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#Again I'm not even 100% confident in my own ideas about what's up
burning-bunni · 1 year
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The harbinger order? is confusing me rant
*Discussion of Leaks, if you don't wanna see it that don't read this*
Okay so I'm sure some folks have seen the leaks that are saying Capitano is #1, Arlecchino is #4, #10 is empty for some reason, and Pierro isn't one of the number Harbingers, he's the director of them which feels like a bit of a weird choice if you ask me, but who knows
Now this makes sense in some parts and confuses me in others but I think mostly what people are trying to make of why the #10 seat is empty is confusing me most and I really don't see eye to eye with a lot of the conclusions people are coming to
Like, oh it's empty because the Traveler will be #10 that's why
But that makes no sense for a number of reasons from the fact that the traveler has beaten Signora who was #8 and while the Harbingers don't seem to be ranked purely based on strength from things that have been implied via voice lines and more, Signora doesn't run any major operation for the Fatui as far as we know like the Northland Bank, House of Heart, or holds any political position of power (once again from what we know)
She likely isn't based purely on strength, but also I bet that likely is a strong reason why she was ranked over someone like Pantalone, though again of course something may be revealed
But yeah if the Traveler could beat Signora with only 3 out of 7 elements, I doubt they'd be ranked under her and also Traveler's connections would be valuable so again #10 for the traveler makes no sense
"Oh there's some plot twist related to it" Yeah there could be, but in what way can we come to that conclusion now currently when there is not a single piece of evidence to prove as much? Plus what plot twist would it even be?
Like saying there will be a plot twist related to it this early when we have nothing to support that notion doesn't give charity and again that is so broad of a conclusion to come to that what would the plot twist even be? Like please elaborate more if you're gonna say that, why do you think that
"For whatever reason, #10 is empty" Honestly, gonna be honest here, if you ask me, I doubt #10 is just empty because no one has filled the role.
I feel like not only would the Fatui agents we've seen would remark on it like they remarked on #6 being empty for hundreds of years following the 3.3 quest, I feel like Scaramouche especially when he was shitting on Tartaglia would also mention that? Like haha look he brings down the Harbingers so much that he doesn't even fill the final slot, he's one below
So I doubt it's just like,, empty because there's been no body in that place before.
"We just don't know#10 yet, we haven't seen them" I doubt there's #10 currently if the order the leakers are talking about is in fact true for a number of reasons because
#1. it's the 11 Harbingers and Pierro does seem to be implied when people say that even if he's the director, like there are 11 (or I guess 9 now), its not the 11 harbingers and their director
#2. We all haven't forgotten the Harbinger Constellations image right? Which only has 11 constellations present and think what you may about what belongs to who, but the teardrop tragedy mask most likely belongs to Pierro given his namesake Pierrot and the teardrop present in his own mask like we see in the Lazzo trailer. While it is mixed with the Tragedy mask as it seems, that teardrop I genuinely would be surprised if it belongs to anyone else
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Now, it could, Pierro's presence in this could be solely at the top of the image with that mask, but the thing is that the leakers seem to be emphasizing that we only will see the current harbingers we've seen and Pierro, we will only see those 11 and there isn't another member we will see coming from what Team China has said supposedly
So, yeah the case probably isn't there currently is a #10 and we just haven't met them
If I were to truly believe the leaks that are saying the order is actually this and not what we thought (which admittedly, I am hesitant to believe whole heartedly as it makes sense in certain areas but doesn't in others), then here are the conclusions I think could potentially be the reasons for what's going on with #10
Either, #10 is a retired rank hence why when Tartaglia joined he wasn't given the rank but rather #11, or #10 is in a similar position as Scaramouche with the 3.3 quest and #10 erased at the very least their association with the Fatui, as in erasing from the Irumsul whatever memories and perceptions were had related to their Harbingers title
To explain what I mean when I say retired rank, I want everyone to think of Signora's situation. There likely won't be another #8 or anyone moving up from the rank they currently are at to #8 I would guess due to what happened with Signora. Everyone below her keeps their current rank it doesn't move up like eliminating an option
Almost think like Jersey numbers that have been retired and now nobody can be that number. I think potentially whoever was #10 could have died somehow and out of respect no one ever took on #10 again not even when more candidates for a Harbinger came along
This would explain something like the lack of mentioning of #10 being that it could be a touchy topic, the Fatui avoid speaking of it since they don't wanna be perceived as saying something disrespectful of the late #10, additionally, why would the past death of a Harbinger necessarily be brought up especially in enemy areas like that's info that doesn't need to be discussed y'know?
And as for my other view of it, where #10 erased their existence within the Fatui, I think the only plausible time period for that to happen would be if it happened when Tartaglia had already become a Harbinger but it was before the Traveler started being active
Which could work, we don't know Childe's exact age we only know he's the youngest harbinger and he entered the Fatui initially at 14 (which since they say like "legends say hes been on the battle field since he was 14") I doubt he became a Harbinger at that age, but theoretically from 15-16 to about 2-3 depending years before his current age could be the range I think for when he became a Harbinger and after which #10 erased their association with the Fatui
And the reason I say that is because think of Scara's situation, everyone is already at their set ranks and just because everyone's perception of him was erased, doesn't change the actual events that happened which is why the traveler remembers them. The reason everyone doesn't move up a rank or wasn't appoint as a rank isn't because it was always that empty but because they only now think it was empty all along
Now this point could be where a plot twist happens like what was mentioned, depending on if we get revealed who #10 was and cite like "Oh Scara did the same that's the foreshadowing for how someone else in the Fatui erased and blah blah blah" but like you can't firmly say yet "Oh yeah the #10 reveal is gonna be a plot twist" or "there's gonna be totally a plot twist related to the #10 seat" like
Yeah there's potential for it, there are things set up to where we could come to the conclusion that its the same case for the #10 whether with Scara or Signora, but you can't really use any of that to for sure say there will be a plot twist related to it and things that could be foreshadowed isn't what a plot twist is either so like
I dunno I just don't like the idea of saying for certain when we only have leaks especially to go off of and literally nothing related to specifically the #10 seat in game, that there will be a plot twist related to it
Again, these are all leaks, there are things to support the idea, things could still change, there are things that contradict them a bit and will need further explanation in game to trust
We're just gonna have to see how it pans out in the end, I'm not gonna hop on board anyone's trains other than my own (tho I'm not even 100% confident in it) because I really do disagree with a lot of people's conclusions about this (not about believing the order, just about with #10 mostly and stuff)
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krakensdottir · 8 months
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Fav Aziraphale Moments in S2
Okay, I admit, I'm more of a Crowley blogger. He's my blorbo. But you literally can't love him without loving his other half. It's time to show some Aziraphale appreciation.
In no particular order, here are things Aziraphale did in S2 that made my jaw drop / breathing stop / otherwise really stuck with me:
Cradling the jar
Who would've thought hugging a jar of formaldehyde with a tumor floating in it could be heartbreaking? The look on Aziraphale's face when he learns it came from a young child, one that couldn't be saved, and the way his body language shifts as he tucks the jar close and precious against his chest, trying too late to protect it... Listen, I have really stubborn tear ducts, the final scene of S2 didn't make me cry (though it made a valiant effort), but I teared up at this.
Standing up to Crowley in the Job flashback
Really, the entire Job flashback is 10/10 for both of them. But Aziraphale especially shines when he steps in front of Crowley and says 'Tell me you want this.' They've only met a handful of times since the Fall at best, but Aziraphale is confident enough to call him out. And he doesn't falter or hesitate about it, either. He gets right up in the demon's face and makes him say it. Makes him lie outright that he wants to hurt anyone.
And then, of course, in front of the children, Aziraphale - no longer asking, now absolutely certain he's right - steps into Crowley's space again, looks him dead in his sinister eyes, and says he's dead sure those children are safe. Buddy, I had chills.
SPEAKING of chills...
I didn't know his voice could go that deep (Furfur scene)
Okay, I actually knew Michael Sheen could sound like that. But I admit, I 100% did not expect to hear it come out of Aziraphale. In the form of his own name, no less. I guess that's what happens when someone threatens Crowley right in front of him.
The sassy eyebrow
We've all talked about this but it's never a bad time to bring it up again. Shax really says 'You don't seem like his type' and Aziraphale's eyebrow says 'Honey you have no idea' right back at her. She can pry at his defenses in a lot of ways, but making him doubt his importance to Crowley is clearly not one of them. And that's really good to know.
Telling both demons and angels to fuck off
I was already giddy from seeing him go full Protective Principality at a horde of demons, but telling off the Archangels took it to a new level. He has had ENOUGH. Screw the angelic hierarchy, this is his bookshop and he's done. (Crowley giving him that oh-so-proud smile through the window without Az even knowing it was the icing on the cake. Yeah Crowley, I feel exactly the same.)
Honorable mention, again from the Job flashback: when Crowley says 'See you in Hell' and Aziraphale, instead of hesitating or having a crisis over it, defiantly sinks his teeth into the ox ribs again, tearing out another hunk of flesh. There's such a mood of 'Fuck it then, if this damns me I might as well enjoy it.' Fuck yeah, Aziraphale.
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ao3commentoftheday · 6 months
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Hi sorry if this is something you've already answered but. Do you have any advice for anxiety around posting? I have so many fics sitting finished collecting dust in my google docs that I just. Don't have the confidence to post. And I want to. I want to share these things with more then the ocassional close friend or my partner, but I just get so anxious about it not being as good as I think it is or missing a typo or being cringey somehow (even though cringe culture is dead. The. "Cringe culture is dead for everyone but me" thing)
It honestly gets to the point where I can't even get myself to write the things I want to write because they have to be perfect the first time. And posting things on anon does help, but I don't wanna have to do that. I want to be able to post here and in other places and share it with people and not have to hide behind anon. Sorry that this got a little rambly haha
Why is it that you're worried about having a typo in your work? Why does it have to be perfect? What will happen if you have a mistake or if you have a sentence that doesn't flow quite the way you want it to or one of your metaphors is a bit of a dud? What's the big, bad result you're fearing will come about if you post something that someone else doesn't approve of 100%?
