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Trigun Stampede Character Thoughts: Vash
I've been putting off this write-up since I finished the show if for no other reason than whenever I go to analyze this funky little dude my entire brain just stalls and goes
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✨ Hi, Vash. Hi. :) ✨
...anyways.
Here's a quick collection of thoughts on him now that I am finally more coherent! The hardest part of this was trying to make something readable with the sheer amount of things I could say about him. Geez.
(Please note that I have only watched Trigun Stampede! As of this moment, I am starting the manga and have not seen 98 Trigun. I thought it might be interesting to compare and contrast once I've read the manga. Bear with me in the meantime!)
Right off the bat, the show introduces us to who Vash is as a character - a pacifistic gunman who, while incredibly skilled, avoids confrontation when at all possible. When Meryl accuses him of running away out of fear, it's pretty quickly made apparent that, while it is out of some semblance of fear, it is not fear for himself. Rather, his concerns lie with other people's well-being first and foremost.
Or, really, his concerns lie near completely with other people's well-being. What happens to him is of very little consequence if it means everyone else is okay.
I want to talk about three different things when it comes to Vash, namely:
His incredible skill and competence
His terrible self-image
His solidly held pacifistic convictions
Skill and Competence
Ohhhh ok. So, I can't really comment on exact positions or maneuvers (I used to do martial arts pretty extensively, but it's obviously not the same kind and I know absolutely nothing about guns or marksmanship sorry), but I can sure tell you that I loved the way the animators had Vash move in episode 1 right before he pulls out his gun for the first time. I wish I knew how to make gifs properly because I would totally make one of that part. Even before Roberto's line that "acting brave is foolish" and "he's not long for this world" had finished, I was already convinced of the exact opposite. As someone who's done martial arts. Guys. The way he moves here.
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It's a three step movement - he steps to the right, then to the left in an almost meandering way, shifting his body weight as he goes, before he grounds himself in a wide stance. It's slow, fluid, and calculated - a distinct contrast from his often jerky, exaggerated motions that we saw earlier. God I wish I had a gif. I don't think I can simply explain how insane it makes me. The animators could've just had him approach directly or run up to it - a lot of the times, with action heroes, there's a lot of flashy motion or jumping around, etc., which looks cool but isn't exactly something to be role modelling in an actual fight lol. But here? In the next episode, Nebraska mockingly says "this isn't the ballet" with regards to the dodging and spinning Vash does, but a lot of his motions... really are dance-like. He's damn near effortlessly shifting his center of gravity while remaining fluid in motion and completely balanced. No novice moves like that. He clearly has a lot of experience. For me watching, Roberto's line was refuted before he even finished it.
...which of course makes it even funnier when he realizes he's out of bullets. Oh, buddy. You looked so cool for a second there. Hjhdfnv
Really though, pay attention to the way he moves while fighting or shooting. He's always well-grounded, and the more serious the situation, the more fluidly and less exaggeratedly he moves. It's so, so cool. I don't know if I've quite seen that kind of motion in animation before, especially cgi (though it is possible I just haven't seen enough too...hehe...).
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The episode 12 fight too! Again, Vash is balanced, even as he's being knocked backwards. He falls correctly, and allows his body to move with the gun. All his motions are precise and fluid. Contrast that to Nai, who is, uh... totally unbalanced lmao.
And then the way he tucks before he jumps out the window! The animation actually convinced me of this guy's over 100 years of experience. I actually believe it.
What's nice is that Vash, too, is aware of his own skill. He moves with a lot of confidence, and he clearly has a great degree of trust in his own ability to fight and shoot without seriously harming anyone - not once does he show the slightest bit of doubt in his abilities. One might expect, given Vash's refusal to kill, that he might be worried about accidental injuries when in the middle of a gunfight - but he isn't. Ever. The only way I can interpret this is complete confidence in his own abilities, and he most likely trained hard to specifically ensure that this would never be a concern. The trope of "character who doesn't want to fight or hurt people turns out to be really insanely skilled/strong" is always cool and fun, but in this context it's really a neat take on it, since I feel it is only because he refuses to kill that he intentionally developed such god-tier level marksmanship - I am going to go out on a limb here and assume it is much easier to accidentally inflict serious injury with a gun than it is to actively avoid doing so lol. He probably worked at being a really good fighter and gunman specifically so he could avoid killing.
