin of the widely-used fanon name of "Wani" for Zuko's ship (kind of by default that it was one of the first popular fics to give his ship a name, I think?), even though most fic writers don't seem to realize it's from there anymore.
"What's Going On": I used to include a link in all my stories to it, because I believe in crediting other writers for borrowed elements, and I was using "Wani" in all my fics. But BOY did I not want to be sending readers that way anymore, so I've adopted a new name for Zuko's ship, and removed all Embers links.
None of the criticisms about Embers itself are new; I'm assuming they date back to when the fic was being written, because this isn't an "it aged badly" thing, this is an "actually yeah this gets worse the longer you think about it and I shouldn't have ignored my bad feelings just because some of the worldbuilding was interesting" thing.
An Incomplete List of Why I Made the Change:
I don't actually like the story that much anymore, and don't want to rec it
I tried to re-read it recently to see if some things were as bad as I remembered and it turns out they were So Much Worse Oh Yikes. More specifically, the treatment of Katara and Aang and their respective cultures has... rather a lot going on. One example: The Fire Nation and Air Nomads are both given multiple backstory elements in an attempt to make the average Fire Nation soldier's participation in the genocide/war in large part the fault of the Avatar and the Air Nomads themselves, and also fully justified from the Fire Nation perspective. And I do mean fully. One of its core tenants is "People from the Fire Nation (and only people from the Fire Nation) who don't follow orders Literally Die, therefore murdering pacifists and babies and continuing the war (and their regularly scheduled war crimes) is the only thing it is physically possible for them to do". I cannot emphasize enough how literal that is.
Also the name "Wani" means "Alligator" and is... objectively a pretty lame name for Zuko's ship? Where's the personality, where's the deeper meaning, where's the resonance with Zuko's themes? @tuktukpodfics initially thought I was calling the ship "Wanyi", and that's what I've switched to, because it is Objectively So Much Better. In their words: “Wànyī (萬一): Literally ‘one in ten thousand,’ ‘perchance.’ Used grammatically in Chinese to mean ‘what if’ or ‘just in case.’ I think a ship called ‘The Perchance’ is perfect for a boy clinging to false hope.”
TL:DR; I don't rec Embers anymore, because I don't actually like the story anymore, and there are things about it that get worse the more I think on them. I've removed links to it and renamed Zuko's ship to "Wanyi" ("The Perchance") because our boy deserves a ship name that reflects his character arc.
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so about the header that proceeded today's statement:
Viability as agent: Low
Viability as subject: None
Viability as catalyst: Medium
i didn't know what to think of this part of the entry at first, but the longer the statement went on... was the institute in this universe trying to manufacture avatars?
the dice can't do anything without someone to use them, they can't be an "agent" by themselves, but might be capable of manipulation, so in that aspect their viability is "low."
the dice could be a "subject" in the sense that they could use further studying, but the statement itself was a very thorough investigation of their workings, so in that aspect their viability is "none."
the dice seem to influence their holder to roll them, or at least find more victims to roll them, and could therefore be described as a "catalyst" for someone's becoming. but, as seen in the statement, their owner can give the dice to someone else (albeit not without consequences), so in that aspect their viability is only "medium."
so what about the line following all this, what does "Recommend referral to Catalytics for Enrichment applicability assessment" mean? if we go by this interpretation, i'd say it could mean the institute wanted to find a way to make the dice even more potent as an artifact, maybe even remove that pesky ability for their owner to reject them.
imho all of this this brings a whole new level of context to the events of episode seven, of unknown violent agents going after an influx of objects that seemed straight out of artifact storage. was that the nature of the titular "magnus protocol" first mentioned in episode four, the one that involved the starkwall group? containing or destroying potential artifacts before the institute could get their hands on them?
it also makes their "gifted kids program," and sam's link to it as one of the kids being studied, all the more horrifying to think about. was it not just avatars in general they were after, but child avatars specifically? no wonder gertrude got so defensive over the possibility of sam and celia dragging gerry back into the institute's business last episode, we all picked up on her clearly knowing more than she's letting on but now we might know the shape of that information a bit better.
and one final bit of food for thought... this statement had a lot of familiar themes, didn't it? free will or the illusion of it, gambling and not-so-random chance, the statement giver being done in by one final hit from what feels like a bit of an addition... all hallmarks of a certain mother of puppets. doesn't it seem fitting that "chester" would use this kind of statement to warn sam about what harm pursuing the magnus institute could bring to him, considering the one his voice might draw from? and doesn't it seem so painfully ironic that his warning seems to have only driven sam further into that web?
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novelconcepts · 8 days
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When i think about how Van Palmer was developed in a lab to get me in a goddamn chokehold.
