#I mean I know that my headcanon has some popular design choices | Explore Tumblr Posts and Blogs

tired-reader-writer · 2 years

Text

Candidates For Isfan's Mother: A List™

@innerchorus @marchdancer I think the two of you will be very interested in this list.

If y'all want to use whichever name from this list to either name Isfan's mom or name an OC, please feel free to do so!! I'll be very happy!

Category 1: Moon-related names

I don't think moon-related names need much of an explanation! The moon is associated with wolves after all!

1. Mahsa: Like the moon

2. Mahin: Related to the moon

3. Haleh: Halo around the moon

“A popular choice in Iran and Turkey, Haleh is a variation of Hala, an Arabic name referencing the halo around the moon.”

4. Simin: Silvery, white

Simin doesn't mean moon, but moonlight is silvery, and on the off chance Isfan's hair might be, say, wolf-grey or some silvery variation, it's safe to assume his mother had the same hair colour as well. In which case, Simin would be a fitting name, wouldn't it?

Category 2: Flower-related names

5. Laleh: Tulip

“Besides roses, another Persian flower that is the national flower of Iran and is intertwined with Iranian culture, is Tulip or as Persians call it, Laleh, which means red. This spring-blooming flower does not need to be planted. Every spring, the tulips start growing and blooming to show its flaming petals to the people. Tulip can be found in Zagros and Alborz mountain ranges and is the symbol of the sacred blood of martyrs who sacrificed their lives for their country. Tulip also shows the suffering for love and is used in Persian Poetry to describe how a lover suffered and failed to have his loved one.”

Not gonna lie, I just thought the name Laleh was cute. I know it symbolizes martyrs on a much bigger scale: i.e. political martyrs who bled for the country, but I can't help but think of how she sacrificed her own life to save her son.

And tulips can be found in the Zagros and Alborz mountain ranges of Iran, which can be seen on the following map:

Isfan and his mother were tossed into the mountains in winter to die, so mountains feel very relevant here. Mt. Damavand (Mt. Demavant in ArSen) is located in the Alborz mountain range, and as @innerchorus has headcanoned Shapur's ancestral lands in Gorgan, that would put them near the Alborz mountain range. The location and its symbolism (even if the latter is two steps to the left for my purposes) made me think of Laleh.

Also have an unrelated tidbit about another flower:

“By talking about Tulip, mentioning poppy flower, which is also the symbol of martyrs’ blood, is inevitable. This red flower can be found during spring in green fields to design nature with its shiny red color. The black core, which looks like a black heart inside a poppy flower symbolizes great sadness. Because of its color, Iranian poets used this flower to describe a broken heart.”

I just think it's neat!

6. Golnar: Pomegranate flower

Golnar comes from “gol”, meaning “flower” and “nar”, for “pomegranate”.

Buckle up babes because IT'S POMEGRANATE TIME!

I saw the word pomegranate, and immediately made the association with the myth of Hades and Persephone, and how the pomegranate fruit was associated with the underworld, where souls go after death.

“In Greek mythology, the pomegranate was known as the ‘fruit of the dead’ as it was said to have arisen from the blood of Adonis. It also prominently featured in the myth of Hades and Persephone. Hades, God of the underworld, used pomegranate seeds to trick Persephone into returning to the underworld for a few months of every year. Alongside death, the pomegranate symbolised fertility in Ancient Greece and Rome. It had a strong association to Aphrodite, the Greek goddess of love, as well as Hera, the Greek goddess of marriage and childbirth. In Ancient Rome, newlywed women wore crowns woven from pomegranate leaves, and the juice of pomegranates was used to cure infertility.”

And I also found this interesting interpretation of the Greek gods here:

A snippet from that post that felt relevant here was: “Of course Hades snatched away a young girl from her mother’s arms, that’s what death does.”, furthering the association with death. Pomegranates are also winter fruits, and winter is often associated with death as well. In the myth of Hades and Persephone, the months Persephone had to spend in the underworld, aka the domain of the dead, it is winter on the surface because her mother Demeter refused to grow anything out of grief. Isfan and his mother were abandoned in the mountains in winter to die.

For the purposes of this, I am going to associate fertility with motherhood. You can see in the above quote that pomegranates are also associated with childbirth.

But the Greeks aren't the only ones who had pomegranate symbolism. Iran/Persia does too, and here's said symbolism:

“Most Famous Persian ceremonies such as Nowruz, Yalda Night and Chaharshanbeh Souri are the heritage of their Zoroastrian ancestors and since pomegranate is of great importance in Zoroastrianism, it must be present in all of these celebrations, specifically Yalda night. As pomegranate symbolizes fertility, rebirth and life in Persian culture, it definitely is the best fruit to be eaten on the longest and darkest night of the year.”

“Gulnar or pomegranate flower is a beautiful and delicate flower with red and cinnabar color petals that grow in Persia. This flower is mentioned in Persian literature to describe the beauty and delicacy of loved ones. Gulnar is not only used for its beauty but also as a treatment for diseases because of its medical values. It can be used to heal wounds, and its tea can help with heavy menstrual bleeding. This flower is full of Antioxidants, so it is used for beauty purposes as well. It is also regarded as a magical fruit in Persian myths. The divine warrior of ancient Iran, Esfandiyar ate a pomegranate and became invincible as mentioned in the world's longest epic poem book, Shahnameh.”

Nights are longest in winter!

And that last bolded sentence was what caused me to go down a rabbit hole trying to find associations of Esfandiyar (Isfan's namesake and inspiration) and pomegranates— and boy did I find some mentions!

“It is also believed that the invulnerability of Esfandiar (Iranian legend) was related to this sacred fruit.”

“In Persian mythology Isfandiyar eats a pomegranate and becomes invincible.”

“In Persian mythology, Esfandiar ate a pomegranate and became invincible.”

Though Esfandiyar's Wikipedia article made no such mention of the pomegranates, instead attributing Esfandiyar's invulnerability to a prophet instead:

“According to the epic Shahnameh, Esfandiyār was the Crown Prince and a Divine Warrior of ancient Iran who supported the prophet Zartosht (Zarathustra), enabling him to spread the religion of Zoroastrianism. He also fought against many apostates and enemies of Zartosht to do so. In return, Zartosht gave Esfandiyār a chain and armor from Heaven. The armor made him invincible and the chain had the power to bind anyone, even a demon or evil magician, making them unable to escape. Zartosht also gave a Divine blessing to the prince and declared that anyone who would spill the blood of Esfandiyār (killed him) shall suffer a cursed life of bad omens until the day he dies and even after death would be condemned to hell.”

(I wonder if Isfan getting to fight a Zahhak sorcerer was inspired by this... The chain that can “bind demons and evil magicians”...)

Zartosht was also known as Zoroaster:

“Zoroaster (/ˈzɒroʊæstər/, /ˌzɒroʊˈæstər/; Greek: Ζωροάστρης, Zōroastrēs), also known as Zarathustra (/ˌzærəˈθuːstrə/, /ˌzɑːrə-/; Avestan: 𐬰𐬀𐬭𐬀𐬚𐬎𐬱𐬙𐬭𐬀, Zaraθuštra), Zarathushtra Spitama, or Ashu Zarathushtra (Modern Persian: زرتشت, Zartosht), is regarded as the spiritual founder of Zoroastrianism. He is said to have been an Iranian prophet who founded a religious movement that challenged the existing traditions of ancient Iranian religion, and inaugurated a movement that eventually became a staple religion in ancient Iran. He was a native speaker of Old Avestan and lived in the eastern part of the Iranian plateau, but his exact birthplace is uncertain.”

I have not read the Shahnameh yet, so I cannot say which version is definite, but if we were to believe Esfandiyar's invulnerability came from eating a pomegranate (and who says Zartosht couldn't have given him a pomegranate instead?), I think this ties in quite neatly with Isfan's mother. Even if it wasn't invincibility, she did give him “armor”, all the clothes she had except a thin layer, to shield him from the cold. So we have:

Death

Winter

Fertility, motherhood, childbirth

Associations with Esfandiyar

So yeah. I'm pretty fond of this one!

This isn't all the significance and symbolism pomegranates have in Iran, however, and Golnar certainly isn't the only variation of the name:

“Furthermore, Persians tend to name their female children with words related to pomegranate. Some of the most popular names are Gol'nar, Nar'dokht, Nar'een, Nar'gol.”

“In Zoroastrianism, the ancient monotheist religion of Iran, the pomegranate is still in the centre of each ritual and even marriage ceremony or funeral. Being an eternal sacred element for the Zoroastrians, it is carried to the marriage proposal ceremony along with the bouquet and sweets as the symbol of love, life and alliance. Many great poets and writers have used its unique features to describe the beauty of the beloved, the sorrows of the heart, the taste of life, etc. It is so rooted in Persian culture that there is even a specific poem about pomegranate in primary school books.”

Category 3: Names that have links with characteristics I associate with her

I associate her with hope and faith, and headcanon that she hoped Isfan would be destined for great things, and Shapur, who had been kind to the two of them in the past, would come save them.

7. Iman: Faith, hope

Iman is a unisex name! :D

8. Arezou: Desire, wish

Arezou is derived from the Middle Persian “ārzōg” for “desire” or “wish.” Arezou is common in Iran, Turkey, Afghanistan, and India.

9. Roya: Dream, vision

Variations: Ruya

Category 4: Drawing from the myth

I thought, “But what about Esfandiyar's mother from the myth? Could I perhaps use that?” and here's what I found:

“Esfandiyār or Espandiyār (Avestan: Spəntōδāta-; Middle Persian: Spandadāt; Persian: اسفندیار) is a legendary Iranian hero and one of the characters of Ferdowsi's Shahnameh. He was the son and the crown prince of the Kayanian King Goshtasp and Queen Katāyoun. He was the grandchild of Kay Lohrasp.”

“Katāyoun (Persian: کَتایون) is a female figure in Shāhnāmeh and Iranian mythology. She is the wife of Goshtāsb and the mother of Esfandiār. In Shāhnāme, she is the daughter of the Kaiser of Rûm. But in Avestā and in Pahlavi texts, she is an Iranian girl and a descendant from Nowzar. In Avestā and pahlavi texts, her name is mentioned as Hutaosā.”

Her name apparently means “Queen of the World” (though I have only seen this on one source), I'm not sure if this name might be reserved for highborn daughters, like the name Alfarīd is.

So there we have it!! Ten name candidates for Isfan's mother!! This was so fun to research and put together. What are your favourites? I'm pretty fond of the two flower names, and Iman or Roya!

#arslan senki #the heroic legend of arslan #heroic legend of arslan #meta #?#I guess?#Isfan's mother #this was so fun #I had a Journey™ with the pomegranate #I hope you enjoyed that part as much as I did

56 notes · View notes

royalminty · 2 years

Text

,,,Gotta be honest the new HBO Velma is leaving a really bad taste in my mouth...

I’m gonna just start off with this: No, I don’t have an issue with most of the Scooby Gang being POC. The gang’s races has never been an integral part of their character, and adding in some cultural details could be a really fresh way of developing them as characters!

My issue is that... it feels like the people around this show are only calling it a Scooby Doo series for the brand recognition. The HBO Scooby Gang feel like entirely different characters with the Gang’s veneer slapped on top at the last minute.

Velma, for the most part, seems okay? From what I can find, they’re keeping her as the nerdy bookworm, so that’s good, the core of her character is still there. I think they’re also making her cynical, which I have no issue with, it’s been done before. Her design is also totally fine. She’s still recognizable as Velma, she’s appealing to look at, no problems there.

Next is Fred. I really don’t like them calling him the “White guy who takes the credit”. That’s not who Fred is, at least, not in the majority of adaptations. He’s the popular athletic guy who confidently lays out plans. More recent series have made him an overconfident but well-meaning himbo, and Mystery Inc made him an Autistic guy with traps as a special interest, which I loved!

Fred’s kind of a blank slate, you can do a lot with him, so finding out that he’ll be portrayed as kind of a vain asshole is... disappointing. It’s such a boring take on his character.

His design looks fine, though.

Now for Daphne. OUGH the showrunners have no respect for her! "She was attractive, but also… she wore purple. That’s it. Until now… Our Daphne is diverse." John Showrunner, you have clearly not studied your Scooby history. Your Scoobstory, if you will.

Daphne has been a lot of things in a lot of adaptations. Yes, Where Are You made her the clumsy damsel in distress. It was a 1960′s kids show with a Hanna Barbara budget. But subsequent series have built on that. She’s been a hyper-confident hyper-feminine woman who uses feminine things in creative and amazing ways, she’s an intrepid reporter overflowing with curiosity, she’s a femme fatale with expert martial art skills, she’s a hopeless romantic, she’s a fucking weirdo, she’s the leader of the gang!

She is not just “attractive and wears purple”.

