i feel like the reason aang isn’t as adored and beloved as he should be is because he’s the protagonist but he’s also not an archetypal western classical hero. i don’t agree with the entirety of that “avatar aang: feminist icon” essay because i think the role of patriarchy and gender in atla is more complex than what that essay posits, but he definitely complicates the masculine ideal of heroism and generally does not conform to patriarchal notions of masculinity. which is very deliberate, especially as contrasted with sokka and zuko’s explicit struggles with the imperialist/colonial standards of an aggressive, militaristic, and chauvinistic masculinity. aang is subversive because he represents an absence of war in a world ravaged by it. through his link to a (somewhat more) peaceful and harmonious past, he represents a better possible future. as katara would say, he brings people hope.
but people don’t like that he’s not visibly edgy or tormented like zuko is (even though he’s a far more tragic character than zuko is, just fyi), that he isn’t “cool” (even though he’s literally the coolest kid ever, just fyi), that he “gets the girl” (even though if anything, she gets him) despite being twelve and bald and nice (the horror!). katara is the more classical hero of the narrative, as its narrator and its catalyst, the adventurous revolutionary who gradually learns to control and use her powers and eventually becoming a force to be reckoned with. zuko is the classical anti-hero of the narrative, his “redemption arc” constantly hailed as one of the greatest character arcs in television. so people expect katara and zuko, as very obvious narrative foils who parallel each other every step of the way, to be the obvious couple, because based on every romance narrative we’ve been inundated with throughout our lives, within our patriarchal society, they “just make sense together.”
but as much as katara is a protagonist in her own right, aang is the show. the title quite literally represents the central thematic tension of the entire narrative, the colon illustrating the implicit divide between his duties to this brave new world in desperate need of justice and balance, or his duties to his extirpated culture as the last true voice among them. aang is the central figure because this tension represents the crucial ideological battle happening across the entire show. aang is the avatar because he is the only person in the entire world whose values have not been shaped by war.
people constantly laud zuko, in particular, for being the most interesting, complex character in avatar. but i personally don’t even think that’s true. which isn’t to say that zuko isn’t fascinating in his own right, of course, but rather that he’s certainly not the only complex character this show has to offer. he just happens to monologue about his anguish constantly. but aang wasn’t raised as an imperial prince, and so he approaches the world, and his own pain, in a very different manner. the reason he immediately goes to ride giant koi on kyoshi island, mailchutes in omashu, and otherwise goofs around after learning of the shocking ramifications of his people’s genocide is because that’s how he copes with his pain. unlike zuko, who never stops talking about his aches and yearnings, aang represses his trauma and hides his tears behind a mask of upbeat cheerful goofy twelve year old antics.
until he can’t anymore. until he snaps. both katara and zuko wear their hearts on their sleeves, and that includes their rage. but aang’s rage is dangerous specifically because it represents that he has been pushed past his limits, that the conditions of this world in which he is a perpetual stranger, temporally displaced and dispossessed, are intolerable. that peaceful reconciliation is impossible. and the fact that he persists beyond that breaking point, over and over again, to firmly and resoundingly establish his ideals even as they conflict with everything he has learned about this world, a world that is not his own even as he can never return to the world he once knew, is what makes him so unique, so powerful, so beautiful.
i know that aang isn’t the typical hero, neither narratively nor aesthetically, but really, that’s the entire point. the world, our world, needs something other than what we have now. we need someone who will not succumb to the ideals of domination and victory through violence to assert themselves. we need someone who stands firm in refusing to kill the firelord, even as everyone he knows tells him otherwise. we need someone who knows that darkness cannot be vanquished through more darkness, but can only truly yield to purifying light.
and sure, aang is a child, and often acts childishly. sure, he’s not conventionally handsome and alluring. but one thing i will never understand is how that somehow negates his appeal to the masses. because even if you don’t appreciate how crucial he is to the themes of this narrative you all seem to love so much, how can you not love his adorable little face? his precious little laugh, his zest for life, the infinite well of love and kindness he holds in his heart? people who hate aang are crazy to me. because you are, quite literally, hating the world’s most precious baby boy.
