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#Who did the filmmakers think they were kidding?
strawberrypatty · 2 months
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I know I can't be the only one who thought of this.
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riddlerosehearts · 5 months
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i am so tired of seeing this screenshot about wish's ending reposted everywhere and used to make fun of the movie:
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and this is coming from someone who didn't even like the movie very much, but this is misrepresenting what happened. yes, there is a thing where asha wears a cloak resembling that of the fairy godmother and at the end star makes her a magic wand and the kids say she's like a fairy godmother, king magnifico does get trapped in a mirror, etc, and the movie was absolutely filled with easter eggs and references to previous movies--yep, when i saw the movie i did in fact take these scenes as just easter eggs! after all, think about this logically, if all currently existing movies in the disney animated canon were meant to take place in the same universe, and asha canonically grows up to be cinderella's fairy godmother, then...
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how can you explain such a drastic difference in appearance? how can you justify asha, a brown-skinned afro-hispanic girl with a face full of freckles and long brown hair, and this old white woman being the same person? you can't, because they're not!!!! if i recall correctly asha doesn't even wear that cloak at the end when they're calling her a fairy godmother, she just wears it during one scene when she's a fugitive and has to sneak around. also...
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the creators of the movie have directly confirmed that they were not trying to set up a disney multiverse and that it's not meant to be taken that seriously. rapunzel and eugene's cameo in frozen also wasn't meant to be taken anywhere near as seriously as everyone took it. neither were any previous cameos like belle in hunchback of notre dame or aurora in oliver and company (and if aurora being in oliver and company was canon, she'd be over 600 years old!). and, back to wish specifically, the little easter egg earlier in the movie where magnifico sees a wish bubble from someone who wants the perfect nanny to take care of their kids and says he's "poppin' that one" also doesn't mean the banks family from mary poppins canonically lives in rosas. the scene at the end where a boy named peter who wears all green and dreams of creating a flying machine goes to work with a girl in a blue nightgown whose wish is to fly doesn't mean peter pan and wendy actually somehow lived together in rosas and knew each other before the movie peter pan ever happened. it is literally impossible for all of these movies to take place in the same time period and universe, so it's a good thing that they, uh, don't, and were never intended to. please, if you don't like the movie, that's perfectly fine, but don't say disney is trying to create some convoluted multiverse and "MCU-ify" their movies when that just literally isn't true.
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david-talks-sw · 1 month
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No, George Lucas is not a "traitor"
You may have seen angry tweets and thumbnails such as these, in the last few days.
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Context - Disney is going through a proxy battle, and George Lucas sent out a statement that read as follows:
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So immediately, all the grifting influencers who based their entire platform around the narrative that "Kathleen Kennedy & Disney betrayed Lucas' legacy" banded together and agreed that the new line was:
"Fuck George Lucas, he betrayed us and betrayed himself. Lucas sided with his own abusers!"
Here's why this line of thought is absolutely childish and uninformed.
1- Get real, he's a shareholder, of course he'll say this.
I don't need to expand on this, do I?
He owns stock. Someone threatens your money, you defend the money. The question becomes: why does he think that sticking with Disney CEO Bob Iger will result in more profit than siding with?
Variety theorizes that it may be because Nelson Peltz has admitted that he has no media experience. 
And if that's the case? I'm not surprised at all, because...
2- George has always hated amateur studio execs
The following is me simplifying a lot... but George's relationship with studios has never been a good one.
When he was working at American Zoetrope, with Francis Ford Coppola, they were commissioned to adapt George's short film into a feature, THX-1138. The studio execs didn't like it and forced Francis to refund them the money (which is why he agreed to direct The Godfather, to get out of debt).
Moving on to American Graffiti (1973). When George writes Graffiti, he shops it around to studios and they all essentially told him to go fuck himself.
"American Graffiti went around to every single studio twice and they all said, "It's not a movie, there's no story, and there are no movie stars in it." And Star Wars— it was, "What in the world is this? Wookiees and robots? I don't get it." [...] It'd be hard to make a movie [like American Graffiti or Star Wars] today in the system because all these middle management people get in there and interfere in the process. I think that's much worse for filmmakers than it's ever been in the past." - Star Wars Insider #43, 1999
Except Universal. But throughout the process they're being irritants.
They object to the title because they don't know what it means.
The president is convinced it's a bad movie to a point where when he sees audiences cheer for it in test screenings, he argues they're paid actors.
They force Lucas to trim 5 minutes out of the film. Why? Just because.
This approach the studio execs were taking comes from the fact that none of them were artists. At this point in time, studios had been and were being bought by corporations who thought they could make a quick buck in the movie business.
Eg: Warner Bros wasn't run by the Warner brothers anymore. Paramount was now a subsidiary of Gulf+Western.
So when he's receiving notes, they're coming from - you guessed it - amateurs who think they know what they're talking about, but in reality have no clue. They did market research and think they know everything.
This subject is covered in The Offer (2022), a series about the making of The Godfather (reeeeally good show, I watched it twice).
In this scene, for example, you have a studio exec with no artistic sense whatsoever trying to tell Coppola which poster he should go with, and you get the idea of what I mean.
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(Fun fact, a young George Lucas even makes a cameo in the pilot episode, in Coppola's office.)
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George also went into this subject during his 2015 interview with Charlie Rose.
It's a 4-minute clip, so here's the relevant bit:
"[Big corporations are] known for being risk averse. And movies are not risk averse. Every single movie is a risk, a big risk, like... The movie business is exactly like professional gambling... except you hire the gambler. You use some crazy kid with long hair, you give him $100 million and you say "go to the tables and come back with $500 million." That is a risk! Now, the studios have been going to think of it that way, they say: "well, maybe if we told him that he couldn't bet on red, maybe if we told him because we did market research and we've realized that red wasn't" -- so they tried minimize their risk. [...] They're basically corporate types. They think-- some of the worst things happens when they think they know how to do it, then they start making decisions that ensure it's not going to work. " - Charlie Rose, CBS This Morning, 2015
Now, ironically, this is the same interview in which he compared Disney to "white slavers", but clearly he was still smarting from his own ideas for the Sequels having been ignored.
But considering how little a fuck he gave about those Star Wars films once they came out and how often he visits the now visits sets of like Ahsoka and The Mandalorian, I think he's over it.
Again, this doesn't align with some Star Wars influencers' narrative that "he's fuming, he hates these movies, he feels betrayed and angry!" But if you ask me, he likely couldn't care less, and dubbing Disney his "abusers" is giving them waaay too much credit.
He made his movies, told the story he needed to tell and is now probably just enjoying his retirement, raising his daughter and putting together his museum, part of which is possible because of the money Disney keeps generating for him, as an investor.
So it doesn't surprise me one bit that George Lucas, of all people, to side with the Devil he knows rather than the amateur exec, because the latter is a painful road he knows all too well.
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Let's talk about the Avengers Assemble series.
I think the only reason it couldn't get a season 6 was because it was giving fans all the things the MCU couldn't/didn't. And filmmakers didn't like that. Seriously:
- It had a lot more of Falcon being an awesome dude (even had Falcon's mom bring them cookies on his first day)
- It had much more focus on Hawkeye and his cool sass and cool archery. He invented new arrows regularly.
- It had Stony. Lots of it. Absolutely made up for the near-complete lack of Stucky (because the movies already have that)
- Hawkeye being Stony shipper #1
- It had Black Widow being much better than in the movies (no sexist/objectifying portrayal of her)
- It actually explored the daily lives of the Avengers. Thor and Hulk fighting over peanut butter. Hawkeye enjoying said peanut butter while watching them fight. Steve and Tony doing training together. Steve and Tony talking about stuff. Lots of stuff.
- Tony used to pretend to be Captain America as a kid. There were pictures. There's a scene where Steve lends his shield to Tony during practice to see what he does with it.
- Hulk collects glass figurines in this universe. And keeps his room squeaky clean. And has a titanium blanket. Bruce is still a fucking genius.
- There were villains who haven't even been in the MCU yet.
- It ended its version of Civil War on a better note. Aka Steve and Tony team up for the bigger fight instead of acting like toddlers.
- Defeating Thanos was much easier here.
- It explored Steve's past and actually showed a more human side of him.
- It showed Steve painting portraits of all his teammates (aww) and also getting frustrated when his paintings don't turn out right (which is accurate and a much needed thing to show)
- It had him staying in the present (even after a time-space glitch caused Peggy and Howard to end up in the 21st century). Not that Steve didn't want to go back with her, he just chose the more sensible option.
- There were better jokes.
- All of them were attractive, even in animation. (I fell in love with AA!Steve first and AA!Clint is the reason I had a crush on the archer for a while)
- It did underrated characters justice.
- It was going great (really, 13 stars out of 10)
But that's why they shut it down.
Because too good wasn't okay for them.
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no because, supernatural is absolutely a train wreck. it's a colossal accident that is happening in front of you that you can't look away from. it is homophobic and non-sensical and downright laughable at times but you know what? I love it. I absolute love it.
season 1 was absolutely beautiful. you don't understand, really, you don't. they had a piss poor budget, you can see that in every frame. but does that stop it from being fucking beautiful? no. it is stylised and ambitious and a fucking visual treat.