I'm going to link you to a post I wrote a while ago that seems to resonate with some folks, but if you don't feel like reading it the key line that gets quoted the most from it is, "The goal of perfection isn't to improve. It's to avoid shame."
That feels like what's happening here. Between the worry about common mistakes to the stress about posting cringe on the "cringe lives here" website, it sounds like you've got a lot of anxiety wrapped up in wondering what other people think of you.
While I can't really help you unpack any of that aspect of things, I can suggest a workaround that might get you posting in the meantime. Create a second AO3 account. Get yourself a second email address (or create an alias on your existing one) and make a new account that no one knows about and post your stuff over there. No one will associate that account with you, and you can pretend that it belongs to some stranger you don't even know. If you get comfortable with the idea of owning those works with your current fannish ID, you can always transfer them over later.
I also don't want to be judged on the "no judgement here" website, and I've got a secret AO3 account that only 1 other person knows is mine. It's nice, being able to post things "under the radar" and it takes some of the pressure off of worrying about the cringe and what other people might think.
Let's see what suggestions the rest of the folks have. Hopefully between us, we'll get you posting again ❤️
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sandy-the-glader · 3 months
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Hi!! If it’s okay, can I please request an Adrian Chase x soft and innocent!fem!reader where they are coworkers at Fennel Fields, him being a busboy, and she is a waitress. The two of them have feelings for each other, Adrian just trying to get the confidence to ask her out. A group of guys come in every week are super loud, rude, and also make Y/n (who is taking their order) very uncomfortable, and when Y/n turns down their advances, they say some very mean things and make her cry. Adrian is absolutely FUMING, literally having to hold himself back from going at them right then and there, instead following her to the kitchen try to calm her down (in his own Adrian way), promising to “take care of it” . She 100% thinks he means kicking them out, but the group of men get a “visit” from Vigilante… the group “disappears” without a trace “, never to bother Y/n again.
Adrian softly kissing a very relieved Y/n when the men don’t return to the restaurant, she doesn’t know about Adrian’s Vigilante side nor does she know the fate of the group of men, but Adrian takes it as a compliment nonetheless
The Protector
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Character: Adrian Chase x InnocentFem!Reader
Type: Fluff/Comfort, Angst
Length: 2.7k words
Summary: Request above!
Trope: Best friends to lovers, Co-workers to lovers
A/N: I have not done anything for Adrian in a while and I love him so much aaaaaaa! I bent the request ever so slightly. Also, let me know if I should make a part two of this but it’s Adrian’s POV 😉
"God that group is back." I hissed. "How do they always manage to get seated in my section?" Me and Adrian eyed them from the kitchen.
"I don't know but they never tip well either. I think all the tattoo ink got into their brains or something." Adrian glared at the noisy group. I smiled at his joke. He always lightened the mood and I was forever thankful for that.
"God it's twenty minutes until closing why do they always come in here late?" I grumbled folding my arms.
The group was dreadful and I have no idea how they haven't gotten in any section but mine yet. They've been showing up the past 3 weeks on Saturday nights and past close. Me and Adrian had plans ruined because of those guys. I've been working here for 1 year and a half (Adrian for longer) and I've never had a worse group of customers.
Usually, the worst is an old lady who asks for the manager when the food isn't exactly to her liking. Or a group of teenage boys who don't buy anything they just sit there and be as loud as possible.
Sometimes me and Adrian went to see movies together on Fridays or had plans with friends and I loved it. That's what made me look forward to the end of the week but with this lousy group of 40-year-old biker guys trashing the tables and leaving sometimes a zero-dollar tip was starting to have the opposite effect on me.
"You know I can take the table for you. I know they're pretty shitty guys." He looked at me and I shook my head softly. His green eyes dazzling in the heat lamps made me almost take back rejecting the offer. When he looked at me the way he did it made my heart flutter. They were so careful and easy.
"You take over my shifts all the time Adrian. The least I can do is deal with one unpleasant table. I can do it." I looked back at him with determination. Besides he was only a busboy, not a waiter though I'm sure he could do the job just fine.
It was true though. Every time I was sick he took over no questions asked. Sometimes he even encouraged me to call out sick when all I had was a cough. He was my best friend after all but he always went above and beyond with the way he treated me.
Sure my other co-workers were nice like Taylor treated me nicely but never as nice as Adrian. From the get-go, he was kind to me always guiding me to where things were or making small talk with me to help get me though my shifts. He was never afraid to give me a hand in anything I needed.
He looked very unsure of my decision but he didn't protest as I left to deal with said table. Though I could still feel his eyes glued to my back. I pushed open the door and
I strode over there with a sudden burst of confidence. I could do it. Then when It's all over me and Adrian can go back to his apartment and watch movies all night like usual.
As soon as I reached the table that confidence slowly started to melt away.
They were a group of 5, all big-looking, and they were like I said a biker gang. Sometimes I hate my job.
"Hello I'm Y/n I'll be your server today can I get you any drinks to start with?" My hands trembled as they gripped the sides of my apron. Whistles filled the air as the men's eyes wandered across my body. Some even leaned over to get better looks at me.
"Looking good honey!" I laughed nervously trying to be as polite as I could to them.
I felt so incredibly uncomfortable. I felt my cheeks getting hot. I was even embarrassed to be close to them. I cleared my throat trying to get them to reply to the simple task at hand.
"Waters for all of us." What I was sure the group leader spoke out. "Please, baby." He added. His group let out an array of deep chuckles. I felt sweat start to appear on my skin. I smiled and walked off in the back. As soon as my backs were to them my smile vanished off my face.
Oh god, it's barely been 5 minutes with them and I already want to leave. Once I got back there Adrian was still standing in the same spot looking at me with a pleading look.
"Don't look at me with those eyes." Those pleading begging green eyes.
"You can still take my offer you know." He pressed his lips together. "Because you look like you need that help. It's not like a bad look or anything but you look kind of helpless. In a good way." Adrian rambled. I've known him for so long I could decipher any message he gave me.
"It's fine I can handle it," I said firmly. I wasn't going to let them get the better of me. Just seeing and having Adrian here made it better.
He was a complete nerd and I loved having someone like that. I loved hearing him talk about DND and all of his hobbies. Then I got to start doing it out of work too.
We even set up a DND campaign at one point. It was a little confusing at first but playing with him made me understand. The memories of us together made me way more relaxed.
I poured those glasses of water and put them all onto a tray and held it with one hand. I pushed the door open almost spilling them in the process and walked back to the table.
"There she is!" One of them shouted. I placed all of the glasses on the table without a word trying to keep my cool.
I watched some make extremely disgusting gestures. Just 20 more minutes and you can go home. Just 20 more long excruciating minutes.
"She's a beauty isn't she fellas?" The main one asked. I swallowed thickly not excited for their replies. I did not have the energy for this today.
"Oh definitely would talk her home. You single honey?" One of them eyed me.
"Uhm yes, I am I'm just not looking for anything like that right now." I lied trying to get him to understand the message.
"Nah she's lying they're always in the market." My feet wouldn't move. I felt scared. Uncomfortable. Where's Adrian? I shouldn't have taken this table. "Come give me a chance honey!" He begged. Can't this guy take a hint?
"No, thank you I'm sorry." I tried to stay as polite as possible. "What would you guys like to-" I was instantly cut off.
"It's not like her makeup hides much." They laughed. I felt ashamed to be here.
"And she could smile more. Where's our cute smile sweetie?" I couldn't smile to save my life. I would not give them what they wanted. My lips trembled.
"Nah her smile would be ugly too we can't ask for something she doesn't have." The table erupted in laughter.
"Look at her she's a doll. She could get any guy she wanted."
“Maybe she’s a slut. No wonder she's not in the market she just sleeps around!” Barked another.
I looked up to see Adrian cleaning some dishes from a couple tables in front of them.
He was looking at me because he had clearly heard that nasty remark. His eyebrows were furrowed and he looked red with anger. He was seething and I could see his hand gripping the rag he was holding tightly.
Then the dam in my eyes broke. Tears started to brim my eyes and I stormed back into the kitchen quickly. As I left I heard them start to laugh louder. I shoved open the outside door and sat on the picnic bench we had out there.
I leaned my head in my hands and let the tears spill over my cheeks. I couldn't think about anything other than their words and how humiliated I felt. I felt like screaming at them but I just couldn't. That wasn't how I was.
Who did they think they were? Coming into our restaurant and treating me like shit for what reason? Do they have nothing better to do with their life?
I heard the door swing open and I tried to cover up my sniffling but it was no use. It slammed shut and I heard quick footsteps trot over to the bench. I already knew it was Adrian so I let him sit next to me. As soon as he put his arm around me it all came rushing back out.
"Hey hey, I'm right here." He whispered softly, I wrapped my arms around his back and in that moment he was all that mattered. I just wanted to have Adrian by my side. He awkwardly patted my back.
"Thank you." I wiped my cheeks which now had mascara smeared down them. "I'm a mess," I complained to him. He didn't say anything he just kept holding me. I knew he could struggle with comforting and with words in general sometimes. "You don't have to stay here you know. I'm already in trouble for abandoning my table i don't need you getting into it too." I frowned.
"Oh no, I'm staying." I snuggled myself into his side. "They don't deserve you. They're dicks who don't know how to treat women and that feels like a crime. They had no right to insult you like that." I nodded trying to listen to his words but I still felt shitty. "And that's like so not cool." He said and finally, a small smile spread across my face. He let out a built-up sigh of relief that I was starting to feel a bit better.
