#Many artists here just.. color their drawings as if “No.. this is no problem AT ALL”

[aaslwooo]

Favorite outfit

Favorite hairstyle

Favorite weapon

#I don't want to draw kusarigama #drows #sand siblings #temari #kankuro #gaara #Experimenting is fun when you stop to keep judging your own work (in the unnecessary way)- Like.. why'd I color things like pudding oh well #Lee's BANGS #Lee's so weird here.. lee's so.. he's hard to draw why why.. the coloring though.. I'm done. I don't want to bother with it #Many artists here just.. color their drawings as if “No.. this is no problem AT ALL” #Putting this journey in the tags so when I look back here in the future and seeing this.. I'll be like: I can't believe I'm cringe #Why am I like this though.. why.. these things aren't necessary to hear though.. You work hard.. you did it at least #Thank you.. I myself unsure #No they won't laugh at you - I know.. thank you - This whole thing shouldn't determine you as a person.. if it's bad.. it's okay.. #It doesn't mean you're bad too - Okay.. thank wait.. why suddenly aiming me personally.. this isn't about that - Love you - ... :)

[giorno-plays-piano]

Metamorph

Part III

Pairing: art teacher!Aemond Targaryen x reader (Horror AU)

Warnings: dark!Aemond, obsessive behavior, murder, horror, yandere, kidnapping, misanthropy, general creepy stuff.

Words: 1.1k

Summary: Drawn to the artworks of one of the most esteemed artists in the city, you wish to learn from him and find out what inspires him to create his masterpieces. You have no idea how much his secrets will cost you.

Part I | Part II

____________

You clenched your fancy Kohinoor pencil between your fingers like it's a gun, staring at Aemond already posing in front of all of you. No procrastination, you reminded yourself firmly as you drew a long vertical line across the paper to balance the future drawing. Your teacher hadn't berated you for your mistakes even once. It'd be fine if you got this one wrong, too. Anything was better than an empty sheet.

God, but Aemond was so pretty. His high cheekbones, his strong nose and jaw, and those thin but expressive lips, the long scar across the left side of his face...

You quickly hid behind your easel.

Breathe. Just get out of your head, you repeated to yourself Aemond's very words. You needed to get started, and whatever happened next didn't matter as long as you allowed yourself to draw whatever came to your mind. Explanations and logic be damned. You were an artist! At these rare moments, you were supposed to feel, not think.

Slowly inhaling and exhaling to keep your anxiety at bay, you uncleched the pencil in your fingers and slowly started shaping the figure on a sheet. It's fine. Aemond wouldn't get mad anyway as long as you did what he said.

The more you put your pencil to the sheet, the easier it was getting, something unfurling in your chest, putting a stop to your anxious thoughts and fears of failure as you continued to build Aemond's body, starting to get into details once you finished with the primary form. Regardless of his talent and uniqueness as an artist, he was still only a fellow human being like you. There was no need to magnify his power.

By the time Aemond walked over to you, you were almost finished with the painting, landing the last strokes to color the palms of the man on the sheet. It was that very red paint you had been mooning over for many months, complimenting its unusual vibrant color and a pleasant consistency. It was hard to believe you were now using it for your own artwork, but time was running out, and you didn't have a spare moment to be drooling over the paint.

"What do we have here?" The artist hummed, making you jump in your seat. How on Earth did he manage to walk so quietly in a room full of tables, chairs, and people?

Trying to focus on his question, you suddenly realized you had no clue how to present your idea to the teacher. Did you even draw what he had asked you to? What was that, not changing the silhouette and using mainly paint to express yourself or something?

You felt the beads of sweat promptly forming on your forehead as you clenched your jaw.

"You've been improving," Aemond told you, eye on the drawing as he tilted his head to the side. "Body proportions seem right, and I like the way you shaped the arms and legs. You had difficulties with them before."

Oh, really? You surely had problems drawing arms, but you didn't notice you were becoming better. A pleasant surprise. Not that one wouldn't expect to improve after taking lessons from the most esteemed artist in the city.

"Why did you paint the head and hands in red?"

Oh, crap. Why did you? You frantically searched for an answer other than "no idea, Sir, I think my subconsciousness just took over my body." Shifting in your seat uncomfortably, you looked up to Aemond bent over, intently studying your artwork.

Cautiously, you muttered, "I-I think every change starts from the head, Sir."

Would that qualify for an answer? But Aemond quickly directed his gaze at you and demanded, "And hands?"

Biting your poor lip that no amont of lip balm was going to save after today's lesson, you mumbled, "Hands are the tool that make the change happen, Sir."

"Very logical, yes. Now, forget about trying to give me a logical answer and tell me what you felt when you were drawing this. Tell me about the paint."

He bent over even closer to you, practically breathing into your face, and you almost lost the ability to produce any adequate sounds. Your teacher clearly saw through your bullshit, and the thought that he was upset or even mad at you made you feel miserable.

"It's a metamorph, Sir," you whispered, one step closer to having a panic attack and hoping no student in the room was listening to your rambling, "and red is a color of life. Of change."

Aemond cocked his head to the side, narrowing his eyes at you. "Why do you think red is the color of change? Is it because the change scares you?"

"It's not the change itself that scares me. It's what the metamorph is becoming, Sir," you uttered in a small voice and then added even quieter, praying only Aemond could hear you, "I think- I think he's turning into something violent, Sir. Something terrifying."

It took you a second to recognize what you've just said and what reaction it has provoked.

All of a sudden, you were staring in the face of Aemond Targaryen with his thin lips stretched so wide in a smile that it was even a little creepy. Was he... content? Did he want to laugh at your silly attempt to explain your feelings when you'd been drawing? You wouldn't even be offended, to be fair. It sounded like nonsense to you, too.

But no, he didn't seem to find it funny. Instead, you felt his palm squeezing your shoulder firmly, his smile unwavering as he spoke to you in a hushed voice the way you'd been answering to him, "Very good. My favorite artwork today so far."

As he got up, moving to the next student on your left, you were ready to jump and run away from the studio because, clearly, you were going to burst from the excess of feelings and anxiety in the next five seconds. Your teacher said it was his favorite painting today. This banal, lacking in originality in its every aspect thing was his favorite. When blood rushed to your head, making you sweat and feel disoriented, you clutched the brush between your fingers, squeezing your eyes shut.

Aemond Targaryen liked your painting. Despite being the very inspiration for the beautiful but horrifying metamorph, he actually had some sort of fondness for it because later, before you left, he actually asked you to allow him to keep the artwork for his own collection. Why did he like it so much? You had no idea.

_________

Tags: @heavenly1927 @yazzzmints @devils-blackrose @lost-and-founds @kennafild @toodlesxcuddles @shygardengalaxy

#aemond targaryen x reader #aemond #aemond targaryen #aemond x reader #ewan nation #hotd #house of the dragon #the house of the dragon #yandere

[kiwi-channn]

Just a drawing

(Part 2)

Older Simon Riley × fem reader(artist)

∆ Artist reader sees Ghost while he is patrolling her city and she wanna draw Ghost but he refuses ∆

Part 1 - part 3 - part4

...............🌻🌻🌻.................

I just thought that he looked like a great drawing reference... That rough aura... With a strong body... The look in his eyes is something I never saw before... So cold and alone... Interesting it was...

I wanted to capture that man on my canvas... I will use black and blue as a palette for him with a tiny string of red... It is gonna be amazing...

But! No matter how much I try, he refuses to let me draw him... The thing is he doesn't know me yet.. I never give up... Especially when it's something I wanna draw... I will try and try and try until it works.... Just perfect results are accepted...

.......

So for the next week, I stalked him.... He crosses this area every Saturday at 10 pm... Luckily I live here ... So I can easily see him every Saturday when he patrols the area...

He looks so grumpy... Wonder if he has other layers.. wonder if he has other colors under those dark basic colors...

Will he let me draw him?... How should I convince a scary soldier to let me draw him?...

........

"don't you give up!..." Ghost said with an annoyed tone... He is so done with this little college girl who is after him...

She doesn't answer and pretends to be behind the tree...

"you know I can see you right?... Do you call that a hiding spot?..."

She sighs tiredly and moves away from behind the tree...

"I just wanna talk to you sir" said so innocently like she wasn't stalking him for the last week like a prey...

"really?.. so you stalk me from behind the trees..." He isn't even surprised... He now is sure that this girl is out of her mind...

"no no... I was just taking a little peak.. not stalking or anything..."

He can't understand that girl at all... Is she even okay?!... Why is she so consisting on drawing him when he refused her many times?...

