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artsekey · 5 months

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Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”). She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too! Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

#wish #disney #review #magnifico

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cheapshrimpysheep · 5 months

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You Will Stop the Wedding! - Leona Kingscholar

SUMMARY: YOU were the one being kidnapped by Princess Eliza to marry her. How would he react and how would he save you? With the aggravation of he already having a crush on you.

CHARACTERS: Leona Kingscholar x Reader

TAGS: Fluff; GN Reader; Declaration

WORD COUNT: 870 words

Riddle Rosehearts / Leona Kingscholar / Azul Ashengrotto / Jamil Viper / Vil Schoenheit / Idia Shroud / Malleus Draconia

Rescuing You - Deuce Spade; Jack Howl; Floyd Leech; Kalim Al-Asim

COMMENTS: What have I done? Why did I commit to writing this? And why did I write so much? Why was I so inspired? There were seven of them! Why do I do this to myself? So yeah, this took me a long time. But I hope it was worth it, for me and for you.

CONTEXT: Someone was kidnapped to marry some ghost princess and might end up turning into a ghost too. And he just found out that someone was you.

Leona couldn't care less about someone being kidnapped by a delusional princess, until he finds out that the student who was kidnapped was YOU.

He is shown to be more interested in the subject after that, which makes the other Housewardens question and some even messing with him. Probably Vil and Azul. He tells them to shut up.

He ends up not being part of the first groups, being in the last. Why? Because this is important, it is your life that is at risk after all. So he first needs to analyse those ghosts to know the best way to act. If it is necessary to risk losing pieces, then let them be pawns.

The whole time he acts like he's not doing this for you. As if he just wanted to prove that he could solve this in an instant. When it's the last group's turn, the other three who are with them end up staying behind to stall the guards. And he is the only one who can reach the ceremony hall.

And he follows the plan. He says to stop the wedding and the reason why the princess should marry him and not you is: “Unlike everyone who tried to woo you and unlike the person standing with you at the altar right now, I am actually royalty. Weren't you looking for a prince? Well, you have one right here. Now you just need to exchange that herbivore you have with you for me.”

The princess said he had good arguments, but she also showed that she didn't really like Leona's presumption.

“I apologize. I'm just trying to show you that I would be the more suited partner for you. The person you chose to be your partner doesn't even want to be there with you. Doesn't even like you.”

She gasps! And she starts to defend herself saying that it's a lie, that there is love for her in you, you just needed a little more time.

“Sorry to be the one to break the bad news to you, Your Highness, but that's not how it works. It is not after marriage that love arises. It is not with money and wealth that love arises. At least not true love. You should find someone who sees beyond that. May they see you for who you are and not for what you have. Someone who doesn't care about titles. And only then, maybe marry them. Knowing that with or without your kingdom, they will stay by your side.”

The princess admits that what he says makes sense and is wonderful. But wouldn't something like that take a long time? Someone who can prove that they would stay with you no matter what. How would she know when she found them? And then, the guard who is in love with her decides to declare himself. And that whole ending of the princess realizing that she loved him too happens, they get married and happily ever after.

After everything, he took the time to brag to the others about having solved the problem and saved them all and the school. Some of the others still comment that that speech was very interesting. Maybe true? But with all his pride, he continues to say that just goes to show what a good actor he can be. He just doesn't get Vil's roles because he's not interested. “You would wish.” Vil replies.

When everyone was leaving and only the first-years were left to clean everything, Leona calls you for a minute. “So the ring ended up not being needed in the end. Tsk.” he comments “Here, you can have it.” He throws the ring towards you like throwing a coin in the air. “You never know if there are more single ghosts out there looking for a herbivore partner. Ha ha ha.”

He likes to mess with you, so you mess with him back. You say you wonder if the ghosts are the only ones who would like to have you as their partner.

“Are you implying that I'm also interested in you?” He smirks. In response, you ask why he would go to so much trouble to save someone he doesn't care about. “Did I ever say I didn't care about you?” He says, still smirking, but then adds: “Before I really know you don't count.”

Slightly fed up with all these mixed signals, you tell him that if he wants to tell you something now would be the time. Especially because if he just continues with those comments, you will simply accept the excuses he gives and understand that he really doesn't like you that way.

“Are you going to tell me that you don't like it when I'm hard to put up with?” he keeps saying with his smug face.

You turn to drop the conversation and walk away. After about three steps, he grabs your hand, stopping you and then pulling you towards him. His other hand on your waist.

“Fine, fine. What if I told you that whole speech was about you?” Maybe if he repeats it, looking into your eyes, you'll believe it. “Unfortunately for you, Savanaclaw is a dorm of actions, not words.” And he kisses your lips.

