yeah I’ll say it again: there was no reason for Azula to be put in an asylum for a year and still be going through it that bad all for a breakdown that took, what, less than a month? If we take Zuko’s betrayal, then Mai and Ty Lee swapping sides(? we never really see them “turning good” they just prevent Azula from hurting Zuko and the Gaang but that’s a different discussion) and then her father’s denial of her joining him to the Earth Kingdom (then feeling like she’s being treated like Zuko - thus she’s suddenly lesser in his eyes) followed by Zuko defeating her (which, in her mind, is a whole new failure and she probably feels like she failed her Nation)... yeah that’s stuff that, if given proper therapy, she could have just stayed in a hospital, and within a year, possibly even be living back in the palace with a whole new outlook on life. The writers make it sound like Zuko just wanted her out of his hair which is not how you want to write your hero whose arc is based around growth and wanting acceptance and is forgiven by a family elder after he hurts him. Yes he’s a new Fire Lord and he’s got a lot on his plate, but to just handwave his sister away after he knows the pain of being denied by his family is... bleh (also you all know how much I hate Iroh's canonical endgame)
And I know that there were talks of a fourth season in which she got her healing arc (which would have been really great to see); but it’s such a mess that the comics just kind of decided ‘nahh let the teenager who’s been locked up for a year keep her antagonist role, that’s fresh right?’ Not the girl who was put on a pedestal until suddenly everything she did was wrong (which... yeah, she WAS doing wrong; but she’s been raised to believe everything she was doing was for a greater good for HER nation and the world. She believes she’s a hero because she’s doing what she was raised to do, and to them she IS a hero. She has daddy’s ‘love’ so long as she’s perfect and amazing - and then suddenly all of that gets absolutely obliterated right in front of her one at a time as she realizes everything she’s been doing to maintain her power is also driving people away. Being 'the good kid' until suddenly you aren'twill unravel you.). Zuko knows how that feels, to feel like everything he did was wrong. He knows how it feels to have to break away from realizing he’s been hurting people; to learn from that and how he needs to change his ways.
And not only that but the way they write Azula as a villain in The Search is just AWFUL like it’s boring af. They recycle the same beats over and over and no one gets the bright idea to stop the cycle it’s AWFUL everyone in that comic is a raging idiot.
idk I could keep going in circles and we already know the comics are awful but there’s my extra 2 cents on the matter. They took a character that was already entertaining and fascinating and denied her a really great potential arc to make her one of the best allies the Gaang could have (and Zuko could have some FAMILY) but nope. Let's retread the show but instead let's make it bad.
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richard's relationship with money is so interesting to me despite/because of how vague and nonspecific it is in canon. which only makes sense because the show isn't interested in richard's backstory at ALL and, it being an audio medium, it can't exactly give many context clues like wardrobe/style or what his apartment/house looks like. but it's like......... he doesn't have interests, he dabbles in money-making activities. i am practically forced to assume that his mention of being good at pool also = a side hustle. his estranged dad up and left him a house and a paid ride to college. at this point he's way better off than he's ever been -- after 18 years of living with two separate conmen and a mother who doesn't care about him in mediocre apartments, he's suddenly on his own with his future out in front of him, and....... he STILL takes very risky grade-changing jobs for money? like he bypasses getting a regular college job and goes straight to petty crime? and apparently "far worse" crimes??? it's such an interesting balance between craving the security of Having Money and being pathologically unable to get it in a "normal" "safe" way. he doesn't even do anything with it in canon, he just GETS it. he isn't even buying lucy's drinks himself!!!! obviously even richard has bills to pay (which is. very funny to me. sorry that i think 19-year-old college era richard is the funniest person to ever exist, gremlin who's only ever lived in an apartment with his mother, sister, and mother's rotating cast of boyfriends, suddenly has a whole ass house dumped in his lap on his 18th birthday in exchange for his whole ass father's wholesale abandonment of him, has to figure out how to pay utility bills on his own, maybe thinks about getting a barista job or whatever kids did in the 80s, record shop clerk job?? and then nopes past it and picks "exploiting a child genius" as a career path instead. what a fucking legend. i also think he murdered people for money a couple times but that's just me) sorry i've lost the plot of this post thinking about campbell county community college computers richard. imagine being the people at the 5 Cs in charge of hiring STUDENT COUNSELORS and seeing richard maxwell strut into his interview and thinking "yes this 18-year-old suspiciously home-owning kid who talks like a john hughes movie antagonist and is currently his kid sister's very much illegal guardian is the perfect fit for our emotionally and socially fragile 11-year-old resident genius. what could go wrong" and then they have to pay for nicholas adamsworth's therapy sessions for the next 5 years because richard maxwell was what could go wrong. fuck. "waylaid in the windy city" maybe be my personal favorite richard but pre- and mid-"eugene's dilemma" richard is definitely the weirdest and funniest
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//personal
Let me tell you that Aziraphales storyline hit me like a freight train. As someone who is at long last opening to indulging and obtaining things for the joy of it, because they matter to some little part of your soul, learning to be present in one's body and feel and the unbridled, sweet joy of wanting to grab life by the lapels and how thrilling it is to be yourself, silly, funny, heart on the sleeve, after the confines of trying to be Good by someone else's standards...crossing those boundaries is scary and uncharted but the adrenaline of breathing freely!!!