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and this is like the first fucking episode. the shots have so much character! and that's nothing to say of the characters themselves. from the first fucking scene you can clearly distinguish sam and dean's character clear as day. their motivations, their dreams, their hopes, all of it. it's established so well. their dynamic is unmatched. does it also have a lot of garbage? yes for sure. because what in the name of hell was that episode with bugs? what glue were they sniffing when they green lit that one? no seriously... I wanna try some.
but then they recovered, cause they did faith. my god, what an episode. WHAT AN EPISODE. that motherfucking reaper haunts my every waking hour
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like yeah, I love me some baby dean and baby sam going on their small scale ghost hunts while learning deep lessons about who they are as people and what they want from life.
also that 'laugh I nearly died' needle drop? where sam sees jess? god tier editing, GOD TIER.
then they came back with season 2. and here is my most controversial opinion that should not be controversial at all, season 2 is the best season of supernatural to ever supernatural.
what is and what should never be, hollywood babylon, heart, nightshifter, and the whole fucking season actually. not a single miss in my humble opinion. and that finale? THAT FINALE. beautiful, magnificent. ground breaking character writing, everything comes full circle while simultaneously opening up new plot lines to explore.
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and my god, yellow eyes is an epic villain. he is a very viciously written villain like, he's... my god. it ain't a walk in the park writing villains, believe you me patient readers, villains are harder to write than the protagonists, always. well, at least the compelling ones are.
now season 3 suffered because of the writer's strike, but didn't miss much either. like yeah some of the hits don't hit as hard as the season 2, but hey, mystery spot, time is on my side, ghostfacers, bedtime stories are nothing to laugh about. those episodes are fucking solid, like most of the season. and there is so much raw emotion is sam's need to save dean, it just makes my weak winchester brothers loving heart throb a little too hard. also...
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need I say more?
does the show did look little more washed out and boring? yes. but it's cool, cause we're moving on to season 4.
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listen, I kinda just wanna leave all my season's critique at this. i mean, yeah this. this is it. this is the long and short of it; castiel. i don't think i need to get anymore into it
so season 5 is just—
i'm kidding. obviously i'm gonna talk about season 4, at length.
listen, being able to introduce angels this late in the game and then have them be a such perfectly hidden players is a masterstroke of genius. it just is. i am a writer guys... apart from the relentless fanfic as well lol. and when i tell you, introducing a new big player which is also (not so) secretly the next big bad and playing it off as smoothly as they did in season 4, is beyond hard. but the biggest home run these fuckers hit is castiel and the best part is they weren't aiming for a one lol. and oh oh, the way they use their very VERY limited budget to show wings with just flashing the fucking light? CINEMA! that's fucking cinema right there man. i work on film sets, i am telling you, this is the smartest filmmaking choice they make on the entire show. it adds so much visual intrigue while being so awfully easy to execute. BRILLIANt.
now i cannot talk about supernatural without talking about the deancas romance of it all, which i understand not everyone can see or wants to, which is fine. to each their own. you consume art the way you want to, i don't care much as long as you can acknowledge that castiel and dean's friendship was just some of the best written television that mankind has ever seen. is that too grand a statement? yes. does that make it any less true? no.
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they even brought back the moody lighting.
and then there's the episodes this season, most of which are home runs in their own regard. just like beautiful writing, the character development for cas, for dean, for sam, even the late john winchester is wild. anna is a wonderful addition, so is uriel, and alastair? they don't make villains like him anymore, they just fucking don't. AND THAT GODDAMN PLOT TWIST AT THE END? man! the finale was just... too good. Chuck's introduction is absolutely wonderful, even if they ruin him by the end but that happens a decade later so wtv, who cares? But,,,, Jimmy. Fucking. Novak. That's all. that's the tweet. yeah. i'm gonna end the season 4 fan fair with jimmy.
moving to season 5.
subjectively speaking, this is my fucking favorite. this season is a writer's dream while also being their goddamn nightmare. so many WONDERFUL characters to play with and such a grand plot but you get to see it all on a very small, consumable scale which is just... it's too smart for me to not mention. i won't start naming the plot points and neither will i name my favourite episodes because what even is the point? all of it was fucking perfect. you don't understand how hard it is to develop characters to such an extent that they become so familiar to the audience that they know their next move before you even put it on the screen. and supernatural had that. they tied everything together with so much care and consideration, just... AAAH so good.
a special shoutout goes to endverse!cas, crowley and death this season. you all know it in your bones that those three were just the absolute scene stealers. especially death's introduction... immaculate.
they did lose a few points for not being as aesthetically pleasing as the past few seasons but hey, gabriel was enough to make a smooth recovery.
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but this... this is the end of the road for me people. season 5 is where it should have ended. in no way shape or form am i saying that there aren't a few good episodes here and there after this, because there are. i think season 5 was so fucking solid, tied up so many goddamn lose ends and then just put a cute little hell shaped bow on top and i just... yeah. this was and should have been the end of the road. do not get me wrong, i love me some jack kline, charlie bradbury, kevin tran, rowena macleod and eileen lahey but were they worth the bullshit ending i had to sit through? not really.
i absolutely think if there weren't more episodes of supernatural I would never have become a destiel fan, because i started shipping them when dean made cas a mixtape in season TWELVE! but my god, the good times were so scattered amongst the horseshit that even when i found those hidden gems, they were so fucking drenched in the stink that they lost their value.
the worst of it all is that, i cannot explain to you what supernatural means to me in a million words, because it is a part of me, heart and soul. i fucking AM castiel. i am a gay little angel you hear me? i love this show. i do. i'm glad it went on for however long it did but i feel like once in a while i need to write shit like this or read shit like this to remind myself of the show that it used to be. of it's beautiful cinematography, of it's clever little storytelling techniques. of it's wonderful cast. of how epic their song choices used to be.
FUcking RENEGADE? iconic. wanted, dead or alive? cannot hear the song without hearing sam's off tune goat bleating that he called singing along.
i need to remind myself of how afraid i used to be of lucifer. of how much i cried while watching dark side of the moon; when dean and sam burst the crackers, and how i learnt the lyrics to knocking on heaven's door just because of that scene.
sometimes i just have to walk through memory lane and look back at gabriel's death, the good one, the only one. it was so fucking meaningful. i have to think of "we are making it up as we go" to be able to breathe properly because those moments were so fucking beautiful.
fuck the big ones, i even remind myself of the small ones, of dean's handwriting being in all caps, just like him. of sam's fucking huge laptop with that weird blue black sticker in the middle. of castiel's tie, that just was the right shade of blue, and hung all wrong but just naturally enough to add so much more to his character than any fucking dialogue could. every small little detail of supernatural that made it so damn supernatural. i miss it all.
idk. i'm rambling. whatever.
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artist-issues · 16 days
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I had someone tell me recently that Zootopia is about transgenderism.
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No, it’s not.
I’m well aware of who directed and wrote the movie. I don’t care. If they were trying to say “transgenderism is a good thing: you CAN be whatever you want to be!” they did a terrible job saying it. Their movie did not say that clearly.
And I don’t think that’s what they were trying to say. I think they were trying to say, “it doesn’t matter what your race or background is; we’re all the same in the ways that matter, so try to understand each other and the world will be a better place.”
That’s it. That’s what the movie said.
But you who’ve listened to the knee-jerk responses will say to me, “are you kidding me, artist-issues, they literally say the line, ‘anyone can be anything!’ all throughout the movie!”
Right. But can anyone be anything, in the movie?
No.
The fennec Fox cannot shapeshift into an elephant. If he could, that would be a great portrayal in favor of transgenderism as a valid identity instead of a mental disorder. But he can’t go from being a fox to an elephant.
That trunk is made of felt; it cannot breathe. He will never get any larger. He has no ivory growing out of his skull. He is a fox, and no amount of feelings or wishful thinking in the movie makes him an elephant—oh, but hey—that fox never actually wanted to be an elephant.
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It was a scam. It was a play for sympathy, so that the grown-adult fox could trick bleeding hearts, break the law, and do whatever he wanted.
How’s that shape up, as an argument for transgenderism? Not too good.
Now, do I believe it was an intentional argument being made by the filmmakers against the transgender movement? No. I don’t. Because I know who wrote and directed that movie.
But, again: if it was an intentional attempt to say “you can be anything you want to be,” the movie did a crap job of showing it.
Unless you mean, “you can have any career or position in society you want to have, as long as you work hard, and never mind what faulty judgement gets in your way.” Then, sure, yeah, that’s what the movie was saying.
“But what about the fact that Nick says, ‘everyone comes to Zootopia thinking they can be anything. Well, ya can’t. You can only be what you are. Sly fox, dumb bunny.’ And he was proven wrong!”
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Mmkay, but what was he proven wrong about? He was proven wrong about Judy having a character flaw. She has moments of being dumb—giving in to prejudices. But she grew past that, because there’s more to a person than their character flaws. Just like she says to him on the sky-tram: “you are so much more” than a shifty, untrustworthy, sly fox.
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And pay attention to what NICK said. “If the world is only going to see a fox that is shifty, and untrustworthy…” Nick does not believe that he is, deep down, shifty and untrustworthy. He’s just chosen to adopt that based on how others see him.
They’re talking about character flaws. All the stereotypes in the movie are just that: they’re stereotypes, based on the type of mammal you are. Not on whether or not you’re a mammal at all, which would’ve been the clearer correlation between Zootopia’s prejudices and the real-world transgenderism discussion.
Zootopia is about racism, and maybe, if you tilt your head and squint, classism. It’s not in any way about sexuality. Nice try. Unless you’re the filmmakers, and you’re somehow spinning it so that you were intending to say something about gender: in that case, bad try. Terrible job, that’s not what your movie succeeded in saying at all.