You got a lesbian. You got a butch lesbian. You got a comedy-prone butch lesbian. You got a comedy-prone, movie-obsessed butch lesbian. You got a comedy-prone, movie-obsessed, haunted-by-a-rough-childhood butch lesbian. You got a comedy-prone, movie-obsessed, haunted-by-a-rough-childhood, hidden-pragmatic-depths butch lesbian.
You put that lesbian in survival hell situations. You put that lesbian in survival hell situations with her girlfriend. You put that lesbian in survival hell situations with her girlfriend as the romantic heart of your show. You put that lesbian in survival hell situations with her girlfriend as the romantic heart of the show AND make them both unkillable.
You put that lesbian in two timelines. You put that lesbian in the storyteller role. You put that lesbian in scars and silver rings. You put that lesbian in a position to explore the darkest side of loving someone. You put that lesbian on my screen, and you cast Liv Hewson. You put that lesbian on my screen, and you cast Lauren Ambrose. I mean. I mean.
Any ONE of these things would have been enough, and yet. Here we are. Watching the unkillable, complex-ass, funny, scary, heartfelt, fireproof lesbian get her face torn off by wolves, commit cannibalism, fall in love, move to fucking Ohio, and come back for more?? And you expect her NOT to move into a penthouse apartment in the very center of my heart? Be serious, dude. Be so serious.
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gothic-mothic · 10 months
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I love how u draw your narrator. His mannerisms are very attractive to me, I love seeing him on my dash
The mannerisms in question
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Idk why people find my narrator specifically attractive but I’m very grateful
I think
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wordsfromwise · 5 months
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dancemyself · 1 year
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hijabi girl: posts a cute tiktok
comments section: reminder sister you should be covering your neck. reminder sister the shape of your body should not be showing. reminder sister music is haram. reminder sister you should not post yourself online. reminder sister you should only promote islamic content. reminder sister reminder sister reminder sister remindeeeeeer
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flowersandfashion · 1 month
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“I love you. I love you. I love you. I'll write it in waves. In skies. In my heart. You'll never see, but you will know. I'll be all the poets, I'll kill them all and take each one's place in turn, and every time love's written in all the strands it will be to you.”
– Max Gladstone, This Is How You Lose The Time War
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saphira-approves · 6 months
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Okay so I finished Murtagh last night and I think I’m just going to put a lot of my slightly more coherent general thoughts here under a readmore. Spoilers ahead! Beware!
Right off the bat I want to bring us back to The Fork, The Witch, and The Worm. Not to Essie (although reliving that encounter from Murtagh’s perspective was EXQUISITE), but to Eragon, because the thing I love most about that story is that Eragon is glad to see his brother, even from afar, and is glad to see he’s alright, and hopes that Murtagh will one day join him at Mt. Arngor. We’ve talked recently on the blog about ill feelings and condemnation towards Murtagh during the war, especially on Eragon’s part, but the ending of The Fork makes it clear that—while I would love to see Eragon acknowledge and work through them—Eragon no longer holds those feelings, and in fact really wants the chance to reconnect with his brother and his friend, because he loved him like a brother before he even knew they were related, and after everything that’s happened, he loves him still—even if Murtagh is going to have some trouble believing or internalizing it.
And so I present the theme of this initial reading response: Murtagh is so, so loved, to an extent that he does not fully realize. He knows that Thorn loves him, obviously, but I believe it’s significant that—even though he has some Complicated™️ thoughts about Selena and harbors resentment towards her for, in his mind, choosing Eragon over himself—the memories of her that we actually get to see/“hear” (page 90 my beloved) are fully memories of Selena’s love for him. “…beautiful boy” anyone? “My strong boy?” That is her BABY and she LOVES HIM. Also, again, DESPITE HIS RESENTMENT, Selena’s love is the REASON HE KEEPS HIS SCAR! Scar lore alert! Scar lore alert! SELENA WAS THERE AND SHE’S THE ONE WHO HEALED HIM! (though I am still partial to thinking Brom was involved. I’ll write about that later it doesn’t matter right now)
(Also, on a bit of a lighter note, HIS HORSE TOY?????? Horse girl Murtagh CONFIRMED!!!! Little me would have been so jealous. …on a completely different note, I have woodworking connections and access to real horse hair. Hm. The Ideas.)
