Historical Heritage of Pakistan: Exploring the Rich Cultural Legacy of the Land of Pure
Pakistan is a country with a rich and diverse cultural history that has been shaped by centuries of influence from various civilizations and empires. From the ancient Indus Valley Civilization to the Mughal Empire and beyond, the land of Pakistan has a plethora of historical sites and artifacts that showcase the rich cultural heritage of the country. In this article, we will explore the…
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This is probably my last post on the whole “Liz is dead” situation but I want to talk about my great grandmother, who is currently 92 years old. When I was growing up, hell even now, she’d tell me a lot about her own stories, mostly about how terrifying life was under both the British Raj and Nizam rule (her side of my family is from Hyderabad - Google the Nizams and the Razakars if you’ve never heard about them, that’s a whole other thing of its own).
Something I remember very clearly is her telling me about this one song she was forced to sing in her school - she went to a Christian convent school - and the song was about the greatness of “George Prabhu and Mary Rani,” aka George V, Elizabeth II’s grandfather. Recently my mom was able to film her singing this song so that we could listen to the lyrics, which are originally in Telugu, and roughly translated it means “we’re singing in honor of George and Mary, who are the rulers of India and have brought great fortune to India, and we see them as our father and mother.”
This is just a really difficult reminder that when we’re talking about why Elizabeth II and the royal family don’t deserve our respect or condolences, many of us have very personal stories that run deep through our families. “But she was a mother, a grandmother, a person” and I don’t care because she and her family were in the business of dehumanizing and erasing the identities of millions of other mothers, other grandmothers, other PEOPLE. Why else would my great grandmother be forced to sing a song in their honor? “But she wasn’t responsible for India” fair enough, her darling grandfather had a great time doing that, but how about you go and talk to Kenya? Or anyone in Africa? Or the Caribbean? I’m sick and tired of being told to “not speak ill of the dead” when REALLY I and millions of others should be getting an apology from anyone who wants to “praise her legacy” and talk about how “revolutionary” she was.
edit: i got the george’s mixed up before. george v is elizabeth ii’s grandfather. george vi is her father.
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Bruh.
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I finally got around to watching Dunkirk.
Whilst the movie was well made, the erasure of Sikh and Indian soldiers from European history cuts me deeply (as the great granddaughter of the British Indian army’s Sikh men).
Normally, I post pictures or gifs of the actual film with my thoughts but honestly, this time, fuck that.
Look upon the faces of the forgotten. Those who gave everything to defend freedom, while their own homeland was being oppressed.
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Sari is basically like be swaddled, but in a feminine way with style and beauty!
🥻🇮🇳🥻
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Lol never realized china borders with india three fuckjng times until now
Not an accident! British Raj was very valuable to the British not only for the labour & resources of the Raj itself, but also its proximity to China. Most Sino-Indian border conflicts today are based off this.
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On This Day In History
March 29th, 1849: Punjab is annexed into the United Kingdom.
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Sanatan Shastar Vidya is an ancient Indian martial art that dates back thousands of years, but was eventually banned by the British Raj who feared the skilled warriors.
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not the only indian character working for the british monarchy!! FREE SHAAN FREE MY PEOPLE RISE RISE RISE
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the red shoes (1948) will always be better than black narcissus (1947) like don’t play with me first of all the red shoes indulges in fantasy, artifice and theatrical tragedy in a way that black narcissus is absolutely incapable of. also the orientalist and colonialist gaze that permeates throughout black narcissus just blindsided me honestly why does the beauty of the Himalayan valleys need to be contextualised as alien, hostile & hypnotic exotic forces that compels the missionaries on a path of obsession and self-destruction (also how it’s this exotic land where the nuns want to break their vow of celibacy like ok lol). why can’t it just be set dressing to the story in the same way as the idyllic EURO sceneries were in red shoes. also the brownface ew
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Devdas (2002) dir. Sanjay Leela Bhansali
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To all the Leftist white people whining about the way the British are portrayed and discussed in Ms Marvel...
You are not supposed to feel comfortable when discussing colonisation, genocide, and atrocities.
Read that again.
Oppressed people are always told they cannot speak about their oppression. Or if they can, they have to "consider both sides", "think about historical context", anything to make the white people comfortable. Comfortable by dissociation from it, by othering it, by using cognitive dissonance to remove themselves from it.
This allows white people to nod, say "oh yes, it was terrible", then go right back to their lifestyles powered by third world suffering, international oppression, and the benefits of historical and ongoing colonialism.
If you truely believe you are Left, then you need to accept being uncomfortable when confronted with the voices of oppressed and colonised peoples. Sit with that discomfort, and listen to what is being said to you.
Sincerely,
A white British Anglo-Indian person who loved every moment of Ms Marvel and cried at the partition stories.
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Reflections of India's most famous building, bathed in evening light.
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so me and Sam FINALLY watched the last season of Capaldi's Who
and tell me how, after literally over a decade and for perhaps the first time in his fucking career, Steven Moffat wrote a not just tolerable but really actually good two-parter and fully stuck the landing. like the editing and pacing were still a bit off but the storyline was original, fun, interesting and emotionally invested, and most importantly, rather than ending on a damp fart or the most furious autofellatio in history, the final part didn't fumble it and ended in a way that felt emotionally satisfying and like it made sense for the characters. like the last time he successfully wrapped up a multiparter in a way that didn't feel cheap and hollowly disappointing to me was literally The Empty Child/The Doctor Dances, and a) that was in 2005 and b) tbh The Doctor Dances is about a tenth as compelling and memorable as The Empty Child.
so after 12 years of either hackery or great ideas that fall apart in the second act, Steven Moffat writes what I would genuinely consider to be a memorable Good Doctor Who serial. it ends with bittersweet pathos, a solid closer for all the main characters, and sends Moffat's showrunning career out on a genuine high despite failing ratings and budget cuts (and the fact Doctor Who hasn't been consistently good since about 2009). good job Steve. with grudging respect I admit you pulled it out of the bag on this one.
wait what's this there's one more episode left? and it stars Mark Gatiss? and you literally spend the whole episode inexplicably just shitting all over the legacy of Doctor Who by inventing a version of the First Doctor that bears literally no resemblance to the character that William Hartnell actually played, just so you can spend the whole episode saying misogynistic things to run yourself off to how much more Totally Feminist your version was than the version you made up in your head of what Doctor Who was like in the 60s? and it added literally nothing to the season except to take all the wind out of the sails of the actually good finale you already wrote?
even when he writes a good episode this fucker still finds ways to disappoint me.
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