(is it really just a drawing?!)

Ghost can't stop but think that this girl is suspicious... He doesn't trust her consist...

"why are you looking at me like that?" She is looking at him like a creeped rabbit in headlights...

"what?" He says confused at her looks ...

"like a wolf..." She says quietly with a calm look of some fear... She is in her own little world now.. imagining other stuff...

"huh?.. bloody hell.. you crazy?... You really have a problem.."

She chuckles and looks up at him... Her gaze going through his soul not just his gaze... She is really analyzing him ...

"just get lost.. little girl" he snarls at her... Trying to be more rude so she gets away from him...

"you think I will give up with just that?... Iam not that easy lieutenant..."

"what do you want?..." huffing with cold tired heart... He wanna get straight to the point now .. he doesn't have time to chat especially with this weird girl...

She didn't expect him to ask her that and she thinks a bit...

"will you come with me to somewhere..."

"do you think iam easy too?... Why will I go with you anywhere?..."

She smiles a bit and leans her head to the side slightly ... "Do you think I can hurt you, lieutenant?..." Said so calmly with a gentle tone ....

He stays silent for a few moments... Just looking at her... He doesn't get her at all...

"fine... I can squash you if you ever tried anything funny anyway.."

She feels a bit shocked at the way he speaks... But she pays no mind and laughs it off....

........

And after ten minutes... They were both in her car... She is driving... And he is sitting on the passenger seat beside her... He doesn't fit at all beside her... With her small pink car... And her calm oblivious aura... He looks out of place...

"where are we going?.."

"don't worry.. I won't eat you..."

He gives her a side eye... He knows for sure whom can truly eat the other ...

"brave little minx ..."

"well I understand little minx.. but brave?.. me?..."

"you are more stupid than brave..."

"ugh.. can't you be nice for a moment..."

"no..."

She shakes her head a bit... And she stays silent for the rest of the road...

...........

They reach the sea and he feels a bit confused that she brought him here...

This city has a beautiful sea, that's what he heard but he never came to see it... And it's indeed pretty... The sea water are so blue like the sky... The shore's sand is a bit dark colored but still matches the sea so much.... With a nice breeze... So refreshing and smells like salty water... That special aroma...

He just stands beside the car not moving a muscle... And she takes off her shoes and walks on the sand softly like walking on sharp glass...

She then stops midway and looks back at him... Giving him a look of inviting ...

"what?" He says

"what!" She says back

"aren't you coming?... Are you gonna just stand there like a statue?..."

He feels a bit offended and steps on the sand...

"aren't you taking off your boots?... It will fill up with sand.."

He doesn't answer her and she gives up and just walks with him closer to the sea .... Then she sits down in front of the sea... And he just sits beside her ...

"so?.. just brought me here to look at the water!..."

"oh .. sorry to disappoint you sir ... Did you expect more?..." Says softly with a smirk that annoyed him so much....

He just glares at her... She is really weird he thinks...

She looks ahead of her... Listening to the soft waves hit the shore...

"when I was young, my parents had a divorce... At that time I thought that I could fix it... But I was just a kid ..."

He didn't say anything for a few moments...

"why are you telling me that?..."

"maybe I just wanna bribe you... To let me draw you"

He smiles a little behind his balaclava and doesn't say anything back for a nother minute...

"what did you do then?..."

She feels a bit relieved that he chooses not to be rude...

"I just cried... I couldn't imagine my life alone... Without mom and dad ..."

"alone?... Didn't they just get a divorce?.."

"yeah.. but they both didn't want me anymore... They wanted to start new lives ..."

"hmm..." That was his answer... He doesn't know what to say in these situations at all...

She laughs and nudges him...

"it was long ago... It doesn't affect me like it did before..."

He frowns and didn't say anything... And they just sit silently, looking at the sea...

"I still won't let you draw me.."

"come onnnn... I told you something sensitive about me .."

"well I didn't ask you to tell me... You forced me to hear you..."

"forced you?... You are so Stony.."

He chuckles a bit and stops immediately so she won't hear it... "Stony!... That's the weirdest thing I have ever heard..."

She heard him chuckle quietly and she decides not to mention it...

"come on .. just one portrait of you... Just one .."

"no"

"ughhh... Evil..."

"and you are a little baby ..."

.....

"so you will come again?.."

"come where?.." he acts dump...

She looks so done with how annoying he is...

"to here... The sea... It's my calming place..." She sighs and looks at him...

"so?.. you will?.." she want him to accept so bad... She wanna come here again with him... Maybe that will convince him to let her do a portrait of him...

"without a portrait?..." He breaks all her hopes..

"okay.. just for now..." She had to agree for now... She wanna know that set of colors and complicated emotions for now... For her portrait of course...

"fine ... Maybe another time here won't be a problem..."

"deal!..."says happily and she smiles a bit smile and looks back at the sea.... She can't believe he agreed... Maybe he is indeed easy...

The sun setting down over the sea... The sky isn't totally blue now... It has some orange and a bit splashes of pink...

#simon ghost riley #simon riley #ghost #ghost x reader #simon ghost riley x fem reader #simon ghost riley x reader #simon ghost x reader #ghost cod #cod #call of duty #simon riley x reader #simon riley x female reader #simon riley x you #simon riley x artist #romantic #romance #fanfic #older!ghost

[draychuh]

artist!shinsou x reader

You both were only classmates, nothing more than that. every time you take the seat in front of him, he would watch as the way you rest your arms comfortably on the table as you listened to the teacher in content. the way your hair is done in different hairstyles every day. on mondays you would have it in a tight bun, then on wednesdays you would do low pigtails. he had memorized every little detail, not by choice, but because he would draw you when no one's looking. when everyone's on break and chatting around, shinsou took the time to doodle you in his sketchbook. he drew you during your messy hair days, putting in the effort to color in the vibrant pink of your coat. to him, it was as if you were a manhwa character. he found it cute when you dress up to school, something not many kids in class do. or, maybe, he never payed attention to others but you.

during pe, the boys in class were playing basketball as the girls sit on the bench and watch. You were with your group of friends, giggling as they fawn over their crushes. You watched as shinsou, typicallly one of the tallest guys in class, scored a point with ease. "dang, didn't know the quiet boy was good at tossing hoops." your friends said. you only nodded with a smile. after the match, they headed back to class. as you walked down the benches, you noticed a thick sketchbook laying on the ground.

"hey, y/n! you're coming?" her friend asked as they were about to leave the court room. "i'll catch up to you guys later!" she waved at them as she picked up the sketchbook.

it's a very decorated and stylized sketchbook, the purple cover being filled with cat stickers and random graffiti scribbles. "how cute.." she muttered to herself as she flipped open the sketchbook. the first few pages were doodles of cats. most of them were the same color as you assumed it might be the owner's cat. you found their way of coloring in their drawings to be very cute. if only you knew who this belonged to, you would love to be friends. you flipped over to another page, a little taken aback to see a sketch of a girl sitting in a classroom table from a back perspective. she thought it was really pretty. until the next few pages were almost the same scenario, except the girl had different outfits and hairstyles. all of which she had done herself.

shinsou wiped the sweat off of his forehead, jogging back up to grab his things. his heart throbbed as he noticed his sketchbook was missing, not on the spot where he placed it. "crap- where is-" he looked around the court room, eyes landing at you who so happen to be holding the sketchbook. he could feel his stomach fold, watching as you quietly flipped through the pages.

"u-uh. hey."

you looked up, seeing the purple haired boy from earlier. "oh, hi. you played really well just now." you praised him, the sketchbook still on hand. and how ironic it is, that she was looking at the sketches of herself. he gulped, trying to look at her in the eye without attempting to snatch the sketchbook out of embarrassment. "thanks.."

'no problem. see ya in class." she said as she closed the sketchbook, about to take her leave before shinsou grabbed her hand. "wait!"

she turned around, looking at him in a confused manner. "that.. sketchbook."

she smiles. "it's cute right? i think a girl dropped this while she was here. im planning to go around the school and ask around."

"actually. uh. that book belongs to me." he admitted. the last thing he'd want her to do is show his doodles to random people in school.

her eyes widened, glancing at the cutely decorated sketchbook then back at him. "oh.. oh my god! im so sorry. i didn't mean to invade your privacy..! i was just.." she says, immediately returning him the sketchbook. her face was a blushing mess. shinsou gently waved his hand around. "no no. it's fine."

they both stood awkwardly, before she gave him a slight nod and walking away. as soon as she left, he could his cheeks burning at the thought of her going through his sketchbook.

