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#agent morgan x detective
garlickk · 4 months
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quick sketch of morgan and my detective
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buttercup--bee · 1 year
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Selfless!Detective: I’m going stop our villain of the week AND save everyone! Even if it costs me my life!
Morgan/Mason:
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sevlawless · 1 year
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one more day until i'm reunited with my sunshine and her sweetheart <3
big thank you to @/eightmonkeys for this art of my girls ❤️
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sustainably-du-mortain · 11 months
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hi hello 12 from the ship dialogue for Madeleine and Morgan 🥺 (@ do-this-for-me)
Thank you so much @do-this-for-me for the prompt and the soft m feels that went with it!! <33
12. your hugs are nice
Fandom: The Wayhaven Chronicles Pairing: f!detective (Madeleine Kingston) x Morgan Word count: ~1.4k prompt list here
Where the hell is she?
When they got back from patrol, Morgan directly headed to Madeleine’s room, fully expecting to find her in bed, reading. After knocking a couple times, and getting no answer, she fished her phone out of her pocket and checked the time. It was barely past 10pm and Maddie usually isn’t sleeping yet by then.
The thought had then crossed her mind that she may have gotten a migraine and gone to sleep a little earlier so, quietly, she entered Maddie’s room. Just to make sure that she was okay and that she had everything she needed, but if she was already asleep, she wouldn’t disturb her. She walked to her bed, the soft glow of her phone lighting the room, although she didn’t need it. But all she saw was Madeleine’s empty bed.
 She rushed out of the room and headed for the kitchen. Maybe she was hungry and decided to grab some snacks, but to her utmost disappointment, Nat was the only one there. She was out the door before Nat could even say anything. She turned back and took a couple turns to get to the living room, where she only found Farah, throwing a mischievous glance her way as soon as she stepped into the room. She hustled past Ava on her way to the library, which she found out was dark and empty. No Maddie.
So now, she’s pacing up and down the hallway, racking her brain on Maddie’s possible whereabouts. Her battered car is parked outside so she’s bound to be in the warehouse. These are the three places where Maddie spends most of her time when she’s visiting and, after ruling out the Roof because it’s pouring outside, Morgan is starting to run out of ideas.
The sewing room! 
A few weeks ago, Madeleine asked if it’d be possible to set up a sewing room for her at the warehouse, in case she had to be put on house arrest again. So, these past few days,  they’ve been working on furnishing one of the many empty rooms for her.
Morgan is about to rush over there when her whole body quivers, making her stop in her tracks. As she looks down at herself to realize that she’s still wearing her drenched clothes, she suddenly becomes very aware of the fact that she’s freezing and that she’s probably covered in goosebump under the clothes sticking to her skin. The realization only making her shiver some more.
She eyes the end of the corridor on her left, the one leading to the sewing room, leading to Madeleine, and then her eyes fall on the corridor facing her, where the promise of a warm shower awaits her. As her heart sways between both options, her teeth start chattering, settling the decision for her: she needs to change.
But she doesn’t make it past her doorway.
“You’re here…”
Her voice is barely more than a whisper, yet it’s enough to make the girl tucked up in her bed, glance up at her. With her back resting on the headboard, a plaid thrown over her shoulders and the duvet pulled up to her chest, Madeleine is reading in the exact same position Morgan pictured her in earlier, except that she’s in her bed. 
“I was looking for you”, she wants to tell her, but the words get stuck in her throat. Whether it’s because she’s embarrassed to admit it or because her chattering teeth make it hard to speak, Morgan doesn’t know.
As she steps further into the room, Maddie closes her book, slipping a bookmark in-between the pages, focusing her attention on Morgan. She gives her that smile that brings out her dimples and lights up the whole room. If it was any brighter Morgan would have to look away.
“So…my bed, huh?” The vampire wants her tone teasing, but all she manages in that moment is confusion. Maddie laughs and a wave of warmth washes over her. She’s not cold anymore, or at least that’s what she thought before a shiver makes her whole body visibly shake.
“Want to join me?” Maddie asks, patting the bed.
Morgan is already peeling off her wet clothes. “Thought you’d never ask.” She discards her jeans and top into a puddle on the floor and joins Madeleine under the sheets.
She clenches her teeth when the cold fabric rubs against her skin, but the feeling doesn’t last as she scouts closer to Maddie, her head instantly finding her place in the crook of her neck. Madeleine lets out a gasp.
“You’re cold!” She states the obvious as she rolls out of the vampire’s grasp.
“And you’re warm, come back here!” Morgan says, pulling her back into her arms.
Maddie doesn’t try to get away this time and even brings the vampire a little closer to her, shifting a little so that their bodies fit perfectly together, like two pieces of a puzzle. She brushes away the strands of hair that stick to Morgan’s cheek, her fingers lingering a moment too long. Morgan catches her hand before she can take it away. Pressing a kiss in the palm of her hand, she watches as Madeleine turns that bright shade of pink she’s started to grow very fond of.
“So, how come you’re in my bed? Not that I mind, you’re welcome in my bed anytime, sweetheart…”
Madeleine chuckles a little at the innuendo. “Couldn’t sleep.”
She doesn’t need to explain why she couldn’t find sleep, it’s pretty obvious in the way her hand rests on her stomach, in the thin layer of sweat that covers her face, or in the pillbox she tried to hide under the pillows when Morgan entered the room.
“I know a great way to tire you enough.” She instantly regrets the words coming out of her mouth as she realizes that the lewd comment is probably not what Maddie needs right now.
“I’m sure you do, but that’s not what I was looking for, tonight.”
There’s a moment of silence as Morgan ponders over the best way to offer her some comfort before she figures that asking is probably the best way to understand what Madeleine needs. “And what exactly were you looking for?” 
“You.” 
Morgan is rendered speechless by the confession while Maddie, worried that she’s made a fool of herself, hastily adds something that she doesn’t hear. She sees her lips moving, but all she hears is that single word echoing inside her head. She smiles, and before she can catch herself, she’s planting a kiss on Maddie’s lips. A single peck that leaves Madeleine stunned.
But as silence stretches, Morgan starts to worry. Did I do something wrong? Maybe I should have asked before kissing her. But her worrying is cut short as Madeleine cups her cheek before closing the distance between them. Her lips are gentle and soft against hers  as Madeleine returns the kiss and when she parts away, Morgan yearns for more.
“So, is that a yes?” Maddie asks, her hand still resting on her cheek.
“Huh?”
Madeleine laughs when she realizes that the vampire didn’t get a single word of her little ramble. “I was asking if I could stay here tonight.”
“Well, since you’re looking really comfy in my bed already-” Morgan takes a couple seconds to feign indecision, as if spending the night with Madeleine wasn’t the exact thing she’s been hoping for all evening. “I guess you could stay, sweetheart…”
Pulling her back into her arms, Maddie whispers: “Thank you.” 
Morgan kisses her collarbone in answer and quiet settles back between them.
They stay like this for a while: Morgan’s hands playing with the fabric of Maddie’s nightgown, her lips brushing against her skin anytime she breathes. Madeleine’s fingers tracing the freckles on her face and neck, peppering soft kisses on her forehead when she thinks Morgan is asleep.
The quiet is filled with Madeleine’s presence and Morgan basks in it.
She revels in the soft thrumming of Maddie’s heartbeat against her ear and the warmth of her body against hers. She relishes in the sweet scent of oats lingering on her skin and the soft sound of her breathing as she dozes off to sleep. 
“Your hugs are nice.” The words, spoken in nothing more than a sleepy whisper, break the silence and, for a moment, Morgan wonders if she’s heard them correctly but, Maddie’s arms wrapping tighter around her, leave no space for doubt.
“Yours are really nice too” she whispers back once Madeleine is sound asleep.
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grapecaseschoices · 1 year
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who wouldve thought I’D be getting warm over M(ason) of all people
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wayhavenots · 1 year
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✐+ dove
Thank you ❤️❤️❤️
~
"Is it going to mean something if we do?"
Morgan leaves the apartment before Dove wakes up, dreaming she'd kissed her before she left. Later, their hands fit together like puzzle pieces, which paradoxically turns the picture foggier in her mind. She doesn't know the goddamn answer, either.
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avis-writeshq · 7 months
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01 — better than revenge
summary: “she’s not a saint, no, she’s not what you think. she’s an actress.”  pairing: spencer reid x fem!reader genre: best friends to lovers, mutual pining, slow burn warnings: fluff, angst with a happy ending, Lila is a real piece of work here, VERY CANON COMPLIANT, Spencer’s a bit of an ass :( wc: 10.4k a/n: special mention to @astrophileous for beta reading MWAH SPARKS FLY MASTERLIST // MAIN MASTERLIST
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“Hey kid, wheels up in thirty.” Derek nods towards you, dropping a case file on your desk. 
You raise an eyebrow, flicking open the case file to the first page. A small laugh of disbelief leaves your lips. “Ooh, Los Angeles, media capital of the world. What’s the occasion?”
“Three murders, all shot in the head executional style.” 
Your face falls into a grimace as you grab your go-bag and tuck the file under your arm, following the rest of the team to the jet. “Spence and Gideon are there already, right? Talk about timing.”
Elle can’t help but grin at your words, slinking an arm over your shoulder. “Looks like you’ll see loverboy a lot sooner than you think.”
A shriek of betrayal leaves your lips as you throw her arm off of you. “I have no idea what you’re talking about!”
“Sure you don’t,” JJ all but cackles as she boards the plane, grinning the entire way. 
“I’m gonna kill you,” you grumble, dropping your things on one of the seats in the jet. “Seriously, I mean it. I know how to get away with murder.”
Hotch raises an eyebrow at you, his gaze that of a disappointed yet amused father. “Not the brightest thing to say while you’re in a room full of FBI agents.”
Elle lets out a ‘hah!’ as she sits across from you, crossing one leg over the other as she grins. “Get comfortable, buttercup, six hour flight and you’re not going anywhere.”
“Assholes.” You roll your eyes teasingly, brushing a strand of hair behind your ear as you turn to your case files. “And it’s not like that.”
“Oh, of course not,” Elle snickers, “you’re just friends.”
You throw a pen at her and it bounces off her leg harmlessly. “I can smell the sarcasm.”
“You’ll be smelling more of it,” Derek laughs, ruffling your hair. “Sit tight, kid, we’re in for a long flight.”
Once everyone was settled and the jet was high in the air, the team began to look through the files with Garcia on speaker as usual. 
“First two victims, Wally Melman and Chloe Harris,” You recite dutifully, glancing over the grotesque crime scene images. “Seems like they were both killed in public places.”
“Chloe was killed while walking her dog on the beach in Santa Monica which she did every morning, and Wally was killed outside of a massage parlour,” JJ reiterates, sitting down with a cup of tea in her hand. 
“In Culver City,” Derek adds. 
“Which he went to every Tuesday,” Elle continues.
Derek looks to the rest of the team, a thoughtful look on his face. “Well, if he knows their schedules, maybe that means he follows his victims for a while.”
“And not a single witness. So we know this UnSub can blend in,” Hotch mutters. “Regardless of the location, he has the ability to hide in plain sight.”
“So, he’s meticulous.” Elle nods, her eyes drifting from Hotch to the case file. 
“The media is calling Natalie Ryan’s murder the biggest celebrity homicide since Sharon Tate,” JJ adds, looking through the images of the newspaper clippings that were sent to her laptop.
“Great,” You muse, although frustration is clear in your voice. “What does that mean for us?”
Hotch lets out a sigh. “That everybody will be watching.”
***
“This guy is an assassin?” Detective Kim asks with disbelief as the rest of the team reiterates their thoughts once they were in the police department. 
“When you look at the victimology, there’s no obvious links,” Morgan points out. “All the kills were clean except in the instance of the last victim, Jeremy Collins.”
You nod, tucking a strand of hair as you reference the case files. “There’s absolutely no evidence left at the crime scene. Labs have found zero DNA, no manifestation of psychosexual release, and from what we can tell there’s no detectable signature of any kind. These kills are straight forward, almost like he’s on a mission.”
“Remember, our profiles are formulated not just by what’s present at the scene but also what’s absent,” Gideon says to Detective Kim.
“From all the evidence that we’ve gathered, we believe you’re looking for a Type Four Assassin,” Elle explains.
“Type Four?” 
Spencer immediately jumps in to explain, gesticulating throughout his explanation. “Type One’s are political assassins like John Wilkes Booth. Type Two’s are egocentrics looking for simple recognition.”
“Type Three’s are psychopaths,” Hotch continues, “cold-blooded killers who leave far messier scenes. Type Four, our UnSub, suffers from a major mental disorder and is frequently delusional.”
“The closer we come to figuring out that delusion, the closer we’ll get to finding the UnSub,” Reid points out. 
Everyone is left to their own thoughts and you look over to Spencer, a soft grin on your face. “How was your father-son bonding time?”
Spencer gives you a pointed look, but a soft laugh leaves his lips. “It was… fine.”
“Fine? Out of everyone on the team, Gideon chose you to present a talk about behavioural analysis and profiling to the LAPD. You love conferences. C’mon, give me something!” You nudge his shoulder gently. 
“We uh.. we went to an art gallery the other day. We met a movie star, so that was cool…” his cheeks are dusted with a soft pink as he talks and your curiosity only increases. 
���A movie star, huh? Look at you, mingling with the high and mighty.” You poke his cheek with a laugh. “Tell me about them.”
He flushes at the contact, clearing his throat. “Um… her name is Lila Archer. Have you heard of her? She’s–”
“Reid, (L/N), we’re meeting with someone,” Derek cuts in, nodding towards the both of you.
You blink in confusion as you follow him to another room. “Suspect?”
“Someone received a note,” Derek says quickly, glancing over at the note in Elle’s hands. “On a newspaper clipping of the latest murder.”
“Lila?”
A blonde woman was sitting in the next room over, her legs crossed over as she waits. Her eyes light up in recognition and she stands up. You can’t help but be impressed as you give her a quick once over. She’s gorgeous, exactly what you expect from a famous movie star. 
“I’m Agent (L/N),” You say gently, moving from your spot next to Spencer and holding your hand out. “This is Agent Morgan and I’m assuming you already know Doctor Reid. I understand that you received a note this morning?”
She wearily shakes your hand, her blue eyes flitting between you and Reid. “Yeah.”
“We just have a few questions to ask. We know that these things are sensitive, but we promise we’ll try to make the situation as easy as possible for you.” You shoot her a kind smile, excusing her weariness for fear or anxiety. “Is that alright?”
“Sure.” She respond curtly, shooting a smile towards Spencer before walking past you.
“Uh… okay?” You let out a little laugh in confusion and Derek raises an eyebrow at you.
“What was that about?” He asks, frowning.
You shrug your shoulders, watching as Spencer leads her to an empty desk. “Trust me, I have no idea. Maybe she’s just nervous and wants to talk to a familiar face.”
Derek hums in thought. “Maybe. But usually victims like this are more willing to speak to someone of the same gender. It’s strange that she was so direct to you.”
“She’s been through a traumatic experience. If I got a newspaper clipping with a message written in blood, I probably wouldn’t be too thrilled meeting new people either,” You defend, pursing your lips. “She’s probably just… scared, right?”
He doesn’t respond, moving to follow Spencer and Lila further into the police department. A few questions were asks about her relationship with the other victims, only to find that she was in fact the connection between the other victims. Wally Melman was a producer who Lila met with a few times to discuss a role, only for him to cast Natalie Ryan instead. Chloe Harris looked an awful lot like Lila, so it was likely that the UnSub got rid of her in order to ‘ice-out’ the competition. 
“(L/N), may I talk to you for a moment?” Hotch asks quickly, waving you over. 
You blink in confusion but nod, walking over to where he stands by the desk. “Yeah, what’s up?”
“I want you to try and get as much information from Lila as possible.” He gestures to where Lila sits in one of the victim waiting rooms. “This is your area of expertise. Try and find out if there’s any distinct information that she’s given to anyone so that we can track the UnSub.”
“Got it.” You offer a smile, fixing your shirt as you agree. “I’ll update you if I get any new information.”
You make your way over to where Lila was sitting, trying to look as friendly as possible. “Hey, Lila. Are you alright? Can I get you anything?”
She glances over you for a second, looking you up and down before shaking her head. “I’m fine. Where’s Spencer?”
Your brows furrow at his words. “Doctor Reid…? He’s currently going through the timeline of events with our colleagues. In the meantime, I was hoping to ask a few questions, maybe shed some light on the entire situation.”
She raises an eyebrow before nodding. “Okay.”
“Alright…” you clear your throat, taking a seat across from her. “You mentioned that you receive a bowl of red anemones on the seventh of every month. Do you mind… telling me why you like those flowers so much?”
She shrugs dismissively, running a hand through her blonde hair. “They’re pretty. I like the colour.”
You nod slowly, writing that down in your notes. “Well that’s understandable; they’re very beautiful flowers. But they’re a little uncommon as a favourite flower, don’t you think? If you like the colour, a more common favourite flower would be poppies or roses… are you sure there isn’t another reason? The meaning behind red anemones is forsaken love and death… does that intrigue you at all?”
She scoffs, “are you trying to accuse me of something?”
“Not at all,” you say quickly, “I apologise if it comes off that way. I’m just trying to find out as much as possible about the entire situation. For all we know, those flowers could have been sent by the UnSub.”
A short silence lulls in the room as well as an awkward tension. So, you try to take things from another angle. 
“I love hydrangeas,” you say gently, a small smile on your lips. “I like the way they’re always bunched together and the colours are beautiful. Only a few people know that I like them though. My close friend and colleagues, my family… do you remember telling anyone about your favourite flower?”
She’s quiet for a moment before shrugging. “I don’t know.”
Your face falls and you press a little more. “Are you sure you don’t remember? Maybe… maybe your manager, or a friend of yours?”
“I said ‘I don’t know’, okay?” She snaps, her hands balling into fists as she glares at you. “God, it’s not that hard to understand.”
You lean back in your chair, your gaze hardening. “I understand that this is difficult for you, but any information–”
“I don’t have any information!” Lila huffs, her hands placed in her lap. “Are you stupid or something?”
“The likelihood of these people being murdered because of you is incredibly high,” You say sharply, shutting your notebook. “If you’re withholding information from us it could prove detrimental to the investigation. I’m only trying to do my job. Asking you questions is part of my job.”
Her lips twitch at your words and she scowls. “I already told you I don’t remember.”
“Not remembering and not knowing are two different things, Ms Archer.” You place your card on the table. “If you remember anything, please give me a call.”
You get up from your seat, heading to the door, only to see that it was wide open with Derek and Spencer standing at the doorway. In seconds, Lila’s gaze softens and she runs out of the room, sniffling as she does. Your gaze follows her as she runs out of the police station, a look of disbelief on your features.
“What the…”
“Seriously (Y/N)?” Spencer demands, a frown on his face. 
You gape at his words. “What are you–”
He cuts you off, running after Lila. Derek raises an eyebrow in their direction before turning to you. 
“You okay, pretty girl?” Derek asks gently, patting your shoulder. 
“Honestly? I have no idea,” You confess quietly, biting your lip. “I’ve never seen him get so…”
“Upset? Angry?” he finishes, a small laugh leaving his lips. “You and me both. Look, kid, it’s not your fault. She was clearly being dismissive of your questions and she needed a reality check.”
“It’s not like I’ve never spoken that way when interrogating someone before,” You point out, brows furrowed in frustration. “Even then, Spencer has never had an issue with it. I just– I don’t understand what’s got him so worked up.”
Derek can’t help but laugh. “You’re a profiler. Isn’t it obvious?”
You pause for a moment, thinking through their interaction. “He has a crush on her, doesn’t he? He likes her. Of course he does. Brilliant, now he’s involved.”
Derek pats you on the back sympathetically. “Come on, pretty girl. We’ve got a job to do.”
***
Despite your original hesitancy, Hotch asked you personally to go with the others, meaning that you had no right to refuse. Well, you could, but that would mean throwing Elle under the bus and she would be much more helpful at the precinct than on set. So, before you could fake being sick and bail the investigation, you,  Derek, and Spencer went to check out the set of Lila’s movie, hoping to better observe her interactions with her costars and the staff. 
The inside of Lila’s small trailer is hot. Incredibly hot but relatively empty. As you look around, you gather that she’s either a minimalist or just didn’t have to spend a lot time in the trailer at all. Lila sits in front of the little group, wearing a robe to cover her costume: a cyan sequinned bikini set that she looked absolutely criminal in. Her hair has been styled in a classic blowout and you wonder how much time it took to get it to look so effortless.
“I’m not stopping my life,” she says, her voice almost stern as she steps out of the trailer and back onto the set.
You purse your lips as you glance at the paper in the plastic pocket, now labelled as ‘evidence’. Apparently it was taped up to the door of her trailer. Your eyes shift to Spencer who’s gaze doesn’t leave the door that Lila just walked out of for much longer than necessary. Neither of you have spoken since yesterday’s incident.
You hum thoughtfully, as you pull out your notebook, glancing at the notes you’ve been making. “Well, I guess the only thing we can do is talk to the people on set. Maybe they saw something. I’ll see if I can find out who has access to Lila’s trailer.”
Spencer nods in your direction. “Yeah, that’s… that’s a good idea.”
One of your eyebrows quirk up. “Okay…? Why do you sound so surprised?”
He flushes under your scrutiny, clearing his throat as the three of you begin to walk out of the trailer and towards the set. “I’m not! I– I’m not surprised. You’re good at your job.”
“You didn’t seem to think that yesterday,” You respond lightly, your tone petty and passive aggressive, gaze flickering between the cameras and lights on set. 
Derek coughs awkwardly before excusing himself and entering further into the set leaving you and Spencer alone outside by a vending machine. Spencer falters at your words and he runs a hand through his hair. The harsh Los Angeles sun beats down against your skin and you fiddle with the notebook in your hands. In turn, he fixes up his sleeves, rolling them up to his elbow, giving you a clear view of his forearms and large hands. 
“I’m sorry,” He says softly, chewing on his bottom lip. “I didn’t– I was out of line.”
“You were,” You agree, your gaze shifting between the chilled bottled drinks in the vending machine and him. “Buy me a drink and we’ll call it even.”
A boyish grin grows on his face and he nods, pulling out his wallet. “Yeah. Yeah, okay, awesome. Iced coffee?”
“You know me so well,” you respond with an equally large smile, poking his cheek. “Thank you!”
He presses a few buttons, grabbing a Cola for himself. You can’t help but laugh, giving him a pointed look. He quickly moves to defend himself, “It’s a hot day, okay? An exception.”
“An exception,” You repeat, trying to hide your smile as you crack open the lid of your drink and take a sip. “What happened to ‘Cola has 50 grams of sugar in it. That’s the equivalent of eating two full bars of milk chocolate’?”
He pouts at your words, opening his drink and you watch as a few bubbles rise to the top of the bottle. He takes a swig of his drink, sighing in content. “Shut up.”
You laugh again once you officially enter the set, nudging Spencer with your arm teasingly. He nudges you back, rolling his eyes and poking your cheek. You retaliate by doing the same, swinging your drink as you walk. 
Before you could do or say anything else, Derek taps your shoulder. “Hey, I need to talk to you about something.”
Spencer’s brows furrow. “Everything okay?”
“Yeah, just wanted to cross reference answers,” Derek dismisses. 
“Let me pull up my list,” You respond helpfully, grabbing your notebook. “Hey, Spence, do you mind canvassing the rest of the crew? See if anyone pays any special attention on Lila?”
He nods at your words, moving towards Lila, sipping on his drink. In the meantime, you turn towards Derek, a curious look on your face. 
“Little Miss Madonna has been glaring at you since the moment you entered the set,” Morgan says quietly, his gaze flitting to where Lila was making coffee. 
You practically snap your neck as you look up in her direction, watching as she quickly fumbles to make herself a cup of something. You turn away and you could practically feel her gaze burning against your scalp. A frown makes its way onto your face and you resist the urge to roll your eyes. You glance over to where she and Spencer were talking, blanching when you watch as she takes a swig of his Cola.
“You don’t mind, do you?” You hear her ask as she drinks and Spencer hurriedly shakes his head.
A quiet scoff leaves your lips and Derek nudges you with a look that reads ‘behave.’ You lift your hands in surrender and follow him over to where Spencer now stands by himself, Lila gone to talk to some other staff member.
“An exception, huh?” You ask Spencer, referring to his aversion to germs and sharing food. Your tone is mostly teasing despite the underlying bitterness beneath it. 
“Shut up.” He mutters quietly, cheeks hot from embarrassment of being caught.
Derek snorts, clapping his shoulder before moving on.
***
The next day, you were going over the evidence that was provided by the LAPD. Considering that it was a relatively young case, there weren’t copious amounts of evidence, meaning that there were still untied strings to go through. The entire situation proved more difficult than necessary; no one seemed to notice anything  amiss when it came to Lila and her relationships, and considering that the actress wasn’t very forthcoming with the information she knew, you were hitting dead-end after dead-end. 
Although geographical profiling was more of Spencer’s expertise than yours, you figured it wouldn’t do anyone harm by triangulating the previous three murders. He was standing beside you, his presence not unwelcome as he guides you step by step on how to plot an understandable and accurate profile. Hotch had asked him to coach you through the entire situation and explain his point of view, as well as his thought process when it came to geographical profiling. With a comfort zone now clearly expressed, you were discussing probable suspects on the phone with Garcia.
“Will Hunter… currently the town hermit, previous criminal record of armed battery and robbery,” Garcia recites, and you pull up his file.
“Mm… maybe? No, I don’t think so. His crimes don’t match the UnSub’s profile. He seems to be messier, uh, tending to use bats and knives than a clean shot to the head. And the profile suggests that the UnSub is able to blend in with the crowd.” You hum in thought, turning to Spencer.
“Hermits like Will Hunter wouldn’t be able to do that,” He explains to Garcia, putting his file into the ‘unlikely’ folder.
Garcia sighs in frustration and you can hear her furiously type away on her computer. “How about–”
“Hold that thought,” Elle says quickly, cutting Penelope off apologetically. “(Y/N), did you know Lila’s here?”
You blink in confusion, slowly shaking your head no. “She’s here? I didn’t get any calls from her.”
Elle shrugs at your words. “She looks like she’s going to burn a hole through your head.”
Your brows furrow and your gaze shifts to the blonde woman through the office window. She has her arms folded over her chest, a scowl on her face, before her cheeks burn in embarrassment of being caught. Spencer follows your gaze, his face lighting up at the sight of the actress. It’s almost as if he has selective hearing when it comes to his celebrity crush, clearly not hearing the part where Elle points out that Lila has been glaring at you the entire time.
“Can we talk outside?” You ask Elle quickly, getting up from your seat, not taking no for an answer.
Spencer opens his mouth to say something before he shuts it, watching as you drag your other co-worker out of the room. Your attention shifts between Lila and Elle, your brows furrowing. 
“What is it?” You ask, your back turned towards the actress. “Why is she here?”
“She gave me a list of people who know what her favourite flower is,” Elle says quietly.
Your ears go red at her words, your eyes practically bulging out of your head. “Excuse me?”
“She called me yesterday,” she explains, handing you the list of people. “She said that she remembers who they were and came in today to give me a list of people.”
You scoff in disbelief, throwing your hands up in the air in frustration. “I gave her my card.”
“She called and asked for me.” 
You scoff again, rolling your eyes. “Oh, so suddenly she can remember everything when she talks to you, but nothing when she talks to me? She’s not very slick.”
The door behind you opens, revealing Spencer who has been listening in the entire time. His jaw is clenched and a frown is etched upon his features as he looks at you accusingly. 
“Maybe she just didn’t remember,” he points out harshly as you and Elle re-enter the room.
An incredulous look makes its way into your face. “Excuse me?”
“She didn’t remember, and now she does,” Spencer says, and from the corner of your eye you watch Elle slowly leave the room once more. The door closes with a soft click.
“That doesn’t change the fact that she went to Elle and not to me,” you respond, trying to keep your voice even and your words clear. You take a deep breath in an effort to calm yourself down.
Spencer scowls at you. “Maybe she has every right to go to Elle after you snapped at her the first time you tried to talk to her.”
“Are you– are you being serious right now?” A humourless laugh leaves your lips as you glare up at him. “Look, Reid, I’m sorry that I’m not her biggest fan and that I don’t kiss the ground she walks on, but I was doing my job. A job that I believe I am quite good at. It’s not like speaking harshly is unheard of when it comes to the retrieval of information.”
He flinches when you call him by his last name but he stands his ground. “If you were so good at your job, you wouldn’t have to speak to her that way,” he argues, and you can see the vein in his forehead begin to protrude.
His words sting and bite you and suddenly you feel your resolve snapping. “You know what?” The words are slow and deliberate as they leave your lips, and you jab a finger against his chest. “I get that you have a crush on her and that you’re finally going through puberty but that does not mean that you can ignore the job you are currently on.”
He swallows thickly and he opens his mouth to retaliate but you push your finger against his chest once more.
“I am not finished.” Your voice is low with frustration and annoyance as you scowl, glaring up at him. “I don’t care who you’re attracted to or who you want to sleep with. I don’t give a damn if that someone is victim in the investigation because it’s not my problem. I do, however, have a problem when you undermine my ability to do my job and do nothing to fix it.
The worst part is the fact that you’re my friend. You’re supposed to be supportive and helpful and– and– and understanding.” Your mouth is moving quicker than your brain can register and you’re stumbling over your words as you snap at him. “I’m supposed to be able to go to you if I’m going through something. I should be able to talk to you if someone or something is bothering me, but now I’m just afraid that you’ll call me crazy and then criticise me all over again.”
His face falls and he looks at you like a kicked puppy as the words slowly sink in. He reaches out to you, his hazel eyes searching your face but the only emotion that you’re showing is anger. You push his hand away, the frown set on your eyebrows. It’s only then when you realise that Garcia has been listening into the conversation the entire time, your heart lurching to a stop when you hear her cough on the other side of the line.
“Um… is now a bad time to say that I didn’t get any other hits for the profile?” She asks tentatively through the speaker, and you feel your face burning.
“I need air,” you announce to no one in particular, before grabbing your files and storming out of the room.
Elle catches your arm on the way out, her eyebrows knitted together in concern. “(Y/N)-“
“Hey. Sorry.” You bite your lip, loosening the grip you have on your papers. “Where’s Hotch?”
“With Derek and Gideon,” she says gently. “Lila got another note and we’re going to check on her manager. Do you want to come with?”
You exhale before nodding. “Yeah. That’d be good.”
“Okay.” She squeezes your arm gently, her eyes flitting between you and Spencer who was inside the conference room, pacing back and forth. “Is… everything alright?”
“Honestly? No.” You offer her a wry smile, shoving your files into your bag. “But it’s fine.”
She chuckles a little in disbelief, leading you to the black SUVs outside. Derek and Gideon were already there, waiting patiently for the two of you while Hotch has already left in another SUV. Apparently the ‘no profiling each other’ rule was thrown out the window as soon as they saw the state you were in, and Derek quickly makes his way over to you.
“(Y/N), are you–”
“I’m fine,” you snap, before closing your eyes tightly and letting out a deep breath. “Sorry, Morgan. I’m okay, just had an argument with Reid.”
At that, his eyebrows shoot upwards. “Since when did you call him ‘Reid’? And what do you mean you had a fight with him? He literally can’t say no to you.”
“Yeah, that was before a Miss Archer walked into the room,” you mutter bitterly. “Shot a literal arrow through his heart. She put her name to good use. I never stood a chance.”
“Hey now, don’t say that,” Elle says, climbing into the SUV. You follow closely behind and she continues. “He’s just confused right now.”
You can’t help but scoff. “I really doubt that.”
Gideon starts the car, looking at you through the rear view mirror. “You’re a profiler. What do you really think?”