It seems they’re going to portray her as a ruthless popular girl with a crush on Velma. Not the worst take they could go for, but she could be better. Take notes on how previous writers have handled her! Have her be the leader of the school newspaper, nosey and ruthless about getting that scoop!

I don’t know, just something that feels like Daphne.

Another character where the design is fine. Kinda wish her hair was a little different but... eh, not a huge deal.

And finally

Norville.

Now, I’ve seen some people complaining about a “name change” but no, Norville Rogers is canonically Shaggy’s real name, so kudos to the showrunners for knowing that!

So... I have some issues with Norville. I’ll start off by being positive: I kinda like the angle they’re going for with him being autistic and socially awkward. That, in my opinion, fits with Shaggy’s characterization! He would be weird, he would be an outcast!

...I really don’t like his design, though. The only thing he has in common with Shaggy is facial hair and a green shirt.

I get that they’re gonna change his hair style to fit Norville’s race, but couldn’t they pick a hairstyle that better suits Shaggy’s silhouette? Give him longer dreads or braids, hey, how about some jheri curls? I think that’d be a good choice, but I’m far from an expert.

Maybe make the chin hair sparser, make his forehead smaller and his chin more prominent?

Norville is also described as initially anti-drug, which makes me think they’re gonna have him eventually be a pothead because of all the stoner Shaggy jokes/theories/headcanons.

And I’m honestly a liiiittle concerned that the only black man in the cast is gonna be a drug-user, it feels a little... eh...

Honestly, it’s really disappointing that the people making a Scooby Doo show don’t seem to have ever actually watched Scooby Doo! They don’t seem to care about the franchise or the characters.

Not only that, but Daphne gets sexualized in the teaser. She’s literally naked with her bits covered by soap bubbles.

This is a prequel series. Fred is stated to be 16. If they’re going off the canon ages, that’d make Daphne 15 and Velma 14.

You see the issue, right?

#Scooby Doo #HBO Velma

29 notes · View notes

distinguished-slacker · 3 years

Text

Anyone else wondering how does this girl’s demon look like?

And I think my popcorn has gone bad...

But seriously it pisses me off that when she had a chapter dedicated to her (chapter 45 when she almost sacrificed herself to allow the others run away from Crowley and chapter 70 when Aoi confronted her) Yuu had to butt in with his ‘family’ bullshit and steal the spotlight away from her. I am so upset like...Kagami you might love Yuu or whatever but let other characters have their own development away from him...especially the girls🤦‍♀️

And for those who loooove long posts and are somehow interested on unpopular characters like me I’ve got some cheap observations, complaining and theorising...

She is so pretty I am crying

For those who don’t know or forgot about it (I cannot blame you though), the name of Sangū Mitsuba’s demon is Tenjiryū. Their name literally translates to ‘Heavenly-Shaped Dragon’ or ‘Heaven-Shaped Dragon’ and let me get straight to the point; guys it sounds more badass than any of the other demons’ names we have! I find curious the choice of “Heaven” though since it doesn’t fit a demon🤔 Moreover, the demon of Mitsuba’s older sister, Sangū Aoi, is called Chijiryū, which translates to ‘Earth-shaped Dragon’ and I find so intriguing that out of all the cursed gears that the Japanese Imperial Demon Army must have in their possession, Mitsuba somehow happened to be compatible with one bearing a similar name to her sister’s demon.

I cannot believe this demon is of a lower series. I mean, it’s HUGE. Befitting of a dragon😤 It’s definitely either the biggest weapon in the whole series or the second biggest. I don’t know about size since Mitsuba’s axe and Shinoa’s scythe are differently shaped but in terms of mass I think the axe is heavier because it looks more compact. Also, my respects for the designer because I have never seen such a uniquely shaped war axe👌

You cannot tell me that Shinoa’s huge scythe bears the first progenitor of the vampire race while Mitsuba’s huge battle axe bears a mediocre demon oh god...

When you have a look at both Tenjiryū and Gekkōin here it’s hard to believe Gekkōin is higher ranked than Tenjiryū.

The gender is unknown although I suspect Tenjiryū is a male by looking at their muscular torso and biceps of their manifestation form. Lol it would be funny if Tenjiryū turns out to be another ripped demon like Gekkoīn because then that would mean we would have another scary demon-cute human pair😅 But I don’t really care about Tenjiryū’s gender or how they look like as long as they are not another androgynous child demon😒

Mitsuba probably has the most aggressive fighting style in this series. For being so small she sure has a lot of physical strength...and she was like this since she was 13 awwww

Tenjiryū’s manifestation into an army of multiple spectral, humanoid beasts (probably dragons) with sharp glowing green blade-like arms and heavenly blue flames is the coolest manifestation I have seen so far in this series.

Tenjiryū has two strengths: one, is that it works in two different ranges, these being close range and mid range, instead of a single range, and two, it is able to be used for both offence and defence.

This manifestation looks so scary in the manga because it reaches so high. As expected of a demon whose name has “Heaven” in their name. In my opinion, Tenjiryū has a scarier manifestation than Shikama Dōji and Gekkōin’s because unlike them, Tenjiryū surrounds the whole area and I am feeling claustrophobic pls.

But I think that the thing I probably love the most about what I’ve seen so far of Tenjiryū is that they fit Mitsuba’s personality. Their style is aggressive like Mitsuba’s personality but if you have a close look most of the times Mitsuba uses Tenjiryū is in order to “protect” or “shield” someone else which fits her caring nature. Especially if you consider that, as explained by Mitsuba herself in chapter 19, manifestation users want to avoid manifesting their demons as much as possible since letting their demons out weakens the host’s body and so leaves them vulnerable to attacks yet Mitsuba is always manifesting Tenjiryū. Such a brave girl🤧

Another thing that I find interesting about Tenjiryū is that all the times Mitsuba commanded them to do something, they always tried to do it which gives me the impression Tenjiryū is quite obedient to Mitsuba. I headcanon that despite the fact that Mitsuba seems emotionally weak, Tenjiryū likes her determination.

However, in the end, looking at Tenjiryū’s name or their manifestation is just something superficial since we don’t know their personality or true potential. So far, Tenjiryū’s manifestation has been used for grabbing something (Mika’s cut arm in chapter 52), as decoys (but are weak individually and they won’t work on progenitors), to protect someone and to slice The Four Horsemen of John from a distance.

Relatively, Tenjiryū is weak but if I remember well, in the fanbook the author said that the rank of the demons is not determined by how strong they are but by how easy they are to handle. Even Kagami went as far as to point out that with demons above the Dōji (or referred as Child too) series there is no clear difference in the strength of the weapons (and this is surprising considering how much the Black Demon rank has been glorified). Tenjiryū’s rank is Dakini, which is just below the Black Demons in the pyramid and above the Doji series. One thing that all Black Demon users have in common is that all of them have been subjected to human experimentation in the past and considering that Mitsuba is human, there is nothing she can do about it. The other requirement for Black Demon users is that they must have a strong willpower and resolution...but this girl has some serious self-esteem issues and indecisiveness behind all that “I am a Sangū/elite!” talk so maybe if she obtains a boost in confidence she will get stronger🤔

However, I don’t really care that much if Mitsuba stays weak forever. This manga doesn’t need anymore INSANE Mary Sues or Gary Stus who get sudden power ups just because they are genetically advantaged. I just want some normal, deep emotional development for her where she lets go off her survivor’s guilt and learns to accept herself for who she is because she has been so hardworking since little and to tell Aoi to go suck Kureto’s d*ck if she is so loooyal to the Hiiragis as she says but maybe that’s asking too much.

My hopes for Tenjiryū’s appearance reveal are small but I still try to remember that despite all that happened in the manga Mitsuba is still a main female deuteragonist with a lot of unaddressed potential and also for the characters in universe it has been less than one day since chapter 70 (while for us it has been almost 3 years) so it’s not like Mitsuba can do something amazing in that short time frame where the focus is on Yuu, Mika and Shinoa. Moreover, I remember Kagami saying that there is something waiting Mitsuba so I hope he didn’t forget about it💔

Additionally, some people have observed that humans and their demons share similarities so I wanted to point out a small observation for this human-demon pair. Mitsuba was born on the 7th of July, which is the day of Tanabata/Star Festival, a popular Japanese festival that celebrates the meeting of two lovers represented by the stars Vega and Altair, who are separated by the Milky Way and can only meet on the 7/7 once a year. I think this goes well with Tenjiryū’s sky related name :3

If Kagami doesn’t give Mitsu attention then I will do so and I don’t give a fuck if I am being annoying

#owari no seraph #seraph of the end #mitsuba sanguu #tenjiryū #sangu mitsuba #sanguu mitsuba #mitsuba sangu

106 notes · View notes

eirichele · 4 years

Text

a VERY in depth look at fire emblem: three houses and its grooming problem

OR: how this game managed to make an accurate portrayal of grooming and exactly how it made it palatable

(warning: really long. though to be fair, the length is mostly screenshots. you can also read this in google docs)

***

SO i’ve been wanting to write something Formal and In Depth for a while, because this game’s reception has been a nightmare for me and other csa victims and quarantine hit, so i finally had time. i just really wanted to get all my thoughts in one place before i move on from 3h. i’m basically done talking about this after this one because... idk what else i could say that hasn’t been said here, really. fe has history with this, and the in-game excuses ring hollow when we know the fe devs disregard csa victims at every turn while pandering to male gamers who love sexualised teenage girls.

long, long analysis under the cut:

Some previous context: Fire Emblem games have a history of normalising harmful romances

It’s understandable for many to not know the history of the series since 3H was insanely successful and it brought a lot of new fans. Fire Emblem has always been a character driven game where making your units bond was encouraged both for gameplay and story reasons. Some end in special romantic epilogues, and some of those relationships were concerning to say the least: Sylvia, 14 years old, can marry every eligible man in Genealogy of the Holy War, Jill from Radiant Dawn, 18, can marry her father’s protegé who is 34. This is not a new phenomenon for the series, it just became more noticeable and malicious post-Awakening, because it became first person fanservice.

FE decided to rehaul the series sometime in 2011 by including dating sim elements, which made it explode in popularity. Avatars were introduced to represent the player in-game, allowing them to marry whoever they wanted. The first game to include a pseudo-dating sim was Awakening, released in 2012. The player can marry every named playable character, on top of the usual FE shipping mechanics . Donnel, Nowi and Ricken, all children, are part of your party. Nowi is a thousand year old dragon that looks like a child of 11-15. She loves playing, and throws tantrums, and overall acts very childishly, but the narrative insists that she’s really an adult feigning childishness.

In Fire Emblem lore, dragons are veeeery slow ageing people with the power to transform into dragons, which means they can be biologically still children even when they’re hundreds or thousands of years old. Tiki, another similar character, is considered a child in Shadow Dragon by her adult dragon family while explicitly being around Nowi’s age. Despite evidence to the contrary, Awakening treats Nowi like an adult who can marry. Fire Emblem had previously included many dragon child characters in the past, but none were romantic options for anyone, and they were considered a younger sibling of sorts. Nowi was a first in the series, and after her inclusion these romances became common with characters like Nyx in Fates and Flayn and Sothis in Three Houses. Worth noting is her design, which is incredibly sexualised. A (not so) fun fact is that the outfit designer of Awakening and Fates was none other than Three Houses’ future director, Toshiyuki Kusakihara:

Ricken and Donnel are just regular 13-15 year old boys. No magic. Other adult characters and your avatar just marry them, and it’s stated they will have children in the future. The next game, Fates, actually managed to outdo this somehow: Your pedophilic romance options are now five, and unlike Awakening’s avatar Robin, whose age was unknown and could potentially be portrayed in their mid-teens, Corrin canonically is in the 18-21 age range, making this unambiguous pedophilia. Fates is a very standout game when it comes to Fire Emblem’s worst parts: There’s no “children from the future” excuse for the avatar having children like in Awakening. The avatar impregnates all spouses (or gets pregnant) and has the child after an in-game time skip, which means you can canonically impregnate your approximately 15 year old sister in a Fire Emblem game. You really do not want to stan these devs.

pictured: definitely not 18, even if the english localization really tried to pull that.

Which is yet another thing in this game: Incest with adopted siblings is possible and even encouraged. Incest is constantly fetishized through the character of Camilla, who is an attractive and sexualized older sister obsessed with the main character. Another (not so) fun fact is that most characters will continue to call you ‘brother’ or ‘sister’ in the story even if you’re married because Fire Emblem rarely changes the story to fit with your marriage options. The most insidious thing about the incest and pedophilic couples in Fates is that they’re completely normalized. It’s not shown as abusive, and they look like normal couples that could even look cute out of context. They confess their love, tease each other, blush and have cutesy epilogues.

pictured: marrying your sibling and a literal child

All of this is to end with the conclusion that this is a constant pattern with Fire Emblem, especially the ones with marriage. Any potentially awful relationships portrayed are not outwardly abusive. You won’t catch Xander gaslighting Corrin, or anything. They’re a “cute” relationship that just happens to be incest. Their interactions are not outwardly unhealthy, and it’s tailor made for ‘’’harmless’’’ shipping, but in the end, it’s incest and pedophilia portrayed as a valid pairing that’s “healthy” by all means. It’s normalization of something that’s objectively horrifying to live through. As a CSA victim, Fates literally made me quit the franchise for all the years it was popular.

