what really gets me about "you brought history's greatest pirate to ruin" is that stede didnt. he didnt do anything to blackbeard. he was only ever in the company of ed. and he gave ed so many outs. never once pushed anything on him he didnt want to do. from the very first "do you fancy a fine fabric?" "can you keep a secret?" to the agreement to teach each other after the lighthouse plan to "co-captain?" "co-captain?" to "you'd save me a seat, wouldnt you?" to "you dont have to do this" to "and what makes ed happy?" stede always puts the option in ed's hands. he never, not once, presumes what ed wants. he is kind, and open, and courteous. and yet he continues to blame himself, to feel such great shame for wanting, even when the other party wants it too.
during the whole beach scene, ed is making the decisions. he's doing what he wants to do, what makes him happy. he asks if stede wants to come with him, if he agrees to the plan. there is no forcefulness in anything that they do with each other ever. the idea that stede has done anything to ed is ridiculous; if ed, if blackbeard was against anything stede did he would fucking know about it.
but the fact that badminton got so under stede's skin that he couldn't see that. he couldnt possibly understand that ed would choose to be with him, choose to go along with what he suggested, because god knows no one else in his life has ever trusted stede's judgement or been kind or gone along with him willingly. so of course he assumes he must have manipulated ed in some way. he must have been ruining him, seeping into the cracks and becoming an awful puppet master, ed could never want to be with him, of course it's his fault. you know!!!!
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Ok but since I can’t sleep… on to FELIX in this finale and his MOTIVES because YALL
Like first of all THIS SCENE!!!!!
The sentimonsters being humanized with their confusion and cute little grunts at being contained. The sad music on something that should’ve been triumphant. Felix refusing to participate. How DEVASTATED he looks. The APOLOGY.
This is where he decided he can’t side with ladybug. Even while both he and her are against Gabriel. Seeing the way she, in his eyes, completely disregards sentimonsters… he’s SCARED you guys. And honestly…. FOR GOOD REASON!!!!!
He’s literally 14 dude. He’s a kid. A smart bad ass kid who’s a little shit and owns spy gear, but a kid nothenless. And he can literally be snapped out of existence at any moment and knows he’s seen as less than human. He knows it’s dangerous to side with anyone that may think of him that way. Of course he’d only want to work for himself. Especially after seeing this.
And then THIS! LINE!
um… WHAT???
So does the peacock miraculous override the power of the ring? But then if so, what of the episode Ladybug? I mean Nathalie couldn’t control sentibug anymore now that she had the object with her amok in it. Does Felix intend to move his amok? Or does he not care bc he has his brain and body to control himself and maybe Gabriel just can’t use the ring to control Felix without the miraculous… ah my BRAIN HURTS. PLEASE EXPLAIN THIS LORE MIRACULOUS.
Some people voiced being left unsatisfied with the supposed lack of follow up on sentimonster lore this episode but I think it was literally the MAIN thing driving the plot. And it was done… so well and subtly. I’m sobbing.
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A little annoyed every time someone compares Dazai's relationship with Oda vs his relationship with Chuuya in a "wow which one is more important??" kind of way. THEY'RE BOTH IMPORTANT. Like, these two people respresent things so fundamentally different to Dazai that it's impossible to compare them, really. Oda, for Dazai, is and was a way out, a person he turned to that could help him find meaning in his life, which is why he asks Oda to decide his purpose for him in the end. Oda is a man who refuses to kill and adopts orphans, someone who found meaning in his life despite the death and destruction that surrounds him, someone who, up until that point, was content with his existence. Meanwhile, Dazai sees in Chuuya what he sees in himself, and he's furious because he can't understand how Chuuya finds meaning in his own existence despite everything. He's jealous of that ability. And at the same time, he wants to protect it ("I want Chuuya to suffer as a human being"). Chuuya's existence is always a battle with himself, while Oda's was acceptance, and to Dazai, acceptance is what he wants for himself, for his future. He doesn't want to battle his own lack of meaning, he hates pain and he sees it as an extension of that.
At the same time, it was meeting Chuuya that gave him the desire to keep living, and meeting Oda that made him accept who he is. They're both equally important, it's just that with one, Dazai can be emotionally vunerable, and with the other, he can't imagine it, even after he joins the ADA. Being vunerable with Chuuya means accepting that part of himself that wants to fight, to keep going despite knowing it's pointless in the grand scheme of things.
Thanks for coming to my TED talk.
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Scusi, totally random rant coming up.
It's weird how in many fics Crowley is shown to be habitually rude to random people, snarling at them and stuff (and in extension how Aziraphale is often exaggeratedly kind to everyone). That's demon/angel stereotyping. Both of them display the full range of politeness and lack thereof on screen, depending on very human things like mood and stress levels.
Like, Crowley's instinctive mode of interacting with random strangers is to be polite. He's seen waving thanks at the cars letting them cross the street in Soho. (Aziraphale just walks into the road with all the faith of an angel and assumes no one will run him over lol.) He's very friendly and polite with R.P. Tyler when he asks for the way to the airbase, and at that time his car is on fucking fire and he's heading for the End of the World. But he's polite, all excuse me and thank you and much obliged, yes.
If we want to count this, and I do, he's also very friendly and open with Aziraphale in the first scenes through history, where they are just getting to know each other and are technically a) strangers and b) hereditary enemies first. Both Aziraphale and Crowley looked at each other on that wall and decided the other is friend shaped and they're gonna be nice to each other.
Crowley is neutral levels of polite with the people he does business with, like Shadwell and the people he meets in the pub to plan the Holy Water heist. He isn't even particularly rude to the Nazis in the church.
Who is Crowley rude to? The paintball guy he scares into a faint at the convent. Like, yeah, that's not polite at all, but, the guy shot him, and yes, it was paintballs, but those things smart something fierce, and Crowley's super stressed out by the whole missing Antichrist trouble. Crowley would easily be able to do much much worse than the demonic equivalent of a jump scare.
Sister Mary doesn't get polite treatment from Crowley, he snaps her into a trance (which, again, might be one of the least terrifying options in a demon's repertoire). He's rude to pedestrians being on the road. Occasionally to Aziraphale. Potentially to Anathema. The accident is kinda both their fault for not looking where they're going, and yes, calling her "book girl" instead of her name isn't super nice, but Crowley isn't nice they weren't introduced properly, were they? He's kinda rude to the fire fighters who inquire whether he's the owner of the burning bookshop, but, yeah, well, you'd yell at them, too, wouldn't you, if they're standing between you and your best friend's burning house?
This is already too long for a random kinda pointless rant, but, just in short, it's kinda the same for Aziraphale? He's friendly to some people, like the sushi chef, rude to others (customers, occasionally Crowley, and that's intimacy, guys, being able to let go with each other and knowing they'll be forgiven). They got range, both of them. They're very human. They aren't always grumpy or always a cinnamon roll. Like for everyone, they get good moods and bad moments where they're snappish. Because they're like humans, and that's what makes them so lovable, isn't it?
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