I know "he" is just a fictional being, a composit of two writers, a script, an actor's interpretation of it and the filter of someone making a 1s gif. But if I can believe I too can have that little radiant glimmer in my eye and be utterly loveable for my silly antics, then I'll take that crutch.
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my total drama oc is a reversal of the show's pre-established "villain" archetype.
right off the bat, they're just the worst person; outright antagonistic towards everyone and constantly causing conflict amidst the cast, openly orchestrating people's eliminations, blatantly cheating but in such a way that technically they're not breaking any rules- without disguising themself behind a mask of geniality (like alejandro, heather and julia did).
and they're kept around well into the competition because their villainy? it's ratings gold. people love a good antagonist, especially one that's so productive. the audience loves to hate them, or hates that they love them, and everyone is gunning for their downfall- which only becomes more and more tempting with every elimination.
plus, chris is more than happy to enable them so long as they keep things interesting.
interestingly enough, they never seem to use the confessional. or at least, none of their confessions are aired. well, that's not exactly true. one confession is aired, and it's them boasting to the audience that they wouldn't understand the inner machinations of their mind, and that they don't deserve to hear their thoughts.
consequently, the audience has no idea what they're thinking at any given time, only seeing glimpses of their schemes throughout the episode until everything comes to fruition- like a puzzle finally being completed. it's a smart move for the network, because it means the audience gets to watch their plans play out in 'real time' without their insight/foreknowledge, making it just as impactful to the viewers as it is to the competitors. it helps with immersion, which is a boon for the ratings!
until their elimination, wherein their confessions are played out on the big screen, and it's heartbreaking.
they explain, in their first confession, that they were accosted by chris at the beginning of the competition to act as the main antagonistic force for the show, and that he's turn a blind eye to their antics so long as they kept the viewers watching, even paying them a decent salary if their act was good enough. because they're smart- smart enough to play the rest of the cast like a fiddle if they wanted to, and chris wants them to.
what a great deal, right? being given blanket permission to be as conniving as possible, and a pay check to boot- who wouldn't take the opportunity?
and they round it out by "getting into character" on camera, sneering haughtily at the lens and- you guessed it- boasting to the audience that they wouldn't understand the inner machinations of their mind, before giggling dorkily at the silliness of their statement, commenting that it'd we way too obvious they were faking if they acted that snooty. they're a theatre kid at heart, so the idea of "playing the villain" is exciting! it's going to be so fun!
but their second confession is sombre. they're visibly tired, wiping away at the concealer under their eyes to reveal some heavy bags, and they're curled up into a pitiful ball in front of the camera. they divulge that the pressure to constantly live up to the shows expectations of antagonism is crushing, and their status as a social pariah is more draining than they'd care to admit, and that- despite the apparent glee they've been committing these acts of villainy with- being so outwardly morally corrupt has left them with a constant churning of guilt in their gut. they only agreed to be the "bad guy" for the money, which would help their family's financial situation tremendously, but they're growing increasingly uncertain if the reward justifies the risks.
by the third confession, they're actively sickened by their actions, eventually devolving from airing their frustrations, lamenting their choice to method act as such an awful person, to throwing up into the confessional's toilet as they hold back guilt-leaden tears and repeat a mantra of "i'm sorry, i'm sorry,". they're drowning in the murky waters of their persona, and backing out now would only lead to more scrutiny and suspicion from the people who were supposed to be their friends, and they know they'd deserve the mistrust. plus, backtracking from their deal with chris would jeopardise everything- from the dirty money they've earned from their antagonism to their place in the competition itself; they'd be voted out in a heartbeat without the network's safety blanket of plot armour!
they don't know what to do. they barely even know who they are anymore.
and then the camera's focus cuts to the real-time them, who's sat ashen-faced and deathly still as their weakest moments are broadcast, not only to the people who rightfully hate them, but to the whole world.
