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#additionally (but not the main point)

cock-holliday · 8 months

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Adding to the post about staking our identities in being the “opposite” of what bigots think, but this deserves it’s own post…

The response to “gay relationships are depraved and evil” is NOT! Is NOT IS NOT IS NOT “queer relationships are inherently pure and free of toxicity and abuse uwu, we’re not like straight people”

You will not get the chance to lean into this rhetoric I will hit you so fast with a rock.

Queer relationships are not inherently healthier than straight ones, wlw relationships are not inherently healthier than mlm relationships cause phew there’s no icky boys—which is where abuse comes from!

Relationships are relationships and anyone has the potential to be an abuser if they are abusing someone. No, being gay doesn’t make you evil and abusive but it doesn’t make you NOT abusive. Abuser is not an identity, it is an action, and the perception that queer people can’t be abusive because we are oppressed lets queer abusers skate by!

Do not respond to homophobia with sanitizing people’s actions using their identity!

Nuance is so sexy please try it!

#LJsm #additionally (but not the main point)#the implication that since queer relationships are pure unlike straight ones #makes it sound like abuse is normal or should be expected in straight relationships!#and it’s not!!

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so-i-did-this-thing · 1 year

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How it's going as a trans person in Florida: Planned Parenthood, 26Health, and Spektrum Health have announced they have paused all gender affirming care.

To recap, DeSantis signed several anti-trans bills into law this week. Care is banned for minors, care is all but banned for adults, Don't Say Gay has been extended, children can be kidnapped from affirming parents by non-affirming family, and there is a bathroom bill that subjects trans folks to arrest for using government owned facilities, such as those in courthouses, airports, many stadiums and parks.

The adult effective ban was felt immediately. The main elements are:

signing at every visit an in-person informed consent form created by the state

all care come from physicians instead of nurse practitioners

no telemed for gender-affirming care

Currently, it is unknown if existing HRT prescriptions written by NPs will be honored by pharmacies. I personally know one person who was able to pick up testosterone yesterday, but I have also read many reports of folks being denied. I myself don't have a refill ready for another 10 days and will report back after I try my own pickup.

What's additionally dangerous is those of us, myself included, who get non-HRT prescriptions from our gender clinics now face the uncertainty of continuing of *all* of our medical care. Our health clinics are at risk of shuttering permanently as they lose major income, and many of us will lose STD meds, depression meds, heart meds, etc, etc.

When we say "this will kill us," it goes beyond suicide risk from forced detransition.

"But you can still get HRT from a physician."

So many suck or are outright hostile and the demand outstrips the supply. Before I found my NP-run clinic, one physician just decided to not call in my Rx, another was so shit at reading lab results, he thought I had hepatitis, and the third I had to threaten to kick in the teeth for trying to force too large a speculum in me.

Also, the state-required consent form has not been finalized and distributed yet, so at this point, everything has pretty much ground to a halt.

It was estimated that 80% of trans adults would lose their healthcare because of how many use providers like Planned Parenthood, but the impact seems even greater now.

"You can get your non-gender care elsewhere still."

DeSantis recently signed a bill that allows healthcare professionals to discriminate against trans people.

Sure, we can try to find care elsewhere, but it will be a slow and expensive process, with no guarantees. It took me over 20 years to get my heart condition treated because of transphobic doctors.

What can I do as a trans Floridian?

Stay in communication with your clinic - many are working on getting physicians added to the roster to prescribe HRT. Lawsuits are being filed and it's possible the changes to adult care can be rolled back.

Continue to try to pick up your meds, but begin looking for care elsewhere, though. Inside and outside the state.

Remember that while telemed for gender affirming care has been banned, you can still cross state lines for care. See Erin's map of informed consent clinics.

Many people will turn to DIY, but be sure you are aware of the risks here, especially if on testosterone, which is a controlled substance.

What should I be worried about next as a trans Floridian?

I worry about the following next steps towards genocide:

Banning getting care out of state. This is from the anti-abortion playbook. They will likely start with kids again, but we've seen how quickly adult care gets axed.

Being declared mentally incompetent or a risk in some way. This could be anything from being barred from gun ownership to not being allowed to work for the government.

Being declared a de facto predator. This has already happened with the latest bathroom law (cis people can eject trans people from government owned single-gender facilities, with arrest as a penalty), so watch out for it being applied to privately-owned facilities. Watch for discussions of official lists of trans people.

Gender presentation enforcement laws, essentially banning "cross dressing". Laws that block or rollback documentation changes.

These all have historic precedence and are huge "I'm in danger" red flags.

What can I do as a cis person?

Amplify all this news. Talk frankly about how this is genocide. And donate what you can to trans mutual aid campaigns so people can travel to get healthcare or even leave the state.

Here's some articles to get started on building awareness:

Take care, everyone, of yourself and each other.

#trans stuff #transgender

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kinard-buckley · 19 days

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another hot take but i really don't think tommy's "my attention?" was him thinking buck has feelings for eddie. tommy thinks buck was jealous that he was getting excluded from the friend group, because he comes to clear the air about causing bad blood and even says "[eddie] can have more than one friend." tommy doesn't fully realize what's really going on until buck says "... 'cause trying to get your attention has been exhausting," and it dawns on him that buck's jealousy wasn't about getting excluded from eddie and tommy's friendship but about eddie jeopardizing tommy's time (additionally, buck's "i guess" isn't meant to be noncommittal; he's realizing in the moment that it's true, that it really was about tommy. the way he says it feels like it's a revelation to even him). remember, buck reached out to tommy at some point prior to the events of 7x04 for the tour, but was never actually interested in leaving the 118. it was absolutely a ploy to get closer to tommy. but eddie interrupts them and pulls tommy away from buck, and buck spirals. the main issue is that buck has no idea what his feelings are doing, so he latches on to the most likely explanation to him (with further context clues that indicate that's not what it's really about) until that moment between buck and tommy in the loft. basically buck's got a crush he doesn't know how to deal with so he makes it everybody's problem.

#911 on abc #911 abc #911 #buck x tommy #bucktommy #kinkley #tuck #i'm not tagging buddie but ¯\_(ツ)_/¯#it's about them too kinda #don't @ me #if ppl come to my inbox to wank i'm going to k**l myself in front of them to change the trajectory of their lives #i always forget i queue these posts up in a haze of exhaustion and then they post and i have to deal with the consequences #911 spoilers #text #exQUEUEse me

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raven-at-the-writing-desk · 5 months

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the elitism in magic education

HELLO 🤡 I have come to you today with an analysis of Fellow Honest's motives and what they imply about the mages and non-mages in the world of Twisted Wonderland, as well as the state of magic education as it relates to one's social status. It's a doozy, so let's get right into it! ***WARNING: Spoilers for Stage in Playful Land!!***

Fellow's resentment of the elite harkens back to something I've always suspected but also something that Twisted Wonderland has seldom gone out of its way to shine a harsh spotlight on. That "something" is the discrepancy between the "haves" and the "have-nots" in terms of magic. With the main setting of TWST being a private magic school, of course the lens through which we view many events will be from this perspective as well... and that limits what we see and hear. Most of the NPCs we encounter (even the annoying ones, such as the Magicam Monsters from the first Halloween event) endlessly praise the NRC students just for attending a famous magic school. If we look closely though, we’ll start to see cracks in the shiny rose-colored lenses (which, coincidentally, is how Fellow’s UM name is written).