The words die at your tongue and you deflate into the seat of the car. You hate to admit it, but Gideon is right. You should be able to figure out exactly what Spencer is thinking. After all, he’s your best friend– you shouldn’t have to be worrying about guessing games when it comes to him.
Hotch is the first to arrive at the manager’s office, watching as your group pull up in front of the building. Once everyone clambours out of the car, they enter the building, a sigh of relief leaving them as they enjoy the air conditioned lobby. With a flash of a badge, the receptionist is quick to tell you which floor and room number Michael was in.
“Floor 11, Room 03,” you mumble to yourself as you scribble it down in your notes.
The elevator ride is silent and you rock back and forth on your feet as the lift begins to rise. Your head is spinning with thoughts and regrets as you consider the harsh words that you spat at Spencer’s face less than an hour ago. You must not have been hiding your frustration well because Hotch finally says something. 
“Is everything alright?” He asks, much like a father would when their child is having a tantrum. It’s fitting.
You shrug. “I will be.”
“Is it to do with Reid?” 
You cough awkwardly, glancing back at the notes in your hand. “That obvious?”
Derek snorts from behind you. “Yeah, a little.”
“Everyone knows you’re in love with him,” Elle adds, a teasing lilt to her voice.
“I am– I am not in love with him!” You all but shriek, shooting her a half hearted glare and you stutter out a response. “I mean, I– uh– I like him but–“
“You are a horrible liar,” Derek cackles and you groan. 
Hotch and Gideon watch amused at the interaction, and the latter finally pipes in.
“Profiling isn’t something you can just turn off,” he explains to you, his tone gentle. He reminds you of a grandfather giving advice to their youngest grandchild, and a small smile makes its way onto your face. He continues to speak, “it’s subconscious and it becomes a habit. The only time it stops is when you either need it most, or when you don’t want to see anything.”
The elevator comes to a stop on the eleventh floor and Michael’s office wasn’t far away. The writing on the frosted glass reads ‘1103, Michael Ryer & associates, talent management’ and Elle raps on the door.
“Hello?” 
“Mr Ryer?” Gideon calls.
She knocks a few times again before opening the door entirely. “Michael–”
You’re met with Michael Ryer, dead in his arm chair and shot to the head, just like all the other victims. Despite having faced these circumstances before, you still feel sick to the stomach as you stare at Michael’s lifeless body and soulless eyes. It’s unnerving.
“Up until now every victim was a person who could be perceived as a threat to Miss Archer,” Hotch comments as they enter the room, pulling out his phone.
“Yeah, but Michael was a friend,” Elle says with a frown.
You look up from your notes. “He was a threat to the stalker.”
In less than twenty minutes, the LAPD dispatched forensics and evidence teams to the office. Lila and Spencer were on their way back to her house, deciding that it was best to deny the stalker access to her. You rifle through Michael’s belongings: his schedules, his files… everything until you come to one particular manila envelope. 
“Morgan, Elle, look at this,” you murmur, pulling the photos out of the envelope. “Pictures of Lila… nude.”
A flash of a grimace passes along Elle’s face, but it’s gone as quickly as it appears. “He was probably paying someone to keep them out of the press.”
“The name on the file says Joe Martinez,” Derek mutters, turning the envelope over.
The name must have struck a chord, because Detective Kim’s head immediately snaps around to look at you. “Paparazzo?”
You blink. “You know this guy?”
“Yeah, I deal with him a lot,” Kim responds, his face stoic. 
“We should follow that lead,” You comment, tucking the photos back in the envelope and looking over at Detective Kim and Derek. “I’m ready to go when you are?”
After an okay from Hotch, you, Derek, and Detective Kim make your way over to the Joe Martinez’s place. After knocking on the door to his place multiple times, Derek decides to open it in the way he knows best: by kicking it down. You grip your gun, holding it out in front of you as you travel through the hallways. 
“Clear!” You yell out upon pushing another door open, seeing nobody inside.
“(Y/N), you need to check this out,” comes Morgan’s call, and you follow the direction of his voice
Pinned above a small desk are picture upon pictures of Lila Archer. When she has lunch, when she’s out with her friends… it’s almost as if this person has completely documented her life. It’s a little nerve wracking, knowing that someone could follow you and take photos without anyone even realising.
“Hey is that–” you pause, pulling a piece of paper off the wall. “This is Lila’s schedule.”
Derek blinks in surprise. “I’m guessing he’s not supposed to have that?”
“No,” Detective Kim responds, and your gaze shifts to the table.
“Hey, isn’t that–” you feel your heart practically stop as you see who’s in the photos. 
“That’s Reid,” Derek mutters.
Kim shifts through the photos. “There’s a whole bunch of them,” he says, pulling out at least five or six print outs. “Is he a target now?”
Derek scoffs, throwing the photos on the table and pulling out his phone, making a beeline for the exit. “Not if I can help it.”
You and Detective Kim follow him out, making your way to the SUV. 
“Reid? Hey, it’s Morgan. Listen, you gotta watch your back over there, we just found a bunch of close-up photos of you at this guy Joseph Martinez’s studio. It looks like he could be the UnSub.”
As he speaks you feel your heart pound in your ears. Your head is dizzy with fear and you’re following after Morgan who’s walking unbelievably quickly. 
“He has a ton of photos of Lila and Nathalie plus a call sheet for Lila’s show,” Derek continues, the speed of his walk not wavering. “(Y/N) and I are on our way right now but I need you to be real careful until we get there, all right?”
You look down to shove your notes back into your bag when you hear it. The distinct vrooming of a motorcycle engine. You don’t think too much of it, only turning your head to look over your shoulder, your hand finding the handle of the car door. That’s all it takes for the motorcyclist to drive straight toward you and the others, pointing an arm out.
“Gun!” You manage to scream, just before the UnSub open fires, hitting Detective Kim. 
You dive behind the car, grimacing when your knee collided roughly against the pavement. By the time you manage to recover and grab your gun out of its holster, the UnSub is long gone. You stare as Morgan fires a couple shots before watching the motorcyclist ride off into the LA traffic,  and you turn to Detective Kim.
“You got hit. Where?” You ask, shoving your gun back into its holster.
He grunts in pain, his entire weight on the car as he groans out, “yeah, it’s fine. Just my shoulder.”
“Derek, call for help,” you order, pressing firmly at the wound with your hand to lessen the bleeding. He lets out a cry of pain and you wince. “Sorry, it’s bleeding a lot. Gunshot wound to the shoulder, no exit wound. Seeing as you’re not already dead, I don’t think it hit any major arteries, but it might have busted your collarbone. You’re lucky if that’s the extent of the damage. The shoulder contains a bunch of important and major bloodlines, as well as nerve endings.”
Derek turns to you with a wry smile. “You’re starting to sound like Reid.”
“You spend four years with him, you’ll start to learn a few things,” you respond with a humourless laugh. You continue to press against Detective Kim’s wound, murmuring an apology. 
“You should talk to him,” Derek prompts.
You scoff, “we have a detective bleeding in front of us and the thing you’re worried about is my love life?”
“Isn’t the first rule of relieving pain through distraction?” He asks. You shoot him an unimpressed look and he quickly nods his head. “Okay, sorry.”
Ten minutes later, Detective Kim is hoisted into the ambulance. You cringe as you wash his blood off your hands, once, twice, then a third time to make sure everything is gone. Your shirt has a couple of blood spots and you can’t help but frown; you liked that shirt. At least the stain isn’t too big– just a few splotches here and there. 
“It’s a good thing you held the wound,” an EMT praises, working quickly to secure Kim’s shoulder. “He shattered his collarbone, but you seemed to have managed to control the bleeding.”
If it weren’t for the circumstances, you would have shouted a clear ‘I told you so’ to both Derek and Detective Kim, but you keep your mouth shut.
Hotch, Gideon, and Elle arrive moments later, speaking to Derek about the detective’s injuries. 
“You okay?” Elle asks gently, squeezing your shoulder. 
“Yeah,” you murmur, wringing your hands together. “Just a little jumpy. I’ll be fine.”
“We need to get to her house,” Gideon mutters, glancing at the group. 
Without another moment to lose, you’re clambering into an SUV, gripping the steering wheel until your knuckles turn white. Elle climbs into the passenger seat beside you, her brows knitted together in concern. She opens her mouth to say something but shuts it, watching as you start the car and speed off into the direction of Lila’s house. 
After slamming the door shut and gripping the gun firmly in the palm of your hand, you follow Derek through the back entry of the house. You weren’t even sure if it could even be counted as a ‘house’; the place looked like it had at least five bedrooms on both floors. Derek glances at you, signalling to be quiet, then another to keep your eyes on him. A quiet splashing in the pool alerts your attention, and despite his attempts of getting you to not look, you do. And as soon as you do, you really wish you hadn’t. 
You are met with the sight of Lila Archer in her bikini-clad glory, in the pool with Doctor Spencer Walter Reid. Doctor ‘pools are incredibly unhygienic, harbouring more than 50 million different types of bacteria’ Reid. And as if it couldn’t get any worse, you watch as their lips touch again and again, his hands cupping her face and her hands arms around his neck. 
Spencer pulls away from the kiss, his breath heavy and his head spinning. This is wrong. He’s not supposed to being do this. His brain is short circuiting and it’s even worse when he considers all the germs that could be in this pool. His head spins with the names of viruses and bacteria that could be festering in the waters he was currently in, and then he remembers he has more pressing matters to attend to. Namely the girl who was literally pressing her lips to his. 
He pulls away, stammering over responses. “We can’t– we shouldn’t. I’m a federal agent and you’re–”
Lila stares at him, amused, with her hands cupping his neck. “There’s no one here.”
“I’m supposed to be protecting you,” Spencer tries again, anxiety gnawing at his stomach. This is wrong. Unprofessional. Then his mind wanders to you and the nagging voice in the back of his mind urges him to do something. 
“There are police out front,” Lila says, kissing him again before continuing, “there are coyotes out back.”
“This is completely inappropriate,” Spencer stutters out, his hands reaching for her shoulders. Her skin is cold from the summer night’s breeze, even more so considering how they’re submerged in disgusting chlorine-filled pool water. 
“This?” She presses her lips to his once more. “What’s this?”
“This isn’t–” he swallows thickly, his cheeks flared. “No, there’s this thing called transference–”
Lila pulls away, her stare drifting from his eyes to his lips as she asks, “you don’t like me?”
Spencer blanches at the question. “What?”
“You don’t like me,” Lila repeats, more sure of herself now. “It’s because of her, right?”
He frowns at the insinuation. “‘Her’? Who’s ‘her’?”
“The other person on your team,” Lila says, her words bitter. “You like her don’t you?”
His mouth goes dry and he opens and closes it like a fish out of water. “What?”
“Let me change your mind,” she whispers, bringing her lips to his for the nth time. 
Spencer barely has time to react, his hands moving to the side of her face and he imagines that she’s you. But she’s not you and you would never kiss him in the middle of the pool. You would never pull him in by his tie and cut him off when he’s speaking. He pulls away. 
“Stop. Stop, Lila, I’m sorry, I have to– I have to tell you something.” His mind is blanking. Why is it that when he needs it, his brain shuts off?
“What?” Lila asks, her lips moving to his cheek and then to his jaw. 
“I didn’t want to tell you this before because I was a bit worried.” He’s screaming at himself in his head, kicking himself because ‘why the hell did he just say that?!’ Regardless of the way he wishes he could shut his mouth and run out of the pool, he continues, “I don’t know how to say it but I can’t not tell you.”
“What is it?” She finally pulls away and Spencer lets out a breath of relief.
The relief is short lived because he starts to blab, “Your manager, Michael–”
“What?”
“Gideon went to check on him but he got there too late.” Spencer thinks he’s going to hurl, his mind running a million times an hour and screaming, ‘No you idiot! No, no, no! Out of all the things you could say–’
Lila scrambles out of the pool, clearly distraught, and he reaches out to touch her arm… only to be swatted away with her sobbing and telling him not to touch her. He figures he deserves that and follows out of the pool after her. 
“How could you– how could you not tell me?” Lila demands, her tears mixing with the pool water already on her face. 
“I was afraid you’d be upset,” Spencer says lamely, water dripping from his trousers and he just wants a towel. 
“You– you knew what you knew and… how could you not…?” She’s on the verge of hyperventilating and she looks at him before looking away. 
“I’m sorry,” Spencer says quietly, not knowing what else to say.
Lila retreats into her house, shutting the glass sliding door behind her and Spencer can only watch as she throws a pillow at the wall before going up the stairs to her room. He stands there, in the cold, dripping wet from the pool water and he wipes his face with his hand. His gun sits on the table, damp, and he has the urge to scream. Before he could do something exceedingly stupid, the sound of footsteps alert him and he spins around. 
“Elle?”
“We found him in the bushes,” she says to Spencer, nodding to the guy being cuffed by Derek. 
“I told her she should cut those.” He says dismissively, wiping his gun with a towel. He looks at her and then at you. He swallows thickly, noticing the way your eyes look him up and down, the disapproval oozing in your stare. “I– uh– I fell in.”
“Yeah,” you respond, holding the camera up and a sarcastic smile blossoms on your face. “I’m sure there are plenty of photos of it.”
He sighs, “(Y/N)–”
“Hey, stop shoving me, man!” Joe snaps as Derek pushes him to walk forward.
“You’re a suspect in the murder of Wally Melman, Natalie Ryan, and Jeremy Collins.”
You watch as Joe’s face comically contorts from annoyance to confusion as he jumps to defend himself. “Murder? What? Whoa! Whoa, whoa, whoa–”
“Just shut up with the ‘whoa’. We know for a fact that you have hundreds of photographs of Lila Archer and Natalie Ryan on the walls of your studio. You have Miss Archer’s daily schedule on your desk. You’ve been stalking her.”
“Look, guy, hold up. Every paparazzi’s a celebrity stalker,” Joe says and the rest of the group turn to look at him incredulously. He continues to speak undeterred. “If you don’t stalk them, you don’t get the shot, and if you don’t get the shot, you don’t sell no pictures.”
“Yeah, well this one’s gonna cost you,” you hum, holding the camera in your hands and ripping the film out despite his yells of defiance.
Derek steps forward, pushing Joe to keep him walking. “Tell it to your lawyer.”
“Wh– I’m still being locked up?”
“That’s right, at the very least you’re trespassing.”
Elle and Derek walk Joe out of the premises, and you push the pulverised film against Spencer’s chest. He grips it in his hands, a soft ‘oof’ leaving his lips at the contact. 
“You’re welcome,” you mutter, albeit a little bitterly, as you turn to follow the rest of your team out.
“(Y/N), listen, it didn’t mean anything,” he says softly, squeezing the film in his fist tightly while the other hand reaches out to you. 
You roll your eyes, opening up the sliding door. “I told you, Reid, I don’t care who you sleep with.”
He splutters a little, pushing his hair away from his face. “We didn’t– I didn’t– we didn’t sleep together, you know that.”
“Even more reason why I shouldn’t care.”
His hand grips onto your shoulder, turning you around so that you’re facing him. “But you do. ‘Shouldn’t’? You care. You clearly obviously care, (Y/N).”
“I don’t,” you deny, pushing his hand away. “Reid–”
“Stop calling me that.”
“–it doesn’t matter. I don’t care. I’m leaving.”
He grabs onto your arm, stopping your retreat. “Why are you being like this?”
“I am not ‘being like’ anything!”
“(Y/N).”
“Doctor, this is highly unprofessional.”
He has to stop the frustrated groan that was moments away from leaving his lips as he stares at you. His eyes ghost over your frame, stopping directly at the dark red splotches on your shirt.
“What happened?” He demands, taking a step closer. “Are you hurt?”
“I’m fine.”
“Who’s blood is that?”
“Detective Kim’s.”
“What– were you shot at?” 
His hands fly to your face, trembling and cold, and you would have thought it was romantic if he didn’t do the exact same thing less than twenty minutes ago with another girl. 
“It doesn’t matter,” you dismiss quietly. 
“Don’t say that.”
“God, you act as if we’re dating or something!” You snap, pulling away from him. 
He stops short, his cheeks and ears reddening at your words. His mind goes blank and suddenly he feels very warm at the idea. Dating you? Every moment he had with Lila in that pool is nothing compared to the idea of dating you.
He watches as you roll your eyes before tugging your arm out of his grip. He wants to cry out again, to say something, but his head just seems to repeat the words ‘we’re dating’ over and over again. 
“Just forget it, Reid.” You look to the house and your gaze grows steely once more. “Your girlfriend is calling.”
*** 
“I want to try and talk to some of Lila’s close friends,” you say to the others after getting off the phone with Garcia. “According to Penelope, there’s a girl named Maggie Lowe on the list that Lila gave us and they’ve known each other since college. Apparently, they spent a lot of time together and Lila helped her get a job.”
“I’ll go with you,” Elle says instantly, climbing into the car. “Why Maggie?”
You start the ignition, backing out of the driveway and onto the main road, following the GPS directions. “They spend almost all of their time together. I mean, she must have noticed something off, you know?”
Elle nods slowly in understanding. “She knows about the red anemones, right?”
“Yeah. And she was the one who found the note taped to the door.” You pause, thinking through the evidence again. “Her apartment is right in the middle of the comfort zone.”
“You think she could be the UnSub?”
“It all seems too convenient. But then again, we didn’t profile the stalker as a woman. There have got to be some inaccuracies or things we overlooked because of the gender,” you murmur, stopping at a red light. “Call Garcia for me.”
The phone rings once before Penelope’s unmistakable voice chimes through. “Speak my pretties, and you shall be heard!”
“Hey, Pen, can you check what vehicle is registered under Maggie Lowe’s name?” You ask into the speaker, parking in front of the apartment.
“Checking, checking… aha! It’s a Honda Motorcycle, she just got it serviced six and a half months ago.”
“That’s the vehicle that the UnSub was driving when they shot at us,” you mumble in realisation. “Call the others, the UnSub might be Maggie Lowe. We’re checking the apartment now.”
“Gideon and Derek are at the art gallery to talk to Parker Dunley,” Elle points out. “I’ll let them know we’re at her apartment.”
There’s a typing on the other side of the line and Penelope chimes in once more. “Bad news, my loves. The cameras report Lowe’s motorcycle leaving the apartment complex half an hour ago.”
“Garcia, call Reid and tell him what we know. Elle and I are going into the apartment. We might find evidence or clues on who the next victim might be.” 
With that, you hang up, getting out of the car and running up the stairs with Elle hot on your heels. 
“Maggie Lowe?” You call through the door, knocking once then twice. 
You’re met with silence and you grimace, deciding to do Derek’s favourite move: kicking the door down. With a crash, the door slams open and you grip your gun a little tighter in your hand. Bathroom, clear. Kitchen and pantry, clear. Lounge, clear. Bedroom, clear– you stop short. Pictures– framed pictures– of Lila hung around the wall. A cork board with newspaper clipping and magazine cut outs were pinned meticulously to the cork backing, each one with Lila’s face and name circled with bold red marker. 
“Holy shit…” Elle whispers, holstering her gun and staring at the wall. “This is… this is beyond obsession.”
“You’re telling me,” you respond, putting on a blue glove and flipping through the cork board. “Call the others, Maggie is definitely the UnSub. Someone this obsessed must have…” you pause, filing through the desk on the other side of the room, “… a diary. Each murder was described to detail in each entry, as well as her feelings towards Lila.”
Elle grimaces as she looks over your shoulder to read the diary entries. “Grim.”
You huff out a laugh. “Yeah.”
Above her desk are images of Lila. Every single show she’s been in since Julliard, every time she was mentioned in an article, posters, newspaper clippings of the murders… the entire ordeal makes you feel sick. 
Elle sucks in a breath, staring at the desk. “She’s got Lila’s entire life documented.”
“And she’s probably already at Lila’s house,” you mutter, grabbing your phone. “We need to get over there, now.”
*** 
“The city of angels everything you thought it would be?” Derek asks amusedly, leaning against the wall of the jet as he watches you pour your third cup of coffee in the past three hours. 
It’s a couple days after Maggie Lowe was apprehended and the team were on the jet home getting some much needed rest. The aircon was put on full blast and you couldn’t be more grateful for it, enjoying the coolness on your skin in contrast to the hot Los Angeles weather. 
“I’m never coming back here,” you quip, your gaze shifting to where Spencer sits. He’s reading a book but he hasn’t turned a page for the past thirty seconds. “If I were to overthrow America, Los Angeles is the first place to go.”
Derek snorts, his eyebrows raising. “You don’t mean that.”
“I do,” you huff, finally looking at him. “I’m serious!”
“Sure kid. Totally believe you.”
He’s teasing, a knowing smirk on his face as he watches you chug the coffee with a grimace. Your tongue burns and you fill the cup with water and chug that as well, ignoring the amused look Derek keeps sending you. From the corner of your eye you see Spencer reading his book. At least, it would appear that he was reading to someone who didn’t know him. But you know him. He’s been staring into the pages for the past minute now and that alone was enough to let you know that he was paying more attention to your and Derek’s conversation than to the words on the page. 
You resist the urge to roll your eyes as you sit beside Elle who is already fast asleep. You envy her for a moment as she leans against the plane window, blissfully unaware to your mental torment. Stupid Spencer and his stupidly pretty face. From where you’re sitting you can see the back of his head and you glare at that the ridiculous mop of brown on his head. 
The rest of the plane ride is uneventful and by the time you make it back to the office it’s already late. It’s nearing one in the morning and everyone begins to head home. Derek is yawning as he leaves the office and Elle has a look that screams ‘Don’t talk to me’. Gideon is long gone and Hotch was in his office, packing up the last of his papers and files. 
Spencer is sitting at his desk, combing through the paperwork and stashing a couple pages into his satchel. He bids farewell to Derek and the others before shoving his train pass into his pocket. 
“You’re taking the train?” You ask, finally speaking to him.
His eyebrows raise in surprise and he shifts on his feet, gripping the strap of his bag. “Um, yeah. I took the train here, so...”
“Oh.” You nod, glancing at the clock. “No you’re not.”
He huffs out a laugh. “What?”
“You’re crazy if you think I’m letting you get onto a train at one in the morning,” you say, pointing with your chin to the elevator. “You might be a man and all, but it doesn’t change the statistics.”
You know his weakness. Statistics. Facts. Spencer hates the fact that you know him so well. 
He relents, getting into the elevator with you. “I thought you were mad at me.”
He hears you scoff, pressing B1 on the elevator. “Just because I’m mad at you, doesn’t mean that I’m going to let you do something potentially dangerous.”
He hates the way your words makes his heart flutter and he continues speak. “I didn’t mean to make you upset.”
“It doesn’t change the fact that you did,” you respond curtly, watching as the elevator doors open. “Come on, my car is that way.”
Spencer flinches at your tone. “I’m sorry.”
You laugh. “You don’t even know what you’re sorry for.”
“I–” the words die on his tongue as he wracks his brain. “I thought it was because you didn’t like Lila.”
“That’s true,” you murmur, unlocking the car. “Look, Reid–”
“Please,” he cuts you off, his voice cracking as he practically begs. “Please stop calling me that.”
He doesn’t miss the way your eyes flicker to him as you tug the car door open. “You want me to stop calling you by your name?”
Spencer’s nostrils flare as he gets in the car. “You know that’s not what I mean.”
You laugh again as you start the engine, glancing at the mirrors. “Everyone calls you Reid. It shouldn’t be any different for me.”
He huffs. “But it is different. You’re… different.”
“How?” You challenge, backing out of the parking spot and getting onto the main road. You’ve memorised the route from Quantico to Spencer’s apartment in DC– an almost one hour drive and you understand why Spencer hates driving to and from work. 
He falters before shaking his head. “It doesn’t matter. Just please don’t call me by my last name again.”
“Spencer,” You try again, missing the visible relief in his eyes, “I’m not mad at you because of something as miniscule as a girl. You’re entitled to your own relationships outside of work.”
“I don’t under– oh.” The realisation dawns on him when he recalls all the words you threw at him at the precinct. “I wasn’t a very good friend, was I?”
“No, Spencer, you weren’t.” You don’t hesitate to say it and Spencer winces at how quickly you agree with him. “You were unfair and let your emotions get in the way of the case. You criticised me and undermined my authority and then you had the absolute nerve to act as if nothing was wrong.”
“I’m sorry,” he croaks out, the lump in his throat getting bigger. 
“It hurt, Spencer,” you say, and your voice cracks as well. “It hurt because you’re my best friend and I would have supported you through everything. You know that. And I get that friends fight, but I thought that we wouldn’t fight about something as stupid as who you hook up with.”
“I didn’t hook up with her,” Spencer says quietly, and he thinks he might cry. “I’m serious, (Y/N), I didn’t hook up with her. She kissed me–”
“It doesn’t matter.” Your gaze shifts to him for barely a second before it’s back on the road. “Like I said, it doesn’t matter who you’re attracted to. I just didn’t think it would effect our friendship.”
“I’m sorry,” Spencer says again, holding onto his bag. 
You’re quiet before continuing, “ I know you are. I know that. I’m sorry that you thought that you needed to justify your feelings to me.”
He swallows thickly, watching your face carefully. You didn’t do anything to make him feel like he had to justify himself. If anything, it was Spencer’s conscious that made him feel the need to explain himself. The guilt that he felt after kissing Lila was enough to get him to feel sick. The guilt that he felt after knowing how badly he hurt you was enough to make him want to grovel at your feet. 
“You didn’t do anything wrong,” He mumbles, wetting his bottom lip. “You had– have– every right to be upset.”
“I don’t want to be upset anymore,” You say as you continue to drive down the freeway. 
He’s quiet before he finally says, “I miss you.”
“I miss you too.”
He swallows the lump in his throat and he presses the pads of his fingers into the corner of his eyes. “I’m so sorry.”
You finally park in front of his apartment, leaning against the chair. “I know. I know, I’m sorry too. I said… a lot of things.”
“I deserved it,” he says, a small laugh leaving his lips as he finally looks at you. “You’re right, I wasn’t being fair.”
You hum, leaning over the console to give him an awkward hug. He presses his nose into your shoulder, breathing in your vanilla perfume. His arms wrap around your middle and he realises how much he missed this. How he missed being close to you. 
“I won’t do it again,” he promises. 
“I know.”
“I really am sorry.”
“You need to stop apologising.” Your words come out like a laugh and he realises how much he misses that sound too.
“I’ll make it up to you,” he says into your shoulder. “Coffees for a month. I’ll even get you those croissants you like, even though they’re really overpriced.”
You laugh again and he smiles. 
“You apologising is already good enough,” You say, squeezing his arms. “Now go get some rest, Spence.”
His smile widens at the nickname and he finally pulls away. “Good night. Thank you for driving me home.”
You smile back. “Good night. Don’t mention it.”
The next morning, you find a steaming coffee on your desk and a freshly baked croissant in a brown paper bag. Spencer waves at you and you can’t help the goofy grin on your face as you take a bite into the croissant. 
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sweatervest-obsessed · 2 months
Text
Discretions and Devotions
Pairing: Spencer Reid x Reader
WC: 1.2k
A/N: Decided to make this a mini series, in terms that the chapters will be short, but still entertaining since the idea of this makes me giggle. (Gender Neutral Reader btw)
Part 1: Hangovers and Hickies
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Supervisory Special Agent Derek Morgan was on the case.
Obviously, something was going on between you and Spencer. That much he could deduce. But to what extent? For how long? 
Since he needed these questions answered, he would require backup from his favorite girl.
“Enter and be known.” Rang out from behind the door when Derek knocked on it. He swung the door open and closed it behind him.
“Babygirl. Put your detective cap on.”
Garcia swiveled around in her chair and raised an eyebrow.
“I think Y/n and Reid are sleeping together.”
Garcia’s eyes lit up. “What’s your proof.”
“Well, Y/n came in today with a hickey and was completely hungover. Then Spencer brought in McDonald’s and Dunkin as a hangover cure—“
“They could’ve just texted one another Derek, you know that he’s completely smitten and would’ve just taken it upon himself to cure their hangover…”
He shook his head. “Let me finish. Then Y/n said that it was Reid’s fault that they ‘were like this’. Plus, both of them are wearing scarves or sweaters with neck coverage…” 
Garcia's mouth dropped open. “No…”
Derek nodded and crossed his arms. “And Reid started blushing because of whatever Y/n said, but then ran away before I could ask him any questions.”
“Oh, so they’re sleeping together.” Garcia nodded along with Derek.
“Exactly, but they won’t say anything about it.”
“I love you, but no. If this was the first time, why would they want to talk about it at all, but….If this has been happening for a while then it’s a secret. And I always uncover secrets” Penelope stood up, and all but stomped out of her bat cave and down to the bullpen, where you were feeling much better, having eaten some greasy foods to combat the headache.
“Where’s the fire?” You looked up as you saw Garcia headed over to you.
“Are you sleeping with Reid?”
“Woah. First off. Don’t go screaming that question in the middle of the bullpen.” You crossed your arms. “Second, who said I was?”
“You’re deflecting. So it’s true?”
You rolled your eyes. “Pen. I said that it was Reid’s fault I was drunk last night. But that’s where that ends. One of his papers just got nominated for some award and we went out to a bar to celebrate. I’m a good friend. And then, somehow, I had a bunch to drink, which caused me to flirt with some guy, and then take him home and uh….he went a little crazy with the whole hickey thing so…” You raised your eyebrows. “Can I give you any more information to give to Derek or is that enough.”
“Hm.” Garcia's lips twisted slightly as she looked you up and down, trying to decide if you were telling the truth.
“Garcia I love you but can you profile me at a different time, I have a consultant call in five.”
She sighed but nodded. “This isn’t over.”
“I didn’t think it would be.” You grumbled and turned back around to your computer.
————————————————————————
You were able to avoid conversations with Garcia and Morgan for the rest of the day, which was nice considering you didn’t really want to talk about your sex life in the bullpen for anyone to hear.
Especially since the opposite party would be within earshot.
But that didn’t stop Garcia and Morgan from trying their damndest to get you or Reid to talk. At some point during the day, you were sure you saw Derek corner Spencer into a closet, which ended poorly since clearly he was not given the answers he wanted when you saw Spencer walk by earlier with a smug look on his face.
You decided to leave about half an hour earlier since you came in early. It worked out nicely and you were able to enjoy the walk to the subway by yourself, listening to your music and enjoying the fresh winter air.
The peace was interrupted when someone sat directly next to you causing you to look up with a pissed-off look on your face, that quickly melted into something a lot happier.
“Hey, you. I thought you were going to stay late today.” You smiled up at him and kissed his cheek. He shook his head and took your hand in his.
“I was but then getting chased around by SSA Tweedle Dee and Technical Analyst Tweedle Dum made me want to leave as soon as I could. Then I decided on it when Derek cornered me in the bathroom. Plus you left early and I’d rather spend time with you.”
Your eyes widened. “The bathroom?”
Spencer nodded and rolled his eyes.
“They’re persistent, that’s for sure.” You grumbled. 
“Well, considering how long it took them to figure out that the possibility of us being together was real, I think we’ll be okay.” He murmured, kissing your hand.
“Those two could leave no rock unturned and still find nothing but sand.” You snorted. 
Spencer laughed and squeezed your hand.
“I mean.” You sighed. “Today was a close call. Not that hiding is a bad thing or anything, like I know we’ve talked about it a lot, but still sometimes I get worried about if we’re ven doing the right thing or—“
“You’re starting to sound like me.” Spencer laughed softly, cutting you off. “But I get it. We slipped up.”
“We?!?! Excuse you. I think you mean you slipped up. You went a little crazy on the neck there Spencer.” 
“I don’t know what you’re talking about.” 
“I could slap that stupid grin off of your face Doctor Reid.” 