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alittledizzy · 7 months
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ok based on a previous ask where you talked about how dnp's youtube era is over and phil is unwilling to change and dan is stuck in 2016 presentations, if you had the unlimited power to decide how their careers and channels progressed, what would you have them do? and also (if you don't mind a second question), what do you think they could potentially do to bring back old fans who have left?
omg okay waited until i had some time to dig back into this.
to the first question:
if i'm answering based on what i think would be good and healthy for them as people then i think they'd both do well with some kind of behind the scenes career. i think dan would love documentary making, getting to script and host, or even working on a series if he actually started at the bottom in a writer's room and learned some on the ground skill before trying to utilize his fame to get his own show right away. (this is dinok slander and i want to make that clear.)
for phil i definitely think he has a fantastic creative mind for off the beaten path projects and i think i'd enjoy seeing him work with indie filmmakers or horror projects, but just like dan i think a total track switch would require him actually getting some genuine experience in the field to be good. his late 00s youtube videos were great... for a university student in his weird era. the dapc videos were fucking hilarious for prank videos on a youtube channel. but for an actual Big Kid horror project he'd need to learn what works for audiences today and audiences that don't go into it loving phil lester like they do the air they breathe. (to be clear: i am the person who would love whatever he did. but i would also want success for him and that needs to mean it's good beyond what the fanbase accepts.)
to the second question:
i think the only thing that would genuinely give them room to bring back old fans would be an actual evolution, which they've avoided so far. they've had personal and professional growth but at no point have dan or phil ever fully just let go and stepped out of their old skins.
i think they'd have to come out as in a relationship, bluntly and blatantly. i think they'd have to embrace some openness that is neither easy nor comfortable for them. i think they'd have to actually learn how to lay to rest the old overaggerated on camera personas that are so easy to lean on when they're still in the mindset that they need to shield their true responses/natural reactions from a camera. phil is much better about this now, he's taken much more strides toward it but still - when you watch a phil video, tell me you can't predict the jokes that will come out of his mouth, and tell me you don't know that's not what he'd say if a camera is off.
but i do want to say again that i think they keep the old patterns for a reason and that i genuinely wouldn't want the above from them if it wasn't something they actually had reached a point of being okay with. i wouldn't want to see them try to force themselves into anything, but i think that's what is holding both of them back right now.
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jennyboom21 · 8 months
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It might seem strange, especially for those who only know Marshawn Lynch for his football career, to see the Super Bowl champ in a comedy about queer high school girls launching a fight club.
Bottoms (in theaters now) features the 37-year-old former NFL star in a scene-stealing role as Mr. G, a clueless teacher overseeing the feminist after-school club launched by Rachel Sennott’s PJ and Ayo Edebiri’s Josie. Even the film’s director and co-writer, Emma Seligman, admits she initially thought landing Lynch was a long shot.
“It was such a random movie for him to be in that I was so shocked that he even was considering it,” the Shiva Baby filmmaker (who goes by she/they pronouns) tells PEOPLE.
But the real reason for this unlikely casting is altogether more personal: Marshawn Lynch’s queer sister, Marreesha Sapp-Lynch, says he asked her whether to add Bottoms to a growing acting résumé that includes Westworld and Murderville.
“From the beginning when he read the script, he said that I came to mind,” recalls Sapp-Lynch, 34. “I was like, ‘Most definitely you should do it.’ I just told him, ‘It'll get you to understand, get more knowledge about the lesbian community.”
Like the characters of PJ and Josie, Sapp-Lynch has identified as a lesbian since high school. It felt easy coming out to her mother Delisa, she remembers — “She'll tell me to this day, 'I always knew you liked girls!'” — but brothers David, Marshawn and Davonte had a less straightforward reaction.
“They were understanding, but they didn't understand,” Sapp-Lynch tells PEOPLE. “Marshawn had a lot of questions and was thinking it was his fault: ‘What did I do?’ Because growing up he would always say I couldn't have a boyfriend, ‘You can't talk to boys.’ We’d go to a party and he'd be asking everybody, ‘Did you dance with my sister?’ But I wasn't attracted to boys, so I didn't dance with them!”
Her brother has accepted and celebrated her sexual orientation since those teenage years, Sapp-Lynch says. Case in point: Marshawn helped plan her 2021 wedding and walked her down the aisle.
“I asked him to walk me down the aisle because our dad passed away,” says Sapp-Lynch with a smile. “He cried the whole time,” she adds.
“He doesn’t cry — or I don't see him cry. The fact that he did cry and shed some tears, it meant a lot to me.” (Marshawn was so invested in his sister’s wedding, in fact, he urged the pair to reschedule it from 2023 to 2021. “He was very much involved in the whole planning... He called us at 5:00 a.m. talking about the cake designs and party favors.”)
But with Bottoms, a comedy produced by Amazon’s Orion Pictures and Elizabeth Banks’ Brownstone Productions, Marshawn had a bigger opportunity to honor his sister. Discussing the role of Mr. G with the footballer, Seligman, 28, remembers thinking there must have been “more of a connection here beyond him wanting to be in a funny movie or something.”
“In his words, he said he wasn't amazing about it when Marreesha came out in high school and that he felt like this was the universe giving him a chance to right his wrongs,” she adds. “He made it seem like that was really what was interesting him the most about it.”
Throughout the film’s shoot in New Orleans, Seligman says, “he kept on bringing up Marreesha.” Especially when Sapp-Lynch and her wife visited the set, she recalls, “He kept on being like, ‘That's my sister.’ In a way where it was like a proud parent [of queer kids] — a proud brother.”
And when Orion Pictures president Alana Mayo suggested Marshawn for Mr. G, Seligman says, she realized it might expand the moviegoing audience of Bottoms. “Him believing in these girls and getting to know them and getting to understand them means a lot in the grand scheme of things within the crazy conservative town that they're in.”
Plus, the story’s homophobic characters are obsessed with the high school football team, Seligman points out. “To have a legendary football player like him playing this character that's getting to know this subsection of this town, and see them as real people with valid desires and hormones and feelings — that's pretty cool that Marshawn is representing that kind of straight, male character.”
Sapp-Lynch agrees, and says seeing a movie full of gay characters like Bottoms while coming out in high school “would've helped me make me feel easier, make me feel better about me being who I am.”
“I didn't understand my sexuality in high school, so I actually think it might've freaked me out,” admits Seligman. “It would've excited me. Maybe it would've jumpstarted some things!”
Of co-writing the film with Sennott, she says, “I really just wanted to see my high school self in a stupid comedy.” She recalls a quote from Edebiri: “Being stupid is a political act.”
“Just having queer characters in something so silly and that's not serious feels subversive,” Seligman continues. “I don't think we're trying to prove anything political or have some sort of deeper message or meaning out of the movie. Other than ‘Gay people can be funny, sexy and horny, and that's normal.’ Sometimes just normalizing something is enough.”
“Marshawn in the movie,” she adds, “beyond him being a wonderful actor and improviser and a lovely human being, it is wild that it might be seen by so many more people who wouldn't have otherwise seen it.”
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Animation-twitter, animation video essay youtube, etc. would probably be better off if they assumed every upcoming animated movie was going to be CRAP.
The director of INSIDE OUT 2, Kelsey Mann, has talked a bit about the picture recently. After all, it's out in less than two months... And immediately, so much of what he's saying is either being misread or quoted out of context. Something something Anxiety is going to be "the villain", something something they cut characters Shame and Guilt out of the movie because they felt it was too heavy, something something-
And we've got other people freaking out that Pixar showed 35 minutes of it at CinemaCon... LIKE... What's THE issue? Pixar has done that before! CinemaCon attendees were treated to half-hour chunks of Pixar movies in the past, like MONSTERS UNIVERSITY. When TOY STORY 3 was coming out, Pixar prepared a cut of the movie that ended just as the toys were escaping Sunnyside Daycare... to show to college campuses across the country a month before release.
Y'all need to calm down.
This movie isn't even out. We don't know how it'll tell its story exactly. Maybe there's more here than it seems? Maybe Anxiety will be an antagonist in the sense that she's doing what she feels is right, or is straight-up malevolent. I doubt it's the latter, that would be kind of... Not nuanced? For a sequel to INSIDE OUT? Having Anxiety just be an evil scheming bad guy just doesn't seem like it'll happen, nor is it a good idea. I think director Kelsey Mann meant that by her kicking the other emotions out of the main control room, she'll be the "big bad" of the movie. Why she kicks those emotions out could be related to how anxiety tends to work within the human brain. Taking control of your brain, thinking that it's steering you to make the right decision, making you cautious of dangers more so than "Fear" does. Pixar movies have had antagonists in the past that aren't necessarily evil, they just think what they're doing is right.
I also doubt that Pixar would let out a movie that flat-out stigmatizes people who suffer from anxiety disorders, such as myself. Maybe the Shame and Guilt characters were cut from the movie because director Mann, writer Meg LeFauve, and several others just didn't like the direction the story was going with them in it. Maybe it was too depressing for THEM, not because of any concerns for kids in the audience. People tend to associate Pixar with "tearjerking storylines", maybe it's possible that this went WAY TOO FAR at one point? I don't know, neither do you. Pixar's team isn't Disney Animation's leadership. Pete Docter is less controlling than John Lasseter based on everything I see and hear, but there are probably still some ground rules and some do's-and-don'ts. But I think it was ultimately down to the director not enjoying making the film back when it had these characters in it. As a writer/creator myself, I sometimes pull back when I feel something I'm making is causing ME lose the drive to make the thing in the first place. Maybe it hit too close to home for Mann, LeFauve, someone- Just a few variables, ya know? Not just "Pixar is too afraid to be sad", "Disney's telling them what to do", etc. etc.
Maybe animated movies shouldn't have this kind of pre-release thing... How about, just... Movie title, release date, BOOM. Nothing else. No interviews with the filmmakers and cast, no nothing... Wanna know more? You have to see it when it comes out! Put that in big letters in the teaser trailer!