When Three Houses announced that it would take place in a school while you play a teacher, after seeing all of this play out all FE fans could feel was dread. When 3H announced even later that all romance would take place post-time skip everyone forgot about their reservations instantly— ignoring the fact that everyone being over 18 when marriage happens doesn’t absolve all potential problems with predatory writing. How you write a couple with an age gap is critical. Moving on with Actual Three Houses:

Byleth has a canon age unlike Corrin and Robin, but the game tries to hide it

Corrin and Robin were both avatars meant to be somewhat customized. Byleth cannot be customized. They have a set appearance and age. You can choose Byleth’s name, gender and birthday when you start up the game, but Byleth canonically cannot be born anywhere after September 20th 1159, their “canon” birthday, since their father states in his diary that they’re already alive. 3H starts in the year 1180, which makes Byleth 20 or already 21 depending on their chosen birthday.

All other Three Houses characters have their ages shown clearly in their unit menu, and all bios update accordingly when you learn new information, including yours. Byleth’s age is revealed in a cutscene, but despite this, the game tries to “hide” their age. This is all Byleth has in their bio even well into the endgame:

It’s presumably so the player can “headcanon” their age, as the player avatar, but they still have a canon age, because they’re not a customizable one. It’s a very odd design choice that makes no sense until you consider that the game is romantically pushing teenagers at you. Romanceable students range from 14 to 22 years old before the time skip, but the great majority are in the 15-18 range. Early on, when you introduce yourself to your students, they seem taken aback by how young you are and comment how you seem like you’re “their age.” This is your only dialogue option in response:

No sixteen year old has ever told a twenty/-one year old that they’re the same age, but this is anime high school dating sim logic. An addendum is that this game has incredibly shallow dialogue options to hide how linear it really is, and this is the first glaring instance. This comes up later on with the romance options—you have little to no options to reject a student’s advances. Boundaries as both a player and RPG protagonist are non-existent in this game.

pictured: “yes” and “sure why not” dialogue options to agreeing to meet with a student alone. linhardt just turned 17 last month

Byleth can flirt pre-time skip

Most of your units are students, thus all romance should in theory, stay in the war phase…. Which doesn’t happen at all. All the narrative framing of characters’ “closeness” and foreshadowing of romance are definitely a part of the school phase. The worst offender by far is an in-game event called the Goddess Tower, the school’s local romantic spot. It’s said in universe that a man and a woman who make a vow there on a specific night will stay together forever, and this is a prelude to the marriage scenes five years later, which will take place in that Tower. You can even pick who to bring with you to the Tower, and this is what Byleth says to themselves before the drop down menu shows up:

this is one of those lines that’s like semi-innocuous, since byleth is addressing the player here, but what the fuck is a teacher doing thinking about a student “that way”???? my girl doesn’t know there will be a 5 year time skip where they’re going to be legal she’s just saying this about a bunch of sixteen year olds.

The Goddess Tower itself is a mess of bungled flirting and unnatural romantic scenes, made all the worse by the fact that you can only trigger this scene with a student. Older characters like Seteth, Catherine and Shamir are locked out of the Goddess Tower. They can’t be picked from the menu, and if they’re your highest support, the game will default to the next highest supported student. Here’s some lines from Ingrid’s scene:

ingrid is 17 when this takes place. the youngest byleth possible is well over 21 and the oldest is turning 22 next month

Check out this post for more examples of the Goddess Tower. Byleth’s dialogue options here are right out of a god damn PSA about child safety. They genuinely come off as a huge creep here, especially “Just the two of us….” My dude.

Thankfully one of the few instances where you can turn the student down, but notable anyway. Dorothea’s C support, where you have the option of following her flirty lead, and her response will be the same regardless of your choice:

Another infamous bit of inappropriate flirting is Edelgard’s Japanese C1 support, which you’re likely to unlock before her 18th birthday in June because it’s her very first support:

This was thankfully removed in the English version (Though she still has the same flustered reaction), but the intentions are there. Curiously, I’ve seen many supporters of the Byleth/Edelgard ship say they were upset this was removed, while simultaneously denying the ship has any grooming connotations whatsoever— when an authority figure making ha ha, unless? 😳 sexual jokes in front of underage/barely legal kids to see their reaction is textbook grooming:

Once a trusting or special relationship is created, the offender may carefully test the victim’s reaction to sex. (x)

Not helping is the fact that Edelgard falling in love with Byleth during the school phase is practically canon judging by dialogue in CF of her missing you “more” than the others. Which leads to:

Some interactions pre-time skip resemble grooming tactics

In fans’ minds the lack of boundaries are somewhat mitigated by Byleth’s supposed good intentions, and it’s common to hear fans say Byleth obviously didn’t go to Garreg Mach intending to marry one of the kids they’re teaching because grooming must be malicious from the start. However, it’s well known that unlike premeditated abuse of younger kids, sexual abuse of older teens often happens by “accident”

In contrast, educators who teach at the late middle and high school level target victims in this age range. They might be outstanding teachers, although they may also be mediocre (Shakeshaft, 2003). Sexual abuse at this level may be less premeditated and planned and more often a result of bad judgment (Shakeshaft, 2004). (x)

In other words, by putting zero boundaries between teacher and students and enabling weird situations, which is 3H to a T. Many students flirt, but Byleth doesn’t say anything, or even flirts back.

Secondly, Byleth is like… barely a character, so this isn’t meant to be a callout post accusing them of being a manipulative abuser or whatever, because this is about the dev team putting teenagers in these flirty positions to satisfy the player that Byleth is meant to represent. Byleth is just the plot device they use to do so. People often say this flirting isn’t grooming because Byleth has “good intentions,” but they’re a self-insert, and a self-insert doesn’t have to have any in-universe intentions because the outside writing drives their actions— the thing is we KNOW these writers are not above writing pedophilia as harmless romance. People project good intentions on Byleth, because that’s the avatar. You’re supposed to project on them. This of course includes their “good intentions,” and when I play 3H I headcanon that too, but canonically speaking, these intentions are 100% ambiguous. They never voice attraction to another student, or disgust at the thought of dating them because they speak in small, limited dialogue options and thought bubbles. We don’t have a real, canon indication that they would oppose dating a student before the time skip nor that they would actually do it.

What we do have are the canonical interactions that make people uncomfortable, however. Byleth can think of students in “that way” when the Gatekeeper describes a romantic getaway on the Goddess Tower. If we take them at face value, then their dialogue options clearly establish that they’re okay with flirting with students as young as fifteen, at the very least. They “die” before potentially starting to date any of them for real, but the beginnings of an uncomfortable romance are there and the game fully embraces this as okay .

This is all a result of the writing. Fates never condemned you for picking your sister over any of the other thirty (?) romanceable characters, just like Three Houses doesn’t condemn you for picking Lysithea over any older women in the teaching staff. It’s just another S support option, and it even gets some sweet extra content. She’s touched that you care for her, and you do everything in your power to take care of her frail health, and you guys get happily married. No one ever mentions that you were her high school teacher when she was fifteen and you met at said high school, and she was your favourite student— and this is, you know, something of an important detail in any relationship. Just like Fates, it’s sweet and shippable out of context, which just encourages normalization. How dare you say this is unhealthy? It’s tender! Look how much he loves her!

The thing is that 3H initially presents your students as your charges in school. You’re unambiguously in charge of them as both tactician and instructor, even if you treat each other in a familiar way. Even if most students technically outrank you as nobles, Garreg Mach as politically neutral ground implicitly puts you above them as their teacher. The younger ones are vulnerable teenagers, away from home in a boarding school. Most have some sort of underlying emotional problem that they come to you for. They come to you for advice, and sometimes just venting. You can give them gifts, and have tea every week with them if you so wish in an off-screen conversation. Tea also serves as the “skinship” of this game where you get to see the anime boy/girl of your dreams from up-close, which is a pretty creepy thing to do with a fifteen year old anime girl even out of universe, but I digress.

Looking at this chart in the essay I linked earlier gave me a little bit of a stroke, because the “Strategies” aspects are all things you do in 3H prior to the time-skip:

This is obviously accidental, but still concerning because we know these devs have a twisted idea of what romance is, and that culminated in what I sincerely hope is an unintended but still eerily accurate portrayal of grooming.

Emotional confidence, teatime and gifts, flirting, making a vow together at the Goddess Tower, sex jokes, are all things you do pre-timeskip, and some student’s personal arcs make this even worse. Marianne, Dimitri and Bernadetta have mental illnesses, and they heavily rely on you for support. Edelgard and Sylvain express attraction towards you. You meet Felix’s father and he puts his full trust in you. Ignatz, Bernadetta and Marianne have very low self-esteem. Characters like Ashe and Annette have major parental issues that they discuss with you. In short, you see them at their most vulnerable as kids, and then get together as adults.

About the only thing you don’t do pre-time skip in that list is “Isolate,” but some character arcs post time skip have this distinct vibe nonetheless. Many students leave their homes in the war phase explicitly because of you and no other reason. CF Ingrid in particular outright betrays Faerghus and everything she knew for you, as she says she doesn’t really believe in Edelgard’s war. Knowing you as a teacher can string her along in her Goddess Tower scene while she’s underage puts this in an awkward perspective.

This is what makes the five year time skip hold little weight. Everyone is an adult when the relationship is consummated, yes, but it starts pre-time skip.

Emotionally vulnerable teenagers having a strong relationship and frequent alone time with their older teacher, who is a confidant and someone that makes them feel special is already looking bad, but the absolute loyalty, idolisation and close relationship when they’re adults only makes it worse, even if it’s probably just a result of poorly thought out game design and player pandering gone wrong.

It’s not just player pandering, however. The devs just clearly think these relationships are okay. Other non-Byleth student/teacher romances deserve a mention, too—Manuela is forty something and thinks of her romantic potential with some 19 year-old:

Thankfully, this support ends at B, but others don’t. She has romantic endings with Lorenz, Ferdinand and Dorothea, who she even canonically met before Garreg Mach as a child and who idolises her as an opera star. The game doesn’t stop at the normalisation of grooming with Byleth, they’re just the most noticeable example, especially since it’s a power fantasy for the player who can romance all of them, not just a few.

The time skip had the opportunity to fix some of the creepy implications, but it didn’t

People like to look at the time-skip as a justification of romance. That 15 year old kid is 20 now, after all, and your students are adults, who have matured and grown outside of your influence.... Except your interactions with them remain virtually the same. They still call you Professor and hold you in some extremely high esteem as an authority figure.

Three Houses has an avatar worship problem like all newer Fire Emblem games and this definitely contributes to the uncomfortable implications in the narrative, because literally everyone respects you and adores you to an uncomfortable degree. Even as grown ass adults, the avatar worship just makes it seem like your students still idolize you like when they were kids awe struck by how cool you are.

They don’t show the change from “mentor” to “peer” satisfactorily, like they intended for the romance elements to work. Byleth’s name is customizable, making a first name basis difficult, but they easily could have changed your war phase title to something that would make it seem like your students’ view of you changed, like a military title such as Commander, or even just Eisner, your canonical last name. All students still call you “Professor,” in the war phase, though. Some students even call you Professor when you’re about to propose to them in the S support, like Lysithea. Leonie, one of the oldest students who is actually your age, has this to say about calling you by your name… you know, like a normal peer and friend would:

White Clouds is also a whole year while VW, AM, and SS take place during six to seven months, CF during five. You spend more time as their teacher and mentor than as “peers,” so Leonie’s position is pretty understandable despite being like, barely a year younger than you.

To rewind, this game lets you pick a “special” student pre-time skip, who you’re encouraged to build bonds with through tea, gifts and the Goddess Tower. You’re their favourite teacher, as said by many other characters. They grow up and join you in your war regardless of who they have to fight, some even just to be with you. They still affectionately call you Professor, and look up to you. You can then marry them. This is unironically seen as both acceptable and even romantic.

Many of these interactions like tea are gameplay elements and thus come off as the devs not thinking too hard about it. Except, again, we know they have no problem in writing outright pedophilia, but Fates in particular had heavy backlash over this, which explains the need to tone it down a little. Grooming was their “compromise” between not turning off the casual audience while still cheekily pandering to that crowd. Everyone is technically over eighteen in Three Houses, even if they act extremely similar to their teenage selves. The “technically 1000 year old” romances like Flayn and Sothis were also left intact.

