#I'M SORRY IT TOOK A WHILE

[little-pondhead]

DP x DC Prompt

…

There are no more heroes.

Well, okay. Rewind a bit.

Danny has been doing the hero thing for a while now. He’s had a big reveal; everyone has accepted him (including his parents), the GIW disbanded, the Anti-Ecto acts repealed, and generally, everything is going great. Some of the A-Listers are even training as junior ghost hunters to help give him a break from his rogues! (Being Ghost King makes things hectic sometimes, and he just needs the extra help. Sue him!)

The point is, literally nothing is wrong with Danny Phantom’s afterlife.

And then Valerie Gray, the Red Huntress, disappears in front of his eyes.

Danny is baffled! She’s just…gone! Valerie just popped out of existence, like she was never there. But no matter how hard he searches in the Ghost Zone, he can’t find her soul anywhere. His core isn't broken in grief. So she’s not dead. Which is good. So then, where is she?

Some of the others come forward with ideas on how to find her. A few ghosts volunteer to go out into the mortal realm, an area Danny had declared off-limits, to see if she was out there. Danny approves it. He rounds up some of the friendlier (i.e., discreet) ghosts and Amity Parkers and demolishes the outside travel ban.

So everyone spreads out, looking for their dear frenemy and teammate. But it becomes apparent very quickly that something is wrong with the rest of the world.

There are no more heroes.

Every single living superhero on the face of the Earth has just…vanished. Villains are running amok; the countries are in chaos! Some aliens are invading Earth, mythical deities are trying to take over, and society is crumbling to the ground. Everything is on the brink of collapse.

Well, Danny was still there. And so were his people. They were pretty spread out, so could they just…take up the mantles? He also knew where to find the souls of dead heroes in the Zone; surely they wouldn't mind coming out of retirement for a little bit, especially if they couldn't die again. Oh! And that skeleton army leftover from Pariah Dark's reign might be useful in repelling those invading forces.

Honestly, there were more than enough hands to go around! And with the heroes gone, Danny didn't mind letting everyone out for a little break, as long as they followed his rules. They wouldn't stop the search for the other heroes, but hopefully, when they found them, the heroes wouldn't mind Danny's intervention too much. :)

In other words:

Someone fucks up, and all of Earth's living heroes are either wished out of existence or are whisked away to some far-off realm where Danny hasn't checked yet. In the attempt to figure out what's going on, Danny lets the dead run amok over the Earth as they search for clues. The skeleton army repels the invading armies, the souls of dead heroes deal with the world leaders, and his rogues and other Amity Parkers set up shop in place of famous heroes, trying to get the cities under control again.

Basically, they just do their best to keep everything from imploding until the Justice League and others are back.

(And why is it that Danny hasn't disappeared? Well, whatever caused everyone to go poof! only affected living heroes. Anyone heroes that were dead in the first place, or even just half-dead, stayed behind.)

#pondhead blurbs #danny phantom #dpxdc #reveal gone right au #ghost king au #for plot reasons #it doesn't count if the hero had died and then came back to life #lots of heroes would still be around then #but this is me pushing the halfa!jason todd narrative work with me here he deserves the fun #deadman is there too #and he's just thriving honestly. it's so nice to be around his own kind even if the world is ending #maybe ellie is whooshed away too cause she never technically died but she took up danny's moniker when he was crowned #vlad is ecstatic cause danny put him in charge of several states while they looked for clues including Wisconsin #skulker is replacing superman and just has a shitty S painted on his chest and just eats kryptonite like candy the first time he meets Lex #Kitty and Johnny take over in gotham and sam is now the new wonder woman #idk man just stupid stuff like this #the press is flabbergasted cause the fucking KING OF GHOSTS just showed up and he's 14 and just looking for some friends #Danny: hey guys sorry about the zombies and fire i'm just here to find my coworker and lil sister and maybe the other heroes #Danny: in the meantime i'll just let my army into the mortal realm to defend it while we figure out what's going on pls don't yell at us :) #the press: how do we explain this to the justice league when they come back. how do we explain that earth was saved by a 14 year old boy- #also idk which heroes are technically dead but are still kicking so if you feel like someone deserves liminal status slap it on them idc #some villains are trying for world dominance and some are just trying to find their buddies. their fight buds. where'd they go? :( #joker gets bitch slapped by a skeleton two days in and waylon becomes bffs with wulf #danny uses the watchtower as a base of operations and it's the only thing he doesn't want to give up when the heroes are back #i have no plot ideas beyond this #i just want everyone to be baffled that an army of the dead showed up while they were gone and just made sure everything stayed cool #later danny realizes he was technically the ruler of the world for a bit since his people were everywhere keeping the villains in check

