the poem floats through the aisles
of a grocery store. it, the plastic bag ghost
witness to consumerism. they, haunting
the reticent halls of community; the last
come together, go forth of our local
homes we share with others. there
are no robots here, heckling
cacophonies of barcodes and rendering
them as billowing rorschach test
sounds that taste like metal tinnitus
like the rudimentary intelligence
of drones come alive to deliver
us from evil, our groceries
from woolworths. the poem floats,
watches. there, a veteran disgruntled
they took his benefits away. coles doesn’t
care if you served – it focus grouped
how much it could take from you.
here, a single mother between two
jobs trying to remember which yogo
johnny likes and if she has time
to let some handsome catfish
from the internet buy her a drink
late one night this week.
we hold hands and walk the aisle,
the poem doesn’t understand, but it watches
fascinated as we smile. what is there
left to smile about, the poem asks.
you hold my hand, and i am
in love with you; ghost
of late nights held in treasured memory
by couch, by midnight air; by good
mornings and i love yous.
the poem watches as
we kiss each other
morse code kindness; try
to decide on flavoured candles,
whether lavender haze smells more
like your mother’s house or my
pinterest boards; you smile
then, my memory. here,
we are still happy; doomed
by the narrative but still in love
for a little while. the poem floats
through the aisles of a grocery store.
i, the plastic bag ghost witness to consumerism.
we, haunting reticent aisles trying
to find what’s left of you.
duck and dash poetry have a facebook page and are posting daily prompts through march. this is a response poem to today’s prompt “your poem floats through the aisles of a grocery store”
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And when tantalus reaches for the forbidden
fruit, he becomes a story. We have all become
a story, telling ourselves endlessly like
our truth is needed at the peak
of Olympus and we are the only born
again bards that sing; echoing hollowly
as our moans and groans of ecstasy,
validation turn and spoil like rot and
rotting like fruit on the vine decayed
and made into wine we pour into
lava pits, choking on noxious
fumes and self-indulgence. I've heard
your story before, spat into my mouth by
a coughing whore selling their labour
to mining magnates, fiduciary
stagnates and name partners who
thought of them as a number.
He, oak notes and eucalyptus
born of bush and destined
to die in callous crematorium,
chewed up by meatgrinders and fed
to asphalt fumes that are the planet pleading,
begging for no more, for I've had enough,
please can someone call me an uber
home, or God; I want to apologise
to him for the mess I made of
his children and the dinosaur bones
I knocked from mantelpiece and
let lie, or be lied about until
they became myth. Call
me a priest, let them sprinkle
salt water on me, the earth; let
no more things grow, let me rest.
I am no Ares, red meat heart planet
banging asteroids on kitchen counters
in futile protest. It is no blessing for
Zeus to notice you, call you child.
Call you disappointment as you
reach for told stories, Greek
myths, cold retellings as you
thrash, desperate for likes
as you drown in waves of
morpheus' stolen laughter, we took
storytelling from the gods and
they cursed us, now it is all
I do, spew; vomiting
stories for six retweets; I hit
notifications like a toke,
try again, cry again
about anthills, mountains
about rolling stones, the fickle
nature of fame; flames and my guts
torn as I lay there looking for
Zeus to notice me, my
hand reaching for stolen fruit.
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@midnightxmasquerade wrote this gorgeous piece to the prompt "widowed" the other day, so I thought I'd have a play too. This one is called Widower.
you buy a bottle of withdrawal,
shoot it off a fence on your way
to the post office, try to find God
or what you sent on your way
to the blackout. it is becoming less
a recession than an exhaustion of
the working poor, you cannot hold up
pyramids when you flood the foundation
sand with opiates and denial. I see
so little beauty that isn't in people
these days; we, the widowed halves
of our better humanity. they want you
tired,
so tired you stop wanting what you've
always wanted: to be loved. instead,
you compromise, accept booty calls
from boys in sweatpants sleeping on
empty mattresses on dusty floors. you,
baby doll, try to take their broke and
fill yourself with it; take your empty and
try to fill it with pain, with falling asleep
to familiar voices, to reruns of old shows,
old smiles, old dreams of owning an
apartment and filling it with trinkets
you made of your love. with these little
prayers you made of plants to home,
you pray
softly now, your quiet lips moving when
you close your eyes and pretend there are
no broken vases called men laying stagnant
beside you. we used to say that when you
pray, it is less about outcome than speaking
quiet truth into the universe. we used to
say a lot of things between voyeur pillows,
paintings by your mother, and these days,
these days you only speak truth to tired
pages you keep in dollhouses buried in the
back of your head where things itch, where
your hands shake and you smile at memories.
somewhere, i buy bottled relapse, drink it
like fizzy water. somewhere, I am thinking
of you.