Later that night, you covered yourself in your bedsheets as you thought about the situation. you knew him, obviously, as the tall silent boy in class. he tends to spend most of his free time on his desk while his friends play and run around the classroom. he sat right behind your seat, which suddenly made so much sense to her. she couldn't believe it took so long for her to piece up the puzzles. she should have known, from the way he would look away as soon as you catch him glancing at you. or when he would immediately keep his book away when you walk past his desk.

The next day, you sat on your table as you waited patiently for your first class in the morning. you noticed shinsou walking into the classroom as he noticed you too. he shyly walks over to his seat, moving past you without a single greeting. the both of them were the only ones in class, considering how early they came to school.

you turned around, almost startling him. "good morning."shinsou blinked, his eyes droopy from his restless night. obviously, he couldn't sleep after what happened yesterday. "g'mornin."

"about yesterday.." you turned your chair around facing him. "i'll be honest, i saw a lot of your sketches. you're very good. do you take art classes?"

shinsou blushed. "thank you. and no, i don't." he hoped she doesn't mention a single thing about the drawings of her. whether she figured it out or not, he just didn't want to explain them nor would he know how to.

she gives him a kind smile. "can i commission you?"

hitoshi hums in thought. "i've never done one before actually. what do you want drawn?"

can you draw me?"

thanks for reading! let me know if you want a continuation of this.

#shinsou x reader #hitoshi shinsou x reader #shinso hitoshi #my hero academia #fluff #mha x reader

[batwynn]

Hello. So I have a genuine, honest question as someone who isn't an artist. I saw you made a post about AI art floating around Tumblr lately. How does one differentiate between AI-created art vs. ACTUAL art? Some things have been easier to notice than others (ie: YouTube videos and like, moodboards and the opening to Secret Invasions) but for art specifically, are there any key things to look out for that make it obvious it's AI generated? I do not support AI in any fashion but in this day and age I do find it increasingly more difficult to tell the difference between something that was created by AI vs. created by an actual person.

Hi anon! So, heads up this might be a bit long of a post but I wanted to point out some things that I don't see frequently mentioned in other posts about A.I stuff.

First things first: Look at their other 'art' pieces. If they have a generally consistent style, a consistent type of work (Realism vs ink art for example), characters you see more than once and from different angles, character sheets, etc. You're going to notice if someone suddenly switches from little ink doodles to fully colored and realistically rendered 'art'. Now, this doesn't mean everyone switching styles or mediums is A.I, but it means to take a closer look if you notice something vastly different than their usual stuff. More A.I. clues below!

For things to look for, there's a lot of different clues but generally you're going to notice a certain new car shine to everything. Everything will be a little too clean, even if the style they are ripping off is sketchy. Sketches will have crosshatching that doesn't really make sense or random lines in a place that an artist probably would not put there. That being said, here's some examples where that isn't as noticeable:

Here you've got your usual body/anatomy problems. (Plus some elements I'll talk about later as well. This one's got it all!)

Glitchy foot, glitchy hands. glitchy eyes. Strange proportions for legs that don't exactly fit a stylization, but more of an glitch. Now, of course an artist can draw 'glitchy' things like this either by accident or intentionally, but you really only see these types of things in A.I vs actual art of a similar style. Realism artists are generally not adding extra fingers or varying sized fingers, they're not rendering the foot to only have too many toes, missing toes, and the foot also... sort of part shoe. Unless art artist is otherwise intentionally including these elements, it's generally a clear cut example of A.I stuff. (For example: Different body types and disabilities exist, and there are people with different shaped hands, shorter/longer fingers etc. But you will also usually find some kind of info with the post about the person/character that will tell you about them that can clue you in on if it's A.I vs real art.) If the artists are drawing in a style with 'exaggerated' anatomy, you can almost always see that as a persistent and intentional STYLE in their art. If they aren't, this is something you'll really notice in A.I vs realism. It can be especially true with people who fully render realistic art because it's not in line with the style, and the relevant elements of rendering art this way. Artists who do realistic rendering at this level generally know their anatomy very well, and are going for realism in all elements of the art. Some stuff like the exaggerated long legs in women are kind of everywhere, but the hands, the foot, the lopsided winky eyes (I don't know how to describe it) are not things a professional artist rendering realistic art would generally do. It's just not in line with the style, or the ability/skill that the artist has worked on. (Again, unless completely intentionally and in line with the person/character.)

For 'real' life items like the tables below, you've really just got to ask yourself: Is this physically possible? Do all the elements make sense and actually work together in a real way?

Sometime it's hard to know if you don't have any experience with, for example, acrylic and wood table making. But there are things that just don't work in real life, and there are things that maybe someone can do, but even in the provided examples it just doesn't make sense to do. For example, the little 'tree' hanging from the bottom of the left table. Would that be possible? Probably. Would someone do that? Probably not. If you're really stumped, sometimes just looking up videos of people making that type of thing can give you a better idea of what actually works together, how it's made, etc.

Here's something that really helps when you're really struggling and zooming in for every detail: TANGENTS

Ok, so tangents in art are when you're drawing a thing, like hair, and it's lining up with a different object to the point where the visual line continues from one part of art to another and it looks really unrealistic/weird. Most artists figure out how to avoid this on their own just from noticing it and feeling uncomfortable with how it looks, while others learn via the internet etc. It can happen in anyone's art at any skill level, but the amount that it happens in A.I stuff is HUGE. It's almost every single image, and you can really notice it in places where something overlaps like hair or, from the above image with the money: there's two bills that just kind of bleed together. From the same image, you can also see how her hair bleeds into the wrinkles of her jacket in an unnatural way. Comparatively, you can see in the Hela art I did below that there are overlapping elements like the hair and the ribbons behind it that do not mesh or bleed together.

Something else to look at: Symmetrical elements that don't work right. So, this is kind of getting harder to see depending on what they're generating as a subject matter and the style they are using. As always, there is a disclaimer for this. Art does not always have perfect symmetrical elements in it.

For example: in the real world, this dude's coat would have more clean symmetrical elements. As it is a sketchy doodle, they're there but they're not 100% symmetrical. With a LOT of A.I stuff, you'll notice that something meant to be mirrored on the other side of the clothing, room design, etc. is actually completly wonky/incorrect or not even there at all.

For example, in this A.I we have missmatching elements on both sides. Not only in things that could be designed to be asymmetrical, but also things that 100% should be mirrored. The left side under the buckle on the shoulder has a diamond shape. The right has a weird spikey thing. The little leaf pattern on the gold lapel area appears to be just blobs on the right side. The left shoulder area has a button and additional little detail under the buckle area. It is not there on the right side. And, again, some of this can be intentional with real art. Her arm bands could be intentionally different, for example. But elements that clearly should be reflected on the other side and are very clearly not are generally a good clue that it's A.I. A few last moment things to look out for:

Styles that are recognizable someone else's whole thing. Example: The monstrosity that someone just generated that is supposedly Calvin and Hobbs. It's pretty easy to tell because it looks like shit right now, but generally if someone is ripping off a distinct style of someone famous, it's probably A.I or at least worth double checking.

Did they suddenly start doing ______? This could be anything, backgrounds, drawing horses, full color, etc. But if they're suddenly, overnight just BOOM they're 'drawing' in a whole other style, it's suddenly really rendered, and/or there's no 'growing pains'/work shown that they've started working on drawing the thing they never drew before... It's time to take a closer look. Last but not least, look for the language they use around the stuff they're putting out. A.I people are often... a certain type. They use a lot of that NFT bro lingo that can tip you off. The tags might be all over the place for styles, or tagging certain famous artist's styles, etc. They also can be a bit more blatant in the tags and just outright tag A.I or NFTs somewhere in there. And, in the end, if you really can't tell and you really love the thing and want to share it: Ask an artist. Or just don't share it.

Thanks for reading, and I hope this is helpful in some way!

#How to tell if it's AI #How to recognize AI #Art vs Ai #Long post #nice anon #I mean I have to be honest a lot of it is also like #white guys generating indiginous and asian people like they're working for fucking nat geo but in that extra mastibatory way #a LOT of incel shit out there #a LOT of 'if I was Elon Musk my apartment would look like this #but also the entire cottage core tag is exploding with AI shit #It's a mess #The best and worst way to handle this is to kind of assume whatever you're into is going to have at least one looser making AI in it #the worst because it sucks that it's everywhere already #and sometimes you have to block someone you liked and thought was cool #but best because being aware and active helps yourself and others

[ouroborosorder]

Arknights VFX question: Any highlights or personal favourites as far as the "Stick a whole background/huge jpeg in there behind the character" category of skills goes?

