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#A rant of sorts
gewdmorning · 2 years
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I am so emotionally attached to Pete as a character, like I don’t know what to say anymore. He’s perfect, as a goofball, as a cutie pie, as mr bodyguard, as mr unhinged, as a friend, later as a lover I suppose, but we’re yet to get to that part of the story.
He’s not the pinnacle of morality, I know, he’s a head bodyguard for one of the biggest mafia organisations, but at the same time he possesses so much understanding, compassion and loyalty. He’s like a rock, like a vast calm ocean which has a lot of chaos inside it but it’s a whole ocean operating on a very immovable, relentless design and it has so much strength.
He’s a whole cutie
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He looks so unassuming, non- threatening, but that’s his biggest strength. He catches you off guards. You don’t see him as a big threat, focused on his innocent smile, and the next thing you know he has a gun pointed at you, still with the same cute smile. Checkmate.
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He’s so calculative, careful, always looking, observant. It doesn’t look like he’s paying attention but he’s the one who’s been seeing through all of Vegas’s bullshit, since the beginning. And Vegas noticed too or else he wouldn’t let his real self slip through during his interactions with Pete. He knows it’s no use keeping up the whole customer-service-fake-smile personality in front of Pete. That’s why he messes with Pete instead of just being his fake nice self.
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Even at his “worst”, at the enemy’s mercy he has so much restraint. And control and that doesn’t mean he is not human. No, he screams and shouts but he’s still holding himself together. I don’t think any normal person would’ve made it so far and still maintained their sanity without absolutely kicking and screaming and losing their absolute mind till their very last breath. And of course, he still manages to look like a god doing all this, and while literally being held captive.
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He’s a dark horse, he’s the trump card. He’s everything.
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I get why Vegas is intrigued. I get it— why he would want him all for himself.
I just wanted to write a few lines about Pete but I am so absolutely gone for him. And of course it’s all possible because Build did such a good job. He served us so much with every aspect of Pete. I am so grateful that I can lose myself in this character because it’s portrayed so well.
I know I am biased so what
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caffeespresso · 2 years
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... I think I’m starting to realize the hardest part of therapy is being honest with myself because I absolutely don’t know how to do it. Any kind of “what do you want?” comes with at least 5 layers of doubt and shame, always
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queerdraws · 8 months
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projecting on luffy again. get bited.
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sorrelpaws · 8 months
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no offense but i genuinely fear that their potential dynamic will go severely underutilized
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captainsparklefingers · 5 months
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I bet Brennan Lee Mulligan is jealous of Nana Morri for having a second tummy face.
I'm sure this observation has been made already, but hey, never a bad time to bring it up again.
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myimaginationplain · 11 months
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It kind of fucks me up to see some people come out of watching RGU having absorbed absolutely nothing of what the show has to say about patriarchy, misogyny, & queerphobia, outside of "men bad, lesbian good." Which like.....sure, I guess? in the absolute barest sense, I suppose RGU is partially about that.
But if this show's thesis were really as simple as "lesbian good," then Juri & her role as an antagonist on the mini patriarchy that is the Student Council would simply not exist at all. Juri would've won all the duels, kicked Akio in the nuts, freed Anthy, & ridden away into the sunset with Shiori in her arms before Utena even showed up if that were the case. But she obviously didn't do any of that despite being a lesbian, so there must be something more complicated at work here.
A lot of RGU's narrative is dedicated to deconstructing binary social systems & the ways in which they harm those trying to and/or being forced to fit within one of two narrow boxes; man vs woman, adult vs child, princess vs witch, prince vs devil, special vs not special, romantic vs platonic, etc. So for someone to watch all of that beautiful complexity, only to filter it through yet another essentialist binary...sucks, to say the least.
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mysterythief · 3 months
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GUYS!!!! YOU DONT UNDERSTAND HOW MUCH IM FREAKING OUT RIGHT NOW!!!! THE SCENE WITH POSEIDON AND SALLY IS SUCH A GREAT ADDITION TO THE TV SHOW FOR SOOO MANY REASONS, BUT MOSTLY BECAUSE IT SHOWS HOW MUCH HE LOVES HER AND PERCY!!!