This is an important distinction, because a bit of a popular “it’s not grooming” argument when dealing with the war phase is Byleth’s weird dragon powers slowing their aging. Unlike the kids, all adult non-students in Three Houses undergo no portrait changes during the time skip, including Byleth. The thing is that in Chapter 10, they receive dragon powers as part of some plot nonsense, so it has different implications than just anime hating everyone over 25. There’s implications in the game that this definitely affected their ability to age normally, such as the Flayn ending:

However, we don’t know how their aging was affected and to what extent. Three Houses’ lore didn’t specify much about the way dragons age. Rhea undergoes dragon madness, so we can thus tentatively assume Fódlan’s dragons are similar to Archanea and Valentia’s dragons, which would mean there’s a chance Byleth even aged normally for a few years before slowing down significantly like Nah from Awakening did. It’s entirely possible they’re biologically 25-26 like they’re meant to be, because they didn’t physically die. They were just asleep.

Even if they really did not age a day over 21/22, it still makes the pre-time skip hold weight, however. Byleth can flirt with them as teens prior to any fantastical excuse, and they’re still a mentor figure in the students’ eyes, which goes on to colour every interaction with you in the war phase. Post-time skip everyone is legal, but they still have that history with you, and the game makes no real effort to change that whatsoever. It still fulfills the student/teacher fantasy despite the many, many technicalities it tries to pull out of its ass.

Intsys is self aware and knows that this upsets people

To say these devs probably didn’t mean it that way is not entirely impossible, but they don’t exactly inspire confidence. They even “acknowledge” their flippant way of treating teacher/student relationships in a DLC quest during school phase:

Of course, this is a silly complaint because a teacher being friendly with students is a good thing! Students learn better in a positive environment! The problem here is that it’s obviously referencing and mocking the people upset that this becomes romantic later on. I think anyone would have been able to forgive the overly friendly nature of Byleth and the students’ relationships if no line had been crossed regarding romance. This is Fire Emblem after all, and it wouldn’t be Fire Emblem without supports and relationships values.

But also, Intsys is very good at jokingly acknowledging when they’re being creepy rather than striving to do better. It’s not the first time they’ve done this. A really bold faced example is when the Fire Emblem mobile game widely known for fanservice released a ten year old child (no magic or dragons, either, just a child) dressed as a bride and had her say: “This outfit is just for the [bride] festival, don’t get any weird ideas!” when they were the ones who made a child bride for fanservice purposes.

this one was pretty fucked up even by their standards. comment sums it up

The devs also once called Camilla from Fates a “cow” in an interview for having huge breasts and a little tiara that looks like horns. They designed her that way, but then mocked her for looking like an oversexualized caricature. Any way you look at it, they’re well aware they’re being off-putting and cheekily being like, tee hee, I sure made a dating sim set in a high school! Which ultimately leads to the final point:

Though canon definitely has its problems, it’s less about canon and more about the devs’ bad intentions and the fans’ general lack of empathy for CSA victims:

This is not to diminish canon’s impact at all, because it’s outright malicious to portray an unhealthy relationship as cute and harmless. In short, they just pull technicality after technicality out of their ass to make student/teacher okay somehow instead of just..... not having student/teacher at all. After Fates having fucking incest, 3H and teacher grooming seems outright tame and that definitely contributed to the wide acceptance in the fanbase, because it’s less outrageously pandery. I can’t believe I have to say this in 2020, but…... that’s still not good, lads.

I will also admit there’s some nuance here regarding some of the students, especially those 20+ year olds who aren’t easy to manipulate teenagers like Mercedes. We can sit here and argue all day about whether or not this game legitimately 100% can be considered grooming because of those 20+ students, and all of those in-universe technicalities since there’s no real life academic journal on grooming who will talk about the offender being a dragon, but the end of the matter is that the devs chose to portray their pseudo-dating sim franchise in a school, while your MC is a teacher and most of the students are teens. These relationships are also 100% normalised and okay in-game. They did it with incest and with teacher/student, both topics that are majorly upsetting to CSA victims, and that alone is worth calling out. They even mocked people who were upset about it with a little DLC quest, just to rub it in.

This whole post was a critique of 3H and Intsys, but it’s impossible to critique the game without critiquing the fan culture around it, because the devs definitely had a fanbase in mind. We know they take feedback, since they toned it down after complaints about Fates, but the reason why they didn’t just get rid of pandering aspects, is because they’re popular. There’s a huge demand for this, and that’s exactly why they keep doing it, and it’s the simple reason that online anime spaces full of adults have always placed a particular interest in teens and sexualising and shipping them. A Fire Emblem game set in a school with a calendar and a lot of romantic and social elements that started development in 2017 just screams Persona 5 inspired. Fans obviously noticed.

”edelgard is soooo thirsty” jokes are a lot less funny if you know going for the thirsty kid is a legit strategy

Now, I don’t know shit about Atlus, and after seeing all these memes regarding Persona 5 and the fans’ positive reaction to them, I have zero intentions to play it, but I’ve unfortunately played every single FE game and watched the transition to classic FE to 3DS FE to 3H. I have my criticisms about modern FE’s writing quality for sure, and while I obviously can’t say it used to be perfect because it was still a fairly mediocre (but fun) game about teenagers beating up dragons, it’s now become one of the single most unfriendly fanbases if you’ve gone through any kind of sexual trauma. Incest shipping, pedophilic shipping, and sexualizing teenagers was always there to some extent, but it’s blown up now that the devs have emboldened those fans by doing it in canon itself. It’s rampant, especially on “waifu” circles, and now grooming ships are mainstream and everywhere. Even LGBT friendly “safe spaces” are unbrowsable. F!Edeleth in particular is commonly seen as the holy grail of wlw representation. Linhardt is the most popular M/M option despite the other two being adults. Doromanuela was given a shout-out by Dorothea’s English voice actress.

Old FE games had background things like that all the time, (Roy/Cecilia is Literally gender swapped Petra/Byleth) but the keyword here is background. Not like... 80% of the ships involving the MC in game, which means you weren’t bombarded with this every day. Worse, the discussion about this topic has been non-existent. Reddit has not touched this at all despite the community there being well known for meticulous criticism, Twitter and Tumblr have seen its fair share of discourse, but it’s quickly dismissed. Just click here to watch people dismiss the concerns of every single grooming and CSA victim, or even call them stupid like we can’t recognize this shit in every single fandom. Of note are the fans who dismiss grooming concerns by saying all flirting occurs post time skip (which is false, as we just said) and the characters are only 3-6 years apart anyway……………….. and then gleefully consume/produce pre-time skip content:

miscellaneous tags on a pre-time skip linleth comic (20/21/22 and 16/17 if you’re not keeping count) not posting the comic itself cause i don’t want anon hate lol

While there’s an argument to be made for romance with anyone who was 20+ pre-time skip, there is NONE for the underage kids. None. And like, even if you somehow still want to argue that 3H itself isn’t grooming because of the time skip, a huge chunk of the fanworks objectively are, and this is a huge problem that needs to be called out and nobody does so whatsoever. That comic has 2500+ notes.

This isn’t even a call to tell people to throw out their copies and riot, just to be aware of this and try to make fan spaces a little more bearable for CSA victims. A lot of people call this ‘toxic cancel culture’ and whatnot, but I personally can’t defend a dev team who I KNOW has done heinous things in the past, and continue to support the pedophilic mentality in online anime fan spaces but like, in a cheeky subtle way. They easily could have made Byleth a student who tutors the others because of their experienced mercenary background with Jeralt, or just not let them romance the kids at all. They could have pleased both the dating sim and high school camps by letting you choose to be either a 21+ teacher or a 17 year old student with the appropriate romance options, too. They didn’t do any of this, and their questionable past begs me to ask why, and none of the answers I can come up with are very encouraging. They also even blatantly gave you extra content when romancing students.

I hope contextualizing the 3H grooming at least makes some people understand why it’s so upsetting to see it everywhere. It’s just the decent thing to do to tag your posts, and to not dismiss any of these things. It’s just the decent thing to do to listen to people who are sharing their experiences and respecting their boundaries if they simply do not want to interact with you if you decide to continue supporting Intsys.

Anyway, I hope you enjoyed this. Stan Claude von Riegan.

#t #fire emblem #fire emblem three houses #fe3h #grooming mention #csa ment

967 notes · View notes

zombieheroine · 3 years

Text

TFP: the backstory of the war and some points

This is more about my pet peeves than anything else, but still I think some of my points might be of interest.

Basically, there are popular takes and headcanons and interpretations in fandom about the backstory Ratchet tells Jack, Miko and Raf during the finale of the first season, and sometimes I have different ones I really haven’t seen much elsewhere.

I think it’s really interesting to note that the flashback is told through an unreliable narrator, Ratchet, who has multiple reasons to let’s say adapt the truth: He wants it to be short, so he simplifies, he is telling it to the children, so he includes things he thinks they need to know and excludes things he doesn’t want to mention, he is summing up not only the politics but also Megatron and Optimus’ past, some of which he wasn’t there for and only knows what Optimus has told him, and finally his own personal feelings about the events and the people involved in them.

There’s also the visuals of the story, how the medium changes the animation style into 2D-like, almost still frames and includes emotionally charged visuals like characters just posing, changing colours, and a ball of fire consuming the picture. These elements aren’t meant to be taken literally.

So, pet peeves:

Megatron started out good and later lost his path.

I don’t buy this. There’s nothing tragic or confused about Megatron’s character. He was aiming for an authoritarian state led by him from the start, he simply lacked the means at first. I’m not saying that he didn’t have any central ideology, he clearly did as he is clearly driven by it and he has followers loyal to the cause (Skyquake, Dreadwing, Soundwave), but I think to say he must have been a great and noble philosopher greatly overestimates how much it takes to rally suffering and oppressed masses into revolution.

Also, he sure had an organized and functional military force behind him, fully armed and ready to fight. That kind of a force isn’t built, trained or armed overnight. He was prepared.

The Council saw Orion Pax as worthy and noble

This is my theory about it, because yeah, no they didn’t. This is just Ratchet simplifying or even buying into the story.

Something like this would be plausible in a fantasy story or a fairy tale, and even though TF: Prime is aimed for children, its overall tone and how seriously it takes its story and themes doesn’t fit the trope. It’s not an adaptation of “here are Decepticons, they are evil because they are evil”. Instead of fun or wacky adventure, it takes time to talk about war as a devastating conflict with political motives as well as horrible concequences like death and destruction of civilization and infrastructure. Instead of simple “evil” and “darkness”, there are politics, ideas and ambitions.

So, the Council, what are they all about? Trying to pacify restless and protesting people and prevent violence and their own power grumbling. I don’t think it’s so much Orion’s “worthiness” as much as his “let’s change stuff and not kill anyone”-ness. Megatron was too dangerous, too radical and too powerhungry, and obviously prepared for violence.

Naming a Prime was the Council’s last effort for settlement, to let the people on the verge of open revolution to have a Prime of their own and take their grievances up with him. They knew they would have to give up something and change, and they didn’t want a revolution or violence. They were simply too late: The crisis was too ripe, things gone too far, too much anger and too many guns in the game, and so war was inevitable.

(Not that Orion wasn’t worthy, since Primus approved of him, but that had nothing to do with the Council.)

Megatron used to have blue optics

This is a small pet peeve compared to the ones above, but it still bothers me and goes together with the first point.

Megatron is showed with blue optics when he’s friends with Orion and preaching his ideology, then comes the point in the story where he “reveals his true nature”, leaves the Council without Primacy and decided on open war, and his optics turn red.

That is not literal. He doesn’t change the optics, they flash into red at a dramatic point in the story, and the story element works because of the audience’s associations with the colours.

Then again, the colour of the optics is those elements that are clearly design choices to make the bad guys looks scary and the good guys look friendly, and obviously it also ends up being a feature in-universe. We could talk about the optics and what they mean, but I’m just concerned with Megatron here. The only indication that he had blue optics is that one story-telling element.

(Not that I have anything against artists drawing him with blue optics, mind you.)

Ratchet speaks the truth.

I’d just like to point out that the backstory is told to us by Ratchet all of. It’s interesting how Ratchet is simultanously the best and the worst source of information: It’s implied that he’s the only one of Team Prime who’s known Optimus before he became Prime, but as such he’s also one with most emotional investment, and that’s not even mentioning his personal beliefs that he demonstrates across the series.

Ratchet was there, yes, and has a close perspective, but Optimus and Megatron have a lot of private history, and much of it is so sensitive Optimus probably hasn’t shared it. We know Optimus has many mixed feelings about Megatron, like how he hesitates to kill him, mourns him alone, and doesn’t join in speaking about his character or deeds in emotional moments. So Ratchet doesn’t know the whole story.