To begin with, we are told that only 10% of the human population (for the sake of argument, let's assume that most other races also have low magic rates) is even capable of magic to begin with. Of this 10%, the majority of people with the aptitude for magic only have enough to barely be able to lift a cup. In order to qualify for a prestigious magic school like Night Raven College or Royal Sword Academy, you'd literally have to be the cream of the crop and get lucky in terms of genetics. Magic cannot be learned by someone that was not born with the innate ability for it, and not everyone who is the child of a mage will be capable of magic themselves. This is already one HUGE barrier for entry. We now have more to consider.

Night Raven College is notably a private boarding school. This potentially means that students may need to pay a tuition fee for classes, room, and board. Perhaps this tuition doesn't exist, since NRC doesn't take applications but rather hand-selects its students. Additionally, NRC is based on a British school, and most European schools cost little to nothing to attend. However, it's hard to believe a school as fancy as NRC is a private institution that runs solely on the charity and goodwill of donors (though we do see Crowley happily accepting donations as well, specifically from the local town and from Kalim’s family). Realistically speaking, Stuff Costs Money, and if you Want Stuff, you also Need Money. NRC is not raising these mages of the future out of the goodness of their hearts, NRC is raising these mages because there is profit and prestige to be gained from the endeavor. What if there are students who are picked to go but end up having to leave because they can’t afford it?? This point is just speculative though; I won’t count it as actual evidence since there is no in-game lore which confirms tuition. We do know, however, that students do at least have to pay for their dorm uniforms, as Ruggie has mentioned he could not afford one—hence why he wears a hand/me-down from Leona. We also know students are on their own when it comes to paying for their food, as both Ruggie and Deuce mention being low on cash in reference to buying meals/snacks. Buuuuut even if we discount that money is a factor that gatekeeps some selected students from attending or having the cash to just get by on a daily basis, what we cannot ignore is that money inherently puts some people ahead of others before magic schools even recruit them.

Because the majority of those in Twisted Wonderland are incapable of using magic, magic is not typically included in general education. This means that if your kid manifests magic and you want them to be "ahead of the curve", you'd need to seek out resources for magic training and education. Now, this could mean reading materials, private tutoring, or reaching out to mages you know of. The problem with all of these things is that they tend to require money and/or connections, which are things not everyone has access to. Idia even says in book 6 that Riddle has an “artificially large” pool of magic due to how young Riddle started his magic training, meaning that the wealthy has the resources to just produce “better” mages. The rich also have more money to throw into items to help with magical training, such as bigger and better magestones (which must sell for substantial amount in the first place since Ruggie tries to save some to pawn off later in Vargas Camp) to keep mages healthier for longer (since magestones help absorb blot). This keeps power concentrated in an already elevated class. (Note: research has shown that money opens up and expands one's connections, which still puts the rich in an advantageous position compared to the less fortunate. There are also studies that show impoverished people who happen to have rich friends have a better chance of raising their own social standing just because of the doors and connections that rich friend can open for them.) Look at who in the main cast remarks on having formal magic training: literal royalty like Leona and the upper middle class like Riddle. Again, one could say that because schools like NRC appear to hand-pick students regardless of how much formal magic training they had prior to enrollment. However, the fact remains that it simply looks better to potential recruiters (using this blanket term because we don't know how magic schools besides NRC gets its students) and better prepares the child for magic school curriculum to get an early start on it.

Looking back at the 22 boys that make up the main cast, close to three-quarters or ~75% of them come from at least upper middle-class backgrounds and quite a few could classify as wealthy:

Riddle's parents are both doctors, with Riddle's mom in particular being well-known and well-regarded in their home community.

Cater's dad is a banker; his position is high enough up that he needs to relocate every so often (presumably to service their largest or most important firms).

Leona is a literal prince. Even if he isn't destined to be king, he still has access to the resources and wealth avaliable to a royal.

Azul's mom owns the most popular restaurant in the entire Coral Sea (have you seen how large the Coral Sea is on the world map???), and his stepdad is a lawyer.

The twins' family is said to be well-off; they are able to afford luxuries like fancy clothes and Mr. Leech stresses the importance of manners and presentation. He is implied to have business associates who are also well-off and would like to get in his good graces. (Popular fan speculation is that the Leeches are a crime family.)

Kalim is the heir to a massive family fortune and trading business. He also has relatives who are royals.

Jamil, as Kalim's attendant, is also from a reasonably well-off family; they are compensated handsomely for handling the Asims.

Vil's father is an A-list celebrity, and Vil is also one himself.

We don't know the specifics of what Rook's family does, but it must be well-paying, as we learn in book 5 that the Hunts have villas all over Twisted Wonderland, as well as permissions for international travel via warp pads.

Idia and Ortho's family run a secret organization that researches blot. S.T.Y.X. is so secretive that basically only those in super high positions like Crowley and Leona would know about them. Let's also not forget that the Shrouds have ties to the Jupiter Conglomerate and the Olympus Corp, which is a tech giant in the world of TWST.

Malleus is prince AND the heir to his kingdom’s throne. He is also one of the top 5 most powerful mages in the entire WORLD.

Lilia is a renown war general and a close friend of royalty. He raised a young Malleus as well.

Silver is Lilia's adopted son and is actually a prince himself.

Sebek's parents are dentists. They must make mad money. His grandfather is also a respected knight that served alongside Lilia.

Notice how all the dorm leaders are upper middle class or higher; the vice dorm leaders have ONE normal person (Trey); in Playful Land, Trey confesses to living a comfortable life so we know he must be at least middle class.

We can try to argue all we like that NRC doesn't discriminate based on social status for their selections, but if that's the case then why are so few of the main cast from impoverished or low-income families? Only Ace, Trey, and Jack count as squarely middle class. Ruggie is the only example we have of someone from a very low socioeconomic status rising up to be among "elites". The other example is Deuce, who comes from a single parent household and has implied they don't have a lot of money (for example: how the VDC/SDC earnings will help out his family). (Epel is kind of a ??? case because depending on where in the story you are, his family could be in financial trouble or not; in book 5, they imply his entire village is having difficulties selling product until Vil promotes Harveston apples on his Magicam.) Maybe it's unfair to say that 22 students out of 800ish is representative of the makeup of the entire NRC student population (or represents the composition of all magic schools), but Ruggie confirms in his Birthday Boy vignettes that a majority of the students at NRC are decently well-off. This single digit representation of low-income students is also true of real-life elite schools. They are private schools for a reason; it naturally gatekeeps who is and isn't "allowed" to attend, leading to the majority of its students being members of the elite.