If you would like to read more from me, you can find it in my pinned post: INDEX

#Twisted Wonderland #twst #twisted wonderland x reader #twst x reader #disney twisted wonderland #twst imagines #twst wonderland #twst fluff #Twisted Wonderland Fluff #Ghost Marriage #The Phantom Bride: Love at First Fright #Leona Kingscholar #Leona Kingscholar x Reader #Leona x Reader

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ineffable-romantics · 9 months

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Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

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Bonus feature: the very silly notes I made to myself that inspired this post

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alotofpockets · 2 months

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Confidence | 18+ MDNI

Pairing: Reneé Rapp x Reader

Summary: Reneé asks you to come to her first day off shooting Mean Girls to give her the confidence she needs to play Regina George. (based on this scene)

Warnings: 18+ MDNI, smut

Reneé Rapp Masterlist | Words: 1.2k

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Reneé usually didn’t have a problem with showing off her body, she was proud of the way she looked, and often showed the world her confident side. She wore revealing outfits all the time, and never really gave a care in the world what others thought about her appearance. However, as the first day of shooting Mean Girls came closer, she started getting more and more nervous about portraying this confident character in front of the cameras.

Of course, Reneé had played Regina before, and knew the character well, but in front of the cameras it was different. On stage she got into character and played the part in front of a lot of people, but they were all sitting at a distance, and observed not only her but also the rest of the set around her. On set the cameras and the crew would be focussed on her playing the character the way they had envisioned her, of course they did the same for the other actors there, but the scene she was most worried about was Regina’s opening scene.

It didn’t take much convincing on your girlfriend’s end to get you to join her on set for the first day of shooting. You loved supporting her in person whenever you were able to. Supporting her didn’t just mean her music and her acting, you supported her in every aspect of life, and she did the same for you, that is why your relationship worked so well.

While it was an early call, Reneé still took some time to show you around the set. You hadn’t been to the Mean Girls set yet, and were looking at everything full of amusement. When you were younger, you had watched the original, and you always loved the movie, so seeing the set of the remake made you feel very nostalgic.

You sat to the side as Reneé was getting ready in the hair and make-up trailer, talking with her costars and the hair and make-up team. It was nice getting to know the girls she’d be working with for the next couple of months.

Before you headed to the set they’d be shooting at this morning, you took Reneé to the side. “I just wanted to say that you are amazing, and you look incredible. You are going to crush this scene, and every scene after. You are the perfect Regina George, and I cannot wait to see the lines we rehearsed together come to life. I love you, baby. Have fun out there, and I will be right behind the crew supporting you.” Reneé pecked your lips, “You’re the best, but shush now or you’re going to make me cry.” You both laugh, and head into the hall the scene would be shot in.

They were shooting the scene where Cady met Regina for the first time to the song ‘Meet the Plastics’. It included a close up shot of Reneé signing the song, while the camera slowly panned out, revealing more of her. It took a few takes to get the close up right, but when the crew was happy with the results, they moved on to the part that Reneé was most nervous about. It was a shot where she would sensually open her leather jacket and show off her boobs.

The first few takes were cut, “Reneé can you give us a try with some more confidence please?” The director asked and she nodded in response. Reneé looked up to you for some reassurance, and found you clenching your thighs together. You hid it well, no one else around you would notice, but Reneé knew. That familiar look in your eyes, and the subtle movements, she knew all too well. That sight alone gave her the confidence she needed to act the scene exactly how the directors had in mind.

Once the scene was done, and Reneé had quickly said bye to her co-workers she walked up to you, “I knew having you here would do the trick. Wanna head back to my trailer?” Reneé wouldn’t be in the next couple of scenes they were shooting, so she had some free time. She knew just the way she wanted to spend that free time.

After entering the trailer door behind you, Reneé pressed you up against it. Your breath hitched at the sudden movement, but a smirk started playing on your lips once you saw the look in your girlfriend’s eyes. “I told you you looked incredible.” You tease, letting your hand drag over her chest. When your hands found the zipper, you undid it the rest of the way, and took off the jacket. Your hands moved up her arms slowly until they reached the nap of her neck. “You are so beautiful, baby.” You tell her before she crashes her lips onto yours.

The kiss was instantly heated, you were very turned on from watching the scene Reneé acted in, so every small touch of your girlfriend letting her hands explore your body sent electricity throughout your body. Her lips made their way down your neck, kissing, sucking, and licking the spots you knew were going to have small bruises later. Your soft moans filled the trailer.

Reneé pulled you towards the bed in the back of the trailer. Only breaking the kiss, once you made it to the bed, so she could take off your shirt, and your bra. “So pretty.” She said before taking one of your nipples into her mouth, and swirling her tongue around the hardened bud. With one of your hands behind her back to pull her closer, and the other massaging her breasts, you fell back onto the bed.

It didn’t take long for both of your clothes to be thrown onto the ground, and your moans filled the trailer once more, as Reneé drags her finger through your folds. “Fuck, you’re so wet baby.” Between moans you manage to say, “I told you, you looked incredible.” Reneé chuckled, “Once again proving that you are a boob girl.” Her comment made you laugh, but it got caught short as she entered one of her fingers into you, and started fucking you at a fast pace right away.

Your moans start to get so loud that you’re afraid that someone will hear you, so you pull Reneé closer and crash your lips together to muffle the noises. You felt yourself nearing your high fast, as she entered a second finger, and used her thumb to run circles around your clit. “Baby, I-” Reneé’s darkened eyes meet yours, “Fuck, I’m close.” Reneé fastens her pace even more, loving the way she can feel you tighten around her fingers. “Come for me, baby.” Her sultry voice brings you over the edge. You moan her name loudly, no longer being able to control yourself as she fucks you through your orgasm.