Then again, I’d argue he sanitizes it for the children. We know Ratchet hates Megatron perhaps the most of them all (he’s the only one who strongly opposes to allying with him against Unicron, for example), but still the story about his origins is fairly clean. Multiple times through the series a history of horrific violence is implied, but there’s very little of it in the backstory. Even though the theme of bloodless but oppressed peace versus destructive and bloody freedom in war is an interesting one, I think it’s more likely that Ratchet leaves things out, for better or worse.

So in conclusion, I think it’s a really interesting scene and I love that the origins of the conflict are so murky. I also really like how the series pulls ambitious things like this, such as an unreliable narrator, and the style and how the truth is multifaced and unclear.

So many things in Prime are worth a deeper look.

#maccadam #tfp #transformers prime #Optimus Prime #Megatron #Ratchet #tf meta #kapteenin raapustus

91 notes · View notes

h2ojustaddmako · 3 years

Text

Headcanon: The Origin of Mermaids & Magic

Wooooooo...it’s been a long time since I’ve written one of those. I can truthfully say I’m been sitting on this one for maybe over a year...letting it cook up inside me...like a dumpling of information. Okay, weird image, i get it, but that’s the truth.

Basically today I wanna go over a little idea of mine I’ve had for a long time, and every time I rewatched the show, it was fed and grew larger and larger, with more and more information to help me piece out the puzzle of mermaid powers, and why all you thought you know was absolute garbage.

As I went over in my (pretty popular, if I may) post about how the powers work, mermaids use electromagnetism in a way that helps them alter the magnetic field around them and manipulate water in multiple ways to be able to “control” it. The moon is magnetic, and so is Mako Island, therefore, something in the full moon evokes the powers. But what is it?

While watching season 3 and Mako Mermaids as a whole, you’d realize they are more similar than you’d think. Actually, the lore introduced in season 3 seems to be the base foundation to the entire world-building in Mako Mermaids. One thing that is highly notable is the appearance of the crystals. Moon crystals, as I call them, can indeed release “moonlight”, this blue, hypnotizing energy wave. But that’s not really moonlight, per se. You see, moonlight isn’t a real thing in nature; the moon doesn’t radiate like the sun, it’s just reflective, and it’s surely not deep blue. And so, the so-called moonlight in the show is actually something else. Like the stones of Mako, the crystals in them also originated from the moon, and Mako (and every other “moon pool” out there) is probably sitting on millions of them. Considering how many were inside that one piece Ryan and Sophie tried to grab, the foundation of Mako Island is rich with these blue bitches. Now, these crystals are unique because they store inside them the secret to mermaid magic.

You see, throughout the Mako show, one of the most valuable items are these little ‘moon rings’. These little rings with a nice, big blue crystal right in the middle. While the show never explicitly reveals that the crystals are originated from the moon pool, or Mako at all, but given the pretty obvious design choice, it’s very clear to us that it’s more than just an artistic design. They also work in a very similar way - they both radiate blue energy that is very strong, and have serious powers. Mako gave us a very big hint to the origin of that, by saying the moon rings need to be recharged in full moons. That’s when the power of the moon is the strongest. Now going back a little, we said the moon doesn’t really shine a light of its own, so what are we talking about? Well, like the crystals on the rings, the crystals on the moon absorb power daily, from the sun and space. The sun uses a strong magnetic field, holding the planets and what-not spinning around it in perfect rings since the creation of the solar system. The crystals on the moon absorb that power, and every night, the moon radiates it back to earth, to its cousin, Mako Island. Simplifying things, the moon absorbs power and in return release it towards Earth, only for that power to charge the entire Mako Island crystal colony. Many have spoken about the weird sensation Mako gives them - electromagnetism, and no wonder mermaids feel it stronger, since they are sensitive to it more than most people. The girls felt the comet getting closer because a part of them is now sensing magnetism in the environment.

So Mako is charged with energy, so what? You see, the moon pool’s shape is very interesting. The decision to place it at the bottom of a volcano isn’t just a creative choice (though it is very cool). The shape of a volcano is that of a cone, of a funnel, if you may. The moon centers around the small opening above and radiates into the moon pool itself. Unlike the rest of the island, which seems unaffected during full moon nights, the shape of the moon pool allows the power to get trapped in the spacious room of crystals walls, awakening the power that is also trapped inside the crystals themselves, probably magnifying the intensity of it by a lot. Add the fact that the full moon is the stronger of the faces of the moon considering all of it is facing Earth and you have yourself a force not to be played with. That means that the moon pool as a room has very strong energy to it, one that apparently can turn someone into a mermaid.

The mystery of why a mermaid, of all things, and what mermaids have to do with the moon is still a puzzle left to be solved. But one thing’s for sure, mermaids are not natural creatures, despite what Mako Mermaids tries to sell you. They have too many human characteristics to only be relatives to humans and go through such an evolution is a short (evolutionarily speaking) time. Plus, no power in the world can turn you into something you’re not, and for Lewis’ examinations and the medical tests they went through in the “fake sick” episode, it’s pretty safe to say that genetically, mermaids are very slightly different to humans, and it’s not something that can be detected without looking into their DNA. But that tells us enough to safely bet that the origin of mermaids is human, and not another species adapted to live in the ocean.

And yet - sea-born ‘natural’ mermaids are so different from humans. They can siren sing, they give birth to “hatchlings” (whatever that means), and heck, some can even speak to sea animals, what’s up with that? Well, these could all be considered under the umbrella term of rapid evolution. In simple words, rapid evolution is the process a species goes through in order to adapt to a new environment that is foreign to it and different from its natural habitat. While humans don’t really have a natural habitat, we are land animals, and therefore, to live in the ocean we’d have to adapt to different factors. The transformation of the full moon only does about half the work, but a mermaid like Cleo couldn’t live in the ocean forever, as we saw when she ran away. She was hungry, ‘cause she didn’t know how to hunt. She was tired, ‘cause she didn’t know where to sleep safely. And you would be too, if you were to be thrown out of your natural environment and into some place you may have the physical skills to handle, but not the knowledge.

So my theory goes as follows: in an order of events, at some point throughout Earth’s history, a piece of the moon detached and entered our atmosphere. The piece broke off, landing in several places around the world, such as China, Ireland, perhaps the Caribbean as well, but the biggest piece landed off the coast of Australia. The new mass of stone tore through the layers of the Earth, resulting in an active volcano, that eventually cooled down and turned into an island. Million of years later, ancient humans, probably a male and a female, discovered one of the moon pools around the world (probably Ireland), sometime around 3000 years ago, before the first mentions of mermaids in Greek mythology. Said humans were probably considered as witches, gods, beings of magic and power. It is not far fetched to assume they may have escaped into the ocean. Perhaps more people were interested in getting such powers; maybe it was more than two, maybe even tens of people. Mermaids were considered as monsters, beings of evil to be feared of, and when Christianity rose, perhaps unholy abominations. The moon pools were considered supernatural places. All that led to merpeople being secluded, escaping humans, and accepting the ocean as a new home. They adapted quickly, and with time, the mermadic gene was implemented into their DNA. They were still humans, just highly adapted to life underwater. With the industrial revolution, the stories of mermaids became nothing more than folklore, one with ancient gods, monsters, and myths. Every now and then someone saw a mermaid, like Christopher Columbus, but who would believe a person that saw a being half woman half fish?

this actually started as a whole other headcanon, but go figure

#Headcanon #h2o just add water #mako: island of secrets #mako mermaids #natural history

87 notes · View notes

makeste · 4 years

Note

Are there any headcanons that you would like to share? About anything you want.

anon in the absence of specific guidelines I have managed to make this post pretty much entirely about Bakugou. I apologize if you really wanted to know all of my headcanons about Kouda or something lol. but all joking aside he really is the character I think about the most and so probably like 80% of my headcanons are about him, including close to 100% of the headcanons I actually have a solid enough grip on to put into words. anyway here goes.

he does not know how to tie a tie. he was a rowdy little free range knee-scraping grass-staining run-don’t-walk child whose parents only ever managed to wrestle him into formal attire a handful of times for special occasions when he was younger, and then he went to a middle school that used gakuran-style uniforms so he never learned then, either. his dad offered to teach him when U.A. rolled around, but he was all, “fuck off dad, I know how to tie a stupid tie,” because by that time he had grown into a cocky little brat confident in his own skill and naive as to the reality checks of the world, and he genuinely believed with the conviction that only a fifteen-year-old can muster that when the time came he would just magically know how to do it. on the first day of school he got as far as draping the loose tie over his neck and holding one end in each hand before staring at the mirror and abruptly realizing the hole he’d dug himself into. and so rather than admit defeat, he just straight up decided not to wear it. which became a permanent life choice once he got to school and saw how badly Deku’s tie was tied and realized there was no way he could ever risk that kind of humiliation.

in a similar vein, I know there’s a popular fanon that because of his parents’ influence Katsuki has a good sense of fashion, but my own personal headcanon is that this could not be further from the truth lol. it’s not that he has a terrible sense of style, mind you; it’s just that he doesn’t care about it at all. he’s a nerdy jock who spends all his free time studying and lifting weights. this kid literally only wears one color, and that color just so happens to be the easiest possible color to coordinate. he owns like three pairs of shoes max. he wears his pants three sizes up and they drag so much that the hems are all frayed from him constantly stepping on them (literally canon, and one of my favorite details from chapter 218). he just doesn’t give a fuck, so long as the clothes are comfortable and don’t look stupid. he has about a million things he’s more concerned about than what he or anyone else is wearing. in fact I’m 90% sure that his mom still buys most of his clothes, and about 70% convinced he does not even know what size he is.

he’s good at household chores (because he’s good at everything), but hates doing them. aside from cooking, which he enjoys, he will bitch and whine nonstop if forced to do tedious-yet-necessary things like washing dishes and folding laundry. that said, he is a perfectionist, and he also has a lot of experience because his mom made him do chores all the time during the seven trillion times he was grounded while growing up (that’s his estimate, btw, so it may be slightly exaggerated. he was not an easy kid to raise. when your kid’s fuse is about a millimeter long and he has a tendency to literally blow up whenever he throws a fit, you end up with a lot of objects in your house that have been replaced at some point), so if you do actually manage to get him to do the chore, rest assured that chore is getting fucking DONE.

when he was very little he watched an Avengers Endgame-style All Might film where a bunch of bad guys attacked earth and various assorted heroes tried and failed to stop them. then at the climax of the film, All Might showed up and said “I am here”, and everyone got super pumped up and excited because they knew the heroes were going to win with All Might on their side. this scene remains Katsuki’s favorite scene in anything. not the fight -- just the moment where All Might shows up and grins and the audience knows right there and then that he’s going to win. this is the feeling that inspired his dream. he wants to be the one who shows up and everyone is like, “we’re good now; Katsuki is here.”

when he was six or seven he got into a big fight with an older boy over that scene because he said it was fake and that there was no way All Might could have beaten those guys in real life. Katsuki insisted he definitely would have because All Might never loses. the other boy replied that everyone loses sometimes. Katsuki kicked his ass and got suspended for a week.

ten years later, Katsuki watched All Might battle All for One at Kamino and realized two things. one, that the other boy was right and that anyone can lose. and two, that he, the one who had so proudly defended All Might back then, was going to end up being the reason why he finally lost.

for a long time afterwards, he couldn’t bring himself to watch that movie again.

when he and Izuku were three years old their moms sent them out on a first errand (google Hajimete no Otsukai if you’re unfamiliar with this tradition, I promise you it is the cutest fucking thing you’ll ever see) to buy ingredients for katsudon. Izuku was full of bouncy childish enthusiasm and could rattle off the full shopping list of ingredients front to back, but when the moment finally came his confidence wilted as soon as their parents were out of sight. Katsuki also had a moment of panic when they first rounded the corner and he couldn’t see his house anymore, but rallied once Izuku burst into tears and he realized that he had to be the one to take charge. he proceeded to morph into an absurdly over-the-top caricature of his own mother for the duration of the errand, to the point where in addition to telling Izuku to stop crying he also ordered him to stand up straight and tuck in his shirt. the two of them went on to complete the errand flawlessly and their moms were PROUD AS FUCK and took a billion pictures. Izuku and Katsuki have only a few scattered memories of this milestone in the present day but it’s enough to send both of them absolutely reeling with embarrassment whenever they’re reminded of it.

he and his mom don’t often get along but sometimes they’ll bond over roasting a mutual target. they have watched many a trashy reality TV show together for this purpose. Masaru lives for these moments but never comments on them lest he spoil the rare moments of peace.

