The Veiled Christ ("Cristo Velato" ) is a sculpture completed in 1753 AD, originally (mis) attributed to Antonio Corradini and considered one of world’s most remarkable pieces of art.
In fact, the great neoclassical maestro Antonio Canova (1 November 1757 – 13 October 1822), who tried to buy the work, said he would gladly give up ten years of his life to produce such masterpiece.
Although Corradini was in fact commissioned with the job in the first place, he died having only produced a clay model for what would later be a definitive piece sculpted in marble.
It was Giuseppe Sanmartino (1720-1793), then, who ended up producing the astonishing sculpture of a dead Jesus, covered by a transparent shroud carved out of the very same marble block shared with the rest of the statue.
Sanmartino’s mastery — the veil covering the figure of Jesus being in fact “transparent” — didn’t only gain him a well-deserved place in the history of Western art but also turned his artwork into the stuff of legend.
Some stories claim Sanmartino covered his sculpture with a linen veil he managed to transform into marble by means of complex chemical-alchemical processes.
Those very same legends would also claim that Raimondo di Sangro, Prince of Sansevero (30 January 1710 – 22 March 1771), commissioner of the sculpture, was himself an alchemist who taught Sanmartino the mysteries of his pseudo-science. Of course, these are but legends.
The statue is today preserved in the Capella Sansevero in Naples, Italy.
35 notes
·
View notes
ok so for studio i think i should do another art period … and since i love the dramatics of the baroque period, i’m doing the even more dramatic period after! the rococo period, i’ll update on it soon :D
4 notes
·
View notes
Fernando VI and Bárbara de Braganza in the gardens of Aranjuez (detail), by Francesco Battaglioli, 1759.
wikimedia commons
1 note
·
View note
Background practice ft Rococo Good Omens :D
And a little Closeup to the faces~ bc look at them LOOK AT THEM.
72 notes
·
View notes
The Personifications of Spring, Summer, Autumn, and Winter by Rosalba Carriera
Italian, c. 1726-1744
pastel on blue paper
Royal Collection Trust
147 notes
·
View notes
Jean-Baptiste Barrière (1704-47) - Sonata for Pardessus de viole and Basso continuo in f-minor, Livre V No. 6, II. Allegro. Performed by Guido Balestracci, pardessus de viole, and Bruno Cocset/Les Basses Réunies on period instruments.
32 notes
·
View notes
John will be the most complicated to cast because his look was anachronistic even for his era imo. He had a face that'd be in coins or statues at some point in history. It's a shame he didn't care for acting because he would've fantastic in period pieces.
John's got that napoleonic war face, the only appropriate course of action for the casting team is to steal a painting from the National Gallery and have some scouse lad stand behind it to read his lines
25 notes
·
View notes