And then Tornac, son of Tereth, may your name live on forever. THE FIRST MEMORY WE GET OF TORNAC IS A HUG. THE FIRST TIME HE HUGS MURTAGH. MURTAGH HE LOVES YOU SO MUCH DO YOU KNOW??? I KNOW YOU KNOW A LITTLE BIT BUT DO YOU KNOW????? And the way he LEAPS to Murtagh’s defense when he falls in their escape, he REFUSES to let Murtagh languish in Urû’baen, that’s his BOY, his BEAUTIFUL STRONG BOY, that’s HIS SON, NO TAKE BACKSIES, MORZAN! He sees Murtagh’s darkness, yes, but more importantly he sees Murtagh’s goodness, and he knows Galbatorix will do everything in his power to destroy it, and that is something that Tornac simply cannot abide. You remember how I posted about Brom saying it’s easy to die for what you believe in, and then like ten pages later he dies for Eragon? Yeah. Yeah that one. That post. Do you see the point I’m making?
Tornac died for Murtagh. Selena did too, I’m pretty sure—it’s never been explicitly stated, in this book or the rest of the Cycle, but we know Selena was anxious to leave Carvahall as soon as Eragon was born, and that she died shortly after returning to Murtagh. I think Murtagh knows, on some level, but I also think that actually acknowledging it is going to break him just a little bit. Selena left Eragon and returned to him, presumably to spirit Murtagh to Carvahall as well, but she left too early. She wasn’t recovered. The real tragedy of this is that, if she’d left any later, she might truly have been too late—Morzan had been killed, and Murtagh would have been collected to Urû’baen before she reached him. Depending on how much she was coordinating with Brom, she might have known this, and made the choice to return to Murtagh anyway, because it was the easiest choice in the world. Eragon and Murtagh both believe that Selena left them. As Murtagh believes Selena chose Eragon over him, I’m pretty sure Eragon believes the inverse. In truth, Selena was trying to choose both of them, to save both of them. It’s a tragedy that she failed, but the most important thing about such a tragedy is that the love is there. It didn’t save them, not at first, not until much later, but the love is there and it matters because those are her babies, those are her sons, and she would gladly die for them. She did die for them. It was easy; she believed in them.
So yeah, I think eventually Eragon and Murtagh are gonna have a talk, and some revelations are going to be made, and a good long cry is going to be had all around. Catharsis! They need it!
But that’s not all! Murtagh is loved not only by the dead and the distant, but by the living and the near, too. Up to this point, the werecats we’ve met have been aloof, proud, intentionally distant. I always got the sense that Solembum likes Eragon and Saphira, but I don’t know that he would call them friends, even if Eragon and Saphira would, and he’s the most in-depth werecat we’ve met. But now we also have Carabel.
Carabel, who, from her position within Gil'ead, watches the people around them, and discerns their character: this is a skill I would say she has honed to near-perfection. When we meet her, she is desperate, though she hides it well. She sees Murtagh, and she measures his character, and what she sees is enough to make her take a chance on him, and she's right. Murtagh saves Silna, compromising his own principles to do so—swearing an oath he knows he'll have to break—and is so clearly relieved to see Silna safe with Carabel, despite the deceptions. We know, also, that Selena had been liked enough by Solembum for him to speak with her, and I wouldn't be surprised to discover that Selena was at least respected by werecats, if not outright known as a friend; it's possible that this, too, helped push Carabel to take a chance on Murtagh, though she makes no comment about it. Whatever the case, ultimately it is Murtagh's character that she gambles on, and Murtagh being simply who he is fulfills her hopes—not only in saving Silna, but his kindness towards her even when she was difficult, carrying her only when it was necessary and setting her on her own paws when he deemed it safe. Just in being himself, he earns love from two strangers, and the respect of an entire race.
(This echoes throughout the book, in all of Murtagh's interactions with children—he cares so much about kids. Not just as an abstract moral stance: he truly, genuinely cares for children on a deeply personal level. Essie in Ceunon; the two boys in Gil'ead he gives coins to, twice, and reprimanding their father for using them to pick marks; Silna; the children in Nal Gorgoth. In telling his story to Nasuada, he broke when he reached the children he slaughtered under Bachel's control.)
And Alín! Alín, who was raised to revere dragons, who cannot help but idolize Thorn. She is terrified of Murtagh, as a stranger and a strange man, but his connection to a dragon allows her to view him in another light. I can write so many essays about Alín, I'm probably going to, but here I'll just say this: despite her circumstances, despite how she was taught, despite how thoroughly she has been programmed by the cult of the Dreamers, the simple truth of Murtagh's compassion gave her the room to question, to think for herself, to ask herself if what she has been taught and raised to believe is truly right. Murtagh doesn't make the decision for her, he physically can't—it is Alín herself who finds the strength to break herself free, inspired by Murtagh, but not wholly because of him.