The two of you looked like two good friends, maybe something more if an eagle-eyed observer was searching for it, but nothing more. It was a science the two of you had perfected in case you were spotted together by someone from the team, or really anyone that was willing to snitch to them. 
“I don’t think we’ll be able to cover for much longer though. If Derek suddenly remembers how good he is at his job then we’re fucked.”
“Royally.” You agreed and rested your head on his shoulder.
The two of you sat like that for the rest of the ride, only moving to get off at your station.
You and Spencer took your time walking home, even though it was cold out. The sun was shining, which was rare enough as it was, which made you feel a bit better. Eventually, you made it back to your shared apartment where Spencer put in the code to get you both into the building.
You and Spencer were a minimal PDA couple, not because your relationship wasn’t very well known, but because neither of you felt the need to be overtly touchy with one another.
But today, with the sun, and the enjoyment of the fact that Spencer was home earlier than promised got to you. And before you entered, you kissed him softly on the lips, enjoying the feeling.
This was your fatal mistake since at that exact moment, one Emily Prentiss drove by and saw the whole thing. 
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heartthrobin · 1 year
Text
please love me, like the wave does the shore
aaron hotchner x female!reader
wc: 7.9k
warnings: fake!dating, SO much pining, mentions of murder, only one bed, Hotch is very whipped lol, this is so cliché it should be a crime
an: the moment y’all have been waiting for! i hope you kids enjoy! this will probably become a lil series so stay tuned for part 2 :)
summary: murders along the glistening white coast of Cape Cod was not a good look for anybody. especially not the BAU. the case needs a turn around, a big break, but most importantly: a Mr and Mrs.
Portraits of grinning faces watched you from the whiteboard.
Women’s eyes twinkling. Husband’s grinning to the camera. At their wedding, in the woods during a camping trip, on a birthday.
"We have fucking nothing!"
Names and dates lined the edges of what used to be treasured memories in red marker. Memories each couple was not around to remember anymore.
"We have the profile." Hotch's voice was stern. It made the hair on your arms stand on end.
Outside, the ocean crashed loudly against the shore. Seagulls gabbled in the distance near the dock.
"You know that's not enough."
Chatham was one of the most influential and wealthy suburbs in Cape Cod, if not the whole state. Discovering strung out bodies on the crisp white beaches almost five times that month wasn't fitting for the shoreline that housed some of the most elaborate mansions in the county.
The BAU had been in Cape Cod for nearly three weeks. Two weeks too long in the bureau's opinion: a view shared by the team.
Derek slammed his hand loudly against the white board, over a photo of a tall, cream, wood-boarded resort sprawled over the edge of the coast. Seagull's Rest: Couples Retreat and Spa.
"Seagull's Rest is the only place that connects them.” He huffed, pressing his finger into the printed photo. “Every day that passes is another honeymooning couple that's in danger."
Emily sighed somewhere behind you. David lingered by the edge of the desk where Spencer was driving his eyes over some Greek mythology textbook, working the human sacrifice angle he’d been insistent on sharing with you over coffee that morning.
Police chatter busied the space between you and the other agents.
"Morgan," you pressed, "we have no idea what that even means. It could be maids, spa staff ... for all we know, it could even be other guests."
The room was warm, bright: through the window you could overlook the ocean. A scene too beautiful to deserve the blood painted across it’s portrait.
Nights dissolved into mornings at the sheriff's station. Coffee mugs finding purchase in the maze of photos, medical reports, staff lists: all leading back to the one place all four couples were spending their vacation.
"You know what this means, don't you?" David's voice carried over from behind you. You turned to face him, his gaze set hard upon Hotch's.
The team leader's jaw was tight.
He looked like he was considering David's words closely, sucking in a breath like it hurt him to do so.
Emily's chair squeaked where she leaned forward in it, "What is he talking about?"
Hotch's narrow eyes turned to face the team again. "We need to go in. Work the case from the inside."
"Undercover?" You probed, jaw loosening in surprise.
The team hadn't worked an undercover project in almost two years. Everyone understood that they were a last resort, when general good-old detective work wasn't doing the trick.  
Hotch nodded stiffly.
"We're gonna need a couple to go in. Two of us. The pair has to match the preference of the unsub."
There was a heavy quiet before a collective understanding, a collective resignation.
"Fine." Derek nodded. He turned to face the board again. "The husbands, what are we looking for?"
"Alpha males, domineering personalities." David lifted a photo off the desk, examining it closer. "All high-power careers, wealthy. They have a handle on these women. Other couple's in the course with them reported the husband being out of touch, unaffectionate."
Spencer rose to stand, "But no specific physical traits. Unlike the women, they share a specific appearance: the hair, the height, the body shape. They all look like—"
Cold passed over your whole body from the highest point on your head. Like ice water had flooded your shoes.
"Like me."
Teeth sunk into the corner of your lip, the metal taste of blood nipped at your tongue.
It was impossible not to feel the weight of the team’s gaze, how they flickered quickly between where you sat and the photos against the board.
Spencer shrugged, nodding slowly. "Yes, like you."
You chuckled softly, missing most of the humor in the situation as you sunk further back into your chair. "I guess that's settled then."
It wouldn't be your first time working undercover, but you couldn’t say you were as experienced as your colleagues.
You'd joined the BAU last, working every possible hour and chasing down every possible lead to try stay in one of the most coveted positions at the bureau.
It definitely wasn't the easiest thing you’d ever done.
Yes, the team was welcoming - Emily worked hard to make you feel at home, empathizing with you about the difficulty of transitioning into such a team: a team that knows each other's every move and every thought before they themselves have moved or thought - and Spencer was always a friendly face.
Derek was considerate and David was a genius in the line of duty, a marvel to watch work.
What really made it difficult, was Hotch.
In the beginning, he was wary of you. You could feel him lingering when you worked, every decision you made or observation you gathered was held under the magnifying glass of Aaron Hotchner.
With time, he eased up. Trusted you with more, scrutinized over less.
It was then that the next - considerably more concerning - problem began, when you began to miss having his presence over your shoulder.
When your eyes began to linger over his hands where they rested on his holster, or fixate quietly when he brought that steaming morning mug to his lips - sipping oh, so gently.
You were so sure he'd kiss with the same tenderness. The thought kept you up at night.
The feelings you so embarrassingly held for your boss were pushed deep into the corners of your brain.
You felt secure in the knowledge that you acted as casual as possible. Nobody had mentioned anything, and the thought of Hotch ever catching even an inkling of an idea would be enough to never walk back into BAU headquarters ever again.
The only person who really knew anything was Emily.
It had slipped after a drunken night out, on the couch in her apartment, your fat tears staining her blouse: "he's so fucking hot I can't do this!"
And there he was. Silhouette dark against the cast of the sunlight through the window, looking down at you from his towering height. "You're sure you're ready for this?"
His voice wrapped carefully around your throat and you almost choked on its softness.
You coughed instead. "Ready as I'll ever be."
He nodded once, turning back to Derek. "The male?"
Derek shook his head, "Rossi and I went over there a couple days ago to question the owners. They know we're FBI."
The room turned to Spencer, who blinked big hazel eyes at the room innocuously.
You did little to suppress the giggle that bubbled out from your chest. Your heart knocked loudly when you felt Hotch's eyes flicker over his shoulder back at you.
"You wanna be our dominant alpha, Reid?" Emily's lips tugged into a playful grin, clicking the end of her pen loudly.
Soft laughter permeated the room, David knocked Spencer’s shoulder teasingly.
Spencer flushed a light pink, his gaze finding purchase at the open space between his two feet. "Yes. Very funny."
It took more than a few seconds for you to realize that without Spencer, there stood only one other possible candidate.
Your eyes climbed the length of Hotch's long black blazer sleeve. When you reached the top you found him already looking at you. You shivered.
"I suppose that means it’s me then."
Purposefully avoiding his gaze, you found Emily staring right at you - a grin curling up at the corners of her mouth.
"Mr and Mrs Hotchner." David chirped, a mischievous edge to his words. "Congratulations."
You managed to squeak out a sarcastic "thanks Rossi" but Hotch stayed quiet. It made you want to sink into the crevice of your desk chair.
Instead, he turned back to Spencer.
"Get Garcia on the line. She needs to set up aliases and get us registered for the next couple's course as soon as possible."
Spencer nodded once before disappearing into the next room wordlessly.
Next, he turned to you - sucking all the breath out your lungs.
God, he made it so hard to act normal when he showed up in that fucking suit and that perfectly professional haircut.
"I want you to go over the backgrounds of the women again. Get a feel for the unsub's preference, there may be a personality type that he likes best. I'll do the same with the men." You nodded, going to stand and finding yourself always just a little too far from his chest.
"While we're away, the rest of you need to work off the intel we feed. Let's solve this before there's more bodies."
Agents began moving in every direction: out the door, back towards boxes of evidence, but Emily crossed the room to you: eyes wide and alight with mischief.
She grabbed your hand, pulling you from the room and leaving Hotch behind. "This is going to be so fucking good."
Your stomach churned.
-
Just shy of two days later, you found yourself sitting in the front seat of a Mercedes Benz - god knows the bureau has its ways - only two streets down from Shellshore drive, where tucked into the curve sat Seagull's Rest: the beautiful lodge on the Cape Cod coast that offered couple's courses for new and old marriages that delve into the depths of the soul and connect partners in love and touch.
At least that's what the pamphlet said as it stared up at you from your lap.  
It sat at the top of the stack of case files, documents and photos hidden beneath. You pulled out the ID from the midst of the stack.
The photo you'd taken the previous afternoon glimmered up at you: Mrs Eleanor Thompson.
With less than a couple inches of space dividing you, in the driver's seat, sat Hotch.
Penelope was talking over the car speaker.
"I signed you guys up for the Honeymooner's Retreat. It's six days long, but I'm sure you'll be out by then. There are five other couples doing this course with you, you'll find their names in the documents I sent. All their records are clean."
"Garcia, I want you to cross reference all the course instructors with anybody who has—"
Hotch's voice faded from your surroundings, your brain stuttering electrically as your eyes raked over his outfit.
A tight fit black polo that was hugging his chest and chino pants begging for relief over those long thighs.
The last two days had been painful.
You'd slept almost nothing: tossing and turning for hours over the idea that you'd soon be in much closer proximity to Aaron Hotchner than you'd ever been. Too close.
Emily had tried to calm you down, "just ... focus on the case, okay? whatever happens happens."
It was easy for her to say.
Her legs didn't liquify every time Hotch sent small praise her way, like they did on you, and she didn’t have flashing images of taking care of him in the way he never does himself plague her in the small moments of quiet throughout her day.
Making him breakfast, or taking his blazer off after a long case ... undoing the buttons down his shirt—
"They're expecting you for check in at five o clock."
Your eyes found the digital clock on the dashboard, it blinked red at you: 16:47
"Thank you Garcia."
"Yeah," you added quickly, "Thanks Garcia."
"Good luck lovebirds." The teasing lilt in her voice did nothing to calm the high power washing machine your stomach had transformed to.
Heat rushed over your face.
You could feeling Hotch watching you from the corner of his eye. "Are you sure you're ready to do this?"
Sliding your stack of pages into the Louis Vutton handbag at your feet, you forced a smile to press up into your lips.
"To marry you, Hotch?" You feigned a soft sigh, "I've only waited all my life."
The bubbling in your stomach simmered only slightly when Hotch rolled his eyes, what was almost a smile teasing at his lips. "I'll take that as a yes."
The car rumbled to a start beneath you, the expensive engine purring.
"We know what to look for. Keep your eyes on the guests, the instructors, anybody we interact with."
It was hard to focus on Hotch's advice when his wide hands were gripping the steering wheel so tightly.
But you nodded anyways.
It felt like less than a few seconds before the car was being pulled into a luxurious white cobblestone driveway. A sign etched in ivory-coloured wood overhead marked the road: Welcome to Seagull’s Rest.
Bellboys stood in the distance under a grand arched entrance in cream uniforms, luxury cars stretched out in every direction of the parking lot.
The car rumbled to a stop. A valet attendant was already approaching before you’d even a second to gather what was left of your courage.
Hotch turned to you, slow and deliberate as was his manner, leaning precariously over the console. "Remember, we're being watched."
The door opened abruptly on your side, you glanced up to meet the face of the young man holding open the door. He couldn't be older than twenty.
He smiled. "Good afternoon and welcome to the Seagull's Rest."
Your eyes flickered back as Hotch climbed out from the other side, you smiled up at the boy before lifting the end of the olive-green sundress you'd been coerced into wearing and stepped out.
Hotch had rounded the car before you'd even straightened out. He tossed the keys at the attendant.
You were taken aback by how quickly he could escape his usually impeccable manners.
"Be careful with the luggage. There's things in there worth twelve times your salary."
You sucked in a sharp breath when he took your hand into his, sliding his fingers between yours. His palm was pressed so firmly you thought you might collapse.
He made matters worse when he cleared his throat loudly, "Come on, honey, let's go."
The reception was a bright open room, preceded by a tall oak arch, and a high ceiling loomed over the expensive wood of the front desk.
A small framed woman stood behind it, smiling as you approached. "Good afternoon, welcome to Seagull's Rest."
Hotch only nodded curtly in greeting, pulling you abruptly up against his side so that his hand wrapped over your waist. You only hoped he couldn’t hear your heart thumping hysterically against your ribs.
"James and Eleanor Thompson." He grumbled, "We're here for the Honeymooner's Retreat."
"Of course sir, if I could see some identification please?"
Hotch slid over the two fake ID's and the woman began to tap away at the computer.
Your eyes slid up to the view from the window beyond the desk, how the sun was almost setting over the ocean visible through the crystal-clear window.
Unsure if it was driven by purpose or simply instinct, your arms snaked up to rest around Hotch's hips, letting your head lull against the side of his chest just softly.
His chest swelled. You tried not to read into it.
"Baby," it took a moment, presumable for Hotch to realize you were referring to him, but he hummed in response, not looking down at you.
"Hm?"
You motioned to the window, "Look how beautiful it is. You couldn't have chosen a better spot."
Instead of Hotch, the woman at the front desk spoke in response.
"We boast one of the best spots along our coast. The morning yoga sessions are spectacular if that's something you enjoy, and we have cocktail evening tonight at our restaurant on the beach." Her voice dripped in sugar, sliding the two ID's and the keycard to the room back over the counter.
"That sounds wonderful—"
Hotch's stern voice pierced through your own, "Yes, well, we'll see."
The woman - Leslie, as her tag suggested - glanced carefully between Hotch and yourself. She offered you a quietly sympathetic look before meeting Hotch's face again.
"Y-Yes, of course sir."
You stayed quiet after that, allowing her to direct James and Eleanor to their room. Second floor at the end of the hallway.
Hotch huffed dramatically, grabbing the cards from the desk.
His hand slid from your waist and you almost had enough time to mourn the loss of his warmth against your side before that large hand wove itself back between yours - simultaneously warming and chilling every blood vessel in your body.
Hotch pulled you in the direction of the elevator. Nothing was said between you, only the swish of your dress and the heavy step of his leather shoes against the floors.
You two followed the corridor as instructed, gaze flickering curiously up to your fake husband every few moments before your interest caught the better of you.
"You're a little too good at playing the asshole, James." Your hand squeezed gently against his, "Something you want to tell me?"
He shook his head, "Nothing comes to mind."
The luggage was already waiting at the foot of the bed when Hotch pushed the door open, allowing you to step in first.
A gasp escaped you.
The room had to be the most exquisite thing you’d seen in all your life.
It was lined in crisp white and cream decor, a velvet couch along the one wall and a sprawling balcony that overlooked the ocean - the sound of the waves filling every crevice of the space.
There was a thud and you turned to find Hotch opening his briefcase, pulling out the neatly packed pressed shirts that lay within.
"Hotch—"
Quicker than it took you to blink in fright, Hotch's hand closed over your mouth. He shook his head, tapping his ear. "Wires." He mouthed.
You nodded quickly, feeling stupid.
His hand dropped and embarrassment flushed hot over your neck. You looked away from him.
This wasn't a holiday and Hotch wasn't your husband.
Eight people were dead.
Unease burnt at your chest, the same kind that had been building with every passing day and every piling body. You moved in silent to unpack your own handbag where you'd placed your files.
Hotch watched you carefully, as you leaned over the bag - silhouette forming against the red and purple tones of the picturesque sky behind you.
He stared a little longer than necessary, capturing the view to his mind.
It was something he found himself doing too often. Whenever he could find a moment, an excuse. His gaze would linger on your frame, your face.
When your fingers would twitch against your necklace or when you laughed a little too loudly for the Quantico office when Spencer told his terrible, very specifically not funny jokes.
But he was Aaron Hotchner, BAU Unit Chief, and nothing if not the epitome of professionalism.
He planted himself far enough from the line to where he could go about his day and pretend like he didn't lose sleep at night thinking about you.
"James, did you pack the charger?" Your voice was loud, but wavered slightly. You didn't look up to his face as you usually did.
Hotch tried to convince himself that he didn’t notice.
"Yes, honey, it's in the side pocket."
There was no charger and definitely no need to ask about one besides making casual conversation in the case that wires tapped the room.
Reminded of the very real circumstance, Hotch abandoned the shirts on the bed to move around the room.
Behind him you were doing the same.
He lifted lamp shades, checked under drawers, desks and the headboard for any listening device that could have been planted before they came in.
You shuffled around behind the television stand and at the railings of the curtain before slipping into the bathroom.
Twenty minutes passed in silence before Hotch climbed back to his feet from where he was crouched down under the bed frame.
"We should be in the clear." He announced to you where you still occupied the bathroom.
"Check what I found." You emerged, sundress flittering around your ankles.
He cursed the sway of the material. Somehow you'd arrived in that green dress to the sheriff's station and it had made every nerve connecting his body to his brain turn fuzzy and the man of steel that was Aaron Hotchner was having a harder time than usual keeping his eyes to himself.
You waved a white envelope at him, "It was stuck to the window."
Hotch took it from you, it was addressed to a Mr and Mrs Thompson.
"That's us." He muttered, finger sliding to break its seal.
You stood against his side, close enough to read the letter where he slid it out but also just close enough to make Hotch's head spin from the waft of your perfume.
Good afternoon Mr J and Mrs E Thompson,
We welcome you to Seagull's Rest and want to thank you for choosing to participate in our Honeymooner's Retreat. The next few days will work to strengthen the bond of love and trust between any new married couple, and of course up the intimacy!
Tonight we will be hosting a champagne evening where you will be afforded the opportunity to meet the couples that you'll be spending the next six days with.
Meet us at the Pelican Perch Restaurant on floor 1 at six o clock. We look forward to meeting you!
Kindly, Seagull Rest Staff.
The page crinkled beneath his fingers.
"This is perfect." He muttered, looking sideways at you. "It'll give us a chance to see the unsub in a social environment if he's here."
The unknown subject (unsub) was clarified before you and Hotch had left the station that morning.
David's voice still rung in his ears:
"Someone who is calm and casual in social settings, easy to get along with but holds a position that allows people to trust them. It's what he uses to lure two people at a time to their deaths."
You glanced up at the antique clock on the wall hanging above the television. "That means we should leave soon."
Hotch nodded, "Leave the packing, we'll do that when we get back."
The sun was disappearing behind the glittering ocean surface when the door shut behind you and Hotch again.
His hand slipped down over your wrist before sliding into your grasp, between your fingers and over your knuckles.
Hotch could spend all night convincing himself that holding your hand was imperative to maintaining your cover because you were married and that was in the best interest of the case, but it would still do little to calm the way his heart began to beat from his throat when your grip tightened gently around his.
You made small talk on the walk down to the restaurant, as any couple would.
Mentioning the spa and the interior designs of the glamorous hallways you passed on the walk down to the Pelican Perch restaurant on the water.
The views of the lodging was almost nothing compared to when you two walked under the green vine archway into the restaurant.
Hotch heard your little gasp beside him and was sure it made his heart grow two sizes.
Above your heads hung a glittering maze of white fairy lights overviewing a large wooden floor with tables set in every corner. The bar glittered with bottles of every colour, size and shape that lined the shelves and the wide stacking doors were opened out onto the shoreline.
A soft jazz played and near the center of the room, ten chairs were stacked in a semi-circle around a small podium.
"This is so beautiful." You whispered, almost so soft he didn't hear it.
He looked down at you, enamored by the way the lights reflected off your eyes and your lips were parted in surprise.
"It is." But his eyes never left you.
Already, three or four couples had taken seats, keening over each other as if they two were the only people in the room.
It was almost six. Hotch tugged your hand gently in the direction of the expensive looking chairs, leaning down close to your ear: "Keep your eyes on the people."
You giggled as if he'd said something naughty, putting on a good show for the surrounding guests before leaning down to sit.
The lull of the music in the room almost convinced you that it was all real.
That as you sat and Hotch settled his arm over your thighs, pulling you close against him: that it was because he wanted, not needed, to be there.
Your eyes flickered over the people, a man and a woman were ushering people to take their seats and a tall thin waiter was sauntering around with a tray of champagne glasses.
You took two from his tray, handing the other to Hotch. He gave you a look to remind you to be careful, you could practically hear him chiding "remember, we're on the job."
The champagne was as close to velvet as you'd ever tasted, sliding down your throat far too easily as the man and woman took to the podium in front of you.
The room quietened.
"Good evening to all our lovely young couples!" The man's voice was smooth, warm.
He was older, every spit of hair from his body a stark shining white. The woman was the same, they matched the decor of the resort in the cream beach sets they adorned.
Wrinkles crinkled around her eyes when she smiled, "We're so glad to have you with us. Thirty years ago, we opened the Seagull's Rest to help any couple who felt they needed a place to connect with nature and each other, and since then it's become not only a home to us - but a home to every couple who steps through our doors."
You met Hotch's eye. Owners.
Laurie and Howard Ralph. The founders of the Seagull's Rest.
Howard spoke again: "every class is taught by a qualified, friendly and helpful instructor to make you feel safe in what Laurie and I like to call the education of love."
You'd seen their photos in files and on your tablet, somehow they looked even more pretentious in person.
While you knew you weren't looking for an unsub team, their demeanors didn't put them completely out of range for being possibly responsible.
At least that's as far as your brain could conjure up with Hotch's wide thumb rubbing circles into the side of your thigh - a motion you weren’t entirely convinced he realized he was making.
"We'd like to start off the evening with a few introductions, just to break the ice between you."
They were looking down the line of people, pointing to a Hispanic couple closest to the edge. "How about you two? Tell us your names, where you're from, how you met and your favourite thing about your partner."
The man stuttered, looking to his wife for support. She smiled up at him and you couldn't help the momentary swooping ache to have somebody to look at in that warm, soft way.
"Well I'm Alice and this is my husband Marco." She patted him fondly on the chest, "We're from New York."
"We met when we were kids, we lived next door to each other for fifteen years." The husband was a shyer speaker, but his adoration for his wife leaked through his words. "Before she left for college I asked her to be my girlfriend. The rest is history, I guess."
Laurie and Howard smiled plastically, like the grin was surgically attached there.
"That's lovely, and your favourite thing about one another?" Laurie pressed, before adding, "Remember ladies and gentlemen, this experience is about making yourself vulnerable to each other and to yourself!"
"I love how he can make me feel brand new after a terrible day."
"I love the way she knows me in little ways that nobody else does."
Slowly, the couples spoke down the line.
You were introduced to the Taylors, the Andersons, the Fletchers, the Schmidts.
As the line drew shorter, your breath grew faster.
Of course you knew your story, you'd had it drilled into your brain for the last two days, but your favourite thing about Hotch?
No, you corrected yourself, not Hotch. James.
Your brain fished for a lie, dipping past the bundles of things you loved about Hotch that could so easily be picked from the bush.
But would it be so out of line to admit something honest, something he'd never even realize was true?
Eyes fell on you.
Hotch cleared his throat, his grip over your thigh tightened.
"We're the Thompsons. I'm James  and this is Eleanor. We're from Colorado."
His voice was strong, stern. Someone who didn't know Hotch might say it was how he always sounded, but there he held a jagged edge to his tone. "We met at—"
"Woah, woah," Howard interrupted, chuckling nervously. "James, you're running a bit away with us here. Why don't you let your wife tell us how you met?"
Hotch mustered the audacity to look affronted. "Alright."
You fought hard to suppress a laugh. Hotch was an abnormally good actor.
He turned to you, "Darling?"
You sighed, practically scribbling ditzy airhead over your forehead and lifting a hand to fiddle with the buttons on his polo, "Well, I met James in my last year at college—"
"Screwing the professor, very classy."
The whisper came from somewhere to your left and surprised you.
It was soft enough that you were sure Howard and Laurie hadn't heard.
The look on Hotch's face, however, proved that he had. He'd grown completely stiff under your hand.
You fought to regain composure, "H-He was working at a law firm that I was doing an internship at. It was love at first sight, right baby?" You patted his chest slowly.
He nodded, eyes darting anywhere but you.
The owners nodded, urging you to continue. "That's beautiful."
You looked up, met with the side of Hotch's face - he didn't look like he was going to speak first.
"My favourite thing about James is ..." your mind flickering between some cliché or just spitting out what you really wanted to. "The way he looks out for me. Always makes sure I'm safe, even if it's risking himself."
It was mild enough to pass off for just a casual comment but nearly specific enough that if he knew how you felt that he'd catch on.
He pulled his gaze from where it was fixated on the foot of the podium, sinking it into yours and making the room feel suddenly ten degrees warmer.
"My favourite thing about Eleanor is her laugh."
It was short and sweet and deep down you really hoped it was laced in truth.
By the time you looked away from your partner, the introductions had already moved down a couple. Judging by the way the tall blonde woman who'd just announced herself as Jade Atkins was staring at you, you could already gage that she'd been the one to make the professor comment.
You could still feel Hotch's anger radiating off of him. He was hard, tense and his jaw was set tightly.
Hotch was older than you, sure. You knew that.
It was one of the things that assured - plagued - you that he would never reciprocate your feeling.
He was mature and worldly, handsome in a way no man you knew could even remotely compare.
You were younger, not that much, but still. Enough that you could be looked at sideways by stuck-up bitches like Jade Atkins.
You knew you'd never be afforded a chance ... but then why did Hotch look so angry?
He knew he was older, but he also had to know that he left a trail of swooning women wherever he went?
"James ..." you whispered.
He looked quickly down at you, clearly of the impression that it was enough of a response.
"What's wrong?"
The word looked like they hurt forcing itself from his mouth. "Nothing."
You bit the corner of your bottom lip slowly, turning over his response in your mind.
Before you could find the sense to stop yourself, you reached up and took Hotch's jaw into your grasp, pulling it down closer to your face.
Following hesitantly until he was practically leaning over, you whispered into his ear: "ignore her, she just wishes her husband wasn't a cheating alcoholic."
You pressed a warm peck against his upper cheek, close to his eye and pretended that the brush of his almost-there stubble didn't make your heart swoop down into your stomach.
Letting go, Hotch straightened out again. He looked calmer, almost like he could smile.
His eyes flickered over the man, taking in his form. It took him a moment before he whispered back, "You're right."
Within a couple minutes, the last of the couples finished their introductions and the Ralph's were speaking again.
"Thank you all, again, for coming. Please, spend the rest of the evening getting to know each other, enjoying more of our champagne—"
"Imported straight from France!" Howard interjected and the couples laughed sporadically,
"—and savor the rest of your week."
Around you, couples rose from their seats. You detangled yourself from Hotch and did the same.
Initially, you had the full intention of floating around the room together, connected at the arm to analyze the guests quietly.
However, almost immediately, the women had dissected from their husbands to form a small group by the balcony.
The men had done the same, converging near the bar.
Blinking in surprise, you look up to Hotch for further instruction.
He nods towards the women, "You should go join them."
Your face crinkled in reluctance, "Don't make me go over there, James ... our friend isn't even supposed to be a woman."
Amusement was alight in his brown eyes, but his mouth remained a thin line.
"Then," he almost made you jump when his wide hand closed softly over your cheek, dragging the side of his thumb down your face, "go enjoy the company. I'll focus on the men."
Sparked by Hotch's warm touch, slightly dizzy on it, you nodded softly before turning to the women.
It was cool out on the balcony and the women greeted when you joined the circle.
You took a long gulp from your second glass of champagne, listening only half-committed to Patricia Anderson's story about their new condo on the Los Angeles beachfront.
"So, Eleanor was it?"
Recognizing the voice as the one who'd whispered brashly behind you not more than twenty minutes previously, you turned to the woman.
Your grip tightened around your champagne glass.
"Yes. Jenna, right?"
The woman gathered the nerve to look affronted, her tennis skirt swayed with the breeze over long bronzed legs.
"Jade, actually. Jade Atkins." She cleared her throat, "My husband is Richard Atkins, he owns all the Sonja Hotels north of the equator, I'm sure you've heard of him."
Another woman - Anne Schmidt - indulged her. "That's amazing, Elijah and I stayed there a couple months ago in Switzerland."
Jade nodded, looking proud, but seemingly intent on swerving the conversation your way.
"Speaking of husbands, yours is quite the catch isn't he?" The chatter of the other women dimmed slightly, the wives sensing the change of direction.
Taking another necessarily big gulp of your champagne, you nodded. "Indeed."
"He's very handsome ... how did you manage to tie him down?"
Her words dripped in condescension.
"Just got lucky, what can I say?"
Jade nodded, twisting a long golden strand between her fingers. Heat was beginning to curl at your cheeks.
"And he's so much older," she laughed airily, lifting her glass to sip at her drink, "but I guess that life insurance money makes him all the more attractive, hey?"
"Oh definitely. He also got a huge penis which helps."
Jade choked loudly around her glass and the women around you burst into fits of high-pitched laughter.
"Don't mind her," Imani Taylor pulled you aside, "All the Botox has gone to her brain."
You smiled kindly at her.
"So a lawyer you said, what's that like?"
Across the room, Hotch was sitting through a similar game of verbal tennis.
A circus of who's car is newer, bigger, better, who's company makes more money or sells more stocks.
He doubted he'd ever been so bored. That's maybe why his eyes flickered so often to where you were talking animatedly with a short woman in a hijab.
A heavy hand against his shoulder sucked him back into the conversation.
A sandy-topped man who Hotch quickly identified as Elijah Schmidt was patting him boyishly, "Don't worry about the girl, Thompson."
He didn't love the idea of you being referred to as girl but said nothing on it.
Clearing his throat, he shook his head vaguely. "Got to keep on eye on them. She can barely feed herself most days, only knows how to spend my money and crash my cars."
The words were bitter, like hot bile on his tongue but he insisted on maintaining a mutual expression. Nobody promised that playing an asshole was going to be any fun.
A handful of the men grimaced at his comment, while the rest just tutted offhandedly.
While the men were far from the nicest he'd met, in the couple minutes he'd spent with them, Hotch was almost sure that his unsub was not among them.
Despite most of their more than patchy backgrounds - mostly corporate scuffles, dug up by Garcia - none of them spoke with the ease that the suspect needed to have, the charisma and the trustworthy character. Hotch's  energy was better placed elsewhere.
"Barely feed herself?" A gravelly chuckle filled the space, "Sure doesn't look like it."
Hotch's eyes narrowed on the short bald man laughing to himself, glancing over to where you stood across the room - a fat cigar between his fingers.
He recognized him as the man who sat with the woman who'd commented when you spoke. Richard Atkins.
Turning his whole body to the man, towering over his structure, Hotch's face twisted - his stomach contents boiling hot at the comment.
"I beg your pardon?"
Pulling at the cigar, the end lighting up, the man shrugged. "Just saying, y'know, she doesn't look like she's skipped a meal anytime recently—"
The expression curling onto Hotch's face must've been cause for alarm, if not the way his fist tightened at his side, because almost immediately two other men stepped in.