Oh I like this question. This made me consider things I've never looked at before, so thank you for that. I had to do research.

So, there's not a lot of ops like this, and shockingly, I don't have many positive things to say about them. BUT I did find a few interesting highlights I think are worth discussing.

First off, I will leave Eine Variation out of this, as I have made my thoughts on that Thing very clear.

But, my favorite skin in the game actually does indeed have the Background.Jpeg - Specter's As One!

Aaaand it's easily the worst part of my favorite skin. Don't get me wrong, i think it's probably one of the better executions of the idea, since it's like, a skybox, it matches the pallette, matches the artstyle of the skin, it's almost perfect. I wish it was a LITTLE less static, maybe have some distortion ripples across it like waves to keep the stars moving, or maybe have them twinkle a bit or something. But it's fine. But a good effect isn't everything.

Effects relies heavily on the principles of animation, too. Appeal, weight, color, and most importantly of all - timing. Having a proper lead in can make a bad effect good, and having a bad lead-in can make a good effect fucking terrible. And having no lead-in at all will absolutely fuck your effect and make it super clear that you took a jpeg from the skin art and superimposed it behind your operator.

Here. Look at the picture above. Now, I am going to tab back literally just one single frame in the animation and...

oh ...there's no fade in at all. It just literally appears in a single frame. It draws way more attention to itself than it needs to just by virtue of literally popping in. It's SUPER obvious that it's just Skybox.jpeg. If it faded in with some sort of noise mask (which takes literally less than 2 minutes to make,) it would be so so so much better. Again, this is my favorite skin in the game, and I already think S3 is quite beautiful, so this is nitpicking, but this skybox always bugged me a lot.

Now to say a sentence no one has ever said - going up a step in quality from Specter to Hoederer!

I can't fully get this one in a still image and I'm too tired to record a video / gif so just go with this, alright?

This one is ALMOST GOOD. ALMOST. IT'S SO FUCKING CLOSE. The texture is being distorted by a wavelike noise that is giving it the rippling effect of fire, which is the standard thing to do for making a stylized fire. The problem is that... The texture itself doesn't fucking move? It's just being UV distorted, just a bit of offset to the material and I just AUGH.

It's so so so obvious that it's just a static jpeg of fire that's being waved around like a flag to get it to contort into being fire. This wouldn't bother me if the actual fire texture didn't have implications of movement in the little waves and fades and stuff. I hate it it's so irritating it's so CLOSE. But also, animating an entire fire flipbook would have taken a lot more time, and I can 100% guarantee you the VFX artist is also unhappy with this one. Their A team was probably on Arturia or something. Speak of the devil -

I've had a few people ask how I feel about Arturia's S3 after I expressed my hatred for Eine Variation, and I am here to say - this unambiguously fucking rules, for a few reasons.

First and least importantly, THE MONSTER MOVES. The monster itself has slight movement, you can notice its arms wiggle a little and mouth open and close. This is a small thing that goes a LONG way to make it feel way more dynamic and alive. It's also being distorted by a noise like Hoederer is, which is quite nice as a touch, really helps to make that limited movement feel way more significant than it is.

Second, is that the texture is monochromatic, but in a different way than Arturia is. The grays are colder, harsh blue-grays to contrast Arturia herself, who is a very warm gray. This makes it so that it adds a really nice background that looks like part of her, while also standing out and allowing her to stand out against it. It's a really smart use of monochrome to create visual interest using just different subtle shades of gray.

But that bluish hue also serves to compliment the only color in the effect - the blue light from the cello. Your eyes are naturally drawn to brighter glowing things, which is also the only colored spot on the effect - the cello from which her Arts emerge. As a result, the Beastie.jpg fades out of your attention, becoming monochromatic noise, which, due to being just kinda chaotic and aesthetically dissonant, you interpret more as abstract Shape than anything else. That abstract shape then makes a cone which leads you down into Arturia's center, which is her cello, which is where her Arts are coming from.

This is basically to say - These are very emblematic of what I think makes good effects textures in general. They work best when they're not alone. When these backgrounds are part of a larger whole that's all coming together to make an effect, rather than being the centerpiece of the whole thing. When I notice the background, it's a problem, in my eyes. Maybe people disagree. They keep putting them in skins, and a lot of people thought the Eine Variation goat was cool as hell, so clearly I'm in the wrong here, but hey. Who gives a shit.

I'm sure there's way more examples of this, (actually I know there are,) but I'm extremely tired and need to go the fuck to sleep. If there's any particular backgrounds ya'll want me to take a look at, lemme know and I'll get back to you when I've woken from my dread slumber.

#arknights #arknights vfx breakdown

[genericpuff]

Let me preface this: I'm an architecture major

I used to be a big LO fan but obviously fell out of love of it like a lot of us did, and I know LO uses SketchUp for backgrounds. That is not an issue I have with the comic or any comic, I want artists to have an easier time in any way they can. I was always under the impression Rachel imported the models into Photoshop and drew over them like you can see in the early episodes with the sketchy lines. Well, school just started recently for me and I now have access to SketchUp for my coursework, and I made a few discoveries: 1. Photoshop cannot read SketchUp files, and while you can import them into Clip Studio through some configuring, they can be finicky and will lose parts in the importing process, so they are best used into the original SketchUp program to export as PNGs. 2. Many of the models Rachel uses are incredibly easy to find, especially if you put "modern", "luxury", or "classy" before the main part of the search. Many of the houses and rooms for example are first page results. 3. The biggest discovery: You know how we all assumed Rachel was hand-drawing all the lines over the SketchUp models and how she gave up the longer LO went on? Well, it's actually worse. It turns out SketchUp has a thing called "Styles" in it, which means you can mess with the lines and look of the model, such as making it look more like a blueprint or playing with the colors. Well, they have a lot of styles on SketchUp known as "sketchy lines", which are the exact ones Rachel used early in the comic to fit with her style, and it takes a literal click of a button to do. All she would do is pose the model, click the sketchy line style, and export the PNG. That's it. So, yeah, Rachel is so checked out of the comic that she can't even bother to click a single button to make the models fit into the comic's style anymore. Use that information however you like.

Ouhhh sorry OP, I'm about to like, undo all the work you just put into that ask. We've already known about the 3D background problem for a long while now.

First off, it's more likely LO doesn't use SketchUp but actually Acon3D, which is a website that offers 3D models both for free and at cost, which are actually compatible with software like Clip Studio. As soon as you open it up you'll likely see a lot of very familiar backgrounds that are often used in romances, isekais, and period pieces. It's literally the go-to spot for Webtoon Originals creators. Like, to the point that I wouldn't be surprised if Naver was partnered with them because of how many of their creators use it.

Second, there's plenty of up-to-date evidence to support the fact that Rachel doesn't exclusively stick to one software, sometimes she's drawing in Photoshop, sometimes she's drawing in Clip Studio Paint, sometimes she's drawing in Procreate. She's undoubtedly using Clip Studio for her paneling, speech bubbles, and backgrounds, as there are built in tools to utilize and convert 3D materials into lineart, among other features that are recognizable as coming from CSP because they're not available in PS or Procreate.

Third, yes, she just uses filters to turn her backgrounds into lineart, this has been apparent since S1. The only backgrounds she's ever 'hand drawn' were the ones involving lots of nature and even those are mostly just Photoshop brushes stamped on.

Like I realize I'm probably bursting your bubble here and I apologize for that lmao but these buildings were never hand-drawn, this is not new information (￣﹏￣；) I appreciate you mentioning your own experiences with it as you're learning it though, I find once you start to learn the process yourself you really start to notice what others are doing. Even I've gone through that over the past couple years as I started to use 3D models and more advanced tools specifically for drawing webtoons.

I will mention btw, there's nothing wrong with using 3D models for your character drawing and backgrounds. The only time it tends to get frustrating is when you're reading a comic that isn't making any attempts to blend the background in with the art style.

Like, The Kiss Bet probably uses 3D models to help with perspective and laying out scenes quickly without second-guessing, but you can tell they still hand-draw over the models because they look natural and like they belong to the comic's stylization. The characters don't look out of place sitting in a living room and the living room doesn't look distracting.

But then you get stuff like Lore Olympus, Let's Play, and Midnight Poppy Land, and it becomes a bit more obvious they're not giving a shit about backgrounds lmao

I get it, WT's deadlines are cutthroat as fuck, but if it's getting to the point that you have an entire team behind you and you're literally just copy pasting video game models from Phantom Hourglass, then it's probably time to re-focus your priorities a bit. There are comics with as few as 1-2 assistants (and even in some cases no assistants at all!!) pulling off backgrounds better than this, even when they're taking shortcuts.