Let me explain.
In episode 2 Luke gives the intro to burnt offerings, explaining that you burn what you’ll miss the most so the gods will listen.
In this episode (ep. 7) Sally burns something that’s not even hers, but the second she does, Poseidon is there to listen. And he even says that!
Poseidon can’t interact much with Sally, and it’s too dangerous for him to do so with Percy. The Olympian’s are constantly watching. You can even hear thunder in background after Sally asks if he wants to talk to Percy, a reminder from Zeus that if Poseidon talks to Percy, it will confirm he is Poseidon’s son.
POSEIDON LOVES THEM BOTH SOO MUCH, AND HE HAS TO STAY AWAY TO PROTECT THEM!!
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yuri-is-online · 1 month
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RESIDENT ACE STAN HERE AND QKJFIWKFKWKDNNF IM FOAMING AT THE MOUTH 😭🩷 that being the closest confession you'll from him is so ??? You being a part, a staple even, of his life?? That's not even a confession thats a proposal basically (im delulu) i love him so much and i love the way you write him !! Like my ur my actual fave ace writer here im 🩷🩷🩷
*cradles this ask gently in my hands* I love you so much annon thank you TᴖT
“You can be a part of that life too you know?!” It’s not the closest to a confession you’ve ever gotten from Ace, but it’s certainly the loudest.
See just saying Ace wants you to be a part of his life isn't really anything new. More explicit than "it'll be easier to take care of a certain magicless someone" sure but you could brush that off. But when Ace gets worked up about something he starts talking. And he tends to tell the truth when he does. So that's why I had him go on that little rant he does, he loves Yuu so much he wants to make sure they're taken care of, if that meant going home then he had to let you go... but now that it means you have to stay that means he has to make sure you know in no uncertain terms you're not alone. You have someone who cares about you more than he fully understands. It drives him crazy so he says what he thinks can be passed off as normal friend stuff (who wouldn't be there for their bros???) but the way he says it makes it clear about how he feels. It is sort of a proposal in a way, he doesn't see a day of his future without you in it but well. Ace can be a bit stupid sometimes. I don't think he fully realizes the implications of what he's suggesting... he just wants to live in the same house as you, go on long walks, maybe do some fun stuff every once in a while (without anyone else but he just says Deuce because he's easy to make fun of), and hey in order to do that he's got to do boring stuff too. He liked going grocery shopping with you, how lame.
You really have always had me.
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regret-evatorful · 29 days
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goodmorning
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ineffably-smote · 3 months
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Macbeth, David Tennant - A very subjective, spoiler and emotion filled review
Just walking out of seing Macbeth at the Donmar and I have Feelings. Unsurprisingly, I primarily went to see it because David Tennant was in it. I love the play, big fan of Shakespeare but the trip to London was most certainly motivated by a very specific actor. Hence the highly subjective review. Fortunately, I also happen to quite like Macbeth. We studied it at school, and it holds a special place in my heart (back then, Hamlet was my favourite Shakespeare play but honestly, after tonight, I’m not so sure anymore. Anyway, I digress). It was my first time actually seeing an actor I’m a fan of in real life, so obviously the entire time my brain was just going oh my god that’s David Tennant oh my god that’s David Tennant like I actually could not comprehend it. The man I’ve spent hours staring at on a little screen is suddenly real, and right there. So yeah, that took me a hot second.
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(Excuse the piss poor image quality, I took this with shaky hands without looking or bothering to focus the cam)
The Staging
Still starstruck and a bit dazed, one thing really really stood out to me: the staging. It was so, so good. I knew it was going to be minimal from the pictures I had seen, and it was, but it was also so insanely real. There were barely any decorations, and half the cast and the musicians were hidden behind a glass screen doing background noises and gestures. From where I was sitting I could not see them much, but could definitely hear them which added to the overall atmosphere. The stage was also really tiny, and the play benefitted incredibly from it. All the action was happening in one tight space that had been put to use incredibly well, particularly the banquet scene but I’ll come back to that because it deserves its own paragraph.