"I know. It still hurts though."
"No matter what those guys say they're so wrong." I looked up at him and he was already glancing at me. "You look so beautiful without makeup. I'm not saying you look bad with makeup on I mean like the complete opposite." I started to grin at his ranting.
"Thank you A. It means a lot." He enjoyed the small nickname. He continued to rub small circles into my back relaxing me.
"But those guys will never bother you again." He said still heated by the situation. "I'll make sure of it and because I really like you okay?" He confessed. "And seeing you hurt like that hurt me." he stared at the ground.
The confession threw me off. I always stressed about him liking me but hearing those words fall from his lips felt bewitching. I pulled away from him and looked at him eye to eye.
"Oh fuck I mean!" His cheeks grew pink. "Like I like having you as a friend not like in like I've been crushing on you since I've laid eyes on you and have been dreaming about you or anything because that would be like..." I leaned closer to him and brushed my thumb against his cheek. His face was warm and soft beneath my hand. "crazy." He whispered finishing his sentence.
"Don't lie to me right now Chase." I frowned. He sighed as he realized he'd been caught.
"Okay yeah, maybe I really like you." His eyes never once left me. "And maybe I have been dreaming about you since I first saw you."
"You better not be joking with me right now. Or I will continue to cry ."
"Okay um do not cry again please I already handled the first time poorly. But I am certainly not kidding." I moved my hand from his cheek to his hand which was much larger than mine.
"You better not be because I like you too." He blinked a few times trying to determine if I was the one joking around this time. He moved a stray piece of hair out of my face and tucked it neatly behind my ear. His eyes flickered down towards my lips and back up to my eyes. Was he really about to kiss me right now?
He swiftly closed the gap between us and captured my lips in a phenomenal kiss. Maybe he wasn't all nerdy after all because damn he knew how to kiss. Sure I have barely kissed anyone my whole life but he made it feel so right. He slowly pulled back to look at my face.
"Was that okay? If it wasn't I can totally like stop. I don't mind at all." I squeezed his hand and hugged him.
"It was perfect. Thank you." For having such a shitty night he made me realize the better. Like how the stars seemed to shine just a bit brighter than before and the moon was glowing just a little more than it just had. All because of Adrian
"How about I go deal with them and I also go grab our stuff since it's about time we clock out we have a fun relaxing night tonight?" He proposed.
"I would love nothing more."
"Good. Now you wait here!"
-
Once I got inside his apartment I immediately collapsed and melted into his couch with a loud dramatic sigh. He had probably the most comfortable apartment imaginable.
"Oh shit." I heard him hiss.
"What's wrong?"
"I was supposed to drop by the store after our shift to grab some things from the store..." He trailed off looking sheepish.
"Go ahead, Adrian. I know it will be all you talk about if you don't." He nodded before muttering a quick 'thank you' and leaving.
I had a really long day in general so as much as I wanted to I did not feel like waiting up for him. I left my work bag on the couch and wandered to his room.
His bookshelf overflowed with books and tabletop games, His bed was slightly messy from the morning, and it felt like him. I dug through his dresser to find this shirt that had a cool-looking dragon and a D20 on it. I took off my apron and work shirt and threw it on. I really hope he doesn't mind.
I threw my shoes somewhere on his floor and crumbled onto his bed. God his blankets were so soft.
-
It had been an hour before Adrian finally made his way home. He took off his mask and suit and tucked it away in the hall closet once he got home. He'd deal with all the blood later.
He walked through the hall and pushed open the door to see his best friend asleep on his bed in his shirt. He couldn't be happier to come home to this. She finally looked at ease snuggled beneath his covers.
Adrian scooted himself into his bed and joined her. He placed a small gentle kiss on her forehead and spooned her.
"They won't hurt you again." He whispered before allowing himself to drift off to sleep with her in his arms.
-
I waited afraid week after week to see that group come back but they never did. Nor the week after that or the next. I soon started to get curious about what Adrian meant when he said he'd "deal with them." Did he get the manager involved? Did he really have that strong effect on them? Maybe he even beat them up. He's too soft for that right?
Anyway, I was just happy to be with the one I've crushed on for so long. It felt good. Better than anything has ever been.
Tonight we were staying in on the couch while we waited for the popcorn to finish in the microwave of his apartment. The smell drifted through the room making me even more hungry than I was before.
"I'm glad they're gone." I looked up at him. His glasses glowed from the light of his phone.
"Me too. I hate seeing you upset." I leaned on his shoulder and my eyes wandered quickly over to his phone. Just a quick peek it wouldn't mean anything. He was texting Chris who according to him was his guy best friend. I had met him a few times for drinks after work and he was a pretty alright guy. I scanned the words and...
I finally got to use the chainsaw on those guys :)
What does that mean?
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firegirl888101 · 7 months
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how would the harbingers react to a reader who's good at drawing? like, they like to draw the harbingers or other things
Good at drawing?
I'm shit at drawing so I'm not really sure what to say, that's why I didn't reply to this for awhile. But, I eventually got a couple things when my friend was sketching some stuff in front of me.
Sorry that the current Insatiable Madness chapter is taking so long, I've been studying a lot these past couple of days.
I also got another ask where it asked about Halloween. I don't really celebrate Halloween, because I never grew up with it. I've always been too shy to trick-or-treat and I didn't have many friends (and still don't) who'd want to go with me. Quite sad actually, but it's alright. I don't think I missed out on much.
Is anyone expecting me to make a Halloween special? I don't mind doing it, but I'll need inspiration as I wouldn't know where to start 💀
Actually, the more I think about it, I do have one fun idea. (Harbingers going trick-or-treating??? Halloween party if that even exists? Idk, I'll have to do some research.)
|You can take this with Yandere and without - some will probably lean towards yan though.|
So, to begin with:
Pierro wouldn't be too bothered. I feel if Y/N had a skill they were confident in, and wanted to show it, he'd let his curiousity get the better of him and check it out. But, if it's something like drawing he'll probably leave a comment then leave. Whether it's positive or negative, you be the judge. This man is like a slate slab. No personality I'm sorry 😭😭 (When I see more of his character, maybe I'll like him more?)
If you were to draw this man, he'd be humbled. A Grandpa who received his very first present from his grandchild. Would definitely frame the damn thing in his office (which originally was your parent's) he'd put it on the desk. It's his office now, don't argue for it back.
Capitano would show interest. Not too much since he's the main captain of the Fatui, but still interested. If he's bored, or deems the 'fort' (the house) safe, he'll sit down with you and watch what you're doing. Occasionally asking you if he could doodle with you - but I think that would be very rare. His main objective in his mind is guarding you when your own is low whilst you're having fun, doodling or drawing something.
Would 100% deny the picture of him at first. He'd think, that looks like me, but it can't be. Yes, it's him, you'd reassure. Eventually he does take it and folds it in his coat. After that, he'd probably leave the room in embarrassment. Since then on, he'd definitely keep all drawings you've made of him in his pocket. There's too many? Let's put it in the second pocket. That's full too? Looks like he's buying a new coat. Oh? There's room in his military coat he hasn't worn in two years? That'll do just nicely.
Dottore would be intrigued if he saw you practice anatomy - or if you drew more of a gorey scene. I think he'd be even more interested if you liked to draw the human body with extra things (such as arms, legs, eyes or even got rid of a few), and question you on your design choices and if it already exists somewhere. (He's not fooling you, he's obviously taking inspirations for a new experiment). If he didn't know, or wasn't good, he'd probably ask for tips on how to sketch ideas like yours. He reassures you it's not for any experimentation but once again, he's not fooling you at all.
If you were to draw him he'd treat it like glass. Nobody has ever given him a sketch before - bonus points if you draw him injured whilst you're angry with him. He'd treat it as if you drew him with love, and not as if you'd stab him in the heart if you ever got the chance. What do you mean he shouldn't like it this much? It's a work of art! He'd be very quick to correct the drawing if you got anything wrong. Who knows what this man has in his body at this point.
Columbina would join you in your drawing activities. Maybe add some glitter if you have any. The second you complain about cleaning up, however, she has somehow disappeared and has become very forgetful about the events upstairs. 'How curious!~' She would hum to herself with her usual smile. Is definitely the type to ask if you could draw her. Who are you to refuse? Especially when she gives you that look of daunt hope and kindness which makes you drop your pen in fear. Before you can give her an answer, you've already picked up your pencil and began to sketch her beautiful headpiece.
When Columbina receives her multiple sketches, she's overjoyed. Oh, look how you drew this part! How you drew her clothes! She's quick to kiss you on the cheek as a thank you and runs off somewhere. Huh, you feel like you've just been used.
Arlecchino will roll her eyes at first. She's seen many children in the hearth draw for her. Her initial thoughts were vague, she didn't really see much of your hobby. That was until she actually saw what you were drawing. She would stare as you worked, your pencil delicately brushing against the paper you most likely bought the other day. It soon will become a habit to watch you work, becoming a therapeutic source for her. She sometimes questions why you're drawing... certain things, but she wouldn't actually stop your creative mind from working.
Handing Arlecchino the drawing you drew of her would make her blood rise to her cheeks slightly. Sure, she's received a lot of gifts in this sense before. But from you? What an honour! She'll accept it with a soft smile she'd usually show the kids, and pat your head treating you like one. Little do you know she's trying so hard to control her cute agression response by not tearing the paper.
Pulcinella would react very similarly to Pierro. However, he'd have more experience with complimenting and encouraging 'a child' in a hobby they're having fun with. If he saw your skill, he'd probably compliment it whole-heartedly with a chuffed smile. Massaging his mustache like some aristocrat, in the 1940s... Anyway, he'd be very pleased when he watches you draw more and more. He's happy that you're spending your time doing something you like under the tense situation his coworkers (and him, but he doesn't like to admit it) have brought upon you.