You let your head fall back onto the bed, while you come down from your high with a heaving chest. Reneé cleans off her fingers on the sheets, before she places soft kisses all over your face. “You did so great, baby. I should take you to set with me more often.” She says smiling down at you, admiring the way your sensitive body reacts to her soft touches.

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#renee rapp #renee rapp x reader #renee rapp x you #renee rapp x y/n #reneé rapp x reader #renee rapp smut #mean girls #mean girls 2024 #mean girls movie #regina george #mean girls x reader #regina george x reader

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sukunasweetheart · 6 months

Text

actor!sukuna!!!

warnings; fem reader, jjk manga spoilers, a bit of both submissive and dominant sukuna, and also sukuna who loves his domineering wife a little too much, smut and fluff at the end, breeding, choking, use of collar and leash (on sukuna), rough sex, lots of teasing and provoking

i really really adore the trope where actors who play utterly vile, evil villain roles all the time simply bc of their intimidating appearance but their real personality is rather sweet and gentle, and i desperately want to apply this to sukuna. they would've probably needed to cast a whole different man for his trueform, which is what inspired this idea <3<3

actor!sukuna is oh so very notorious for his antagonistic roles, always always being the charismatic, devilish character in any film, tv series or dramas he's casted in, the ones that always somehow has the upper hand, who never shows care for anyone else, who always seems to have control over everything in all situations he's put into...

and the recent hit series 'jujutsu kaisen' is exactly the same. with him being the king of curses, having those extra cgi arms and tummy mouth and having to spend hours before shooting simply doing the makeup for the distorted side of his face. not to mention all those tattoos!

actor!sukuna, who loves his job, but sometimes gets exhausted by the kinds of roles he has to play. he's gotten so used to it, his normal facial expressions and mannerisms also may have changed a little because at times he gets himself too immersed into his character

and you might say fiction doesnt cross over to real life at the best of times, but for sukuna, it might not be the case... he's noticed over the years that people around him do truly get scared or intimidated by him. and like any celebrity, he has his own fair share of haters.

with his character's newest victim being the fans' beloved gojo satoru, it only aggravated them-- and he knew from the moment he read the script that he was going to get flamed for it. he's used to this but because of jjk's intense popularity, he actually gets a little concerned this time around...

thankfully, thankfully! he has a wife he can run home to and seek comfort from, and fully let go of this fictional persona of his.

actor!sukuna, who is often burdened with the unconscious expectations from others, to have his intimidating aura and always have control over situations (maybe sometimes people)...

but he is able to put all of this down in front of you and just lay in your lap in front of the tv as you play with his pink curls.

oh, he's so grateful for his wife, who fulfills his hidden desires... his wife, who didn't see him only by his villainous roles, but also took notice of his gentler side and decided to grab hold onto that part of him with an iron grip instead.

actor!sukuna may be a man well over two metres tall, with a resting bitch face and a deep, velvety voice perfect for being a natural dominant and aggressive lover-- which, sometimes he is of course, when the situation calls for it (whenever you feel like you want to be dominated) - but in actuality, he aches to be controlled for the most part, rather than the one controlling...

when he told you about his worries of his real life reputation, of how people on set seem to avoid him subtly, and get a bit over-polite with him, you sent a handful of extravagant food and drink trucks over to the shooting set in sukuna's name, raising the spirits of his colleagues, the camera and film crew members etc., and of course, sukuna himself.

and everytime he has any complaints about his job, you comfort him by saying that if he ever feels like it's too much, he can quit anytime he wants, because you'd be happy to be him support financially as long as he'd be your househusband *wink wink*

actor!sukuna laughs at the thought, but there are times where he seriously considers it... he is getting older, and sometimes doing all these action scenes as the villain is taxing on his body... (perhaps after jjk is over, he'll take a well deserved, long break from his career for a little while)

before getting married, from the moment sukuna first interacted with you, he was already hooked- you flirted with him openly without expecting him to take lead, and you talked less about his various identities in his shows, but showed more curiosity in his true self, and he was simply attracted to your... fearlessness?

and a part of him tried to fight against it too, but you were simply too charismatic. (it only charmed him more)

"you're an awfully cocky woman. you sure you can take me on?"

"take you on? oh, no, handsome. you'll be the one taking me on. i'll have you wrung out dry by the end of this week... if you'll let me, of course."

and that, he did.

fast forward to the present.

sukuna had come home without erasing all the makeup from his filming of jjk, to your curiosity...

"the king of curses, was it? the name of this character," you ask with a relaxed voice, watching as sukuna's large cock throbs between his legs, drooling precum messily into his boxers. ironically, you're the one lying against your back on the bed, with him hovering over your body longingly, but not being permitted to touch you... yet.

you'd put a collar around his neck. and you have him leashed, with the rope being in your hand. he has you between his arms that are supporting his body weight... muscles flexing and sweat dripping down his skin from his own arousal.... he was supposed to be tired from today's filming session but right now, his whole body is heating up like boiling water in a kettle. how cruel of you to do this to him, right after he gets home from work.

you loop the rope around your fingers once, and tug on the leash harshly, making his face shift closer to yours.

