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animentality · 10 months

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#twitter #a24 #sag strike #wga strike

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tautittology · 1 month

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#a24 #sending this to my students

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cryinhell · 3 months

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So Episode 6 wasn't my favorite but! I did collect all the soft stares Angel gave Husk

Bonus:

Angel being Niffty's dad

The heaven part was okay for me but Angel and the gang was wonderful

Can't wait to finish the season

#hazbin hotel #huskerdust #angel dust #husk #angelhusk #sir pentious #niffty #cherri bomb #hazbin hotel husk #hazbin hotel angel dust #Welcome to Heaven #hazbin hotel spoilers #vivziepop #a24 #prime video

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celtalks · 2 months

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From Hawkins to History: Joseph Quinn Joins A24's 'Civil War' in Dynamic Leap Into Dramatic Sci-Fi

Joseph Quinn of 'Stranger Things' Cast in Alex Garland's A24 Project

Catch a rising star and you might just find yourself amidst the 'Fantastic Four.' That’s the tale for Joseph Quinn, esteemed for his role as Eddie Munson in Netflix's cultural phenomenon 'Stranger Things.' Quinn's ascent continues as he lands a coveted spot in 'Civil War,' a film directed by acclaimed filmmaker Alex Garland, in partnership with indie powerhouse A24. Few details may swirl about the project's narrative arc, but what rings clear is Garland's signature penchant for thought-provoking sci-fi that defies convention—think 'Ex Machina' and 'Annihilation.' The anticipation builds as fans await to see what idiosyncratic vision Garland casts upon the American Civil War, the designated backdrop for this original screenplay. Amidst the smoke of speculation, one fact stands unequivocal: A24 continues its streak of capturing bold narratives and filmmakers with unorthodox bravado. Adding a cherry atop this artful ensemble is Jesse Buckley, hot off her Oscar-nominated protestations in 'The Lost Daughter.' Buzzing in indie circuits, her choice to join 'Civil War' alongside Quinn affirms the script’s allure and A24's draw. Abbas Kiarostami, whose legacy endures posthumously, injects his poetry into the project with penning Quinn’s role—a feat ensuring audiences' rapture by the gravitational heft of 'Civil War'. Venturing beyond the Upside Down, Quinn's involvement elicits intrigue given the transformative echoes of his prior screen endeavors. The opportunity to pivot from the horror-tinged high school halls to the haunting fields of history under Garland's lens promises a showcase of range and talent. With meticulous art direction, exacting cinematographic choices, and an indisputable sense of gravity that seems to hang in the scenes of Garland's films, 'Civil War' is pregnant with potential. Lensing for the Future As production gears shift into a formidable velocity, the cogs of creativity crank with fervor. Accompanied by a canvas of collaborators versed in the novel and nuanced, cinematographer Rob Hardy, who carved ethereal visuals into 'Ex Machina,' returns to Garland's side. The reunion spawns not mere repetition but evolution—after all, each Garland project morphs into its unique entity. Speculation teems with the possibility of an experience that defies simple viewing, leaning into artistry that demands engagement and discussion long after credits roll. Impatiently Anticipated The morsels doled out to a ravenous public skirt around the meatiest details of 'Civil War.' But even in this minimalist revelation, eagerness has been kindled in the kindred spirits craving Garland's multi-faceted storytelling and A24's curation of cinematic excellence. Mark the calendar. Dead set on 2024, and with principal photography initiating imminently, the canvas awaits the masterful strokes of a director armed with ambition and a studio supporting storytelling courage. Quintessentially, the marriage of Garland's cerebral backdrop to A24's indie initiative could helm a new wave, one where Joseph Quinn, equipped with the weaponry of a burgeoning Hollywood titan, might manifest his spot within the industry’s giants. Until the veil lifts, anticipation simmers. For in this dawn of redoing and reimagining, original narratives such as 'Civil War' surface with affirmation—they harbor the quintessence of cinema’s future. Read the full article

#a24s #civil #dramatic #dynamic #hawkins #history #joins #joseph #leap #quinn

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thedreadvampy · 1 year

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people seriously pretending EEAAO is overrated suddenly bc it swept awards? it swept awards largely because it is very very very good. I cried like someone who's just had a religious revelation BOTH times I watched it bc it touched something raw and real and beautiful but it was also just very, very funny. everyone's performance kills and the concept is creative and interesting and doesn't distract from the emotional core. you guys are just contrarian.

#red said #also there are posts and tweets like THIS IS JUST FOR MCU FANS #like please go on demonstrating how you've adopted 'mcu fan' as a shorthand for 'person who likes films i don't'#or 'person who likes films that are popular'#because the defining features of mcu films are that they're high budget irony poisoned derivative works #targeted at a broad audience so aiming to be accessible and inoffensive #and it really seems. like 'accessible' is the part of that you object to #bc EEAAO is a highly original A24 indie film with a 14.5m budget which is NOTHING #it's made mostly with practical effects and sets #and most importantly it's beautifully painfully earnest. it's never trying to shy away or go Hey Look How Silly This Is 😏#everything is driven by its earnest desire to talk about specific themes #i think the people comparing it negatively to mcu films are stuck on the fact that it's about a multiverse and it's got jokes #and colourful action scenes #but they miss that the referential jokes (like racacoonie) and setpieces aren't the point of the film

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trashyeggroll · 1 month

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