Katsuki is perfectly capable of using keigo (i.e. normal polite Japanese with no rude language/cursing), otherwise he would not be one of the top students in his ivy-league high school. code-switching is a thing guys! anyways his teachers are aware of this, because all of his essays and homework assignments are written normally. he merely chooses to go about his daily business acting like a wannabe yakuza stereotype because that’s just his personality, and he’s not about to start censoring himself and acting like some weird little goody two shoes robot person just to please people he mostly doesn’t give two shits about. but if you put a gun to his head and told him you’d pull the trigger if he said “fuck”, he would probably be all right; he’d just have to concentrate.

when he was little he went through a phase of collecting cicada shells and leaving them EVERYWHERE -- in the bathroom sink, on his mom’s pillow, you name it. Mitsuki often tells people this is when she started getting gray hairs. one time she opened a box of cereal and there was one in there and a little bit of her soul died that day.

he generally doesn’t care who calls him Kacchan. it doesn’t particularly bother him and it never occurred to him to pretend like it did just for appearance’s sake. also secretly for some reason the thought of Deku ever calling him anything else really bothers him. he’s not sure what it would mean if that ever happened, or what he would do.

all of his workouts are designed to strengthen his arms and back and shoulders because those are the parts of his body that take the most abuse from his quirk. other than that he avoids building up excess muscle anywhere else because the more weight he puts on the harder it is to fly around. for this reason he is never going to end up being a big bulky guy like All Might. one day Deku is going to surpass him in muscle, but he doesn’t care because he’ll still be a match for him in firepower and speed.

he’s one of those kids who will not so much as take a sip of alcohol until he’s twenty-five. partly because he’s experienced enough concussions that he doesn’t particularly want to give hangovers a try, and partly because he’s a control freak and honestly afraid of getting drunk and making an idiot of himself somehow. the rowdier members of class A try virtually every trick in their wheelhouse and then some to try and persuade him over the years, but not even the reverse psychology “aw, don’t worry, it’s okay if you’re... scared :)” thing works, because that’s only actually effective when he secretly wants to do the thing.

then one day he just wakes up and is all “you know what, I’m gonna try it”, and for the next few days his google history is basically just “how many drinks does it take to get drunk” and “how to avoid getting drunk” and “how to prevent hangovers.” somehow word gets out through the grapevine (he probably told Todoroki, who is the one person in class A you’d think wouldn’t be a big ol’ gossip but in fact IS) that Bakugou is finally going to get his drink on that weekend, and pretty much EVERYONE shows up at the izakaya that Friday night excited as FUCK.

Katsuki proceeds to drink a grand total of two beers over the span of several hours, and drinks like five glasses of water in between, and literally nothing happens to him at all except that Kaminari almost fights him out of frustration. the rest of class A never fully gets over their disappointment.

he actually knows like 90% of class 1-A’s names by this point. there are still a few people he doesn’t and will never know, though. twenty years from now Aoyama will still be “that weird fucking french kid” in his mind.

he had no idea who Eri was until the Christmas party. sometimes he’d hear the other kids talking about someone named Eri, and from context clues he somehow ended up thinking it was one of Aizawa’s cats. when Eri came to the party he had a brief moment of curiosity wondering if she was Sensei’s niece or something, and then he heard someone say her name and he was all “THAT’S ERI?!” and his entire worldview was briefly shaken up.

he pulled Kirishima aside to ask him and Kirishima basically gave him Eri’s whole entire life story which was way more than he actually wanted to know. he’s now kind of terrified of ever being in the same room as her for fear of having to interact with her because he’s pretty sure he’d do or say the wrong thing. most of the time being intimidating is something he strives for and puts a lot of effort into, including when he’s around kids (who are basically just smaller, sloppier adults in his mind), but he doesn’t want to be the guy who scared an abused kid, so he basically just hopes the others will have enough common sense not to ever go “oh hey you know who should totally interact with each other?? Eri and Bakugou!”

that being said, if circumstances ever arose which forced Katsuki to protect Eri, the two of them would totally bond and they would have a really sweet relationship in which Eri looked up to him just like she looks up to Deku and Mirio and the rest, and where Katsuki was constantly trying to be on his best behavior around her, like genuinely, sincerely trying, and kind of failing at it a lot but still being sweet in a gruff sort of restrained-disaster way.

...and after sitting there for a while trying to think of more I couldn’t come up with any so I guess that’s it! basically most of my headcanons are about how secretly boring Katsuki is. honestly if it weren’t for him having the vocabulary of a 52-year-old sailor whose foot was caught in a bear trap, he and Iida would probably be best friends.

#bnha #boku no hero academia #bakugou katsuki #bnha meta #bakugou meta #bnha headcanons #don't think there're any spoilers here except for the detail about his pants in 219 lol #sorry if I have spoiled anyone for that #makeste reads bnha #asks #anon asks #long post #oh whoops it was actually 218 my bad just edited #wait a second the christmas party is spoilers isn't it lol whoops #bnha spoilers #there we go

254 notes · View notes

rpbetter · 3 years

Note

Sorry if this isn't the place to ask but I'm in need of advice. I have a canon character I truly adore, but I haven't gotten muse or any opportunity to write them at all. My blog is collecting dust and the fandom is kinda dead at this point. Not to mention, it's hard to find compatible writing partners, especially with how picky I can be. I'm honestly considering deactivating the blog (for the nth time), but I don't want to lose the writing I have. I know I could archive, but I hate having blogs just sitting around.

In short, I really want to write the muse/keep the blog but I'm not getting any incentive to do that.

Hello, Anon, it’s totally the place to ask!

I will say, though, that since finding and keeping muse can be flavored rather personally, I can’t promise that what works for me is going to work for you. I’ll even confess that in over two decades, I’ve never personally lost muse. I don’t know if it is due to underlying, neurodiverse style, fixating, or if it is due to keeping myself continually invested in both my muse and writing regardless of what else is going on. (Probably a combination of both, though, and the things I do to keep myself highly in touch with my muse I’ll be recommending.) I’m definitely happy to try to help, however.

That really is a very frustrating spot to be in, wanting to write the muse and keep your blog active, but logging in every day to be reminded of what little reason you have to do so. Since we’re drawn to the characters we are for reasons of personal appeal and writing in itself is a pretty personal form of art, it can also feel depressing on top of the frustration.

However, that’s also the good news, in my opinion, because your incentive here is, or can be, yourself.

You were drawn to this character because you connected with them. They mean something to you, you can relate to them, maybe they have qualities (good or bad) that you wish you could experience. Whatever it is, there’s a reason why you had this draw. Writing is like that as well, there’s a reason why this is a hobby that drew you, that you get enjoyment out of. Again, though all art (it doesn’t matter if it is a hobby) has personal bits of the artist in it, writing is uniquely personal. When you write, you’re exploring thoughts and feelings, giving them life in a character that matters to you. I know, all of that sounds really convoluted and hokey, but it’s true.

And it’s good! That means you always have a reason to write and that you have the tools necessary to find and keep muse without any outside push necessary.

I’d say, firstly, work on getting muse back.

Get back in touch with your muse the next time you feel a particularly strong urge to write. Instead of spending time trying to find people in a silent fandom or forcing yourself to write something you don’t want to, just do some exercises that will help you get back into your muse.

I don’t know what media type your character comes from, but especially if it is something like movie or show that you can have on in the background of what you’re doing, do that. If it’s a comic or a book, think about your favorite scene and read it over first. If you’ve ever made some playlists for writing/your muse, you can always do that instead or as well. The point is to do something passively inspiring while you actively create. Now, that creating...

You want to do something that requires you to think about your muse so you can get in touch with them, not something that is going to make you feel overwhelmed and shut down. So, maybe don’t pick writing prompts for this - you can work up to that. Try out headcanon and character development memes and other question lists instead for right now. Things you can scroll down a list of, find questions that jump out as interesting (or even simply answerable to you at this point, you’re jump-starting a dead battery, it’s alright) and answer them. You can also do something as simple as write down what you like best about the character or their story, or put down the basics of filling in missing information that has always bugged you.

The beauty of this is that it is all on your own terms, your only objective here is to answer what you want, as much as you want. You can stop any time, but you can also answer a single question for three hours, making it eight pages long if the inspiration strikes you. It’s only about recharging your inspiration and establishing a connection with your character again. (This is also going to help you with getting back into writing, or approaching it for the first time, with a more internalized focus of interest.)

When you feel like you’ve done that, you can branch out on these exercises more. Answer the memes more in-depth, answer more of them/the ones you don’t have immediate answers for. You can also try writing out scenes from the character’s canon from their perspective, if it wasn’t already so, adding in their thoughts and feelings, or changing the scene in some ways that would be interesting to write out. This is the point where it’s a good idea to try a writing prompt or two, as well! Take the prompt as a sort of starter sentence from a mutual, you’ve got the situation, fill in with your muse.

Write when you feel like writing. The RPC is great at saying this when it comes to muns not wanting to write, but kind of ignores the other side of the equation. The side where you want to write, have the inspiration and muse to do so, but it might not be the best time. As in, you’re not home/wherever you usually write, with whatever device you tend to write on accessible. No, you’re not going to be able to get as much done, but you can write without the usual situation and device regardless. You can write a scene or ideas down using your phone or tablet, or go old school and use a notebook. If you’re at work and your job isn’t applicable to being able to get down a single sentence, that still doesn’t mean you have to wait 8+ hours to get home; while you’re taking your break, write a little bit. It is a break, and writing is your hobby, it isn’t work. It’s good to do things you enjoy on breaks, and far more fulfilling to have also accomplished something you happen to enjoy.

Not writing when you have the drive to do, putting it off and holding it in until “the perfect moment,” is a great way to lose your inspiration and never actually have that moment. If you feel like doing it, that means it is the perfect moment. Life is restricting, don’t impose even more restrictions on yourself by having to be at home, in a specific spot, with a specific device, at a specific time, on a specific day. Was that annoying repetition? You’re right, it was. And that’s how your creative mind processes all the crap piled onto it that doesn’t allow for creativity.

Now, the other problem, the fandom situation.

There isn’t anything you can do about that, to be absolutely honest. I’m not going to blow smoke and tell you to be positive, wait it out, maybe the fandom will spring to life again. You know, maybe it will...but you could be waiting literal decades for that to happen. Not cool. Please, take my word for that, it’s personal experience that it blows even more than you imagine it will.

What you can do is take the matter into your own hands in other ways; putting yourself out there with more availability in multiple ways.

Are you a single-fandom blog, or are you crossover friendly? If you’re not crossover friendly, try to think of a single, relatively popular fandom that you enjoy. Don’t look at it like a hassle, but rather, just another creative exercise. A serious pitfall of creating alternate universe versions of muses is to take the simplest route, merely picking something you want from that other universe and applying it to your muse with no relevant changes that would naturally occur from it. It isn’t just reductive as hell, it’s not remotely creative, it’s like sticking a sticker on your muse’s forehead and saying that’s a whole different muse. It’s neither attractive to potential partners nor going to sustain your own interest for long. You want this to be a passionate investment on your own end, for yourself.

What not to do:

Let’s say the fandom you picked to do crossovers with is based around magic, the main characters are witches, and they are divided into factions based on how their magical talents display and develop. Not only do you decide to make your muse a witch, you pick the most badass faction. It’s the one full of assassins and action and (metaphorically or literally) sex appeal. Well, that’s also going to be the most popular faction in the fandom. That means there will not only be plenty of big name canons there but also that there’s going to be a plethora of OCs designed just for this universe...and other crossovers from other currently active fandoms.

While that might sound like it’s great for maximizing interaction chances, it’s really not when you’re just starting somewhere new with a character from another fandom that might not be known or liked. It can also take a minute in another fandom’s RPC to identify where the good partners are. Every now and then, it is the most popular and over-populous era/faction/etc., but most of the time, it isn’t. People who write with considerable dedication and talent fairly rarely are in the popular kids club even in their fandom choices. By inserting yourself into that area, you might be bypassing (and being bypassed) by better partners on the assumption that their characters are simply going to bore you to death since they’re not within the scope of your focal point.

It’s not a situation of not being allowed to be picky, you not only have that right regardless of your situation, you also should be. This is not a “beggars can’t be choosers” situation, you’re not beholden to anyone on the basis of being new and bored. However, some of my best, and longest lasting, writing partners over all 23 years I’ve been RPing didn’t/don’t fit with all the exact surface details that automatically draw my interest. It is as true within my own fandom as it is in dealing with crossovers. Opposites (with enough similarities) really do attract and work out well together!

Don’t judge and write people off for anything that isn’t an issue of compatibility with your muse, your writing, or yourself. Decline someone because they do one line only and you are novella, they write topics that are upsetting to you, you can see no way your muse and theirs can interact without instant murder, or because you cannot stand writing with someone who is pulling 90% aesthetics and purple prose. Not because their muse is a witch who uses life-based magic, loves nature, is a healer, and into their health...while your muse in this AU is all about the death, only appreciates an urban environment and is grossed out by animals, kills as an occupation, lives on cheeseburgers and caffeine. You see what I’m saying? Don’t limit yourself unnecessarily!