"i'd like to hear an answer, please."

"...yes, the king of curses," sukuna hisses, eyeing the leash that both turns him on and also pisses him off simultaneously.

"interesting..." you hum with a smile, gently touching the fabricated side of his face that's been made with make up.

"i do have to say, the tattoos and black nails fit you so well, my love."

sukuna remains silent as he resists the urge to kiss you, with your lips hovering so close to his.

"don't fuck me with your eyes, honey. you're making yourself too obivous," you tease, ghosting your fingers over his chest, touching him languidly. his dick swells even more.

"darling, please... i need to touch you," sukuna says, softspoken and yearning so hard it makes him dizzy.

"oh... i love when you beg like that. what would your fans think, if they saw their most cold-blooded villain pleading me like this?"

with a collar and leash on, no less.

"it wouldn't matter what they think. you're the only one i love," he responds, shuddering as you nudge your knee against the erection in his pants.

"i like that answer."

you kiss him, which is an act that means you're permitting him to finally lay his hands on you - and this breaks the restraint he'd been holding onto until now.

sukuna kisses you back with a throaty growl, slipping his tongue in to smother you with, as your lips are curled up into a pleased smile. drunk on the taste of you, he doesn't stop kissing until he's had his fill. both of you are breathing heavily when he finally pulls away, his face being flushed beautifully.

large hands come to tug away at your clothes, exposing the swell of your chest, and he clamps his lips around one of your nipples, like a man starving... you gasp, and tug at his soft hair from the back, the other hand still gripping onto the rope that connects with his collar.

you arch your back when he nips on them a little, earning him a hiss from you and another harsh tug at his leash. when he comes up to face you once again, he's wearing a smirk with foggy eyes, satisfied with this small payback.

once he finally comes around to releasing his strained cock, he gives a sigh of relief. the tip is glistening with his precum, and he wants to be buried in your cunt so bad. he slides it in with one go.

"oof, always so big, aren't you?" you tell him, feeling his throbbing dick reach so deep inside. it's not your first time saying such a thing, so he knows you mean it as a compliment. it inflates his ego.

"fuck- you feel so good," he mumbles mindlessly, pushing your thighs back.

sukuna begins to thrust into you, his heavy balls slapping down against your ass as he starts with a slow pace. another tug of his leash gets him to stop again.

"c'mon, love. is that all you can do?" you urge him, your grip still strong on his rope. he narrows his eyes, and pushes your thighs back harder, and begins to slam his hips into you, the way you love it.

"f-fuck... harder, sukuna... harder-" you moan as you keep taunting him with several pulls of his leash.

"tug that thing one more time..." he mutters with a low, out of breath voice, "and i'll make you regret it."

you love it when he's submissive, but even more so when he's in the mood to put his foot down. but you're not giving in so easily. you give it another tug, playfully.

"try me."

from then on, he snaps and decides he'll give you your own "collar".

his hand.

you squeal in delight as he roughs you up from his grip on your throat, to the biting, and to the bruising pace of his thrusts, all harmonising to bring you to your orgasm...

when sukuna cums, he does so right against your cervix, spilling all his thick, hot seed into your womb, with a loud groan. he's sucking a hickey onto your shoulder as he does so, full body shuddering with each clench of his balls as he dumps more into you. your pussy squeezes around him, fingernails digging deeply into his muscled back, feeling blissful.

he soon collapses onto you, and you start playing with his hair again, as he rests momentarily, being spent after the rough sex that happened when he'd just come back home. you'll need to reward him later for this.

in the bathroom, you help him scrub away all those tattoos, and tear off that falsified right side of his face. he appreciates this, especially the ones on his back that are difficult to reach. in the tub, you sit between his legs, and lean back as he dotes on you, calloused hands not leaving anywhere of you untouched.

once the bathing is finished, you do his nightly skin care routine for him. an actor's gotta preserve their skin, you know. before the moisturizer though, you press a soft kiss onto his pure face, clean of tattoos, and hum with a pleased expression.

"i love this one more, after all."

he huffs out a chuckle and pulls you onto his lap.

"hah. the king of curses ought to cry real tears with envy."

he clings onto you all night, face buried into your chest, indulging in the feeling of being the little spoon.

Masterlist

Tagging: @yuujispinkhair and @gojos-thot-patrol (who encouraged the leash idea...)

credit and link to the cute heart dividers here

#sukuna x reader #sukuna #jjk x reader #ryomen sukuna x reader #sukuna smut #sukuna x y/n #jujutsu kaisen x reader #soft sukuna

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3d-wifey · 7 months

Text

NSFT Alphabet: MK1 Johnny Cage Edition

A/N: Wrote this to hold you Johnny girls (gender neutral) over until I finish that smut 😙 Plus, I find writing these Alphabets for a character in preparation to write full-fledged smut for them is very helpful in capturing accurate characterization. It's almost like a writing exercise. I've written three different ones so far and I tried to keep them in character, if that makes sense. Like, I tried putting their personality and language in it. Okay, enjoy.