One at Richard's side,  "Hey, hey, Richard, that's enough man."
The other patting Hotch's shoulder, "Thompson ... he's had a couple drinks, just let him go."
Richard seemed to find the situation amusing because he was chortling still to himself. "Of course, of course. My bad, just locker-room talk you know. No harm, no foul."  
Seething white anger was tugging on every muscle in his body, and he fought hard to maintain composure - taking a cautionary step towards Richard Atkins.
"I'd watch how you talk about my wife if I were you. Otherwise we're going to have a problem."
Atkins only huffed, turning back to his friend and his cigar. The conversations started up again around him, but Hotch had lost interest.
His wrist watch told him they'd been standing there for almost an hour.
Cleaning out the bottom of his glass, he set it down on the nearest table before excusing himself, offering handshakes and a couple shoulder pats before moving towards the women.
A handful of men followed him, clearly keen to leave as well.
He found you by the railing, laughing gently at something the woman across from you said.
Hotch's arm slid over your waist from behind, dipping his head closer to your ear: "ready to go?"
You nodded, offering a quick goodbye to the woman and some others.
The walk back to the room was quicker than he remembered, or maybe it was the light buzz of champagne against the side of his head and how you were humming something that sounded like Etta James that made it feel too fast.
On return, the prospect of unpacking awaited.
"Anyone interesting among the husbands?" You asked from across the room, lifting shirts and dresses to stack into the open cupboard.
Hotch shook his head, dislodging the secret compartment at the bottom of his suitcase where the case files had been hidden. "The unsub isn't one of them. They're all, for lack of a better word, assholes. Nobody trustworthy enough to follow to your death."
You chuckled lightly, "The women were alright. Except for this one woman, that one who whispered that rubbish when we introduced ourselves."
Hotch's stomach turned at the thought of the woman's words. Screwing the professor, really classy.
The implication on your character made his blood boil.
"Let me guess, Atkins?"
You nodded, "How'd you know?"
"Her husband's a real piece of work too. I'm gonna find something to arrest him for before the end of the week."
Your giggle permeated the space and it worked to ease the knot in Hotch's stomach.
"Don't be so dramatic, James." You draped a towel over your arm, "Mind if I grab the shower first?"
"Of course." Hotch nodded, desperately trying to fan out the image that was quickly rendering in his mind of you in the shower. "I'm gonna phone Garcia."
The bathroom door clicked behind you and you sighed into the emptiness of the room.
You took your time showering, enjoying how the hot water eased the tension over your shoulders, before drying off and slipping into the most appropriate pair of pajamas you'd brought along.
It took some convincing to let yourself pack the silk shorts and tank top, after all: you would be sharing a room with your boss.
Quickly after you'd walked back into the room, Hotch had slipped into the bathroom himself with a towel and pair of pajamas hanging over his arm.
Images of all the people you'd met that very evening sifted through your mind like a deck of cards, flipping through them and filtering the ones you knew couldn't be involved.
The spray of the shower was loud and your mind reached precariously for an image of what Hotch looked like under the fancy head in the shower that had more than enough space for two ... how the hot water was probably gliding over his long strong arms, down his chest and through the happy trail at the base of his stomach leading down towards—
The water shut off and silence echoed across the room.
You heard shuffling behind the door, wondered quietly what he could be doing, but pulled your eyes back to the case file.
The list of connections between the victims and current guests were numerous, too many to be significant as people in this wealth category generally moved in similar groups.
The door clicked open.
"Put that away, you should get some sleep."
"I—" You looked up to meet Hotch's eye and almost swallowed your tongue.
His hair was still wet, drooping over his forehead in a way you'd never seen before, and his blue t-shirt stuck to his chest with dampness. He wore plaid shorts that exposed those long legs that had been so criminally hidden beneath his usual suit pants.
He looked so ... domestic, and it set every nerve ending in your body alight.
"I ... yes, boss. Was just looking." You set the file on the bedside table.
He nodded at you, a warm look on his face. "Want you well rested for tomorrow."
There was a short silence and the look cleared from his features to be replaced by another.
Hotch's eyes flickered between the bed and the couch, and for the first time in more than a while, a look of unsureness occupied his face.
"I ... I think I'll take the couch."
Your heart sunk.
"Why?" The question chased its way out of your mouth before you could reach to snatch it.
"I don't wanna make you ... uncomfortable, considering I'm your superior."
"I mean, the bed is plenty big enough for the both of us, Hotch." You stammered, desperate to be close to him. "It's probably gonna be painful to sleep on that couch anyways."
He hesitated.
"U-Unless you think it's weird, you can sleep on the couch it's fine." You wished you could sink into the sheets and disappear.
But to your surprise, Hotch nodded.
The bed sunk on his side as he lifted the covers, as close to the edge as he could from what you could see.
His head hit the pillow before he leaned over to flick off the light, you took it as a sign to do the same.
There was quiet for a long moment.
The door to the balcony was open, it was just too hot to close it, and the breeze curled over the sheets, wafting the smell of Hotch's shower gel into your face.
It took all you had within you not to sigh loudly and dig your face into his neck.
You thought the conversation had closed for the evening, but Hotch surprised you when his voice emerged from the darkness.
"You did well today. I know you were nervous."
A smile tugged at your lips. He could read you better than you thought he could.
"You've got a lot more practice at the husband thing than I do at the wife thing."
You could almost see the outline of his face against the light of the moon.
"Well, I hope this wife ends up better than the last one."
The memory of finding Hotch's ex-wife's body came starkly into view.
"O-Oh, Hotch." Your hand came to your face in embarrassment, "I'm sorry, I-I shouldn't have—"
"Hey, hey," he stopped you, "it's my fault. It was a bad joke, I shouldn't have made it."
You couldn't help the small giggle that escaped you, "I've never heard you freestyle a joke before, Hotch."
"Wasn't good?"
"It was terrible." You managed around the now growing laugh.
"And yet you're still laughing. Isn't that the goal?"
You shuffled over in the sheets to face him, even though you couldn't see much - the thought that he lingered there in the darkness comforted you.
"Not at that really bad attempt at a joke, I'm laughing at you."
Maybe it was your imagination, but you swore when the light from the lighthouse flickered quickly over Hotch's face that he was grinning.
"I'm glad I amuse you."
"Come on Hotch, you're telling me you don't have a single good dad joke?"
He was quiet a long moment, and for a second you thought you'd pressed too hard.
"Why do you never see elephants hiding in trees?"
Absolutely surprised by the question, you shook your head in the darkness. "Why?"
"Because they're really good at it."
The light from the lighthouse hadn't passed over his face again but now you were sure he was smiling and every muscle in your body twitched to grab his face in the darkness and kiss him until he was oxygen depleted.
"That's the worst joke I've ever heard, Aaron." But you shook with small laughter.
"Worse than the dead wife joke?"
"Okay, maybe not that bad."
Quiet fell again.
"You should go to sleep. We've got a long day tomorrow."
Fishing for the sheets, you lifted to tuck them under your chin. "Goodnight James."
"Goodnight."
-
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confused-pyramid · 3 months
Text
Tell Me Some Things Last | s3
pairing: aaron hotchner x childhood bsf!reader
summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.
word count: 23.1k
warnings: canon!typical violence, mentions of abuse, mentions of death, specific episodes mentioned in this part are 3x01, 3x02, 3x03, 3x06, 3x08, 3x09, 3x14, 3x16, 3x17, 3x19, and 3x20
a/n: season 3! The slow burn continues:) This was really fun to write, so I hope you enjoy it! (and I promise the chapters won't keep getting longer, this one just got out of hand LMAO) Title is from Heal by Tom Odell
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"Excuse me?"
Section Chief Strauss doesn't falter. "You can't expect me to believe you think Agent Hotchner has done an effective job leading this unit."
"You can't expect me to believe that you think I'd willing spy on my unit chief for you."
She sighs and you want to throttle her. "Agent L/N, I know you two share a history, but this is bigger than that. People have died on his watch."
You have been trying to remain neutral since you were called into her office, but every word that comes out of her mouth makes you see red. Yes, this past year has been tough, but none of it was in his control.
"I think you know my answer," you say coldly, straightening your back in her chair. "I have to go, we have a case in Arizona."
She holds your gaze for a second, before nodding and turning back to her computer. You stand up and leave her office without another word, hastening your pace to a light jog the moment you're out of her line of sight.
You want to talk to Hotch as soon as possible, but by the time you get back to the bullpen, the whole team and their go-bags are gone. Grabbing your own bag, you rush over to the airstrip where everyone is settled inside the jet.
He glances up with a thin smile when you take a seat across from him, and you return it, not wanting to raise his concern when everyone is around.
The Flagstaff police meet you at the airport when you land, and everyone jumps into the awaiting SUVs to get to the crime scene as soon as possible.
The victim is another brunette woman on the college campus, but luckily her body was found after curfew, so students aren't milling around.
You step closer to examine the woman's body as JJ glances down at her hand. "She had her Mace out, but she didn't use it?"
Morgan nods, looking around. "And it's well-lit. He's not afraid of being seen."
A bus stop sign catches your attention and you turn to Detective Griffith. "How often do the shuttles run?"
He answers immediately. "Every 10 minutes."
"Were all the other victims posed like this?" Reid asks, bending over to get a better look. "With their arms crossed."
Griffith frowns. "Yeah. Why?"
"It's a classic sign of remorse," Morgan responds, stepping in to take over the explanation. "The unsub kills the victim then immediately feels bad about it, so he poses them like this, so they'll rest in peace."
"You can tell that just by the arms?"
"It's why you called us here. To build a psychological profile of your killer."
After inspecting the crime scene, Gideon and Morgan leave to talk to the dean of the school, and JJ and Reid go to meet with the students living in the victim's dorm. Hotch is still back at the station, and you haven't gotten a chance to talk to him since meeting with Strauss, but you push it out of your mind as you accompany Emily to the coroner's office.
You're so lost in thought that the drive over is entirely silent, and it's not until you've parked that you realize she didn't say a word either.
When the coroner leads you to the victim's body, you notice how much clearer each of the markings and cuts are. Hotch doesn't assign you to speak with the coroners very often, usually sending Prentiss, because of her incredible attention to detail, but not that you're here, you appreciate the second chance to examine the victim.
"Did the other victims have this much overkill?" she asks, pulling out her camera as you flip open your notebook.
"Death was caused by a single, very forceful stab wound to the heart," the coroner confirms.
You lean in closer to see the insertion point and notice the lumpy discoloring on the victim's chest. "Yeah, it looks like he broke through the breastbone."
"And after that he just lashed out at random," he adds.
Emily hums in agreement before snapping a couple of photos. "Well, no defensive wounds. She didn't even hold her hands up to fight him off."
"The first two victims were the same."
A shudder runs through you as the two of you leave the cold room and emerge into the warm sunlight. "Why is it almost harder to look at the victims when they're cleaned up and no longer covered in blood?"
Emily considers your question for a moment. "Maybe it's because they look less human that way."
You remember Jeff's funeral, how lifeless he seemed in his casket, and how you could barely look at him during the proceedings. It was somehow worse than seeing him at the crime scene, blood everywhere. At least then, you could still see the warmth in his skin. Later, he just looked cold.
"I think you're right," you tell her just as her phone chirps with a call.
She stiffens imperceptibly when she sees the number, but you only notice because of how hyper-vigilant you have been about your own tells since speaking with Strauss. "I need to take this. Give me a second."
She walks away from you and answers the call, her tone hushed so that you can't hear her. You know it could easily just be a personal call about something private in her life, but there's something almost familiar about the look in her eyes when she saw the number.
"Everything okay?" you ask her when she returns, but she just sighs and starts walking to the SUV. "It's nothing."
You haven't known her for as long as the other members of the team, but it's not hard to tell that she's hiding something. She looks distracted as she avoids making eye contact, and when you remember how you did the same with Hotch on the plane, the pieces fall into place.
If Strauss gave her the same assignment she tried to give you, then you need to keep an eye on her. You don't believe that she would sell out the team, but you also know how terrifying you thought Strauss was when you first joined the bureau.
***
The profile leads you to take Nathan Tubbs, one of the campus security guards, into custody, and while Gideon interrogates him, you walk with Reid, JJ, and Emily through the quad to get back to the station.
"Everyone is so much younger than I remember being," JJ says, as you all pass through a crowded part of campus. Word must have spread that the team arrested someone, because you can't imagine why else there would be so many students hanging outside after dark.
"Yeah, it's a weird age," Emily chuckles. "You want to be treated like an adult, but you're still used to someone else solving your problems for you."
"All I remember is trying to figure out who I was."
That makes you laugh. "I had no idea what I wanted to do when I was in college."
"Didn't you go to college with Hotch?" JJ asks, her eyes twinkling. You expect she's hoping for an embarrassing, or at least interesting, story from those years, but your past with him feels almost like sacred territory: something you can't breach when he's not around.
"Not college," you correct, "just everything else before and after."
"What was he like then?" Emily asks, genuine curiosity in her tone. You still can't believe that she would spy for Strauss, but you also can't help your suspicions.
"He was completely different, but also the same." You smile as you think back to the early years of your friendship. "He was kind of a cool kid in high school, but he was just as focused and determined as he is now."
"Hotch was popular?" Reid asks in disbelief.
JJ snorts. "Why can't I imagine that at all."
"He was trustworthy," you shrug, "and kind. Even when people weren't kind to him."
The three of them go silent, and you suddenly feel extremely self-conscious, but you're saved when your phone rings with a call from Derek. "Hey."
"There's been another murder."
***
The case ends in a murder-suicide that a part of you believes Gideon should've seen coming. JJ calls the jet to take off at first light, and everyone looks exhausted when you arrive at the airport. You sleep most of the flight back, but when you step into the field office again, you know you can't ignore the talk you've been avoiding all day.
You go to his office in the hopes of having this conversation privately, but he isn't inside when you look through the open door. You turn back with a frown and are about to head down the stairs again when you see him leaving Strauss's office across the hall.
He spots you immediately, and before you can say anything, he says, "I just got suspended."
Your mouth falls open. "What?"
"Two weeks."
You blanche as you follow him into his office, where he immediately starts packing up his essentials into his briefcase. "Hotch...I have to tell you something. Something I should have mentioned yesterday."
"What is it?" he asks, his voice slightly distracted.
"StraussaskedmetospyonyouandIthinkshealsoaskedEmily!"
He blinks. "Can you say that again?"
You press your lips together, before trying again, slower this time. "Strauss asked me to spy on you, and I think she also asked Emily."
He closes his eyes for a beat, but it feels like years. You can feel the disappointment wafting off of him, but he doesn't say anything, giving you the time to explain in more detail.
"She asked me right before we flew to Arizona," you tell him, your chest aching at the defeated look on his face. "I told her I wouldn't do it, of course, and that you are the perfect leader for this team. But I was watching Emily the whole time we were there, and I think Strauss might have threatened her or made her some kind of offer."
His hands pause their packing and for a moment, you're worried that he's going to be angry you didn't come to him sooner, but then he just sighs, a deeply dejected sound. "I figured she would. It's basically in the FBI playbook."
"You knew?" you say, your voice almost like a gasp.
"I didn't know for sure," he amends, "but I believed so. And I'm usually right about these kinds of things. Anyway, it doesn't matter now. You guys will be fine without me."
You want to shake him; to reach forward and rattle his shoulders until he realizes that this is it. This is exactly why he makes such a great unit chief.
He doesn't get angry, even when he may have cause to be. He trusts his team so wholeheartedly that even under the suspicion of spying to the higher-ups, he still treats everyone the same. He puts the team above himself in almost every aspect, and the intermittent calls you get from Haley when you're in the middle of a long case prove that it may be to his own detriment, but he still does it. Because he cares so deeply, about each of you, and about each victim, and about catching each killer.
"We need you," you say, emphasizing your words as though that will make him understand you better.
"Morgan and Prentiss will be fine," he says pointedly, as though trying to prove a point. "I'm sure they'll even be better off. And Reid and JJ can look to you for guidance. It's practically what they do already."
"Fine," you sigh, throwing your hands up in exasperation. "They'll be okay. But what if I need you?"
He looks at you then, and there's a sadness behind the stern set of his eyes. "You'll be okay."
***
You have to drag yourself out of the house the next morning. The knowledge that Hotch (and most likely Gideon) won't be at the office sucks the motivation out of you, especially because you have no idea what will happen once the team is given another case. Will they assign you a new unit chief? Will they temporarily promote someone on the team?
You push your questions out of your mind as you mindlessly get through security and flop down at your desk. There's a palpable difference with half the team gone, especially since Emily doesn't seem to be anywhere in sight either, and the emptiness of the office somehow feels more claustrophobic.
You finished all of your paperwork the night before, because you couldn't sleep after hearing of Hotch's suspension, so sitting at your desk now, you have nothing to do until a new case arrives.
Reid and Morgan dive into their own paperwork the minute they sit down, and they don't look up except to grab a new pen or refill their mugs.
You can see the tension lining everyone's shoulders, the stress about the future of this team, with its two senior-most members gone.
When you can't take the lack of work anymore, you head over to JJ's office, where she is poring over a stack of case files so tall that you can't see her face until you step in front of her desk. "Hey, JJ."
"Oh, hey," she says, looking up at you. "It's been really quiet out there."
You nod, dropping onto the sofa across from her. "Half the team's gone. It doesn't feel the same."
"I wish I could come out there and sit with you guys, but I have so many new case files to look over."
"Need any help?"
She looks up in surprise. "Actually, that would be great. Can I leave you with a few of them? There's a checklist for what I need you to note down at the top of that stack."
"Of course," you say before she hands you a thick stack of files. "I'll get them back to you soon."
"Take your time," she says, waving you away. "I have like a billion more to go through anyway."
When you're back at your desk, you set down the stack with a small thud and open the first file. You're bombarded with gory images of men who have been brutally stabbed to death, and you read over the case history quickly before opening the next one. This time, the images are of live women, all of whom share a skin tone and hair color, and have been kidnapped in the last week.
You slam the file shut and close your eyes in an effort to keep your head from spinning. You don't understand how anyone could classify these cases. How they could decide that one of these unsubs is worse than another. But there aren't enough teams like yours to cover every case that comes through the door, so someone has to.
You glance up at Hotch's office again, a force of habit, and the darkness in his doorway reminds you of the emptiness in the office. It's the same with Gideon's office, and Emily's desk.
You miss them all.
***
The first week of Hotch's suspension is hell. Gideon still hasn't turned up, and you can see his absence clawing at Spencer, who hasn't gone more than an hour without glancing at his office since he left. Derek doesn't admit it, but you can tell he misses Hotch's leadership over the team.
Strauss has come by periodically to "check in" on your team's work, but with the other units available to take on any new cases, she hasn't assigned you anything. You know she doesn't trust your team, but you're surprised that even with Hotch gone, she's still treating all of you like extensions of him. Not that she's wrong about that.
Without getting called in, you stay at home for the first few days, and even get some use out of your Peloton for once. You've been missing him all week, but it's not until the following Monday that you decide to actually do something about it.
Grabbing the files JJ gave you to look over, you stuff them in your bag and drive up to his house. Both cars are in the driveway when you arrive, and you belatedly realize that you should have called first.
You knock on the door hesitantly, and are surprised to see Jack in Haley's arms when she opens the door. She looks excited to see you, but you still feel bad about just showing up. "I'm sorry, I should have called."
"Not at all," she says, opening the door wider for you to enter. "You know I love seeing you."
"Y/N's here," Haley announces as she leads you into the kitchen and sets Jack back into his high chair. She shoots you a pointed look. "And she's not here to talk about work."
"Of course not," you say with a laugh. "I just wanted to see how the suspension was going. The team really misses you."
He acknowledges you with a small nod, and you take a seat opposite him at the table, where he is feeding Jack his cereal.
"I miss everyone, too," he says, "but it's also been nice to have some extra time at home."
"This suspension has been a blessing in disguise," Haley jumps in, ruffling Jack's hair. You don't miss the way Hotch's jaw twitches.
You aren't sure what to say to that, but Haley just pulls Jack out of his chair and turns to the doorway. "I'm gonna put him down for his nap. It was nice seeing you, Y/N."
"You too, Hales," you say earnestly, before smiling at Jack. "Bye, buddy."
When she's out of the room, you shoot Hotch a look that makes him lean back with a frown. "What?"
"You miss work, don't you."
He huffs, and you take that as an admission. "I've loved being home," he says, his words slightly more emphasized than necessary.
You can hear the candor in his voice. You don't doubt that he loves spending time with his family, you just also know the pull of the job. The fulfillment of saving people from unimaginable horrors, and the desolate ache that comes when you know you aren't doing everything you can.
"You can feel both things," you whisper as he exasperatedly runs his hand through his hair. He got a haircut.
The thought pops into your head against your will, and you glance up at his hair as you realize this is the shortest it's been in a long time. It suits him, but it also emphasizes the hard furrow of his brow.
"Haley doesn't understand that," he says simply, no ill intention in his tone, "but I can't expect her to. I barely understand it, and it's what I'm feeling."
To the outside listener, his words could be construed as complaints, but there's nothing but deep empathy in his voice. He loves her so much, and even though they're having differences about his work life, she loves him too.
You spend the next half hour talking him through each of the cases that JJ left you with, and when Haley returns to the kitchen after putting Jack down for his nap, you pull out a chair for her and tuck the files away.
"We need to have you over for dinner sometime soon," she says as soon as she takes a seat. "I can't believe we haven't done it yet." She looks to Hotch with an earnest sigh. "I guess Jack has been kind of a handful, but I can't believe this is your first time coming to the house since he was born."
"It's been too long," he agrees, draping an arm over the back of her chair. The sight of their casual intimacy is a reminder of what you once had, but the usual mistiness doesn't come when you think about Jeff. Your chest just fills with a liquid-y warmth that feels like melted chocolate and syrup.
"Likewise," you smile, patting Haley's hand. "I don't know if I can handle another night out, even with the mid-evening interruption."
She laughs heartily, and you see Hotch's lips curve up involuntarily. "I think I'm partied out for the year."
His arm slips down to rest against her waist, but she doesn't lean into him like she usually does. You avert your eyes, glancing up at their kitchen wall clock and faking a gasp. "I've taken up too much of your family time. I should go."
"It's okay," Hotch assuages at the same time that Haley says, "I'll walk you out."
They share a small glance, and you suddenly feel intrusive in their home. "I'll see you in a week."
He nods and you follow Haley to the door, where she gives you a quick squeeze and another promise to have you over for dinner soon. The sun starts to set as you drive home, and before you can second guess yourself, you're turning into a local farmer's market that is about to shut down for the night.
You rush through the stalls and stop in front of the flower shop, where you buy a dozen pink carnations. The vendor ties the bouquet with a silky ribbon and you hold the flowers close to your heart as you walk back to your car and start driving.
This time, you're more aware of the direction you're headed. You don't stop your car until you're in the parking lot and you don't stop moving until you're past the front gates and up the grassy hill where Jeff's headstone sits stoically under the waning sunlight.
You take a deep breath as you sink down to your knees, blissfully unaware of the grass stains coloring your slacks. You set the flowers down in front of his headstone, which you haven't seen in months.
                                                 Jeff Adler
                               Beloved Son, Husband, Brother
                                        Until we meet again
The carnations look bright against the gray stone, and you arrange them neatly so that they don't get blown away.
He loved flowers. He knew they were impermanent and likely a waste of money, but he still loved all of the different emotions they symbolized, and how beautiful they could be for as long as they lasted.
He brought you a bouquet of heliotrope almost every week after you got married, and when you asked him what it meant, he insisted that it was something you had to find out in your own time. That time came a quick Google search later, and when the words 'eternal love' flashed on your screen, you knew you had picked the right man.
You brush your finger against the petals of the pink carnations you brought, remembering the rest of what the search yielded. Angelica for inspiration, calla lily for beauty, and pink carnation for gratitude.
You're so grateful you met him. So grateful he loved you as much as you loved him.
"I love you," you whisper, suddenly needing to say the words out loud. There's no one around, and the sun has set far enough that there's barely enough light to see, but your words feel strong as they come out of your mouth. "Thank you for coming into my life. Thank you for giving me 10 beautiful years."
You wipe away the tear that falls from the corner of your eye. "Goodbye."
***
He takes his time as he walks through the halls of the Virginia field office on Monday morning. He hasn't been inside in two weeks, and after he and Haley agreed that he should request a transfer, he likely won't be back again for a very long time.
When he walks past the glass doors of the bullpen, he spots you at your desk, pointing out something to Morgan in a case file. He hastens his pace so you don't see him. He still doesn't know how to tell you that he isn't coming back.
"Good morning, ma'am," he says when Strauss beckons him into her office.
"I was hoping you'd do the right thing," she says, her lips pressed into a thin line. "Have you given any thought to what department you'll request?"
He shakes his head. "I was under the impression that if I left the BAU, I'd have my choice of posts."
"Well, I'll consider it after I fully complete my investigation."
She pauses before looking at him again. "You were a prosecutor. What about heading up a white-collar crime task force? That'll get you home at night at a reasonable hour."
That sounds like exactly what Haley wants for them. They spent hours over the last week discussing what the best path forward would be post-suspension, and after countless late-night arguments, they finally agreed on a transfer. It would be best for the team, and best for his family. So why does he feel so guilty?
"Sorry to interrupt."
Prentiss barges into the office, as though she had an appointment. She glances over at him, and he can't read her expression. "Sir, I've decided to resign from the FBI, effective immediately."
"I don't understand," he frowns, taking in her rigid posture. He remembers your suspicions, as well as his own, but this can't be where it ends.
"I'm taking the foreign service exam. With my connections, I'd stand a good chance of landing in the State Department."
"Prentiss," he urges, trying to convey his understanding in his tone. "I think that's a mistake."
She shakes her head with a sigh. "Well, don't try to talk me out of it. Garcia saw my name on the list, and she already tried."
That makes him pause. "If she can't talk someone out of doing something, no one can."
"Sorry for the interruption, but, sir, it's good to see you back." She turns her gaze to Strauss, even as she continues speaking to him. "The team needs you."
She stalks out of the room after a quick "Ma'am", leaving him alone with Strauss, who looks like she's up to her last nerve. "I'll be overseeing this next case until I can assign your replacement."
"You don't have any field experience, do you?" He doesn't mean for the words to come out so critically, but his emotions are a jumbled mess that he can't decipher well enough to fix his mood right now.
"My job is to protect the Bureau. If I have to hold the team's hand for one case, so be it."
Hold the team's hand. He can't imagine that Strauss will be of much help in the field, but he keeps his mouth shut. He's been around enough authority figures to know when to keep his criticisms to himself.
"Ma'am," he says gently, hoping he can turn his thoughts into useful advice. "In order to function effectively, this team needs stability."
She clasps her hands together on her desk, and he knows it's done. There's nothing he can do to fix this for the team, at least not on this case. "The BAU has some very talented people, and they're Bureau assets, and I believe it's time that they were out from underneath the leadership of you and Jason Gideon."
***
Hotch was supposed to come back today. It's not until you're on the plane that Derek informs the team that he's requesting a transfer.
"What?" you burst out, unable to keep your composure even with Strauss seated a few rows behind you.
"He didn't tell you?"
You shake your head with a forlorn frown, and Derek jumps back in quickly to remediate the situation. "I only found out because I ran into him on the way to the jet. He didn't seem like he was in the mood for talking."
But he tells you everything. At least you thought he did.
"It's okay," you say, forcing your face into a neutral expression. "This isn't about me. I just can't believe he's leaving."
"Yeah," JJ grimaces, "and I can't believe we're stuck with her now. You know, from this angle, she looks almost human."
You all glance behind you, but thankfully, her face is still buried in the case file.
"Emily didn't come in today, either," you point out, turning to the empty seat next to you. "We're down two agents, and Gideon's MIA."
Reid blinks, and you curse yourself for being so cavalier. You know how hard Gideon's absence has been on him.
He recovers quickly and leans in to the center console with a raised eyebrow. "Has Strauss ever even been out of the-"
A chorus of shushes come from Derek and JJ and he shuts up as Strauss walks down the aisle and sits across from you all. "Correct me if I'm wrong, but I believe it's protocol to brief everyone before we arrive at the crime scene?"
JJ turns red and she nods hastily, opening her file. "Yes, ma'am."
Strauss has only been here for ten minutes and you already want to strangle her. JJ explains the case details succinctly, and when the plane lands, you all head over to the crime scene to find Detective Wolynski, who called your team in when the murders got out of hand.
Within minutes of meeting them, Strauss manages to ruin your relationship with the local police by questioning their decision to wait so long to call in the BAU. JJ immediately takes matters into her own hands as she explains that we have to work with them if we want to be included in the investigation at all, but she doesn't seem to care.
You get a call from Penelope as you're heading back to the SUVs, and you step aside to get out of Strauss's earshot. "What's up, Pen?"
"I tried everything I could," she wails. You can hear the distinct clicking of her keyboard in the background. "I tried to convince him to stay, but he's so stubborn."
You sigh, glancing over at the scene, where Strauss looks positively nauseous. You can empathize with her emotions, because you know how hard it was for you to see your first crime scene in person, but this just further proves how unfit she is to understand what being on this team really means. "If he made up his mind, there's gonna be no changing it, unless he changes it himself."
She huffs, before audibly perking up. "I gave him the Milwaukee case file before he went home, and I also, uh, saw that his transfer hasn't passed through the system yet."
You're almost certain she had something to do with that, but your mind immediately starts going through the possibilities of what this could mean. If his transfer isn't in the system, then that means he technically still works on this team...which means him not being here is in dereliction of duty. If there's anything that can convince Hotch to show up, it's duty.
"You've been more help than you know," you tell her, before hanging up and hopping into the SUV.
***
When he arrived at his house with the case file Garcia gave him, he immediately stuffed it in his bag and tossed it onto the floor. He definitely didn't think about reading it the entire time he was changing out of his suit, and making a quick lunch for Haley and himself. When she went upstairs to put Jack down for his nap, he couldn't help himself any longer.
Reaching into his bag, he pulls out the file and flips it open slowly, being careful to angle the gruesome photos away from the stairs in case Haley came down without him noticing. Women taken in the afternoons and killed. Bodies dumped in the morning. Hearts cut out of their chests. The words pop out at him as he skims the page, and he's so engrossed in the material that he doesn't hear her until she's standing over him. "I thought this was over."
"It is," he sighs, closing the file. "I'm just curious." He doesn't know when he started lying to his wife, but he doesn't like it. The bitter taste of it in his mouth.
He can see her gearing up for a fight when their home phone rings. He picks it up and clicks the button to answer, but even after saying 'hello' a couple of times, no one responds. For a split second, his mind flashes back a year to the Fisher King and the secret message left on his home phone, but he pushes the thought away.
He clicks the phone off, looking up at Haley again, but then a shrill ringing sound starts again, this time from her purse across the living room.
An unfamiliar queasiness fills his stomach, and he maintains eye contact with her as her eyes flicker back and forth a couple of times. He promised himself he would never profile his family, but the analyses come before he can shut off that part of his brain. Shifting eyes. Rigid posture. All indications of lying and shame.
"What did the Section Chief say?" she asks, her hands going to her hips. Stance of power to overcompensate for-
He shakes the line of thinking from his head. "She suggested that I transfer to a white-collar-crime task force."
"Would you have to travel?"
"No, I'd have a nine-to-five life."
She nods, and he can see the finality in her stance. "Then, it's a no-brainer."
***
You haven't been able to focus as well as you'd like to with the knowledge that Hotch isn't coming back hanging over your head. When you get a spare moment at the station, you step out of the conference room where all of the evidence has been scattered around and press the first number on your speed dial.
"Hello?" It's Haley.