But if they did that, twitter and the YouTube Animation Opinion Industrial Complex would sound the alarm: "They're not saying anything... IS THIS MOVIE IN TROUBLE???"
(sarcasm for those last two sets of sentences)
You can't win. And watch... It'll come out, and it'll be disliked for some weird reason. Probably because it isn't... PUSS IN BOOTS 2 or whatever. While the rest of the world goes, "Yeah, that's was pretty solid." And said population streams it on Disney+ a gazillion times. I'm not part of this "animation fandom" thing, quite frankly I don't even know what half of these people want most of the time. It seems like every movie is an oncoming stinker to them, and it ends up being a stinker. Sometimes the worst thing ever made, a work of evil. You know I still see people raging over that completely harmless CHIP N' DALE RESCUE RANGERS movie from two years back? The fuck is that all about?
I get that INSIDE OUT is a sequel to a beloved Pixar movie, I get that the original movie means a lot to so many people. I love it myself. At the same time, I'm not gonna be weird about a sequel I never even wanted until the day they announced it. Okay, if it isn't very good, I'll just go on with my life. But we're not even there yet... It's not out... This is the only INSIDE OUT sequel. Now if we were coming up on an INSIDE OUT 3, and INSIDE OUT 2 managed to somehow upset everybody? Then I'd somewhat understand...
Others will dole out their dislike of recent Pixar movies as their reason, but you know me... I feel each Pixar movie - for the most part - is a statement of its filmmaking team. Not a Mr. Pixar person coming up with each and every movie. (That was Lasseter in a sense, lol.) If "animation is cinema", then you oughta look at these movies as director-driven. I feel the other way around reduces the films to a brand, and not the people who actually make them. INSIDE OUT is first and foremost a Pete Docter-directed film... Made at Pixar. Not a "Pixar film". Pixar isn't a person nor is it a collective, it's a place. It should be judged on how functions as a movie and as a sequel to INSIDE OUT, not up against other movies made at the studio by other people. Like I'm not here for THE INCREDIBLES or UP, I'm here for an INSIDE OUT sequel. I know, that's a very radical opinion to have. Silly me!
I just don't get it... I'm just gonna do it the old-fashioned way... I'm going to see the movie, and hope that I like it or get something out of it.
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chaifootsteps · 4 months
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Hey so uh, student studying psychology, I agree.
Personal story that will end up relating to Viv, I promise. (Please do not take this as a diagnosis either, but I also noticed Viv and my ex share troubling personality traits)
Not APA, but I had an ex who I'm pretty sure has NPD (He is also autistic, and I am as well). We got along so well, probably because we were both autistic. It was a long-distance relationship we had for 4 years.
I had a very troubled childhood growing up, and hardly had any friends in school. I never went to hang out with anyone, I always came straight home. I was extremely isolated for those 4 years because my caregiver was extremely abusive to me. My ex was all I had.
For 4 years, he promised me I was the only one he ever wanted. He told me what I wanted to hear, and became a completely different person to disguise who he really was underneath. Ironically, he "works" as a filmmaker/actor. Sometimes I knew it felt off, he'd pressure me into doing things I was uncomfortable with (only a year and half age difference so he wasn't an older guy grooming me (but he was still absolutely grooming me. I was also a minor at this time.)
He'd also lovebomb the shit out of me, as well as using a term called "future faking", where the person promises you a grand future and that everything is going to be wonderful and amazing. It's a tactic, like lovebombing, to keep the victim hooked for as long as possible. He promised me we'd get a shitty apartment together, that he'd "take me away" from the abuse I was suffering from for so long.
He promised me a family. Children. Marriage. Everything and anything I needed to hear to keep me in his power.
For his "movies" he would go to conventions and find D list actors to be in his stuff and he would, in private, go off about how he's got these "amazing actors" from xyz movie. He'd also gloat about the expensive equipment he'd gain access to. Like Viv at GlitchX, he would never shut the fuck up about his projects and ideas. He was extremely self centered. He loved taking photos with them with smug looks on his face too. He also literally took a picture of himself kissing himself, with a mirror filter, and showed me in private. I brushed it off but always thought it was weird. I wish I was joking.
He would also lose his ever loving shit if you critiqued him. He would actually cry and throw childish tantrums. And not even his stuff, if you said ANYTHING negative about his interests, he would take it as a personal attack. Not even that, if you just gave a "meh" reaction to something he'd show you, he'd also get super passive aggressive and pissed.
I think part of that is the autism (I struggle with people not liking things I like too. I get bummed out and sometimes pissed, but never to the degree that he did.) but it was always uncomfortable for me. But I always championed his movies. I never once said a negative thing about them. Not in private or to him.
Fast forward to me finding out he cheated on me, and continued to cheat on me with 5+ people over the entire course of our relationship. I read horrific messages between him and those people, where he called me a "bitch" and would actively plan out "how to get me back" whenever I tried leaving him (because again, I had weird feeling about him but he always managed to pull me back in).
And I'm not going to lie, I was shitty towards him. I took my anger out on him from the abuse I suffered because he was the only person in my life.
I regret that to this day. I never should've yelled at him or treated him badly when he was (at least to me) genuinely trying to make me happy.
All he cared about was himself and getting his dick wet. He still tries to tell me (if he can get his messages through) that he always loved me, and he just made mistakes as a "stupid kid."
It took a long time to get away from him and see that he was extremely unhealthy. He also has very dangerous gross fetishes, that I even didn't know about when we dated.
So yeah... they both are very similar for sure. Paperskin egos, takes criticism as a direct attack, self-centered, collecting people, hiding their true personalities, using people to climb the ranks to meeting celebs and using them in their work, lovebombing their victims...
Again, this doesn't confirm either one has NPD, but Viv reminds me a lot of my ex. And it's not good at all.
And this is MY experience. In no way shape or form am I demonizing anyone else who has this disorder.
And if you've experienced these things from someone, I am so sorry. I hope you can get the help you need.
Thank you for your story, Anon. I'm so sorry that happened to you.
Not going to say anything, just going to leave this here so people can draw their own conclusions.
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taz-ma-raz-skylar · 2 months
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Taz Skylar on training his body and cooking skills ahead of One Piece Season 2!
Taz Skylar was met with an overwhelmingly warm welcome from One Piece fans at the 2024 MEFCC
By Sarah Kuleib ( February 15, 2024 )
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Every pirate crew needs a cook. With a captain like Monkey D Luffy, whose ship seems to sail to the sounds of his stomach, finding a cook who could whip up the most delicious bowl of fried rice to join the Straw Hat Pirates was pretty high on his priority list. Luffy finds his cook in Sanji, and Netflix’s smash hit One Piece finds their Sanji in Taz Skylar.
When the Spanish-British-Lebanese Olivier Award-nominated actor was announced to be playing the romantic chef, Sanji, in Netflix’s live-action adaptation of One Piece, Skylar was catapulted to international stardom.
Skylar and his co-star Iñaki Godoy (Luffy), were recently in Abu Dhabi for the 12th edition of the Middle East Film and Comic Con (MEFCC), where they were met by thousands of passionate fans in straw hats queuing up for hours to take photographs, get autographs, and witness the pair’s charming interactions at panel discussions.
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Esquire Middle East sat down with Taz Skylar at the MEFCC to discuss his intense stunt training, Season 2 of One Piece, and what’s in store for the rest of 2024.
ESQ: You’re a man of many titles: actor, screenwriter, thrill-seeker, professional surfboard creator. What drew you to each of those things and how do they come together to inform one another in your career and life?
TAZ: I was a really shy kid and I never used to leave home much. Thrill-seeking, I used to see it in movies and I thought “Oh that would be cool!” Surfing was the first thing that I did. I remember the first time I got in the water with a surfboard and a wave hit me – it wasn’t even very big but I was little, and I was like “Ahhh!”, and I got out [of the water]. The guy who was teaching me – he was called Juanito, and he’s still my friend today, 15 years later – was like “What are you doing man? Get in!” He grabbed me, put me back on the board, and pushed me out and that changed my life that day. That was the gateway. I got into other scary stuff and I would get angry at being scared. So if I was scared I would be like, “Cool, now there’s no choice, now you gotta do it.” That kind of spiraled and now it’s just a thing that I do.
Writing and acting… well, acting was an accident.
ESQ: A happy one?
TAZ: It was a happy accident! I’m very happy about it! I only like acting when I like the thing I’m acting in; nobody likes acting when they don’t like the thing they’re acting in! So, I only act in things that I like – at least now, I’ve definitely made that choice – and I always like what I’m writing. I want to make films, I want to make shows. Being in them is a cool part of it, but I want to make stuff. In a world where financial security is there, I don’t find much point to life other than leaving a legacy I can be proud of, and I think that can achieved by making stuff.
ESQ: There’s a different joy in filmmaking and writing.
TAZ: Yeah, yeah! You feel resolved in what you’re doing and connected. You have some sort of choice over what it can say or what the outcome can be. One Piece in particular was really cool because Matt and the whole team were really good to us in terms of saying “What do you want to do with it? What do you want to bring to it?” and that’s not always the case. When I do a writer’s room with other writers, my thinking is like: What do you like? Do you want to sit on a chair? A yoga mat? Do you want to bob around on a skateboard? What makes you most creative? Because whatever it is, do that thing. That’s the kind of environment I want to create and be a part of. When a film or show or play has been made in that way, you can feel it, you can feel that it’s been made very rag-tag.
ESQ: On the topic of One Piece, how did you prepare for the role of Sanji – mentally and physically, I know you did all of your own stunts – and with season 2 confirmed, is there anything you learned that will inform or change how you prepare for season 2?