A = Aftercare (What they’re like after sex)

Talking. So much talking. But, honestly, did you expect anything else? As he’s pulling out, as he’s carrying you to the shower, as you’re washing his hair. And when it inevitably leads to shower sex, he’s talking then too. You’ll never meet a man who loves the sound of his own voice more than Johnny Cage.

B = Body Part (Their favorite body part of theirs and also their partners)

Uh, how ‘bout the artillery canons strapped to his arms? C’mon, I mean, who wouldn’t want a ticket to the gun show?

Face. Is saying your face too cliche? Hear him out! You want specifics? He can do specifics! He likes the dimples that pop in your cheeks when he finally gets you to laugh at one of his jokes, the little crease you get between your eyebrows when he’s pissed you off, the adorable way your nose scrunches up when he does that one thing with his tongue that drives you crazy. See? Specifics!

C = Cum (Anything to do with cum, basically)

Pull out game…very weak. Embarrassingly weak, actually. He swears he’s never had this problem before. His ability to pull out in the nick of time has always been something he’s prided himself on. However, he vastly underestimated just how good you’d feel. He’s clean, you’re clean, and, hey! You both prefer the feeling of hitting it raw, the way nature intended it. However, your pussy’s like wet kryptonite. And he’s only a man. A very awesome man, but a man nonetheless. So birth control it is! Or, if you’re turned off by all the side effects, he can be talked into a vasectomy. It’s either that or give up the sweet, sweet embrace of your walls when he’s balls deep.

On second thought, that vasectomy sounds pretty tempting. It is reversible, right?

D = Dirty Secret (Pretty self-explanatory, a dirty secret of theirs)

Johnny would leak his own sex tape. Plain and simple. He’d leak it from a burner account and watch the chaos ensue. There’s no shame in his game. Hey, it’s ranked the Number 1 Celebrity sex tape for a reason.

E = Experience (How experienced are they? Do they know what they’re doing?)

Is this even a question? Actors, singers, models, directors, producers. He’s THE Johnny Cage, Hollywood royalty. He’s fucked actual royalty. You’re in good hands—as long as he cares about you. If you’re a random hookup, then he’s not really working for your pleasure here. You’ll definitely cum, but it’s mainly a pit stop on his way to the finish line.

F = Favorite Position (This goes without saying)

Reverse cowgirl. Johnny’s an ass man, through and through. He loves fucking up into you and watching your ass ripple with both of your movements. And he loves holding onto you. Big hands grabbing your waist, hips, thighs, and especially your ass. He also loves seeing you both in action. So reverse cowgirl + some artfully placed full-length mirrors = Him wrapping his arms around your stomach, rubbing at your clit, and forcing you to watch yourself as you desperately grind against him, AKA Heaven.

G = Goofy (Are they more serious in the moment? Are they humorous? etc.)

Oh, c’mon. It isn’t like him to be serious in any situation. He’s gotta slip a joke in every now and then. Get it? Slip a joke in?

H = Hair (How well-groomed are they? Does the carpet match the drapes? etc.)

Wax on, wax off, baby. Smoother than a seal. Or, uh, some other sexy, hairless animal. You mourn when he waxes his happy trail.

I = Intimacy (How are they during the moment? The romantic aspect.)

You’ll be surprised by how charming he can be. It’s not all jokes and great orgasms. It’s also loving touches, reverent compliments, and amazing orgasms.

J = Jack off (Masturbation Headcanon)

He’s got a healthy libido and a pretty stacked schedule, so sometimes a quick introduction between his hand and mini Johnny can’t be helped. But he’s also got a smoking hot girlfriend (you), so jerking off by himself is a rare occurrence.

K = Kink (One or more of their kinks)

Exhibitionism. What can he say? He’s a performer at heart and he loves an audience. But nothing crazy, just your average celebrity having sex on a yacht that’s in full view of the paparazzi. Or the occasional jerking off with you telling him how fast or slow to go. Oh, and you can’t forget about the sex tapes. Man, with the amount of videos he has of the two of you going at it, he could start an archive. You two have definitely ended up on the cover of TMZ and the front page of Twitter.

Voyeurism. But only for you. He’s enthralled by anything you do, including how many of your much smaller fingers will you stuff inside yourself to replicate the feeling of him stretching you wide. It usually leads to you begging for him to touch you, something else he’s in love with. Nothing wrong with a little hands-on audience participation.

Dirty talk. Normally, dirty talk is kind of basic to any old romp in the hay, but Johnny, being Johnny, puts his own Cage flair on it. Those corny oneliners somehow translate to the perfect thing to say to get you hot. He’s like Shakespear, if Shakespear was good-looking and not a virgin. You know what they say: everything sounds better when you’re horny. Who says that? Uh…

Fighting/Sparing which always leads to blood play. Winning a match gets Johnny’s blood pumping. The adrenaline of escaping death and the crowd hyping him up. And the crux of it all is you who happens to get especially wet when he comes to you covered in blood, grinning with a glint in his eyes that’s poorly hidden behind his blood-speckled sunglasses (a glint that many may describe as mania). And it certainly goes the other way. Watching you kick ass makes him harder than a diamond. Sparing together is a no-brainer that leads to fucking on his gym floor, or, honestly, wherever you two fall. Lui Kang must regret making you two his champions in this timeline with how often he’s walked in on you two. Offering to let him join probably doesn’t soften the blow, but, hey, it’s only polite.