Another thing to consider is legacy students. This term refers to the increased likelihood of people being accepted into a school if they had a relative that also attended that school. We know of two instances of this happening: Ace's brother and Sebek's brother also went to and graduated from Night Raven College. Ace even makes a remark during his sorting ceremony that he ended up in the same dorm as his older brother "as expected". If magic aptitude is genetic, then perhaps it makes sense to recruit from the same families--but again, this is inherently restrictive, as you would continuously be culling from the same pools generation after generation.

Back on the topic of bloodlines and family, what about Kalim, who has an extensive family? There will be no shortage of Asim mages going to NRC just because of legacy (Jamil even alludes to the fact that the previous Scarabia dorm leader was an Asim relative, and his recommendation is what got Kalim the dorm leader seat). And speaking of Kalim, consider instances where rich families are able to bribe faculty (lookin' at YOU, Crowley) or donate a large sum to get their kid ahead or to be given priority over others that may be more qualified than them (RIP Jamil). To continue off that point, NRC itself is structured as a "dog eat dog" world. Those with inherently more magical ability have the right to trump over others. You can duel and lose your dorm seat to a more powerful mage, even if you trump them in terms of merit or leadership qualities. Students feel a sense of duty to obey those who have bested them in battle (ie Epel's servitude to Vil). Everyone fears Malleus. Your magical power is respected above all else.

Attitudes surrounding magic have notably shifted from fear of it several hundreds of years ago (around the human-fae war, back when “witch” and “wizard” were used in a derogatory sense) to recognizing it for its strengths and actively seeking it or granting some favoritism to those who have it. There is, in fact, now class discrimination in based on whether or not you can use magic. We got an early instance of this as early as book 1 of the main story, when Riddle insults Yuu for their upbringing, lack of education, and their inability to use magic. It’s something that clearly rubs Ace, who has a magicless father, the wrong way, and he stands up for Yuu. There are other subtle hints about this divide sprinkled throughout the lore. For example, Ruggie has a voice line which he indicates that the slums where he comes from doesn’t produce many magic users. Again, recall that magic runs in bloodlines. This could potentially allude to a past where those without magic were forced into lower income neighborhoods, which results in pockets like Ruggie’s hometown with a high population of magicless individuals living in poverty. This doesn’t appear to be a large scale issue (perhaps its only an isolated case?), but this is worth paying attention to.

This could all translate into the professional world too. Some jobs are entirely locked behind magic (ie you just cannot do them or pursue them if you don't have the magical ability for it). Some jobs DO require magic (ie medical mages like Riddle's parents, magic police force officers, technomantic inventors, etc) and probably additional training that goes with it. As a result, I'd imagine that these magic-intensive jobs pay quite a bit more. There may also be overall more job opportunities for those capable of magic, since magic is so much more efficient than doing things by hand. It means more retention of wealth and/or more upward mobility for the few impoverished that are able to enter magic schools. (This is, of course, not including the few and far between cases of regular people who get rich in select industries, such as Kalim’s father.) Recall too that NRC requires its students to take internships during their 4th years, many placements being with very prestigious groups and organizations such as pro-sports teams, labs, tech giants, etc. Being able to attend a prestigious school with connections grants those elite students even more opportunities than the average person.

Then think about what this means for people who fall short of these standards that these magic schools set. We actually have examples of them in book 5 of the main story: when Deuce and Epel are reconciling on the beach, a bunch of delinquents from another school come along and start checking out Deuce’s borrowed magical wheel. Through the NPCs’ exchange, we learn that one of them has enough magic to power a magical wheel, but not enough to do much else. This NPC also couldn’t keep up in class and dropped out of a magic school. He then becomes insulted when Deuce implies he is “a beginner”, so this is obviously a very sore spot for him. Riddle also has dialogue that implies students dropped out of NRC prior to his reign (and since then, no Heartslabyul students have left). Additionally, consider how magic can be used to oppress and lord power over others. Deuce himself is guilty for summoning cauldrons to crush rival delinquents in fights back in Clock Town—even if those delinquents lacked magic themselves. Similarly, Epel is implied to use magic to gain an upper hand against those that bullied him back home. This all implies a social divide between those with magic and those without, and begs of bigger questions.

What happens to the ones that don’t make it? The ones that get left behind? The ones without the magic to make it “big”? This is the root of Fellow’s anger; he’s mad at a system that cast people like him (someone with very little magic) and Gidel (a non-mage) aside. They don’t get the opportunity to make better futures for themselves. They’re looked down on by high-up institutions that basically tell them they’re not good enough.

Knowing all of this, the deck appears to be stacked against the poor and non-mages. It’s no wonder why Fellow is so mad.

THIS ACTUALLY RELATES BACK TO WHAT ROLLO SAID IN 5-2 OF GLORIOUS MASQUERADE… "When you have too little [magic], you're resentful. And when you have plenty [of magic], you're arrogant. You can never content yourselves." The NRC boys are arrogant (this is the side of the story we’ve always known due to seeing the world mainly from their perspective). They are the “haves”, and we see them constantly misusing their power by fighting each other over very petty things (even if it’s against the rules to do so). But everyone else??? They’re scrounging for the scraps. Fellow falls into that former category; he IS the guy that’s resentful because of his lack of magic and how something he cannot control has already determined where he and Gidel will stand in life no matter how hard they work. They can never hope to rise out of poverty, and there’s nothing they can do about it. That must be soul-crushing.

When Fellow praises the NRC boys in that overly exaggerated way, he’s obviously being shady and facetious—however, there is also a kernel of truth behind this behavior. Most other NPCs we’ve met have spoken about the NRC boys favorably just because of their affiliation with a prestigious school. It’s the same way people might be impressed if you walked around in an Ivy League branded hoodie or something. People automatically associate you with the school’s shiny and exclusive reputation, and thus assume you are also intelligent, talented, etc. Then, in the same way being constantly put on a pedestal like this might result in the students getting swelled heads, this only further feeds into the NRC kids’ egos. They so privileged they don’t even recognize it. And that makes Fellow fucking FUME.

Look back at Fellow's dialogue. He is constantly mentioning the prestige of the school the boys go to, or adding on extra compliments about their status and skills. He's ass-kissing to his boss, who is also wealthy or part of the upper class, then insults the boss once he hangs up. Fellow is always in a position where he HAS to be subservient to the upper class in order to make his money and get by, and he finds that entirely unfair. Imagine having to simper and placate people you absolutely despise and blame for your problems every day, people who are gorging themselves on luxuries, coasting by in life, taking everything they have for granted while you get by on pennies—that has to get frustrating.