TAZ: Ooh… yeah I did all my own stunts! Part of how I prepared for it… I really went psychopathic on it. Like, let’s throw absolutely everything we possibly can at the wall because we don’t have much to stick right now, we’re starting from zero.
It was 4 hours of training in the morning, then I’d cook a dish we needed to do for the show, repeat that dish over and over again, another 4 hours, then we’d go to the sauna and stretch, they’d pull on my legs and push on my back. That made me improve really quick but what it also did was decimate my legs. I have scar tissue on the inside of my ligaments and it took me about a year to feel like I could land on my legs without pain – I used to duct-tape my legs! I had to be quiet about it so they’d let me do my own stunts.
There was no real way of improving whilst not hurting myself because of how far we needed to go. Whereas for the second season, because I’ve maintained my level and haven’t stopped training ever since– I trained this morning with Iñaki at the UFC gym [in Abu Dhabi]! Iñaki came with me to a kickboxing session and he’s gotten so good at tricking in between the seasons too! So, because we’re kind of at a level that we’ve maintained, the second season for me is about how much quicker I can be. There are not many new kicks or moves to learn, so it’s more about how great we can make those moves. Part of it is going: instead of training 8 hours today, I’m going to train 4 and focus on choreography. Or maybe today I’m just going to do 2 and then stretch, because the less injured everything is, the quicker everything moves.
So for season 2, I want to enjoy it more, and I want to make what we had a lot better… and I want [to do] the party table kick.
ESQ: Was there a specific stunt that was the most difficult to do?
TAZ: Yeah! So there was this one where we jump over a pool, kick the Fishman mid-air, and land on a little rock. And that was all practicals! It was so difficult to do because he was underwater and they had to time pulling him out of the water at the exact same time that I jumped, and landing at the same place so that I could kick, and then there was another wire pull that took him to the other side of the pool. That must’ve taken an hour and a half which doesn’t sound like that much, but we were up against time. I remember thinking: “If we don’t get this, they’re going to cut it. They’re going to cut the stunt and this stunt will never exist.” It was the last take where we just managed it and they all looked at it and went “Cool, we got it! We can keep it!”, and we just started cheering. Isn’t it mad to think that there’s a world in which half an hour would’ve made the difference between it existing and not existing?
ESQ: Now, I must ask… how do you really feel about Oregano?
TAZ: [Laughs] Ha! I love it! I put it on salads! It’s not for savages! It’s nice – have oregano it’s good for you!
ESQ: Who and what are some of your personal influences as an artist?
TAZ: Florian Zeller is my favorite writer. Rappers are my favorite poets. I like old films. Keanu Reeves in Point Break made me want to skydive and surf and jump out of planes. I love Bond. My dad loves Bond, we used to have a box set. I love the way those films are made. I just worked with Martin Campbell who made two of my favorite Bond films.
ESQ: What’s in store for Taz Skylar this year?
TAZ: I’ve got four TV shows in development, with different production companies. One of which is called Seesaw which made a lot of Florian Zeller’s films that I’m really excited about! I don’t have that much time until we go shoot [One Piece] again. There’s a book I’m trying really hard to get the rights to and adapt, so I’m chasing the author about that. I’m going to try and see if I can get all of those things done before I go shoot again.
https://www.esquireme.com/culture/interviews/taz-skylar-on-training-his-body-and-cooking-skills-ahead-of-one-piece-season-2
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isagrimorie · 3 months
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The SNW cliffhanger in s2 is interesting because the longer it is, the more there’s some big expectations on my part regarding Pike.
The unfortunate thing with the showrunners invoking Hegemony as Best of Both Worlds level… which is ambitious of them but also IMO, a bit unfair to do. BoBW was very specific in context and there was a reason why it was, for the fans of that time, very momentous (as someone who didn’t grow up with BoBW, it unfortunately lived up to the hype. I found the 2 part cliffhangers on Voyager were constructed better).
Evoking BOBW is unfortunately putting Hegemony in a box.
Also, in terms of actions, I feel the decision to linger on Pike’s indecision was not helpful to the character.
I have written a defense of Pike as a Peace time Captain pushed into a War time decision making but the more time passes, the more I’m left turning the moment in my head again and again.
I suspect the writers for s2 will find a way for Pike to get back stronger after his moment of indecision. As I’ve mentioned, he is not a war time Captain.
Unfortunately, since that time I’ve been mainlining Voyager and DS9 and it’s difficult not to hold up Pike to the measure of Sisko and Janeway.
But I am also consciously making myself acknowledge that Pike did not have the history Sisko and Janeway have — Wolf 359 for Sisko, and for Janeway the Cardassian border conflict, that depending on the beta canon, was either limited to the siege ground war on top of being captured and tortured.
Pike seems to have emerged from a golden age (ish) of the early days of Federation.
I don’t recall Pike being this indecisive in Discovery s2 (I’m doing a rewatch of Disco, so I’ll see how that holds up) but there seems to be more emphasis on SNW that Pike has never really seen war service because he was deliberately kept away from it.
Which, I think is both savvy of Starfleet but also gives an impression that they’re handling Pike with kid gloves. Since they seem committed to this path for Pike, if they’re honestly going to engage with this part of Pike.
They started in Quality of Mercy invoking the events from Balance of Terror. (I wish they hadn’t done this but they did… it isn’t my favorite of the season 1 episodes. Structurally and filmmaking wise, despite all advancements I preferred BoT. SNW is a lot better when it's doing something original and not pulling from the TOS-era directly).
TLDR, I’m really curious how they will handle the last conclusion of the Hegemony 2-parter and how they will write Pike because I’m sure the writers will want Pike to run out the gate swinging and in command.
On rewatch though, you know who comported themselves very well under pressure and combat in Hegemony? Commander Una Chin-Riley. If there’s comparisons to be made about BoBW, it’s that both First Officers —Will Riker and Una Chin-Riley— acted very well and very decisively.
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sirenologyyy · 1 year
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ATWOW MODERN AU!
( a.k.a my hot take on all the teens if they were humans)
part 1 part 2
neteyam
- I cannot stress this enough this man listens to Frank Ocean LIKE NOBODY'S BUSINESS, if given the chance to inject his lyrics into his veins Neteyam would be the one to stick the needle in himself
- plays sports, (soccer for 6 years and swim team for 3) people think his dad encouraged him and his brother but they joined willingly, it was their mother who wanted them to join afterschool activities because she does not know what to do with that much energy when she already has Tuk bouncing from wall to wall
- wore those thick Harry Potter glasses to school before he learned about contacts
- wants to take up filmmaking when he's older, already has a YouTube channel where he posts the most innane vlogs with the messiest layouts and time cuts but his subscribers eat it up everytime
- wants to produce music too, all of his siblings are all musically trained (as in took voice lessons and music lessons as children as afterschool activities because again, Neytiri deserves a break plus they inherited her singing voice and she did not want it to go to waste as she should) everyone of them knows how to play at least 2 instruments. Neteyam plays the piano, the drums, and acoustic guitar. He's also one of those people who makes music from zippers and glass clinking and the finished product is annoyingly good
- extremely early or 5 minutes late to things there is no in between.
- is left handed
- used to like lego as a child, his dad got mad at him because the pieces would stick to the wheels of his wheelchair and would threaten to melt them down into coasters
- loves everything mango flavoured
- wired earbuds >>> headphones
- this man studies his ASS OFF and it PAYS OFF, with being on two varsity teams, the oldest brother, trying to get into an Ivy League school, and trying to maintain his hobbies he always has free time. It's so weird because his schedule is so packed and you see him chilling on his bed all the time like how does he do it
- was the password child (emphasis on was)
- has a huge ass sweet tooth I SWEAR (you'd never even expect it)
- his jersey number is 12
- THIS. MAN. PULLS. He doesn't even try to but he's a gentleman, good with kids, smart, active in school, good in sports, well-spoken, what more could you want? Plus he's got his Dad's charm and his Mom's charisma, everybody's hallway crush, you can see a throng of girls crowding the bleachers everytime the soccer team or the swim team have practice. (Most of them were there for Neteyam, and he says hello to everyone of them like the clueless son of a bitch he is)
- definitely does skin care (he has a 5 step regimen he does religiously)
- introverted extrovert
- learned how to drink at home (like the good boy he is) but can take 6 straight shots without making a face
- is always on his little sister's YouTube channel as a guest, always starts the video by addressing her brother by his yt handle instead of Neteyam. (they make slime and do unboxing videos and he dosent always say it but he enjoys them)
- his dad would bring him to boy's night with his Marine friends so Neteyam could get used to how rowdy his dad's friends were (my dad did the same thing with me that's literally the best I could explain it) Neytiri gets mad at him for it because she dosent want Neteyam to be around those kind of people
- has had 1 serious girlfriend before but she broke things off with him because she felt too trapped and started getting feelings for another guy (she never told him the last part but it was implied) since then he's only entertained a few people but he never got into another serious relationship :((
- almost barely recites in class but he is ALWAYS that one guy that saves the class when the teacher asks the hard questions
- he wasn't the type to go out of his way and make new friends when he was little plus they never matterred to him, Neytiri would often worry about him but Jake said he'd be fine
- has the neatest room and the messiest at the same time BCS HE HAS AN ASSLOAD OF POSTERS AND STICKERS ON HIS WALL, hangs up lightsabers, world maps, banners of his preferred college, used to hang awards but took them down so Lo'ak wouldn't have to feel bad
- has strong alcohol tolerance (Sully genes fr fr)
- taught himself how to fix his own hair, it takes him hours so that's why if he wants to try out a new hairstyle he wakes up at 3 just to devote 3 more hours into fixing his hair (he'd be doing his hair in front of the mirror at like 4:15 and he stumbles upon Lo'ak looking groggy af so Neteyam asks him if he'd been dragged awake by a tractor and Lo'ak goes I haven't slept yet and left)
- hates math but gets the questions on the take home sheets correct EVERYTIME, would complain on the workload but would get it done in like 2 hours. He loves Biology and History, still hates math, reads classic books even though he dosent understand shit, has a love hate relationship with social studies after this one time when he was 10 and had a nosebleed WHILE presenting in class.