What to do:

Did you consider if, in that hypothetical idea of a fandom, your muse based on their purely canon self would even fit into that faction? Or is it just something you wanted to see? If you didn’t consider this, or it was the latter, fix that. That’s bad.

If you’re not absolutely dead set on that and only that, think about what really does fit the muse better. Maybe, they would be better as a healer, someone who messes with the very fabric of reality, or someone who manipulates natural elements at will. Then again, they might not even be a witch. They could be more mundane in terms of power, but more accurate and interesting as a normal, human (or whatever). They could even be greatly opposed to the use of magic and witches. Use your muse’s original canon as a base to decide these things.

If you are absolutely dead set on it, though, you have a lot of work to do making the character into what amounts to a markedly different one while still retaining some recognizable aspects of themselves. Consider what events, in this new universe of fandom, might have happened to alter the character thus. Keep in mind that even small changes can have great consequences in a character’s development, and you might need to think about the myriad ways in which that can display, how it changes still more things for this character.

While that job becomes so much more intense when you haven’t planned out a path that matches your muse’s canon characterization at all, it is still an important part of constructing an AU, of any kind, in general. Ask yourself what experiences led to the character you know as you already know them (including your own headcanons, yes). Then, find similar possible experiences within your new fandom verse that can have the same effect. Again, though, it’s important to understand that you are never going to have an identical set of experiences, so you need to explore relevant changes still.

When you do this, you’re allowing your muse to more seamlessly fit into this other universe in a fleshed out, interesting way. Interesting both new partners and yourself.

Okay, next obnoxious question from me! Do you have multiple verses, or are you single-verse?

Whether you are already exploring new fandoms or not, by creating a variety of verses for others to interact with, you’re increasing your chances for interest and activity. When you have a verse from a different fandom you can then, additionally, advertise your presence in both that fandom’s tags when you do a promo or applicable open starter and on active RPer lists for that fandom.

Every popular fandom has such lists. You can get on them by messaging/sending an ask to the blog or by reblogging their post to be added, following the directions. I haven’t seen one yet that doesn’t allow for crossovers. You simply have to tag it as stated in the post, such as “your canon’s name here - original fandom name - crossover.” By tagging your open starter or promo as “-insert fandom here- rp” and “-fandom here- open starter” you allow people in that fandom to find you to interact. Either way is excellent for getting started in totally new places with a character others might be unfamiliar with.

Please remember that if you tag a promo as “promo,” it’ll not show up in searches off of your blog. You know, where it actually needs to be searched. Thanks, tumblr, for being janky! Being more specific as to the fandom and character will help others actually find you. Don’t shoot yourself in the foot by tagging it as “promo.”

Make your verses accessible on your blog itself, in the nature of those verses, and how you set up your page or post that lists them.

Don’t put any page behind an impossible or complicated aesthetic. You really shouldn’t anyway, but when you’re needing interactions, it’s actively hurting your chances. Many people don’t want to have to play a game with your theme, it’s a turn off. Try a pinned post that lists all of your links to important pages like rules, verses, and bio instead. It means that, even from the dash, that information can quickly be found while other muns are first interested, and also that anyone who might be using the app can access it more expediently. (I’m genuinely not a fan or big supporter of doing google docs for rules, verses, bios, etc., as it forces people off site, so I can’t personally say, in good conscious and honesty, that I’d recommend it, but you do you!) You want to keep things quickly accessible is the idea here; when people are interested, you want to catch them right then and there before they have a chance to forget and lose your blog.

As to the nature of the verses themselves, give people real options. Don’t have 20 verses that all read same way. Same themes, plot possibilities, and backstories, or incredibly similar names. Have a diverse list of verses that can act as foundations for a variety of different muns. As many fandoms as you can reasonably have a good portrayal of, and different types of fandoms; not all the same genre (all fantasy, all horror, all scifi). Verses where your muse has substantially different goals, occupations, and other life situations that will involve another muse; don’t make your muse A Warrior™ in every verse, you can keep plenty of those aspects without being that literal. People love “modern” verses set in our own universe and, usually, in our own era. That doesn’t mean you have to go stereotypical or otherwise bore yourself by doing the standard “high school/college verse,” for instance. You don’t even have to designate that sort of thing, let alone make it the focus; simply create the verse by considering what your character really would be like if they existed within your reality.

As a final note on verses as pertains to this point, when you’re doing crossover verses, it’s alright to do some verses where your muse from their own canon existence somehow ends up teleported or whatever to another fandom’s reality, or even our own. Just don’t make every verse like this, it puts the onus of a great deal of creativity and effort onto the other mun by default; your muse has cluelessly dropped into the universe, and while it is high drama time for you, the other mun has to babysit, educate, deal with fallout, etc.

On making the list of your verses accessible, you want to focus on ease of browsing and not being overwhelming. People tend to look through a verse page and not read every verse listed, rather, they look at the titles and breakdowns to see if it is of interest, then read it. Don’t try to make everyone read them all, it isn’t going to happen, and shouldn’t change your effort any as the right people are going to find the verses that interest them...if you make it clear and easy enough.

Have a basic format you stick to, firstly. I do it this way: small verse banner, title of verse (linked to its overall tag so that muns can look through the tag at headcanons, aesthetics, pictures of the FC, and threads), muse age/age range, small blurb, possible triggers found uniquely or just heavily within this verse. In that order, one following the other in a simple, but pleasing way. Below that, is a more in depth breakdown of the “verse canon.” Sometimes, that is giving a brief rehashing of canon itself and anywhere my muse differs, be it in this verse only or overall, ending with where my muse is in this verse. Not literally where. I mean their present occupation, emotional and general state in life. At the very end, I provide any other relevant links and/or an expansion on the triggers mentioned at the top of the verse description if they’re that serious/recurrent so that muns can decide this isn’t the verse for them. I happen to have a potentially triggering muse, triggering verses, and writing triggering topics, though. That’s not something everyone needs to do.

Secondly, group your verses in a sensible way. I do my short list of default verses first. (And, I do mean short, you don’t want this be any more than four or five, it is overwhelming right out of the gate.) For me, that is two default verses of canon at different points on the timeline, one default AU that is a bit of a reversal of canon, and one default “modern” verse. Then, I list the verses that are in line with the altered canon one, just different possibilities, changes, points in history. After that, the different “modern” verse options. Then, verses for other fandoms, the crossover verses. And so on. This way, a potential partner can find the type of verse that might appeal to them and have an easier time picking from those possibilities and getting ideas.

Lastly, don’t be so succinct that you give too little information and underwhelm, but also don’t be so excessive that it takes all of the mystery of interaction away and overwhelms someone. It can be a difficult balance to strike, and some verses require more information than others, just experiment a bit. Additionally, it’s fine to link to pertinent information for the other mun to view aside from this, but don’t just link people to a fandom wiki as your “description/bio.” That isn’t giving information on how you write this muse, approach this fandom, or what another mun can otherwise expect. Keeping your descriptions interesting is important, you’re not giving a boring lecture, you’re trying to inform someone while making them hyped for their choices. It’s more interesting, and informative, to read if you do them with an ear to the “tone” of your muse in that verse. Is it a sad one? Sound that way. These can, indeed, function as snippets of your writing, so be sure you are writing them with the same care you should be giving your replies; spellcheck, good word flow and use, mind the grammar, and read over what you’ve written for common, easy mistakes.

Again, by giving a genuine variety of verses to choose from, you’re allowing for a greater reach in potential partners. Everyone from those still in your original fandom to those in new ones, all the way to fandomless muses will be able to interact with you this way.

Finally, in regards to what you can change or do when you’re in a dead fandom and seeking interactions; make sure you are increasing your reach by using proper tags, being honest about what and how you write, and don’t wait for others to stumble across you.

When you use tags properly, you’re increasing your chances of being seen at all. Every time you post something at all applicable on your blog, tag it with relevant things. Tag as described above with whatever fandom it is and “RP,” your character’s name, “open RP,” character name and RP, indie RP, open starter, and so on. Be sure you are optimizing your tags by placing the most relevant to finding you in the first four, those are what show up in site-wide searches only. Anything after that isn’t going to appear in a search across all tumblr.

By tagging your character’s name, as a canon, you should know that you are likely to get personal blog interaction. I’m pretty against being nasty to personal blogs for no reason, as I don’t appreciate personal and fandom blogs being shitty to me for the sole reason that I am an RPer. Please, use clear, short, attention getting directions for them. If you want no interactions with them, put right in the description of your blog “RP blog, does not interact with personal blogs.” When you say things like, “personals dni,” or “personals blocked,” you’re not doing anyone any favors. Personal blogs often don’t even know what the hell a personal blog even is! They do not denote themselves this way, to a personal blog, they’re just a blog. By designating first that you are an RP blog, you’re making it clearer that they’re the personal; they’re obviously not an RP blog, so that must make them a personal. Follow this up in a pinned post, right on top. Give a note to personal blogs that describes them as “any blog that isn’t an RP blog” first, then either tell them in brief what they can and can’t do or that you don’t interact and will block.

I don’t recommend taking your blog off of being findable, however. That’s alright once you have the RP activity you are looking for, but until then, it’s working against you. Other RP blogs cannot easily find you either, they will only find you if you’re on a list or appear in their recommended blogs, if you interact with a mutual, or are recommended by a mutual. You’re not just lessening your chances of personal blogs finding you, so if you have that turned off, turn it back on.

Don’t entirely rely on others finding you regardless, though. You can’t be 100% passive when you have no interactions, and by relying solely on serendipity you’re far less likely to get them. I know that everyone here is terminally shy, but seriously, you have to do more than put your silent will into the universe that someone perfect find you. You have to make this happen. Once you get a few people, you can afford to be more passive. Not only do you have some people to write with, you will be more visible to their mutuals, and more established as a presence. I’m not saying this is easy, or that it will become easy, not awkward or stressful, if you have a legitimate issue behind the shyness. Just that it is the only way to really proceed, and I believe you can do it!

So, go looking for interesting blogs. Be crossover and OC friendly (again, this doesn’t mean “accept everyone,” there are valid reasons for not accepting people you won’t work out with that have nothing to do with their fandom or being an OC), and search those fandom’s RPCs, following any blogs you think you might work out with upon reading their rules and other pages. Search for fandomless OCs and do the same thing. Fandomless OCs aren’t just floating around in the ether, they just weren’t created expressly for a particular fandom and within its confines. What is excellent about that is their ability to have a wide variety of verses and many possibilities to fit into any fandom or verse. So, don’t count them out solely on the basis of being an OC and fandomless. It doesn’t mean what people seem to think it does!

Do not stop at having followed 50 blogs. I mean, other than that you probably should stop following people for a bit. That you should do, as you need to be building writing relationships here, not following so many people that you cannot get to them. Don’t just stop at the follow, though. Since you’ve read their rules and information like a good RP partner, you should have some idea of what their interests are and where they align with yours, as well as how they prefer to be approached, if they accept memes right away to start, need plotting, have a rules password. When they’ve followed you back, proceed with interaction!

Ask if they’d like to plot when they have time, you’re really looking forward to writing with them. But...have some idea of a plot, please. It is a serious turn off to have someone message you wanting to plot, only to reply and get “lol I don’t have any ideas, anything works for me/whatever you want to do.” That isn’t plotting, it’s one party coming up with ideas and constructing a plot while they’re being told “I’m fine with anything.” That may be true, but it’s disheartening and a red flag for many people. If you genuinely can’t come up with anything, pick verses that match up well and suggest doing something within them.

“When you have the time, would you be interested in discussing writing? I was looking at your verses, and I think your verse -name- and mine, -verse name-, would mesh well.” Is a good way to start. Once you have a discussion flowing about the verses meshing and the muses, it’s typically easy to organically develop some plot ideas to go off of.

If both you and the other mun are alright with plot-free interaction and memes, you can send a meme any time. If you can’t find any memes on their blog, look for a wishlist or navigation page that shows you the tags for memes/wishlist. Still can’t find it? Ask them if they’ve got a wishlist or meme tag you can look through.

Additionally, if open starters are a thing you both do and are alright with, find some of theirs and respond. Post your own, tag it appropriately to be found in general and on your blog, and reblog it once or twice. Don’t excessively reblog it, and don’t get upset on the dash if no one interacts with it or any memes you reblog. Both are demanding to outright guilting, and not a good way to get partners. Just provide them with the ability to easily interact by making the posts available in the first place and by making them findable on your blog search and navigation.

Provide something for potential partners to see. Since you said you already do have writing, that’s great! That’s content on your blog that your partners can view. However, since you’re also having the issues you’ve stated, it’s likely that you haven’t many new posts. Show that you are active, interested in being here, and how you write your muse (and in general) by posting some newer content. For original content, do a headcanon or some meta, or post about new verses you are adding, the changes on your blog, a promo. For reblogs, things pertaining to your muse like canon imagery, fanart, quotes from canon or that generally express your muse, and aesthetics relevant to your muse are all excellent things to queue.