I want to briefly mention here that, in addition to praising the NRC students to high heaven, Fellow also talks down his own skills. He cheerfully calls himself a loser and says that no matter how much he trains, he could never reach their caliber of magic. Yes, Fellow is exaggerating to get the kids to think they’ve won, but I also have to wonder if he’s parroting the same phrases he was told long ago, from people who doubted him and never thought he’d make it. If that’s the case, then I get the sense that Fellow is in a way “reclaiming” his autonomy and power by adopting those same cruel words and using them as a strength. He admits to being “weak” but is also proud of the fact that he can utilize his magic along with his natural charisma to get a leg up over others. It further fuels his new belief that going to an elite school doesn’t matter, it’s practical skills that will serve you well.

Okay, back to talking about his shitty work situation! Fellow’s employer clearly doesn’t treat him with decency. They berate him, make unreasonable demands, act impatient, etc. They are a typical depiction of a toxic workplace and boss. This can also be read as shorthand for the relation between the rich and the poor, and how that may have shaped (or worsened) Fellow’s views on others of the privileged class. He makes many assumptions about the NRC students without really getting to know them, calling them entitled brats. Why? Because these descriptors likely apply to the higher-ups Fellow has always slaved away for. This, in combination with his own experiences in being rejected from magic academia, has created a person who feels trodden on by society and by the upper echelons who run it and benefit off the system.

Fellow himself is the perfect example of someone who was failed by said system. He has dialogue stating that he was never given the chance to learn because his magic was not considered strong enough. Still, he tried to make an effort to earn that chance among to elites and to study among them. Fellow was rejected, ridiculed, and told he had “forgotten his place”, what he had been born into. There were expectations he couldn’t meet, and so Fellow was thrown away like a broken toy. He has failed not because he didn’t try, but because he was denied the opportunity to begin with. This is where is rage stems from. Fellow despises the students of those same kinds of institutions who kicked him down, students who don’t realize how fortunate they are for their educations and will likely continue to perpetuate the system.

What, then, does that means for his signature spell, which is closely tied to one’s identity? Let’s take a magnifying glass to it. As previously mentioned, the name for Fellow’s spell is written as “Rose-Tinted Dream”, but it is said out loud as “Life is Fun”. The chant for it is, “Come on to the theater” (notably said in English rather than in Japanese). Both the spell and the incantation are references to the song Honest John sings in Pinocchio, Hi- Diddle-Dee-Dee. And… well, the whole UM in of itself is one big cruel joke given his circumstances now.

I think this spell is representative of a young Fellow still full of hopes and dreams, looking forward to studying at a magic school. But then those dreams are shattered and he has to commit terrible crimes to survive day-to-day, and he seems to have given up on his dreams. He even goes so far as to protect Gidel from having the same hopes he once did, telling Yuu to not put silly ideas in his head when Gidel expressed curiosity about school. At the same time, he delights in crushing the hopes of those he deems his enemies (stating that he wanted to betray Kalim to “teach him a lesson” about how cruel the world is). Fellow knows the truth: that life isn’t fun, that it will disappoint you and will put you down. His actions are very cowardly as well—he uses tricks and deception, he runs away from his problems instead of properly addressing them, the NRC students remark on his lack of pride. Fellow has had to throw away so much to scrape by. Yet his UM symbolizes someone brimming with hope—so perhaps it’s a UM he manifested when Fellow still thought he had a chance?? And then people made fun of him for it being so weak?? Alternatively, maybe he didn’t get his UM until after his dreams were crushed so he’s looking back on those nostalgic days of blissful ignorance with rose-colored lenses (which is, again, maybe why his UM magic name is written as “Rose Tinted Dream”). A UM that is a reflection of one’s true self, yet that same identity is one that has been forced to be discarded. That’s the reason why, despite all the swindling and scamming, I don’t think Fellow’s enthusiasm for fun is a lie. That’s the one “real” part of him, but even that’s been repurposed to help him live on scraps, something innocent twisted 😭 and that’s really sad to think about…

But also??? You could argue that Fellow still has a little bit of that lost inner child and hope left in him. He tries to defend Gidel’s understanding of the world and has goals of starting his own school despite how poorly he originally spoke about these institutions. (So Fellow does appear to care about children and their futures.) He also has a childish streak despite being an adult, demonstrated by his use of cowardly tactics, taunting kids, and abruptly quitting his job to then destroy his workplace. Fellow himself states that he “just tries to live a free and fun life”, thus his pursuit of money and pleasure. This could all play into being what defines Fellow and thus his UM. It embodies a spirit of playfulness even when he has been crushed under the weight of an unglamorous life.

I’ve heard people saying that while Rollo is Idia’s dark mirror and Fellow is Ruggie’s. They have similar backstories but ultimately their fates are different and left the former two down far more sinister paths. Just as Rollo is an Idia that turned his anger outward instead of inward, Fellow is Ruggie had he not been given a chance to receive an education to elevate his social status and job prospects. Fellow and Ruggie both cling to rich, powerful benefactors/bosses and do their dirty work to get on by—a big difference is that Leona, while he does also work Ruggie to the bone, also has some conscience. Something else to consider is that while Ruggie prioritizes making a life for himself by studying and securing a stable, well-paying job, Fellow is focused moreso on the accumulation of wealth itself (as he suggests to Kalim he’ll take a bribe to let him go free and quits when there is no longer money to be gained from his boss). Both don’t really care how they get their money (even if it is by dirty means), but ultimately Ruggie’s way of making cash is more sustainable in the long run. Yet Fellow ultimately realizes the importance of school deep down despite constantly denying it when the NRC students tell him of it. Fellow is in denial because that’s the only way he can cope and justify his lifestyle. He’s confused when finally confronted with students who are his ideal of “happy and free”, even when they’re in an educational system that he views as shackling people into strict roles. The way he laments about not being able to go to school is also very reminiscent of an adult mourning a lost or unfulfilling childhood, which is quite a depressing scenario…

Fellow is the one that got the short end of the stick in life. Ruggie met Leona, and Leona technically uplifted him in his endeavors, tutored him into getting decent grades and giving him hand-me-downs and money in exchange for his services. Fellow never had that kind of support system, he was just insulted and bullied into giving up and had to find an alternative way to keep himself going 😔

Personally, I think Fellow could also be a dark mirror to Kalim, no?? They exist on opposite ends of a social spectrum. Kalim has everything and Fellow had nothing. What’s more, Kalim is still wide-eyed and trusting. He is the only one willing to try words instead of fighting him and instantly labeling him as the enemy. Meanwhile, Fellow has become bitter because of how the world has betrayed him. He wants to take that trust Kalim has and show him how cruel everything truly is. Why is he fixated on that? Why even offer in the first place if he never intended on going through with it? Why does he want to rub it in Kalim’s face in particular? Maybe it’s because Kalim seems rich and dumb, as Fellow claims, but maybe it’s because there is envy there. Sure, Fellow is upset about Kalim being a sheltered brat that faces no challenges in life, but I also feel like he’s jealous that Kalim can still afford to think this way. That he can still afford to be cheerful, that he can still be a dreamer. Fellow was alluded to be like that once—but he can’t be like that anymore, not when he has to look out for himself and Gidel.

