Prompt 199
“Where the fuck are my legs?”
Danny wasn’t happy. It wasn’t funny! Usually he just had a ghost tail when flying really fast, like super speed, not all the time! It’s not funny Clockwork, you’re used to having a tail, he isn’t!
What do you mean it’s permanent?! He needs his legs! Clockwork!! He wouldn’t have agreed to the adoption if he knew he’d lose his legs!
…Okay, that was a lie, Clockwork was a great parent who encouraged his chaos and enjoyed screwing over assholes like the Observants. But still! He looks like some sort of snake person now! No he doesn’t want a nap, he’s not a baby!
Clockwork, why are you being quiet? He’s not a baby! He’s not a baby, right? What do you mean all ghosts are babies until they’re a hundred years dead!? But he’s a halfa- what do you mean it takes longer for Ancients?!
No he doesn’t want that nap, he’s having a midlife crisis here several years too early!
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Dealing with Dragons: Cimorene sketch ^_^
Been re-listening to Dealing with Dragons recently (anyone who knows me knows I will not shut up about how formative this series was for me re: many things but mostly dragons) and so I got the urge to draw Cimorene again (I sketched her like a year or so ago, but can't find it, so I thought a redesign with my new style was perfect!)
Also, my fav book reviewer (I have one of those now?? What??) Just covered the first book of the series, so if you want to check out a great reviewer AND my favorite book of all time, here's the link: https://www.youtube.com/watch?v=jMaKkwHQQKM
Not me trying to speak into existence an Enchanted Forest Chronicles graphic novel series that I get to adapt, whatttt noooo... ^_-
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favorite callbacks/foreshadowing payoff in A Power Unbound that made yell "oh goddammit" at my book
MY MOST SATISFYING "OH GODDAMMIT" MOMENT. FULL ON HAD ME PACING UP AND DOWN MY APARTMENT GOING "OH MY GOD THEY ACTUALLY DID IT, THE CRAZY SON OF A BITCH, THEY DID IT"
it wins #1 because this line always made me SO suspicious, but I also thought it was such a longshot. between the suspiciously specific phrasing of "blow up" and alan calling the lockroom easy to misuse in the same scene, my prediction was actually that the bad guys were going to do some fuckshit with the lockroom, because ART introduced us to the concept of "using hair to channel magic" and having a room full of everybody's hair seemed... uh, bad.
so I was just wrong enough to be delightfully shocked and just right enough to feel so satisfyingly smug. 10/10 felt terrific.
"adelaide tapping her ring" is SUCH a sneaky little detail. because she's tapping her ring all throughout a marvelleous light, and then sURPRISE it was the contract piece all along, beautiful bit of same-book foreshadowing, well done everyone go home
so when it showed up again in a power unbound, I was like "aw cute. I like that she's still got that little habit, even though it's not a Plot Relevant Foreshadowing Moment anymore, what a nice detail"
and then adelaide pseudo-flipped me off with her ring finger and went SURPRISE, GOT YOU TWICE, WHAT WAS THAT ABOUT MY PLOT RELEVANT RING?
this one didn't take me by surprise, but it's exactly what I love about reading a careful and deliberate writer.
this is in the same scene where we find out about jack's secretbind. so when I read it, I thought "okay well, we just found out he has A Mouth Thing. but he subconsciously touches his leg as well as his mouth, so probably he has A Leg Thing too." and then did a quick "probably from the war, right? seems most likely" and felt confident I knew that Jack had some kind of leg injury long before A Power Unbound even came out
and it's just SO FUN, because when you have a really good writer like this, you get the absolute joy as a reader of reading One Single Sentence and going "I see you, I know that means something." it's delightful, it's my favorite kind of puzzle, it's so rewarding
the way robin gets super uncomfortable with the penhallick crowd gossiping about what happened to jack and then changes the subject to magical people born into unmagical families who never discover their magic
the way jack and alan are linked together through this one worldbuilding-during-dinner conversation from two books ago. beautiful. profound.
and finally. my grand final of moments that made me go OH!! FUCK!!—
that's the first mention of jack by name, ever, at all, in the entire series.
that is the very first detail we ever learn about him.
AND THEN HE DID IT AGAIN, AFTER ALL THOSE YEARS OF NO MAGIC, AND I WAS SO PROUD, AND I LOVE HIM SO MUCH, AND ALSO I HUCKED MY BOOK ACROSS MY BED.
HIS FIRST MENTION AND HIS FIRST ACT OF MAGIC AFTER OVER A DECADE, crying, crying forever, we have come full circle
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So I mentioned in the tags of this post about Sampo's character design the other day that looking at his splash art made me realize something sneaky about the bg and oh my god I thought I already couldn't possibly love him any more than I already do but this might just prove me wrong JAKSLFJKDLASJFK
So this is maybe? old news by now but I remember when Sampo was first leaked to be in Penacony, some fans were excited saying that it must be Penacony shown in his splash art, and not Belobog. And tbh I was trying to avoid story leaks, so I just kinda ignored it and didn't think about it any further...until I was looking at it to look at his chains.