The way they chose to do the soliloquies was so fitting - all the actors start to move in slow motion - everyone else slowing down and just the characters speaking moving was so good, it made sense.
The Headphones
I’m a bit mixed about the headphones. They were amazing for the vibes, we could hear whispers and they really heightened some of the emotional speeches in the play - because when someone is struggling with guilt and trauma it makes sense for them to be mumbling rather than yelling. So that was really great. However, especially in the scenes where the actors where yelling/ loud I preferred to take them off a bit cause it felt more real that way. I’m so used to hearing actors voice on recordings, it does hit different when you can hear them for real. But, as I said, personal preference and that’s what’s nice, you can take them on and off as much as you want.
Famous Speeches
There were three speeches I was quite interested to see how they were going to be adapted - scorpions and dagger for Macbeth, and out damned spot for Lady Macbeth. These are classic, everyone knows the words, the plot but they managed to make it feel real in a new and touching way. I think here the headphones were quite helpful because they allowed the actors to actually whisper parts of those lines. They were so subtle, so embedded in the text they felt so natural which imbued them with all their power. I saw in a review Cush Jumbo’s out damned spot speech be described as “haunting”, and I wholeheartedly agree.
The Macbeths
I didn’t like Macbeth, the character, very much when I first learnt about him. His actions didn’t make sense to me, I couldn’t quite comprehend in my 21st century little brain how he went from I’m super loyal to the King to I will freely murder children for shits and giggles. But now, now I understand. It makes sense, it’s believable. And that’s a mix of the acting choices and teh overall setting. Like the opening scene, instead of presenting Macbeth as a glorious hero, he is presented to us as a traumatised hero. He spends the first few minutes washing the blood of his clothes, haunted by noises from the battlefield. And that sets the themes quite nicely, not ambition, as Tennant specified in an interview, but guilt and trauma. There are so many ways to interpret Shakespeare, that’s the beauty of it, and I think this version of Macbeth just resonated more with me (maybe because ambition I don’t quite understand but guilt I am intimately familiar with? Or maybe because it was David Tennant? I don’t know, probably a bit of both). Tennant delivers a convincing Macbeth. Yes, you can see his ambitions play out, but also his fears, his guilt, and that makes him into a complex three dimensional character that you want to understand.
And I absolutely loved this version of Lady Macbeth. Not just a powerful woman who bullies her husband into become an evil murderer (because again, here we can see traces of that in Macbeth from the start), but an ambition woman in love, with her husband, with power, and not quite healed from the trauma of loosing her child. Again another review said she is more of an enabler than a manipulator and I quite liked that description.
My Favourite Scenes
God the banquet scene. The one with the ghost of Banquo. An absolute masterpiece. I did not expect that scene to hit that hard. It was raw, it was powerful and even if Tennant was facing away from where I was sitting, even without seeing his face I could feel the emotion, the whole audience could. In a video essay on Tennant, @davidtennantgenderenvy highlighted how in almost every role he played, there is it is the classic Tennant breakdown moment, and breakdown moment it was. Not with tears, not as expressive as he sometime is but just enough for a King trying to hold it together but fear and guilt breaking through. I was absolutely overwhelmed and it was beautiful. The set up for the scene was amazing too - there were ceilidh, celebrations, I adored the contrast between these fast pasted scenes and guilt ridden whispers of the couple. And the way everyone sat down around the stage and suddenly it looked like a banquet table ? Just perfect.
Another really cool moment, less on the emotional side but more on the visuals was when Macbeth goes to get the second prophecy from the witches. Almost the whole cast is there, running around, moving, almost dancing and it gives the whole thing a mystical atmosphere. There’s smoke, Macbeth falls, is carried up high Jesus style, cowers, rises, it’s so busy and insane all the while there are whispers and whispers in the headphones - it manages perfectly to feel like a mystical moment.