(Nevermore and City of Blank)

But a lot of that does come down to how WT manages its expectations as well as support for their creators. The deadlines and requirements WT puts their creators under are insane and awful in the long-term, and they're not acting with the amount of professionalism they ought to be for a platform that's trying to breakout as a major publisher here in the West. I feel like it comes down to WT loosening the choke chain around their creators, but also creating a standardized level of quality to ensure it's not suffering for the sake of quantity. The traditional literature industry has real editors and stages of quality control for a reason, whereas WT is more interested in just throwing as many series at the wall and dumping all their stock into the ones that stick.

#lore olympus critical #lo critical #webtoons critical #antiloreolympus #anti lore olympus #ama #ask me anything #anon ama #anon ask me anything

[katyahina]

The most common Bloodborne fanart mistakes

We all approach fanart differently! Most people draw characters simple and get the point across, with any alteration being down to art-style. Some people willingly take artistic liberties based on their preferences. And some people try to be very accurate to the canon, to the point where they feel sad upon finding out that they've been unaware of something (like me and all three of my fans fsjfhjds). The latter is often caused by both lacking spread of good references and artists using fanart of other people for the reference rather than the source material. If you also belong to this category of fanartists with me, here are some of the most common fanart pitfalls to avoid!

Lady Maria's eye colour: It is a somewhat frequent mistake to draw her eyes blue! In reality, her eyes are very pale green, even a little desaturated, so, greyish-green:

Henryk's skin colour: In the game, it is hard to know unless you deliberately zoom in his face, and even then it might be accidentally blamed on the lighting! I especially see this mistake in Eastern fanart. Thanks to a dataminer Zullie the Witch though, we can know for sure that he is brown:

(Here ( x ) is the page with all sliders)

Little girl's ribbon: Most drawings depict this one as simply... well, white ribbon. It can be tied around a braid, a ponytail, or simply rest on whatever other hairstyle. But in the game both the icon and the way it is worn by Messengers features a layer of frills:

Only one daughter: Gascoigne and Viola have two daughters: one, younger, is the little girl that used to wear the white ribbon which we never see, and another, older, is the one we can talk with later and see dead.

She is not an obvious encounter, and it certainly doesn't help that her little sister doesn't mention her! There are many fanarts that only depict just the little girl whereas the intention is to depict the whole family, and some even use this older sister's design for her, though, as a result! Two of them existing is also confirmed by the voice credits:

Micolash's hair: This is probably the most obvious case of people using existing fanart as a reference. His hair is purely black and somewhat messy, even curling somewhat!

But it is a common fanart thing to give him brown, 'pointy' hairstyle. I think it is sorta 50/50 though because black hair is hard to work with in art, and sometimes 'brown' is just a way to have better colors in general! Lighter color is needed, and simply lessening it to 'dark grey' can just feel not so satisfying. It is an error usually if he is like.. idk, next to a character whose hair IS drawn as black, so there is an obvious comparison.

Adella's hair colour: She has a reverse problem! Commonly drawn with completely, no-shade, pure raven black hair, exactly what Micolash's hair is, when hers is simply dark brown:

Edgar's hair colour: A frequient one is depicting him as that 'yellow' type of blond, when in reality he is strawberry blonde (if not somewhat a redhead):

Yurie's hair and eyes colour: I've fallen for this one myself, and it took me some time to withdraw from, so it is better to just not do to begin with. However, it is simultaneously 'the most widespread mistake' and 'not a real mistake' since this character is bald; although her data states she is a blonde, only her (rather fluffy!) blonde eyebrows are observable. Her eyes are grey, like with plenty of the characters in Bloodborne!

Fanart of her almost exclusively depicts her with black hair and blue eyes, though. Again: technically she is bald, and colour of eyebrows might not match head colour, so the real error is only when artstyles that color eyebrows and eyelashes darken them!

+ Possibly this happens because her name is mistaken for Japanese name Yuri. This is not true: the existing name Yuri is written as ゆり or ユリ, whereas this character is named ユリエ. This little fucker エ at the end is not silent, and this is the key: she is yu-ri-YEE, not yu-REE! Also, ユリエ would be a Japanese spelling of the name Julie - Czech, French and Danish variant of the name Julia. I personally think this is most likely, since Yharnam is heavily inspired by Czechia!

Brador's beast hyde: It is hard to call a frequient, because fanart of these characters together is not frequient... xD But I've seen a few instances of Brador wearing his beast hyde while next to a Laurence who is still alive and a human. This is not possible, since Laurence was the first Cleric Beast, and the hyde Brador is wearing IS that of a Cleric Beast:

We can not know whether Brador killed Laurence or someone of the following clerics since Soulsborne hates clarity and Miyazaki drinks my tears and my tears alone jfhdfhsdhfdhs But we can conclude for sure that he only has this hyde after Laurence was killed. (Naturally, in some types of fanart, this doesn't count! For example, the 'everyone is here' types of fanarts or simple shitpost doodles do not have to be strict to the timeline! In fact, they should not be, lol)

"No-Beardor": Again, this is sensitive to the time context and intention: it counts when the intention is to depict his 'invader' state as it is during the game! Naturally, bro probably shaved more than once in his life fhhhdjss I think it is the fault of a particular "screenshot" of him going viral as a reference for him, when in reality his invader and jail state features a rather noticeable beard:

Gratia's clothes: Again, not a popular character to draw, but at some point a fanmade Wiki claimed that she is wearing Yharnam Hunter's set! This found the way in fanarts of her, when in reality, she is wearing an altered Old Hunter set, wearing a cap instead of a wide hat and missing the large flowing cape and her left glove:

Arianna's hair and eye colour: Her eyes are often drawn as either blue or brown, when it reality, it is, strangely..... purple? Meanwhile, there is a frequient fanart trend depicting Arianna with her alien baby in which her hair is still yellow, whereas in reality her hair loses colour after the event:

I've actually made the exact same error the one time I drew her with her kid :') This situation ties Arianna with another important character, Annalise, who used to be a redhead and has lost her hair colour in connection with her pregnancy, presumed aborted. I elaborated more here ( x ), but the point stands: this change is impossible to spot in the game with its dramatic fucking lighting dfdsfsgdfs It is something only really spotted through data analysis!

__________

I think that's the most frequient ones! There is really no problem in taking artistic liberties, but there is a category of artists that do not really want to and there are details that just can't be spotted in the game by normal means! And some errors can be painful to look at, like white blue-eyed blond Henryk fanart :pensive:.

In recent couple of years, we are being spoiled with awesome references thanks to dataminers and bloggers that spread the information! As for ER fans, they are actually having it easy since dataminers started to expose all the models right away whereas BB fans had a long 'dark era' xd But in general, Soulsborne games are built around the idea that no one will be able to beat the game alone; we all gotta communicate online through the notes other players have left! This mentality further travelled into understanding the story of these games by exchanging the information we've found.. And like, what I am trying to tell is that I am very happy that the same mentality of cooperating spreads on creativity as well! All the references here are the result of awesome dataminers hacking the game and being kind enough to share with the community! There are many more things such as model rips, internal filenames and super handy screenshots galleries that sometimes help to not only create a more accurate fanart, but also to even understand some extra lore! Yeah, like Arianna's hair hinting at a very important plot twist about Cainhurst. x) My point is!! communicating about what we have noticed with other fans is how these games existed and formed the coolest community, and fanart might be not different. What I shared here is just a really small portion of what can be used, and someone found this post useful, I am happy!

#bloodborne #bloodborne reference #bloodborne observation #use later #creativity #tips #screenshots #not art #text post #I probably did not communicate it well but recently I've had so many of the 'ahhhh shit I never knew about [detail]' that- #-I've decided to link the most superfical ones in one place #sometimes I am just so thankful that we have Zullie and Sinclair's models vid and more fdjhshfdds

[feyspeaker]

Hii me again. I'm not sure if I sent the ask I'm talking about on anon, so maybe that's why you didn't see it? It partially got answered with a recent ask you got anyway so no worries. I was just wondering if you use 3d in your process and if so, how? I've seen other illustrators use it to varying degrees and it seems like a really helpful tool to push your work.

Oh that's so weird! No I periodically go through my asks in chunks and I didn't see anything like that. I've had a few people in the past few months send me asks that looked like the second half of something else with no context, so maybe it's Tumblr fuckery. Sorry!!