Side note, another comparison! Recall that Kalim’s Oasis Maker is also a UM that uses a little bit of magic. However, Kalim does not know of many creative ways to use his spell, as there is no real reason to since his home country has lots of canals and irrigation. He therefore deems his UM as pretty useless. Fellow meanwhile has what most consider a weak UM but he fully utilizes it to his advantage and pairs it well with his natural charm to maximize its effects. He had to develop these skills because he was in pressing circumstances in which they would benefit him. This contributes to the “mirror” theme between the two.

Fellow and Kalim have a notable similarity as well, and this is where I feel they can connect. They are both older brothers to a child or children who are magicless. Fellow only has one, and Kalim has many—but the number here isn’t what is important. What is important is that Fellow and Kalim think the world of their siblings and want to support them. To that end, Fellow is willing to be cruel and step on others, and Kalim is all sunshine to keep their spirits up. Fellow has suffered through great poverty and insults and Kalim has survived so many attempts on his life, yet they’ve developed distinctly different approaches to the worlds that have embraced them. Kalim’s wealth could afford him protection and luxuries, so he’s able to live carefree with others tending to his needs. The same isn’t true for Fellow, and so he came out far more spiteful and resentful.

Thinking about it, it’s ultimately Kalim’s words that convince Fellow to turn on his employer. (The other boys certainly wore Fellow down and planted the seeds of doubt, but it’s Kalim that I believe fully resonates with Fellow.) He can so happily talk about why he loves school, even though he doesn’t do well at it (something I presume is also true of Fellow, since he is lacking in tons of magic). It’s not said in a particularly articulate manner, but it’s so candid in its presentation. Kalim is relating to him based on similar skillset (or lack thereof) and sharing fond memories of his time at school, reviving the hopeful “lost child” in Fellow. Kalim is probably the first wealthy person in a long time that was friendly, kind, and supportive to him. And here he is, reassuring Fellow his dreams are still possible, to not give up. That’s the final nail that allows Fellow to be “honest” with himself and his inner child. It’s what leads to that slew of irresponsible actions at the end of the event (letting people free, blasting the amusement park, driving a sinking ship, etc.).

At the end of Stage in Playful Land, we see that Fellow never really let that childlike side of him fully die. (It seems to have been concealed under a desire for money and appeasing his boss.) He shares his dream of creating his own great school to give educational opportunities to non-mages and mages with low magical reserves like Gidel and himself, a school that teaches practical life lessons. He wants to promote his own ideals and to change the system he hates from the inside out. This was never communicated to us before most likely because Fellow had renounced those ideas in favor of blind hatred and a lack of faith in the world and those that dominate it.

Fellow also acknowledges that life may be even more difficult for him and Gidel going forward, as now they lack the money for even food and no longer have jobs. Furthermore, they need to worry about their ex-employers coming after them for what they’ve done. Even so, Fellow faces it all with a smile and reassures everyone that they can transfer or visit to play… “on this shining stage called life”. He and Gidel are able to walk away with their whimsy preserved, and can still be that which they’ve always wanted to be: dreamers.

All of this is to say that Rollo was right all along about magic, he never misses—

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reasonsforhope · 5 months

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"Shopping for clothes is already intimidating. There are so many options and styles to consider, as well as factors like sustainability and ethics.

But for people in fat, disabled, or queer and gender-nonconforming bodies, it’s even more arduous.

Nico Herzetty, Emma K. Clark, and Paul Herzetty wondered: What if there was a way people could shop — not necessarily by color or size — but by measurements, materials, and ethics?

So they set off to create their website: Phoria.

Here, shoppers can set up a free profile, add their body measurements (and “typical fit challenges”) and peruse over 270 brands. Once these data points are entered, users can personalize their pages with “saved,” “recommended,” or “hidden” brands.

Pages can be totally private, or shared with the community to connect over styles and brands.

Aside from fit, brands in the Phoria database (which claims to be “the largest database of plus-friendly brands”) can also be filtered as “gender-neutral,” “woman-run,” “small business,” or “natural fibers.” Users can also filter for price, preferred styles, and more.

Pictured: A screenshot of the "Fit Challenges" feature on a Phoria user's profile.

Some brands include popular names like Athleta, Levi’s, and Patagonia. Others are small businesses, like Beefcake Swimwear, or Hey Peach.

“For so many people, it feels too damn hard to find and keep clothing that fits in all the ways that really matter. So we’re doing something about it,” the Phoria website reads.

“Unlike most online shopping experiences, we center the needs of plus-size women, nonbinary, and trans people, and prioritize supporting clothing brands focused on sustainability, ethics, and inclusion.” ...

That team — made up of Clark, and Nico and Paul Herzetty — calls themselves “fat, disabled, and very, very queer.”

“These are some of the main ways we identify, and they’re qualities that have directly impacted our ability to get dressed every day in a way that feels good,” the Phoria team introduces themselves on the website.

Pictured: A screenshot of Phoria's plus-size clothing brand database.

In addition to catering the user experience to women, non-binary, and trans people, Phoria is also a benefit corporation, or a B corp.

“We’ve legally required ourselves to consider the interests of all our stakeholders — customers, employees, the planet, and our shareholders,” the Phoria website explains.

“Our specific public benefit purpose is to reduce people’s dependence on buying mass-produced items made in unsustainable ways and to use human-centered business models to boldly challenge economic systems of inequity.”

Right now, in the early stages of the company’s business, it doesn’t make any money.

“We’re focused on building something that genuinely solves plus-size people’s challenges around clothes shopping and supports smaller and more sustainable brands,” Phoria’s website states.

So, spreading the word seems to be of utmost importance...

Additionally, TikTok creators @couplagoofs (a queer couple named Morgan and Phoebe), recently shared a video in which they discovered Phoria. They met the website’s creators at a fat liberation event in their city and were introduced to the tool.

Quickly, commenters responded with gratitude and excitement.

“It is so disappointing to sort through pages of plus size clothes that aren’t even plus size,” a TikTok user commented. “This is gonna be such a good tool!”

Some even shared emotional responses, speaking to the need at the heart of Phoria’s mission.

“I’m… gonna cry,” another commenter wrote. “I’ve needed this my whole life.”"