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I, Tyrannosaur
you only weep for the ruin of something
when you know what came before. you look at me;
your eyes a reflection of Pompeii and the dinosaurs,
of flash frozen people sprayed as ash against
dining rooms, the kitchen where we
held each other said "I am not ready to give up."
I watch you give up. I watch you like
I am standing in a field, naked
but for scales and the roar
of empire. I, tyrannosaur,
so certain of my supremacy that I know
I never need to change. I, tyrannosaur,
look at you; it is the last time. there is
so much love in my eyes, it is
not in a language I ever
asked if you understand, and we
have fought about it in kitchens, quietly
or with raised voices that sound like
lava storming the streets, like
volcanoes kicking off like
comet colliding atoms
screaming, shrieking
then torn away from each other,
the sound of splitting artificial
as the idea of ending. I think
we would be so much more
kind if we remembered
there are endings.
I, tyrannosaur, look at you;
watch you go, watch comet crash
volcano howl like pressure cooker as I learn
to cook for one. On the wall, there is
an image of us; ash burned into wall.
you only weep for the ruin of something
when you know what came before.
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The streetlights climbed like vines around
the steelshod feet and spires of concrete dreams
as they reached for modernity. There was
little green here, anymore. Not even in
your hollow eyes, once hourglasses
of warm excitement, tides ebbing,
fraying for the freedom of moonlight,
for alarm clocks to crow reveille, whistles
to sound the end of day. Now, they
stream advertisements into you,
your dreams, the backs of your retinas
as you pine for sleep and beg for art
to free your trapped feet, stamped
feet; tattooed with sores from
steel cap saviours stopping
teslas running over your toes,
your supervisor falling asleep at the wheel,
impaling you with forklift stakes like
you are Dracula and not just held
in undeath by the rampant virus
of mortgage, rent, the need
to free yourself from shackles
called debt and made up
like your mind worming, working
on stories of monsters in the closet.
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shoplifting from american hegemony
The first time I am caught stealing
it is from an American Apparel, I pretend
I am on the way in, leave banned but
triumphant, possess now a shirt with an
eagle on it. There is a holiness to praying
for forgiveness, learning; to penitence.
There is a self-prescribed divinity to not,
to taking oil drum day dreams and making,
breaking home out of houses wherever
you want; autofictious arrogance, and I,
I feel like I'm saying a lot out loud,
and nobody's listening not even me.
There's blood in my mouth from the grind,
the beat, but it's better than biting my tongue,
cutting myself on my teeth.
I'm writing poetry on post it notes,
postcard scrawl, the receipt rolls of
sacrament halls, shopping docket
coupons buy one get one free,
buy ten have your soul back;
my spirit is burning at a stake inside of me
held there by hands I made myself
the fire starts inside of me, I watch
as it comes out, watch it touch these flimsy
yellow paper walls where Wilde wrote
Gothic and for a moment, I want
I want to watch it all burn, because
if the bar burns down, then maybe
the stories disappear, and I disappear;
I'm feeling homesick for a time I could say
I love you, to say I love you, to say
I am sorry for the space between us, now
for the times you put your hands on my chest
and burned them; my ribcage turned
boilerroom, smoking lounge caught fire
when I left the light on, let shame
watch our shadow figures fuck; for when
my inner child caught frying pan handle from
stove. We catch fire in the living room,
held up by hands inside of me. The smoke
exhales, we breathe deeply
of one another; start to drown. There,
we made a home on the sea floor,
but some people can only hold their breath
for so long before they need to scream,
ask for space; need to see
mountains carve up night sky, while I
dream of writing wills on the walls Atlantis,
the things I would show you there,
I write on yellow wallpaper, burn them up.
I don't write for other people anymore.
The last time I stole, I took a book
from a shop in a part of town
I can't afford. It was a copy of Howl,
I wrote in it, put it back. Don't believe
what they tell you, I tell the person after me.
This was never ours, this language,
you don't have to sound like they do.