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Italian Steve Harrington hcs because why not:
He was born in Italy (ovbisouly) but moved to hawkins when he was around 10 or 11.
He speaks fluent Italian, it's his first language, which is why he asks what certain words mean so much. He's still expanding his English vocabulary.
He always writes his notes in Italian, he was forced to stop writing in Italian at school but after he graduated he started again. Robin keeps trying to read his little notes but she doesn't know Italian yet. (He has a journal that's in Italian because he knows Robin keeps trying to read it)
He teaches Robin Italian because she wanted to learn. Mainly so she could understand what he mumbles.
When he's stressed, scared, or angry he'll start rambling/yelling in Italian. No one understands him but Eddie always gets him to calm down. Robin does too but for some reason Eddie does it the best. Unless he's arguing then he has to be reminded to speak English.
He's an amazing cook, everything he makes is good. Steve tries his best to introduce everyone to certain Italian dishes.
He has several of his grandma's old cook books.
During the holidays his parents force him to fly out to Italy to see the rest of his family. After the age of 13, his parents are already there waiting for him.
He insults people in Italian so they don't understand him. Dustin, Mike, and Robin are normally the victims.
Sometimes he'll just switch into Italian and has to be reminded to speak English.
He loved living in Italy but refuses to move back because all of his friends (family) that matter live in Hawkins.
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Horrible, awful habit of running my thumb on my lip when I think. Holding the tip of it between my teeth, letting it rest on the swell of my bottom lip, letting my tongue just barely touch the very tip of it; cannot - will not - stop thinking about Neuvillette fixating on it.
It's nothing significant - it should be nothing significant - but oh. There's something about it. The motion of your thumb running over the deep curve of your bottom lip, up along the crest and pausing on the dip of your cupid's bow, before continuing its path back down to settle back in the middle of your bottom lip; as though it's a pillow for it to rest while you gather your thoughts. The indentation as you push down ever so slightly, just enough to let the tip slide in. It's barely enough to even count as your mouth being open; your lips are too full to let more than the barest hint of teeth show where they're lightly closed around your nail. Your tongue is just barely raised to meet the intrusion. It's almost an invisible action, but he can see the tiniest flicker of movement when your tongue presses against the tip, and it makes something in him ache.
Neuvillette doesn't understand it; how something so innocent, so casual, could send these licks of desire straight through him. How, even though it does not (fully) distract him from the topic at hand, he finds himself following every move with his eyes while you're blissfully unaware. How he wonders if you'd make the same expression if it were his thumb against your lips. Or even, how you'd look if it were something else entirely -
It's not long before he slips up. His hand moves faster than yours, and while he tilts your chin up against his fingers his thumb rests against that curved swell of your lip; he's almost lost in the softness of it. He can feel your surprised gasp through the thin material of his glove along with the startled whisper of his name you let out and - oh, it sends a flame through him. He can't stop himself as he follows that familiar path, feeling the gentle dips that he's traced with his eyes so frequently.
He blinks. His mind catches up with his actions.
"Forgive me," said so calmly, as if Neuvillette's heart wasn't racing in his ears.
Yet he doesn't stop. He lets his thumb continue that path, rest on your cupid's bow, before coming back to rest on your bottom lip. Your lips are already parted, they have been the entire time, but he can't help but gently tug your lips down just a bit further. Just a little hint of that temptation -
"I was simply curious."
Surely you will pull away. Surely you will reprimand him for touching you so freely, so...wantonly.
"Only curious?"
For the first time since he'd moved, Neuvillette's eyes meet yours, and he can't describe the feeling curling through him when he sees that telltale spark in your eyes. Though, perhaps the softly stifled groan he lets out when you open your mouth oh so slightly to let his thumb rest against your teeth tells on his emotions more than he could put into words. You tease him with a bite and watch as his pupils dilate at the action, listen as he sucks in an uncharacteristically sudden breath. Relish in the hint of gravel that lingers on his exhale.
"...only curious." A lie. A blatant lie. But...perhaps it's one you can let him slip away with for now.
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