You stumble over your words as you say 'hello' back. You weren't expecting it to be her who answered. She clearly wasn't expecting you either, because she sighs dramatically when she hears your voice and you hear a quiet "It's Y/N" before the phone is handed over.
You can understand where she's coming from. When Jeff was about to start his undercover assignment, you were so angry at him for choosing to be away from you for so long. But then rationality won over, and you remembered why he was doing it...for the same reason you are.
"Hey."
He sounds guilty. You can imagine.
"Hey," you say simply, waiting for him to fill in the gaps. He owes you at least that much.
"I'm sorry," he says after a long pause, "but you knew this was coming. You know Haley hates what this job turns me into, and you know sometimes I hate it too."
That wasn't really the explanation you were expecting. Not willing to let him off the hook, you turn your face away from the conference room windows to hide your expression and lower your voice. "You should have told me, and you know it. That's why you're hiding behind this false justification...but I guess you know that too."
There's a small rustling sound over the receiver and you can imagine him running his hands through his newly cropped hair. "This doesn't change the fact that I'm leaving."
Sometimes you forget that he was once a young boy with an alarmingly developed moral compass that didn't always point in your direction. It's times like this that remind you.
"Fine." You feel like an irritable teenager again, but you can't contain yourself around him. Even when you want to hide a part of yourself, you can't.
"How's the case going?" he asks finally. His voice has gotten softer and you know he feels bad about how this call has been going, but with neither of you willing to concede, you decide to ignore it for now.
"Well, Strauss just offended the lead detective 45 seconds into her first crime scene."
He chuckles softly. "I'm not surprised."
"This isn't about to get any better, is it?" you ask, huffing out a forlorn sigh.
"I doubt it," he agrees. "I'll keep looking at the file from my end. Any idea how he's getting control of these women? Is he blitzing them or coercing them?"
"So far, we're coming up blank," you admit, glancing back at Morgan and Reid, who appear to be in a productive debate.
"All right. Keep me posted."
***
Another victim turns up and you're not any closer to figuring out who the unsub is. Derek steps away from the group a few minutes after you and you see him pacing the halls of the precinct, his phone pressed to his ear.
A break in the case comes when Garcia identifies school records of children who exhibit signs of perfectionism and co-dependence, leading you to a profile for the unsub. You're all listening to Garcia as she reads off the records when the door opens, with two figures standing in the entrance.
"Look who's here," Morgan grins, shaking Hotch's hand. Emily looks sheepish as she glances over at Strauss, who is downright fuming.
"How fast can you get us up to speed?" Hotch asks without another greeting.
Morgan scoffs. "How fast can you sit down?"
Strauss opens her mouth to say something, but Hotch beats her to it as he takes a seat next to you. You ignore the gesture. "We're only here to help."
She sighs. "We'll deal with this later."
With two more members back on the team, at least for the time being, the SUVs are split more evenly, and you join Emily, JJ, and Strauss in the first one as you head to the crime scene. Strauss is the first one to walk up to the scene, but the moment she sees the mangled body, she breaks down, her face contorting into a sob that she tries and fails to hold in.
You make a move to go and help her, but you're surprised when Hotch is the first to step in. "If you need a second, take a second. This is what it is. Just don't let the public see you break down."
He's so kind to her, even though she's the reason for all of his professional stress. You suppose she's not the only reason, but that isn't something you get to have an opinion on.
The devolution of the dump sites leads to an update of the profile, which gets you an address for a young boy who left school early with the nurse on duty. It doesn't take long to get to the house, and Derek and JJ coordinate some of the local police and SWAT as you strap on your kevlar vests.
After an initial argument about the probable cause of entering a house you don't know is dangerous, Emily pipes up with an idea. "Let me go in alone."
"Wait..." you start but she steamrolls over you, clearly needing to compensate for not being here before. "The boy's in the family room. He's looking for female authority figures. If he lets me in, I can signal as soon as I see anything that gives us cause."
"Technically, you're not even in the FBI," Reid points out.
She nods. "All the better."
Strauss steps in with a frown, to no one's surprise. "She's interfering with a federal investigation."
"Well, if I'm no longer in the FBI, then you have no authority over me." Emily shrugs and turns to Hotch for the approval she actually wants. "I'm just a civilian knocking on a little boy's door."
He nods and she pulls her hair back into a ponytail. Derek hands her his gun, and you suddenly remember that Hotch doesn't have his gun either. Reaching into your other side holster, you pull out your second firearm and hand it to him without a word. He doesn't lift his hand at first, but then he nods at you and takes the gun, his eyes filled with an earnest gratitude, and you know you've forgiven him.
Once she goes inside, you all wait in silence for the signal to breach the home. It takes almost too long, but eventually your earpieces fill with a loud beeping, and Derek yells "Go!"
You find her in a back room, where she's on the floor, her forehead bleeding from a thick gash. You enter just in time to see Hotch leap forward and take Emily's weapon from the little boy, before lifting him up and carrying him out of the house.
"I can't officially approve of how that transpired," Strauss says when you all come outside. You sit next to Emily and squeeze her hand as the paramedics patch up her forehead.
Hotch shakes his head, clearly done with the bureau politics. "The arrest was clean. It would be a mistake to break up this team."
She looks at him pointedly. "None of you will ever move up the chain of command, you know that."
"Why would I ever want to leave the BAU?"
You almost believe him. It's not that you don't think he wants to stay. You know he does. You just also know how much his family means to him, and how thin Haley's patience has worn.
Morgan asks if he means it, and he gives a vague answer that you expect, before turning to look at you.
"Here." He reaches into his waistband and pulls out your gun. "Thanks, I appreciate it."
His hand brushes yours when you take it back, and the warmth of his skin makes you shiver against the slight breeze. "You're welcome."
***
When he gets home, the lights are off.
"Haley?" he calls out into the empty silence. He tries to convince himself that he didn't see this coming, but after her last words to him before he left, it's a futile exercise.
"Make sure to give your son a kiss before you leave."
He left, even when she begged him not to. Now his wife has left, and she took their son with her, and once again, he is utterly alone.
***
Gideon's resignation comes through and you find yourself missing him more than you thought you would. If Hotch is the backbone of the team, he was the stoic foundation. He formed the roots of the BAU as a unit altogether, and you owe your life's work to his intelligence and foresight. But more than that, you can't help but remember the fact that out of all the members on the team, Gideon knew Jeff the best.
He attended countless lectures about past unsubs that Gideon put on at the academy, because he believed understanding why people do things was just as important as knowing how or what they were doing. He even went to Gideon's home for the occasional dinner, and he brought you along once after you got married.
You're not sure what the team will look like without his guiding hand, but you don't have to wait long to find out when JJ calls you with the notice that you're going to Portland.
Spencer is reading a piece of paper over and over again when you get to the office, and when you peek over his shoulder, you see the familiar scrawl of Gideon's handwriting.
Taking a deep breath, you reach forward to put your hand on his shoulder for a moment of comfort, but think better of it and pull back at the last second. Derek sees your indecision and cocks his head towards him.
You walk over to his desk and perch on its edge with a sigh. "I can't believe he would leave just like that."
"I can," Morgan shrugs, his eyes hard with contempt. When you shoot him a look, he softens. "I just mean that he's been showing signs of withdrawal for a while now. It still sucks for the kid, though."
You both look up at Reid across the aisle, where he is still scanning the letter. "At least he got a letter." You try to bring humor into your tone, but it doesn't work.
"It's not about us," Derek says gently, in a show of empathy for the older agent that is unfamiliar coming from him. "He did what he had to do to keep himself sane. We just have to let him."
You nod, just as JJ emerges from the hallway with Hotch on her heels. "We're starting the briefing."
***
"You must be the BAU."
A handsome man with a thick East Coast accent comes forward to introduce himself when you all enter the Portland field office. "Special Agent Bill Calvert."
"Hi, Jennifer Jareau," JJ smiles, extending her hand. "This is SSA Aaron Hotchner. This is Dr. Reid and Agents Morgan, Prentiss and L/N."
He smiles at each of you but his eyes linger on yours for a moment before he takes JJ's hand. "I appreciate your help on this case."
"You're from Boston?" you ask, trying to place his accent after having heard nothing like it since you landed. 
"The accent's kind of hard to miss in Oregon, right?" he grins, before reaching his hand out to you. "Agent L/N, was it?"
You shake his hand, shooting him a thin smile. You can already see Emily and JJ's smirks behind your back.
"We'd like to take a look around Jenny Wittman's apartment," Hotch steps in, moving forward to stand beside you.
Calvert nods. "I'd take you myself, but I'm waiting to meet her family, so I'll have another agent drive you."
"Thank you." Hotch rushes off with Reid and Morgan, and you stay back with JJ and Prentiss to work the victimology.
"Can we set up in here?" you ask Calvert as you start moving the boxes of case files and evidence onto the conference room table.
"Of course," he says, before leaving the three of you alone.
The first ten minutes of looking through the evidence is silent, and for a second, you nearly let yourself believe the other women won't bring up the elephant in the room, but then JJ lets out an involuntary giggle and they pounce.
"He's definitely into you," she says, making no effort to hide her gaze as she unabashedly stares at Calvert through the window. You want to retort immediately, but after seeing her check her phone about a dozen more times a day than she usually does, you suspect she may actually know what she's talking about when it comes to love these days.
Emily nods, biting her lip. "He couldn't stop looking at you."
"You're profilers," you argue, tossing the file in your hand onto the table. "You notice all kinds of insignificant stuff."
"So are you," JJ points out. "What do you think, then?"
They have you boxed in, and you can't think of any answer that would sufficiently appease them so you just groan.
"She's into it, too," JJ grins at Emily, who replies with, "I can't believe Y/N's gonna date someone from Portland."
Without thinking, you huff. "He's from Boston." All three pairs of eyes widen as you realize your slip in not denying her statement.
Emily laughs. "Ohh, it's so happening!"
***
When the men return from Jenny Wittman's apartment, Hotch instructs JJ to televise a statement warning possible future victims who fit the unsub's victimology. When Emily and Derek later find an ad hung up in a local laundromat that suggests he's been killing for longer than you'd previously thought, you decide to head back to the trail where the first bodies were found.
When you arrive on the scene, a dozen new bodies have been found further down the trail and near the water.
"How did we miss this before?" you think out loud, not realizing that Calvert has come up behind you.
"The trail's 40 miles long."
You jump when you hear his voice, and he apologizes after a small chuckle. "Didn't mean to scare you."
"Special Agent Calvert," you say, your voice slightly airy as you catch your breath. "No need to apologize."
"Okay," he smiles, turning to stand in front of you, "and you can call me Bill."
He's a good looking man, and you don't dislike the feeling of someone showing interest in you, especially as clearly intelligent and qualified as him.
"Sure," you say, returning the smile. "I'm Y/N, btw."
"That's a pretty name," he says, his eyes glinting with mischievousness, before he turns back to the scene before you. "They dug up eight new graves before you got here."
You frown. "So the unsub didn't stick to the pattern."
"Guy had a busy year."
You nod, pondering what this change in M.O. could mean, when Bill interrupts your thoughts. "I'm interested to hear more about how this profiling thing goes."
You give him a quizzical smile, and his lips quirk up. "I took a class in criminal psychology in college, but I don't remember enough to be useful in this area."
"We observe human behavior," you explain, ignoring the subtle smirk Emily is flashing you from behind his back. "Profiling is about making connections and predicting future actions based on history, victimology, and behavior."
He takes a moment to digest your words before huffing out a laugh. "Sounds to me like we called in the right team."
When another agent comes by to ask him about the crime scene procedure, you take your leave and walk up the hill of mulch by the open graves. You are nearly to the SUV when you spot Morgan beelining towards you.
"Not you too," you sigh, rolling your eyes dramatically as you stalk away from him.
He catches up to you easily and throws an arm over your shoulders with a grin. "I'm not gonna give you the giggly girl talk that JJ and Prentiss clearly have covered. I just wanted to say one thing."
You look at him expectantly and he brings you both to a stop by the cars. "You're a catch, L/N." You start to roll your eyes again, but he shakes his head. "You are, so if you want to have a little no-strings-fun, then I'll have your back through and through."
You have no idea what no-strings-fun would look like, but you glance back at Bill, who is speaking animatedly with another agent about the change in digging patterns of the graves.
"I don't know what I want," you admit as Derek drops his arm and turns to face you.
"That's okay," he says, before the corner of his mouth quirks up into a smirk. "But figuring that out can be just as much fun too."
***
He would be lying if he said he hasn't noticed you talking to the Special Agent on the case. Calvert, he remembers as he thinks back to the capture and subsequent suicide of the unsub from the roof of his old therapist office.
They were able to find the final victim before she died, so even with the unsub's death, the case feels like a victory, and the whole team looks light on the way back to the jet.
He has been trying to keep himself light too, but every time he gets a moment to himself, his mind reverts back to the silent darkness of his home after he returned from the last case. The reminder that he hasn't seen Haley or Jack in days.
When he reaches the tarmac, he spots you talking to Calvert again, but the conversation looks different than before. The special agent looks nervous, and he tries to gauge whether you seem comfortable, before realizing how relaxed you look.
When he gets closer, he catches the end of a question that likely started with "Can I have your number?" You smile at the man, and he turns away, trying not to eavesdrop.
He can't tell what he wants you to say. He knows it's been enough time since Jeff's death that real dating isn't out of the question, but he can't reconcile the protective instinct flickering in his gut.
Regardless of the distance he tried putting between you and himself, your voice carries over the tarmac, and he hears you say, "I'm sorry." before the rest of the sentence gets jumbled in the breeze. Something that feels alarmingly like relief settles in his chest and he frowns at the foreign feeling of it coursing through his veins.
He boards the plane and purposefully chooses a seat with an empty spot next to it, knowing you'll choose to sit beside him after he practically ignored you all day. He really wasn't trying to shut you out, he just doesn't know how to broach the topic of separation with anyone, let alone someone who had as stable a marriage as you did.
When you board the jet and take your seat next to him, he glances over at you sheepishly and murmurs, "I overheard the end."
He's surprised when you laugh lightly. "It's okay. Everyone was going to find out soon enough, especially with how excited Prentiss and JJ were about it."
He nods, glad that you aren't angry about his invasion of your privacy. Then, before he can stop himself, he looks at you and asks, "You didn't want to see him again?"
"I don't think I'm looking to just date for dating's sake anymore," you explain, your eyes flitting around the cabin at the sleeping forms of the rest of the team. "I had a true love...I don't want to settle down again for anything less."
He understands that completely, but he can tell there's something else bothering you, and not just because of the rhythmic bouncing of your knee that you don't seemed to have noticed. "What else?"
You shrug, not meeting his eye. "I used to have my usual excuse, but I can't really say it's too soon anymore, can I?"
He frowns as he notices the visible strain on you that this burden has caused. "You get to decide that for yourself."
"I know," you sigh, rubbing your eye with a loose fist. "I just worry sometimes that I use Jeff as an excuse to keep myself closed off." Your knee stills, and Hotch scoots closer, even with the armrest in the way.
"You don't seem closed off to me."
Your eyes crinkle with laughter. "I'm not sure if that means much coming from you. You're not exactly the picture of openness, Hotch."
He knows you're mostly joking, but your read punches him in the gut in a way he doesn't expect. You must see the shock on his face, because you immediately lean in closer. "What is it?"
He shakes his head, trying to delay for as long as he can. If he doesn't say it out loud, maybe he can pretend that he's still a happily married man. That he didn't fail his wife and son by being as absent as he had wished his father had been, early in his life.
"It's not about Gideon leaving, is it?" You scrutinize him for a moment before shaking your head. "No. Hotch, what's the matter?"
"We agreed not to profile each other," he sighs, gritting his teeth against the pain of having to vocalize one of the lowest moments in his life.
"Aaron," you whisper. Your voice is soft and gentle, and he breaks.
"Haley left."
Your mouth parts in surprise, and he looks down at his lap, taking a deep breath. "And I don't know if she's coming back."
***
You've been waiting in the arrivals lot of the airport for almost an hour. You're assuming his flight got delayed, and you're grateful for the time to get yourself ready to see him, but the wait hasn't made your jitters any better.
You haven't seen Hotch since you left for college last year, and with his pre-law internship that he somehow snagged as a first year, it was a lonely summer.
When he called you last week with profuse apologies for not staying more in touch and a somber tone that had to be about more than his regrettable phone habits, you had told him that you would love to see him, but your winter break doesn't start for another month. After a few hushed breaths and a second of thinking, he told you that he had bought a plane ticket out to California for the following weekend.
That's why it's Friday afternoon, and you're still waiting for his familiar mop of dark hair to appear through the exit doors. A boy walks out right then, with the same raven hair and fit stature, and your heart rate hastens for a split second, before you realize it's not him.
You look down at your car's radio and twist the dial to change the station. It's been playing the same Madonna song nonstop, and you shut off the volume when the other stations are no different. Your shift in focus takes your attention away from the airport exit, so you jump in your seat when a quiet knock sounds at your passenger side window.
He's here. Your lips curve up into a bright smile and you unlock the door, letting him get in.
"Hi," you say, your voice weaker than you'd like.
"Hey, Y//N," he replies, pushing his long hair back from his face. The simple motion sets off butterflies in your stomach and you turn back to your steering wheel to keep your emotions off your face. He could always read you so easily. "It's good to see you."
He grins at you and leans forward to give you a quick, awkward hug over the center console. You involuntarily inhale as he pulls back, and the scent of his natural musk mixed with whatever new cologne he's been wearing smells dreamy on him.
You said you were over it, you tell yourself in your head. He has a girlfriend who he's going to marry, and you are his best friend. At least you were.
You don't really know where things stand between you two now. A year is a long time to go without seeing someone, and you're sure college has changed him in similar ways that it has changed you.
"I have one more class today," you say quickly as you pull your car out of the lot. "It's criminal psychology, so I figured you wouldn't mind coming to the lecture with me."
"Sounds fun," he says, before leaning his cheek against the window to watch the scenery that zips by. "God, the weather here is crazy."
"It's definitely warmer than I'm used to," you agree, struggling not to glance over at him. "We never had 70 degree winters growing up."
"Which do you prefer?"
You grin. "Home, of course."
"Of course."
You look at him then, and his expression is one you don't understand. It's the same look he gets when he's in the library and he finds a book he's been looking for.
The drive doesn't take long, and you bring him to your lecture, where he proceeds to pay more attention to the information being presented than you do. The class usually feels too short for you, but today, the time ticks by, because you can't focus.
It's been so long since you've sat next to him in a class, and the sight of him jotting down notes on a scrap piece of paper takes you back to high school, when he was still the more attentive one.
After the lecture, you both grab a quick dinner in the dining hall and settle back into your double dorm room, which you painstakingly cleaned up before he arrived.
"So, how long have you guys been friends?" your roommate, Katy, asks him as he drops into your desk chair. You've been watching her ogle him since he arrived, and if he's still as perceptive as he was in high school, it hasn't escaped his notice either.
"Forever," he says, looking at you with a grin. "We met when we were eight. When she judged my taste in The Beatles, it was over for me."
You can't help the heat that flames in your cheeks, even though you know this story by heart. Katy keeps glancing over at you as he explains how you guys met, and eventually she gets up and flops down onto your bed next to you. "You're bringing him to the party tonight, right?"
Your eyes widen as you remember that was today. "Oh, I don't know. We might just stay in."
"You have to come!" she squeals, shaking your arm. She turns to him with a pointed look. "We already have outfits picked out."
"I guess we gotta go, then," he smiles at her, before looking at me with a small raise of his eyebrow. You okay with that?
You dip your chin into a nod, and he stands up. "I'll head out for a walk as you guys get ready."
"Sounds good!" Katy says, grabbing your hand and sliding off the bed. "We'll see you in an hour."
Once the door closes behind him, Katy turns to you, her mouth agape. "You never told me how cute he is."
"What?" you sputter, your cheeks turning a bright shade of pink.
"You also didn't tell me you're, like, in love with him."
You scoff involuntarily, your usual diversion technique when someone brings up a topic you want to evade. "What are you talking about?"
"Okay," she shrugs, reaching into your closet and tossing you the dress you were planning to wear. "If that's how you want to play it."
You go into your attached bathroom to change into your outfit, but after seeing Hotch, the mini sundress you picked out feels like too much. You hate how much you're overthinking something as stupid as an outfit for a party.
You turn away from the mirror and go back into your dorm, where Katy is applying her signature shade of red lipstick in her little mirror stand.
"He has a serious girlfriend," you whisper, almost too quiet for her to hear you. But she is more perceptive than you give her credit for. "Like eventual marriage-serious."
"Oh, honey," she coos, patting the bench seat next to her. You scoot in until you're side by side and she wraps an arm around your shoulders. "I'm sorry I brought it up."
"It's okay," you shake your head, leaning on her shoulder. "I just need to get over it. It's a stupid crush that I've had since high school, but it's time. Maybe this party will help."
"Yes, exactly!" she grins, turning her head to look at you. "Nothing that a little music and a few shots can't fix."
"A few shots?" you laugh.
She nods. "Each."
~
You down another shot of whiskey before tossing your cup onto the table and following Katy onto the dance floor. She grinds against her boyfriend as you dance beside them, moving your hips side to side with the rhythm of the music.
Being in Los Angeles, the temperature outside is already warmer than it should be in November, but inside the house, your dress is sticking to your skin from the sweat and body heat surrounding you.
You're feeling the alcohol enough to have a good time even in the sweaty throng of bodies around you, and you throw your head back as you close your eyes and feel the thump of the music vibrating the floor boards.
Meanwhile, Hotch can't find you anywhere. He's drunk enough already that he knows he won't be able to find you himself, but he doesn't know anyone else here, so he grabs a half empty bottle from the drinks table and makes his way to the dance floor, where the life of the party seems to be centered.
He's usually a lot more fun at parties, but lately he hasn't felt like himself. Ever since you left for school across the country, it has felt like something in his life was wrong, like he was missing a limb. Then, things started looking up with Haley, and he pushed you away in the hopes that he would forget about any of the doubts he had, but it didn't work. The more he missed you, the worse things got in his relationship, and suddenly he wasn't sure what his life was supposed to look like anymore.
He takes another swig from the bottle and leans back against the counter as he watches people dance against each other in the dim light of the house. His eyes flicker over the mess of bodies until they catch on someone he almost doesn't recognize.
Your eyes are closed and your hands are in the air as you move to the beat. It's not exactly graceful music, but you have managed to find some semblance of a rhythm as you slide your hands down your thin dress, which is sticking to your body in a way he can't take his eyes off of.
He doesn't realize he has lifted the bottle to his lips again until the liquid is burning his throat, and he tears his eyes away from you as his head starts to spin. Maybe he's had enough for tonight. He puts the bottle down just as your roommate spots him. Katy, he thinks, or is it Sadie?
"Aaron!" she calls, stumbling over to him as a man holds her up with an arm around her waist. "Where's Y/N?"
"Not sure," he lies easily, barely conscious of the way his words have started to slur together. "I may head out soon."
"Don't leave without her," she instructs, her voice suddenly getting serious. "I'm staying with him tonight." She pats the man's arm. "So I won't be going back with her."
He nods with a resigned sigh, and slumps down on a couch in the next room, leaning his head back to stop the room from spinning.
~
When you tire of dancing, you push to the back of the crowd and look around to find any familiar face. You can't see Katy or her boyfriend anywhere, but after exiting the room, you spot Hotch asleep on the couch.
You walk forward with a slanted smile and put your hand on his shoulder to shake him awake. "Hotch, get up."
He groans, peeling his eyes open slowly. "I'm awake. Just resting my eyes."
"Yeah, yeah," you tease, looping your arm through his to help him up. "How much did you drink?"
He shrugs and you wrap your arm around his waist to hold him upright as he stumbles forward. "Whoa there. Okay, let's get you back."
You manage to get him out of the house, and once the fresh air hits, he can almost stand up straight on his own. You keep your arm around him just in case, trying to ignore the way his tee shirt is slowly riding up around his waistband.
You make the walk back in silence, and he falls back onto your bed as you lock the door behind you.
"I'm sorry," he whispers when you perch on the edge of the bed next to him.
"It's okay," you say, huffing out a laugh. He looks so young with his hair falling onto his face, and you resist the urge to push it back off his forehead. "Happens to the best of us."
"No, not that." He rolls over with a groan, flopping onto his back and scooting back so he can lay on your pillow. "I'm sorry I stopped calling."
Your heart skips a beat and you tuck your hair behind your ear, needing to occupy your hands somehow as your mind races with a million questions. "It's my fault too."
"No, it's not."
He isn't slurring his words anymore, but you can still hear the earnestness that only comes when one's filter is completely shattered. He was never one to hide things from you, but you also know how truthful people can get when alcohol takes their mask away.
"Haley and I have been having problems for a while," he mutters, making you sigh. So that's why he flew here in the middle of the school year. "We haven't been seeing eye to eye on a lot of things, and we decided to take a break, but I haven't told anyone, because the only person I wanted to tell was you."
You can't look at him. His gaze is too much, his eyes too full of truth and intensity. "Hotch-"
"I miss you so much," he says, cutting you off. "You're the only person I've ever really been able to talk to, but you know that, don't you? It's the same for you, it has to be."
You don't say anything. The air feels thick with tension, and you're afraid that if you say something, the room will explode.
"She's the perfect girlfriend," he says wistfully, his voice tight with an emotion you can't decipher. "I know it's me who's fucking it up, and I hate myself for it, because she's trying so hard to make this work. But every time it feels perfect, and I think I've finally gotten what I wanted, I just remember-"
"Aaron."
You look at him and his eyes are already staring into yours. You have wanted him to love you the way you loved him for years, but not like this. Never like this.
"You can't fuck this up," you whisper, your voice stronger than you expect it to be. "Call Haley tomorrow morning. Tell her you're sorry, and that you love her, because you do. You know you do."
"I love her," he nods as sleep pulls his eyelids down. "Tomorrow..I'll call her."
You watch him as his limbs relax and his breathing evens out, but you don't fall asleep until the sun starts to rise and you physically can't keep your eyes open anymore.
***
"Happy All Hallow's Eve, folks."
Reid pulls his mask off as Derek looks at him with a frightened frown.
"Are you scared of Halloween?" you ask him, trying to keep the grin off your face.
"I didn't say I was scared," he corrects, glancing over at Reid, who drops his mask on his desk and pushes his hair back from his face, "I said I was creeped out."
"What creeps you out about it?" Emily asks, before grinning at you.
"I bet it's the candy," you joke. "Those muscles probably cower at the sight of anything that isn't meat or protein powder."
Emily snorts and Derek frowns at both of you. "It's the masks. I don't like people in disguises."
"That's the best thing about Halloween," Reid chimes in. "You can be anyone you want to be."
Derek grins. "No, I'm pretty good just being me."
You and Emily share a look. "Yeah, why is it that neither of those points of view surprise me?"
"Guys," Reid suddenly calls out, his voice hushed. "He's here."
You turn around to see Hotch walking down the stairs, accompanied by Agent David Rossi, who you've heard a lot about in your years at the bureau. He was one of the founding members of the BAU, and you can't help but wonder what made him want to come back.
JJ introduces him to everyone, before Reid starts spouting off a list of facts from one of the old cases he solved when he was the chief of the unit.
"Reid, slow down," Hotch says with an uncharacteristic smile. "He'll be here for a while. Catch up with him later."
He nods. "Right, sorry."
Agent Rossi doesn't seem fazed. "No problem, Doctor."
This pleasantly surprises you. It's all too often that new people who meet Spencer don't immediately treat him with the respect he deserves.
"Let's start the briefing."
***
The flight back from Texas is hushed. The case went about as well as you could hope, with them catching the unsub and saving the final victim, but the way Rossi went rogue over and over again has rubbed you the wrong way.
You watch him across the cabin as he pores over his little notebook, and you wish you could peek inside his head. You know that the team aspect of the BAU is a newer addition to the unit, but you don't understand how he can keep all of his thoughts to himself.
"What are you thinking about?"
"Gah," you fright, jumping in your seat. "When did you sit next to me?"
Hotch shrugs, his lip quirking up. "A few minutes ago."
"Well, you should really wear a bell or something, god."
"Y/N," he says, giving you a pointed look. He doesn't let you use your evasion tactics anymore. Given your penchant for aimless talking, you suppose that's a good thing.
"I was just thinking about Rossi," you sigh, glancing up at him again. "Lying to the press to get a reaction from the unsub? Taking over that phone call? I don't like how he works, Hotch."
"He's from a different time," he says, even though you can hear the agreement in his voice, "but he worked with Gideon, and if you remember, it took you a while to warm up to him too."
You heave out a breath but it's the only concession you're willing to give in this moment.
"He's used to an older way of doing things, but he's a great agent."
"He clearly has good ideas," you whisper, "but I just worry that you'll have to work over time to keep him under control."
Hotch ponders this, and you think that maybe he knows you're right. Your eyes shift up and you realize his hair has been shorter for a while now, but you're still not used to seeing so much of his forehead. Not that there's anything wrong with his forehead. It's a fine forehead.
"He was the team leader before he retired," Hotch says suddenly. "He may be tough as a subordinate now, but I'm still glad he's back. We needed someone to fill Gideon's spot, we were low on hands."
"Speaking of, why do you think he's back."
He looks at you with a quizzical frown. "Is it really so hard to believe that he may just want to help us out?"
You think for a second, before shrugging. He laughs.
"I don't know," you concede, with a small chuckle. "I think I'm just expecting things from him that aren't fair."
He turns his body to face you. "Like what?"
You press your lips together, trying to formulate your words properly, so you can clearly articulate the tornado of thoughts in your brain. "I know Gideon wasn't a father figure exactly, but he was someone that Reid and Elle latched onto."
Hotch exhales. "I don't know if Gideon is someone I'd want as a father."
You let out a surprised laugh. "Fair enough."
"How is your father doing, by the way?"
You blink in surprise. It's not that he doesn't talk about your family, it's just that the timing is uncanny. You haven't spoken to him in months. After your mom died, you two were almost inseparable, but then you left for school, and you realized how much bigger the world could be when you weren't always bogged down by your grief. "I haven't called him in a while."
"What did he say after Golconda?" he asks, his voice gentle. After Frank, he means.
You close your eyes, guilt flooding your body. "I never told him."
"What?" You don't look at him, but you can see the shock in the stiff line of his posture. "Did something happen between you two?"
You shake your head, your protectiveness over your family flaring up at the concern in his eyes. "Nothing happened. I just didn't want to worry him."
"That's his job," Hotch stresses, scooting his leg over so his knee bumps yours. "If something like that had happened to Jack, I wouldn't know what to do with myself."
"That's what I'm scared of," you tell him, your eyes flitting over to the window, where the clouds are dancing across the horizon. Sometimes, when you're on the jet, you like to pretend that the time up here isn't real. That as long as the world looks like a series of splotches and blinking lights, nothing can really hurt you. "My mom's death nearly killed him. I learned to cook when I was ten, because he couldn't leave his room for a month." Hotch knows all of this already, but he lets you vocalize your thoughts, obviously knowing how badly you need reassurance for the guilt you're feeling. "Then, when Jeff died, I stayed with him for a few weeks to have some company, but...but.. I was so glad when I left, because then I could finally let myself fall apart."
He reaches under the armrest and clasps your hand in his, extending the comfort you didn't know you needed.
"I've never told anyone that," you whisper, feeling your voice tighten with tears. "I love my dad, I love him so much, but I just needed the chance to recover on my own."
"He loves you too," Hotch says, finally breaking his silence. "You know he loves you. I still remember the themed sandwich baggies that he packed your lunch with all through middle school."
You choke out a laugh. "You would always steal the Spiderman ones."
He smiles, squeezing your hand once. "Maybe you just need to give him another chance to be who you want him to be. He might just surprise you."
You know he's right. Somehow, he's always right.