But I think it IS Belobog shown here because if you look closely, you can see what looks to be a pile of snow in the bg, and even some on the rooftop! And snow isn't present on Penacony.
There's also the huge moon shown behind Sampo. And we never get to see the Belobogian night sky, but even in the hours that are locked in permanent nighttime, Penacony noticably lacks a moon. The buildings all look like they match Belobog architecture, too.
This one is a bit more questionable tbh, but. There's also this long horizontal structure in the bg-
-which I'm not 100% sure what it even is, but it doesn't look like any specific part of Penacony. But it DOES look like the official art of Belobog (everyone say thank you to @/the-astral-express-archive for these pics; dude you're a lifesaver orz)
And if you will notice. The only place up high enough to look down on those structures,
the only thing taller than all the rest of the buildings in Belobog,
is the one establishment set dead center; Qlipoth Fort.
Which means this little asshole is shamelessly, gleefully breaking into the most important government building on the whole planet right in his splash art KFJLJSADKLFJKLDSJ
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reading collision course and I love the way they write spock's family arguments. sarek and spock go back and forth calmly declaring the other's point of view to be illogical until amanda has to intervene and cry, "stop it, you're tearing this family apart!" and demand they apologise, which obviously neither of them do. sarek doesn't want to give spock sensitive information because he wants to keep him safe, but spock interprets it as a lack of trust and a challenge to his vulcan nature. sarek calls his viewpoint flawed and hangs up on them. amanda turns to spock and assures him sarek didn't mean to be so nasty. in true teenage fashion, spock basically says yeah, right, then decides if he's not vulcan enough for his parents maybe he can be human enough for starfleet. spock ends things by basically half-disowning himself. it's just dysfunctional enough to be both funny and heartwrenching and I love it
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just FYI, from what i've seen on facebook here in norway, a lot of normie esc fans who say they "aren't even zionists" are planning to vote for israel just out of petty spite they were told not to. so its not just zionists, its also the worst "apolitical" andys youve ever met.
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I’m sure I’m not the first person to say this, but I am so grateful that the Yellowjackets creative team has proven themselves flexible storytellers—in a lot of ways, but particularly regarding Van. ‘Cuz how many times do we get a lesbian in a show (especially a funny, lovable one) and resign ourselves to having to say goodbye in some catastrophic way? And this is absolutely the kind of show where, until you see the adult counterparts, any one of those kids could bite it. And that Van was SUPPOSED to die—or at least, wasn’t necessarily supposed to live—but Liv Hewson did such a fantastic job and the character became so enriched and so charming that she not only gets to live past season one, but gets to live into adulthood.
And that she gets to be so herself in adulthood; Van feels the least changed, in some ways, of any of the grown versions. She’s, as Ambrose and Hewson point out, dimmed down and calcified, but she’s still dressing the same, she’s still proudly gay, she’s out here acting as a sort of snarky cinema mentor to the kids who come into her shop. No, she isn’t happy, because none of them are, but she is alive, and she’s out and proud, and she’s a fundamental figure in this narrative when she could so easily have been written out in a blaze of fire or a wolf attack. I’m so grateful, because it means no matter where adult Van’s journey takes her, we’re getting to hang on to Hewson for as long as the show runs, as one of the core six members of the ‘96 cast, and that is fucking huge. We’re getting the message that at least two of those six characters are gay and get to grow up, and that gayness has nothing whatsoever to do with their trauma and problems in 2021. Like. Goddamn. That’s enormous.
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It should be a criminal offense if an insurance company is responsible for a delay in a policyholder's necessary health care.
Withholding prescribed treatments, even for just a day, can be anywhere from inconvenient to catastrophic for the victim. Medical providers may not withhold necessary treatment from any patient on any grounds, as it is their duty to provide it-- it should be justly illegal for any "middle man" to interfere with a medical provider's legal and ethical obligation to treat a patient.
Severity of the charge and its legal consequences should depend upon the scope of the offense (length of delay) and its consequences to the victim (impact on the person).
The testimonies of the victim, the pharmacy, and the medical provider who prescribed the treatment should be key considerations for the determination. Additional important testimony should come from the victim's other medical providers, housemates, family, educators/mentors, colleagues/coworkers, or employers.
The charge should become criminal record for the company. The company (perhaps the agent's office) should be fined per day delayed.
Some taxation can be applied; just to pay off the folks who do the filing, advocacy, testimony, processing. A hefty majority of the fine should be compensation owed to the victim.
If delays became a criminal charge on companies' records, then companies would have a strong motive to terminate agents who aren't performing with punctuality. It would become their best financial interest to invest only in timely agents who would, in turn, gain a best interest to invest only in timely subordinates.
I posit that insurance delays would wane significantly, resulting in more timely delivery of treatments to policyholders, and many people's qualities of life would improve drastically for it.
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