[egophiliac]

I got a really tough question.

What’s your favorite Twst event of ALL TIME?

I like Harveston

this truly is the hardest question. :( but after much consideration, I think Endless Halloween Night wins out for me, because it's nonstop Characters Being Silly the whole way through. the whole thing is just lots of these little dorks having the most ridiculous interactions, which is always my favorite! and of course the big twist is SO delightfully stupid and doubles down SO hard that it becomes AMAZING and I 100% unironically adore it. AND it's Halloween! everyone is in their cute little costumes and having a spooky adventure! it's great!

however, I am ALSO a big fan of the Harveston event! how can I not be! everyone is wearing comfy winter outfits and getting along really weirdly well with Epel's grandma and he's getting a little worried about that! my terrible loud son sews a plush squirrel and then gives it a silly little nickname and refuses to leave it behind when it breaks! the ending shot with the sled! I LOVE IT.

obviously we need the best of both worlds now

#art #twisted wonderland #malleus in the background: RYUU } >:( #(this is an au where sebek wears his own halloween costume and isn't obsessively trying to match with malleus) #(unless malleus is also wearing a patchwork squirrel costume. hold on wait i should've drawn that instead) #my favorite is when people draw sebek's room and have risugurumi just hanging out on his desk or something #SHE GAVE HER LIFE FOR HIM #well she gave her leg or something anyway #it's been a while i forget #anyway endless halloween night also has my favorite cutscene #which is the five second long cutscene that is literally just floyd going OOH WHAT DOES THIS BUTTON DO and then a battle starts #thank you twst #i believe this is also when trey finds out that sebek's dad is a dentist and immediately makes it weird #while rook is just. dancing around and singing opera in the background. #'did...did he hit his head when we fell through the mirror?' 'no he's just like that' #i have to stop or i'm going to end up recounting the entire event #(sorry this took so long!) (i have been back in Deadline Hell) #(i didn't mean to actually answer this on halloween but it kind of worked out! HAPPY HALLOWEEEEEN)

[insertsomthinawesome]

[requests are closed] Anon i'm sorry this is so late I finished these months ago. I meant to draw more but never got around to it UUUH. SORRY SLDKJSLDGKJSD I love them so much. I need to draw them more. ;;v;;

-NO ROMANCE INCLUDED-

#isa doobles requests #isa's fanart #insertsomthinawesome #October2023 #Twisted wonderland #twst #Cater Diamond #Trey Clover #twst cater #twst trey #i desperately need more of their awkward 'we were best friends but then riddle happened and now we pretend like everything is okay #while secretly knowing nothing i okay' dynamic #Trey is that bestie who does not do social media so whenever you need it you can give him all the tea SLDFKJSDLKJGSD #I'd actually drawn cater before this. But like. Never posted it WHEEZE #that's happened a lot with twst actually go figure. #I DREW THIS AGES AGO.... LIKE. BACK IN APRIL OR SOMETHING. #PROBABLY LATER THAN THAT #ANON I'M SO SORRY IT TOOK ME SO LONG TO POST. I LIED TO MYSELF THINKING I'D FIND TIME TO DRAW MORE #NO. I WAS BOO BOO THE FOOL