- oh also did I mention this man is a photographer?? BECAUSE HE IS A PHOTOGRAPHER. Has an arsenal of janky film cameras to professional dlsr cameras on a shelf in his room. His pride and joy.
- always has to be doing something with his hands
- saves money and dosent like to ask for allowance but everytime they get a ride from their dad he slips them all 50 bucks like they're doing a drug deal
- his dad's a stickler abt posture (because of his spinal injury) he hated it when he was younger but now he's older he finds himself reminding his siblings (kiri surprisingly) unconsciously
- you can bring him to his mom's native country and leave him there and he'd be fine because EVERYONE WOULD THINK HE'S A LOCAL WITH HOW GOOD HIS SPANISH IS
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lo'ak
- is more focused on music than Neteyam is because if you'd be handing around an electric guitar Neteyam would start playing the solo to Beer by Itchyworms, Kiri would start playing Moon Song by Phoebe Bridgers, and Lo'ak would decline BUT if forced he would shred the hell out of that guitar by playing Layla by Derek and the Dominoes
- draws a lot more too, Jake couldn't see how good Lo'ak really was until he won an award at school. (Jake found himself looking at that award on the Sully display case in their living room often)
- does graffiti art, skateboards, drinks monster on a daily basis, the stereotypical sk8r boy we all know and love (avril lavigne is typing) although he does not like monster he liked red bull more and everyone knows this
- wore a crop top to school once (no one noticed because he always wears baggy clothes)
- could be a straight A student if he cared (his parents remind him that everyday) likes biology too because his sister likes plants and his mom was a biology major, hates calculus and trigonometry. (Was the child that would cry on the dining table while his dad is this 🤏🏼 close to popping a nerve from repeating the problem to him over and over until he gets it)
- shaved off one side of his head after an argument with his dad and did not regret it
- if there's a new soccer line in Nike he's clearing the shelves out in no time
- has dyscalculia and gets Neteyam to help him (he never asks Neteyam just knows) He'd never get mad at his baby bro for taking hours upon hours on 1 single equation, but Lo'ak would get mad at himself that's why he's a visual learner
- put him in a room with boys his age and his littlest sister and he'd still go to his sister
- on the soccer team just like Neteyam, also on the swim team once they moved closer to their school because swim practice takes longer than soccer and they'd have to wait extra long for the bus
- when they'd visit their mother's province he'd teach the little kids in the neighborhood how to play soccer :,)
- hates that he's always Tuk's practice dummy for make up but lets her do it anyway *cue Lo'ak running away from a 7 year old in a tutu clutching her makeup brushes and eyeshadow palettes*
- is a night owl... enough said
- listened to Kanye West bcs of his dad's marine friends but heard about the issue at the VMAs and has been a swiftie since then (don't tell tsireya that also his favorite album is definitely reputation)
- is always late to things HE REALLY TRIES TO BE EARLY but Eywa says no
- would always be in that group of boys that play ice ice water during recess and lunch (they never get him because bros faster than speedy gonzales)
- I feel like aside from Jake seeing Lo'ak as the younger version of himself (brash, immature, impulsive) he was always in and out of the hospital because of injuries and medical conditions. Pretty much the second foundation as to why Lo'ak and Jake have such a sensitive relationship
- loves rice meals more than his siblings do, he will not function properly without rice in his system (he got that from Neytiri)
- makes ur mom jokes CONSTANTLY he does it so often that his other siblings are spiritually, mentally, and physically incapable of making that joke to others
- the pickiest eater (pickier than tuk but he was the 10+ allergy kid growing up so his parents constantly get him to try foods he was allergic to before but he'd just throw a fit)
- knows how to patch up wounds better than most nurses because of how many times he fell off his skateboard tryna show off to girls in the skatepark (or just in general)
- EVERYONE WAS SHOCKED THAT HE COPPED TSIREYA. As in Hina Tsireya Maihoa, student body vice president, it girl, must I go on? Anyways she is WAY out of his league not even Lo'ak could comprehend he got the finest girl in the school to fall for him
- always referred to as Neteyam's younger brother :((
- would literally dislocate his knee to ensure a win for their soccer team
- the type to carry around lighters to play with them
- if he's angry he resorts to drawing or taking a jog for several hours (both involving very loud music)
- was scared that he couldn't grow taller than Kiri or Neteyam when he was 12 but now he's taller than Kiri and 2 inches away from towering over Neteyam
- always carries around pads (shh) and hair ties in his bag
- listens to The Weeknd the same way Neteyam listens to Frank Ocean. Endlessly.
- hates loud places unless he's the one making all the noise
- used to want to become a pilot when he was younger like his Aunt Trudy before she died
- loves sour candy I mean LOVES sour candy (he and neytiri could go through those jumbo value sour patch kids and would not need water)
- developed a habit of scratching himself when he's nervous or on the verge of a panic attack (he's getting better now that he's been open about it to his siblings and now that he's got tsireya)
- has a blue takis obsession
- collects stickers for his skateboard and his room (he got that habit from neteyam)
- dosent fold and prefers to hanger, he'd be caught DEAD before he ever folded a shirt
- hates bell peppers (they just couldn't get him to eat them, the reason? Unknown)
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kiri
- GAY. SO. SO. SO GAY.
- would have crystals in her room because let's be fucking fr they work like a CHARM she could get anyone she wanted (she really could though she pretty af) but chooses not to (because then the entire highschool would be on their knees)
- forced herself to have crushes on guys in elementary just so the other girls wouldn't find them weird for not liking anyone
- when she reached middle school she came out as bisexual and everyone made fun of her for it, would always go home crying with neteyam and lo'ak who had split open knuckles (half the time)
- terrified as fuck that jake and neytiri wouldn't accept her but then they did??? And she was like holy shit??? Because Neytiri was raised in a very very religious household and that gave little Kiri heart palpitations every time they went to the mall and a gay couple would pass them by and Neytiri gives them weird looks...
- her room is full of plants but we all know that (she may or may not have named all of them)
- always fighting over the aux with Lo'ak and Tuk (either it's gunna be another round of Kyoto, Reminder, or Girl in the Mirror)
- always layers her jewelry, they could be getting McDonald's drive thru and she'd be wearing 7 bracelets on each hand 4 necklaces on her neck
- would fucking OBLITERATE you in scrabble, they're literally just that comprehensively literate
- is ambidextrous
- joined theatre for shits and giggles but ended up loving it so much that she's the president now
- is the last one to die in a horror movie (final girl shit)
- always volunteered to bring home the class pet
- would always get bullied for her skin colour too, growing up with their dark skinned siblings, UNTIL JAKE WHEELS INTO THE ELEMENTARY SCHLOL BUILDING ONE DAY MAKING THOSE 9 YEAR OLDS QUIVER IN THEIR LIL BOOTIES
- she was the 'English teacher' gay
- once she reached highschool she started becoming more open with her sexuality and also came out of her shell a little more, she volunteered in animal shelters and that's where she met Tsireya and they've been besties ever since 🤞🏼
- makes cooking videos on tiktok, did that salt prank on both Jake and Neytiri (they have been reluctant to try anything Kiri has made since then)
- would give you 20 bucks if you needed it no exceptions (just pay her back most of it you'll be fine)
- if you wake up at 4 in the morning to use the bathroom and pass by her room and see them trimming their hair you didn't...
- also never initiated fights as a kid except this one time where they were told to make a diorama of their family (ya'll know where I'm going with this) some kids caught on that she wasn't exactly related to Jake and Neytiri, only that they took them under their wing when her biological mother Grace died, anywho they said that Grace 'took one good look at Kiri and decided to pass away because who wanted someone as deformed as her as a daughter' she had been sharpening a pencil at the time and let's just say she found a better use with the graphite than solving another math equation
- lit incense once and Jake thought she was smoking a joint
- on that note she always smells earthy and floraly
- she comes prepared or not prepared at all. Either their sage green cross bottle bag has 3 different kinds of gum, an extra charging cord, and alcohol wipes, or her tote bag has receipts, spare change, and tissue from this fancy Italian place they went to 2 nights prior
- has dry lips and peels them
- makes their own jewelry
- is a morning person through and through but she sleeps at ungodly hours of the night and still look more well-rested than their brothers who get like 8 hours of sleep AT BEST, meanwhile Kiri be out here making whole ass breakfast quiches and onion and potato foccacia
- has tried writing plays before (they never end up finishing them but the planning is what excites them the most) the only person she ever allows to read it is lo'ak, not that she dosent trust neteyam it's that him and her just click in a different way
- bi, lesbian, bi, unlabeled, bi, lesbian until she met Rotxo (starts giggling like a maniac) when he was trying to grab a 4lb weight on top of the shelf and got startled by a projectile being pelted at him and drops the weight on Kiri's head. He rushes them into the infirmary and stayed there with her until lunch time (he missed 3 classes which he's never EVER done before), they ate lunch together in the clinic just the two of them, laughing so hard that peas started shooting out of Kiri's nose, making them laugh harder, but Kiri got sent home right after and lemme just say that Rotxo looked like a wounded puppy the rest of the day
- identifies as queer and are a demi girl
- tsireya and her would go for sunset drives all the fucking time, they'd order take out, park by the one larkspur tree by the lake and start dishing out on the school tea AND LEMME TELL YOU! TSIREYA. DOES. NOT. MISS. She's literally friends with everyone who was anyone in pandora high and the tea is ENDLESS
- whenever Neytiri takes Neteyam and Lo'ak out for grocery shopping (she likes having them around because they'd be obligated to bring the groceries with them while she goes to Sephora to buy some skin care and if they don't complain she'll buy them ice cream) that leaves Jake alone with the girls at home and they'd blast 2000's songs through their big ass speakers while they dance around the (still very dirty) living room in pajamas and they often forget to cook the rice because of it, they would always ALWAYS pull up Rihanna's superbowl performance and vibe to that while they hurry and clean the house because the 10 minute mark has started and Neytiri would be home ANY FUCKING MINUTE
- her and tsireya bond over lo'ak's quirks
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I had too much fun with this... anyways that's it for the Sully siblings! I'm gunna be doing part 2 which covers our beloved Metkayina Triad <3 will probably make this into a hs series but who tf knows... stay tuned if you are!