L = Location (Favorite places to do the do)

In his mansion. In one of his lavish beds, or pressed up against the wall-length windows. In his Bentley or in the back of his limo. He’s a big fan of fingering you under the table at an award show and then fucking you in a bathroom at said award show when he should definitely be on stage presenting. For whatever reason, walking the red carpet always gets him worked up. And going to the club together always ends with you riding him in the VIP section.

M = Motivation (What turns them on, gets them going)

Such a complex question for a man with complex taste. I’m joking, Johnny is so easy. It’s actually ridiculous how easily you turn him on. Laugh at his joke, hard. Complement his acting or fighting, hard. Running your fingers through his hair/scratching his scalp, hard. Feel him up/tease him in any context, hard. You’re covered in blood after a win, hard, hard, rock hard.

“Are you King Midas? Cuz you make me hard with just one touch.”

“That one was actually kinda clever.”

N = No (Something they wouldn’t do, turn offs)

Nothing too gross. He’s all for sloppy, messy sex, but he has to draw the line somewhere. There’s nasty 👁🫦👁 and there’s n a s t y 👁👄👁.

He likes to tease/do the opposite of what you say, but if you’re not 100% on board with what he’s doing, then he’s stopping it then and there. Remember: there’s nothing sexier than explicit consent!

O = Oral (preference in giving or receiving, skill, etc.)

Preferred to receive before he started dating you, and only ever had the urge to go down on someone if he had been drinking before. After you started dating, he definitely loved it whenever you gave him head, but he didn’t realize how much pleasure he could get from giving you pleasure.

He loves sloppy head, giving and receiving, so if you weren’t wet before, you definitely will be after he gets his mouth on you.

P = Pace (Are they fast and rough? Slow and sensual? etc.)

Depends on when and where you’re doing it. And if you two are “allowed” to be doing it in said place.

Q = Quickie (Their opinions on quickies, how often, etc.)

Big fan of the guy who came up with the idea of quickies, enough said.

R = Risk (Are they game to experiment? Do they take risks? etc.)

C’mon. He’s the leading source of your sex tapes getting leaked. I mean, how do you think the paps keep finding you in compromising positions? A little tip-off to them while you take his tip, ha!

S = Stamina (How many rounds can they go for? How long do they last?)

It’s like he runs off horsepower, good God. If you’re trying to go until he’s tired out, it’s gonna be a couple of rounds until then.

T = Toys (Do they own toys? Do they use them? On a partner or themselves?)

He’s a fan of dildos. Specifically, watching you fuck yourself with one. “Go ahead, baby. Show me how bad you want me.” And show him, you do. God, you know how to put on a show. But you shouldn’t have to settle for some random dildo. You’re with the Cage man, and he would get a mold of his dick made for you. And they say he’s not romantic.

Strap-on. That’s it. And he takes it well ;).

Remote-controlled vibrators, for you and him. Hell, let’s make a game out of it. See who can last the longest in public, there are no losers!

U = Unfair (How much they like to tease)

His version of teasing is doing the opposite of what you said to do. You want him to speed up? He’s slowing down and making sure you feel every inch inside you. Oh, keep his hands above his head? You gonna make him? He’s a total brat, but you knew what you were getting yourself into when you agreed to date him.

V = Volume (How loud they are, what sounds they make, etc.)

Heh, yeahhh. He’s real loud. Moans, groans, screams, whimpers. You name it, he’s doing it. It’s the performer in him. And because he knows you like how he sounds.

W = Wild Card (A random headcanon for the character)

Tattoos? Sexy as hell. If you were to ever get his name tattooed on you (preferably a tramp stamp), then you might as well start planning what flowers you want in your bouquet. I could see him getting your name tattooed on him too. Probably on his pelvis, in the middle of his v-line. In case anyone ever needs a reminder of who his dick belongs to.

Type of guy to dedicate a Mortal Kombat match to you, and then lose. Ah, I’m joking. He’d beat his opponent’s ass all because you promised him victory sex if he won and he doesn’t take victory sex lightly.

X = X-ray (Let’s see what’s going on under those clothes)

He’s got an 8.5–8.9 inch hog, shower not a grower. Little Johnny isn’t so little. There’s a reason he’s alright with doing full-frontal nudity if the scene calls for it. They’ve had to CG out his bulge in post-production in every Ninja Mime movie. It’s not his fault spandex happens to be the clingiest material known to man.

Y = Yearning (How high is their sex drive?)

Higher than Mount Fuji. He’s a stallion in his prime with a gorgeous girlfriend. His spare time is filled with filling you. And you both tend to feed off of each other, so all it takes is for one of you to be the tiniest bit turned on, and then, boom! You’re both desperately grinding against each other in a supply closet. Ain’t that just the way?

Z = Zzz (How quickly they fall asleep afterward)

Depends. He’s kind of like a dog that needs to tire himself out before he can sleep.