You nod, flashing him a small smile, and lean your head on his shoulder as the clouds float past your window.
***
He glances at his watch for the tenth time since he sat down in his office. The plane landed just over an hour ago, and he sent you home immediately with the instruction to get some rest. He probably should have gone home too, but ever since he got his new apartment, home hasn't felt the same.
He used to be able to look around any corner and see a memory: the couch where he and Haley made love on their first night at home, the soft carpet where Jack took his first steps, the doorframe where he measured his height on his first birthday as Haley held him up by the arms. He also remembers that he wasn't there to see Jack's first steps; he was in Pittsburgh, working a case and thanking his lucky stars that Haley had had the foresight to take a photo as his son stood upright all by himself.
He lifts the picture frame from the edge of his desk, running his fingers over the cool glass and looking at the blue drawing underneath. Jack had drawn his favorite cartoon character and left it for him on the kitchen table, a few nights before his suspension went into effect.
Putting it back down, he looks at the photograph of him holding onto Haley as she clutches newborn Jack to her chest in the hospital. He still has the photo of just him and her on their wedding, but he pushed it to the back, behind the pictures of Jack, and the one of you and him at law school graduation.
A knock sounds at his door and he looks up to see Dave standing in his doorway. "Can I come in?"
"Of course," he says, waving him in. He doesn't sit down, so Hotch stands up too, unsure of how he feels about the power imbalance in the room. "What can I do for you?"
"You said out there, 'The team shares everything.'"
He nods. "That's right."
"There is no 'I'?"
He nods again, not liking where this may be going.
Dave glances down at his desk, where his phone sits next to the picture frame of his family. "Seems a big thing to withhold. Separating from your wife, your child."
He freezes, unconsciously looking at the door to see if anyone heard. "What are you talking about?"
"You used to call Haley 10 times a day," Dave says, his voice not unkind. "We've been together 48 hours and I haven't seen you call her once. You haven't mentioned her, and you're not going home now."
He frowns, feeling his brow settle into place like it's a uniform he wears whenever he's at the office. "What's your point?"
"I guess you're just not used to sharing."
He doesn't say anything, but Rossi seems to interpret this the wrong way. "Or maybe it's something else." He looks out the window at the empty bullpen, but the implication is still clear. "Was it because of...?"
"What?" He doesn't know where this is coming from, but he can't stop the anger that rumbles through him at the connotation. Unable to help it, he looks down at your desk, and Dave tuts.
"I won't say anything."
"Dave," he shakes his head, trying to remain calm. "You have it all wrong. She's my best friend...since we were children. It isn't like that. It was never-"
It was never like that. That's what he's about to say, but that wouldn't be true. Rossi is a good enough profiler that he would be able to spot a lie from a mile away, so he shuts his mouth and shakes his head again. "It's not like that."
"Okay," he accepts, lifting his hands in surrender. "My mistake."
Hotch nods, and Dave leaves his office, but he can't get their conversation out of his head until later that night when his head hits his pillow and his eyes finally fall shut.
***
"Hey, Dad."
You called him when you got home from work that night, and he answered on the second ring. "Hi, sweetheart."
"How are you?" you ask, clutching the phone to your ear as you sink down onto the couch in your living room.
He doesn't answer for a moment, and you can hear him taking a breath. "I'm good, Y/N, how are you? Is work going well?"
"It's good," you tell him. "Really good. We were able to save a woman today, before the unsub could kill her."
"Unsub?"
"Unknown subject," you explain, quickly realizing just how long it's been since you've spoken to him. "It's what we call the bad guy before we know who he is."
"Right," he says, and you can practically see him rubbing a hand over his face, his nervous tic. "I knew that. Anyway, how is everything in your life? Do you still work with Aaron?"
"Yeah, I do," you say with a laugh. "He was actually asking about you earlier today."
"That's nice of him," your dad says, his voice brightening slightly. "He was always a good friend to you."
You tell him about your most recent case, and about Gideon and Elle leaving the team, but eventually you can't evade the topic you've been trying to avoid all night.
You're okay, you think to yourself. Frank can't hurt you anymore.
"Dad," you whisper, closing your eyes as you take a deep breath. In 1, 2, 3. Out 1, 2, 3. "I have something to tell you."
Then you tell him everything, and he just listens, exactly like you hoped he would.
***
"I met this guy." You didn't even see Penelope approach you, but here she is, looking at you like she's about to say something dirty.
"Hell yeah," you grin, trying to match her energy. "Where?"
"A coffee shop," she smirks. "He was having trouble with his computer, so I fixed it for him, and then he asked for my number."
"Look at you," you joke, giving her a side squeeze, "putting your technical analyst skills to good use."
"Thank you," she huffs, throwing an annoyed glance over her shoulder. "That's more of the response I was looking for."
"What do you mean?"
"Derek," she says simply, and you nod, already knowing where she's going with this. You know they have an uncommon relationship, so you're not surprised that he didn't react exactly how she hoped he would.
"He's an idiot," you tell her, patting her arm.
She laughs. "You don't even know what he did."
"Uh, yeah," you say, turning around to face the bullpen, "I definitely do."
***
The case takes the team to Florida, where an unsub has been feeding women their fingers, killing them, and then carving pentagrams in their skin.
The pentagrams suggest a religious element, so you go with JJ, Morgan, and Rossi to the local church to meet with the priest.
"Rossi, do me a favor," Morgan says just before you walk inside. "You talk to the priest, all right?"
You remember his agitation on the jet when Reid prodded him about his beliefs, and given the cruelty of his childhood, a crisis of faith wouldn't surprise you.
"Hi, Father Marks," JJ greets the priest when you enter the church. She introduces all of you to him, before shaking his hand. "We're sorry we have to be here under these circumstances."
"It's good of you to come," he says, greeting all of you. "Abbey's parents are upstairs in my office."
"We'll go up," Rossi says with a nod, "but Agent Morgan actually has some questions for you."
Your eyes flash to Rossi, but he doesn't return your gaze.
"I have some questions too," you offer, and Derek nods gratefully.
The priest answers the few questions Derek spits out at him, and you watch as his eyes wander around the hall, his shoulders raised with tension. You insert a few of your own questions before heading outside with him to wait for JJ and Rossi to finish up with the victim's parents.
"What happened in there?" you ask when he doesn't meet your eye. "Being rude to Father Marks? That wasn't like you."
"You know what happened to me, L/N," he says angrily, kicking his foot out at a loose stone on the pavement. "I went to church everyday, and I prayed for it to stop, but you know what God did? Nothing."
"I know what a crisis of faith looks like, Derek." You stand in front of him, forcing him to look at you. "But Father Marks doesn't know your story. He's not judging you, he's just showing his faith how he knows best."
His shoulders are still tense as his jaw twitches. "Who does Rossi think he is, throwing me under the bus like that?"
"He's an instigator," you shrug, letting the topic slide for the time being. You'll talk to him again later if he still needs it.
"I didn't love the way Gideon did things either," Derek says, his posture going from agitation to annoyance, "but Rossi might just take the cake. Even if he is better with the victim's families."
"I can't help you there," you almost laugh. "I had the same conversation with Hotch after the case in Texas, and he managed to convince me to give the guy a chance. So...if you can't bring yourself to trust him, just think of it as putting your trust in Hotch."
Derek hums, bumping your shoulder with his. "I guess I can do that."
***
The search party for Tracey Lambert only leads to the unsub taking another woman, and suddenly the ticking clock gets a lot louder. By the time you find his lair and the bodies he has been cannibalizing for years, you're already struggling to keep down even the water you've been drinking. When he reveals where Tracey actually is, you feel so sick, you can't breathe.
When the jet lands back in Virginia, you go home immediately, desperately needing some peace and quiet away from the team for the first time in a while. But that doesn't last long.
You're awoken by the shrill ringing of your home phone. Rubbing the sleep from your eyes, you check the number and answer the phone. "Is this payback for the last time I called you past midnight?"
"Y/N...it's Garcia."
You shoot up into a sitting position as Hotch explains what happened. "How bad is it?"
"I don't know."
"I'm on my way."
You change into a sweater and a pair of loose jeans before grabbing your keys and flying out the door.
"She's in surgery," JJ tells you when you find them in the waiting room. She pulls you into a hug before returning to her hunched position in an uncomfortable vinyl chair.
"There's no other word," Hotch adds, giving you a quick hug as well. With his cheek pressed against your temple, he whispers, "Police think it may have been a botched robbery."
"Where's Morgan?" Emily asks, standing up from her chair.
"He's not answering his cell."
Reid nods, stepping away. "I'll call him again."
He squeezes your hand before he exits the waiting area, and you glance down at JJ again. Her eyes are red from crying, and her chin is pressed into her palm as she stares at the floor. You watch as Emily sits next to her and pats her hand, before clasping it in hers.
You don't realize you've been staring at the same spot on the floor until Hotch stands next to you and nudges your shoulder. You okay?
"I will be," you say out loud, barely registering that he didn't actually ask you anything. "As soon as she's out of surgery." When you got the call that Penelope was shot, you had been hit by an intense feeling of deja vu. Only this time, the call didn't come from bureau leadership, because she wasn't killed at the scene. Because she's going to make it.
He doesn't seem fazed as he checks his watch again, his frown lines deepening. "It shouldn't take this long to get an update."
"Where have you been?" Reid asks suddenly. You look up to see Derek walking into the waiting room, his eyes wide with panic.
"I was in church. My phone was off."
"There's nothing you could have been doing here," Rossi assures him, before nodding at Hotch and pulling him aside to discuss something with the deputies outside. You use the momentary lull to approach Derek, putting your hand on his arm as an initial test. When he doesn't jerk back, you pull him into a hug that he returns gratefully.
The doctor walks in a few minutes later and explains that Penelope will be fine, but she needs to rest until the morning.
"David and I will go to the scene," Hotch informs, his eyes fixing each of you with an empathetic look. "I think the rest of you should be here when she wakes up. I don't care about protocol. I don't care whether we're working this officially, or not. We don't touch any new cases until we find out who did this."
When they leave, you pull Derek down into the chair next to you and lean your head onto his shoulder. After a beat, he relaxes in his seat, and lets out a long sigh. "She's okay."
***
Early the next morning, the doctor shakes you all awake with the notice that Penelope's up, so you rush into her room, trying not to crowd her as she blinks awake.
"Hi," she says softly, her voice small. She looks so innocent, laying in her hospital bed with her blonde hair a halo around her head. You can't imagine how anyone would want to hurt someone like her.
"No tears," she smiles as you swallow down your anger. "I'm afraid if I start crying, I'll come unstapled."
JJ presses a kiss to her cheek, before Derek and Emily start gently plying her with the usual questions. When it comes out that the man who shot her was the same man who asked her out at the coffee shop, your anger turns to anguish, and you reach forward to squeeze Penelope's hand in an effort to comfort her.
"I just thought he liked me," she whispers, the pain in her voice breaking your heart.
"We need a name," Emily asks abruptly. You can see her mentally kicking herself at how serious her words came out, but you know Penelope understands the gravity of this situation.
"James Colby Baylor."
She asks you and JJ to stay back for a second as the rest of the team leaves to investigate Baylor.
"What's up, honey?" you ask, smiling at her sweetly as she uses her other hand to take JJ's.
"I feel so stupid," she sighs, her breath turning into a gasp as tears fill her eyes. "Maybe Derek was right about all of it."
"No," JJ says sternly, reaching forward to brush some of her hair behind her ear. "None of this is on you."
"What she said," you echo, nodding at JJ, "and don't listen to Morgan. He loves you, and he's very protective over you, but he's also a man."
She sniffles out a laugh, before pressing her lips together. "One last thing."
JJ blinks. "Anything."
"Please don't talk about me like I'm a victim."
***
The case wraps up back at the office, where Baylor, whose real name is Deputy Battle, was shot in the head by JJ, who doesn't seem as plussed by the situation as you would expect. You tried to talk to her afterwards, but after telling you she was fine, she put all of her attention on Penelope, who has spent the last week recovering at home.
Now, you're sitting in the break room stirring your black coffee, just for something to do. Hotch finds you in there and walks inside, shutting the door behind him.
"It's been a long week," he grumbles, looking longingly at the spot next to you on the worn couch.
You lift your cup and nod your head at the full coffee pot. "That's what caffeine's for."
"We really should sleep at some point," he says, filling up a paper cup and carefully dropping into the spot beside you. The couch you chose is small enough that his thigh presses against yours when he spreads his legs even the slightest bit.
You snort. "Sleep's overrated."
You both sip your steaming coffees in silence as you watch the other agents shuffle back and forth across the bullpen, unaware of your watchful eyes. The break room is the one place in the office to go for a little bit of privacy, but the unobstructed view of everyone's desks isn't unpleasant either. You imagine this is how Hotch feels when he looks out his office window.
Your eye catches on the stapled wood planks that are currently replacing the broken glass door that leads into the bullpen. He must be looking at the same thing, because he breaks the silence and says, "I think we may need to get JJ out into the field more."
His tone catches you off guard and you crack a small smile. "She does seem remarkably well-adjusted, given that it was her first time."
He nods, turning his head to look at you. "Do you remember your first time?" Killing someone, is the part he doesn't say out loud.
"Of course." You take a deep breath and gulp back more coffee. "He was a serial rapist in Texas. One shot to the heart. I wasn't trying to kill him, he just ran at the last second."
"Serial killer in Florida," he responds simply. "Headshot. He died instantly."
"That was your first year at the BAU, right?" He nods and you sink back into the cushions. "I wasn't even in the field then."
He hums, a low sound that you feel as vibrations on your skin. "I worry that I brought you in here too early. Jeff had just died, and I assumed that getting you out of the house and in the field would take your mind off of things, but I wonder sometimes if I made the wrong call."
"You didn't," you assure him, turning your body to face his, even as he doesn't meet your eye. "First of all, you brought me in six months after he died, and by then, I definitely needed an excuse to leave my bedroom."
He sighs, a small concession, and you continue. "The first case I went into the field for after he died, I could barely hold my gun. Every time I pulled it on someone, I would imagine his body...with all of those bullet holes...and I would just freeze up. It took me months to pass my firearm certification again, but I still don't regret it."
"You sure?" he asks, his voice almost timid.
"Positive," you smile, nudging your thigh against his. "Besides, I didn't realize it until later, but it wasn't getting out into the field that helped me through my grief...it was meeting the team. These people became my family in the moment that I needed one most."
You turn back to your coffee and sip it again, though it's no longer as hot as you'd like it to be.
"How are you doing, by the way?" he asks suddenly. "With Garcia, I mean."
An involuntary shudder runs through you as you remember her pale face in her hospital bed last week, but the warmth of the coffee cup in your hands makes it pass quickly. "I'll never get used to it. But she's okay now, so hopefully it'll be easier this time."
***
You're jotting down notes in the margins of a new case file JJ asked you to look over when your cell phone rings. Hotch and Reid are at a nearby prison, interviewing a serial killer on death row for the Criminal Personality Research Project, so you're not expecting a call from either of them. The rest of the team, except for Rossi, is scattered around the bullpen, but you don't expect him to call you either.
After finishing the line you were writing, you check your phone and see a name you haven't spoken to in weeks.
"Haley," you answer after clicking open your cell. "Is everything okay?"
"I know you're busy," she sighs, her voice tight with what you can only decipher as irritation, "but I didn't know who else to call. Aaron hasn't been answering my phone calls."
You get up from your desk and step out into the hallway to get some privacy. "He and Dr. Reid are at a prison right now, interviewing a criminal for this research project. There likely isn't any cell service out there."
"It's not just today, Y/N," she says, her tone getting colder as she inadvertently directs her anger towards the only person she can get ahold of. "He hasn't been taking my calls for days."
"I can talk to him," you suggest, trying to keep your tone light in an effort to keep this conversation from derailing. "I'll tell him to give you a call."
"I appreciate that," she sighs, losing her steam. "I'm sorry for involving you, I just really need to speak with him about something."
"Is everything alright with you and Jack?" you ask her quickly, wanting to make sure that you aren't making the wrong assumptions about why she's calling.
"Oh!" she inhales sharply. "Yes, of course, we're doing great. Well, great maybe isn't the right word, I didn't mean- I just-" She sighs. "You know what I mean."
"I do," you assure her as your heart twists at the sound of her shallow breathing. You know how hard the separation has been on Hotch, but you know Haley too, and she has always been better at hiding her pain that she seems. "Where have you been staying?"
"With Jess," she says, her voice brightening considerably at the mention of her sister. "She's been a godsend. I feel terrible taking up so much of her space, but she doesn't seem to mind."
You smile, remembering the few times you met Jessica Brooks while Haley and Hotch were together. "She definitely doesn't mind. She always loved children. I bet she's already scheming on how to steal Jack from you."
Haley laughs, and the sound is like wind chimes twinkling in your ear. "She totally is."
Her laughter slowly fades, and you both stay on the line for a few moments in comfortable silence.
"I'll tell him to call you," you promise.
"I know," she sighs. "Thank you."
***
The prison was a bust, but Reid got a chance to use his intelligence to get them out of a tough spot without anyone getting hurt, so the day wasn't a total loss.
He is sitting in his office, drafting an email to the project coordinator, when you walk inside and take a seat in front of his desk.
"Thanks for knocking," he says sarcastically before finishing up the sentence he was working on. Once it's done, he saves the draft and turns off his computer. "How was Indianapolis?"
"Good," you say, leaning back in the chair. "Great, actually. Rossi got to close up the case that's been haunting him for a decade, and the three kids are finally safe."
"I'm surprised he wasn't more excited when he got back," he notes, watching your body language. You look wired, but not about this. Something else is bothering you.
"The unsub wasn't exactly the most gratifying arrest," you sigh, rubbing a hand over your temple. "We don't even think he committed the murders intentionally."
He frowns, shaking his head. "Those are the worst kind."
You're silent for a moment before you sit up straighter and look at him. "Haley called me this morning. While you were at the prison."
"Oh?" Something that feels like ice slithers down his spine even though he can probably guess exactly how the conversation went.
All week, he has felt an enormous weight on his chest in the form of a stack of divorce papers that Haley served him with. She had called him right after, with the explanation that they both should have seen this coming, but he really hadn't. He was a profiler, whose entire job was to notice and analyze human behavior, and he truly hadn't been able to let himself believe that this could be a possibility. That his marriage could actually be over.
"She said you've been ignoring her calls."
He had been ignoring them. He knew she would just tell him to sign the papers, and he couldn't bear to hear her say it again. Once was enough.
He reaches into his desk and pulls out the manila folder that he hasn't opened since his initial read-through. He suspects you already know what he's about to tell you, but he also knows that it won't feel real until he says it out loud. And it's about time he came to terms with what his life would be from now on. "Haley wants me to sign the divorce papers, uncontested."
"She doesn't want to involve a lawyer?" you ask, your voice delicate as you walk him through the explanation with clarifying questions. It's the technique they use when interviewing the families of victims, to help them feel comfortable as they talk about the hardest thing they've ever gone through. He's surprised at how reassuring it feels coming from you.
He shakes his head, running his fingers through his hair. It has grown out a bit since he last cut it, but he doesn't think he minds. Haley wanted him to cut it short when Jack was in his grabbing and teething phase, but now, he likes how he can push it back when he wants. "I don't want to sign, of course, but she's adamant that we get this done soon."
"You'll be okay," you say, and he looks up in surprise. "You're a good man, Aaron."
"I'm not," he whispers, heaving out a sigh. "I'm not doing anything right. At home, I was an awful husband and an absent father, and at work, Strauss would replace me if she had even the slightest bit more ammunition. I can't focus in either place. Maybe Haley's right, maybe I'm just selfish."
You lean forward and grab his hand, even as he doesn't look at you. "You're not selfish. You're the farthest thing from selfish. You don't want to sign, but you will. You're giving her what she wants, even though it's the last thing you want."
He nods, but his heart isn't in it. He glances down at the folder again and takes a deep breath as you give him a small smile and stand up.
"I'll see you tomorrow, boss?"
He nods again. "See you tomorrow."
When the door shuts behind you, he flips open the folder, faster than he meant to, but he's afraid if he doesn't do this quickly he'll lose his nerve. Grabbing a random pen from the mug on his desk, he uncaps it and scrawls out his initials on all of the earmarked lines throughout the stack.
When he finishes the last page, he shuts the folder and leans back in his chair, letting out a long exhale. He did it. He supposes he should feel some sort of severing away of his old life, maybe an audible snap as the ties to his marriage get cut, but there's just silence.
His office suddenly feels stifling, and he loosens his tie before reaching forward and lifting the picture frame with him and Haley on their wedding day. Her smile still looks beautiful to him, and his content expression as he gazes at her doesn't make him feel anything different. Their marriage may be over, but he still loved her.
He runs his thumb over the smooth edge of the frame, and then opens his desk drawer, before sticking it inside and pushing it closed.
***
"Thank you for watching him," Hotch says, his voice slightly muffled over the phone.
"Of course," you smile, sitting down on your couch with the pasta you made for dinner. "It was my pleasure. Jack's a total sweetheart."
Jess was out of town for a couple of days, so he had asked you to watch Jack while he and Haley met up to finalize the divorce in front of an attorney. She had been adamant about finishing the process over the phone, but he wanted to ensure that she and Jack would be taken care of after the papers went through.
"Did he eat lunch?"
"Kind of," you say, quickly swallowing the bite you took. "He didn't want a full meal, but I got him to eat some fruit and bread with cheese."
"I'll make him a snack soon," he says quietly, but you can tell he's just thinking out loud. "Alright, I'll see you at the office. Thanks again."
"Always," you tell him, genuinely. "See you."
The phone clicks off and you scarf down the rest of your pasta before doing your dirty dishes and cleaning up your kitchen. You're considering whether to change into your workout clothes so you can crank out a few miles on your Peloton, but then you hear a knock on your door.
You're not expecting anyone, and with Hotch watching Jack, it can't be him. You peek around the corner into your foyer to see who's at the door, and relax when you spot a familiar mop of brown hair.
"I'm sorry I didn't call first," Spencer says when you open the door, his fingers fidgeting with the edge of his book bag. "I just didn't know how to ask you this over the phone."
"Spence, what is it?" you ask, opening the door further to let him in. He doesn't step forward, and a pinprick of anxiety enters your system.
"If I come inside, I won't be able to do this," he says vaguely, before reaching into his bag and pulling out a flyer. He hands it to you and you read the title, the tension seeping from your body as the words sink in: Narcotics Anonymous for Law Enforcement.
"I know it's a lot to ask," he whispers, "but would you drive me to the meeting tonight?"
Your heart feels like it's about to crack open. Only a boy who was never looked after, never given the love and care he deserved, would think that something like this was too much to ask.
"It's not too much," you tell him, glancing down at the address. "I'll get my keys."
When he's settled in your passenger seat, you pull out of the driveway, not commenting on the fact that his car is parked on the street beside your sidewalk. You understand the need for company more than most people.
The drive to the rec center where the meeting is being held is mostly silent, but you don't press him. He stares down at his hands for most of the ride, and when you stop in front of the entrance, he unbuckles his seatbelt and turns to you. "Thank you."
"Of course," you smile. "I can wait, if you'd like."
He gives you a thin-lipped smile. "It's okay."
"You sure?"
He presses his lips together and looks at you, his eyes reflecting the question in yours.
"Go on," you say, patting his arm. "I'll be here."
He nods and steps out of your car, and you pull into a parking space to wait in while he's in the meeting. You turn on the radio and it's the same song they've been playing for the last week, so you turn the volume down low and close your eyes for a few peaceful moments.
You must have fallen asleep, because you're jarred awake by the chirping sound of your cell phone ringing. It's a bureau number, so you clear your throat and answer the call. "L/N."
"Hey, Y/N." It's JJ, and she sounds tired. "We have a case. It's urgent, so we're flying to Texas tonight."
You sigh louder than you meant to. "I can be there in 20."
"See you soon."
The line clicks off and you rub the sleep from your eyes. A quick check of your watch tells you that you were only asleep for about a half hour, but that's just half of the meeting time. You know Spencer will come back when he gets the call, so you turn the radio off and sit up in your seat.
A few minutes later, he returns to the car. You saw him just over 30 minutes ago, but he already looks lighter than he did when he got to your house.
"I'm proud of you, Spence," you tell him as you start the car.
He nods, a quick thanks. "This federal agent gave me his one year medallion after I left the meeting. I've only been clean for 10 months, but he still gave it to me."
"He believes in you," you say simply, glancing over at his confused expression.
"He doesn't even know me."
You shrug. "You don't have to really know someone to care about them, Spencer. You just have to see something of yourself in them."
"Is that what you see in me?" he asks, finally looking at you.
You consider this for a moment. Is that why you feel so protective over him?
"I don't know," you say eventually, not wanting to lie, even by accident. "I definitely wasn't as smart as you were, or as focused. I wasn't all that driven in high school at all, to be honest. I was lucky to have Hotch. He gave me the push I needed to get out there and focus on school."
He's silent for a minute and you worry you may have said something wrong. Then: "I didn't have anyone in school." He pauses for a beat, before speaking again, his voice quieter this time. "I was in the library one day, and this girl comes up to me, and she tells me that Alexa Isben wants to meet me behind the field house. Alexa Isben was, like...easily the prettiest girl in school."
You frown, already not liking where this story is going. "Did she not show up?"
"No, she was there." His voice sounds almost resigned, but there's a note of something darker underneath. Something raw and painful, that likely still hurts after all these years. "But so was the entire football team. They stripped me naked and tied me to a goal post. So many kids were there, you know, just watching."
"No one stopped them?" you ask, trying to keep your voice steady.
"I begged them to, but they just...they just watched. Then finally they got bored and they left." He clears his throat, and the sound is small, like a little boy's. "It was like midnight when I finally got home. And my mom didn't...Mom was having one of her episodes, so she didn't even realize I was late."
"You never told her what happened?"
He shakes his head. "I never told anybody. I thought it was one of those things that I thought if I didn't talk about it, I'd just forget. But I remember it like it was yesterday."
"You don't need an eidetic memory for that, Spence," you whisper, trying to stay focused on the road even as his words swirl into your memories and create an agonizing hurricane of emotions. "I was only ten years old when my mom was killed, but I can still remember every moment of her funeral."
The field office comes into view and you push forward as you scan your badge and slide into a parking spot below the upper garage. When the car is in park, you undo your seatbelt and turn to him. "I know how hard it can be to push away the painful memories, but there's something more important that I need you to remember."
"Remember what?"
He looks at you then, and you reach forward to squeeze his hand. "You're not alone anymore."
***
"Is it always this hot?" You look up at the beating sun through your shaded sunglasses and fan your face with both of your hands.
"Every day, all day," Emily huffs, running her fingers through her bangs to unstick them from her forehead.
Everyone is sweltering in the Miami heat, but then Derek gets off the plane with a wide grin, his skin glistening in the sun, and you resist the urge to throw your bag at him. "South Beach, baby."
He immediately shuts up when he spots the stunning Miami PD detective who called your team in for the recent string of murders. JJ shoots you a smirk before introducing her to the team. "Detective Lopez. We spoke on the phone."
"Tina," she corrects, before shaking her hand. "Thank you for coming down so quickly."
"Hey," Emily says from beside you, making you turn to see what she's looking at. "Isn't that..."
You spot the person she's referring to, and your face splits into a big smile. "Detective LaMontagne!"
"He's here to ID the cop they pulled from the bay last night," Tina explains.
You don't miss the flush in JJ's cheeks as she shakes his hand. "Detective, good to see you."
"How are you?" you ask, giving him a quick hug that he returns.
"Yeah, Charlie Luvet and I worked together for seven years."
Derek frowns. "Sorry for your loss, man."
Tina looks confused, and you don't blame her. "So, you all know each other?"
"Professionally," JJ is quick to add. Will whips around to look at her, and you turn to Emily with an eyebrow raise, feeling like you're intruding on a private moment. You aren't sure why she won't just admit that they've been together since New Orleans, but that's her business.
***
You join JJ and Will at the IDing of Officer Luvet, and you keep your distance as he glances down at the body and affirms the report.
"Yeah, that's him."
JJ looks like she wants to comfort him, but instead she sticks to the professional approach. "If you need help making arrangements, liaising with families is part of what I do."
Will nods, his voice choking up slightly. "I might just take you up on that. Excuse me, I'll be outside."
When he steps outside of the coroner's office, you can't help but notice the longing look on JJ's face as she watches him go.
"Let's go," she says to you softly, her eyes still on the door. You follow her outside, but by then Will is nowhere to be found.
"It's okay, you know," you blurt out. You weren't really planning on talking to her about this, but sometimes your mouth takes over before your brain can catch up. "I know you worry that being around a band of profilers all the time makes you vulnerable."
"I'm not sure what you're talking about," she says simply, not quite meeting your eye.
"JJ," you say seriously, trying to convey your pure intentions. "If you keep trying to hide it, you'll lose him."
She purses her lips, and you squeeze her forearm, hoping you aren't pushing past her boundaries. The whole team is sparing with details about their personal lives, but you like to think that you're someone people feel comfortable sharing things with.
"I know you, hon." You flash her a knowing smile, feeling a shot of satisfaction as her lip twitches. "I know that it's enough for you to know that you care about something, but it's not enough for everyone."
She exhales, tucking her hair behind her ears. "He's upset with me, but I don't know what to do. I'm still scared."
You sigh, understanding her predicament, but still wanting her to push past it. "You can let yourself be happy, JJ. You won't always get hurt."
She nods before glancing around the room again, searching for Will even though he's long gone. It's an instinct you recognize.
Later, when JJ finally acknowledges their relationship by pulling him in for a kiss at the police station, you can't help but take it as a win.
***
Your house feels emptier than usual when you get back from Miami. Seeing JJ and Will find each other again reminded you of how much you miss having someone to share your life with.
Deciding to take a night to yourself, you pop open a bottle of red, and pour yourself a glass, which you swirl around before taking a sip. It's drier than you tend to go for, and when you check the label, you realize that's because you didn't buy it.
How can you drink this stuff?
It makes me feel sophisticated.
Jeff would break out the fancy glassware every chance he got, because he didn't believe in special occasions. He used to say that people waste precious moments of their life waiting for the right occasion to come around.
The memory feels warm in the back of your mind, and you take another sip of wine before walking over to your cupboard and grabbing the fanciest wine glass you can find. You pour the rest of your wine into the new glass and place the other in the sink, before swirling it around again. No time like the present.
You bring the glass to the couch with you, where you turn on the television and skip through the first few channels. As the wine in your glass depletes, the loneliness sets back in. You're about to pour yourself another pity glass when your phone buzzes with a call from Hotch.
"Do your television channels suck as much as mine do?"
You smile, muting the television and pressing the phone to your ear. "Definitely not."
He chuffs. "I guess I'm not used to the new tv controls."
Right, his new apartment. After the papers were finalized, he gave the house to Haley and moved into a new place ten minutes away.
"We can share mine," you say, listening to the sounds of his breath over the receiver. "I also have wine."
That gets a laugh. "I'll be there in 15."
You hear a knock on your door exactly 14 minutes later. When you open it, you're greeted with the sight of Hotch in a tee shirt and jeans. "A little underdressed, aren't we?"
He snorts, taking the wine glasses from your hands and following you into the family room. "What are we watching?"
"You're the one with the broken tv," you grin, flopping down on the couch and taking your glass from him. "What do you want to watch?"
He thinks for a minute, before his eyes sparkle with an idea. You cut him off before he can suggest what you already know he will. "We are not watching Top Gun again, Hotch!"
"You asked," he shrugs, hiding his smile behind a sip of wine. "What do you want to watch, then?"
You can see him watching you over the rim of his glass, so you blurt out the first name that comes to your mind. "Footloose."