I also find it kind of refreshing that he never calls his skills into question, since that does tend to happen with characters who have a poor self-image or low esteem. Which, uh, takes me to the next point.
Self-Image
Yeah, Vash's self-image is kind of in the gutter. He places the blame for all the tragedies that follow him on himself, despite the fact that he always puts in his full effort to prevent them from happening.
The majority of this ties back to his feelings of culpability for the fall. I want to direct your attention to the scene where Vash is digging the tally marks into the wall in episode 8 - it can't possibly be the number of days that have passed since we see the transition of the sun only twice and Brad looks shocked when he sees the all the tallies (which he wouldn't be if they had been there for that many days). With the way Vash's tallies look a bit like crosses and the fact that he greeted the people in cryosleep on Ship 5 by name in the first episode, suffice to say, he is probably making a tally of all the people who didn't make it through the crash - people whose deaths he feels personally responsible for.
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Really, I wouldn't consider Vash even remotely responsible for any of that - he had the access codes but like. Zero intent or knowledge of what Nai was about to do with them. Regardless, Vash carries the guilt from it in the way Nai won't, because in his mind, someone needs to take accountability. Also important to remember is that the only reason any human being still lives on No Man's Land is because of Rem's sacrifice. Vash needs to maintain his belief in the capacity for human kindness and his no-killing code, because if he doesn't, her sacrifice would be in vain. He keeps her values and beliefs alive. She's in everything he does. Even hollowed out and stripped of his memories and identity, the mass of roots and flowers that engulf July take on her likeness.
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So, really, in addition to Vash just being a generally compassionate soul, his staunch pacifism is a refusal to betray her beliefs and let his mother figure die a second time. I need to fucking lie down.
With all this strain he puts on himself, it's really not surprising that when tragedy inevitably strikes, he is very hard on himself, and from what we've seen this actually manifests in a set of consistent self-punishing behaviours - I am of course referring to episode 3's "I don't deserve to cry" and his refusal to eat in episode 4 (despite apparently needing to, unlike Nai). This is very similar to what we see in episode 8 with him as a kid, where he goes somewhat blank (no crying, no anger, all his negativity directed inwards and at himself) and refusing all food except what little he needs to survive because "it's a waste".
The worst part of this though, to me, is that we see from certain throwaway bits ("one bullet is two slices of pizza/two dozen donuts!", his kid self's eagerness at the sight of the birthday cake and the spread of food, his first question on seeing the geranium being to wonder if it is edible) that he not only needs to eat but also seems to enjoy eating - so his refusal to eat is not only a denial of a basic necessity but also of one of the few things he genuinely likes that he will allow himself to partake in. In the context of Rem framing food as something to share with everyone, it also makes me wonder if his self-denial is something along the lines of "I don't deserve to share this with them". In that sense, it's really important that Luida echoes a similar sentiment as Rem (implying she wants to share this food/include him, and that some of Rem's views survive in these remaining people).
I do wonder if, because food is associated with sharing to him, that it has something to do with needing to "earn a place at the table" in a way. While I think Luida was trying her best to juggle a lot on Ship 3 behind the scenes after the fall and clearly didn't want to keep Vash locked up like that, the crew only started treating him better and trusting him after he found a way to help them. The unfortunate view that Vash receives then is: "I need to earn their trust by being helpful." Vash is a chronic people pleaser - I can't think of a single point where he does something solely for his own benefit. He has no desire to scare or harm anyone (quite the opposite!) so he goes out of his way to be as helpful and non-threatening as possible - hiding his true nature as a Plant (to such an extent that he doesn't know anything about his powers and has effectively sealed them away - he's practically human), masking his facial expressions by cleverly hiding his face or letting the light reflect off his glasses, trying to laugh off his competence as luck and his scars as embarrassing.