Descent Into Madness & other cool things
For Macbeth, having the kid running around scene after scene, haunting him, and then scene where he kills him - GOD it’s powerful. Lady Macbeth’s descent into madness was so well characterised, I also loved the glass on the background that locked away some of the cast. Just wild. The actor that played Malcom actor was also really cool, and Macduff and Ross, big fan of all of them.
Overall I am overwhelmed with emotions. Tennant is truly one of my favourite actors - from Good Omens to Staged, Jessica Jones, even Harry Potter but also Mad to be Normal, Nativty, There She Goes, Around the World in 80 days, Doctor Who (god I’ve started a list, never start lists cause you’ll forget people) and so, so many more, I was truly beside myself with excitement and expectations for tonight. And it did not disappoint. I do not want to leave the theatre and I pray they release a recording of this because I want it imprinted on my soul.
(Side note: I don’t know how to use tumblr very well, for some reason whenever I try to reply to ppl it posts from my other blog? Anyway @raquel-and-sergio is in fact me)
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broomsick · 1 year
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I think the timing’s perfect for a reminder that norse paganism isn’t a closed practice! Please look into it if it interests you, because neither your skin color, ethnicity, gender, sexual orientation, or any other personal circumstance prevents you from adopting norse spirituality. Anybody can be norse pagan, pass it on!
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drawnfamiliarfaces · 4 months
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Finja x Chase angst? 👀
oh dude their whole "relationship" is basically messed up angst lol (despite me often portraying it as cracky angst)
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I mean, we have some good angst in Chase pursuing First not because he 'loves/cares about' him, but because he selfishly desires him for his power/sees him as a challenge to get into his Fallen Warriors army. And First having to be constantly on alert against Chase, especially when he behaves like a charming honorable warrior, hiding that cunning manipulative side of him behind amused 'harmless' smiles. I would imagine its hard for First to not start to care about Chase (he can be very charming ;) ) to some degree, so there is like this delicious angst in starting to care about someone with whom morally you would never agree with. (very Prof. X vs Magneto vibe imho)
(this also could lead to some interesting spin-off angst opportunity about First being in the Fallen Warriors Army and just...existing in this weird limbo of being a target of Chase's favorable attention, but still essentially being a servant to his Master so thus really unable to trully care about/love this evil man but he still kinda cares after all these years and, like ooooooh baby thats some scrumptious angst possibility)
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Or we can have some angst in form of First, being technically 'moved on'/left only in spirit in this world and Chase, still obsessing over him all these centuries, not even realizing that he is basically pining at this point. Showing up to bother current Ninjas, Ninjanomicon and Spirit of First at every opportunity, but not being able to actually be (in any capacity) with First, besides those very brief reunions. And First, throughout the years, while still being very annoyed about Chase's continuoes presence, also feels... incredibly saddened about this man to some degree. But he still can not falter, for his duty and successors still need him and they take priority, so this weird relationship just continues on.
And like OOOOH BABIES this is just scratching the surface of any possible angst, but these are the ones that are currently circling in my mind (i want to make some comics with these scenarious) so yeah! angst! ;D
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ok wait i need to hear more of your thoughts on peeta owning a bakery....
This is one of those rare times where I’m pretty sure this anon isn’t someone I know personally bc I’ve subjected anyone who will listen to my rant about the Peeta Bakery Headcanon. Anyway, you’re gonna regret asking this anon bc there are fucking Layers here.
I know this is probably a controversial take based on the number of fics where I’ve seen it, but I simply do not think that Peeta would open a commercial bakery after Mockingjay!! Like on a metatextual level, I don’t think it really fits with the point of the ending of the series. It actually sort of fascinates me that it’s just such a common headcanon because the ending of Mockingjay is exceedingly vague. I think that vagueness invites us, as readers, to imagine a better world post-revolution. A world where Katniss would feel confident that her children would be safe from injustice, where she’d feel confident that her children would never know want the way she did as a child. A just world. A kinder world. Can a capitalist society ever be just? Is a capitalist society where a disabled teenager has no other means to subsist himself (or feels like there’s no other way he can be a contributing member of his community) really the post-revolution world we dream of? Is that really the best we can imagine?