[kafus]

cyndaquil dies

#cyndaquil #pokemon #ayano was here #ayano.txt #i took a detour while making gifs today #i couldn't stop laughing. i'm sorry cyndaquil

[laststandx3]

#lokius #loki #loki x mobius #mobius #this took me a week in playing with gradients #eeaao #i'm sorry but i could only think about everything everywhere all at once while watching loki #ke huy quan #<- best choice in casting ever #also i watched s2 because of him and honestly worth it! #evelyn and joy wouldn't care at all about them but i know waymond would 😂

[caelanglang]

chuuya will go insane seeing dazai cry? zamn would pay to see that lmaoo

hi, i kinda went insane thinking and drawing about this one.

a continuation of the drunk fem!dazai post !

mini bonus:

update: now with extra here ~

#girls kissing girls kissing girl being gay aaaaaa #i wanted to draw ugly crying bc tbh crying feels ugly esp when you cant control the tears #yes i went a wee bit insane to finish this I'm sorry it took a while to reply this inbox #this was a very sever brainrot thats for the encouragement anon #severe* #chuuya is weak af when dazai actualy cries and does anything to stop it #dw she did not go insane #she merely flooded the living room but hey it made dazai stop crying so its a w #im the one who went insane finishing this comic i think... #hope you like it! thak you for reading this super self indulget comic #can u tell im so so torn with what hair to give fem chuu? yes. #bsd #skk #inbox #inbox sketch #sketch #my art #my comic #soukoku #fem skk

[troublefemme]

hey a friend of mine asked me if i had any resources on butch identity but they really don't do well with, like, books, so i was wondering if you could recommend me stuff like articles or essays (anthologies i think are worth a shot too)? thanks!

So I might not be the best person to ask about it because I don't read that many articles, I'm more of a book person, but I was reminded by a friend when discussing this ask that a lot of books I enjoy are collections of essays so I'll make some recommendations for books still and you can pick out of those a few essays that might help your friend understand butch better.

Here's a few suggestions from the books I recommend probably the most:

The Persistent Desire: A Femme-Butch Reader edited by Joan Nestle:

"They was no one to mess with": The construction of the butch role in the lesbian community of the 1940s and 1950s - pages 62-80

Butch To Butch: A Love Song - pages 81-94

When Butches Cry - page 109

How The Butch Does It - pages 133-137

The Femme Question - pages 138-145 (speaks a bit about butch as a role)

A letter from Australia - pages 169-179

The Butch-femme Question - pages 208-219

Lullabye For A Butch - pages 234-237

Butch On The Streets, 1981 - pages 240-248

Butches, Lies And Feminism - pages 272-292

When She Wears A Tie For Me - pages 333-335

My Woman Poppa - pages 348-350

Sweet Suit Suite - pages 353-354

A Celebration of Butch-femme Identities in the Lesbian Community - pages 454-463

Of Catamites And Kings: Reflections On Butch, Gender, And Boundaries - pages 466-482

Persistence: All Ways Butch and Femme - Ivan Coyote and Zena Sharman:

A Butch Roadmap - pages 77-79

Butch Is How I Feel - pages 90-94

Masculine Of Center, Seeks Her Refined Femme - pages 107-115

With Both Fists: Conscious Gender Building Through The Butch And Femme Identities - pages 152-158

Tomboy Survival Guide by Ivan Coyote:

Shouldn't I Feel Pretty? - pages 108-116

Be Careful In There - pages 128-133

Heat And Hot Water - page 231

For articles specifically, maybe some butch mutuals can help, I'll leave this open for people to recommend stuff in the replies.