Is it because he doesn't want to scare people? Is it because he doesn't want to feel othered from them? It's hard to say. It's probably a bit of both.
Nai accuses Vash of loneliness and desiring love, and of seeking to fill that gap by appeasing humans. While I don't think this is necessarily wrong, it can't possibly be accurate as a core motivation, since Vash doesn't seem to really... accept a lot of positive interaction. Whether out of concern for others' safety, a lack of feeling like he deserves it, being secretive about his past and identity, or some combination of the above, Vash tends to leave a lot. He leaves Jeneora Rock's celebration early, tries to walk away from Meryl even as she's calling out to him, runs away from Home when Brad and Luida listen to the recording. He throws walls up and distances himself by laughing things off, or smiling, or simply not explaining anything.
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I mentioned this during my live blogging while watching episode 9, but as Independents, it's intriguing to me that both Vash and Nai exist outside the cycle of dependence we see between the Plants and the humans - both of which cannot survive without the other. Nai appears to revel in this detachment, but Vash also seems to self-impose a certain distance between himself and everyone else - for all his friendliness and inability to leave someone hanging who needs help, he practices a lot of recognizably avoidant strategies. He exists on the periphery, never staying in one place too long (he can't), and treating every interaction with a certain kind of resignation - an understanding that it is temporary. He seems to expect the inevitability of being chased out over and over. The slightest of kindnesses given to him he always feels incredibly grateful for. Perhaps he feels that kindness is more than he deserves.
I honestly dread to think how he'll react once he regains his memories of what happened to July. I trust that he'll keep pushing on, as he always does, but is he going to remember that he deserves to eat and smile?
I really hope so. Otherwise I will need Meryl and Wolfwood to bonk him on the head.
Pacifism and Conviction
The thing about Vash's pacifism is that it's very difficult to tell whether it is primarily motivated by love or guilt. Vash carries an incredible amount of survivor's guilt with him and he absolutely is doing his best to keep Rem's memory alive, but I don't think it can be denied that he isn't just acting out Rem's beliefs - he really does believe in them himself. He's also genuinely compassionate and does care and become invested in the well-being of others. In the end, I'm not sure it really matters. I don't think the guilt or love can be easily extricated from each other at this point; they are both powerful drivers of his actions and core to his identity as a person, and while this is not exactly ideal for getting him to be kind to himself, they both strongly feed into his continuous choice to be kind to others.
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And it is a choice, not naivety, as pacifism is so often brushed off as. Vash's compassion is something he chooses over and over again, in spite of the way he is often treated, and the way his powers hold far more potential for destruction than even Knives. Wolfwood thinks that Vash doesn't understand harsh realities and is going to receive a rude awakening but he does understand - Vash just chooses not to accept violence as the only way forward and believes that things can change and improve, and is willing to expend that energy and extra hurt into making that a reality. Nai thinks Vash is helpless and brainwashed into his belief - note the way Vash frequently appears as his child self when Nai tampers with his Gate or his memories; the implication here is that Nai sees Vash as incapable of making choices for himself and in need of protection - but not only is this horribly demeaning to Vash's personhood, it simply isn't true. Even Meryl chews him out for what looked like running away to her early on, and Roberto thinks he's going to get himself killed sooner or later. Everyone underestimates Vash, at least at first. And well, it's easy to. He's just a silly little guy! He's a bleeding heart who tries to help everyone he comes across! He talks about nobody needing to die in a world where most everyone is starving and desperate! To the people in-universe, he would look like a total fool, and far too idealistic to last long.
Except, he has. He's around 150 years old, he's scarred to hell and back, but he's still alive and he still chooses kindness. That takes a special kind of improbable mental resilience and stubborn conviction - and that's what most of the other characters overlook. Vash is, indeed, very sensitive and emotional and an idealist - he's also much tougher and more rational than hardly anyone gives him credit for. He's an excellent judge of character too!