Click for a Johnny Cage-shaped surprise👀👀

#johnny cage #johnny cage x reader #mk1 johnny cage #johnny cage smut #johnny cage mortal kombat #mk 2023 #mk smut #mortalkombat #mortal kombat 1 #nsft alphabet #realized i needed to change that W to a T in the title if i wanted this to get any traffic lmao

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saerotonins · 4 months

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actor!yuuji & actor!sukuna headcanons

ft. itadori yuuji and ryomen sukuna

content warnings: fluff, itadori twins au, overall cuteness, implied x reader (separated), jjk manga spoilers, characters are aged up to 20+

wc: 2.3k (jesus christ lol)

note: i miss my little actors so much lol. also, i think this is a bit too long, my bad 😭

jjk actor au masterlist

as twin actors:

believe it or not, jjk is like one of the roles that had them cast together

both of them usually like to play different roles in different shows because they just don't want to be known as each other's twins

love that for them, they're so real for that

but when they were cast, they accepted it since the script and plot were interesting

yuuji is a sweetheart inside out and sukuna is the quieter one between the two, sukuna is soft for his brother though so don't get fooled by his tough persona

yes, he is the older twin LOL and always holds it against yuuji just to be petty

"dude can you get me that can of soda?""why are you ordering your older brother around? have some shame"

yuuji just rolls his eyes but before he gets up and get it himself, sukuna will wordlessly stands up and does it anyway

checks on yuuji whenever he does intense fight scenes

both of them do the stunt themselves since they ate both so physically active

education wise, yuuji graduated as a marketing major and sukuna has a degree in physical therapy

which explains why him and his brother always practice fight scenes together and he helps yuuji with his stance and warm ups!

it's adorable really and he's so tsundere about it too

"no not like that, put your legs this way dumbass" like that typa stuff

sukuna started off as a model but was later on casted because casting agencies thought he has that great villain face

yuuji started off as a side character and really likes acting (he is the theatre kid between the two and sukuna is the quiz bee kid, their mom is BOOKED and busy) and later on recognized because he's just THAT good

yuuji is usually a romance lead or 2nd lead and a slice-of-life guy so when fans found out he will be in an action show, they are excited!

sukuna on the other hand has been casted as a tsundere in romance shows, sometimes a bully and an antagonist in action shows, but a villain that is literally so powerful??? that is so new so his fans are anticipating

both of them usually arrive on the set together (sukuna is the one driving btw and yuuji just sleeps during the trip)

yuuji prepares both of their bento boxes btw

sukuna loves it

he can cook, but that's it LMAO

he won't admit it but yuuji is the better cook

lowkey a picky eater so yeah

ACTOR!SUKUNA HEADCANONS:

sukuna is the intimidating one (obv) so when him and the other casts first met + the first few readings, it was sooo awkward

turns out he's lowkey a goofy guy

has fun with his costars and helps them with fight scenes too, gotta put that physical therapy degree into good use

both him and nanami have this silent bond because whenever they're together they just don't talk and bask in the silence as they sit, they just peace amidst their crazy schedule

also an avid toji fan so when this guy found out he's in the same show with his idol he's almost shitting bricks

let out a really loud cheer when he found out and only yuuji knew about it LOL

has a deep-rooted respect towards him and it's sooo obvious whenever toji is around

he is such a fucking fangirl

he just thinks he's so badass and feels so honored to be casted in the same show as him

feels bad that he has to beat up almost everyone 😭 he is also a sweetheart deep inside

deep inside, he's such a caring and protective brother for yuuji because even though he doesn't have any scenes to be filmed, he still joins him on set whenever time allows him

he may not show it but he's sometimes lowkey terrified about fans tearing him up into shreds whenever he kills their favorite character

imagine sukuna dripping big sweats by the time THAT episode with [redacted] aired oh my GOD he was so fucking nervous considering their fanbase is so big

yuuji has never seen his brother THIS nervous before and he's enjoying it

luckily though, not much hate happened and most of the time it's just memes and playful banter

his ass is barely on social media LOL

in the years of his instagram existing he only has like 90+ posts or even below 😭 usually it's just promotion, being an ambassador, magazine shoots— very lowkey

doesn't have much digital footprint and i love that for him

whenever he posts, his fans are EATING IT UP since it happens every once in a blue moon lmfao

ACTOR!SUKUNA AS YOUR PARTNER:

as tough as he looks, he actually can be quite clingy, just behind closed doors though

lowkey feels bad when he has to beat up children (LMAO) and his co-actors and asks for cuddles from you for comfort

it's actually kind of adorable

sometimes if his schedule doesn't allow him to have time to visit you, you'll get messages like "babe i just beat up megumi :("

since he's not active on social media, he knows some stuff online through you or yuuji

kind of a sad reason why he doesn't go online as much is because as tough as he looks, he's just a guy scared of the hate he's going to have just because he plays a villain or antagonist most of the time

he knows it's not his fault, he just knows that some people just don't know how to separate reality from acting

especially when that scene where he had to off a certain jujutsu sorcerer actor with a huge fanbase