He looks at you blankly for a moment, before his brow twitches, and your jaw drops. "You haven't seen Footloose?!"
"It came out when we were in high school," he groans, taking one of the throw pillows off the couch and stuffing it behind his back. "Terminator and Dune came out that same year. I remember because you tried to get me to watch it then too."
"It's an amazing movie!" you exclaim, standing up to go dig through your movie cabinet. "We're watching it right now."
He groans and sinks back into the pillows as you find the DVD and start the movie. You've seen it at least a dozen times, mostly because it makes you nostalgic for your teenage years, but the opening still gets you excited.
As the movie plays, you keep glancing over at Hotch, trying to see if he's enjoying the scenes just as much as you did on your first watch. To his credit, he watches the movie faithfully, without checking his phone or straying from the television screen.
"Enough," he grumbles suddenly, startling you.
"What?" you question, whipping your head around to face the screen.
"I'm watching the movie," he huffs, fixing you with a pointed look. "You don't have to keep checking."
You frown, hugging a pillow to your chest. "I wasn't checking, I just like seeing people's reactions to my favorite movies."
"Either way."
You groan, reaching out to thwack his arm.
"Eyes on the screen," he berates you, pointing at the TV. "The dance scene is starting."
You sip your wine bitterly as you try to resist the urge to glance over at him. Eventually, the movie takes over your attention and soon it's the final town council scene where Kevin Bacon gives a speech to the whole town.
"'There was a time for this law'," you quote along with the movie, "'but not anymore.'"
The movie comes to an end, and you click the remote to turn off the television. When you turn to Hotch with an excited grin, you're surprised to see that he has fallen asleep.
His head has fallen to the side, resting on the armrest, and he looks so peaceful with his expression completely neutral. His characteristic frown is nowhere to be seen as he snores quietly through his nose.
Your lips curve into a smile as you stand up and grab a blanket from a basket beside the couch. You drape it over his body, being careful not to wake him, and take the wine glasses to the sink before heading up for bed.
***
"That's because you pick horses the same way you practice law."
You hold your breath as he glances into the crowd for a brief second.
"...by always taking the long shot."
Emily snickers under her breath, and you see even Reid crack a smile as the lawyer starts floundering. The rest of the day in court goes by quickly and you all wait for Hotch in the hallway of the courthouse as he finishes up inside.
"That was impressive," you grin, nudging his shoulder as he walks alongside you. "I can't believe that was my first time seeing you in full prosecutor mode."
"Hardly," he says, rolling his eyes lightly. "I was called to give testimony, it's very different."
"I'm just surprised that prosecutor is still walking after how hard you hit him." He shoots you a look and you raise your hands in surrender. "Metaphorically, of course."
"That was a straight knock out." Derek comes up behind you and throws an arm around your shoulder as he spins you both to face Hotch. "The crowd practically cheered when you cleaned the floor with him."
"Thank you," he concedes, flashing his eyes at you. "Now let's get back to work. We still have to get more evidence for the rest of the trial."
And just like that, everyone switches back into work mode. Derek drops his arm and jogs forward to catch up to Rossi and Spencer, while Emily calls Garcia to get the latest update.
Using the moment of solitude, you bump his shoulder again. "Do you ever wish you were still a prosecutor? Your life would certainly be a lot simpler."
He shakes his head, the answer coming quickly and firmly. "I couldn't do it then, and I still couldn't now. Seeing the murderers come in after they've finished killing...I needed to know I could stop them before they were done."
His sentiment sounds familiar. Your mind flashes back to the little boy who took matters into his own hands, because no one could stop the pain for him.
You blink and it's present day again. You loved your best friend who fought his own battles without asking for help, and, even though he's vastly different, you love your best friend as he is now.
***
"Five shootings in two weeks."
"It's about time we got the call."
The whole team, plus Garcia, flies up to New York, where an unsub has been shooting people around the city, seemingly at random.
"Kate Joyner heads up the New York field office," Hotch explains, glancing down at his cell phone. "She's running point on the case and called me directly."
You have heard of her, which isn't too surprising, but all you know is that she's British and seems to be very good at her job.
"You know her?" Morgan asks him, echoing your thoughts.
Hotch nods. "We liaised when she was still at Scotland Yard."
They liaised. You don't know what that implies, but you also know that he and Haley didn't take a single break during their relationship after graduating college, so it can't be anything too personal.
JJ and Emily share a look, but you don't engage with them, instead looking back at the case file and trying to focus on any of the words that aren't 'Kate Joyner'.
***
"Kate."
A pretty blonde woman approaches you all with a smile only for Hotch. "Aaron. How have you been?"
He nods. "Well, thank you. This is my team." He introduces each of you to her, but you don't miss how her eyes linger on you when he mentions your name.
"Thanks for being here," she says, before walking you all through the background of the case. Shootings in different precincts, seemingly random, FBI only brought in after the fourth murder.
After explaining the details and introducing you to the local detectives on the case, she pulls Hotch aside for a private word in her office. You turn back to the team, trying not to let your gaze linger on them as they walk away.
The NYPD doesn't seem happy that SSA Joyner has taken over their case, but even though she comes off as a bit brusque, you can tell she cares about catching this unsub just as much as they do.
"What's your partner's problem?" Reid asks Detective Cooper, the only local officer who has made an effort to meet any of you.
"We're glad the FBI was brought in," he explains with a heavy sigh, "but all of a sudden Joyner's taking meetings with the mayor and calling in you all without us knowing anything about it."
You can understand his hesitation, but you also need his cooperation if you're going to get anything done here.
"We're only here to help," Emily tells him as you turn around to find JJ.
"Has Garcia gotten settled in with the New York tech analyst?" you ask once you find her staring at a map of the various boroughs. She doesn't answer immediately, so you nudge her shoulder. "JJ?"
"Huh?" she startles. "Oh, sorry, yeah. She called a few minutes ago, she's all good."
JJ is usually the focused one who brings you back on track, so you're surprised by how distracted she seems. You nod in acknowledgement, scrutinizing her expression for another second, before heading back to the team. Your eyes involuntarily dart over to Kate's office, and you notice how close together she and Hotch are. You're about to avert your eyes when their body language becomes a bit clearer: each time she leans in to say something, he subtly pulls back.
The dynamic of their relationship is suddenly apparent, and you mentally kick yourself for daring to assume the worst when he first mentioned her. You can't say the same for your opinion of her, though. He's still wearing his ring, for God's sake. Based on how little you've heard about her from him (nothing, you mean), you doubt she even knows about the divorce yet.
Derek and JJ head out with the detectives to check out the last crime scene, while you stay back with Emily and Spencer to build the anti-geographical profile. When another victim is shot, you head to the new scene to see if you can build a working profile.
"It's a different borough again," you sigh after getting out of the SUV and joining Hotch, Kate, Derek, and JJ in front of the body. "Prentiss and Reid are back at the office still working the profile from a geographical angle. We're starting to think maybe we should get officers out onto the high-traffic intersections, and maybe even get some of us out there too."
"Uniforms are rounding up witnesses," Kate jumps in, ignoring you. "It doesn't seem like anyone got a clean look."
You see Derek glance at you out of the corner of your eye, but you don't entertain the look. If she has some issue with you that you aren't aware of, you won't give her the satisfaction of letting her get to you. "The unsub's probably gone before anyone even realizes it's happening,"
Hotch nods, turning to face Kate. "Is this what it felt like during the Son of Sam."
She returns his gaze. "First we realized that if the violence was truly random, there was almost no way of stopping it. Seems like these people have figured that out."
You look up, trying to see if there's anything in the vicinity you can use to ID the unsub. Your eyes catch on a security camera outside one of the delis directly behind you. "From the placement of that camera, odds are the only view they're going to get is the back of his head."
She frowns. "Let's not be too quick to decide what we do or don't have."
This time it's both Derek and JJ that glance at you, but you turn to Hotch, who is avoiding meeting your eyes. Kate steps away to speak with the detectives at the scene, so you grab his arm and pull him aside. "What is her problem?"
He exhales, rubbing a hand over his face. "FBI brass has made it clear to her that if she doesn't bring this case home, she's going to be reassigned. And you are at the top of the list to replace her."
"Replace her?" you echo, trying to process what he's saying. "I haven't even been in the BAU that long."
"It's not about field experience," he says, angling his body so that you're separated from the others. "You've been with the bureau longer than I have, and your work speaks for itself. It's not a surprise that they'd want to promote you."
You still can't wrap your head around the fact that you could be leading a unit yourself, or that you may have to leave the team you love, so you focus on what you do know. "I thought the bureau was proud of the fact that they stole her from Scotland Yard."
"I don't know," he shrugs, glancing back at her. "Politics here are different."
***
After finishing up at the crime scene, the whole team heads to the hotel to get some rest for the night. You feel more alert than you usually do after a long day of building a profile, and you adjust your bag strap on your shoulder as you dig around the side pockets for your room key. You don't plan on going to bed for at least a few more hours, and you might as well use the time to work on the case, but you need your key if you're going to get any sleep at all.
When your fingers finally catch on the thin plastic card, you look up to see a familiar face that you've been seeing more often than not, as of late. "Wait, isn't that..."
JJ looks up with a start, and she doesn't look distracted for the first time all day. "Will."
He gets up from the lobby chair he was lounging in and approaches her. "Hey, I took a shot and flew to D.C., but when it didn't work, I figured a train ride to New York was only a few more hours."
"Detective." Hotch reaches out and shakes his hand, before glancing at you with a frown that says, Did you know he was coming?
You shake your head imperceptibly and turn back to Will as he looks longingly at JJ. "Look, I'm sorry for showing up like this. I know you're working, but I can't stand you being on this case and me not being near." He pauses for a beat. "Not with what's going on."
That makes you frown too.
Hotch echoes your thoughts. "Is there a problem?"
JJ takes a deep breath and turns around to face all of you. "I'm pregnant."
Oh my God.
"Oh, my God," Emily exclaims, pulling her into a hug, the first of you to regain her bearings after hearing the news. "JJ, congratulations."
"That's amazing, JJ," you grin, hugging her next.
You don't miss how stiff Hotch is as Will shakes his hand. "I've asked JJ to marry me."
"Will," JJ says tightly, a warning in her voice.
He chuckles. "Well, we're working out some kinks."
"We'll give you both some privacy." Hotch turns away from them, his face falling the moment she can't see him anymore. You know he's hurt that she didn't trust him with this information, but you're surprised by just how downtrodden he seems.
JJ rushes after him. "Hotch-"
"JJ, you could have told me," he says softly, his voice both confused and stung.
She looks down. "I know."
"Because I understand if you need to take some time."
"No," she shakes her head, without a look back. "I want to be here."
"Okay," he nods, not looking at any of you. "7:00 AM."
You try to catch his arm as he walks off, but he either ignores it, or he doesn't feel you reaching for him. You choose to believe it's the latter.
***
You all deliver the working profile to the police officers first thing the next morning. While you're explaining an alternate possibility, Garcia calls with an update that a possible unsub was caught on camera shooting someone on a subway platform at one of the intersections you suggested that your team patrol yesterday.
"We could have had that guy," you say, your voice fuming with anger as you turn to Kate with a glare you haven't used in ages.
She doesn't falter. "Even if we were on that platform, odds are he would have moved onto someone isolated."
"Maybe, but it was worth taking a shot."
She fixes you with a stare. "I had every available man on the street."
"And I suggested to you that you use this team." You can't believe that her decision to ignore your advice yesterday might have just cost someone else their life. You can see the rest of the team looking at you with some blend of concern or indignation on your behalf, but you don't care. You just need Hotch to back you up.
Instead he just looks at you. "L/N, second-guessing doesn't do us any good right now."
You're so angry, you can barely see straight. Emily reaches for your arm, but you shake her off. "Hotch, how are we supposed to look these cops in the eye and tell them that we're actually here to help them, if she won't let us do our job?"
"We're here to present a profile," he says simply, not quite meeting your eye. "That's what we need to do."
You gape at him, your back straightening as you get ready to stand your ground. You don't disagree on things like this often, but when you do, it's usually a civil conversation that gets resolved quickly. You've never felt this angry about his handling of a case before, but then again, he's never not had your back before. "We've got seven bodies, Hotch."
He looks at you then, and you can't discern anything from his expression. It's a blank slate that sends a shiver down your spine. "It's not your place to have this discussion."
"Screw you."
You spin around, shoving away Derek and Emily as they try to talk you down. You stalk past them and out of the field office, where the cool evening air fills your sinuses and clears your head for a moment of silence. You stand on the sidewalk for a few seconds, waiting, and when he doesn't follow you out, you just manage to convince yourself that you're not disappointed, but relieved.
***
You're sitting at the hotel bar when Rossi finally finds you. You only ordered a lemon water, still feeling like you're on the clock, even if there's a good chance Hotch won't let you back into the investigation.
"I know," you huff when he takes a seat beside you. "I was out of line."
"You got too emotionally involved," he says, turning to face you. "I know you and Hotch are friends, but that doesn't mean you get to be unprofessional."
You sigh, your body deflating as all the fight leaves you. "I just felt like he was taking her side. Like he didn't have my back."
"There are no sides here."
You nod. "I know."
"And he does have your back." You look at him then, and he flashes you a small smile. "That man will always have your back. Right now, he's just worried about how Kate is holding up, with the word on the street."
That surprises you. "You know about the promotion?"
He nods. "People talk. But if she were to get fired, it would be because we didn't solve this case."
You frown, lifting your hand in defense. "Rossi, I hope you're not saying you think I want her to fail."
"Of course not," he shakes his head. "I just hope you know what you're doing."
"I lost my head for a second," you acknowledge, taking a sip of water. "I think I just needed a minute."
"And you got it," he says simply. "But right now, I see someone who wants to get back on the job. Or is there another reason why you ordered a glass of water at a bar?"
You set your glass down, letting out a surprised chuckle. "Where is everyone now?"
You both stand up, and he leads you out of the lobby. "Joyner took your advice. We're spreading out across the city."
***
"Emily, what happened?"
You rush forward to where she is standing over the dead body of a young man. Detective Cooper was taken in an ambulance to a nearby hospital after getting shot, and you only just arrived on the scene.
"He was strangely calm," she whispers as Derek and JJ come up behind her. "It's almost like suicide by cop."
"Why?" JJ thinks out loud. "Why would he do that?"
Derek looks at you. "We need to walk back through this profile."
Hundreds of thoughts are swirling through your brain, but based on the look on everyone's faces, you can tell they're thinking the same thing you are: terrorism.
After the crime scene officials arrive, you head over to your SUV to get back to the field office. Derek heads out to brief Homeland Security, and Reid leaves to talk to the Port Authority police, while Hotch and Kate call with the update that they will be going to speak with the mayor's office.
You start your SUV and pull out into the street when a loud explosion goes off a few streets behind you, the plume of smoke and fire large enough that you catch the high end of it in your rearview mirror.
You screech to a stop, just as your phone starts to ring.
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lemonadeinfuser · 7 days
Text
Holiday House
Aaron Hotchner x Fem Reader
In short: Hotch needs help, and you need a job. Part 1 of ?? we shall see how far this goes :) Warnings for mentions of alcohol (very infrequent) possible mentions of smut/cut to black scenes in the future! ;) __ Is in place of Y/N!!
“And the town said, ‘How did a middle class divorcee do it?’”
Aaron Hotchner was never one to admit to needing help, let alone one to ask for it. But as he sat in the dim light of the kitchen, a case file in one hand, a glass of whiskey in the other, a million thoughts ran through his head. His thumb rubs his temple gingerly, averting his gaze from the graphic crime scene polaroids, over to his son’s bedroom. Just a few hours earlier, he had called off abruptly to pick up Jack prematurely from school, after he had climbed to the very top of the jungle gym in an attempt to do something Garcia called “parkour”.
He survived with only a few scrapes and bruises, but it was clearly a drastic cry for attention.The door was open ajar, illuminated only by the dinosaur night light, casting a soft blue glow over the sleeping boy. When Haley had died, he had quickly realized that being a full-time father would not prove easy with his job. As time went on, it only got more difficult for him to divide his attention- and Jack’s recent episode at school was a cruel wake up call. One thing was evident- he needed someone to attend fully to him, and Hotch needed the ability to commit fully to his team, and to the BAU.
So, first thing in the morning, Penelope was faced with a curt knock on her office door. Spinning around in her chair, she rises and opens the door, Starbucks in hand. “Fancy seeing you here, hands- Oh, hello, sir, m-my apologies. I thought you were Derek.” She cleared her throat, but arched an eyebrow as she detected a faint twinkle in Hotch’s eyes. “Garcia.” “What do you need sir? Stats? Access to a secure database?” She spins around quickly, already typing the nearest case details into her supercomputer. “Well, actually, it’s more of a personal question. Do you happen to know any, uh, childcare workers?” “Like a nanny, sir?” He cringed at the cutesy word, but nodded nonetheless.
“Yes, I suppose.” Garcia pushed her glasses up her nose slightly, observing the man in front of her. Although she wasn’t technically a profiler, she knew Hotch well enough to find things out of place, as they were now. “Actually, yes, sir, I know just the person.” A slight plot began to form in her head, as she sent a number through her printer and into Hotch’s hands. “That’s my friend, __. She’s perfect, lots of experience, Jack would love her. Actually, sir, you would too..” Hotch fumbles for a second, before raising an eyebrow in her direction. “That’s quite enough, Penelope. This is strictly for Jack’s benefit. I appreciate this, however.” He nods curtly, backing out and bumping straight into a coffee-bearing Morgan. “Trying to steal my girlfriend, boss-man? Not cool.” Derek chuckles, pushing past him politely and planting a kiss on Penelope’s cheek. “Damn, I beat you to it!” He gestures to the coffee already in her hand. “I can always use more,” Penelope giggles.
Hotch shuts the door quickly, glancing down at the number in his hands. He walks quickly back to his office, passing right by Spencer and Rossi arguing about something or another. “With all due respect, sir, Logan Paul has absolutely nothing against Mike Tyson-” “He’s a billion years old!” Shaking his head slightly at his team’s banter, Aaron sinks into his chair, punching the number into the landline on his desk. Everyone else may use cellphones now, but Aaron still preferred the old fashioned way, when it came to business.
You had just finished an extremely degrading night shift at the diner, picking up your phone with a raised brow as you exited the back room. “Hello?” “Hello, this is SSA Aaron Hotchner. Is this __?” Your heart rate picked up- maybe from the fact that an FBI agent was calling you, maybe because his voice was low and steady and weirdly attractive. “O-oh, um, hello sir do you- need something?” Hotch takes notice of the light and airy pitched voice on the other side of the line, and something about it makes his heart skip a beat. He ignores it, proceeding, “I was wondering if you were prepared to interview for an in-home, uh, nanny job? For lack of a better word. Penelope Garcia gave me your number, and I trust her judgment for better or worse.” A smile spread across your face. “Absolutely, sir. When would be a good time to meet, Mr Hotchner?”
It’s strange. Aaron gets called sir about a hundred times a day, but something about your innocent voice sends a shiver down his spine that he can’t explain, but does his best to ignore. “Why don’t you stop by my house at around 6 tonight? We can talk, you can meet Jack, and we can go from there.” “That works for me, sir.” You smoothen out your skirt, a sudden blush chasing your cheeks as you think about meeting this mystery man, one you’d only heard anecdotes about from your best friend and her boyfriend. “Perfect. I’ll have Garcia send over my address.” The line clicks before you get the chance to respond, leaving you slightly flustered, with your hands wrapped around your cellphone a little more tightly than you thought, almost as if you were holding onto the idea of him. The poor man, left alone with his son, with a job like that.. You shake your head, quickly grabbing your purse, clattering your nametag down on the counter with a defiant “I quit.” to your manager as you happily left that damn place for the last time.
Back at the office, Aaron watches his team out in the bullpen, Morgan and Garcia enveloped in something on his desk while Spencer spins a rubix cube towards Emily, with a “good luck” sort of look. He’s not sure what the emotion he’s feeling is, but whatever it is, he brushes it off and grabs the case file dropped off earlier, emerging into the open office, with the same professional air as always- if a little less uptight than usual.
“Who knows, if she never showed up, what could have been?”
A/N: AHHH this was so so much fun to write!! I hope my writing style and the way I write Hotch is okay, I’m still new to the fandom and show but I did my very best! Suggestions are always welcome! Please like, comment, reblog and send me requests!
-e.a <33
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buttercup--bee · 1 year
Text
“The Beach” by The Neighborhood is literally Mason’s/Morgan’s romance theme for the series, I swear to god.
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alovesongtheywrote · 3 months
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nightmare academia puts me through the ringer EVERY TIME and i love it
♥ Summary: in a few chapters, it's gonna get worse!! for now tho... In this chapter of Nightmare Academia, case stuff ensues and you prepare for heartbreak. [Prof!Spencer Reid x GN-Prof!Reader]
♥ Warnings: cops. cops being terrible, cops exploiting the system, and cops shaming a woman for being a sex worker. also, violence, implied violence, and past violence.
♥ A/N: holy shit, this chapter is Very Long
♥ Word Count: 4885
Series Masterlist
♥♥♥
In the weeks that followed, Spencer brought the BAU to you.  Of course, not everyone could make it.  Kate Callahan was off raising her children.  Penelope Garcia was the target of several  hitmen (whereas Frank was probably the target of a single hitman.  Massive difference.  Trust me.)  And Derek Morgan remained at Quantico with Garcia- so you really weren’t sure what to expect.  The agents you had the strongest feelings about were out of commission.  The last time you’d met his team it did not uh, how would you put it?  End well?  So you were- justifiably- a touch guarded.
That changed. Eventually.
It started with Adam.  
At that point in the investigation, local law enforcement had only shown your friend cruelty, distrust, and skepticism.  Honestly?  You were about to start biting people about it.  (Yeah, maybe it would have gotten you arrested, but at that point, you did not care.  At the very least, biting would make you feel productive.)  You were well and truly prepared for Spencer’s law enforcement team to behave in a similar manner to the local cops- and to be honest, you probably should have been.  Most Feds would carry that same suspicion and distrust, and if they didn’t they were probably faking it to try and get a confession.  
The BAU, however, are not most Feds.  For several reasons.  Either way, you were well and truly prepared to maul the next person who treated your friend like garbage, fed or otherwise.  There was never a need.
The BAU showed Adam basic decency.  They didn’t talk down to him or dismiss him as a demeaning stereotype- and yes, that was the barest of bare minimum, but it was still something.  While they regarded him with mild suspicion for the first like, two minutes, it only took the team that same two minutes to come to the conclusion that Adam was innocent.  After that, the BAU was just as dedicated to clearing Adam’s name as you were.
“Adam had an incredibly emotional response when we mentioned Frank,” Hotchner explained to the local detectives, “He’s genuinely devastated by what happened.  He couldn’t have done this.  Even if he did attack Frank, it wouldn’t have been a clinical hit.”
“Emotions tend to make things messy- we would have seen something much more personal, with more violence and more remorse,” Rossi added.
The detectives did not listen.  The detectives did not care.  
“I’d say a gunshot wound is pretty messy,” one laughed.
“Yeah,” another jumped in, “Try telling the vic’ that things aren’t messy.”
You bit your tongue to keep from screaming, but you didn’t stay entirely silent.  If the detectives weren’t going to give a shit on their own, then you were going to make them.
“Have you actually?” you asked, crossing your arms, “Have you spoken to the victim?”
“Eh, someone else got around to it,” the first detective asked, looking at his partner with the special kind of uncertainty that came with getting called out.
“Did you read the report, then?”
“Well, I’m on the case, aren’t I?”
“Answer the question, detective.”
In the telling silence that followed, Rossi had to turn away to hide his (failed) attempt to suppress a grin.  Hotchner looked proud, despite not knowing you very well.  Spencer looked like he might grab you by the waist and kiss you until you were out of breath.  He didn’t, though, for lots of reasons- his boss was there, he hadn’t asked you if you’d like to be kissed, there was more serious stuff to focus on, and like… you already looked fucking pissed.
The detectives just looked embarrassed.  
“I- uh.  I’ve skimmed it,” the first detective stuttered out.
“Yeah, cool, not good enough,” you nabbed the case file from a nearby desk and pressed it into the officer’s hands, “Consider reading the report.  You’ll find that the victim disagrees with you.”
Both detectives stared at the file as if they were seeing it for the first time- as if they were seeing a file for the first time.  You sighed.
“Detective, if I may ask, how much overtime have you put in on this case?”  the man in front of you blanched at your question.  You would’ve laughed if you weren’t so fucking angry, “Cool.  I thought so.”
“Ough,” Rossi winced with faux sympathy, “Overtime?  And you haven’t even read the case file?”
“Hey, we’ve been very busy these last few weeks!”
The second officer nodded, “Just last week, we had five break-ins in the downtown area.”
“Alright, I’ll accept that,” you turned to leave before doubling back, “But before I go, I need to ask- do you care about the wellbeing of the break-in vics the way you care about this case?  Do you care about all victims so dearly?  Or do you treasure their testimony the way you “treasure” the testimony in this case?”
“What?  What are you saying, what do you-”
“I’m gonna go out on a limb and assume it’s the latter.”  
“What?  Okay, what the hell do you know about police work-!”
“They’re an expert criminologist,” Spencer said, seething slightly.
“Dr. Reid is right.  I know a thing or two about crime- and if I’m just gonna put it this way.  I’ve seen the data.  I’ve heard testimony from victims and offenders.  I know the local and nationwide statistics for unreported crimes.  You’re concerned about the victim hearing that his case isn’t messy?  Look me in the eye and tell me that you’ve never told a victim that their situation- their serious situation- was a waste of police time.”
The officers couldn’t look at your face, much less your eyes.  You had done what you needed to do.
“You wanna solve crimes?  You wanna be the hero?  Then take a goddamned ethics class, read your fucking case files, care for your community, and do your fucking job.”
The detectives tried in vain to defend themselves.  They were unsuccessful- especially in the face of the three FBI agents that immediately backed you up.
“Dr. (L/N) is right.  The number of unreported crimes will astound you,” Rossi said, smirking like the little shit that we all know he is.
“This is especially prevalent with sexual assault cases, theft and scams, and other crimes where the victim may feel a sense of embarrassment- or crimes where the victim feels like their case won’t be taken seriously,” Spencer added in a very Spencer-like way.
“And everything you need to know about this crime is in the file.  If you’d read it, you’d know that the victim is very insistent that your guy didn’t do it, and one could say that, oh, I don’t know, he’s a strong eyewitness.  He is the victim and all,” Rossi continued, getting their asses.
They struggled to respond, “Well- I-  We-”
“And even if you discount the eyewitness testimony, there’s still the matter of alibis and ballistics.  Security cameras have placed Adam away from the community center at the time of the shooting.  The ballistics aren’t a match to any weapon that Adam has ever come into contact with.  Even if they were a match, he hasn’t handled a weapon since his release from prison as a condition of his parole.  But if you had checked the file, you’d know that,” Hotch added, also smirking like a little shit, but with a slight edge to it- that edge, kids, is called “pissed off authority figure.”
“Hey, it-”
“It just sounds like poor police work to me,” Spencer had the biggest smirk of all- the smirk of a little shit who’s proud of his team and of his hot co-professor, “Had you actually done any of your research, you would realize that the suspect you have in custody is being held on police bias and circumstantial evidence.  Any good lawyer can get this case thrown out, and then where will you be?”
His smirk turned to a full grin when you shot him a small smile of your own.
The detectives continued to sputter out responses.  For once, the second one spoke, “Now, we may not be fancy FBI agents, but this precinct has a solid track record of convictions-”
“Were those convictions based on circumstance and bias?” Neither detective answered Spencer’s question.  He continued, “Even if this precinct had a perfect track record, that wouldn’t make it invulnerable to mistakes- and even if it did, you would still have the responsibility of approaching each case like professionals to ensure the wellbeing of victims, suspects, and families.”
“I couldn’t have said it better myself,” you slid forward, putting a hand on Spencer’s arm, “Now if you’ll excuse us, we’re going to go speak with the victim.  His name is Frank, by the way.”
And just like that, you pulled Dr. Spencer Reid away- and he did not resist in the slightest.  In fact, he held the door open for you as you exited the precinct.  Rossi was pretty sure he saw the kid get behind the wheel.
As the detectives scurried away with their tails between their legs, the older agent let out a long whistle.
“Well, I think it’s safe to say that our young Dr. Reid is officially smitten.”
“He was smitten the last time we were here,” Hotch said, pulling another copy of the case file from seemingly nowhere- one of his many unit chief powers.
“Yeah, yeah, but this time it’s bad.  Garcia’s gonna be mad that she didn’t get to see it.”
Hotch nodded, solemnly.
“Y’know, I think the three of them combined could probably take down the whole FBI.”
“You’re right,” Hotch snapped the file closed with a tiny little proud-dad-type smile, “We’re awfully lucky that they’re focused on something else at the moment.”
-
Missy got your guard to drop further.
Initially, she was hesitant to have the Feds drop in on Frank’s case- you both were.  You were used to local law enforcement treating her like shit.  You didn’t stand for it- every time a cop or lawyer so much as dared to look at her wrong, you bared your teeth like a damn dog and threatened to bite where it would hurt.  Y’know.  Lawsuits.  Missy wasn’t exactly a pushover, either.  She was one of the strongest people you knew, and you were well aware that she could hold her own.  If Missy wanted to be scary, she could be fucking terrifying.
Still, it was a little exhausting to fight all these battles against people in positions of authority who were so convinced that their series of events was correct, and anyone who went against it was nothing more than a lying ex-con.  Having the BAU in your pockets certainly helped with that.
“I already told you what happened.  I’ll tell you a thousand more times if I have to, but the story isn’t going to change,” Missy groaned, voice muffled as she buried her face in her hands.
“Okay, then.  We’ll go over your testimony again.  A few more times, if you don’t mind,” One of the local detectives smirked, ignoring the death glare you sent her way.
“Fine.  Frank was walking me to the community center.  I was taking a class on resume writing.  It was cloudy, not raining, but cold.  We came around the side of the building when a man in a leather jacket walked around the corner.”
“And what did this man do?”
“He- he shot Frank.  He tried to kill my-” she took a shaky breath.  You put a hand on her arm, aiming for gentle comfort and reassurance.  Missy nodded, letting you know you’d hit your target.
“Did you see his face?” The officer continued.
“No.  He was wearing one of those bike helmets that block off the person’s eyes- but I swear, it wasn’t Adam.  This guy was too bulky.  Adam’s made of wires, he needs to eat more.”
“You seem to have a lot of affection for Adam,” the detective leaned forward, “Now, we know you’ve claimed to be in a relationship with Frank- but could you describe your relationship with Adam for us?”
“I already said it!  I took a couple classes with him!  He’s a friend, that’s all.”
“Mhmm.  That’s all.  And in your previous line of work- the one that earned you a prison sentence of twelve months and a little over minimum wage- you had a lot of ‘friends,’ yes?”
“Excuse me?” your fingers bit into the table that separated you from the cop.  You had half a mind to jump over the thing and throttle the smug detective sitting before you.  
“What?” Missy growled, “You think just because I used to hook I fuck all my friends now?  I’ve taken a few classes with Doc (L/N), I haven’t fucked them!”
You nodded in solemn agreement.  The detective shrugged this off, ignoring everything that came out of Missy’s mouth.  When she spoke again, her voice rang with the faux pity of someone who held themselves leagues above Missy.
“You know, I can see why you were looking at writing up a resume- your old line of work is so degrading.  You know you’re never the same, afterwards.  You can never wash off the shame.  You’ll always be a little broken.  A little-”
“Okay, that’s enough-” you stood up, slamming your hands down on the table.
“Hey, fuck you, man-” Missy leaned forward, “Don’t tell me what hooking did to me.  You don’t know me.  You don’t fucking know.”