His ideals and that stubborn faith are everything that makes Vash who he is.
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This scene in episode 12 is the only true moment of triumph in what is otherwise a tragedy all around. Nai would go as far as to destroy Vash’s very identity to get his brother back, but at the cost of losing everything that makes him Vash. These ideals are the core of “Vash the Stampede”, and no matter how foolish they may seem or how little others understand his conviction, this is an identity he has chosen for himself. It’s who he is. And this assertion, coming directly on the heels of Nai trying to erase him and remove that autonomy, is an undeniable brief triumph in the midst of it all. Nai will always be Vash’s brother, and he will always love him I’m sure, but they diverged in their persons a long, long time ago, and Vash adamantly refuses to be an extension of or accomplice to his brother’s crusade of hatred… even if that means going against him.
Vash’s kindness is so necessary to a world like the one we see in the series, on the verge of extinction and giving up. Approaching situations with understanding and communication is really the only way to help improve understanding amongst others - and this is one of his biggest strengths; it's even reflected in his use of his Plant abilities (communicating between himself and the other Plants, the way he can open a path both to and from the higher dimension unlike anyone else). In this way, Vash is something of a necessary conduit. I just wish he'd let himself feel a little more tbh. He represses a lot - he canonically won't allow himself to cry if he feels responsible, any flashes of anger are brief, he doesn't stick around to have fun really. Personally, I'd like to see him allow himself grief through tears, a little bit of genuine letting loose and celebrating, and actually expressing things like irritation and annoyance next season. Perhaps that's wishful thinking.
I don't know how to accurately summarize my thoughts on Vash well enough other than to say, in keeping with the whole Plant thing, he reminds me strongly of dandelions. Bright, cheery, grow through cracks and root where you don't expect them to ever be able to eke out a living. Regarded as a weed by many but very difficult to get rid of. Hardy, resilient, and pop back up after being beaten down. Kids make wishes on them.
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Anyways. Hugs him hugs him hugs him x 60,000,000,000
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Of the 19 hijackers who carried out the Sept 11 attacks:
15 were from Saudi Arabia (a powerful/oil-rich country the U.S. works hard to maintain diplomatic relations with)
2 were from the United Arab Emirates (also a powerful/oil-rich country the U.S. works hard to maintain diplomatic relations with)
1 was from Egypt, 1 from Lebanon.
None of the hijackers were from Iraq.
None of the Sept 11 hijackers were Iraqi.
None of the 9/11 hijackers were from Iraq.
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talaricula · 5 months
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Things I've seen tumblr memeing about James Somerton doing à la "How did no one see how bigoted he was!" as if those things haven't been a significant part of tumblr culture for over a decade :
Presenting untrue and bordering on conspiratorial versions of (queer or otherwise marginalised) history without any sources
Completely disregarding and disrespecting any expertise on socio-cultural topics/humanities and distrusting academics and historians (incl. acting as if no academics or historians could be queer or marginalised)
Downplaying the role misogyny played in the historical oppression of queer women and concluding that queer men must have been more oppressed than queer women
Bi women are, at best, not as queer as "real" queer ppl, and at worst, simply equivalent to straight women
Despite nominal trans inclusivity, transmasculine ppl are functionally women when convenient (combined with the above, bi transmascs are functionally straight women)
Despite nominal trans inclusivity (bis), shamelessly attacking, threatening and actively endangering any trans woman who questions them or smth they find important (often by unfairly presenting her as violent or as a threat)
Having absolutely fucking wild and reductive takes about ace ppl, the oppression they face and their place in the queer community
Stating that marriage equality is an assimilationist fight while completely ignoring its direct roots in the horrifying consequences of the AIDS crisis for partners of ppl who died of AIDS
Praising western media creators from the past for queer coding even under censure and in the same breath condemning current non western media creators for being homophobic bc their representation isn't explicit enough
Blaming China for all existing homophobic censoring in western media
Assuming all queer media would be better told by western creators and by western standards
Only out queer ppl get to tell queer stories
Heavily criticising almost all queer media created by women or ppl they see as such (see above points about trans ppl) or involving/starring a significant amount of women for any perceived or real amount of "problematicness", but fawning over and praising and negating criticism of queer media created by and starring mostly or even functionally exclusively men (even when it could be argued that, you know, not involving/seriously sidelining women is a pretty clear example of misogyny which should probably be considered "problematic")