Outside I am arrested, eating Subway
naked in the middle of the day.
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wait, no this isn't a shitpost
the other night, i asked for a prompt and some angel sent me a cool one that I'll post a poem to later (almost done, i promise)
but also and in the meantime and hi, i have been working SO MUCH lately and because some life that happened i had to do one more semester of uni (for this degree, there may be more and i resetve the right to complain about them)
but the thing is that writing keeps me sane, more, it makes me happy, and when i get in my own head i love some prompts
if you have prompts, i would love to write to them + please send them to me. hi, I would love that
xoxo ben reedle
PS: if you're interested, i wrote a book recently! you can buy a copy here: http://mybook.to/Cripple-Who-Is-Whole. dw, you can also read it for free on ao3 there: https://archiveofourown.org/works/39150735/chapters/97948608
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I watched Sleepers (1996)(it has Brad Pitt in it and I was surprised) recently, and I have many many thoughts about it, but particularly about the epilogue and one of the scenes in it. this is a poem about that (no spoilers, kind of).
tw: references to alcohol, implication of addiction
how long will the lawns last come the zombie
apocalypse?
these last vestiges of suburban undergrowth,
they, the hollow monuments of the working
class playing at fiefdom; at your curb is a moat and
that fence falling was an invasion, call out your
neighbour and bequeath to them the honour
of fixing it. none matters anymore, here
these tired leaves are hallowed stories
of bygone age; here, where child pulled
stick from sand and named themselves merlin,
there is rotting in the streets, bodies where
they fell; these dreamlike games of "what
would you do if?" come alive and indignant.
how long will the lawns last when no one remembers
to water them?
we, the refugee in our own streets; haunted
by tropes and dystopia. they, the fertilised soil come
alive and carnivorous; mycelium apologists cawing,
clawing at the empty husks of what we become.
gossamer skin, flesh prison; were we dust once?
stardust perhaps, angeldust lined up on god's
key and given breath, not inhaled. once, we
were god's children, now left in a hot car
we turned the air con off while dad was
in the store; we fight now to lick the saltwater
saline from each other's foreheads, ration
Sodom and Gomorrah's electrolytes,
we learn to pray again, I think sincerely.
no one comes, no one answers. a popeless place.
how long will the lawns last when the flood
takes the survivors?
it is hard to stay sober at christmas. there are
so many stories you want to forget. I have become
a garden I refuse to tend to, my eden fractured
or stagnated like still river water whining
beneath bloated bodies discontent
with the perpetually unfinished
bottle of gin left in hand and not
burning through holes in stomach,
worldview or self-esteem. we are all just
children holding on to branches as time tries
to sweep us, sleep us away. sandman's folly, we are
all sleepers now, dreamers now. we, the last gasps
of a world forgetting; smile with me, think of
lawns surviving, untended. imagine how
they grow. close your eyes, inside
of me there is grass blooming,
stretching endlessly. when
the time comes, tides come, remember
how i smiled, watered lawn when i could not
feed myself.
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Like Minded
@midnightxmasquerade made me watch Like Minds, and asked me to write a response poem. This was the result.
Heavens falling; a necessary evil
bleeding memories like heresy like
loving you more than God.
Pull me apart like some living autopsy,
some dissection; cup my heart in your hands
let it beat for you, let it know;
"I see you," I want you to whisper to it,
as I scream hung from fish-hooks
and barbed wire from
the ceiling and the Fates.
Perform me for these old crones and
their laughter;
let me be a story blood-flecked on
your nails, an apology no one asked for,
a memory.
Love is made of heartbeats, I think,
or measured in them; by time, by pumps
perhaps, or
the sheer volume of blood
we breathe. Perhaps love is all of them,
perhaps as we love, make love
or fall, our heartbeats echo
echo against one another like Doppler
riding someone in an elevator;
the closer we come to the edge,
the further we are from understanding.
Perhaps falling is all that matters,
we speak of orbit, talk
to children about globes or mobiles,
but really the planet is falling,
falling perfectly,
screaming across the horizon so
it is never lost, always
kept just close enough to Helios that
the sun can catch us, if
Ra wants to.
Love is the same, I think,
it is falling, falling and screaming letting
our echoes hang in the void
as poetry, scrawled
across blogs and tumblr and twitter,
the most deviant of art
written in Plato's cave and abandoned.