-via Goodgoodgood, November 20, 2023

#clothing #plus size #size inclusive fashion #body positive #fashion #slow fashion #style #gender affirming #trans inclusive #gender euphoria #disabled #lgbtq #gender nonconforming #small business #ethical fashion #ethical business #fatshion #fat positive #body positvity

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cherrifire · 1 month

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Hi :D Logic behind the latest batch of cutie marks? if you feel like sharing :)

Hello everypony ^-^ It is cuie mark info dump again ^-^

Before we start, reminder that Grian + Tango do not have cutie marks because they are a hippogriff and a Kirin respectively. Non-pony creatures do not have cutie marks :)

Now that we've got that out of the way, let's get started!

Mumbo's Cutie Mark

I'm the proudest of this one because it'd simple but affective.

Mumbo's cutie mark is a tangled-up red wire which has been cut at the ends to expose the conductors. The wire is also particularly made to create an 'M' shape.

Similar to Impulse's cutie mark, Mumbo's is related to electricity for his investment in redstone. Electricity being the closest thing to it. That said, I gave Mumbo a wire because it is the baseline of all electricity. It connects everything together. From the power source and into whatever little machine or contraption you've built, wires are needed to keep it all powered! So I thought using it as a cutie mark would work really well for Mumbo. Sometimes he can just bring people together just like a wire does for electricity.

(And the little knot in the wire is just a little something to indicate Mumbo may be a bit of a mess)

Additionally, with the wire being in the shape of an 'M' it could stand for Mumbo while also being in the shape of a mustache too :)

Scar's Cutie Mark

Capitalism baby! Scar's cutie mark is of a red top hat next to a bag of bits (the currency in my little pony is called bits and are essentially gold coins).

At heart, Scar is a swindler. He's full of joy and whimsy sure, but he has a real talent for selling little trinkets to anypony who takes a look at his store front. In my head, Scar is essentially the flim and flam of this AU. He's a wandering salespony who shows up from time to time with things to sell from all across Equestria! That's where the little bag can be interpreted as a bag of coins, or a bag full of mystery items he's collected over the years.

Also, the top hat is there to represent Scar's salespony flair.

Joel's Cutie Mark

Joel's cutie mark is of a greek stone pillar and a chisel.

There are a couple of meanings to this one. The first one is pretty obvious, Joel loves to build! He's a fantastic builder with an eye for design. So I chose a greek pillar to represent one of my favourite builds of his, Stratos! But of course, a simple pillar can be used for lots of things and that's where the second meaning comes in. To hold things up! Joel holds himself up to on pretty high pedestal. He's very full of himself and I honestly can't blame him. Joel is great! So of course I had to represent his ego in his cutie mark somehow.

Jimmy's Cutie Mark

Jimmy's cutie mark is of a little canary bird. Another cutie mark with two meanings behind it!

First, is the obvious one. The canary in the coal mine. Misfortune will fall upon the canary to indicate to others that the journey may be too dangerous to continue. A bad luck charm if you will or a bad omen. And that's the surface meaning of his cutie mark that everypony knows it for. Jimmy is the poor clumsy pony in town who always seems to hurt himself before things go wrong.

However, there is a second meaning. Canary birds are also supposed to happiness and harmony. This is the main core of the cutie mark which gets over looked. Despite the bad implications of his cutie mark, it does not stop Jimmy from spreading joy wherever he goes. He's kind and joyous, keeping a positive attitude no matter what.

(I of course have a Ranchers plot point where Tango says this to Jimmy to cheer him up about his cutie mark one day. Tango, who has never had a cutie mark and does not understand their importance, says he doesn't see Jimmy as bad luck, but instead feels joy when Jimmy smiles no matter the situation. But that's a story for another day 🤭)

#cherri.speaks #trafficblr #Third Life x MLP #mumbo jumbo #gtwscar #smallishbeans #solidaritygaming #mclp

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losergames · 2 months

Text

Chop Shop is strictly 18+ for language, themes, and potential explicit content.

🔗 - Game Intro | Bug Report | Ko-Fi

Episode Three is now available! (+ 86,000) - PLAY HERE

Get your first taste of the underground car scene.

Meet some other players in the game.

Be made an offer.

5 achievements up for grabs!

And more!

AN: thank you so much for the patience - i've been dying to put this update out. lots of new characters and lots of variation!! there are 3 major paths to choose between in this ep, i recommend trying them all out! and thank you to my betas for keeping me sane lmao

This update comes with a patch and UI refresh (Version 1.1.2) Notes are under the cut. If preferred, you can access them in game in the start menu.

STORY

EPISODE 01:

MC should now be able to smoke! Buying cigarettes at the shop was not triggering correctly. If playing with an old save, you DO NOT have to restart as code at the beginning of EP 03 has resolved the error. Player will need to restart if they wish to read smoking related scenes in previous episodes.

Updated MC Name selection. Player can now choose from a list of names instead of having to input one to proceed.

Player can now give Taha their chocolate bar if it's in their inventory.

When asking Maz about their scars, the second choice 'You want to ask about it but you're going to keep your mouth shut.' should now take you to the correct response.

Extended and updated 'End Game' scenes.

EPISODE 02:

If MC is faint after exiting the car, but also drunk, they should now get the fainting scene, followed by Dilani helping the MC in the bathroom.

UI + TECHNICAL

SETTINGS:

Autoname Save is now defaulted to ON. This is to add ease and flow to gameplay, especially for mobile, tablet, and app users, instead of calling for an inputted saved name. If player wants to input save names, toggle Autoname Saves to OFF.

Autoname Save previously only used the forename of the MC but now includes the surname as well.

Removed the Fullscreen toggle as it is only intended for desktop use. Player can still toggle fullscreen function via the UI bar on the desktop interface.

Added a choice indicator toggle. (This probably won't come into effect until EP 04 or 05)

Changed serif font from Vollkron to EB Garamond.

OTHER:

Changing the MC's pronouns via the Dashboard has been updated. Additionally, after confirmation will take player back to the Dashboard and not close the dialog boxes entirely.

Hovering over 'Personality', 'Motives', and 'Skills' titles in the Dashboard will now display an information box with a definition. Mobile and tablet users will need to tap on the title.

'Resume Game' now only appears on the main menu when there is an autosave in the saves log.

Choices styling changes.

General UI and button style changes.

Fixed errors with the text message styling.

Added styling for reading text off of a page in game.

Darkened blue in light theme 'Skyline' to reduce eye strain.

CREATE A SAVE

Introducing Create a Save! This feature allows players to quickly manufacture a save file and start at a later point in the game.

Set your identity, appearance, history, and statistics; including personality, motives, and skills. Continue to set key decisions made in previous episodes.

Randomise options available for creating a PC and key decisions.

OTHER

Fixed gaps and spacing issues.

Minor phrasing and sentence structure changes.