I do not see you drawing this man at all. He's a short, dobby, old, looking as man. I don't see him as the type to ask either, at all. He's minding his own business in your house and plans to keep it that way until the situation is resolved.
Scaramouche really doesn't care. We've all got our own likes and dislikes, but he's not bothered about yours. Will most likely purposefully pass by you working on a piece and insult it just to get attention. He'd never actually mean it though - he just never tells you that important fact. As time progresses he'll sneak into your room just to look at more sketches or finished drawings you've done, and assess your progress from each year if you've been practicing for a long time-period.
Now, here's where things get interesting. If you were to draw him and never show it to him, said puppet finding it for himself in one of your drawers, he'd first feel angry. Why wouldn't you show him this? It's of him! ...But then he'd quickly realise it's because of the way he treated you when you were working (oops). If you actually handed it to him and let him keep it, he'd be delighted. You actually drew him? He didn't even have to manipu-- he means 'ask' you to draw him? This is a good step forward to where he wants to be in your heart.
Sandrone would be delighted to know that she's finally found a use for you in her head. She never thought that purposefully walking past you one evening would lead to her shuffling through all the sketches and designs you've done with awe. Where did you get this idea from? How can she recreate it? Would you be happier and more devoted to her if she were to make your dreams true? She digresses. Watching your creative little mind draw your ideas to life inspires her also, and makes her want to recruit you as a special exception to the 'no non-artificial beings' allowed in her workshop. Thinking of all the monstrosities you could design with her help sends pleasurable shivers up her spine.
Drawing her, however? This was rather unprecedented. Out of all the things-- no, people you could have drawn... and you decide on her? And ooh! You even drew her slave she likes to travel around on, how thoughtful, you're already expressing your adoration for her works! Trust me, don't draw her. You'll give her daydreams that will never happen.
Signora, like most of the harbingers, wouldn't care at first. She hates your house and hates your world, why in Teyvat's name would she be interested in what you're doing? That's what she used to think, until her arrogant slick eyes caught sight of what exactly you were drawing. In my opinion, there's only a couple things that would interest Signora. Drawing dresses, if you were interested in fashion designing, would definitely be the main one. Viewing your designs after you finished them would soon become a small hobby for her, and soon, she'd eventually ask you to draw her in one of your designs.
You'd say yes, of course. An excuse to draw a drop-dead gorgeous woman in one of your designs for free? No way you were going to pass this opportunity! For her hard work in modeling, you'd definitely pay back twice and give her a drawing of her in her harbinger uniform too - which I think would flatter her a bit too much.
Pantalone wouldn't care, and would never become interested. He's a very rich and successful banker, not any ordinary man. As soon as he sees you drawing somewhere in the house, he'll shrug and go the opposite way. He knows what it's like to be interrupted through a thoughtful process, and he doesn't feel like getting an earful from you if he interrupts it. What he does think about, however, is if you're making money from it. Maybe an online business. He asks, and receives a very disappointing answer. No? What do you mean no? These are good, he'd pay for a portrait! Well, if Mora was a usable currency here. Ugh, the thought of being a poor man in this world makes him disgusted.
Drawing him would result in lots of praise. He'd be very happy you used your own time to draw him. He didn't even have to pay for it, it was gift! You even said so yourself. Immediately taken from your hands and framed somewhere. You can't seem to find the drawing though... Pantalone insists it's still in the house, but no matter where you look you just can't find it! Oh well, it's probably better you didn't know where it went. (You would have never been able to find it, he hid the location so well after all.) Pantalone told you he'd give something back to you as a thank you, but you're not holding him to his word.
Tartaglia would be interested the second he sees you doing something he hasn't seen you do before. That looks interesting, let him give drawing a try! He'd boast how his siblings love his drawings he creates, but you knew he was lying to set a cheery mood. Your understanding was backed when you actually saw his 'Amazing Drawing'... It was embarrassing to say the least. He would heed all your little tips and eventually get good at drawing from your guidance! I can see him as the type to use these skills later for his siblings, and as the type to continue drawing even if you begin to get bored of it... He's skilled with his fingers after all-- okay I'm sorry I'm done.
Drawing him can go one in two ways. I see him as someone who will whine about being drawn. He'll say: 'Have you drawn me yet?' in one of the most annoying voices he cna muster. He knows and understands you find it annoying when he asks you to draw him, so he's found a loophole. Just keep asking questions related to it until you get the hint! ...You got the hint weeks ago, but you're refusing to do it. Well, you're refusing to show him your drawings you've already finished and hid out of sight. Showing him these drawings would make him really happy! Would fold his favourite and carry it around with him everywhere like some of the other harbingers. His next commission he's planned to ask you is of a drawing of Capitano. You eagerly declined, not wishing to impose on the Captain's privacy.
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Revenge is the safe space is such a ridiculous take that I have to get it out of my system or I will go insane.
Revenge is a ship whose captain is utterly useless. He gets the ship beached because he forgets someone should be steering it. He loses the hostages AND gets himself caught by the natives who only let him go because they realize he poses no threat (which is super telling given their history with white colonizers). In the Republic he immediately gets himself in trouble with Jackie and it's only Blackbeard's reputation that saves him. He walks straight into Geraldo's trap and almost gets killed, only to be rescued by Edward again. He is too much into Ed and too fucking polite to question Jack's motives until it's way too late, thus putting all of his crew in harm's way.
Revenge is a ship whose captain inspires zero confidence in his crew. They all know he's terrible at being a pirate and they keep saying he will probably get them all killed. He admits he has no idea what to do, which can't be great for the crew's morale - and on a ship the crew's willingness to carry out orders without hesitation may be a matter of life and death. He fucking treats his whims and fancies as more important than the crew's well-being and gets annoyed when the Swede gets scurvy after wasting all their oranges on a cake. And he doesn't even see it was his mistake.
And it's not even like the crew get space to be themselves in return either. Stede is great at talking about how they can be themselves on the Revenge, but in reality, they either get scolded when they don't do what he would like them to do or he doesn't notice their feelings at all because he's too preoccupied with his own bullshit. He tells them to enjoy their vacation however they like and then immediately scolds Wee John and the Swede for rough and tumbling because it's not how he would like them to behave. He doesn't notice Lucius is upset after being locked by Jim because he's too annoyed at not having his scribe to take down his musings. He doesn't notice how upset Jim is about their trip to St. Augustine because he's too excited about treasure hunting with Edward.
So let me ask: who exactly is safe on the Revenge? For all his terrible management style, Izzy would at least make sure the ship was stocked properly and had all stations manned at all times. I would 100% prefer Izzy to be my captain than Stede because Izzy would at least keep me as safe as it's possible for a pirate to be - and all he really wanted in return was discipline which is the most basic thing on a properly run ship.
So yeah, Izzy needs to change and learn to be more accepting, but Stede needs to learn EVERYTHING, from being a sailor to fucking noticing his crew's mood.
On a more personal note: I'm truly perplexed how many people think safe space simply means a space where one can talk about their feelings without being judged. It is that, sure, but that is step two. Step one is making sure the space is safe from the outsiders. It's taking up arms and carving this place out in a hostile world and then standing one's ground and defending it. Izzy stopped on step one and refuses to go any further. But Stede would like to have step two without ever taking step one and that’s not how the world works.
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66sharkteeth · 4 months
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more thoughts (positive for a change)
sorry to keep treating this like a personal journal when most of you are here for CoB content but it remains the 1 place where i feel semi-safe talking about things w/o blasting them to 10k+ people while also having more than 0 people listening
but just feeling a little hopeful for once! i got invited to speak on my 2nd ever panel today. it looks like it's a small convention and it's far too early to know if it'll actually pan out (not even responding today bc im trying to be more strict about giving myself wednesdays off), but it's still just...really cool that i'm actually being recognized as a professional and invited to things.
i still think so much about how when i was like.....12....or something, we had to do one of those like...dream life assignments. and i remember exactly what i said- i wanted to be a mangaka in japan with a studio apartment (yes, i was a very cringy kid. i called my friends -chan and -kun too). then i got older and more realistic. realized i could do art, but never my own project, and yeah, that's what i did for a long time.
yet... here i am now?!! granted, i never moved to japan (which i'm fine w/ lol) and it turns out studio apartments kinda suck and i much prefer a 1 bedroom...but i'm making a living off of that comic i came up w/ in middle school when had 0 concept of reality and how unlikely the chance to do that would be. and... i dunno! for a kind of rare moment, i feel like i can keep doing it (knock on wood)? if it's not obvious by now, i can get kinda doom and gloom about my future (and i wont even think about the industry as a whole w/ AI becoming more of a problem every day), but just for this moment i feel kinda optimistic?
i still have no idea what my future holds with webtoon. I have no idea when I'll have something ready to pitch again or if they'll even take it, but for once I feel like that uncertainty doesn't mean all or nothing. I kinda feel confident for once that even once CoB concludes on Webtoon, I can keep doing this to some capacity, whether that's through another series, physically printing CoB, somehow continuing CoB, I dunno yet. like i dunno. i think i'm just finally having this dawning realization that i am a professional? and other people see me as such? ik, probably a dumb thing to just now be realizing but blah blah, imposter syndrome or something, etc etc.
not sure where i'm going with this but just thank you guys for your support. if you're one of the like 100 people who actually follow me here, tbh you're probably one of my more dedicated readers, so thanks for being part of making this quite literal childhood fantasy dream come true. and shout out to the people actually inviting me to stuff on the super slight chance they actually follow me here. it seriously gave me kind of a reminder that oh yeah, i am a professional and good at this
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fontasticcrablettes · 7 months
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not sure if anyone's asked this before, but
a common criticism of Vesperia is that Yuri is never really punished for the vigilantism conflict, but I feel that the fandom's proposed solutions are too extreme or boring without much regard for his established character
have you ever had ideas on how you'd rectify this? whether it be a rewrite of certain parts of Vesperia or fanfic ideas
I've definitely thought about this before. I think the issue is that the game tried to address it with Sodia's attack on him, but due to the change of writers between acts 2 and 3, the payoff for that never really happened.