I recommend learning Blender so you can help sculpt shapes and render lighting onto them in order to get the weirder/more complex shadows right. You can also apply colors onto the things you sculpt in order to see how the colors act in different lighting. It's pretty much an invaluable tool to me as it keeps me from having to problem-solve too much. I did a lot of digging around in my house to build references to photograph but it was just impractical to achieve the things I want to a lot of the time. I still do that, and you would not believe how many goofy photos I have of my husband in the poses you've seen me paint Astarion in lmao...

I do think that it needs to be used in moderation if you are a more beginner artist- I think that using 3D is DANGEROUSLY close to becoming a massive crutch for a newer artist and improper usage or over reliance on it can lead to stiffness or artificial looking colors. You need to be able to train your eye to create compelling compositions by bashing things together, and train your hand to replicate/add/subtract as needed from your references with an organic feel.

I will say this as a total committer of this crime myself in the past, it's VERY easy to tell when an artist relies too much on, for example, Clip Studio Paint posed models as bases for pieces without a good enough grasp on their fundamentals. And I also used to prickle when I saw more advanced artists warn of this, so I do think maybe it just has to run its course sometimes, because I know that using 3D for reference seems like an easy-button.

I've taken a lot of in-person classes for live figure drawing and painting, as well as just totally done drills, basically, on sketching and painting from life before relying too much on static imagery/3D/etc.

I often fret over every piece I do looking too stiff even still.

You have to do a LOT of the boring hard stuff the old fashioned way. And I regularly go back to it over and over when needed.

For example, I recently did a stupid amount of rose petal/flower studies deconstructing and painting ugly little paintings/doodles over and over because I know that I've been horribly weak at painting flowers for years (actively avoiding them). And I've been doing a lot of floral stuff lately due to that.

Whenever I start a new piece in new territory, I know it's going to mean several 3AM nighters where I have two other tabs open on Photoshop where I test out different textures or do a couple of studies. I'm working on a piece of my OC right now that has a lot of gore/medical instruments and I've been working on testing out different methods for shiny metal painting and some anatomical studies. I'll come to a snag in a painting and go "here we go" and work through it one piece at a time.

My Halsin piece, "Secret Spot" in the hot spring, was a massive undertaking with a lot of these moments. The Karlach x Dammon piece took 3 times longer than it should have due to me just having to go back and fix things knowing I could do better after doing some studies.

Ultimately I personally find art tutorials to be quite useless overall once you get to a certain point, unless they are teaching the use of a tool/software because you HAVE to figure out what works for you. And even then I use Blender like a monkey with a keyboard, I suspect, because I've just bruteforced through it, so I could probably use a tuneup from a good teacher on that haha. I hope this helps some, and sorry if I overstepped if I sound preachy.

#ask

[proshippers-against-censorship]

might be a bit of a controversial take? But imo I feel like antis who are either poc or black seemingly make the color of their skin the only redeeming quality of themselves, or just want EVERYTHING to revolve around that

Someone’s OC or anime character is not black? Let’s edit them into a black character! And mind you I have absolutely nothing against black edits. I even agree, black people are unfairly underrepresented in games/anime and this has only recently become a little bit better

but the edits I saw were mostly poorly done or gave the characters blurry oversized Afros that cover 90% of the face and colors that will clash with everything else going on, like backgrounds. Or they would “fix” someone’s art and then claim desaturated art pieces or pastel color palettes were “whitewashing”

Whitewashing is a serious problem that happens and shouldn’t happen so often in media but I’m begging people to understand that lighting, pastel and saturation as color options exist

Oh no I fully agree.

That and folks nitpick every piece of poc art but then get mad when artists start only drawing white characters because they're sick of the nitpicking. Personally, I just don't post original human characters anymore because you can do everything right and folks will still pitch a fit.

Also, fixing art is literally art theft and people who 'fix' art without permission from the artists are scum. I will die on this hill.

Draw your own art. And make it look good, God dammit. If I see another copy-pasted afro I may cry. So many creative hairstyles out there. And learn color theory, lads. Please. I beg.

(Not going to touch too much on the 'my skin tone is my only redeeming quality' note just because I just KNOW that's going to drag in some stinkies and I'm too eepy from my drive yesterday to deal with them. I do agree, though. Or the 'support me because I'm a [insert trait here] artist' thing. Like I'm sorry but if your art or product is shit I'm not spending money on it, idc how much of a minority you are. Trying to guilt-trip and frame anybody who doesn't support you as 'bad' because your art or product sucks is stinky.)

#proshippers against censorship #jackal barks #proship please interact #proship positivity #proship #proshipping #proshipper #proshippers please interact #proshipper safe #anti anti #ask #asks

[david-talks-sw]

any new Star Wars essays in the making, or are you moving on?

I don't know, honestly.

Part of it is "life gets in the way," I'm working a lot and so whatever time I have left is spent just messing around or meeting with my loved ones.

I've got a bunch of stuff in my drafts. I don't mind sharing it here, most recent to oldest:

Sort of a joke post of me pointing out how stressful being George Lucas' producer must've been, like this guy really DIDN'T WANT to write his fucking scripts, did he? Poor Rick McCallum. Abandoned because who gives a crap.

'Ask' reply on how EU-fueled fandom perception of the Jedi was flipped by the prequels.

'Ask' reply about the themes in Ahsoka and why the show doesn't know what it's about. Problem is, I go about it starting from the basics, so nobody's gonna sit through reading a tematic breakdown of the first Pirates of the Carribean movie, The Batman and the original six Star Wars films before I even get to the show at hand.

"Part II" post about what Ahsoka, Rebels and TCW get right about lightsaber duels, which the Prequels never did.

Quote collection & analysis on just how complex the Prequels were meant to be (in the late 80s, Lucas intimated that the Sequels were the story that was supposed to have gray morality, not the Prequels)

Quote collection on how the themes and principles of Star Wars align with Lucas' own opinions and philosophies.

Quote collection on Lucas defining Anakin's flaws.

Quote collection on Lucas talking about the fact that we need to be more proactive, which aligns with what Lumi points out sometimes about the Jedi: they should've been more politically engaged because we all should be.

Why I approach Lucas as "word of god".

Personal life/joke-y post dating from the time of the WGA strike about how Jack Black's School of Rock lyrics "In his heart he knew, the artist must be true, but the legend of the rent was way past due!" applied to me. Abandoned because I didn't wanna bum everyone out.

Correcting the notion that Dark Times-era Jedi such as Kanan or Ezra or Ahsoka represent what Jedi were supposed to be.

A comprehensive end-all outlook on how Anakin's flaws all tie together. I've written this one twice and I don't know how to differentiate it from my other posts.

A secret "Part 3" to my TLJ Luke post, in which I point out that RJ's being too "indie", while being a strong point for a big chunk of the film, hampers the film's ability to make Luke feel as badass as he does on paper. I want to illustrate a storyboard for this one, but that takes time.

The evolution of Star Wars' approach to transmedia.

Debunking Star Wars myths: a (very) comprehensive outlook on children in the Jedi Order.

Problem is that only like 2/3rds of these are fully-written... and I still need to find the relevant clips, turn them into GIFs, etc etc.

There's many other interesting Asks in my inbox btw. But I'm already behind on all these, so I haven't begun to touch them.

Then there's the drawings.

I wanna draw a comic of the meeting between Yoda and Dooku in Dark Rendezvous. I wanna finish the comic fight between Maul and Ben. I wanna draw Mace, Shaak Ti, I've got a Luminara fan-art that was supposed to be ready for Jedi June 2022 and an Anakin drawing that looks weird. No time, nor am I skilled enough. (Like, I trace, that's what I do, it's not a secret I've said so before... but it takes me a long while to do so. I'm not fast at drawing, let alone coloring.) I could commission some of these, but there are obvious obstacles there.

There's fun tidbits I've discovered here and there but nobody will care about them and I usually try to not drown my blog with bs posts.

Then there's the bigger problem.

All the things I've listed above? I'm not 100% motivated to finish. But a lot of the new stuff I wanna write about is hella negative.

I had a lot of stuff I wanted to say about Ahsoka. But it wasn't all good. It was mostly me bitching, be it about the show or the fandom's reactions to it.

I've also got more stuff to say about Filoni's take on Star Wars, but I've talked about why it's inaccurate like 8 times already, and I don't actually dislike the guy, like there's plenty of things he knows and does that I think are awesome but also people won't stop putting him and his takes on a pedestal and--

oh shit, there's Acolyte too, I forgot about that, gray morality galore, here we come. But here too, like... I've talked a couple of times about why this entire gray morality thing is actually just the gen X-ers trying to make the prequels "cool" and "complex". but I've never explored properly, with quotes and research and shit. but i've talked about it so many times that at this point it'd end up like the Filoni rants, redundant. "we get it already." as if this show didn't have haters lined round the block for absolutely sexist reasons.

