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probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.
we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."
at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.
the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.
the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.
what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.
here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.
i’d rather have rainbow capitalism then living in constant fear of discovery. the woman in the pride flag disney t-shirt might be missing the nuance, but at least i know i can be myself. a street full of rainbow flags makes me more comfortable holding a mans hand. look. corporations aren’t your friend. they will sell to whoever will buy. but kids seeing gay everything every year is only ever a good thing, and a massive improvement in history
I really find it interesting how Zionists have no issues constantly using words like "Islamic" or "Islamist" or "jihadist" to describe the people they're killing without any fear of being accused of Islamophobia or that they're being bigots.
Because they know that we live in a world where anything or anyone remotely "Muslim" are automatically portrayed as inherently evil and deserving of death, especially in the US and other Western countries where Israel gets most of its support from them. So therefore, no one can be mad at them for killing all of these people, right? After all, they're only killing scary radical "Islamists" and "jihadists," NOT innocent people.
Meanwhile you would never hear any pro-Palestine people calling IDF soldiers "Jewists" or "Jewish extremists," even when they're literally branding the star of David onto Palestinians' faces and houses, instead we have to be very careful to not associate Judaism with Israel's crimes and are obligated to write a long essay about how we in fact do NOT want to kill every Jew in the world before we're allowed to show a shred of sympathy toward the thousands of Palestinian civilians being murdered as we are speaking.
Yet somehow that's not enough and they still hit us with the "when you say Zionists you actually mean Jews!" all while ignoring how they themselves aren't putting any effort into not demonizing Islam and Muslims with their words, because demonizing Islam and Muslims isn't an issue to them and the only way they can justify all the killing they're doing.
I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.
Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.
So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.
I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.
Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.
You can really see how desaturated and "white fluorescent lighting" the original color palettes are.
[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]