The set-up is there. Yuri spends act 2 inflicting his justice on those he has determined have escaped justice, and the act concludes with Sodia enforcing her own justice on him. But then act 3 comes, and those ideas are never really brought up again. The closest we get is Yuri calling Sodia out in Capua Torim for not carrying through her resolve and giving up on Flynn despite her earlier dedication to him. This could even be interpreted as "Yuri's vigilantism was fine actually" because the lesson he seemed to take from it was "If you're going to kill people, commit to the bit."
I've had a few ideas about addressing this. Disclaimer that I'm a novelist, not a game writer, so my thoughts are around what would work if this story was a novel and not necessarily considering gameplay needs.
The first consideration is that I don't think the game ever intended to 100% condemn Yuri's actions. Rather, I think they were going for a middle ground between his and Flynn's methods. Neither purely solo vigilantism nor a single man rising through the ranks and taking control of the Knights will save the world. You need a bit of both, and not to go to the extremes of either. So, I think it would be against the spirit of the story if Yuri was resoundingly punished and all of his choices punished and portrayed as wrong.
But... some of them should be. Flynn's side of the justice question was about working within the system, and the flaws of his choices smacked him in the face with Alexei's betrayal and realization that his actions to work within the system had led him to aid a coup. The closest thing Yuri gets to a comeuppance like this is Sodia stabbing him, which doesn't really get adequately addressed.
And after all this preamble ("#Nightfoot is bad at brevity" is a tag for a reason) I can finally get to some of my ideas for things that could have happened in the game to strengthen Yuri's character arc.
1. Repede
I think Repede is under-utilized. Yuri is not a very talkative guy when it comes to his own feelings. He doesn't want to burden his friends with his issues, so if he's going through some inner turmoil about his choices, he won't talk it over with his friends unless they bring it up first.
In a book, this could be easily solved with internal narration delving into his thoughts, but in a visual medium, he has to verbalize these. Repede could have been a perfect solution to this. They already set up Repede being a confidant when he got that title for being the only witness to Ragou's murder, but never did anything with it.
I think it would have fit Yuri's character to open up to Repede - to talk things over with his dog whom he knows will never tell another person and won't talk back - in a way he wouldn't want to with one of his human friends.
2. Alexei and Duke
There's a parallel between Flynn & Alexei and Yuri & Duke that could have been stronger. I've always been fond of the idea of Alexei and Duke being old friends who grew apart and became enemies over their dispute about how to handle the corruption of the empire. It makes them a neat parallel for Yuri and Flynn, and a dark shadow of what they and their friendship could become if they keep drifting away from each other and into more extreme deeds.
3. More Sodia
Having Yuri fall victim to the same sort of vigilantism that he inflicted on others is a great plot beat, but then it never really gets addressed again. Sodia does this huge thing, and then we never see her again until pretty late in act 3.
This kind of ties in to me talking about "Yuri and Sodia forced to work together" fic, but what if this happened in the game? What if there was some scenario where Yuri and Sodia had to go off alone together and actually talk to each other and having some messy shouting matches and acknowledge that they aren't so different?
4. Comeuppance for Yuri
Now an actual proposed scenario to "punish" Yuri for his choices. My idea is that when Yuri leaves his friends behind in Halure near the end of act 2, he makes it all the way to Alexei by himself. Rather than his friends catching up with him in the Quoi Woods, Yuri makes it all the way to Zaphias and confronts Alexei alone at the Sword Stair. There, he promptly gets his ass kicked.
The rest of the party catches up to him before Alexei can finish the job, and at that point it can switch to the whole party fighting Estelle as Alexei leaves, as in the game.
In the Quoi Woods scene, his friends call him out for trying to lone-wolf it and point out to him that he does in fact have good friends who want to help him. By shifting this reunion to the Sword Stair, just after he's almost died and fucked everything up, not only is he forced to learn that he can rely on his friends, but that he should.
5. Replacement for Ragou
It's briefly mentioned that there's a new magistrate in Capua Nor and that he's much better than Ragou and the city is so much better off now. This feels like a wasted opportunity to me.
I propose the group returning to Capua Nor in early act 3 to discover that Ragou has been replaced, but that the new guy is almost as bad. Maybe not "feeds children to monsters for the fun of it" bad, but still corrupt, still oppressive, still another head of the Empire's rotting body.
This forces Yuri to confront the idea that while he solved the immediate problem of Ragou not being punished, he didn't actually create any sort of system change. His methods alone are not the solution to justice because picking off the worst of the worst does nothing to change the system that produces and enables those people. While Flynn's focus on changing the system abandons people who suffer while he slowly reforms things, Yuri's focus will never create lasting change and just leads to him playing whack-a-mole with whatever pieces of garbage the corrupt system spits out next.
They need each other, and neither their methods are the solution in isolation. They can't do it alone. In the very last scene of the game, Duke tells Yuri that he's strong, and he replies, "That's because I'm not alone." That's the main message Yuri learns over the course of the game! Yuri goes from a lone wolf to someone who supports the help of his friends and that he's stronger when he's backed up by bonds of friendship. Showing Yuri that simply killing Ragou on his own was not enough, that he needs the cooperation of his friends all working on the same problem from different angles, strengthens that message.
6. Same Choice, Different Decision
This is one of my favourite literary tropes and such a simple way to demonstrate character growth and change.
With either some or all of the proposed changes above, let's end the game with Yuri having the chance to go after Duke alone. He has an opening to break off from the others, but this time, he doesn't. He takes everything he's learned about the necessity to work together and the importance of relying on others chooses not to be a lone vigilante this time. He proves that he has internalized the idea that he is strong because he's not alone.
7. Dark Enforcer
This sidequest could (should?) have been incorporated into the main plot. There's no reason for a storyline that directly parallels the main protagonists' journey and confronts him with the possible downfalls of his approach to be an easily missable sidequest.
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So, there are some of my ideas! I've thought a lot about this over the years and tried to cut this down to just my plot changes that would directly address Yuri's vigilantism arc.
I think Yuri is often unduly criticized for having "no growth," because I think that just isn't true, but I do think the game flubbed the development of it. He's clearly changed his mind about being a lone vigilante by the end, but when did he emotionally process this? The pieces are there, they just aren't utilized to their full extent.
These are also all ideas about changes to the game itself, but I think most of them would also work as the basis of a fic, either canon divergent, post-game, in squeezing some scenes in.
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halliescomut · 8 months
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I defended Lom, but now I shall talk about Nuea
So...a lot of this is going to be a bit rant-y, because honestly there's some reactions that have been going on that really aggravate me. But I wanted to talk more about Nuea as a character in the show, and how I think he's being presented. You hear (for reasons unknown) a lot of discussion over how Lom is almost tricking Nuea by withholding the fact that his arrangement and marriage to Yiwa is in name only. I have so many problems with this read on the situation. While it is VERY common for BLs to use naivety as a trope, it's actually surprisingly rare to see from Mame. It's not one of her go-to's and so I was actually really surprised at how many people saw Nuea as 'innocent' (read virginal) or naive. We saw a similar reaction with Sky, this idea that he's an innocent little lamb, and I kind of figured that was because that's what Rain was. Rain was clearly modeled to be this sort of ingénue-style character, young, wide-eyed, innocent to an extent, but also experimental, not constrained by societal boundaries. But what the first encounter with Prapai showed was that he was not only not innocent, but experienced. Now granted many of his experiences were likely awful and traumatic, but Gun likely didn't got straight from 1 to 100, abusers rarely do, but there's also no clarity at all on whether Sky had any other intimate partners of his own choosing, whether a relationship or just another one-night stand. But circling back to my actual point, I think there are many viewers for which LITA was their first experience with Mame, and they believe Rain to be the blueprint for her 'bottoms' when in reality he's an outlier.
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How this affects the perception of Nuea, is that since he is shown to be a fairly quiet, sensitive, kind person, some viewers began making assumptions. They assume that he's not physically experienced, that he's submissive, or even shy, and that's not really the case. We don't see much to indicate that at all in the show. He's very vocal for a lot of the show. He expresses his concerns to his boss freely, without concern for reprisal, and this certainly due at least in part to the type of boss she is, but even if she were some angry, obstinate crone, I doubt that would have stopped him. He's very vocal and honest in his conversations with Lom all through the series. He doesn't put up with any of Lom's rich/privileged BS. His kindness and empathy throughout is more a show of strength than anything. He's able to pretty easily get the results he wants without being rude, or mean. Even in his frustration with Lom, he's not vicious, but exasperated, reacting to Lom's childishness more like an exhausted nanny than anything else.
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Nuea is confident, like really confident. He's confident in his abilities and skill at work. He's a confident gay man, he doesn't shy away from sex. His hesitation in regards to sleeping with Lom initially is based only on his knowledge of the likely fall-out (especially emotionally). Once we get to this most recent episode it's very clear that he has no hesitation in being an active and passionate partner.
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I'm willing to bet after the absolute boss way that he shut down that shitty orchard customer, that we may see his confidence make an appearance next week in regards to Lom and Yiwa's mothers acting like petulant toddlers.
I think it's also important to remember that while he is younger than Lom (his actor is actually younger than ALL of the LITA boys), he's not actually all that young. While ages and timelines are pretty vague in the Mame-verse, Prapai should be about 30 in the Wedding Plan, and Lom is meant to have been his junior while they were getting their Masters, so he's probably 27-ish. Nuea, having attended university and worked as an event planner for several years is probably 25. He's not a child, and their age difference is practically negligible. Again, I feel this is an assumption based on the idea that LITA is the norm, when it's very much not. All of Mame's other main couples (in shows) have either been the same age, or with in a year or two of each other.