And in the dungeons of Nal Gorgoth, Murtagh meets Uvek, an Urgal shaman, and can I just say: I would kill and die for Uvek. He's got similarities to Murtagh that aren't discussed in plaintext, but are easy to draw: they both tried to be alone in the wild, thinking it would be better for them—different reasons, but they came to the same conclusion—but both have come to discover that they are better off in a pack. With friends. With brothers. With family. (As an aside, I really hope Uvek becomes one of the first Urgal riders.) I love the metaphor they share, about trust being a knife with a blade for a handle; and I love that once they decide to trust each other, they both jump in, feet first, 100% on board. That's always been Murtagh's method anyway (Eragon-era Murtagh my beloved, looking after this stupid dumb kid with his whole ass), and it is incredibly refreshing to see someone else with the exact same mindset throw their whole lot in with Murtagh. The gentle forehead bump! Uvek loves this crazy squishy Murtagh-man.
And finally, finally, Nasuada. The Guinevere to his Lancelot, and there's not even an Arthur for them to dance around, except for the Arthur of Public Opinion that would prefer to view Murtagh as dread Mordred. I couldn't keep from laughing, just a little bit, every time Murtagh was encouraged to/shown visions of taking the throne, because lol! Nah, you dumbasses, that's the love of his life for whom he broke his own shackles and turned on his tormentor and slave-master. The day he turns against her of his own volition is the day he is No Longer Murtagh. He keeps the newly-minted gold crown so that he can keep a piece of her with him—a coin!! A tiny little portrait!! An accurate tiny little portrait, to be sure, but one he'll soon be able to find in any decently full purse!! He may not want to admit it to himself, he may try to distance himself for her own good and the good of her rule, but he cannot truly deny his heart. As for Nasuada himself, she doesn't even hesitate to take him in—and she would have no reason to, having heard about Gil'ead, except that she knows him, she has seen his true being in a way only Thorn can relate to, and even in uncertainty she cannot believe evil of him. She's the one who reaches out to comfort him when he crumbles in telling his story, she supports him without a word when he struggles to stand, and she wants so badly for him to stay, Public Opinion be damned. She won't destroy what she's built, but she will move heaven and earth to be able to keep him near, for as long as he wishes to remain.
This whole book, really, was just a chorus screaming to Murtagh, "YOU ARE LOVED!! YOU ARE WORTHY OF LOVE AND YOU ARE LOVED!! IT IS THE LOVE THAT ENDS WARS, THAT DEFEATS FEAR, THAT PERSISTS IN THE FACE OF DEATH AND RUIN!! YOU ARE LOVED!!" And maybe he can't hear it yet, not with his ears, but his heart, eventually, might start to catch him up. And I absolutely cannot wait to see it.
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vodkatales · 2 years
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How can we be allowed to feel so much for people who don't feel anything for us?
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fudgecake-charlie · 6 months
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riacte · 4 months
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the nature of mcytblr is that if you're in niche enough circles for enough time, and you see something that suspiciously suits your tastes, but it's made by "someone you don't know / anonymous", there is a good chance that you indeed know that someone. but no one outs each other so it's like an open secret. we are all terry godbless. we enjoy it but we Pretend We Do Not See It. anon to anon communication!
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astranauticus · 8 months
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oh lol i forgot to post this robit sketches! because i have one (1) bit and im sure as hell gonna commit to it apparently
#rolling with difficulty#art I made#'shut your up' is a verbatim quote from an ex classmate i just thought it was funny#i dont think it was intentional i think he was just so angry that Words Failed on him#anyway im absolutely not keeping that maxim design. god i fucking hate clothing design *so* much#austin: 'hes a gold plated mechanite dressed in blue and grey robes' me trying to figure out colour placement: 'what FUCK'#i had one (1) good idea and that was 'skeleton shaped robit' and every other part of that design went to hell apparently#bc all the other mechanites we've had were either like... flesh..? shaped?? like that sorta silhouette (basically most of the old crew)#or more mechanical/geometric (vr-la's designs and like.. k-lb? i guess? if that counts)#so. therefore. bone shaped mechanite. also if i was gonna try that concept on anyone it may as well be maxim if you think about it#idk i thought it would be interesting. and also undertale was my first fandom so uh#ANYWAY. MOVING ON FROM THAT THOUGHT.#this started as a 2am intrusive thought of like#'we (artists in the discord) keep joking abt how k-lb would be a nightmare to draw but like.. how hard is it really'#anyway as you can probably expect. famous last words#i mean genuinely mad respect to noir but i think i said to one of my friends when i showed them this sketch#'i mean this in the nicest way possible but you can just tell he was designed for an audio only storytelling format' LMAO#if anyone is unwise enough to attempt this (so basically @ my future self lmao)#do the lineart and colouring for the wires in front of the inner electricity skeleton (???) and the ones behind it on SEPARATE LAYERS#drew the wires all together then the electricity and had to painstakingly go over the electricity with an eraser it was a fucking nightmare
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traitorsinsalem · 8 months
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and a merry gabrivor divorce sweep to all
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