#peach on books #ask #i also took a while to get to this and for that I'm sorry

[marshmallowgoop]

no thoughts just Heiji Hattori (HD)

#detective conan #case closed #amv #my amvs #eye strain #heiji hattori #harley hartwell #conan edogawa #shinichi kudo #funimation english dub script #video #happy two-year anniversary to 'no thoughts just heiji hattori'! #while it's not my first amv (it's maybe my... fifth?) #it was the first one i made with davinci resolve and the amv that really got me into editing amvs for real #it's the amv that made me believe i could make amvs 🥺 #and in remastering it i deeply understood how ambitious it was! i thought i did a lot of audio mixing for 'messed up' #but that's not even close to all the audio mixing i did here--cannot believe that i did all this for my first big amv project #it took about 20 hours *just* to remaster! #which is something i've been meaning to do for a while now so i'm very happy to finally share the results! #to make this a 'remaster' and not a 'redo' the only changes i tried to make were to the source footage and audio #video now uses almost entirely hd remastered footage from my blu-rays or netflix rather than my dvds #but oh gosh was it *hard* not to touch anything else! i'd do so many things differently now #but this video will always be really special to me (and i can't believe i did it at all tbh!) #i hope seeing it in hd is fun too! i'm so blown away by all the love this vid's gotten #and that it helped increase interest in funi's old english dub is amazing and 100% what i was trying to do with it! #thank you everyone for all the support <333 i wouldn't be the video editor i am today without this vid or your encouragement for it <3333 #like the original the sources used are mostly from what funi dubbed (but mixed in hd by me!): eps 48-49 57-58 77-78 117 and 118 and movie 3 #but i also used episodes 141-142 174 189 239 263 277 291 293 345 479 491 517 and 522 #and ova 3 and tv special 6 (episode one) and movies 10 and 13 and ops 27 31 and 33 and the funi 5.2 dvd blooper for the one line lol #i'm sorry i've been so absent lately! i hope to be more active now... and there are 2 completely done amvs that i'm just waiting to post...

[little-pup-pip]

Cinnamoroll!!

for @milkshake99

#So here's the thing #i meant to do this request ages ago but then i accidentally posted it but then it just disappeared off the face of the earth #so I'm redoing it #it took a while for me to finish it #so i hope you like it! #and sorry that Tumblr ate the first one!! #sfw interaction only #moodboard #sfw agere #agere #age regression #sfw littlespace #agere moodboard #age dreaming #cinnamoroll #cinnamoroll moodboard

[kiitoskiitos]

You can now buy my zine Mutilation grindset in my etsy store!!

It includes comics, essays and more. Many liked classics from me and also plenty new stuff only included in this zine. Read all the specifics in the item listing. Thank you for your support!

>>>link to store<<<

#transgender #comic #zine #sorry this took a long while... had to learn how etsy works and try mailing etc. very exited to share this one!!! #i've worked on this a lot this summer. it feels like a really good start to what i aim to do with art and my output. #tried to keep it affordable since it is my first zine and i am still learning. #if you have any guestions. ask away. i'm cleaning my ask box next #<3 #also keep in mind i'm going to start sending these next monday (13th)

[kinnbig]

✨ Simple Gif Colouring for Beginners ✨

I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.

when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!

a couple of things to begin with:

I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!

I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.

as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).

I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.

this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.

okay, full walkthrough beneath the cut!

contents:

1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!

1. intro

the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.

if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!

* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)

✨ natural gif colouring goals

part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!

in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:

brighten dark scenes

remove muddy, yellowish lighting or filters

saturate colours

correct any skin lightening filters or overexposure

make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos

this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!

✨ very very basic colour theory

[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]

the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).

so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.

in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.

it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.

looking at the colour balance sliders on photoshop can make it easier to visualise:

so making a gif more red also means making it less cyan.

removing green from a gif means adding magenta.

taking yellow out of a gif will make it more blue.

tl;dr:

neutralise yellows by adding blue (and vice versa)

neutralise reds by adding cyan (and vice versa)

neutralise green by adding magenta (and vice versa)

2. super simple colouring (the essentials)

starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)

some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.

I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.

so here is my base gif!

it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.

colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:

there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.

I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.

✨ curves layer

the first thing I always do is a curves layer. when you first open one it will look like this:

first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.

if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.

the next step is selecting the white and black points with the little eyedropper tools.

the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.

here's what that did to the gif:

then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.

here's what the gif looks like after picking the white and black points:

this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.

and this is what the curves graph looks like now:

you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.

next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.

‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.

✨ selective colour (and skin tone correction)

skin tones are made up of a mixture of yellow and red.

removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.

adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.

selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.

I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.

in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.

the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.

here's the result. Kim's skin is a lot less pink toned and much more natural looking:

✨ hue/saturation

this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.

I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.

clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.

I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)

then I increased the 'master' saturation of all the colours to +5:

I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.

‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.

done!

✨ saving and reusing colouring

you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.

each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.

I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.

✨ another one! (speedrun!)

HI KEN!

the white point for the curves layer was in the window behind them.

the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.

3. other adjustment layers

imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.

✨ brightness/contrast

pretty self explanatory!

I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 

the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.

✨ levels

levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.

use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.

levels is a good place to start if your curves layer isn't working.

(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)

on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!

✨ vibrance

vibrance... makes the colours more vibrant. it's more subtle than saturation.

it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.

vibrance is much more subtle!

✨ colour balance

colour balance affects the overall balance of colours within a gif.

it's good for scenes with heavy tints.

I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.

✨ channel mixer

I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.

basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.

kind of the reverse of selective colour?

so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.

this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)

(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)

4. troubleshooting

‼️curves

usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(

for example, with this base gif:

using many of the brightest points as a white point turn it wacky colours, like this:

yikes :(

some options for these cases:

try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.

try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.

skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.

‼️over/undersaturation

if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.

oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.

5. fin!

and done! I hope this was coherent helpful to somebody.

if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.

happy gifmaking 🥰

✨ some links!

photoshop basics by @selenapastel

gifmaking for beginners by @hayaosmiyazaki

gifmaking guide for beginners by @saw-x

dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)

beginner's guide to channel mixer by @aubrey-plaza

how to fix orange-washed characters by aubrey-plaza

colour correcting and fixing dark scenes by @kylos

does resampling matter? by usergif

how to put multiple gifs on one canvas by @fictionalheroine

watermarking using actions by @wonwooridul

resource directory by @usergif

#i got a couple of asks about this so i figured i'd type it up as a post #it's been sitting in my drafts for a while now though i'm so sorry omg. #i had to replace my laptop and it took me a while to get round to downloading photoshop on the new one #but i hope this is helpful!! #gif making #tutorial #photoshop tutorial #colouring tutorial #coloring tutorial #gif colouring #gif coloring #photoshop resources #gif tutorial #gif resources #userbunn #uservik #darcey.txt #darcey.gif #usergif

[calciumdreams]

wow, that guy looks like he has a ton of friends to talk to

speedpaint)? below

been getting some asks lately about my coloring process, so i made this video :-D (song is star u - graham kartna)

#error sans #utmv #sans au #corbell art #to the anon that asked for more error sans drawings i'm so sorry i took this long OTL #more are on the way #error is always fun to draw #while doing this i found out i take like an hour per drawing #but this hour is extended in little chunks for a few... d ays

[macksartblock]

well if youre in the hyperfixation mode - world's most divorced father and world's worst bisexual representation, jodie? :3! only if you want tho

World's saddest divorcé - buck up champ

#dndads #dungeons and daddies #jodie foster dndads #what's it like to fumble the bag SO hard #ring crumbling just like his marriages #sorry this took a while LOL i'm still getting around to requests i'm just slow and busy i promise #my artwork

[nkjemisin]

Hey there. I'm writing a story set in New York City and am not American. I have few characters, but most of them are arab or white. I can't help but feel a bit wrong about it, given that America is much more diverse than that, and NYC being an emblem of that. Do you think I should force myself to include more representation or should I just tell my story, and leave that more diverse cast to some other story I could write? I know this is a neverending debate and there are many opinions about it, but I've always agreed with everything you've said in matters of representation in fiction, and so I'd be curious to know your personal answer on it.