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So while Lom may have some power/privilege over Nuea, it's very much situational and based on him being 'employed' by him, which is something that we as the audience know he could change if he really wanted to. We see that P'Im is more than willing to go to bat for her employees, Lom wouldn't be able to pull a Karen and get him fired, or forced to work with him. And while Lom is rich, Nuea's family has a generational business and owns a large amount of property. It's not the same level of rich by any means, Lom essentially has fuck you money, but it's still not like Nuea would be without resources and support if he chose to quit his job or leave Bangkok.
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Also, the fact that he gets upset or cries over Lom, doesn't make him 'weak.' I've not heard anyone say that directly, but it's been implied. It's not weak for a man to be able to recognize and express his emotions. That's toxic masculinity bullshit, and we certainly don't want to be putting that pressure on characters that are actively defying it.
I guess in conclusion, my point is that Nuea is a bad-ass, the best kind of bad-ass even, one with a kind heart, and that he's more than capable of standing up for himself both in general and with Lom.
As a final note, what I realized watching episode 3 is that Lom 10000% has a competency kink, and further watching of the show only confirms that. He first encounters Nuea while he works at Pai's wedding and immediately begins lusting. The wedding suit try-ons where he looks at Nuea after learning he took pictures of each choice so that you don't have to try something on over and over again. He gets riled up watching him do the event where Payu proposes. He falls even harder watching Nuea put the creep in his place. Like...he just loves watching his man get shit done, and I respect (and understand) that.
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ohbother2 · 2 months
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You don't have to answer I can understand since I'm asking such a big thing that could take time,
but how did you understand Luci's character traits and personality so well? Knowing what to write about how he'd react in some situations and just knowing him very well? It's really such an amazing skill I love writers so much they have such a way with words and all.
Sending you lots of love <3
Hello!! Honestly no worries I absolutely love when people ask about my writing!! <3
The fact that this was sent in immediately after the previous ask summarising my characterisation as 'power bottom with an oral fetish' is honestly hilarious lmfaoooo
but seriously tysm!! The fact you think I've characterised him so well is so flattering!
In all honestly I'm not entirely sure, and I'm not (personally) entirely convinced I have gotten his characterisation 100% correct! I think the fun about being a writer is you can take these... 'artistic liberties' and if you write them well enough and convincingly enough (within certain constraints of reality) people will just kinda accept it
I guess as someone who spent their childhood and teenage years far too involved in fanfic-writing and mindless daydreaming inside their own head you start to gain a taste for ensuring characters stay within their own 'box' of characterisation and don't just begin acting how you want them to - this was a very long mindset I had to teach myself out of (I dread to think about some of the horrendous ooc fics I wrote in my younger years)
Even today, as someone who hopes to write their own book one day and has been using fanfic-writing as practice, I STILL have to reign myself in and really look at my work and think 'would they actually act like this'. For example, you have no idea how many times I've had to re-write a line of dialogue or just simply scrap entire paragraphs altogether after deciding that Lucifer/Adam/etc wouldn't act like that
Actual advice time - the main thing I do when I decide I want to write for a character, is study the character. I watch the series again focussing on that specific character and their interactions, and then I come up with my own little 'characterisation' of them in my own head: little traits that I've picked up on throughout their screen time like their mode of speech (and tics or mannerisms, and common phrases or specific vocabulary, if they mumble, etc) or their body language. [For example, my summarisation of Lucifer is: desperate to please, abandonment issues, overcompensates his slights with showmanship and flair, ruled by his emotions, a genuinely caring person.]
I also think you can actually deduce a lot from a characters physical presence on screen - their confidence, their anxiety, their happiness, their frustrations - and you can really run with it. If you can pick up on those key characters traits, just amp them up in your writing and bam you've nailed the key components of the character and everything else will fall into place. E.g., Lucifer is constantly taking deep staggering breaths when confronted by something out of the norm (Charlie ringing him, having to talk to Heaven, etc). What can be deduced from this? He doesn't handle his emotions well, he doesn't hide them well, he's easily flustered, he's not as composed as he wants people to believe. Ergo, whenever something is overly shocking, I really play on that characteristic.
Embarrassingly, sometimes if I'm really struggling with deciding whether a character would do/say something, I look up compilations of that character on YouTube so I can really focus on just them. I've always had quite a good knack for getting in other peoples (and characters') heads and this little boost really helps me. Sometimes I even look at other fanfics!
Basically: I'm not entirely sure, thank you so much, this probably hasn't answered your question at all, practice makes perfect :)
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ducktracy · 8 months
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I'm really curious on what a layout artist is. Do you know?
layout’s a finicky thing to describe because it’s so all encompassing, and there are so many interpretations of it, especially nowadays in the current animation landscape where the definition seems to vary by production. i myself am even not 100% confident in my answer!
but, essentially, it’s a visual guide of a scene for the animators. this can be many things: clarifying how a pose is supposed to look, with the animator following/mimicking the art style of the layout artist to give the scene a coherent, consistent look (putting it “on model”, in layman’s terms. the layout artist’s drawing would be considered the model). that would be character layout. a layout artist can also establish the way the scene is supposed to be structured—how characters interact with the background environments, how the background environments frame the characters, what the background is even supposed to look like. that’s background layout. likewise, a layout artist also registers the camera field—indicating where the camera is supposed to be positioned and how much of the character(s) fits in the frame.
in-house layout departments are scarce in a lot of modern productions nowadays, and many productions will try to have their own version of a layout team lumped under the term “character design”. you’re not actually designing characters, but refining the poses drawn in the storyboards to bring it even further to the model of the show, so that the animators have a visual guide to follow. sometimes, a board artist will draw a particular drawing that the “character designer” needs to clarify so the animators know how to put it on model. these are usually called “special poses” which, again, is basically slang for layout. this is how we operate on SpongeBob now. it seems LTC did as well.
it’s a bit different in a golden age context though. the general point is still the same in that the layout artist will collaborate with the director and often dictate the general art style of the short. hell, sometimes the directors WERE their own layout artists. Chuck Jones and Bob McKimson were both their own character layout artists in the ‘50s—this is why it’s practically impossible for someone like me to be able to discern who the hell is animating what in a ‘50s Chuck Jones cartoon because they adhere SO STRICTLY to his style
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whereas Bob McKimson—i’ve mentioned this before, but i just brought it up yesterday and it’s on my mind. here’s a character layout he did for Fool Coverage (which you should watch very good cartoon), and here’s Rod Scribner’s interpretation of it below…
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obviously not very loyal. but Scribner’s interpretation is much FUNNIER and works way better in animation than McKimson’s; McKimson’s drawing is still a GREAT drawing and super solid on its on, but definitely a much more conservative approach. you can also see, though, how much of his personal style leeches into his own shorts as well
or this here: John Carey was Bob Clampett’s layout artists for a good portion of his time in the “Katz unit” (aka black and white cartoons), and also animated this very scene he laid out. the two drawings are practically indistinguishable, but there are definitely minor differences. he dictates how the scene is to look
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i’ve mainly been talking about character layout, but here are some background layouts indicating where the characters are to fit in the shot as well. this is more all encompassing.
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the credits on LT shorts are such a continuous melting pot of nonsense for many reasons, and one of it is because it took until… 1945? 1946? i think ‘45, for them to credit the layout artists… and background artists (who rendered and painted the BG layouts)... and Mel Blanc. and so this is sort of where my knowledge flounders a bit. we know that Maurice Noble was Chuck Jones’ BG layout guy in the ‘50s, and we know Chuck did all his own character layouts. that’s fine enough. but i have no idea, if, say, was John Carey doing background layouts as well in Clampett’s cartoons? was it his background painter, Dick Thomas? Clampett himself mentioned doing the layouts on A Tale of Two Kitties, and the staging of the short in that one definitely has some very warped and drastic angles not usually found elsewhere, so it’s safe to assume he was working on BG layouts in that. but where is the line drawn?? who is responsible for what?
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thanks to Warner’s bunk credit system it’s been difficult to piece together. a lot of very talented artists that worked on these shorts never got their credits or dues. everyone knows “oh yeah, Chuck Jones’ shorts in the ‘40s are really stylized and flat.” but do they know the name John McGrew? Bernyce Polifka? Eugene Fleury? all of whom were a part of establishing this style, but also maintain independent subtleties to their own cartoons they worked on? how do Fleury’s paintings based off of McGrew’s layouts in The Case of the Missing Hare or The Aristo-Cat differ from Polifka’s paintings based off of McGrew’s layouts in Wackiki Wabbit and Tom Turk and Daffy?
i’m going off on a tangent, but my point stands in that it’s a very complicated, multifaceted aspect of the animation process that doesn’t have one meaning. it impacts so many different aspects and even how it impacts or WHAT it impacts differs. basically, it just sets the stage for how the scene looks in the final animation, whether it be where the characters and camera are positioned, how the characters look or how the backgrounds look. think of it as the cartoon’s blueprint.
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rivetgoth · 10 months
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2020s Industrial/EBM & Friends
Hi all! I decided to go ahead and make a Spotify playlist of current artists in the industrial/EBM [and adjacent] scene. I am very tired of stumbling onto countless threads of people saying that industrial music is "dead." It is in fact currently experiencing an incredible booming renaissance! So here is a place where one could hopefully get started.
The requirements for this playlist are simply
Must be within the industrial/EBM scene or close enough to count by my own standards. Trying to avoid anything too far off, so keeping "sibling" genres to a minimum (for example, darkwave or aggrotech), but obviously the genre has evolved very much over the decades and there is still plenty of fusion and diversity in sound!