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“The weight of the worlds on my shoulders, like atlas is crushing me down. We’re not brave, we’re not strong, we’re not soldiers, my hearts just a drum and dam does it pound”
“I’m not leaving your side till we find what matters”
“I’m not leaving your side till we’re back home”
“I’m not leaving your side till your remembered”
“No matter how far we have to go”
Someone give these poor kids a hug-
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we as a fandom don't talk enough about the investors' presentation, to be specific, what it did to the campers (especially Darius). this time they weren't just watchers, they indirectly caused people's deaths. Ben has now a death count ffs. no wonder Darius says later on that he might not like who he's becoming, that's gotta mess up someone real bad
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general society is such an underthought aspect of mha. obviously there’s the big things like the obsession over heroic quirks and the demonisation of villainous quirks. quirkless people are dismissed entirely but i don’t think we talk about how society in general would have to handle a world with super powers.
we know after afo’s first uprising, the government overcorrected and outlawed public quirk usage. we know people have their quirks registered and go through quirk counselling as well as a type of gym class where they practice under teacher supervision.
how in the hell is that supposed to work?
the closest equivalent i can think of is mental health services. someone would have to study for a long time to be able to pursue quirk counselling as a career. it’s also a highly personalised system: everyone has a different quirk - even similar ones have different activations, triggers, exceptions and drawbacks - so no two sessions could ever be the same. if anyone’s been through mental health services, you know how rough it is; it’s an overworked, underpaid system and if you live somewhere that only offers a few free visits, it can also be expensive.
and that’s an elective service.
almost everyone on the planet would need quirk counselling.
there’s no way they could implement such a labour intensive and individual public system and we literally see that they can’t.
we see the gym class in amajiki’s flashback and he only has a few minutes with his teacher before he’s chided for not being more impressive and utilising his quirk to the fullest and they move on to the next student. say a standard class is twenty students like it is at ua. that leaves just over two minutes for each student to learn and practice their quirks. you can’t focus on just one kid per lesson bc what will the other nineteen do? do teachers also have to have a degree in quirk counselling? is that part of becoming a phys ed teacher or is it some random joe schmo trying to wrap his head around literal super powers?
given that inko goes to garaki - a doctor - to confirm izuku’s quirklessness, it can be assumed that quirk counselling is entwined with the medical system. i don’t know if you’ve ever had to apply for a specialist before but you can be on their waiting list for a while. a quirk counsellor is essentially a specialist. are there subcategories of counsellors? do you focus on either emitter, transformation or mutation the way doctors become cardiologists, paediatricians and neurologists? or is one person expected to be equally knowledgeable about all three?
we see through toga that her counsellor identified her need for blood but they didn’t find a way to curb those instincts or even find a supplement for her. she’s left to be abused by her family for something she can’t control bc it’s literally in her dna. compare that to iida who knows he needs orange juice to power his quirk. his entire family are pro heroes so it would be easy to assume they could employ a private quirk counsellor the same way richer people can employ private doctors.
how many people have specific requirements due to their quirks? changes in their physiology that have to be treated the same way nutritional deficiencies and allergies do? even people without mutations probably have those requirements: does kirishima’s shark teeth mean he’s an obligate carnivore? does mina’s acid change her ph levels and what vitamins and minerals she needs? how would they figure that out? quirk counselling.
what about kids like touya who would need extensive counselling so he could figure out how to live with his quirk without hurting himself? kaminari essentially has seizures and they’re so normal to him and everyone around him that they’re the butt of jokes. they wouldn’t be a one and done patient; there’s always going to be people that need continued support the exact same way there’s people that need developmental and disability support. there would be so many quirks that harm their user, are they just taught to bury their quirks? as if that wouldn’t cause any physical or mental consequences?
governments can’t create a system that applies to only some people, we’re expected to believe they’ve made one that applies to all of them?
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