“And now you’re lashing out.  Poor thing-”
“Detective Foy.  A word,” Tara Lewis, a newer BAU agent who you hadn’t really had the pleasure of meeting materialized in the doorway like a perfectly timed ghost, ready to right some wrongs and keep you from committing a murder.  Her request for a word was perfectly intimidating, disclosing the not-so-secret secret that the request itself was not actually a request.  
“I’m sorry, Agent, I’m in the middle of an interrogation-” 
“It’s not an interrogation.  You’re questioning a witness.  Agent Jareau will handle things from here.  Now, a word?”
You and Missy watched as the detective slunk out of the room with her tail between her legs.  Moments later, JJ joined you, but she didn’t bother to start a line of questioning.  Instead, the three of you watched in giddy silence as Tara Lewis destroyed Detective Foy where she stood.  You couldn’t hear her through the glass, but you could vaguely read the words, “You are a police officer meant to serve and protect the people in your community, and uphold the law.  You should educate yourself on the law, and on what it means to serve and protect.”  On her lips.
You could’ve been off on that translation, but either way, it was sick as fuck.  By the time Tara was finished, you and Missy were barely holding back your laughter.  You probably would’ve held it in if JJ hadn’t turned around with a pleased grin on her face.
“Ok, well, I’ve known Agent Lewis for about three minutes, and already I adore her,” you cackled.
“Oh, she’s excellent,” Missy said, eyes sparkling with mirth.
“Well, we certainly like her,” Jennifer grinned, clearly proud of her teammate and happy to see that someone outside the BAU had taken notice.
A few moments later, Tara re-entered the room with a tired sigh on her lips.  It didn’t take her long to realize that you were all staring right at her.
“What?  What is it?”
“Oh, it’s nothing, we just think, as a group,” you looked around like you were the leader of the world’s weirdest (and maybe coolest?) group project, “That you are, objectively, excellent.”
“Yep.  Not bad for a Fed.”
Again, you nodded in agreement, “I concur.”
Tara raised an eyebrow, slightly confused, “Thank you?”
Missy gave Tara a thumbs up.  You followed her lead.  Not really knowing what else to do in this situation, and figuring there was no harm in joining the madness, Tara returned the thumbs up.
“Well, like we said, we’ll take over the questioning from here,” JJ took a seat as she spoke.  Tara joined her at the table.
“So, after Frank was shot, did you see where the attacker went?”
“No.  I was kind of focused on my partner bleeding on the ground.”
“That’s fair- but try to think back.  Did you see anything in your peripheral vision?  Did you hear anything?”
Missy paused for a moment, and when she spoke again, she still sounded lost in thought, “I heard a bike.  It makes sense with the helmet- I think it might’ve been a Yamaha?”  
“Wait, you can tell which brand a bike is by the sound?” you asked, not disbelieving Missy, but distracted by the new knowledge that a person could do such a thing.
“If you let me think about it, I could probably give you the make and model.”
“Holy shit, really?” your eyes were wide.  Your expression betrayed just how bewildered and impressed you were by vehicle knowledge.  It might’ve been basic knowledge, but fuck it, the author can’t drive.
“Oh, absolutely- different bikes make different sounds.  Cars are similar,” Tara nodded her agreement.
“You can tell cars apart by their sounds!?”
“Yeah?  Can’t you?” Missy turned to face you, slightly bemused.
“I can tell that they’re old?  Or like, electric, I guess?”
“Okay, when this is all over, I’m giving you a lesson.”
“I’d like to get in on that,” Tara added.
“Excellent!” Missy smiled, “Now everyone shut up and let me think.”
-
The way the BAU treated Frank dragged your guard down further.  They were gentle, but not dehumanizing or infantilizing.  They just treated him like a human person, and you found that neat, and more importantly, Frank found that neat.  
Also, the BAU laughed at Frank’s anecdotes and jokes.  I will be fully honest.  That was more of a relief to you, especially because a decent chunk of those anecdotes and jokes were about you murdering the shit out of Spencer Reid using nothing but your words.
It really started on that very first day, when you and Spencer had gone to visit Frank.  He could see it from his hospital bed- Spencer’s hand on your shoulder, the way Spencer was very clearly trying to comfort you from some unknown upset, and that was it.
Frank said, “Wow.  Those two have sure come a long way from Doc telling him to go die in a ditch.”
And JJ, who had been questioning him, choked on her coffee and wheezed out a, “What?”  
And that was pretty much it.  Frank explained that Spencer had pissed you off, you’d hit him with the “die in a ditch” thing, and he looked so sad that you literally forgave him the next day.  (He left out the bit about the stabbing, because stabbing doesn’t just kill people, it kills moods.)
From then on, Frank was the premium source of gossip on you and Spencer.  Of course, Missy got in on it, too.
When they told Rossi about the time you’d called Reid a “shit-licking asshole fed,” the agent laughed so hard that he literally couldn’t speak for a solid minute.  Was he a big fan of the anti-fed talk?  Not particularly.  But you had gone at it with such gusto, and with such anger, that he couldn’t help but cackle.  
You knew none of this, but you knew that everyone involved seemed happier after the BAU took the case.  That was good enough for you.
-
Your guard fell because of Spencer.
Wasn’t that always the way this was going to go?
While the BAU took care of your friends, Spencer took care of you.  He made sure you got home safe.  He kept you in the loop about everything case-relevant.  He made sure you remembered to eat, which was kind of hypocritical of him, but oh well.  He offered to drive you to and from the hospital, which was a fun kind of hell, because the man obeyed every traffic law ever made, but you got to bully him for it, so it all evened out in the end.  He distracted you from the nightmare you were living through by offering fun facts.  He made the nightmare better just by being him.  
And he was the one to get Adam out.  
He didn’t announce this victory to you.  He just showed up one day, at the hospital, following behind Adam as the newly freed man burst into Frank’s room.
“Frank!  Hey, are you good man?  I’m sorry I wasn’t here sooner, I would’ve been, but you know how it is with cops.”
“Shit, dude,” Frank beamed, “All things considered, I’m not too bad.”
“Holy shit, Adam?” you let out a hospital-appropriate screech.
“Oh my god,” Missy stood from her place at Frank’s bedside to give him a hug.  For a moment, she held him so tightly that it looked like Adam legitimately couldn’t breathe.
The moment she saw Spencer lingering in the background, she switched from one wire-shaped man to the next.  Spencer hugged her back politely, and then, in an instant, she was onto you.
“You sons of bitches did it!  You actually did it!”
“Did we?” you asked Spencer, lowering your voice as Missy, Frank, and Adam enjoyed their reunion.
“We did,” Spencer confirmed, stepping closer to you until you were side to side, whispering to each other to avoid disturbing your friends, “We found bank statements proving that this was a targeted hit, unrelated to Adam.  We’ve only been able to find the unsub’s side so far, but it won’t take us long to find whoever contracted him.” 
“Shit- that’s both really good and mildly fucking terrifying.”
“I know,” Spencer answered almost too quickly, but he covered it up just as fast, “But it means that Adam is a free man.  It’s almost over, (Y/N).”
You let out a small exhale, trying to maintain some semblance of calm, “Almost.  Thank you, Spence.  For all of this, for everything-”
“You don’t need to thank me.  It wasn’t just the new evidence.”
“Oh?”
“Yeah, there was this local criminology professor, maybe you’ve heard of them.  They were incredibly insistent that law enforcement look deeper into the case, and because of them, the conviction vanished.”
A smile slipped onto your face as you turned to face him, “Was that a joke, Spence?  You’re doing ha-ha funny jokes now?”
“I’m saying you did a good thing, here, (Y/N).  Look,” he nodded towards the hospital bed, where your friends were talking, beaming, clinging to each other’s hands like they’d been shot, traumatized, and separated for months- which was an accurate summary, actually.
At your side, you let your hand slip into Spencer’s, weaving your fingers between his slender ones.  You felt his grip tighten, his palm pressed tightly to yours.  His hands were warm.
“We did a good thing,” you whispered.
You pulled him closer by the hand.  You weren’t harsh or forceful, but Spencer still stumbled into you with what can only be described as a somewhat lovestruck grin on his face.
And then his phone rang.
You watched his face fall as he answered it.  His fingers drifted away from yours.  You could almost hear Hotchner’s voice on the other end.  The call only lasted a few moments, but it changed everything.  The air in the room grew heavy.  The room fell silent.
“We found the unsub.  My team is confronting him now, I-” he paused.
“They want you to go with them.”
“I have to.”
A shaky breath escaped your lungs, and you were kinda pissed at it- how dare that shaky breath reveal how you actually felt?  How dare it break free from your body, alerting Spencer that your world had just spun out sideways for the millionth time that week.
You were gonna square up with that fucking breath.
But first, without saying another word, you nodded towards the door.  Spencer nodded back.  Like that, he was gone.  You watched him go.  You stared at the empty doorway after he’d left.   The room remained silent.
I mean, it did until it didn’t- your friends couldn’t watch that and say nothing.  I don’t think anybody could.
“Holy shit, you’re just gonna let him leave without saying goodbye?” Adam asked, looking between you and the door so quickly that you were almost surprised that his head didn’t fly off.
“He’s down bad,” Frank whispered, nodding in agreement, “Go get him.”
“I- he’s gonna be back in five minutes,” you tried to reason.  It didn’t work.
“He could be back never!  He might die!” Missy ran forward, gripping your shoulders.
“He’s got a bulletproof vest-”
“THERE IS SO MUCH THOSE THINGS DON’T COVER!!” Missy progressed to shaking you, slightly, “Go get him!  Hurry, before it’s too late!”
“I really don’t know what you want me to say here.”
“Tell him you’re also down bad!” Frank exclaimed, no longer whispering.
“Down bad-?  What the fuck does that even mean,” you said, your voice growing quieter and quieter as you left the room and headed down the hallway.
“... Y’know, they taught me what ‘down bad’ means.”
“Same.”
As your friends continued to discuss, you were already halfway down the hallway, walking as fast as you could given the hospital setting.  Spencer was nowhere to be seen and you really didn’t have time to look.  You really had one choice.  The elevators.
You reached them just in time to watch that lanky noodle motherfucker step inside.
Giving up on decorum, you raced through the hospital corridor, yelling out apologies at every human person you passed- fortunately there weren’t too many, so it wasn’t like you caused a massive disturbance.  Most people just thought you were having your rom-com finale moment.  Maybe some part of you was trying to, but honestly, you weren’t really thinking about it.  You were mostly just thinking, “Shit, shit, shit, I have to get in that elevator.”
And you did!  You made it!  You stumbled through the doors and came to a stop in the middle of that tiny box.  Spencer reached out to steady you, his expression letting you in on his amused confusion.  You smiled up at him, trying not to pant- and then you came to a realization.
You had no fucking clue what the hell you were going to say.
To be fair, what the fuck is a person supposed to say in that situation?  “Heyyyy, my friends think I’m in love with you, so now I’m here, wanna talk about that before you head into a dangerous situation involving a hitman and many guns?”
Or perhaps, “Hey!  You’re a good person even though I keep insisting you aren’t one, so I want you to know that you’re a good person before I send you off to get murdered!”
Or maybe, “You’re hot, I’m hot, wanna spend the next thirty seconds doing terrible things to this elevator that will get us forcibly removed from this hospital?”
Or even, “Hi, you just did a really nice thing for my friends, and I really appreciate it, and even though I don’t express it, I do care about you a lot, so maybe don’t die in the next few hours.  For me.  Please.”
In the end, you just settled for, “Hi.”
“Hi,” Spencer replied, not taking his hands from your shoulders even though you were more than steady, “Is everything okay?”
“Okay?  Yeah,  yeah, everything is, um.  Everything’s fine.  I just-”  you froze again, because seriously, what the fuck could you say right then and there?  What could you say that would let him know everything you wanted him to know?
“Are you sure?” he looked at you, held you with such delicate concern.  You kind of wanted to partake in elevator ruining activities with Spencer until the two of you got kicked out of the hospital together. 
“Yeah- yeah!  Everything’s- I’m okay, it’s just,” you raised your hand, letting it hover between the two of you for a moment before you placed it over one of his, “Come out of this alive.  Make sure everyone else does, too, but… come out of this okay, okay?”
Spencer hesitated.  And then he wrapped his hand around yours and brought it to his lips, kissing your knuckles ever so briefly.
“I will.  I promise.”
The elevator bell dinged.  You’d reached the parking lot.  Spencer let go of your hand with a different kind of hesitation.  
“I’ll see you soon,” he offered, “Okay?”
“Okay.”
Spencer disappeared into the parking lot, dashing out of sight and into danger.  You stood there, watching until the elevator doors slid shut and that infernal box pulled you back up again.  The humming metal lights above and the clanking metal around you harmonized into the perfect soundscape for your empty mind.
Spencer was heading into danger, as he always did.  You were returning to serve your community, as you always did.  Spencer might not come back, and you would always remain, and you realized that when the case was over, he would go back to Quantico with the BAU, and you probably wouldn’t see him ever again.
And it broke your heart a little bit.  Maybe more than a little bit.  A little bit, perhaps.
You were a long way from, “Fuck you, fuck you, fuck you, go die,” indeed.
♥ Tags: @icarusignite, @usuallyunlikelyfox, @maraudersforlife2005, @fictionalcomforts, @morgthemagpie, @iiheartbowie, @digitalhearts, @corpsebridenightamare, @ghostatrixx, @reiding-writing, @mywellspringoflife, @80katie, @ms-ks-world, @logicalhorror if you asked to be tagged and i forgot, pls let me know!! if you would like to be tagged and aren't, also let me know!!
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sustainably-du-mortain · 11 months
Note
For the soft & sweet starters if you’re interested!: “keep it. It looks better on you.” For Madeleine x Morgan?
This got away from me sghdjk
soft & sweet sentence starters prompts Fandom: The Wayhaven Chronicles Word count: ~1.4k
Madeleine has spent the last four hours working on a new project. The noise of her sewing machine winding new bobbins fills the room, a comforting sound to her ears that now feels like the soundtrack of her own life. Although it’s not helping with the headache she currently has.
A loud gasp leaves her mouth as she lays out the stencil she just cut on her sewing table. She had been so focused on trying to get that new pattern right that she did not realize she had been using the wrong measurements all along. She frantically flips through her notebook, looking for her measurements sheets, berating herself for making such a newbie mistake, until her eyes finally land on the pages she is looking for.
There, on the right page, scribbled in her neat handwriting, are her own measurements that she updated not long ago and, next to them, the source of her confusion: the ones she recently took of Morgan. 
Maddie is quick to put the blame of her mistake on the headache because, putting it on the fact that she wasn’t paying attention, would mean having to admit that Morgan occupies her every waking thought. So the headache is the perfect culprit for her mistake. 
For a moment, she considers throwing away the stencil and starting it all anew, but she doesn’t want to bother with making a new one tonight. Her thoughts start to wander before she can stop them.
Her fingers trace the pattern of the fabric laid across her sewing table as her intentions start to shift. She is wondering if this is a good idea when her gaze falls on the selection of fabric rolls leaning against the wall. The plain burgundy one catches her eye and she lets her mind wander farther away with the idea.
She thinks about how dazzling she looks in that color. How the fabric would drape over her body. How much the v-shaped neckline would reveal. Heat rushes to her face and sparks prickle across her skin at the thought of Morgan in that shirt. She shakes her head, chasing away the lustful thoughts.
“Oh, what you do to me…” She whispers, marching across the room to grab the roll of fabric and bring it back to her sewing table.
She discards the patterned one currently spread out on it and sets to work. The whisper of suggestive thoughts ever present in the back of her mind as she starts pinning the stencil to the fabric.
***
“What’s that?” Morgan asks immediately upon entering Maddie’s apartment. Maddie doesn’t need to turn around to know that she’s referring to the carefully folded shirt laying in plain sight on her table.
“Oh, just a shirt I made for myself-” Madeleine says, closing her front door before heading for the kitchen, “-but it doesn’t fit.” She doesn’t know if Morgan can tell that she is lying through her teeth right now, she probably can, but Maddie doesn’t take her eyes off the cup of tea she’s making to find out.
“So what are you going to do with it?”
“I don’t know…” She knows. She knows exactly what she wants to do with it, she just hasn’t come up with a good way to ask yet.
“Can I try it?”
Her spoon drops in the cup at the words, splashing tea all over the counter and on her dress. Her mouth agape, she finally looks up at Morgan who is standing next to the dining table, holding the shirt before her with her arms stretched.
“What? Do I have something on my face?” She asks looking up from above the shirt.
“You want to try it?”
“The color looks nice.” Morgan shrugs. “So, can I?”
“Yes!” Madeleine tries to quench the excitement down a little. “You can.” She allows, as if finally seeing Morgan in that poet shirt isn’t the thing she has been longing for all morning.
Without any warning, Morgan strips out of her top and sends it flying across the room where it lands on the sofa. She keeps her eyes purposely locked on Maddie’s when doing it, a smug smile tugging at her lips.
“Getting an eyeful, sweetheart?” She teases.
That’s all it takes for Madeleine to turn a bright shade of red. She turns away, desperately trying to hide her embarrassment, but it’s so obvious in the way she fumbles with her next words.
“I- That’s- You could have warned me!”
Morgan’s laugh echoes in the room and Maddie basks in it.She considers making a fool of herself again just to hear more of it.
She hears the swifting on the fabric as Morgan slips the shirt on and she can’t help her heart from drumming in her chest. She thinks it’s going to burst with expectation, when Morgan ends her suffering. 
“You can turn around, sweetheart.”
She sucks in a deep breath before turning on her heels.
There she is, standing in front of her, in the shirt she sewed and she looks even better than Madeleine could have imagined.
“So, how do I look?” Morgan asks, not looking up as she tucks the shirt in her high-waisted jeans.
She wants to tell her that she looks stunning, bewitching even, but her response doesn’t come as every word she can think of feels like the utmost understatement. Madeleine has always prided herself in being eloquent and yet, right in this instant, she is rendered speechless by the sight before her because every word she can think of feels like it isn’t enough to describe Morgan. Except for one.
She looks like a goddess.
The word echoes in her mind until it occupies her every thought and she wonders if this is how artists felt when they chose the Gods as muses. If this wave of emotions overwhelming her is how sculptors felt when molding their bodies in stone? If the acute perception of the scene captivating every of her senses is how painters felt when laying their appearance on canvases? If this intimate quiet as the world shifts beneath her feet is how writers felt when putting their words on paper?
“So, judging by your reaction, I’m guessing I look good.”
Morgan’s words take her out of her trance and she suddenly becomes very aware of how body is betraying her. She feels the scorching heat in her cheeks, which are probably a bright shade of red. She notices the goosebumps covering every inch of her skin. But it’s her knees threatening to buckle under the weight of her feelings for the vampire that catches her off-guard the most.
“You do.” Is all she manages to mutter.
“That’s all you have to say?” Morgan teases her. “You’re usually way more talkative than that.”
“What do you want me to say?” The words sound harsher than she meant and she instantly feels guilty about it. “You look-” She bites the words back.
“Say it, sweetheart. Your body has been screaming it for the past minutes, there’s no use hiding your thoughts from me.”
“You look like a goddess.” The words are barely more than a whisper, but she knows Morgan heard them perfectly.
“Is that really what you think?” There’s a hint of vulnerability in the words that makes Maddie take a step forward.
She nods. She wants to tell her that her smile makes her heart flutter every time she gets to see it. That her freckles look like constellations shining in the night sky. That burgundy became her favorite color the instant she saw her in it. She wants to tell her that she’s the most beautiful person she has ever laid eyes on. But she doesn’t because describing deities doesn’t do them justice.
There’s a moment of silence during which none of them move.
Madeleine is the first one to break it as she walks up to Morgan who pulls her closer by the waist the instant she is within reach. She has to tiptoe to press a kiss on the vampire’s cheek. And one more. Two. Three. She’s going for a fourth one when Morgan gets tired of it and captures her lips in a kiss. Soft and tender. That leaves Madeleine breathless.
“So, what are you going to do with this?” Morgan asks, parting away.
“You should keep it.” The words spill out of her mouth before she can stop them. “It looks better on you anyway.” Madeleine says as if gifting it to Morgan has been her intention, as if she hadn’t altered the pattern last minute to help with Morgan’s eventual discomfort with the ruffles. As if the shirt shouldn’t be at least 4 sizes bigger if she had really made it for her.
“You’re a terrible liar, sweetheart.” Morgan whispers in her ear.
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spideyswebhead · 1 year
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hi indie, can you write a derek morgan fic where they meet at the bau for the first time and the team finds out she used to be a model who was semi famous but she only did it to get herself through school, maybe their on a case and someone recognizes her at the police station? (she/her pronouns please and thank you)
Another Life | Derek Morgan
I love this prompt and it's been so fun to write about! I hope you enjoy it and I did the prompt right. And first time really writing Derek so I hoped I did that right too lol
I did randomize the fake name for (Y/N), so if that happens to be your name I will be impressed and also apologize.
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If you want (Y/N) to have your name instead, on laptop/pc download "interactive fic" and change (Y/N) to your name instead.
Pairing | Derek Morgan x Reader
Summary | An officer revealed a different side of (Y/N)'s like and she becomes nervous for everyone's reaction and teasing that could come her way. Especially Derek's opinion of her.
Content | Reader being nervous Derek will think less of her for modeling, it's brief.
Word Count | 1.0K
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(Y/N) followed everyone else into the police office, listening as Hotch introduced all of them until he got to her, gesturing to (Y/N) for the detective. “This is agent (L/N),” Hotch tells her, (Y/N) put on a friendly smile as she shook the detective’s hand. Barely seeing one head snap up from one of the desks and look at her, she glanced at them, seeing a look in their eye she couldn’t identify, but decided to ignore it and put her full focus on the detective in front of her. “Nice to meet you.”
“Thank you for coming, we have you set up over here.”
Throughout the day (Y/N) felt like she had more eyes on her. A curious look at first, like they were trying to figure something out, but it would disappear when she would catch one officer looking at her. Then she noticed the looks had become whispers when her back was turned but when she would turn around they would immediately stop, it was becoming really annoying. Why the hell were they looking at her?
“Is there a problem?” (Y/N) finally just said to one officer who tried to look busy after whispering to his co-worker.
He seemed to jump when (Y/N) called him out, looking like a kid caught red handed in a cookie jar as he stared at (Y/N). “I’m sorry,” He squeaked finally after trying to find his words. “But are you Elizabeth Bird?”
“What?”
The officer started rummaging at a desk and pulled out a glossed magazine page, (Y/N) eyes widened in horror as she immediately recognized the cover. A similar one stuffed in a box hiding somewhere in her closet. “I heard your name and I immediately recognized you, I’ve been trying to figure out if it is you! Because I’m such a huge fan of your work.” He held out the photo of (Y/N), years younger and barely dressed in the photo. Horror washed over her body and completely froze.
“Now what is this?” Derek took the photo from the officer as he looked at the old photo, Emily coming over to peer over his shoulder to examine the photo. “Sugar, when did you do this?”
“Oh God, please stop looking.” (Y/N) whines as she tries to snatch the photo from Derek’s hands, but he just lifted it higher and stepped away from (Y/N) grasp. “C’mon, Derek! Please!”
“You look amazing!” Emily exclaimed as she got a better look and (Y/N) groaned in response.
“C’mon, when did you do this?”
“It doesn’t matter, give it back, Morgan!” (Y/N) was able to grab the page and she balled it up and tossed it at the officer, who jumped and tried to catch the crinkled page. Looking disappointed on his page being ruined, but (Y/N) could care less about the officer's feelings. She took a breath and turned away from Morgan and Emily, who seemed to be trying to make light of the situation. And saved by the bell, Garcia called Emily and the attention was off her and back to the case.
She had hoped everyone would forget about the little information that had come out about her past. It’s not like (Y/N) was ashamed of it, she loved that little moment of her life and she did. She loved looking at those old photos she had kept all these years, glad to have some photos of herself back then and it was a crazy confidence booster too sometimes. The toxic environment wasn’t worth it and not something she missed. But it was the view of all her co-workers, especially Derek. She didn’t want him to think of her less because she posed for magazine’s when previous relationship’s have judged her on some level for doing what she had to to get herself through school. And their relationship was going so well, she didn’t want this to get in the way of their relationship.
She was surprised when Derek sat with her on the plane and she prepared herself for the jokes going to be thrown her way. Nothing happened though. “Really, nothing?”
Derek looked at (Y/N) and raised his eyebrow to her, holding back a smile to her. “What, sugar?”
“C’mon, I know you have something to say. Someone always does.”
“About what? The picture?”
“What else would I be talking about, Derek?”
“I have nothing to say, sugar.” It was quiet for a moment before he continued. “Well, mainly. Why?”
“I needed money for college, saw an ad and got into the work. Got a whole agent and everything. It paid for all my debt too so that was a bonus.” She grinned at that fact and Derek's eyes widened at that.
“Damn, sugar.” Derek laughed, impressed. “You gotta get me into the business.”
(Y/N) smiles and leans forward. “If you want to get into the business, you need to figure out how to pose first.” 
“What do you mean “figure out how to pose”? I am great at posing!”
“Are you?”
The look of how offended Derek was caused (Y/N) to start laughing, feeling more at ease that her team knows about that little side of her life. Maybe she could show more of her life without worry of judgment for once in her life, showing how proud she is of her work.
“So you aren’t offended I did this work?”
Derek almost laughed at that comment, holding back when he saw how serious (Y/N) was about this. “Sugar, I could care less. I’m more surprised you never told me about Elizabeth Bird!”
“It’s cause-” She faltered, beginning to wonder if she should get into this now. “Some people haven’t in the past. I worried you would be the same.”
Derek softened at that and placed his hand on her own, giving a little squeeze. “I don’t mind. And I get to see those photos now instead of all those people. Their lost.”
“What makes you think you’ll be seeing my photos?” She raised an eyebrow up to him.
“I saw one photo. I gotta see the rest of them now, you can’t hide them from me anymore, sugar.”
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So I accidentally deleted this request but I have written it so sorry to whoever wrote it.
Request : Okok, Teen!Male!reader x Spencer Ried (platonic obvs) when reader ends up getting mixed up a crime/murder in the drug scene. They aren't the unsub but they struggle with addiction and has an ally cat type attitude so it makes it difficult to get any information out of him. Spencer is like a father figure and they start to get close, helping reader through out the case/ recovery.
I love this idea
Third person pov...
Spencer Reid and Derek Morgan arrive on scene, there is a serial killer runnng around kidnapping upstanding people then killing people by overdosing them on different drugs.
The latest victim was a mother with two children under the ages of 10, with no history of drug use she is currently the 5th victim, where they found her was in a dumpster in ohio.
"Looks like the rest of the victims" Says Derek as he kneels next to the body of Samantha Doyle. Spencer nods and looks around the scene. "As well as the dump site, he threw her away like trash." He says, as he looks he notices a boy looking no older then 15 being talked to by the police.
Confused Spence leaves Morgan and walks over to one of the police officers. "Hey excuse me, whats he doing here?" He asks nodding over at the boy and officer.
The office next to him looks over. "Oh yeah him, he's been hanging around sayin' he saw something. Don't bother with 'im he's an addict got loads of them here" he tells the agent, Spencer thanks the man but doesn't take his eyes of the teen.
The officer just sighs and leaves the boy, he was watching with intense curiosity. The boy had messy hair and dark circles under his eyes, giving the impression of a troubled soul.
Spencer's mind immediately went into profiling mode, trying to figure out the boy's story, he walked over to the boy and introduced himself, "Hi, I'm Dr. Spencer Reid. And you are?"
The young man shrugged his shoulders tapping his hand nervously. "Y/N" he says bearly over a mumble but Spencer hears him. "Well Y/N, did you see anything here?" He asked.
The young detective immediately noticed the troubled look in (Y/n)'s eyes, and he could see the fear and guilt written all over his face.
Spencer's empathetic nature kicked in, and he knew that there was more to this young man than meets the eye.
(Y/n) was like a wounded alley cat, always on edge and unwilling to trust anyone. The 15 year old didn't say anything. "How about you come to the station to talk" Says the genius.
Y/N thinks before nodding, either way they were going to make him talk might as well get it over with, soon the boy is sat in the back of thr SUV with two Agents.
They try and talk to him more but only get a few words out bef they take him to the interrogation room to talk, as Y/N sits and waits he thinks over his life.
He's been hooked on drugs since he was 12 when he was 10 his Mother died leaving him with his abusive Father, he would kick little Y/N around all day until the boy finally turned to drugs to dull the pain.
It's worked all those years and he's hooked, finally when he was 14 he ran away and had beeb living on the streets, pick pocketing people who walk past him.
He met many different people throughout the last year, not many of them were nice most were arsehole and criminals, but last night traumatised him.
He was in his usual place counting the money he managed to pick pocket of some people, when he heard something. He saw a guy dressed in dark clothes throughing something in the dumpster.
Y/N didn't bother with it, but he got curious and stuck behind a dumpster and got a pretty good look at what was happening, his E/C eyes widened in shock.
It was a body, the man was throwing her into the dumpster, Y/N ducks into the darkness when the guy turns around, he gets a good look at his face before he leaves in a truck.
It was to dark to see the number plate, Y/N walks closer to the body, her lifeless eyes stare into his dark tired ones, she looked alot like his Mother.
Shivering he closed her eyes and left to go back to his place where he sleeps and tried to forget what he saw.
The door to the room opens bringing the teen back into the real world, Spencer had told everyone to stay there thay he would handle it.
He closed the door and sat in the chair oppos the boy, Y/N wasnt ha dcuffed and coukd ove but didn't he kept sat down.
Spencer decis to take a different approach, he reaches into his pocket and takes out a pack of cards.
"Mind if I play a game of solitaire?" Spencer asked, trying to lighten the mood To his surprise, the young man slowly reached out and took the cards. As they played, Spencer asked more questions, trying to get some information about the crime and the drug scene in the area.
As he played Y/N became a little more reaced but was still on guard and keeping Spencer at arms lengt.
Y/N still didn't reveal much, but Spencer could tell he was holding back. He also noticed the subtle tremors in Y/Ns hands and the needle marks on his arm.
He soon realized that Y/N was not the unsub, but rather a lost soul struggling with addiction and trauma, this brought him back to when he was addicted to delaudid.
After a few games Y/N began opening up about what he sawast night, he told him everything he remembered, this helped the team alot tk catch the bastard.
Throughout the case Without judgment, Spencer offered to help Y/N get clean and get out of the dangerous world of drugs. With the help of Y/N the team manages to catch the killer sooner than they had hoped.
As the case progressed, Spencer and the H/C teen grew closer. They spent long nights talking and playing cards, and Spencer could see the potential in the young man. He was intelligent and quick-witted, but his addiction was holding him back.
Y/N was also hesitant to trust anyone, but he slowly opened up to Spencer, after having an awful relationship with his bio father seeing him Spencer as a father figure scared him, Spence became more invested in the teens recovery and helping him turn his life around.
With the help of the team, they were able to track down the murder suspect, Y/N even played a crucial role in gathering information, using his 'alley cat attitude' to his advantage.
As the case came to a close, Spencer and Y/N celebrated with a game of cards and a heartfelt conversation. Y/N thanked Spencer for his help and guidance, and Spencer promised to always be there for him.
From that day on, Y/N focused on his recovery with the support of his new family at the BAU. He still had his struggles, but with Spencer by his side, he knew he could overcome them.
Spencer, on the other hand, learned a valuable lesson about not judging a book by its cover. Y/N may have been mixed up in the drug scene, but he was more than just an addict. He was a survivor.
The end!
Hope you liked this oneshot, slowly getting through these requests. Sorry for any spelling or grammar mistakes.
Request are open!
Word count: 1312
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