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#PostProduction
inspirednarcissus · 3 years
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Francesco Ruggiero by Álvaro Gracia for Rísbel Magazine #15.
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bigdogproductions · 5 months
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I really do need to stop doodling around with masking and color changes. Sarah C.
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priorypostlondon · 1 month
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Scanlan Theodore Summer 23
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sibanbotka · 2 months
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coffeenuts · 2 months
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editingmodulations · 1 year
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A match cut is a cut between two clips that consistently share one or more qualities of action, composition, content, or subject matter. The adjacent juxtaposition of two clips with shared traits builds a stronger story, whether it is narrative or thematic in nature. A match cut ties those two clips together by placing an edit between the clips at a point in which the shared quality is aligned between the two. This signals to the audience the significance and intention of the shared quality for its narrative purpose in the sequence. It binds together the two clips. —  Chris Ace Gates
The match cut could work like a snap in the face for audiences focusing on a scene or a moment that suddenly takes you out of there.
There are two moments in episodes 3 and 11 of the show Andor where we connect the drama and tensions of one character with just simple cuts but with a well-planned transition. The droid B2EMO, is presented in episode 3 – “Reckoning” with a simple and effective flashback, and in episode 11 – “Daughter of Ferrix” with a match dissolve, where the truth is revealed about Marva's demise (SPOILER ALERT)
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alexabarajas2002 · 1 year
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GRADED UNIT FIRST SESSION RESULTS
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hrmarsan · 1 year
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#shotby #me MODELS: @leiasophias MAKEUP: @leiasophias #portrait #studio #implied #skin #beauty #makeup #cosmetic #inspired #byyou #portraitphotography #postproduction #modelagency #fashion #sexy #fineart #clean #brownsugar #tryout #bostonmodels #theportraitpr0ject #retouching #retouchingacademy #bostonphotographer #fashionmodel @retouchingacademy @retouchingpanels @profoto https://www.instagram.com/p/Cqej8sqtjKG/?igshid=NGJjMDIxMWI=
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ruslana-retouche · 7 months
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📷✨ Rediscovering Vintage Charm with the Nikon S2700! ✨🍁
Hey there, Instagram fam! 🍂 I recently stumbled upon an old gem, the Nikon S2700, and got inspired to embark on a retro fall photo shoot adventure with my sister, the lovely @onewinterlove. 📸🍁
It was one of my first experiences as a photographer, and I must say, we both had a blast capturing the cozy, nostalgic vibes of autumn. 🍂📷
But here's the fun part – to add that extra touch of magic and remove those pesky wires in the sky, I turned to AI wizardry! 🧙‍♂️💻 Thanks to the amazing tools and skills I've picked up from @lesyakostiv and @retouchcourse, we transformed our photos into a visual masterpiece. 🌟
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akatre · 1 year
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SOLE
Shot by Akatre 2022
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inspirednarcissus · 15 days
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Daniel Sharman by Lee Malone for Square Mile.
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liviavossi · 1 year
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HOPE
( can you see it? )
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localr · 1 year
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By bicycle in passing with minimal post processing .. #enpassant #gallerys #people #berlin #postproduction #museumsinsel #locationscouting (hier: James Simon Galerie - Berlin Museumsinsel/museum Island) https://www.instagram.com/p/CkSVDj5jlEB/?igshid=NGJjMDIxMWI=
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nevermissblog · 1 year
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colourist, Walter Volpatto, making “Dunkirk” film 
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coffeenuts · 4 months
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adamdow95 · 1 year
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Graded Unit: Portrait III (Ali)
My third shoot for my editorial fashion Graded Unit project and my second collaboration with model Ali. Ali and I shot within the Xscape Amusement Centre, located in Braehead. We did not have a MUA for this shoot, we shot on our own. This shoot took place on Thursday, May 11th.
Ali posed wearing a yellow Louis Vuitton varsity jacket black cargo trousers, with black and yellow shoes and a black designer t-shirt to go with the outfit. We discussed the colours of yellow and black for his outfit weeks before the shoot took place.
Apart from people walking into frame and having to wait for the frame to be free, the shoot went well without any problems occuring.
I was very happy to be shooting inside of the Xscape Centre because I had booked up and requested permission roughly 5 or 6 weeks before I even found a model and a specific date to be shooting on. I selected this location area to shoot in because of the giant white support beams on the centre’s ground floor that really caught my eye, and thought these beams would look super cool in the images’ foreground for atmosphere and design.
The final 7 images were optimised, skin-retouched and colour corrected via both Adobe Bridge and Photoshop. The colour look-up mask layer setting was applied to the images, using the Kodak 5205, Fuji 3510 mask setting with a Soft Light blending mode appliance with a 75% opacity and a 50% fill applied.
Location of area:
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Team photo:
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Contact Sheet:
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Final optimised images:
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