Grammar and typo fixes.

whew -- that's a lot of patch notes! apologies for so much that needed to be fixed.

this update shouldn't break/ mess with saves but as a disclaimer i will say, if you spot anything funky, broken, or you don't think things are triggering correctly, try starting a new save. the new create a save feature is incredibly code heavy, and it's been tested relentlessly, but i wouldn't be surprised if something crops up.

if starting a new save doesn't resolve your issue - please submit to bug report or just send me an ask/message.

some things have been meaning to get fixed for Some Time - thank you to everyone that is using the bug report form!

apologies if there are typos and/or bugs - this was a long one to edit and my lovely betas did an OUTSTANDING job reading so much for ep 3 - thank you so much again!!! this time i am going to give it a bit more time before i put together a patch so i can grab more error responses haha.

create a save has also added a wee chunk to the word count, somewhere around 6k, but i'm not including it in the episode 03 word count as it's purely code. so, if you think the total wc is off, that's why!

if you've read this far, happy reading and thank you so much for the continued support!! :) - becky <3

#chop shop #chop shop game #interactive fiction #twine game #cs patch #cs update

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oriigami · 1 year

Text

(spoilers for both knives out movies ahead)

i think what i really enjoy about knives out and glass onion is that they are, while not completely fair-play whodunnits, pretty close to it.

a fair-play whodunnit is a murder mystery which is entirely solvable by the viewer before the detective sums everything up at the end; the viewer is given the same information as the characters, and the same opportunity to figure everything out. this is a style some modern detective stories like to break to preserve the ability to catch the viewer off guard, as hbomberguy elaborates at some length in his sherlock is garbage and here's why video.

knives out gives you almost all the information you need. its possible to figure out on ransom's introduction that there is, at least, something missing from his story, that he returned to the house for some reason after leaving; the dogs were heard barking the night of harlan's death, and he is the only one they are seen reacting aggressively to. likewise, the audience hears nana saying 'ransom, are you back again already?' well before blanc learns about it and realizes its importance.

the only crucial piece of evidence any of the characters ever see that the audience doesn't is the toxicology report, which the audience doesn't get a chance to see before blanc's summation at the end revealing marta's innocence. but even with that omission, it's possible to guess harlan wasn't poisoned! marta lists off the symptoms of morphine poisoning at five and ten minutes on screen, and we see him exhibiting none of them, even after she's left and snuck back in, which must have been more than ten minutes after the initial injection. later we see fran suffering an overdose of the same drug, and she's far more debilitated than harlan was even in his last moments.

glass onion, of course, plays a lot more fast and loose with this concept, because it hides large swathes of the setup from the viewer until the halfway point. blanc actually has a lot more information than the viewer until we get the extended flashback in the middle of the movie.

however, after you know the circumstances of andi's death, like blanc says, you can completely guess that miles killed her! helen even suggests it during one of their first conversations, because it's obvious! of course he did! the only thing the movie does to delay this conclusion is throw out a swarm of red herrings in presenting motive and opportunity for everyone else, but the motive is obvious. the main thing both the audience and blanc need to realize is just that miles is stupid enough to do it. blanc uses his countless malapropisms as evidence when reaching this conclusion, but he doesn't even need to; it's absolutely obvious from the fact, readily available to the audience, that HE MADE HIS HOUSE INTO A BOMB.

likewise, the movie shows you that miles handed duke the drink that killed him, though this is later corrected during his self-serving flashback. you can see the outline of a phone in miles's back pocket after duke's murder even though miles doesn't own a phone, and even a brief shot of him sticking duke's gun in the ice bucket on the table.

additionally, putting a little bit of thought into miles's justification for the lights going out reveals it makes no sense. he was supposed to give a big speech as part of the murder mystery?? no he wasn't! he's dead at this point! he gets shot by the crossbow at dinner! why would he be giving a big speech at 10 pm? because he made up the lights going out on the fly based on blanc's earlier comment, and didn't think it through at all, like everything he does!

i'm not gonna pretend i figured either of these movies out ahead of time on the first viewing- i totally didn't! but i know when the next one comes out, i'm going to be watching very carefully, and probably doing a lot of rewinding.

#glass onion #knives out #glass onion spoilers #knives out spoilers

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thatwritergirlsblog · 1 year

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10 worst ways to start a book

1. An irrelevant point of view

It's extremely frustrating as a reader to read the opening scene of a novel, get invested in the story and start rooting for the POV character, only to have that character never show up again or show up as an unimportant character.

Your readers will feel betrayed. Why did they get emotionally invested in this character? Why did they care?

One of the most important functions of your first scene or chapter is introducing your main character and getting the reader to root for them.

Don’t waste that crucial moment on an unimportant POV.

2. Too many characters

Starting to read a new book is usually a bit confusing. You have to get to know new characters, a new world, a new writing style etc.

Don’t add to that confusion by introducing two dozen characters in the opening scene. Readers won’t remember their names or care about them; they’ll just feel overwhelmed and confused.

Additionally, readers will also struggle to root for the main character, because there are too many other people crowding the scene.

3. Telling

My name is Lisa. I’m a short, feisty brunette who loves horse riding. I have two best friends called Anna and Daniel, and we carpool to college every day. I have a crush on Josh, one of my tutors, but he’s twenty-seven and isn’t interested in me.

Telling is boring. It has its place, but the start of your novel is not it. The above paragraph could have been an interesting scene in which you showed the reader all the information via action and dialogue.

Unless you’re using subversion to surprise the reader, e.g., My name is Lisa and I’m a class-three demon, don’t start with telling.

Immerse the reader in the story through action, dialogue and the senses. Show us who the main character is, don’t just tell us.

4. Description

Please don’t start your book with a page-long description of the setting. In fact, I would recommend not starting with description at all.

Yes, a few lines of description later in the opening scene is fine. But the reader needs to care first.

No matter how beautiful your writing is, readers won’t be sucked in by a five-paragraph description of a field.

5. Worldbuilding info dump

Please don’t start your book with an explanation of your world’s climate, politics, history, magic system etc.

Once again, the reader needs to care first.

There needs to be action and conflict and a compelling plot. The world exists as a backdrop for the story and the characters – it’s not the protagonist and it shouldn’t take up the opening scene.

6. The dream sequence

The main reason that this is a bad way to start your book is that it’s been done way too many times.

But that’s not the only reason.

It also feels like a betrayal to the reader, because they got invested in the story and the character and the events, and then you tell them it was never real.

And oftentimes the storyline and world of the dream is much more interesting than the actual story, which makes the latter look very boring in comparison.

7. Looking in a mirror

Once again, it’s just been done too much: A character looking in a mirror and describing their physical appearance to the reader.

Firstly, no one describes their appearance in detail when they look in the mirror.