Must have released new music since 2020 or onwards. This playlist is a combination of older artists who are continuing to release new music (such as PIG and IAMX) as well as brand new artists who have just begun their career with debut EPs (such as Normal Bias and FUEDAL). The only requirement is making new music from 2020 to present; this isn't about new bands per se, just currently active ones. I would like to keep updating this playlist as time goes on and more artists release new work, but that may end up being a time commitment larger than I can promise, so no guarantee on that. But hopefully!
One song per band. This is just to keep things consistent. I wanted to pick a song for each band that's either somewhat popular so as to give an idea of what they're doing that's catching people's attention, and/or a personal preference of my own that I think is cool and worth checking out, lol. Order doesn't matter at all, you can shuffle it as much as you like.
While artists from all backgrounds are featured and I want to make an active effort not to tokenize, I did try to include a wide range of diverse artists, with numerous artists of color, female artists, queer artists, neurodivergent artists, etc on this list.
A few other preemptive Q&As:
"[x] band I like isn't on here!"
I am absolutely, 100% confident I have missed more bands than I can even fathom, this is a massive genre and this playlist is in no way whatsoever meant to be comprehensive. I definitely want this playlist to continue to evolve over time. I also admittedly may have not included a band because I just don't really personally care for them enough, or because I didn't feel like they quite fit the sound I was thinking of here. Feel free to send me an ask if you feel like I'm missing something important, and even if I'm not huge on a band, if it seems like they're high in demand I might add them for posterity, lol.
"[x] band isn't real industrial"
Again, this genre has evolved massively since its formation in the 70s. We all know that. I don't really care about splitting hairs too much when it comes to genres; I'm basing this on the scene as it's currently evolved, the community surrounding it (including who these bands play with and the festivals booking them), the cited inspirations and self identification of the bands themselves, and if I personally would be able to sleep at night if I called them industrial in casual conversation, LMAO. I also consider fusion genres a very important part of the life and evolution of a genre, so industrial hip hop, industrial metal, and the likes all make some appearances.
"Spotify sucks"
Yeah. Agreed entirely, cannot argue with you there. But this is the easiest avenue I know of to make a decent, accessible playlist for a wide variety of listeners. Please do check out these artists offsite, follow them on Bandcamp or their other social media sites, buy their music and merch, etc. Unfortunately this also means that many artists who are not on Spotify aren't featured here, which sucks, since there are some absolutely amazing industrial bands coming out of Bandcamp right now who deserve recognition. Here is a link to the "industrial" tag on Bandcamp if you want to dive deeper.
Hopefully at least a few people can get something out of this!!
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illegiblewords · 4 months
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Serious talk about meta under the cut.
I don't know who might need to hear it, but fwiw mental flexibility is a huge part of analysis (and interacting with other humans lol). You need to be able to account for multiple possibilities when examining a work, or understanding a social exchange. You need to be able to separate what is objective fact from your own subjective interpretation and judgment. The most negative interpretation is not automatically the most worthwhile or true. Someone throwing accusations around in-line with their own worst interpretations does not guarantee those accusations are warranted. You are not a bad or stupid person for disagreeing. Shit needs to withstand scrutiny. I don't always strike the right balance myself. I do the best I can but I'm definitely not perfect. Tbh I'm not beyond pettiness either--although I try to keep that out of actual analysis lol. There have been times I've griped to friends privately or blogged about how I felt (sans tags, with spoiler blocks so people can opt out). I've griped recently. I'm bound to gripe again in the future. Some level of griping is inevitable imo and I figure no one is 100% immune.
All that said, even if someone’s take isn't canon AND even if it's something I really dislike--I'd personally rather people follow their passions anyway. Hands down. I could be in the middle of a rant and my answer would still be that the subject of my frustration gets to exist. I'm not the boss and odds are we're going with different versions in our own heads. Discouraging another fan from creating due to my preferences or narrative approach would horrify me. I've seen fandoms where gatekeeping like that killed the creative community and it was fucking awful.
Not everyone is confident in their own judgment. Not everyone faced with a pissed off person trying to use lore and accusations like clubs will feel okay continuing with their own vision. Elitism and manipulation (especially through rhetoric) can be present within analysis. People are not being taught how to recognize those things properly. Analysts aren't always aware or invested enough to even be careful. It’s legit easy to get caught up in ideas or feelings to the point of forgetting about other people’s, and adjusting to account for alternate approaches takes some work. For me at least, I think having a 'no insults' policy and being super careful when it comes to absolute claims (assertions not qualified by 'I think' or 'it could be argued') helps.
Anyway. Just because a person calls something ‘meaningless’ doesn't make it meaningless. Someone pooh-poohing an observation you made doesn't make your observation less true or important. Employing a literary term doesn't mean that individual actually understands the term, how it works, or how to apply it. Which is to say nothing of romantic chemistry or whatever. I encourage readers to extrapolate on this. ‘Shallow’ could apply as much as ‘meaningless’. Denying parallels exist by itself doesn’t actually negate those parallels. Your version of a character may not be the same as the fan next to you’s and that difference doesn't have to detract. There's more I could say on the subject (I've edited out a lot) but basically--just because another fan isn't into what you're doing doesn't automatically make what you're doing wrong, immoral, shoddy, or otherwise less.
Seriously, vet shit. Question the entire premise an analyst tries to establish then decide for yourself if it holds water. Turn over word choices and assertions in your head before deciding if they're appropriate. Do it to me too. I don't care if someone is the holy goddamn emperor of analysts. Just because a person says something is good or bad, true or false, whatever the hell doesn't make it so. Just because a person uses a technical term doesn't mean they're discussing it effectively. Quality of argument matters beyond the packaging it’s wrapped in. It's important to protect yourself from people whose priority is enforcing their own preferences, including dismissing things they aren't partial to.
I just don't want anyone shamed silent man. Not even people whose takes drive me up the fucking wall. Neither I nor any other analyst is an authority here. And there are people who are absolutely ready to take advantage of other people’s insecurities to assert themselves. Might not even be malicious, just indifferent.
For me, analysis feels kind of like uncovering a dinosaur skeleton. I want to share the cool and exciting things I find with other people. Sometimes I might be sorting out what my own thoughts and feelings are. It's also possible to examine why you're uncomfortable with something, or why you love something another person hates, while making very clear what is YOUR READING and not THE READING. Offering a variety of possibilities is very different from presenting yourself as the only correct one. One note at the end when everything else was insulting and intolerant is like a band-aid over a wound.
EDIT: As a last point, that I'm throwing in just-in-case. If anyone reading this thinks they may have overreached and done stuff I've mentioned + feels shitty about it… that's still not the end of the world. It’s okay. This is hard stuff to learn and I really don't think anyone's perfect at it. Worth the effort though. Just gotta take a deep breath, acknowledge you're a fallible human same as everyone else, and do the best you can going forward. Life goes on.
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armins-main-hoe · 2 months
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MHA x avatar
MHA navi x Fem!reader
request
Okay so far we only have met the forest na’vi and the reef na’vi. We don’t really know much about what other variant of na’vi there are yet, at least not 100%. I know there was a mention of fire na’vi but then again, we all don’t know much about them that much. But I think I’ll still make some characters be other types of na’vi other than just reef and forest. I might make up my own too, just to give me more options. But I’d honestly love to hear your ideas as well, the one reading this. If you think differently or have another idea for a na’vi type.
So I’m thinking I’m just gonna do head cannons for now, then later on when I can think of an actual plot line, I’ll make a whole fic for this.
I'm only gonna do the main three for now, if you guys like this and want other characters let me know!!
(and i'm gonna write a little smut drabble for the three soon too)
Midoriya na’vi x reader
I honestly think he’d be a forest na’vi, that’s just the type of vibe he gives off.
He’d be really in tune with his surroundings, a keen observer, since he doesn’t come off as the talkative type.
Though he is well liked by the others, there always is one other na’vi who doesn’t quite share the same opinion of him as others.
Despite his constant attempts at dismissing bakugo’s taunts and challenges, he does sometimes find himself not being that confident in his own skills and abilities.
But that changed when he got closer to you. You, a kind and loving na’vi who honestly nobody could hate. You were always there for him. Sometimes you’d find him sitting alone on some tree top, looking out at the view around him. You’d sit down next to him silently.
Together, the two of you would quietly enjoy each other’s presence and relax.
"You are strong Isuku. Stronger than you think."
Honestly, i believe you both would have a puppy love trope, enjoying everything the forest has to offer.
From sharing sweet, juicy fruits to running across thick branches of the trees.
Though you both had yet to make anything official, it was clear to the whole clan that you two would choose each other when the time comes.
While the two of you were what most would consider 'googy-two-shoes', you would sometimes sneak out at night just to spend time together. To go to the trees of souls where the woodsprites would float around you both, softly landing on you both as you hold hands.
Even Ewya would agree that the two of you were perfect for each other.
Bakugo na'vi x reader
Just to keep the rivalry between midoryia and Bakugo, I would put Bakugo as a forest Na'vi too.
The entire clan and the other clans around would know about Bakugo and his feisty temper. Many would look down at him for viewing life through such fire, but not many would dare to confront him about it.
Despite the clan looking down on his behaviour, they were quick to recognise his strength in being a strong warrior for the clan. Even the Olo'eyktan recognised this and praised him for it.
You were a strong huntress, you never missed a shot. Sometimes you would be sent out with the warriors to fight the human machines that would try and invade your part of the forest. Thats when you saw Bakugo and realised why everyone praised his strength. You used to admire it too before you found out how cocky he was.
The two of you would bicker, he would get on your nerves too much and you weren't one to let him do whatever.
As others would pass you both arguing, they would either roll their eyes at your usual antics or laugh to themselves.
Though one day it wasn't so funny. One day, it wasn't a bit of banter. One day you were at each other's throats. That day, you both hurt each other.
Others were quick to pull you both apart. Both of you had busies and busted lips. The amount of scolding you both received from the Olo'eyktan drew much attention from everyone around you. No one had seen the leader that angry.