Perhaps that is why God abandoned
us; He ran away with some floozy,
or perhaps he started writing poetry
over poetry over the echoes
of poetry, perhaps
He was screaming and poetry
couldn't catch Him, so He fell. Perhaps
Lucifer is less an idea than
an after photo. Imagine before and
after photos of love; the exuberance, the hope.
The betrayal,
not by a lover, necessarily,
but by your idea of love, your expectations.
Hope is a fickle bitch, tricking you
into living just so you can die.
Death is just an echo; it can only come
to the living like
echoes only come to the living sounds,
so strange that we are become
echoes of one another;
like we are two minds speaking, or
listening to voices speak from
the flames, the fire
alone with us in the cave, and we are warm.
There are few things more Faustian
than falling in love,
the heliocentric
making someone the centre
of your universe,
in exchange for being happy,
for a little while. The story is always
the same; eventually
one of us falls too far. One of us
suddenly free of gravity,
of orbit; of love,
becoming then only a voice.
I have loved many voices, but yours
now, the only sound I care
ringing, echoing
echoing like I am trying to scream
your voice; like
I am trying to speak it,
only I am falling from the edge of
an earth, held
back by fish-hooks, barbed wire,
humanity. The Fates cackle; place
my heavy heart
on the scales of Anubis, but
before you do, please whisper
"I see you, I know you;
I loved you, too."
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After the war, she didn't sing anymore.
How do you even ask about that?
It's not bad, just missing; less
pain than the absence of
feeling, of emotion.
She used to sing,
dancing between bookshelves
alive and in love with words,
with learning; with giving
a shit. She was quiet
now like she had kissed
a ghost in a black cape and
it had sucked the soul out of her,
like it had put its hands on hers like
she was playing the keys and
it stilled her hands, or like
she had buried her
music with all
the great loves she
had buried in open graves,
like she'd left white tulips and music there.
It was a Sunday morning in the library
when he heard her find it again;
candles burning like incense
and prayer, and maybe,
maybe it was God
that spoke to her, and
asked her to sing, or maybe
it was the ghosts that she'd left
her love of music for, or
maybe it was the
poetry in a book by some old bard, but
He stood there for a long moment,
a long time or maybe none at all like
an ethereal moment holding
hands with time or
a loved one
like all the atoms
in his soul shook at once,
like an electrical wave surged
with emotion, and for
the first time
pressed a special
kind of serotonin into his palm,
or like he'd been drowning
in a sorrow that only love
can give you, and
for the first time in
a long time they broke
the surface and breathed again;
He swept her up in his arms and held her,
held her like she was a moment, or
this was; held her like she was
a flame and he had lived
for years alone in
the dark, he held her
like he had loved her all these years,
because he had.
Don't stop he murmured to her,
don't stop.
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Moonfall
I don't know if it is possible to love someone badly,
that is not to say I haven't.
Just at what point does it become
something else, misconstrued or reneged upon
like you and I are dancing in one
of our last good moments,
fond memories, the
kind you will think about
when I am gone like
when I tell you
I love you, or
when we would lay
next to each other, and
it would feel warm, or
that's how you would describe it,
your body pressed against mine,
we are dancing to the pilot light, later
you will gaslight yourself
into remembering we as still warm.
I don't know if it is possible to love someone badly,
that is not to say I haven't.
Just at what point does it become
something else; when is it possession,
burnout, when does it cease being
love, become a refusal to let go?
When is it staying together for
the mortgage, the kids,
when is it you're there
but you don’t sing
anymore, so
I know you can't be happy.
I don't know if it is possible to love someone badly,
that is not to say I haven't.
Imagine being the first cosmonaut
coming home from space,
knowing there is no one
who will ever understand what you saw;
I have been tired for a long time now,
tired of writing, of poetry;
tired of conversation
starting, finishing
the flirtation of
whether my name
matters to your lips as long
as they are full of something;
I, a marionette mouthpiece dancing
to fill my wooden cheeks with
a slice of someone else's pie,
I, a jettisoned joke spiralling into outer space
hoping to be found by aliens that speak
my love language;
We all know I am too busy to learn theirs.
It is a radical act to refuse to harden your heart
to the way things are,
Kiss me,
while ET watches, waiting for the moon to
crash into us like
We are the gravity of the old gods trying
to build a universe to equilibrium,
throwing tantrums over
whether to make life out of
carbon or silicon, whether the first peoples
are gold, silver or bronze;
Write your stories across my lips in technicolour;
stop only when you are finished, I have
the time, or this time I will make it.