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ot3 · 1 year
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omg thank you for being the first normal person I've seen so far about AI who's also an artist T-T like obviously all the stealing is horrible and it's good it's talked about but almost everyone really is acting like the idea of computers being capable of creating images killed their firstborn child
(also I don't mean it as one of the weird AI art bros but as an artist myself I'm just glad that there are other artist with open mind to the concept)
no right like its insane to me to see how many other people who seem reasonable and level headed are falling for the kneejerk response to say ai Isn't Art Can't Be Art ! It's throwing out the baby with the bathwater to an almost incomprehensible degree.
Unfortunately the fact of the matter is that we live in an era where essentially all new technology's first and prime purpose will be for ghoulish, capitalistic, anti-human ends. But to reject any other uses for the technology doesn't do anything other than make you look like an anti-tech weirdo. This is genuinely insanely impressive and revolutionary tech! There are a TON of legitimate artistic uses for AI image generation.
It also seems weird that everyone is delving into this false binary of 'dont use AI, learn to draw' as if there is any conceivable reason for these things to be mutually exclusive? Like, before all of the AI discourse really popped off i was doing some experimenting with using AI in my process.
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the texturing used in this drawing was made by VQGAN + Clip (different type of image generation than the stable diffusion model that is producing most of the AI art that's up for debate right now) running through google colab. I made a bunch of these weird, ethereal images that would have been almost impossible for me to produce under my own power - it would have taken a titanic amount of time, effort, and design to produce any of these through illustrative or photo editing techniques.
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here's a sampling of some of the textures i made. Now I think it would be a real struggle to try and claim that these images made are plagiarisms. However, I stopped messing with the google colab generation for one key reason: i didnt know enough about the image databases being used to train these models. That's the real stumbling block
the internet is CHOCK FULL of images that are free to use commercially and repurposes, there's stuff like wikimedia commons, the smithsonian open access, unsplash and pexels which have free stock photos, etc. I honestly think a nonzero amount of artists would consent to having some of their work used in image generation databases if they were promised noncommercial use of the resulting images, also. But the problem is the people training these AI don't give a shit about any of that. It's just the complete entitlement to other people's work and neglect for creative boundaries that makes AI generation bad.
The fact that people are attempting to replicate the art of living, working artists, or people like kentaro miura who by all accounts were so dedicated to the craft that they worked themselves to death sickens me. And the fact that the companies responsible for this are using that as an active selling point for their product is even worse. It's a pretty miserable time to be an artist, and this is just the icing on the cake.
But I don't want silicon valley greed and bizarre, impotent jealousy from redditors who want custom waifu jpgs to mean that nobody who could really benefit from AI image generation gets to use it.
like, my dad for example. he's been a creative person his whole life but it never really went anywhere. He drew a lot as a kid and then went and got a degree in filmmaking. My parents were living in LA when I was born, with my dad managing a filming/sound studio and the two of them trying to break into writing screenplays. This did not happen because they had three kids, and for the past decade and then some my dad had been doing database programming on contract for the CDC. Now, in his mid 50s, he's finally got a permanent and secure position and, rather than spending all his free time raising children or getting PMP certified to try and angle for a string of promotions, he can start having hobbies again. there's a comic he's been wanting to draw for as long as I can remember.
only, one big problem - in 2021 he had surgery on his cataracts and never healed properly. He's got severely impaired vision and looking at stuff too hard for to long causes him a ton of eye strain and pain. He has to look at a lot of screens for his job so by the time he's off work for the day he's pretty much too fatigued to do all the intense visual stuff it'd take to make a comic.
I wanted to tell him AI image generation could help him make the kind of stuff he always dreamed about making as a kid but instead I had to tell him that as it stands, the predatory nature of AI modeling means it's insanely hard to use it without ripping off vulnerable creatives. Instead we chatted a bit about combining 3d assets, digitally edited photos, or photobashing/digital kitbashing methods to try and make a pipeline he could do without drawing, but the time commitment to learn these methods is probably just not feasible unless his eyes make a pretty unprecedented recovery in future years.
Like, that's the worst thing about all of this. The idea that AI makes the production of certain kinds of art more accessible to people with disabilities isn't just a 'gotcha' being used by the pro-AI people, it's also true. I would love for my dad to be able to make his comic. I myself also have a huge string of health issues and sometimes the main thing stopping me from drawing is that it hurts to do so. Anything in my process that could reduce the strain drawing puts on my body is an accessibility concern in some ways. Eventually degrading so much that I can't draw at all is one of my biggest fears.
But that doesn't counter all of the negatives! It just doesnt! Which fucking sucks man it just sucks so fucking bad that we have this cool incredible thing and we can't use it without being complicit in some stuff i am fully ideologically against! As things stand I really cant imagine that 'ethical' AI image generation will ever exist, so unfortunately it will have to be in the hands of the people using it to decide for themselves if they are using it in a way that is predatory or harmful, or as a legitimate tool to make meaningful works of art.
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lov-eable · 1 year
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TELL ME  ֗ ˖ ࣪ ᩠ ༉‧₊˚ ✿ #03
━━ a filmmaker decides to follow and document the lives of the worst and best students at your school for a month, unfortunately, those students are you and chishiya, the most annoying guy on earth.
masterlist ◌*ꕤ
word count ✦ 1547
A/N: helloouuurrrr!! im sorry for the late update i was away at the beach but i do think this chapter its good (i personally enjoyed writing it!!) and i hope u like it :D not proofread so sorry for any mistakezzz
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06/04/18 8:29
“You did not mention anything about this!” it was finally the day, the day you hoped would never come, without any outcome in your favour, of course. There was no way out now, you had to commit to the shooting and try to ignore Chishiya the best you could, to avoid the possibility of being pissed off by him and as a consequence, ultimately fleeing the scene. It occurred to you that maybe the universe was against you, based on how your plans were failing lately. Director Kyuma said you had to sit next to Chishiya for the next month as soon as you went into the classroom. “You did not say it in the contract! You just said you would record our daily lives”.
“We agreed to that but also, we need to record your interactions… It was stated in the contract…” Mr. Kyuma looked away from you, awe in his eyes because of your fierceness when ‘arguing’. You noticed in the corner of your eye how Chishiya had taken the supposed seat next to you, “leave him alone, Y/N, we did agree to this. Maybe if you had carefully read the contract, you would remember”. You forced yourself to cool off, sadly enough, Chishiya was right. You wouldn’t admit it though, that’s why you moved your seat some centimetres away from Chishiya’s as if that minimum space would guarantee you not be bothered by him.
The first two periods went by without distractions, either for Chishiya who was actually paying attention to the class or for you, head deep into your book. You were twenty-something pages away from finishing the book and your third period had just started some minutes, not desiring to complete your reading quite yet, a nap until lunch seemed the best option. Laying your head in the back of your seat, you were soon falling into a profound sleep until… “Ma’am, how can we resolve this problem with the formula?” Chishiya Smartass Shuntaro was at it again, disturbing your whole existence.
That was it, he got his answer and now you could try to rest again, right? Absolutely wrong. Every single time you thought you were about to fall asleep and travel to the sweet dream realm, he was raising his hand and obnoxiously asking the teacher about something. Wasn’t he a gifted kid, like a genius or something? Why was he asking all these questions? Trying your best to not be caught, you peeked at his book, every single math exercise was already solved, even the ones the teacher had not explained yet -you assumed solely based on whatever was written on the chalkboard, you weren’t even sure which page they were at.
It was clear, he was trying to annoy you as always. It was one of his masterplans to tick you and avoid whatever you wanted, maybe scientists were right, smarter people were more likely to become evil masterminds or psychopaths. Well, maybe you would stick to ‘evil mastermind’, calling Chishiya a psychopath was too far even if it was him. Although, sometimes you wished you could call him a psychopath and someone would come and take him away, leaving you alone at last. Oh, god, the things you would do to recover your peace, but they weren’t possible just now. You had to bear him for a tad bit more, at least you wouldn’t spend lunch with him.
Without a doubt, the universe had something against you. Did you do something bad and now you were paying the price? Was it the time you refused to help your father carry the groceries? Or every time you fought with Mira? You couldn’t help but contemplate the reason why the universe was punishing you by having to spend lunch with Chishiya. At least he was wearing his old-fashioned headphones, you assumed he would listen to music over the break instead of bugging you.