I'm a little confused by how you're using "representation," here. It sounds like you think representation = "randomly sticking BIPOC everywhere." I think when most people use that word, it means something more like "create an accurate or at least plausible depiction of a group or place." In actual New York, there are plenty of Middle Easterners and white people who live in relatively homogeneous small communities where they might only see someone of a different ethnicity on the subway. If your story is set in one of those communities -- and you do stick some random BIPOC in that subway scene, because that's plausible -- then it sounds like your characters might be an example of good representation.

(Note: if you're not writing something set in the real world, but it features human beings, it needs to represent humanity as a whole, unless there's a good in-world reason not to. But if it's our world? You can get specific.)

Here's the catch, tho: plausibility is relative. If you've absorbed some biases and haven't done enough research, then you might end up writing something that feels plausible to you, but which isn't actually representative or plausible to anyone else. The way to avoid this is to do the research and check (to the best of your ability) your biases. For example, you aren't American, I assume you've at least visited NYC? If not, you should. You can visit some of the communities I mentioned! You can eat in restaurants, visit mosques, have conversations with actual real people who are living the life you're writing about! If you don't have the time, money, or spoons to do that, there are other ways to do good research -- films and YT/Tiktok videos made by people from the communities in question, for example. But you'd need to watch a lot of them to get a good representative sample.

I recommend this book to all the writing students I've taught at Clarion, and other writer workshops: Writing the Other, by Nisi Shawl and Cynthia Ward. There's a particular part of it that seems relevant here, which is a kind of hierarchy of "appropriate" appropriation, I think first mentioned by Diantha Day Sprouse but included in Writing the Other. Basically it says that if you want to write about a culture that isn't your own, you can learn about that culture in one of several ways: a) You can be an Invader, and just go take whatever intellectual and artistic tidbits from that culture that you want, regardless of how damaging this might be to members of that group. Example: non-Indigenous people who write about actual secret practices, or who encourage the desecration of sacred places. b) You can be a Tourist, in which you're still mooching from that culture, but at least you're figuratively paying someone for it and accepting tidbits that the culture has chosen to sell. Example: getting a sensitivity reader. Or c) you can be an Invited Guest, who brings in as much as they take out, and who has formed relationships that are beneficial to all involved. Example: being part of an exchange program, both as a student and later as a host, and maintaining those friendships outside of the program.

The goal is to be an IG, but that isn't always possible. Tourist is still better than being an Invader. (...I feel like I'm leaving out a category. It's been a while since I read the book; any more recent readers want to check me here?) But the closer you can get to actually participating in that culture, the more your work will be informed by reality instead of biases or misinformation, and the more likely your work will read as plausible not just to you, but to your widest possible audience -- people familiar with the culture and people who aren't.

(I'm a little concerned about your phrasing of "force myself to include more representation," note. Why would that need to be a forced thing? A writer's goal should be to write something that feels lived-in and authentic to [if it's a real place] most people's experience -- not to meet some arbitrary standard, but because that's how you master immersion and characterization. If good immersion and characterization feel forced to you right now, that suggests you need more practice. I recommend writing short stories!)

#answered asks #long #sorry I took a while to reply #some asks require more nuanced replies #and I put this one in drafts because it was so long #then forgot it was there #and yeah I'm aware this might be a disingenuous ask #but I am choosing to treat it as good faith

[rillils]

how do explain stucky from the moment they met to where they are now (together in each others arms) to my friend who knows nothing about marvel

ohh this is a tough one, honey! i think i've got two options for you:

the short answer:

stucky is a compendium of all the best tropes out there, and i'm sure i'm gonna miss a few:

soulmates? check! star-crossed lovers? check! battle husbands? super check! mutual pining? check! 'and they were roommates'? check! best friends to lovers? check check check! long-lost lover comes back from the dead? fuck yeah, check! temporary amnesia? check! dude in distress trope? check! 'they will always find each other and choose each other in every lifetime'? also check! identity porn? extra check! saved by the power of love? you guessed it: check! slow burn or childhood sweethearts? you decide!!! did they share their first kiss when steve was 16, as per a popular fanon theory? did they only confess their feelings during the war? did they only get together much later, when bucky was healing in wakanda? you can pick literally ANY point in their timeline, and it will still make sense! they're all equally valid! you can even have multiple different headcanons at once, i mean who's gonna stop you??? all you have to do is join in the fun! 💕

the long AF answer, aka:

STEVE & BUCKY'S LOVE STORY, UNABRIDGED SOMEWHAT ABRIDGED, part 1/3

all right, let's set the scene:

imagine two young kids, let's call them steve and bucky. they meet, they immediately take to each other, they become instant besties! and as they grow up together, facing many hardships, their bond deepens. not only are they best friends; they are also each other's family. they take care of each other, and they both know they can always rely on one another in times of need.

when steve's mom (and only remaining relative) passes away, bucky reminds him that he's not as alone in this world as he thinks he is: bucky will always be by his side. bucky will always love him unconditionally, will always be there for him, for better or for worse, in sickness and in health, for richer and for poorer, and he wants steve to know that.

in fact, he asks steve to move in with him, thus offering steve both a literal and a metaphorical home.

and steve says yes!

SO. they are each other's home, they're living together, they're getting by all right. but then war breaks out, and eventually it reaches their little home as well: bucky is drafted, and steve, due to his many health issues, and despite his best intentions, can't follow the boy he loves onto the battlefield.

it's a very difficult time for them both - so much so that they can't even bring themselves to talk about it.

they have no choice but to say goodbye for now, knowing that they might never see each other again. but here's something you might not know yet about steve: he's the most reckless, most stubborn fucker america's ever seen. he's not gonna let this stop him!!! instead, he goes and gets a very sweet, kindly scientist to fucking experiment on him, because screw it, he's going to fight in this war if it's the last thing he does. and that's how he goes from Smol Steeb to Lorge Premium Steeb.

of course, things don't go exactly as he predicted, and steve is made to be the star of a war propaganda-fuelled musical kinda thingie, which he resents (but he looks fucking precious in his costume)

BUT! he does get closer to the actual battlefield. which is where he discovers that bucky has been captured by the enemy (!!!!!!!) and is most likely dead by now. but steve isn't willing to give up so easily! he'll believe bucky's dead when he sees it with his own eyes. so, he embarks on this suicide solo mission in the attempt to get bucky back, even if it means wandering on his own. into enemy territory. where he would be shot. on. sight. with no protection for his dumb ass except for a bunch of theater props!!! but such is the power of love, y'all.

against all odds, steve finds bucky very much still alive! and as soon as bucky recognizes him, even as confused as he is, he pulls out this beautiful, ecstatic, angelic-ass smile, like he's just seen god or he got high on some real good edibles or maybe both idk, like my man here was having a serious Religious Experience™ you guys

and i just wanna say, they could have totally kissed here and it would have made plenty of sense. but that's true of like 90% of their scenes in this franchise, so *shrugs*

ANYWAY steve takes bucky in his arms (well technically yes he does) and brings him to safety, and on their way there, bucky proves once more just how hard he meant that "with you til the end of the line" from before

afterwards, steve is finally given the chance to fight, just like he wanted.

bucky, on the other hand, could very well leave the war behind and go home; but when he learns that steve is staying, he chooses to stay too, and fight by his side. and he tells steve so in this very intimate, softspoken, delightfully suggestive conversation, which can be summed up like this:

and so they walk right back into the heart of the fight, only this time together, as they were always meant to be!

but. during an especially tricky mission, they're surprised by the enemy, and as a result, bucky falls to his death into a deep ravine.

steve is devastated. overwhelmed with guilt, grief and rage, he vows to bring down the people responsible for his loss, even if it costs him his own life.

and um, it kind of does? cost him his own life?

victorious after his last vis-a-vis with The Antagonist™, steve still chooses to sacrifice himself to prevent the catastrophe set into motion by the aforementioned Antagonist™. he's flying a jet over the frosty expanse of the atlantic, and you know, from the outside, you could easily argue that he could try to save himself. if he really wanted to. but with bucky dead, and the people responsible for all this pain, either dead or captured, it seems like all the will to fight is gone from steve; and so he plunges the jet straight into the ocean, and himself with it.

is this the end of their story?, you might ask.

the answer is: of course not!!!! the best is yet to come, babes!!!