(This got so insanely long I’m adding a read more lmao)
I get that showing a better world is not always the point of post-mockingjay headcanons/fics. Like there are plenty of really great post-mockingjay fics I’ve seen where, yeah, part of the fic is that society like ISN’T all that different or all that much better. I’ve seen that really well done! Hell, I’ve written them myself! It’s easy to imagine how a lot of aspects of society would not get an overhaul, a lot of the same structural inequalities would continue to exist. One headcanon that really stuck with me (I can’t remember which fic it was from) was that Peeta sells basically mail order baked goods to people on the Capitol, sending them iced cakes and pastries by train, because there are still people who were “fans” of theirs during the Games. And idk this doesn’t actually have much to do with my point lol but I liked it because it’s kind of fucked up and like! Yeah! It makes sense! If he needed money that would be a good way to make it! War often makes people rich, often for horrible reasons, and often it’s people who already have capital in the first place.
Anyway, more about the hypothetical bakery because alright. I bring up the fact that “yeah society not being all that different post-revolution and still being an unjust capitalist hellscape” could be a reason why Peeta re-opens a bakery because that’s actually never the types of fics where I see the bakery headcanon. Fics where Peeta opens a bakery are usually trying to make the exact opposite point. Like. Things are getting better, now he can open a bakery! Look at how much better the world is now, plus he’s got a bakery! Peeta is healing, that’s why he can open a bakery now! And I am so, so sorry to inform everyone who’s never had the grave misfortune of owning a family business, but there is truly nothing further from the truth lmao. Like just putting aside the immense amount of emotional baggage that Peeta has about his family, running a small business is an insane amount of work in any context and being a baker especially is physically grueling and involves early hours (and long hours) that aren’t really the best fit with the multiple ways that Peeta is disabled now. (I could go into this more because I have a lot of thoughts. But I will spare you.). I also think it’s seen throughout the books that Peeta is someone who needs time to pursue creative outlets to process his feelings and someone who values leisure and values quality time with his loved ones. And having grown up in his family’s bakery, I think he’d understand the reality that running a bakery wouldn’t leave much space of those pursuits and wouldn’t leave much space for him to have the things that keep him healthy and stable. I think he’d know that the way he is now— after two Games and the war and unspeakable torture at the hands of a dictator—isn’t compatible with the lifestyle necessary for running a commercial bakery.
And tbh with that in mind, I don’t think he’d push himself to re-open a business (one that would be a constant reminder of his dead family and his complicated relationships with them that got no closure) that would require him to sacrifice his physical and emotional well-being. Like I think he might look into the possibility, I think he might even start trying to open a bakery out of a sense of obligation/duty, maybe harboring some idea that this is who he was supposed to be, who he would've been without the Games, or that it’s this last piece of his family that can live on, or that it’s this last connection to his family so he can’t let it die too. But ultimately, I think any attempt to open a bakery wouldn’t get very far. Maybe he'd start wading into the logistical nightmare that is small business ownership and realize it's not for him (because it's probably also true that as much as him and his brothers were involved in the business, there's almost certainly parts they weren't involved with and didn't see, i.e., filing taxes). Or maybe looking into opening a bakery— how triggering it is, the stress of it— causes a downward spiral. Maybe he hates how much he's worrying everyone by unraveling. Maybe having a breakdown from the stress of just trying to open a bakery makes him realize, yeah, maybe in another life he would have ran his family’s bakery but the way he is now just doesn’t work with running a bakery, not without great sacrifices he's not willing to make. I just can’t see a bakery coming to fruition.
