ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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Am I writing this largely because I enjoy the idea of Sansa and Stannis constantly hissing at each other like two belligerent cats? Listen,
x
By the first week of the siege, Sansa was forced to admit — if only to herself —that warfare was far less exciting than she'd imagined. When she had been told of Robb's victories in the Riverlands she had always pictured him triumphant upon a fearsome destrier, sword held high as he cut down his enemies before him. Then he'd been killed and she had lived through the Battle of the Blackwater, waiting either rescue or slaughter by the very man who was now her ally. That had not been exciting, precisely, but it had not been this dull and plodding affair. A far cry from the valiant knights and noble battles she'd read when she was a girl; but she'd had precious little turn out the way she'd been taught.
She slept at the camps near the front lines, in the same soldier's tent she and Brienne and Podrick had shared for the past four months. Stannis had made all sorts of ridiculous protests about "ladies" and "danger" until she'd had to remind him, once again, that her eight thousand men gave her the freedom to dictate her own movements.
"All very well while we're waiting out here, my lady," he'd growled in response, after his requisite glare at her flawless logic, "But when battle joins, you'll be nothing more than a nuisance."
"In which case, I'll be quickly killed and you can have Rickon installed as Lord of Winterfell instead," she'd replied, "as you were hoping to do in the first place." That had shut him up, at least, and he'd gone back to scowling at Winterfell's walls.
Every night when she returned to the camp, she stopped at Stannis's tent and joined the conference with their commanders and lieutenants. It was then that she learned about the waging of war: how men were best deployed, how training was maintained even in the midst of a siege, how sickness was kept at bay so that it did not kill more soldiers than did the battles. Stannis disliked her presence there, too, but she was rapidly coming to understand that he would only be truly happy when she was out of his life for good. Possibly not even then. He did not seem a man much given to smiles.
The men did not share Stannis's view, at least; as she walked through the lines each morning and night they stood to bow to her, and press the back of her hand to their foreheads as she remembered they had done to Mother so long ago.
"They say that the old gods have brought you back to us," Lord Reed told her one day, as he accompanied her on her daily walk to the winter town. "That they were angered when the Starks were driven from Winterfell, and that they're drawing you all back here one by one. They say that Robb Stark may come back from the dead, such is the rage of the gods, and avenge all who wronged your house."
Joffrey had been diligent in recounting every detail of what had happened to Robb's body after Roose Bolton had killed him. She repressed a shudder to think of it and held more tightly to Reed's arm, grateful for the warmth of him at her side. "I hope they are not disappointed if all they get is me and Rickon."
Reed chuckled. "They're well-satisfied, my lady," he said. They walked into the winter town just as the sun broke over the mountains. "You're a sight prettier than the Young Wolf ever was, that's certain."
The winter town was where her real work was done each day. It was the custom every winter for the smallfolk of the North to leave their hides holdfasts and journey here, bringing what they could cart or carry. The winter town would eventually house nearly one in three of every soul living in the North, seeking shelter together to endure the cold.
The Boltons had not bothered to do their duty, laying in no provisions and building no new housing. Up until now it had mattered little; even as the winds had begun to blow, few smallfolk had dared to come take shelter under the banners of the flayed man. The town itself had been all but abandoned, until word of the Starks' return had begun to spread throughout the North.
Now the winter town seemed to double in size with each passing day despite the ongoing siege of the Keep. Sansa had her hands full in directing builders, organizing kitchens, allocating what resources they had to feed and shelter everyone. In this she was aided by any number of friends and allies: those servants and household members who had first escaped during Winterfell's seizure by the Ironborn, or who had endured that but had fled the Boltons' brutal takeover; the households of her lords who had come to support the siege; even Lady Umber and her formidable staff lent a hand before she returned to Last Hearth. Her most steadfast assistants were Rickon and Shireen, who at first had joined her out of boredom but were now her little lieutenants, breathlessly updating her on all events of the previous night as she joined them for breakfast each morning. She received aid also from her men in the armies, assigning their builders to fortify the town in much the same way they were fortifying the siege camp.
Her lords approved of this; Stannis, of course, did not.
"You seek another threescore soldiers?" he demanded one evening.
The siege had now dragged on near a month. Bolton's men showed signs of distress, Lord Flint reported with no small satisfaction; they would not last much longer. But this had brought a fresh concern, and Sansa had broached it during their evening conference.
"We need to build up the palisades along the eastern side of the winter town," Sansa insisted, pointing at the map spread out along the table, with the various pieces representing the various companies all arrayed neatly atop. Stannis's wooden flaming hearts were outnumbered by Sansa's wolf heads two to one, though many of hers appeared hastily-carved from whatever spare wood was at hand. She reached for a flaming heart on the far side of the Keep, well away from the siege. "It need only be for—"
"Give me that," Stannis snapped, snatching it back. "Those men are covering the huntsman's gate, should any of Bolton's forces be cowardly enough to attempt escape rather than stand and fight."
"And you anticipate that happening in the next day?" she demanded, resisting the urge to lunge for the piece the way she used to with Robb when he had teasingly stolen her embroidery, holding it just out of reach. "There must be fifty or sixty men out of twelve thousand that can be spared."
"Why are the palisades in need of building up in the first place?" Stannis demanded, as Lord Glover opened and then shut his mouth to reply to her. "This winter town of yours is folly — you cannot grant entry to every farmer and tinker who pleads for shelter."
Sansa gaped at him in outrage, though even as she did so she was heartened to hear the murmur of her lords at such a comment. "That is precisely what is done, and has been for every winter since before Bran the Builder set stones to build Winterfell!" She glared at him. "This is a refuge, Your Grace."
"This is a siege, my lady," he retorted, looming over her. She thought longingly of the beautiful heeled shoes Margaery wore; she needed only a few inches to match Stannis's height, and see what good his looming did him then. "The smallfolk congregate here at their own risk!"
"My people congregate here because they believe I will keep them safe, and I will do so. With or without Your Grace's help!"
"Without, if it pleases my lady!"
Half-ready to club him over the head with the nearest chair, Sansa grabbed the flaming heart out of his hands and waved it in his face. "What are these men supposed to do, if Bolton and his soldiers escape out this way?"
Stannis looked too near a fit of apoplexy to reply, so it was Lord Cerwyn who cleared his throat and answered, "They are charged to report back, my lady, with some following at a safe distance to see where they go."
"It's perfectly obvious where they'll go," Sansa snapped. "Lord Bolton will make for the Dreadfort."
"Of course he will," said Stannis, finding his voice at last, though he did not try for the wolf's-head piece again. "That doesn't mean—"
"I know three dozen local boys who could hide along the route from the huntsman's gate to the eastern road and bring back reports, without clomping about the forests in full armor," Sansa said, slamming the piece down at the winter town. "And they might be able to bring back some food, while they're at it. Unlike your soldiers, they know how to hunt in the Wolfswood without frightening off half the game."
A few days later, she had her men.
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