EDIT: here is part 2

#stucky just stucky #personal #stucky #yes this is very dumb but dumb is my middle name lmao #i hope the read more works?????????? #are all the pictures even there???? #i'm too tired to check agsdjahkasdjk #sorry it took me a while to reply honey!!!! #i hope you're having a fantastic day!!!!!!! <3 <3 <3 #the silly stucky recap you didn't ask for #rillers scribbles

[femmespoiled]

ID: Video that is a stitch made by @professorneil on tiktok.

The person in the video stitched says: "which is that it seems like quite a lot of people, particularly white liberals, will very often take on all these different queer and neurodivergent labels and feel as if they have to be oppressed by something because…”

And the person stitching said video continues by saying: “so, yes, this is absolutely a thing and not only is it a documented sociological phenomenon, but sociologists have come up with a name for it and it’s called the race to innocence and sometimes also the race to the margins, it’s the same thing. Now when Mary Louis Fellows and Sherene Razack coined this term back in 1998, they were thinking mostly about white feminists within the multiracial feminist movements, so bear that in mind as I read from their article, it is more broadly applicable, absolutely, yes, but that is their focus here.”

The person in the video proceeds by quoting from the article mentioned: “When a woman fails to pursue how she is implicated in other women’s lives and retreats to the position that the system that oppresses her the most is the only one worth fighting and that the other systems (systems in which she is positioned as dominant) are not of her concern, she will fail to undo her own subordination. Attempts to change one system while leaving the others intact leaves in place the structure of domination that is made up of interlocking hierarchies.”

The person in the video continues: “So, Fellows and Razack are implicating and critiquing here that the very second wave feminist, white feminist idea that all women share a common struggle, which it is only possible to suggest if you are ignoring the unique oppressions of queer women, women of color, women in poverty, etc. When faced with that challenge, the people who occupy a position of privilege, so in this example, the straight, middle and upper-class, white women will say “That’s not the issue that we’re talking about here, we’re talking here about being women, we’re talking about patriarchy, misogyny.” They will race to innocence; they will race to their own marginalized identity categories in order to avoid admitting that they have power and privilege and are also the oppressor. And, sometimes, that race to innocence is very calculated (in this part the screen in the video shows text that reads: *and defensive!), it is deliberate, it is strategic. I might be avoiding talking about my male privilege, my white privilege, when I am also discussing being a wave slave because I want to preserve those privileges, while attacking the oppression I feel, but it’s, at least, as often, if not more often, something that we are doing reflexively, uncritically. It is easier to claim solidarity, it is easier to feel empathy, if we are doing it from our own position of marginality, it’s easier to speak credibly from a position of oppression and to do so with authority, if you also possess privileges that allow you to appear unbiased, neutral and to do so safely, if afterward you can retreat to a place of privilege. So, it is certainly possible that, at least in part, this explosion of straight, white, cis men leftists claiming neurodivergence is explained by some sort of desire to claim oppression, to build those alliances, to feel that empathy and to access that credibility, but even if it is sincere, it is still dangerous. Of course, it could be strategic and insincere. When you race to innocence, race to the margins, be mindful of the privileges you’re leaving at the center.”

END ID

- Here is the article mentioned in the video, if you want to check it out (in PDF):

The Race to Innocence: Confronting Hierarchical Relations among Women

#b discusses racism #and other marginalized issues #video #btexts #took me a while and i was supposed to do this yesterday so I'm very sorry but here it is #race to innocence #race to the margins