The Olo'eyktan had sent you both out, out of the clan. Not to come back until a week later. He said that you both must survive on your own with only each other to rely on.
Fair to say even more arguments happened during that week, more arguments that somehow turned into making out.
Nobody saw that coming, nope, definitely not. Who would have thought.
Todoroki na'vi x reader
Now as much as we would like to see the trio together, I would say that this one was a produce of two navi from different clans falling in love.
Lets give him a somewhat decent family in this AU okay?
His father from the fire na'vi clan and his mother from the na'vi that live up in the cold, snowy mountains.
Their love though wasn't appreciated by either clans. They were forced to choose, either stay in love or stay in their respective clans.
They chose to leave their clans and start their own family. But it wasn't that easy. You don't quite realise just how much easier it is to live with a whole clan, where food is shared and and roles are divided.
It was hard. Harder so when other clans around them would not let them enter their territory. But Ewya blessed them both by letting them stumble across a small bit of unclaimed land out in the middle of the ocean. It was small but the land had trees which bore fruits, ocean which had plenty of fish and small cave for shelter.
Even with this blessing, it wasn't easy. Not when one na'vi was used to the harsh heat of the volcanoes and another used to the harsh cold of the mountains.
Though with time they were able to start their own family. Four children. The youngest being Shoto.
Shoto was content with his life, he never met any other na'vi apart from his siblings and parents but that didn't seem to bother him. He didn't know life outside of the island and the waters around.
But that didn't bother him.
You can't miss something you never had.
Not until a young reef girl called y/n who happen to have swam out too far and came across the todoroki island. The young girl who he quickly became friends with and who began to tell him all about her clan by the reef.
Thats when he began to truly wonder what was out there beyond his little island in the middle of the ocean.
@katsuki069
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poopwons · 3 months
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ok now im gonna need u to write photographer armin pls & thank you!! him giving u a photo album of his fav photos when he confesses? yes 100%
CHLOE MY DEAREST. omg I'm sorry I left you in drafts for so long. I had two panic inducing pet incidents happen within like two days of each other. Everyone's okay, I just freak out when things happen to my babies. **I've also never written for Armin, so this was a bit of a challenge for me. I hope this is okay💖 It's probably my own insecurities about the way I look but I literally fantasize about seeing myself through other peoples eyes, so literally any opportunity to write about that, I'm gonna take it LOL**
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You love when it's like this. Just you and Armin laying out on the hood of his car, music playing softly through the open windows, while you talk about anything and everything under the sun.
You loved everyone in the friend group, but you and Armin just seemed to have a special connection. It was easy to talk to him about everything, and he was always bringing little fun facts for you when you needed some cheering up or even just a change of subject when things got too heavy.
So, here you were, chattering on and on about a movie you’d watched recently, telling him about every theory you’d thought up and all the different characters. You can’t help but notice Armin seems to be looking at you differently this time, more attentive, but also not. Like he’s making more eye contact but he’s not actually hearing you.
“Armin?…you okay?” You ask, face etched with concern.
“Hm?” He seems to shake himself out of his head to answer you. “Y-yeah. I’m fine, sorry. Just a lot of my mind, I guess.”
Well, that was different. He’s usually really up front with you when something was bothering him. The two of you confiding in each other and offering advice where you could.
“Do you want to talk about it?” You sit up, propping yourself up on your elbows to look at him more clearly. He seems…you don’t know, nervous maybe?
He pauses, like he’s trying to decide if he really wants to talk to you about this specific thing or not. He sighs, turning to face you.
"Do you ever wonder if it's better to enjoy something the way it is, taking what you can get, rather than risking ruining everything by asking for more?"
"I guess that depends on what the thing is," you say, trying not to pry. "I think, if it's something important to you, what's the harm in asking for more and trying to get the most out of it?"
Armin makes a face, it's almost a pained expression. You scoot a little closer to him, taking his hand in yours, trying to comfort him.
"It would help if I knew exactly what we were referring to." You say gently, giving his hand a reassuring squeeze. You just want him to know that you're here for him, just like he's always been there for you.
He takes a deep breath, looking into your eyes, you hope he can see the genuine concern there,
"You know, every time I talk to everyone else about this, they always tell me just to man up and say something. That everything will end up okay, and I'm sure if it was anyone else, that would be true. But, I'm not anyone else, I'm me and..and.."
He does this when he's nervous or anxious about something. Ranting and going on and on, not realizing that all the extra words don't do anything to soothe his nerves. You give his hand another squeeze.
"Armin," You say gently, "I still don't have any idea what you're talking about."
He gives you an apologetic look, then lets out a nervous chuckle.
"Sorry, you're right. I'm not being very clear, am I?" He shakes his head again and goes to move off the hood. "Hang on, maybe this will help."
You wait for him as he goes into the trunk of the car, searching for something before slamming the trunk back down and holding out a book to you. You take it hesitantly, unsure if it's really meant for you or not despite him handing it to you.
"Open it," He's still standing at the hood of the car, fiddling with his nails.
You take the book, holding it upright and opening it, surprised to see a bunch of photos, and you seem to be at the center of all of them. There are photos where you were all obviously with the group, but despite there being so many other potential subjects, Armin had focused on you. There were some photos that he took when it was just the two of you, late at night when he'd take you on a drive after complaining that you couldn't sleep, photos of the two of you at breakfast together.
"I um.. I was saving that for your birthday, but Jean and Connie said I should just give it to you now. It's all my favorite pictures of us, a-and some of my favorites of you." He runs his hand through his hair, sighing before he continues. "Look, I know we're really good friends, and I don't want to mess up anything we have.. I just.." Another sigh, and you can't help but stare at him now, album still clutched in your hands. "You're so... special, an-and smart, and funny, and beautiful, it..god, it drives me crazy sometimes. I...like you..like, really, really like you."
You just sit there, hands clutching the album, staring at him. You can't believe what you just heard. Your heart is hammering in your chest, the blood rushing in your ears. He keeps going while you process everything he's said.
"and I... totally get it if you don't feel the same. Our friendship is so important to me and I don't want this to make things weird.."
"Armin," You start, setting the book to the side, before sitting up on your knees to wrap your arms around his neck, pulling him into you. "I like you too, a lot."
"You do?" He asks like he's genuinely surprised.
"Yes, you dummy." You chuckle, cupping his face in your hands. "Do you see me calling anyone else at 3am when I can't sleep?"
"I..I mean, no but I thought you just liked riding in my car the best."
"I like being with you the best."
"Oh," He lets that process for a minute, while you just look at him with that same lovey-dovey look you've always given him, wondering how in the hell he could have missed it. "So, do..do you want to be with me?"
"Obviously," You giggle again, before pressing your lips to his, content to spend your whole summer just like this, with your boyfriend.
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physicsfox7 · 1 month
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So, I have to brag just a bit. As previously mentioned, I haven't ever been great at fighting games. Moreover, I was a notorious button masher.
But with the release of my beloved Elphelt on Strive, I am here to stay. I've been playing since about mid-December, and I am a slow learner as it is.
In the beginning, with my friends patented school, I learned a lot in a short amount of time. Then I practiced on my own, ran the arcade mode, and worked on tower. I of course grabbed fights with friends when I could. But about 5 weeks ago, I hit what felt like a plateau. Admittedly, getting my ass handed to me constantly was very disheartening as well. And I still wasn't very good.
I stepped away from it for a couple of weeks, proceeded to lose whatever edge I had developed, and lost interest. I bought Bridget in an attempt to reawaken the fighting spirit, and spent a very lovely afternoon fighting her computer on very hard. Then I stopped and didn't pick it up.
When they dropped A.B.A on Tuesday, I was very excited. I thought a new character to try out would help, and everyone else would be trying her as well, so I might have a chance to win a little bit while they learn the new controls.
With the new patch, suddenly I couldn't boot the game. I spent over a day trying to figure it out. I tried everything from verifying files to reinstalling to getting third party software. Nothing worked, I just couldn't get on the network. I missed out on pre practice, I missed out on hours of playing with friends. Finally, working with everyone, we figured out the problem. One stupid, simple fix (disabling my antivirus software, yes I know I'm an idiot) and it booted first try.
By the time I joined the lobby, I was shaking from being hungry and angry and frustrated. Everyone else was warmed up, and I was cold for three weeks. I sorta kinda held my own, got my ass kicked again and again, but it didnt feel oppressive. Instead, it was invigorating. Some of the techniques and combos I had practiced worked, and I even got complimented.
Then tonight, we had another Strive lobby night. And something clicked. I was playing. I didn't win every match, but I didn't lose every match either. I stood my ground against players far better than me. I won multiple rounds in a row, and most importantly learned a few new techniques and ideas. I implemented on the fly. Tonight felt good.
We had a random come into the lobby, who is high level with all characters, and coaches. They run tourneys, and was top 100 with a couple of their mains. I warned them before our match that I wouldn't stand a chance, but like everyone in this community, they were more interested in playing and helping than beating me down. I managed to take them down below half health in a couple matches.
After stream, I went back and watched some older videos of my gameplay, then some from last night and tonight and the level of improvement I've made is astounding.
I react faster, my combos are cleaner, there's less wasted space/time/movement, and I'm starting to feel which move is the right defense, allowing me to be proactive in defense and getting out of neutral. And I can see when to be aggreasive and when to wait more easily.
I was at a precipice, and I honestly felt stuck. The combination of time away, solo practice, and a more relaxed and patient attitude the last couple of nights has broken through. I feel positive about future sessions, and I'm looking forward to playing rather than dreading it.
I'm very pleased with myself, and I feel positive. Playing games with such skilled people is kind of dampening for both my confidence and my pride, so this was pretty great. Okay, no more bragging. K thx byeeeeeeee
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