Secondly, the reader doesn’t even know who this person is. We don’t know if we’re interested in the character yet. We don’t know why we should care. So, we don’t want a detailed description of the character’s appearance right off the bat.

Show us interesting aspects of your main character’s personality, hobbies and life. Weave in physical description as it becomes relevant. It’s not important enough for the very first paragraph.

8. Starting way too early

Yes, most books don’t start with the inciting incident (although I recommend that they do), but the start of your book shouldn’t be too far away from your inciting incident.

So, don’t start with a long scene describing the main character’s everyday life. The readers want the thing to happen.

Providing context and introducing the main character is fine, but don’t leave the reader hanging for too long before you get to the good stuff.

9. Trying too hard

“Your first line has to be amazing and hook the reader. It needs to be something no one has ever read before.”

I bet you’ve heard that piece of advice hundreds of times. It’s not bad advice, but taken to the extreme, it creates an opening that is disjointed, conflated and confusing.

Your first scene should introduce your character, story and voice. So, don’t write a single line of profound purple prose that has very little to do with your actual story as a first line.

Focus on writing a good story. Introduce the reader to the book and make the main character intriguing. You don’t need a mind-blowing first line.

10. The lesson

Most books have a theme or something the author wants to say. Oftentimes, that takes the form of a life lesson.

This is good, but the lesson needs to be subtly woven into the story.

It should not be forced down the reader’s throat in the very first scene.

Don’t tell me what I’m going to learn, show me the lesson through the story.

If you’d like to read a Fantasy Adventure novel that does not have any of these opening mistakes, check out my debut To Wear A Crown.

Reblog if you found this post useful. Comment with your own tips for writing a good opening scene. Follow for similar content.

#writing #writer #writers #writing advice #writeblr #write #Writing tips

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indigovigilance · 7 months

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Baraqiel and Azazel

Disclaimer: DO NOT ask Neil Gaiman to confirm or deny any of this. He doesn't want you to ask. I don't want you to ask.

SO DON'T ASK.

Edit: Neil confirmed this theory and it's not my fault: see the reblog

Now, on with the meta.

Thesis and evidence below the cut:

Dominion...

Angel of the Sky...

Hair an eye-burning ginger, eyebrows like grisly slugs, often draped in red…

Occasionally damp...

Most likely singed…

So that's everything from purely within Good Omens canon.

Baraqiel is described, additionally, in the Book of Enoch as:

Lord of Lightning

Who taught the forbidden knowledge of astronomy:

He is also the overseer of the Second Heaven, wherein lies the prison of Fallen Angels. More on that later.

The story of Baraqiel’s ejection from Heaven is contained in the Book of Enoch, but he’s not a main character. In fact, he’s only one of twenty major fallen angels, specifically, the ninth. The tenth is Azazel.

Who, then, is Azazel?

Firstly, Azazel is a fallen angel:

Who is damned because he introduces humans to forbidden knowledge, specifically, the knowledge of swords [and other devices of warfare]:

And also the knowledge of adornment, specifically, “the art of making up the eyes, and of beautifying the eyelids, and the most precious stones, and all kinds of coloured dyes.”

And insofar as Azazel is synonymous with Azzael, he denounces the authority of the Metatron:

In fact, Azazel is given all the blame for revealing the secrets of Heaven: “the whole Earth has been ruined by the teaching of the works of Azazel; and against him write: ALL SIN.”

and God orders Raphael punish Azazel: “And further the Lord said to Raphael: "Bind Azazel by his hands and his feet and throw him into the darkness. And split open the desert, which is in Dudael, and throw him there.””

We never learn in the Book of Enoch that Raphael actually does this (based on my reading), but it was commanded. In fact, Raphael would have had to throw Azazel into that prison which was in the domain of Baraqiel.

This puts Baraqiel!Crowley and Azazel!Aziraphale among the ranks of angels that went to Earth and delighted in Earthly pleasures, which caused them to be “fallen,” that God refused to speak to from then on, that Enoch!Metatron was ordered by God to tell that they were unforgiven and would never be forgiven.

It’s worth noting that there seems to be some disagreement among rabbinical scholars over whether Samyaza, Azza, Azzael, and Azazel are separate entities or if these are different names for the same entity. We should also remember that in the universe of Good Omens, entities change names when they ascend to or fall from Heaven.

Tying this all back to the Metatron: In 3 Enoch, the book which describes the ascent of Enoch the man to Metatron the angel, we learn that the overseer of the Second Heaven is Baraqiel, angel of lightning. The description of the prison in the Second Heaven and the angels trapped within it is terrifying, but not more than Enoch’s own actions when he is there.

At this point Enoch has not been transfigured into the Metatron yet, but when he passes by, the angels ask him to pray for them to the Lord; and he refuses, for “who am I, a mortal man, that I may pray for angels?” He is told about them again in the Fifth Heaven, about their sins, how they followed Satan, and that they will be punished on Judgment Day.

So we have a lot of reasons here to see that there would be enmity directly between the Metatron and Azazel, for questioning his authority before God, and between Baraqiel and Enoch!Metatron, for either Baraqiel was guarding the prison or already in it when the human who would become Metatron was supplicated for prayers of redemption and refused. Either way, the Metatron is responsible for Baraqiel’s fall, most directly because he refused to take the petition of the fallen angels before God and instead relied on his interpretation of a dream.

There’s been a lot of implication and even exposition throughout S2 that memory is vulnerable to erasure. We’ve gotten some direct hints that Crowley doesn’t remember all of his past, but I would venture to propose that Aziraphale has a very troubled past that he does not remember, that the Metatron (and possibly Crowley) does, and that further, because his memory was [partially] removed, his name was changed to Aziraphale, for which we see precedent in Jimbriel and all the demons.

My absolutely unhinged, unsubstantiated S3 prediction is that Angel!Crowley sacrificed himself to rescue Azazel from damnation, and the price of Azazel remaining an angel was losing the memories of his transgressions, including (and especially) those he formed with Angel!Crowley. That at the Garden of Eden, Crawley!Crowley knew that these things had been erased, and that he was probably talking to a husk of his former friend, the way that Jim was a husk of Gabriel, but that when he learned that Aziraphale had given away the sword, realized that the soul of the person he loved was still in there.

Partner post: For a meta on why we should believe that Enoch!Metatron aka Human!Metatron is a possibility, go here.

Edit: I read the Book of Enoch from front to back, twice, but if you want to check my work (or write a response meta!) you can find the source material here and here.

If you liked this husbands-centric meta, you may like A Nightingale Sang in 1941

If you liked this historic event speculation, you may like Sodom and Gomorrah

#good omens #good omens 2 #good omens meta #ineffable husbands #aziraphale #crowley #metatron #good omens theory #baraqiel #azazel #book of enoch #this took a really long time you guys so please leave a note <3 #ivoc #erasure theory

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