Don't get me started on the mountain of lies and/or idiocy that is the YouTuber Star Wars Theory.

And yet he said one thing a few months ago which struck a chord within me and it's the fact that Andor is awesome, excels on all levels because it's treated seriously, like a proper show, not a Disney Plus one... why wasn't Obi-Wan Kenobi? Why wasn't Book of Boba Fett? And I've already established multiple times that I enjoyed Kenobi (yes, including the Reva parts) and I've established that I know what they were going for in Fett and I've established that this is mainly a "Disney Plus didn't know how to structure a fucking show pre-WGA strike" issue more than anything else... but when I think about how these could've been treated instead? When I look at the characterizations and emotional stakes of like Fargo Season 5? It's infuriating. Because it's not bad (talking about Kenobi, BOBF is awful)... but it could've been EXCELLENT and instead it was just "okay" to "good".

I just miss live action lightsaber duels, man. Like, good ones.

and i dunno. maybe I should just let it rip on all this. "go off, king!"

but I think there's so much negativity re: Star Wars that adding my thoughts on these subjects, no matter how structured and reason, will just blend into a wave of needless, un-constructive hate.

maybe I should finish the writings in the drafts and just post them with no gifs, maybe just still images?

but doing any of that feels like a step back.

So that's where I'm at right now.

#just noticed #started this post spelling it “I don't know” and ended it by spelling it “I dunno” #there's all you need to know about where i am right now #sw negativity #i guess? #bummed everyone out after all

[stilettomafiosas]

I usually don't put anything much about myself on here but I had one of those "SCARY drawings made by schizophrenics" videos come up in my recommended page and it irritated me and many other people have written extensively about the problems with that kind of portrayal especially when sensationalized and made out to be something otherworldly disturbing that you can just safely gawk at from a distance as entertainment, SO I'll just say:

know what other kind of art is made by schizophrenic people?

colorful, round, friendly things!! bright, soft, dreamy things!!

(which there's nothing wrong with creepy/horror art of course. I also occasionally enjoy drawing creepy looking things! but it just personally hits home every time I see how common it still is to showcase the artwork or even handwriting of the mentally ill as horror to analyze as entertainment and of course you wouldn't be as apt to see videos about the artists like me who like drawing colorful silly things because now THAT'S JUST NOT FUN MATERIAL TO MAKE A VIDEO ESSAY ON, IS IT?)

I want to think that most people don't have that weird concept of it, but I doubt it hurts to speak up a little on my experience with it :,3

#jpt #dl

[honest-moth-of-silver-grove]

Hello!! i hope you’re having a good day!! I would like to ask for a BG3 matchup, please!! To make it easier for you, I’ve added anything that might be necessary here: https://docs.google.com/document/d/1-9dv4INxKsRYGLfZR22P7dUNY6gNqXnzEklxj_uxbhw/edit

A/N: Lol, I feel you w/ the undercut thing. If I let all my natural hair grow out, it would be its own situation every morning lol. Because you didn’t specify gender preference, I picked one male and female companion for you. 

For you, Google Doc Anon, I think you’d match best with Astarion (Male) and Lae'zel (Female)!

➶ Astarion is an independent person as well. Before he was turned he was a magistrate, a corrupt independent player who was very influential in getting what he wanted done. Of course, after being changed by Cazador, he lost all of his influence but managed to retain his aloofness and ambition. After getting a taste of freedom following 200 years of servitude, he’s insanely stubborn, and very vocal when it comes to voicing his displeasure about doing things. He makes it clear that he’s capable, but his capability is very intertwined with how much he wants to do something, similar to you. He finds such behavior to make sense and has absolutely no problems defending your thought process to anyone who complains. 

Granted, due to your shorter stature, he may not take you seriously upon first meeting you (he does make a fair amount of gnome jokes in game), but once he gets to know you, that all changes. He actually really likes your height difference because it makes him feel all the more  (dominant lol) in charge for once. And he loves, loves, loves your hair! He can’t see his hair in the mirror, but he likes to imagine it looks as cool as yours. He might even ask for your help dying his hair- of course, you’d have to try the colors first so he could see how they’d look on you before he’d dare try putting them on him, but that’s half the fun, right? 

Astarion enjoys the arts. Back as a magistrate, he’d frequent the theater and art shows, get the best-tailored clothes with the fanciest embroidery- anything that crossed art over with luxury, oh boy was he down. He wouldn’t ask you outright, he has his pride, but please please study him and draw him. He hasn’t seen his appearance in so long, and being able to see it through your gifted eyes would be such a marvelous treat. He trusts your craftsmanship 100%. 

And he understands your need for alone time. He, despite putting on a good show for everyone, is very drained after a day of ‘performing’. He needs time alone with you, just the two of you being quiet in order to recharge. He also tends to get a bit snippy when overwhelmed emotionally- which makes sense given his history. So don’t fret, he won’t take it personally if you yell or snap at him because you’re feeling overwhelmed so long as you don’t hold it against him when he occasionally does the same. 

And while he may be pompous at times, in most cases, it’s because he does have the skills to back it up. All the other times however, it’s good he has you to knock him down a peg, and get him to come back down to reality. You let him know he doesn't have to put on a show for you, he doesn't have to pretend. You love him just as he is. And he loves you just as you are. 

💥 Lae’zel is a great match for you because both of you are pragmatic, and disciplined people who do what it takes to accomplish their goals. As you said, you’re an INTP. INTPs tend to search for truth and accuracy, checking situations from multiple logical angles before proceeding. This is very much in tune with several Githyanki principles. However, unlike people who do not take you seriously due to your appearance, Lae’zel takes you as you are, at face value, so long as you’ve proven yourself worthy in your fields, your outer appearance is of no importance to her. 

She is much more focused on battle- the art of fighting. So she is very new to many of the artistic expressions you introduce her to. But if you put a lot of time and effort into your work, she appreciates it, not necessarily for how it turns out, but for the dedication you put into it. She also appreciates how instinctively smart you are. Intelligence is a sign of a worthy ally. 

She too, is not a fan of large groups, preferring to work by herself or with a few she really trusts. You, of course, are someone she trusts explicitly, so to have you around her doesn’t irritate her the way strangers do. In fact, she seeks out your company as a way to destress from the strife working with strangers causes her. 

She understands the need to separate work and social life now that she’s started developing a social life of her own. She respects your boundaries when you ask for time alone to work and does not worry about your loyalty or intentions. 

You are hers. You have said as much. And she is yours. She has said as much. No amount of time spent apart could possibly change that.

#baldurs gate imagine #baldurs gate x reader #bg3 x reader #bg3 imagine #baldurs gate matchups #bg3 imagines #bg3 astarion x reader #bg3 lae'zel x reader #lae'zel imagine #lae'zel x reader #astarion imagine #astarion x reader #bg3 #bg3 matchups #matchups

[clarafyer]

MY PERSONAL ART TIPS! A big thread I'll be adding to

I too, was once a 10 year old gacha kid whose only drawings were a way too detailed catgirl persona and friends. I didn't have much in-person or online inspiration and help for a long time! So I'll help others earlier in their art journey (and perhaps the masters too, never not a good idea to try some advice!)

So let me spare some of you a few of the unnecessary mishaps during everyone's art life.

If you've never seen my blog before, hello! My name is Clara. I'm a neurodivergent teen artist, aspiring animator, and resident cat person. It's nice to meet you! If you'd like to know who you're taking advice from, here is some of my latest work!

Now without further ado, LET THE HELP COMMENCE!

STROKES: Fix stiffness in your poses!

To start off, a BIG thing I recommend for newish artists, is don't be afraid to draw loosely! The looser the lines, the less stiff the pose. And stiff poses are a very common issue within the community. Sure, your anatomy may look bad for the first while of drawing looser lines, but it will help you be more confident in strokes. The more confident the stroke, the more efficient an artist. The more efficient an artist, the faster you learn.

To practice loose lines, simply draw a long line as fast as you can. Over and over again. I know, that may seem boring, but it helps train your hand and arm to be faster. But if it's so much a hassle to do in your free time, then do it on the side of a worksheet if you're in school, or a sticky note if you're at work.

Speaking of practicing...

PRACTICE MAKES BETTER: Get over it!