I know a lot of fics include Peeta deciding to reopen a bakery as a big step in his healing or include him rebuilding a bakery as part of his healing process but honestly, I think the opposite would be more true: I think Peeta either trying/failing to open a bakery or ultimately deciding not to open a bakery would be hugely healing for him. I think it would be a huge part of him accepting the way he is now as a person, his new limitations but also his strengths. I think it would be a huge part of him accepting the way his life his now and accepting that he likes his life the way it is, that he’s satisfied with his life without needing to own a bakery. I think it would be an important part of him coming to terms with the loss of his family. I think he knows he can never have things back as they were and I don’t think he would try to recreate them, especially because his family’s legacy isn’t a business. I think he’s emotionally intelligent enough and self reflective enough to realize that what mattered to him about the bakery— taking care of others by feeding them, being integrated into his community and being actively involved in it, brightening people’s days with delightful things whether that’s beautiful cakes or hearty food or delicious treats— and the things he learned from his family through the bakery, are things that he can carry on in other meaningful ways.
(Do you regret sending this ask yet, anon? Because if not, you will soon. I’m not done yet. There’s more.)
I wasn’t really sure where to put this next part in what is rapidly becoming an essay because it sort of combines the points about like “what do we imagine a post-mockingjay society to look like” with the practical difficulties of starting this bakery but here’s another thing: do people really think that the Mellarks owned the land the bakery was on?? Like, sure, the merchants are the petit bourgeois of Twelve but I still don’t imagine they really own anything. In a society where houses are assigned to people upon marriage, where property ownership and capital are so closely interconnected with citizenship (as shown by the Plinths who, by having immense capital, are able to leave their District and become citizens of the Capitol) do people really think the Mellarks would be allowed to own the land their bakery is on?? I always imagined it sort of like a tenant farming situation: the Capitol gives them the raw materials for the bakery and in return the bakery give them some absurdly high portion of their profits, or the Capitol sells them a year’s supply of raw materials at a premium on credit and at the end of the year the Mellarks have to use the money they made with those materials to pay it back, except it’s never enough to turn a profit so they always have to buy next year’s materials on credit and the cycle continues.
We (understandably) get a really skewed view of the merchant class through Katniss’s perspective so I can see why people come to the conclusion that his family owned the property and, as the last surviving member, he would’ve inherited it. I’ve seen the inheritance thing in fics a lot or a hand wavey “well Twelve was decimated to no one owns anything anymore so it can be his” or even like an almost sort of reparations type situation where he’s entitled to the land as a surviving refugee of Twelve. But I don’t know. I guess I don’t think it fits with everything else we know about Panem that the Mellarks would’ve owned that land and I think the question of whether the government would’ve let him take ownership of the land post-revolution brings up a lot of issues about the structure of society post-Mockingjay that I find more interesting to explore in other ways, especially when, from an emotional perspective, 1) I find the idea of Peeta not opening a bakery more compelling and 2) I don’t think it really fits his character arc by the end of Mockingjay to reopen a bakery, as I went on about at length above lol.
On the flip side: literally who cares!! Do whatever you want!! Headcanon whatever you want!! I get why people go for the bakery!! It’s fun, it’s wholesome, it’s a built in bakery AU that isn’t even an AU. It doesn’t matter if it’s practical or realistic!! It doesn’t need to be practical or realistic!! It’s fanfic of a dystopian YA series!! My unfortunate affliction is that I grew up in a family that owned a restaurant and that I have multiple degrees in the social sciences so I can’t see the bakery without being like “What about the overheard? What about the start up costs? Who’s spending long nights balancing the books? Is Peeta covering shifts when an employee calls in sick? Is Peeta the sole person working there until the bakery is open long enough (often a year or more) to start turning a profit? How does that sleep schedule work with his nightmares? How does that work with Katniss’s nightmares? What happens when he has an episode and suddenly needs to take the day off before he has any employees? Does the bakery just remain closed for the day? Can the profit margins withstand regular unexpected closures? Can the supplies withstand regular unexpected closures?” And if the answer is “Elliott none of those things matter he’s not doing the bakery because he needs the money but because he wants to”, then my question is why does he want to? Does he not get the same sort of satisfaction out of feeding his loved ones? Doesn’t Peeta seem like someone who would rather give away baked goods than sell them?? Doesn’t Peeta seem like someone who would prefer to make cakes for people’s special occasions upon and then when they insist on paying him for it, he only lets them “pay for the ingredients” which actually cost significantly more than he says they did??