And I'm probably forgetting stuff or there's stuff I have internalised myself and don't recognise as an issue
Like idk but I feel like the takeaway from Hbomberguy and Toddintheshadow's videos should maybe be "be aware of such patterns in your communities bc they definitely exist" and not "this guy is uniquely awful" and I feel like a lot of the discussion I've seen surrounding this has been severely failing at that. Most ppl who've spent any significant amount of time on tumblr prob either have internalised at least one of those thought patterns, have had to de-internalise them, or have had to be extremely vigilant to not internalise them (which is done by, you know, seeking out other sources, which also seemed like an important takeaway from the videos)
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indigo6f00ff · 7 months
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need to share an experience i had 30 minutes ago
(edit: thanks to @walks-the-ages for providing and reminding me to put alt text, sorry it slips my mind alot lol)
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pommegrantaire · 3 months
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Au lit, le baiser by Henri de Toulous Lautrec but make it Aziracrow
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allysketches · 3 months
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gets in charge of the bookshop for 1 (one) day: shows up in a cardigan vest and metal sleeve garters, keeps the shop CLOSED, avoids selling a single book... iconic, truly did THE MOST, 10/10 😩👌🏻
(also, the way he was this 🤏🏻 close to finally achieving the status of house husband he's been dreaming about for MILLENIA just to have the rug pulled out from under him last minute... truly DEVASTATING 😩 my girl really can't catch a break 🤧)
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stil-lindigo · 11 months
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mumbattan's one and only pavitr prabhakar!!
prints
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mobius-m-mobius · 6 months
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#the Nowhere Man who waits and the God of Stories who watches
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ninjasmudge · 2 months
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thats a red flag narinder, get that crown back while you still can
+ top panel without text below the cut
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suiheisen · 9 months
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is it ao3 or is it sports media
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nerdpoe · 14 days
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Danny is about to be kidnapped in Gotham This is not a good time.
He's studying for the SAT, he's already been kidnapped by Vlad like, four times that week and it was a fucking Tuesday, he forgot his wallet at his new apartment, locked himself out of said new apartment (he could phase through the door but that wasn't the point), he's just been informed that the grant he applied for was denied so he needs to ask his mom and dad for college funds when he'd already told them he had it covered, and just...it was shit.
It had been shit. The entire week had been awful and annoying and he was ready to either murder everyone on the planet or go find a corner to cry in for the next three days.
So when the band of wild goons working for whatever villain of the week pulled up and tried to kidnap him, he snapped.
He used them to vent.
Shouted about how terrible his day had been, how terrible his week had been, how he'd already been kidnapped by his creepy godfather who was way too into him, how college funding was shit and the grant system was rigged, and how he'd have to call a locksmith or break down the door to his own apartment if he wanted to go to bed-all of it. He unloaded all of his frustration.
The goons actually backed off.
One of them gave him an awkward side hug and told him it'd get better.
Danny wasn't paying attention to his surrounding. He doesn't realize that the whole thing was livestreamed.
So when he gets home to his apartment later that day, his door is opened for him by the vigilante Spoiler before he can even turn intangible.
She brought over BatBurger and kidnapped Bruce Wayne, Gotham's bumbling Prince, to talk about college grants.
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shadowtraveled · 2 months
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
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but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
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the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
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which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
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the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
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yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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its-tortle · 3 months
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— taylor swift albums as months of the year —
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kittykatninja321 · 3 months
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I am not terribly familiar with the JLI characters but this fucking killed me
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abstractfrog · 5 months
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There's something on this ship that's so bad the TARDIS ran away?
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