oh boy was he so fucking scared and ran into your arms for comfort :(

he's a softie deep inside ok

when they have to go out of town or even overseas to film, he gets incredibly homesick and misses you so much

expect a lot of "i miss you" messages, including selfies and candid pictures that he took around the set to

practicing his lines with you is close to impossible, this guy gets all blushy and shit because you're in front of him

and since most of his lines are mean as hell, he just doesn't want to be mean to you

he wants to impress you so bad but when you're around he just becomes a little high school boy with a big crush LMAO

he's such a sweetheart deep inside oh my god

when he decides he wants to post a new photo in his ig, you're the first and only person he'll ask for opinions

so this just means that most, if not all of his posts were handpicked by you

wears your matching stuff like accessories on set and gets sad when he has to take it off while filming

when he learned that his character would have face tattoos, the first thing he did was come home to you with his face makeup on (he had to ask his makeup artist to let it stay) and imitate it on your face

i have this headcanon that sukuna knows how to draw (and is very good at it) so it takes almost no effort to draw the tattoos on your face

you two then have a mini photoshoot (aka just taking a lot of selfies) with the both of you with sukuna marks on the face

it looks so cute that he made it his lock screen

he's lowkey such a sap don't let the character he's playing fool you

ACTOR!YUUJI HEADCANONS:

THE MAN THE MYTH THE BABY

he is literally a sunshine in or out of acting

so polite and so kind it's hard to hate him (not that he is even worth hating on)

so naturally, everyone on set loves to work with him!

unlike his brother, before acting, he doesn't really know a lot of fighting stance (he's a marketing major ffs lol) BUT ever since he was casted, he doubled up on his working out routine with the help of sukuna

even invested his time learning boxing which later on paid soooo much

can literally make everyone on set "aww" whenever his script requires him so cry or even witness a gruesome death scene *cough* nanami and nobara *cough*

during breaks, him and nobara do tiktok challenges and even those kpop challenges all the time and the crew enjoys watching them do it and the fans like it too

he does it too with choso and todo

this guy literally has 3 older brothers who are protective of him it's so cute

this man is so talented, he can cook, sing, dance, act, and is pretty smart too during his university days, it's so hard not to be in love with him

the greenest of the green flags (just like nanamin!) the girls the guys the folks LOVE him so much, literally the standard

just like sukuna, he was fangirling so hard when he found out he's going to be in the same drama with THE nanami kento

he's such a big big BIG fan

has a fan account of him on twitter that is pretty popular but you didn't hear that from me

it's so cute when they're together because they're literally THE father and son duo EVER

has the time of his life whenever he visits nanami and his wife's house and just chill there, sometimes brings his first-year trio besties too (both nanami and his wife don't mind at all)

aside from sukuna, he sometimes practices fight scenes with nanami too!

he is so active on social media 😭 interacts with as many fans as he can and posts all the time on ig and twitter

has a lot of cute interactions with fans too

by extension, his account is sukuna's behind the scene account LOL

since his brother doesn't post a lot, sukuna's fans tune in to his posts and stories of sukuna behind the scenes or even just some pictures of him that he doesn't post

some of it are just pics of the brothers chilling or going out

yuuji is literally the sukuna fan's saint because of the amount of sukuna content he's giving them LOL

ok but don't get fooled by yuuji's sunshine personality, because he knows how to bite too

whenever he saw hate tweets his brother is getting for playing a villain, he is quick to respond and defend his brother

lowkey a nightmare for the PR team but they know where he's coming from

and despite sukuna telling him to just ignore it, he appreciates his little brother more than anything

ACTOR!YUUJI AS YOUR PARTNER:

one word: ANGEL

he's literally so lover coded oh my goodness

leaves you some post-it notes on the fridge every single day before he leaves to film

if the trip goes on for days he will leave at least three long love letters for you to read when you miss him and he's busy

creates personal vlogs JUST FOR YOU so if the both of you can't facetime, you'll still know what he is up to

when he was contacted to be the main character of the show, he confided in you whether or not he should accept the offer

don't get him wrong, he is beyond grateful the people think he's capable enough to be the main lead but it makes him nervous

this is his first main character role and the pressure of it all is heavy on his shoulders

he asked for his brother's opinion too but he trusts you enough to talk about his feelings regarding this

of course, when you said that you'll be there with him in every step and support him all the time and do everything to keep the communication between the two of you going despite his soon-to-be hectic schedule, his heart is finally set on accepting the role

you are so proud of him! your baby finally getting the recognition he deserves? hell yeah

his busy schedule was never a barrier between the two of you, yuuji never forgets to update and call you whenever his time permits and he always appreciates every cheer you have given him

type of actor boyfie to show you off his social media platform!

he posts your dates and even hangouts with each other

his fans find it quite adorable and is in love with your whole relationship

likes to do those couple tiktok challenges with you and post them online, you guys even have shippers lol

of course, if you're the lowkey type, yuuji would respect that and will only include you in his online shenanigans when you feel like it or allow him to post it

practicing lines with you is always exciting but never productive LOL

you both just end up giggling and laughing

in the end you just both opt to cuddle instead (or even make our LMFAO)

yuuji just feels so lucky to have his ever-supporting partner along the way

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