So yeah my point is that it’s a matter of personal taste! It doesn’t fit the way I see the series but that doesn’t mean it’s like wrong, I’m not an authority on Peeta lmao.
It’s also a matter of personal taste in the sense that I find the themes that most resonate with me at the end of Mockingjay (and the end of Peeta’s arc specifically) more interesting to explore in other ways. Grief, living with loss, relearning yourself, finding hope, figuring out your place in a dramatically different world when you don’t even know who you are anymore, healing, building a new life after such complete and total destruction of your old life— those are all things I find compelling about the end of Mockingjay but for me the bakery isn’t the most compelling way to explore them.
Not to say I find the concept of the bakery totally uninteresting. I have this fic about Johanna that I’ll probably never finish where the point sort of is that, yeah, her life really isn’t all that much better after the war. It’s been years at this point and she’s still miserable and she doesn’t know how to be a person but by the end she’s trying to figure it out. And towards the end, Peeta tells her that he’s spent years sort of passively, half-heartedly trying to figure out how to inherit the land his family’s bakery was on, only to find out it was never theirs in the first place. They’d been renting it the whole time and he’d never even known as a kid. So he sort of passively, half-heartedly went on another wild goose chase to find the owner and now, finally, after years of writing to various government agencies and being sent in circles and things being barely functional, he’s managed to track down the owner. Now it’s owned by the daughter of the man who owned it when he was a kid because the original owner (who was likely up to some sketchy war crime shit) died during the war and she inherited it (the irony…). He got in contact with her and asked how much it would take for her to sell it and she told him she’s not interested in selling but in light of the situation, in light of the fact that he’d have to build a new building in order to operate a bakery, that she’d cut him a deal— she’d only require 50% of the bakery’s profits as rent instead of the 80% his family used to pay. And of course Johanna is outraged, that’s not right, the owner shouldn’t be allowed to do that, they should do something about it, they should fight back. And Peeta is like. Not interested. He was actually sort of relieved that opening wasn’t very feasible. Getting the answer was a lightbulb moment where he saw that over the years of trying to look into this, he’s built a life that he likes— one where he’s stable, where his loved ones are stable, where he’s cared for and can care for others— and he doesn’t really want to change it drastically by opening a bakery anyway. He just needed an answer, one way or another, before he could get some closure and move on. (And the point of the conversation is Johanna is having her own lightbulb moment that it’s okay to move on, it’s okay to change, it’s not a betrayal of the people and things she’s lost but that’s not my point here!!).
But anyway. That’s obviously not about running the bakery— it’s about the choice to not run one.
Anyway!! Anyway… are you satisfied anon? Is this what you wanted?
Lastly, here is my most important qualm with the bakery headcanon: must Peeta be gainfully employed? Is it not enough for him to be Katniss’s boytoy? Can’t he just paint and garden and bake and hang out with his girlfriend all day? Is that really too much to ask?