This time, this judgement day;
the trumpets sound out how I have thought
of my hands speaking braille
to your goosebumps every night since
I last loved you. This time, your lips fade into
mine, we blur; less conflation than
the removal of distinction,
your thoughts louder when they can just
walk in, be heard.
This time, you the trumpets singing
love means let your walls down little Jericho,
you have been a coward too long.
We look up at the same stars as the ancient
Mesopotamians, and I wonder would any
tell me I love wrong?
Do I love badly? Or am I something else?
The dream ends, a dawn breaks; visions of
you, the last star in the sky linger while I
mourn the edge of sleep.
Above, the stars echo nothingness, and I
remain behind, alone.
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I feel like a forehead kiss would solve like
95% of your current problems, like
it would clear your head; your
heart of careless remarks,
of intrusive thoughts,
of overthinking.
Love can feel like a brittle leaf,
falling apart beneath the whispers
of the wind, or careless remarks
that march like iron boots to
crush love underfoot, or
if not love then,
infatuation; or love can feel
like the last lights of autumn that you
are trying to catch like it is the hand of
someone you are losing, like
the last smile of a ghost
you are saying
goodbye to, or
not goodbye, but
we will meet again, just not like this.
I do not know if I have ever been in love.
A mistake repeated more than once is
a decision.
The last lights of autumn remind me
of you.
I wrote someone a poem about autumn,
once.
The poem didn't work because I didn't
believe in it.
I didn't believe in them, or in saying
goodbye, or I love you.
Those words would have been lies,
the poem was punctuation.
It was simply a necessary ending.
I do not know if they remember.
I never wrote you any poems. I didn't
know if you would want me to, and
that's because I didn't ask, or try;
I -
I just remember smiling at you, and
some nights as the light fades
earlier and earlier, and my shadow
sighs wearier and wearier,
I think about you and all these words
I might have said, and
whether I would have been weird if
I tried to ask you out like
Would I start speaking Old English like
"Pray thee madam, are you
Free this evening? I'd like to drive my automobile
by to pick you up at seven," or
Would I offer you some cheesy pick up line
like ma'am, I hope you ride a bicycle
to work because you're already contributing
so much to global warming.
You know. Because you're hot.
Or would I have been myself?
Would I have said hello, and
smiled at you, and
Would you have smiled at me, said
"hello,"
And could we have been in love?
A mistake repeated more than once
becomes a decision.
I have wanted to write you a poem
for years, and
Some nights we'll talk, and your voice
will breath sunlight through
my cracked phone and you will sound
like the spring, or
coming home; like the world is tired
of Hades, and is coming
back to the summer sun, a springtime
baptism of the world in
warm rain, and greenery; in new love
and forgetting -
Forgetting pain, or yesterdays, or
the cold of long nights when
someone has let you feel alone.
My ethereal, you asked me the other night
if I was asking you on a date.
A mistake repeated more than once is
a decision.
I wonder if the winter of the world
will be a decision, or whether
it will feel as natural as closing my
eyes after a long day,
a day where I have worn steel-capped
boots and sold myself
to work for corporations that never
gave me a name tag because
I was always nothing to them. I wonder,
will someone press buttons, and
will snow and ash fall upon us, will it
sting like acid rain, and
will I cry for the end of the world or for
not knowing if I have ever been
in love?
A mistake repeated more than once
becomes a decision.
By the last lights of autumn you asked me
if I was asking you on a date.
I smiled at you, and somewhere
you smiled at me.
I started with hello.
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Of course I remembered is a love language,
and every mirror you ever buy comes pre-used.
You shouldn't have to audition for
someone to be in love with you.
I fell in love once when someone put
their combat boots up on the dash of the car
I lived out of more than
anywhere else.
We see ourselves reflected in other people,
She, director of some magazine,
I, a stray dog trying to read what
someone wrote on my collar when I was a kid,
trying to learn what that meant
for me now. They,
a Joan Didion reincarnation writing
stories to lay bare truth;
We, young and stupid;
We, trying to reinvent counter-culture
for ourselves, blissfully
ignorant of history, our history.
Privilege looks like never needing to ask
how we got here, never asking
through tears, chains; bruises bleeding
questions like how did this happen,
how is this fair;
why is this the way things are?