I said the phrase wrong, didn't I? Oh wait, no I didn't. NO ONE IS PERFECT. And don't forget that! There will always be issues, problems, and mistakes in your art that you don't realize until the day after you've shared it with everyone you know. The artist is always their worst critic. So the best thing you can do is to keep at it. Practice your weak points to support the composition more, hone in your strong points to better make a focal point. Practice will always help, even if you don't see it. A slow pace is better than no pace!

"But Clara, what are my weak points? How do I know what I always mess up on!?" you may ask...

ANALYZING YOUR ART: Pros and cons!

Well, pick your latest finished piece and tear it apart (NO NOT LITERALLY OH GOD NO PLEASE-) I mean analyze it. Grab your pen and a separate paper, or just your notes app, and make a list of pros and cons in it. Doing this with multiple pieces is especially important, as with multiple examples, it's easier to find a pattern.

How about this, I'll give you an example!

Here we have a piece I made a few weeks ago. It's of my Western AU of my main cast of OCs. TIME TO NITPICK!

WEAK POINTS

- The clouds are too detailed compared to the rest of the composition

- The right horse seems very stiff (I already am aware I struggle with drawing animals nowadays)

- The funky hatching I did with the plateaus in the background just isn't working out as well as I thought it would anymore

- the god damn horse on the right

- The sky in the middle just seems far too empty. I could have added more indication of the sun at the top to add more noise

STRONG POINTS

- The color palette I chose blends well while having the colors still be sharp and clear against each other

- The entirety of the woman and her horse on the left

- The glitchy effect adds some zestiness to it that I love

- The whole thing looks quite cinematic, with a successful wide shot and the black bars imitating that of a movie's

- The inlines of the otherwise completely flat-colored silhouettes help define the overlapping shapes quite well

And there you have it, 5 pros and cons each I found in something you probably only noticed were little to none. No, I'm not bragging, it's an actual psychological phenomena where the artist notices so many more intricacies than the average outside viewer. Your mom isn't hanging up your art out of pity, GET THAT OUT OF YOUR HEAD! People love your art so much more than you do.

That's it for the first post. Don't worry, there'll still be more helpful tips coming! I just won't be able to fit everything in here with Tumblr's picture limit and all. Happy drawing!

#art help #art tips #my art #art advice #oc art #artists on tumblr #drawings #oc artist #art community #art #artwork #audhd artist #autistic artist #adhd artist #teen artist #drawing #Clara's Art Advice Thread

[opinated-user]

aww, i'm not the Brittany Gallade Stalker anymore? guys, i lost one of my titles. i don't know who i'm anymore! as long i'm still one Brittany then i guess i'll be fine... but also... i hope i don't have to tell people to not go bringing up my posts to LO. not because i mind she responding, i know she'll anyway if she feels like posturing about something, but because i have said many times before to not interact with her, period, just to see a reaction out of her. i encourage people to not interact with her at all. the whole point of this blog is to spread awareness about her and deplatforming her. i can't do that if people just keep validating her platform by going to interact with her. plus, we all know she'll only use it as more fuel for her own victim narrative so, really, why would you want that? i know it's possible that LO send herself that message, but just in case i want that said: don't interact with LO. don't watch her videos directly, don't try to get a response out of her. moving on... who is going to tell LO that this the very first time she openly talked positively about the art of her wife? (it's rethoric, don't actually do that). by that i mean, she just uses the art of MO, whines in stream about how MO isn't drawing pokemadhouse fast enough, whines about how she has a life that impides her being exploited even more and talks about how many more fanart she'll keep ezqueezing out of her.

oh, and i'm meant to assume that the quality of her art has nothing to do with why you aren't showing your avatar anymore in any of your videos?

those two pieces of art are actually an example of the kind of problem that people do notice with MO. when she's doing things fast enough for you not to whine about it and churning out as many fanart as you want, it looks rushed. it looks unfinished and halfassed because you constantly tell her to make art that way. that can't be healthy for any creative person, just about in general. the fact that she's not even being paid for it speaks badly of you as a partner and a boss. that's not me saying it, it's a fact. one piece of art here and there is just a perk of having an artist as a partner, but you very much has abused that by having MO making entire animatic, multiple visuals for videos, an entire webcomic that you want fully coloured, animatic for that webcomic and all without any paid at all. but when MO can have all the time of the world and there's no wife telling her to forgot anatomy, it looks just so much better. for one, the color choices for the character designs are miles better than whatever is that you're asking her to do for your OCs. there's more flare, life and drama in that one picture of the green character that has ever been in all of pokemadhouse. i don't know why you won't just let her dress saige with something nice for once.

i literally said that MO on her own is a decent enough artist. funny enough, that's the one point that all critical blogs agree on. it's really quite transparent the kind of gasligting you're doing when people can clearly see me saying as much in that message, but still choose to present it otherwise and just ignoring entirely the rest of the point. your constant request for art from her and telling her to halfass it to make it as quickly as possible are my issue. a seasoned artist can do with a quick workflow because they know what they're doing, but MO is not there yet. so all you're really doing by using her like a slot machine for more art and fanart with your weird ideas of "right proportions" is keeping her away from actually learning. for the record too: i call you LO because Lizzy and Courtney, with Lizzy's blessing, wear the last name Orchard better than you. we went over this already.

#lily orchard #lily and mikaila orchard

[moveslikeanape]

i actually don't play disney magic kingdoms myself, it's just not really my type of game, but i've seen some gameplay of it and read a lot of the little dialogue from it online and it's always seemed really charming and cute! so it really is too bad we might never get to see tarzan characters added to it. i do play disney dreamlight valley on the switch, which is sort of a life sim game like animal crossing but with disney/pixar characters all living together, and a lot more of a story to it with quests you get to do for everyone. it's a lot newer and doesn't have nearly as many characters in it, but a recent update added a jungle biome that would've been perfect for tarzan and jane. i know they'll probably never be added, but if they were then they could live together in the treehouse and we could see how tarzan would feel about living in the valley among so many other humans! there would be so many new things that jane could teach him about.

i recently started collecting lorcana cards after seeing one of rapunzel wearing a green dress, which i found really cool because that was what she had in so much of her concept art! i was also pretty excited to be able to get cards from the emperor's new groove, the great mouse detective, treasure planet, and hercules. i bet they could make some beautiful cards for tarzan... but yeah, that copyright issue is incredibly frustrating. some of my favorite movies may be a bit overlooked or underrepresented by disney, but at least they don't have the legal problem that tarzan has. i guess with once upon a studio they must've wanted to really go all out to make sure every single walt disney animation studios feature could be included! i'm grateful they did, because it would've been a huge shame to see tarzan not even allowed into the special 100th anniversary short. the new movie "wish" also has a tribute to past WDAS films during the credits, where gold-colored drawings of characters from each movie appeared across the screen in chronological order. strangely they actually left out a handful of movies including the black cauldron, but they did include tarzan!

also, i'm sure you already knew about this haha, but just the other day i came across an article from a few years ago where several of the people who worked on tarzan were interviewed and talked about the production. and i learned for the first time that it was originally planned as a direct-to-video movie which would stick closer to the source material with tarzan going to england. i'm obviously very glad that that didn't happen and we got the movie we have now instead. -🌟

Sorry, was out of town for the weekend visiting family.

That's fair about Magic Kingdoms not being your type of game. I think the only real reason I play it is because it's something I can play casually and more of less keep up with, with out it taking too much time.

What I've seen of Dreamlight Valley looks like so much fun! And that would be amazing to see Tarzan and Jane in that game. Probably will never happen, but we can dream!

Ooo, I haven't seen that Rapunzel one, will have to look it up. I've always loved the concept art. So insane to think there's actually even Treasure Planet art in them!!!

Sadly we may never get Tarzan in Lorcana, but I found this artist during the Disemeber challenge on instagram, and he's actually done art for Lorcana. Looks like it was just the one card, Chief Bogo (which he's posted if you go though his stuff). May not be official, but at least here's a Christmas themed idea of what could be if they included Tarzan

OMG, I never expected any reference to Tarzan in Wish!! I haven't seen it yet (live in a small town, starting to think we may not even get it in our theatre), but now I'm even more excited to see it!

Oh wow, I actually didn't know that! That's so interesting (definitely so grateful they didn't go that route though). Would have been interesting to see how close Disney would get to the source material… don't know if you've ever read the books, but there's a lot of not so family friendly stuff. Also would have been such a waste, given the quality of D2V animation, would have been such a shame to only get Tarzan & Jane quality animation.

#strangers like me #character: tarzan #adult tarzan #character: manu #fan: art