#peeta mellark#thg#the hunger games#the hunger games meta#anyway wow this got so long and I literally read it through one (1) time so uhhh sorry if this makes no sense!!#as I was doing my one read through and realized that one of my other thoughts on this is that yeah I can much more easily see the#headcanon that peeta like sells baked goods (probably at cost with no profit) out of his kitchen because that’s much more flexible#and I think that would work a lot better with what like I guess I’d call his psychiatric disability post mockingjay#and how he’d certainly want to take care of Katniss too#like that sort of flexibility makes a lot more sense for him and it’s like. if he doesn’t bake for a few days or however long then it’s fin#it’s not a formal brick and mortar business#it’s just something he’s doing because it’s a way to be involved with people and a way to do something he’s passionate about#without there being waste and while covering some of the costs#and he doesn’t have to like keep books or do payroll or any of the things I can’t see him being very passionate about#as far as like bakery management goes Lmao he can just bake!!#but then I started getting into this whole thing about how that quote-unquote ‘running a business’ like that (informally from your house)#is actually a really common practice for people living in poverty so probably something that Katniss and peeta would’ve been familiar wirh#anyway and then this whole rant about how the emphasis on the brick and mortar bakery often goes hand in hand with#this widespread fandom thing of having a fundamental misunderstanding of how rural poverty works and what it looks like#but then I was too deep into it and said you know what? never mind! and deleted it lmao
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leovaldezdefender · 1 year
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the downgrade of villains from pjo to hoo is so disappointing. luke castellan was such a good villain with an interesting backstory and motivations and it HURTS to see the villain that succeeds him. because gaea, to put it bluntly, kind of sucks. 
she has no emotional heart, no theme or message to send. she doesn't have a character you can sympathise with, she's not out-there enough to be hated strongly, she's not likeable enough to be one of those charming villains. the series flip-flops between trying to give her good qualities but never expanding on any of them, and trying to make her pure evil but never making her commit to it enough to be enjoyable.
she's just there. she's little more than a plot device, the Ultra Big Bad that we have to fight. and sometimes there's nothing wrong with that! but considering how hoo fails in every other aspect, the bland villain is just another disappointment. luke was what made the original pjo so good — the themes he carried, the tragedy of his life, the base of his character which served as the main core of the story, the balance between good intentions and the corruption of self.
as a result, gaea is just... fine. she’s not an absolutely terrible villain, but she looks second-rate compared to luke and kronos, despite being a lot more powerful, simply because they were much richer in themes and storytelling. even the decent villainous chemistry she has with leo and hazel isn’t enough to carry her to being interesting. 
but credit where it’s due, i’ll say toa did much better with villains. the portrayal of abuse with nero and meg, the romance between apollo and commodus, caligula's sadism and lust for power, all had way more personality than gaea ever did. (even if i AM still bitter about how a series with the roman emperors as villains wasn't centred around camp jupiter.)
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chiisana-lion · 8 months
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oh you Cannot do this to me
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thefrogdalorian · 3 months
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So I checked AO3 this morning after a couple of days and was greeted by this sight:
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I got very excited, this is a huge number! Right now I have one ongoing longfic and a oneshot I posted a couple of days ago that I was very proud of, so I thought some more readers had found them.
Well, I was pretty dismayed to discover that SEVEN of these comments were from someone who proceeded to go through my 182k word longfic and told me all the things they didn't like about it and personally disagreed with.
They started off as maybe a little bit judgmental, but nothing too personal, before culminating in this lovely little comment:
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(blocked out potentially triggering content that was properly tagged on AO3)
It seemed to me as though they were disappointed that my fic wasn't what they wanted to read. Which is fine, but that's not the author's problem. It's on you as a reader to curate your own internet experience.
It is so unbelievably rude to go into the comment section of a fic and write something like this. Guess what: I had a beta at the time! I do not need one now. I also don't want to know what you don't like about the fic, nor do I want to be compared to other writers. Fanfic is a hobby, I do this because I love it and I post it online FOR FREE. I do not want unsolicited criticism in any of my comment sections.
Anyway, I wrote this particular 182,000 word fic in 2 months and I'd like to see them try to do the same, perhaps then they could judge others. Do I think I could do a better job now? Yes. Am I still proud of it though? Hell yes! It's my baby and got me back into writing, it proved my own capabilities when it comes to writing.
I've had far more lovely comments than horrible ones and I won't let this one keep me down. But I won't lie and say that it didn't take me aback and wasn't kind of difficult to process. Please don't do this to fanfic authors, we are fans and hobbyists, not professional writers.
Finally, I thought I'd write this handy guide for people who think like this particular commenter:
What To Do If You Don't Like a Fanfic:
Stop reading the fic
Close the fic
Go on with your life
Hope this helps! :)
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