Use that queue. Not only do very few people appreciate having dash spam of similar content for the comparatively short time you might be around, but also, running these things on a queue means you spread that out for maximum view. While there are hours of heavier activity, you’ll have mutuals who are on at unusual hours due to their life and preferences or their timezone. This way, you’re not appearing inactive, if not outright invisible, to those mutuals. It’s not a bad idea to use a queue tag so that people know if they interact with a post that’s been queued, you might be here to quickly respond.

Ultimately, to fix your fandom and lacking partners problem, you just need to up your availability and reach beyond that fandom alone. Be proactive in following and approaching, decline blogs based on not working out only, utilize tags and fandom RPer lists, have everything on your blog easy to follow and not overwhelming, and have your verses meet as wide of a range of people as possible while also not being overwhelming.

Try updating your promo, as well, by the way. They’re not dead, they just really tanked when people kept making them based solely on aesthetic principle instead of being at all informative about the muse. They do seem to be coming back, so it’s a thing to consider.

Yes, make it visually appealing, it will draw people to reading it. No, do not just use a song lyric or quote with words highlighted linking your rules, verses, bio. Tell people basic info like the age of your muse and yourself, if you are multiverse and multiship, your muse’s canon verse and a couple of big interest verses of other major fandoms or themes that tend to be of interest to people, and what kind of RP you write - one line/para/multipara/novella. Absolutely give links to rules, verses, bio, and either memes, wishlist, or open starters, but give them just like that; make it very clear what this link is to. Put a very short statement of interest on there denoting that you’re expanding to new fandoms and looking for writing partners.

Do not sound desperate, demanding, or devaluing of yourself. Don’t say shit like “because my fandom is dead,” “trying this before I give up and delete my blog,” or “I suck at interaction/writing/ooc interaction/being a person but welp giving it a try, so follow and hit that heart.” (Conversely, calling yourself derogatory things and implying that your partners are too, such as the “we’re all just losers here” shit.) All of the above are not attractive, and they’re not even surprising enough to stand out anymore. It’s another reason to scroll right by that promo because nothing at all was different or of interest.

And as a wrap-up/rehash of the first topic, getting muse back: try starting over at the beginning by approaching the media involving your muse that has really stuck with you emotionally over the years, and exploring and developing your muse again.

Don’t tell yourself you can only write, for example, at home, on the laptop, after 7pm, and with a pop toy staring at you. The best thing about writing, as opposed to so many other hobbies, is that you can do it anywhere! So, do that. Do it any time you both feel the inspiration to do so and aren’t going to get fired or expelled for it. This isn’t work, it’s something enjoyable that does take effort (like literally all creative activities and skills do), but approaching it as though you need to follow novel writing advice from someone who has never published anything of note and isn’t you on the internet, with strict rules for success makes it feel that way. So does being frustrated with a dead fandom, no interaction. It’s disheartening, feels as annoying and fruitless as work often does. You probably need to break out of that mindset, and you can only do it by beginning to allow yourself to be creative on your own terms, entirely for yourself.

Do write simple things at first that you are inspired to do (you can’t get a scene out of your head, or a bit of dialogue), and/or headcanon/character development memes and question lists. Build from there as you get back in touch with your muse, writing things primarily or entirely for yourself still. Expanding on headcanons, doing some meta, or maybe writing out a missing piece of canon or what you’d be interested in seeing happen in canon if some event was altered.

Doing this sort of thing, you are getting in touch with your muse again and back into the real spirit of writing creatively, simultaneously.

Whatever you find most inspiring, do it. If it’s watching the movie or show again, do that, have it on while you write or simply think on the character’s actions, thoughts, and emotions during those scenes. If it’s reading the material again, do that, and read snippets of personal importance before you write. Maybe it’s some past playlists you can have on while writing, or even while you’re cleaning, walking the dog, driving or riding somewhere. It could even be your own previous writing! Go ahead and re-read that, it sounds like you still appreciate it, and that’s truly promising. If you find that you’re horrified by some of the things you’ve written in the more distant past, hey...that’s not just valid as hell, it’s natural. You know what else it is? An inspiration. You can clearly see that you could do better, that means you now know how to do better and are ready to do so. Validate yourself, prove it to yourself by rewriting or fixing something.

Don’t delete the blog or archive it. It is unpleasant to have a dead blog around, but don’t keep it dead. Use the same blog and simply transition it into wider things that will net you more partners and the interactions you deserve.

Look, even if you weren’t the most popular blog in your fandom before it went quiet, you really appreciated the blog, muse, and writing you were doing. You’ve defined that it wasn’t something you did to cause this situation, you just had the shit luck we all run into eventually of being in a fandom that ran out of material or interest. People are really fickle, so by taking a wider approach and fixing on the writing and muse instead of fandom now, you’re stopping this from repeating. Seriously, on a long enough timeline, every fandom dies or goes into hibernation. If you make a whole new blog with a different muse, it is going to happen again eventually.

So, don’t feel like you’re ridiculously clinging to the past and need to move on, you’re just sticking to something and can continue to stick to it through the next five fandom deaths. Just because it is the most popular thing to do to drop muses, constantly add new ones, and have this attitude that you can “blog refresh” your way out of recurrent, and inherent, problem doesn’t mean it is actually the right thing to do. It’s not even the most sensible, and certainly not the best thing to do with anything you’ve spent time and effort on.

That’s your incentive; yourself, the time and care you’ve put in, and your continued interest in writing and the muse. You’ll find good people, and bluntly, everyone else can fuck right off when you’re incentivized by yourself. It becomes a self-fulfilling activity at that point, I swear, and it feels really nice.

Just get back in touch with your muse and writing itself so that you can begin to expand and start interacting again!

#rp advice #rp problems #rp help #muse loss #dead fandoms #rp better #Anon E. Mous #answered

20 notes · View notes

thoughtsonargentdawn · 3 years

Text

On the potential of greener pastures.

While I don’t see the need to beat the dead horse that is the incelery of Blizzard Entertainment’s treatment of women and gay men - still holding out for the claims of transphobia, don’t worry it will be there - One thing I have noticed lately is the increasing willingness of long term WoW players moving to other realms and universes of fantasy.

But the question, is it the right thing to do?

Obviously no one reasonable to advocate for you to stay playing something you find uncomfortable - that is insanity and inhuman. But, is Tamriel, Eorzea or the Galaxy Far Far Away really the type of place that the average Argent Dawn player will feel at home in? I’ve had many discussions with my fellow CoAD team friends and we all have our opinions on the matter. While we all agree that as a creative medium, we as players should reclaim World of Warcraft as something that works for us all - not all of us are particularly comfortable in remaining on the game considering what type of behaviour paying for that subscription enables. ---------------------------------------------------------------------------- So first up on the list. Tamriel,the main setting of the Elder Scrolls universe. As a whole I would say the Elder Scrolls Online thematically matches many popular brands on Argent Dawn. It ticks the boxes of House/Noble Roleplay, Military, Intrigue and “Race War Now!” - all fairly popular areas of roleplay on Argent Dawn. ESO also boasts a far more vigorously designed world compared to current WoW, a considerably more consistent lore and player housing that is very generous. The downsides? There always are downsides... ESO is shackled with an insular community that much like Guild Wars 2 - another former contender to WoW - has a somewhat small town Alabama mentality towards new players. This is also combined with a recurring problem of a number of players using their characters to effectively further their own real life politics or ideologies. In particular the crypto-fascists are very drawn to the Aldmeri Dominion faction, with the prominence of the Thalmor - yes the same elf supremacists from Skyrim - being a key factor. Thanks to blatant racism being a canonical factor of the setting many have gotten away with effectively using their character as a smokescreen. Alternatively the Neo-Roman Imperials also are a popular second choice for your standard chauvinistic “ew women” basement dwellers who would shrivel at the first touch of a real woman. Community issues aside, ESO also has system problems with a very awkwardly designed UI that is unintuitive to someone used to the traditional hotbar system present in many MMO games. Perhaps a minor problem in the long term as you get used to it but be prepared for heavy frustration and awkward handling. ----------------------------------------------------------------- Second up we have the supposed rising star of the genre, in the gleaming world of Eorzea, the primary setting for Final Fantasy 14. The setting is very conducive for Adventure type RP in particular, but by no means limited. The worldbuilding of Eorzea is very elaborate, with analogues to many real world cultures being present, Norse, Franco-German, Middle English, Levantine/Mediterranean and Far Eastern with smaller groups being present too. The lore is watertight, with very few inconsistencies - the few are merely a player issue of doing class quests in reverse order to the story quest mostly - and the setting is shown rather than explained through out of universe books. Player housing is rather advanced as well, with both personal and guild varieties being present in four capital cities so far.

Things are not always sunny however. Some glaring errors are present in the game. The UI and general intuitiveness of the systems present are incredibly dated and arcane. This is likely due in part to the need to keep things workable for the console players, and probably Square Enix not understanding their playerbase, especially in the West. In addition, due to how the story is the main system of progression, for those wanting to roleplay with a full understanding it is effectively mandatory to do the main story questline to completion before taking part in substantial or heavy roleplay. Finally and probably the most glaring problem is the issue of the community itself. While the general projection is that the FF14 community is very welcoming and kinder than the WoW community, this is only really applicable to the US servers. Both Crystal and Primal - the main ones - are highly active, busy and brimming with both helpful people and roleplay, so much so it spills out into the open world and cities. Crystal in particular is the most analogous to “golden age” Argent Dawn. The only major issue is the “problem” of ERP being quite acceptable and open in the games RP community, no weirdly KKK cosplaying attempts to shut it down will work here, unfortunately for some. That said it can be ignored and the players soliciting can be reported if they persist - and square enix is very good at customer support. However, the European servers are a whole other beast. Light has no roleplay of any major or notable amount, and half of the servers on it are not even populated. Outside of Lich, Shiva and Odin there are scant few players around. Chaos has more people on it, but the wrong kind of people. I have spoken to a now silly number of people on Crystal and to a lesser extent Primal giving abject horror stories they have brought from the Chaos server group. Most of the RP happens on Omega, with some smaller level on Moogle and Ragnarok. Though to call it RP is generous. Their “roleplay” consists of generally playing self-inserts in Second Life tier social roleplay. Those few who engage in actual roleplay often find themselves ostracised or even - subtly - harassed - remember, square enix are very good at customer support - for trying to roleplay within the setting they are in. It is no surprise then that there are more European players playing on the US server groups than on their own. -----------------------------------------------------------------------------

Finally the old man, though potentially most balanced of the three is the well established Galaxy Far Far Away - the setting of Star Wars: The Old Republic. With a colossal lore from both in game and the extended Old Republic universe itself the game has tremendous potential for all manner of RP, from your traditional Sith or Jedi RP to space Criminals, Military, space Researchers/Academics, Political RP and most things in between. The Stronghold System, while dated compared to the others does allow for expansive and varied environments to do both public and private roleplay within, with a whole catalogue of venues being available for perusal. Besides that, the planets themselves are highly expansive and massive in terms of scale, easily twice the size of major zones in WoW often with a variety of environments that make the planets seem like an actual world, or part of at least. Hoth really does have the sensation you are on a frozen tomb in the Outer Ring. The downsides of the game however are rather heavy. Roleplay is almost entirely guild centric, though not hidden away by any means. Competing “headcanons” have been know to create problems, but as the Galaxy is big enough it really boils down to a matter of taste rather than sociopathic cult leaders attempting to control the roleplay for everyone. In addition, the system of the game are woefully clunky, with the worst customisation for characters present, even if the transmog system is better than WoW’s. Thankfully the new expansion for it is coming soon which promises to revamp both character agency and customisation and fix systems that are horrendously out of place in 2021. Finally the other main issue of TOR is the presence of the free to play, but pay and get more model. Freemium is neither the F2P that ESO offers or the simple subscription model FF14 offers.

---------------------------------------------------------------------------

With all that said, each game has its flaws and perks. Considering there loudest voices seem to be indicating either a shift towards ESO or FF14, it will be interesting to see if these become permanent converts - with all the moral grandstanding about how terrible Blizzard is - or they will quietly slink back to Azeroth once the dust settles and nothing sadly is done about the appalling corporate problems in Blizzard. I personally will remain engaged on Argent Dawn. WoW itself is a product that is shaped by its community more than its sleazy developers and strangulating Blizzard over it is realistically likely to cause more harm long term. Besides, how can we reclaim the setting for the players if we all decide to jump ship?

#roleplaying #World of Warcraft #Final Fantasy XIV #The Elder Scrolls Online #Star Wars: The Old Republic #community #argent dawn eu

4 notes · View notes