And you were right, no less than ten minutes of the lunch break went by slowly and, at least for you, deviously. Your friends were over at another table, you didn’t have any music or a book because you had finished it earlier, and just looking at Chishiya’s face in front of you annoyed you. You glanced at Mr. Kyuma, begging him with your gaze to set you free and let you go spend your recess somewhere less awkward, he gestured something along the lines of “you can go”, you didn’t fully understand what he tried to say but it didn’t matter either, it was your sign to escape from there and you wouldn’t ignore it. 
You took your tray and as you were about to leave, you stumbled on the seat. You did not trip enough to meet the floor, but some pieces of your food and your water did meet Chishiya’s hoodie. You screwed up completely, even if you disliked him, it wasn’t your intention to basically throw your tray at him. “I’m sorry, I can go grab you a…” you didn’t need to finish your sentence, while you were apologizing, Chishiya took a small sauce packet from his tray and splashed ketchup all over your shirt. He was one vengeful boy.
“Kuina, this is literally my war mark…” you said jokingly crying as Kuina tried to clean your shirt, you tried to rub it off only making it worse so she had to come to your rescue. Arisu was laughing at you shamelessly, you told him to shut up but there was no case, when he started making fun of you, no one could stop him, “again, what did you do to receive this? Did you destroy his hoodie or something?” “After this, I wish… I accidentally stained it, I already told you. Kuina, tell him to leave me alone”, you squealed. Kuina eyed you and chuckled, you gave her a look expecting her to support you, getting nothing in return. “Kuina?!” “I’m sorry but I can’t defend you… How do you even get yourself in these situations?” both she and Arisu laughed at you, you pouted but finally gave in, laughing with them.
02/03/18 1:45, previous records
Sleepovers at your house weren’t uncommon, Arisu, you and Kuina started having at least monthly sleepovers at your house since elementary school, probably, you couldn’t even remember when they started but they quickly became part of your routine. The initial plan was for Kuina to sleep over at your house, as normal, and then around 12 a.m. Arisu would ‘climb’ -he enjoyed thinking he was a spy doing risky activities, your house didn’t even have a second floor- to your bedroom. Ta-da! Amazing, right? The plan worked for some sleepovers but Arisu had terrible hiding skills, so your parents finally found him.
But your sleepovers did not end there, after some time, some begging and your parents being awfully aware nothing was going to happen with Arisu -just look at him…-, they let you have ‘legal’ sleepovers. It was your little safe space with each other, sometimes Mira would try to join but every single time you would kick her, you also had other friends but never as close as to invite to these hideouts.
“Guys, I actually saw Chishiya today, it was so funny” you blurted out, impatient to tell them what you have witnessed. “Chishiya and the word ‘funny’ in the same sentence?” Kuina asked while grabbing a bunch of snacks and bringing them to her mouth, “do not get mistaken, he’s not funny, I am making fun of him…” they shut their mouths letting you speak, curious of what you had to say. “Okay, you know, you Arisu asked to buy some ramen for today” Arisu nodded in answer. “So I went to the supermarket, bought everything I needed, blah blah blah and when I walk out, there he is, laying on the floor trying to pick everything he had bought. His bag actually ripped apart” you giggled.
“Y/N… that’s only funny to you” Arisu spoke while eating his so-called spicy noodles, “right… You would cry if that happened to you, you even giggled in front of him to make Chishiya notice you, am I right?” Kuina hit your forehead with her fingers, making you let out a barely audible whine. Kuina was half-right, the second half of her words were right, you did that, Kuina knew you so much, but you didn’t cry when the same thing happened to you. 
You weren’t telling the whole story to your peers. The exact same thing that happened to Chishiya happened to you, that afternoon in the worst possible moment, when you were making fun of Chishiya outside the grocery store. When you were enjoying yourself and completely distracted, some cups of ramen and many varied snacks fell to the ground making a fool out of you and embarrassing you in front of your nemesis -it was never that serious, you just liked calling him a nemesis in your personal monologue for dramatic purposes-. It’s needless to say, Chishiya grinned at you trying to hold his laughter, picked up everything from the ground and stepped towards you, “see you at school…” that was everything he said before walking away. How you hated him.
tag list: @surshica @enslique @httpsimmy @elernity @eshtravagent @fishisahappydog @kreishin @vernon-dursley @mhyunri @thenightsflower @madjz @saiewithakatana @yeosangiehwa @xiaoishwrites @seloise @justhere105 @naegisimp @mxbrahms @chlooooop @woodandwaxwings @huachengsbestie01 
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hawkins-losers · 2 years
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Nightmare on Elm Street vs Halloween | Robin Buckley x Reader
Summary: You and Robin have a heated cinematic debate about horror movies
Word count: 0.7k
Request: if u haven’t could u do #80 w robin!! (80. crashing your lips together during an argument)
A/N: I do think that Robin is right in this debate and I would love to have cinematic debates like that with her. Anyone else?
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‘‘What? You are so wrong and for so many reasons,’‘ Robin argued while stacking the returns after scanning them. ‘’How is Halloween better than Nightmare on Elm Street? John Carpenter is a great filmmaker, but Wes Craven brought originality and a strong premise. He created a memorable villain and unforgettable images- Glen’s gore bed death? The bathtub when Nancy is falling asleep in the bath and Freddy’s hand is the water? The ending? Fucking brilliant! Halloween can’t beat that.’’
Nightmare on Elm Street was a great horror classic, but in your opinion, it wasn’t better or scarier than the original Halloween.
‘’Michael is a much harder villain to escape than Freddy. Freddy targets the children of the ones who killed him. His killings are about revenge. No one stands a chance against Michael. He goes on a stabbing spree without any clear motivation other than to kill every bastard in sight.’’
’’Yeah, but Freddy is scarier. He hunts teenagers in their dreams and kills them in reality. That’s terrifying!’’ A shiver ran down her spine at the thought. ‘’There’s also no way to escape him. You can run from Michael or hide, but the only way to escape Freddy is to not sleep...except you can’t just stop sleeping. Your body needs sleep or else it’s gonna shut down and you can fall into a coma- Is a coma induced still considered sleeping?’’ Robin questioned.
You shrugged, not knowing the answer.
Technically, a coma is a prolonged state of unconsciousness. During coma, your eyes are closed and you do not respond to sounds or other things in your environment. Unlike sleep, you can't be awakened, even with vigorous or painful stimulation.
In a coma, the brain doesn't go through normal sleep cycles. Someone who is sleeping may move if they're uncomfortable, but a person in a coma will not. Therefore, a coma is not the same as sleep.
Would Freddy care though?
‘’Any ways, you’re fucked.’’ Robin looked over your shoulder. ‘’Steve! Come back me up here,’’ she called to her co-worker who was fixing a display some group of kids had knocked over ten minutes ago. ‘’Can you tell Y/N-’’ 
Steve shook his head before Robin could even finish. ‘’Your girlfriend, your debate. I’m not getting tangled into this again. The last time I participated in one of your cinematic debates, you ended up siding together and shouting at me for finding a movie boring-’’
‘’Because you were in the wrong!’’ you blurted, turning on your heels to face Steve. The guy had terrible movie taste.
‘‘The Shining is a masterpiece and you’re just too basic to understand get it,’’ Robin added, making Steve relive his nightmare. ‘’Jack Nicholson gave an incredible performance and so did Shelley Duvall. The staircase scene was shot 127 times due to Stanley Kubrick’s perfectionism, and Jack Nicholson destroyed nearly 60 doors to get the shot to Kubrick's liking.’’
‘‘Do I even need to bring up the iconic elevator scene?’’ 
‘’Here we go again…’’ Steve mumbled under his breath, getting horrible PTSD.
‘’Thirdly,’’ Robin continued where she had left of, taking the stack of returned and scanned VHS to put back on the shelves. ‘’Heather Langenkamp hotter than Jamie Lee Curtis.’’
You couldn’t disagree. You had watched Nancy reminded and paused Nancy’s bathtub scene too many times. ‘’I’ll give you that one,’’ you said, following her to the movies section of the store.
‘‘Ha!’’ Robin exclaimed, turning around with a victory grin forming on her lips. ‘’That’s another point for me!’‘ 
You furrowed eyebrows. ‘‘Another? When did we agree you got a point in the first place-’‘
You didn't get to finish your sentence, Robin's lips crashing on yours, the debate forgotten for a few seconds. Usually, it was you who would kiss her in the middle of a rant. It was nice to have the table turned.
You grabbed her green Family Video vest and pulled her closer, prolonging the kiss. 
If you hadn’t been in the middle of her workplace, she would’ve dropped the stack of movies and kept going, but a customer could walk in anytime - and poor Steve was annoyed by all the kissing. 
‘‘Does that give me a point?’‘ Robin asked. 
You bit your bottom lip and sighed. The hold this girl had on you... 
‘‘Okay, you win,’‘ you said in defeat. ‘’But, I still stand that Freddy is easier to survive. If you are not one of the kids of the parents who killed him, you’re safe. Michael is a deranged, murderous psychopath who kills babysitters. We both are babysitters and we can’t run. Oh, and need I remember you that he killed his sister when he was six years old. Babe, we would not survive.’’
-
Taglist:  @broadway-or-noway @violetsleftfist @thelaststraw3​  @cursedandromedablack  @Slashersimpfor  @savagejane1  @wh0reforbucknasty  @eddiemunson-slut  @slvdsjjk​  @hehehehannahthings  @dreamdancers-world  @grace-loux  @iamharrystyleslover
Robin Buckley taglist: @uhidklol-26 @prettyplant0  @ran-rap  @eddiemvunsongf   @batorchids222  @scarlet-kazuha  @saphmoth  @uhidklol-26  @you-makeme-crazier-blog​  @spongebob-in-the-upsidedown  @swiftbyul
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