Privilege is not needing them to change; is
joining the revolution because
of your daddy issues, and
being able to walk away when you're tired.
Even in rebellion, your privilege
is a story. All we are is a collection of stories.
Just because you can change the next
doesn't mean the last one wasn't
written or real. Look in the mirror.
The lines under your eyes speak to that,
to poetry written about how
you cried to Fast Car and Wildest Dreams;
you never showed anyone the words
you wrote in a notesapp, but
that doesn't mean that they weren't real,
that how you felt wasn't valid,
that doesn't mean that
the story from your POV isn't important.
Even when it feels like no one listens;
speak your truth.
Of course I remembered is a love language.
I fell I love with a ghost from Alabama,
I didn't know what that meant at the time,
just that they smiled and talked
about God like God was someone
they went to school with, the year above
maybe, or
you brought God with you like a teddy bear,
a stuffed toy that you ascribe stories,
personality to;
I wondered what your God
would think of me; the prodigal son
that never came back.
It has been a long time since
I have been able to meet my eyes
in the mirror.
I wrote someone a book of poetry,
once. It wasn't what they wanted. I can't
remember what they did,
whether it was a ring, a romance;
for me to become someone else, or
the person they saw in me.
I remember making out beneath
the mistletoe. I remember leaving -
Every mirror you buy comes pre-used.
Forgiveness is the same; every time you say sorry,
every time someone says "I believe you,"
it is a fresh treasure, held
and thrown away by anyone offered it.
I wonder if God's eyes look like one-way glass,
He, seeing all things,
We, seeing only reflections of ourselves.
Look in the mirror; You, a reflection of God
writing symphonies under your eyes,
beneath your tongue
when you click it in distaste, disgust,
when you mock someone you love
forgetting where they left keys,
a cup out, or
how much you love them; They, coming
home the prodigal child of God,
to be in love with You. We make God
in our own image as much as He
sees Himself in you, You;
made of love,
a limitless resource sustainable only
when you are held like
you are treasured enough that They,
Prodigal Child look you in the eye,
say "I am sorry."
You, God of Small Things; things like
apologies, second chances,
love -
You, God of Small Things; the only
ones that matter. They, seeing
a reflection in your eyes;
You, seeing them as they see themselves.
You, see them through your eyes;
You, never should you have been asked
to audition for the love you deserve,
You, never should have needed to ask
for the love you deserve,
You, the smiling face of
"of course I remembered," but
not just on Christmas, on
a dinner quiet enough to barely be a date
when They, smiling; a reflection
order a glass of wine you'll like, or
one Thursday, You, forgetting book club,
They make treats, deliver to you at work; You,
You, deserve to be smiling, shining like
You are Christmas, or They,
A wise man or shepherd finally seeing
You, a prayer answered, a love
reflected from the eyes of God back
to the world as You. You, my beloved; You
shouldn't have to audition for someone
to be in love with you. I already am.
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It only takes a drop of rain to break a drought,
and why is my mailbox always full of bills and
not love letters?
I had an artist residency once
in a decaying old building that tasted like
Gothic decadence gone insane
dripping with hallowed
stories like vampire
kisses whispering
down the walls
with a soft,
alluring
kind of madness.
I would write late at night
kept company by little doves,
the smell of paint I left
on a wall in a fit
of artistic
pique or exasperation.
The only sounds were the soft call
of lonely rain, the echo of
clickety clack train track
carrying pendulum
people to and fro
unhappily swaying side
to side awake to asleep to
awake to sleep until it all
blurred into microdosing Mondays
suits worn out to the races
Tuesdays burn your
paycheck on the
pokies but don't burn
it all down because
where are we
all going to live
if we set fire to the doghouse?
It only takes a drop of rain to break a drought.
The most perfect kind of intimacy is
the kind I have with someone who
only knows me from the ink
etchings left inside a book
of poetry I have left in
Elizabeth's. There
will be no pricetag,
it will not appear in stocktake,
no, my footprints and their shadows
will be the only evidence in
the wood floors of
quiet underfoot as I,
the reverse thief,
leave you
the last breath
of poetry, that one gasp
you need to wake up from
resuscitation to retaliation against
a kind of living that is always
trying to kill you, I will not
be there, I never am.
Catch my answering machine,
if you can. Like a fridge,
it is always running,
always hopping
never stopping
all ways out of breath.
I will be in the north, somewhere letting
time and red dirt trickle through
my fingers like I am holding
the drought in my hands
waiting for it to
look beautiful, I think
rich old white women might
bottle it to take home to
pristine porcelain
tile floors, marble
archways to say look,
look here, isn't it dirty, and
doesn't that make it beautiful?
You can commodity anything if you try
hard enough.
Look at me selling my skin and stories
for just one more bite of pie;
It only takes a drop of rain to break a drought.
I am dripping sweat and adrenaline,
at this point in the poem my hands are
wet and dripping, my lips dry and
nervous and I am only here
because someone made
rain yesteryear.
I have been looking for it,
dipping my fingers through dirt
and time, and maybe I
was looking for you,
but that wasn't what I found.
Why is my mailbox always full of bills and
not love letters? It is because
I never asked for them.
All the best conversations start with
hello.
The best books of poetry are slim, skinny;
not like those instagram girls that
bully and butcher your self
esteem like they are
ghosts haunting
the tired walls of
an old hospital folks
let me heal myself with poetry in.
The best books may not have an isbn,
no barcodes masquerading as
Rorschach tests, maybe
these books are
little windows into
the soul, and some will howl
their anger; shriek sadness
speak pain and betrayal.
Some will be love
letters, and
maybe they won't
arrive straight away
to your letterbox, or fall
magically down your chimney, but
Say hello.
It only takes a drop of rain to break a drought.
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We write our names like poetry into
the sidewalk; the wet concrete congealing
behind the grooves of our fingers,
fingerprints like suburban sonnets staying
behind. This is a good foundation.
This is sacred. Sacred, adjective
referring to that, which is, set apart for
special purpose, or chosen by
higher power, picked;
named, spoken aloud of by angels.
That is to say you, my angel,
make this sacred. You
kiss me, your tongue of angels
fills me with fervour, our hands stained
with suburban sonnets, with
concrete interlock, hold,
stay there for a short forever I would never
rush, waste; forget. You, smiling
golden like your cheeks are blush
with the reflection of fire
dancing, prancing
refracted from a burning bush, bronze bull;
when you hole my hand, I feel holy;
baptise me in wanting you.
Hold me.
When Midas touched his lips to wine,
I wonder if he kissed gold-flecks
into his wife's cheek; after,
when he died hungry and alone,
was that what he was thinking about?
When I die, were I to die then be
turned away at St Peter's gates, that is to say
upon arrival at the pearly whites of
God's gnashing teeth, my
rejection, dejection; let me return to haunt
this spot where I am happy. Let my ghost
stand where we have stood, let it
trace fingers where we wrote our names,
built a temple to love or to one another
or both the same, let me
wait for you here, my Midas-touch,
my angel.
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Not Mad, Just Disappointed
After the 2021 Met Gala
There's something deeply dystopian
about the met gala surviving
some eighteen months
into the apocalypse.
The rich eat
maskless like only money can afford to;
forget diamonds, the truest expression of
wealth in the modern age is
being able to buy
carelessness.
Perhaps the world is burning, but
I can watch my favourites from
stage and screen dance to
the sound of violins, and
Nero's laughter.
Here, a presidential hopeful wears
a gown dripping the words
"tax the rich." It costs
more than my
entire life.
There, a xillionaire white feminist
wears a silk shirt that reads
"Peg the Patriarchy,"
I cannot help
but wonder what else
that money might have achieved.
Performative activism is
an expensive hobby;
imagine paying
ten girls’ college debt instead.
The populist left and right agree
that what's wrong with
liberal democracy
is that it became
illiberal; oligarchical.
A hundred lives go out each day
in England. The crowd is
full of British designers
unfettered by
border control, or
at least able to oil the economy
so the crematoriums can
stay afloat on this
River Styx,
perhaps the bodies fuel
the engine; if this is what replaces
coal, I do not want it.
I have not read
the treasury reports
about how many dollars
each life is worth GDP.
I am tired of writing apocalypse
poems, but it is better than
getting sick, I guess;
someone needs to remember.
We are all our father’s children;
having made a world that we
damned and doomed,
now hoping
the lives of children
will be worth it's redemption.
We are hurtling towards oblivion
content with blood,
content with circus.
I still watch it;
not mad at myself, just disappointed.
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