#all oppression and resistance is connected

[soon-palestine]

as an american citizen, you have the right to assemble. the police and other governmental agencies violate this right through mass arrests, illegal use of force, criminalization of protest and other means that threaten our right to free expression.

DO NOT TALK TO THE POLICE:

they are not your friends. they are not there to protect you, regardless of your race. their presence there is to protect the interests of the state.

what to do if you are detained or stopped by the police:

do not resist, even if you think they are violating your rights.

calmly ask someone to record.

ask if you’re free to leave. if you are, walk away.

how to stay safe during a protest:

write phone/legal aid numbers on your body. bring a sharpie for others to do this.

ALWAYS use the buddy system. don’t be selfish & stick to your own friend group. if you see someone alone, invite them into your circle.

don’t know where to seek legal aid?

before attending/during a protest, visit http://nlg.org/chapters/#massdefense.

NLG chapters are organized into regions. find. your region and write their number on your body.

encourage others around you to write that same number on their body.

4. if you are threatened with or under arrest:

you have the right to know why you’re being arrested. calmly ask. if they refuse to provide a reason, stay quiet and ask for legal representation immediately.

do not give any information or sign anything without a lawyer present.

what to do with your phone during a protest:

put your phone on airplane mode

disable face ID/touch, replace with 6-digit passcode instead

spreading awareness is great but avoid posting photos of people that include identifying features.

police want everyone to leave the area, what should that look like:

shutting down a protect through a dispersal order must be the last resort for police.

a clear danger must be present.

police must give adequate time for protesters to disperse and an exit route.

what are your rights if you’re being stopped or detained by police:

you do not have to consent to you or your belongings being searched. if you consent, anything can be used against you in court.

police can conduct a “pat down” if they suspect you have a weapon.

if you see someone being detained, what should you do:

record the interaction. police can not demand to view or delete any footage without a warrant.

use calming affirmations towards the person being detained. they are likely scared. be there for them.

use whatever privilege you have to protect others.

if you see a disabled person struggling, offer to help. find medics to assist people experiencing anxiety or having a panic attack. if you see a BIPOC being harassed, surround them.

personal note on using your privilege: i have seen white people, countless times, place themselves in front of BIPOC when police draw weapons/approach protests. it often works.

do not be a person that just acknowledges their privilege, use it for good.

10. remember that we protect us. ignite this chant as a reminder to everyone present if you have to. communities are supposed to help one another. don’t be a sell out, offer support, share resources, food and water. be a kind soul.

if you can not participate in a protest for whatever reason, you can still help! drop-off supplies! (water bottles, allergy-friendly foods/snacks with ingredients labels on them, sharpies, cards with legal aid numbers on them, masks, makeup remover wipes, hand sanitizer, etc)

sources/disclaimer: main source:

@ACLU and my own opinions. this is not legal advice. consult legal representation if you are in need of assistance.

stay safe, be on the right side of history. black lives matter, no one is illegal, we protect us, land back, all oppression is connected and free palestine. 🇵🇸

#palestine #gaza #free palestine

[greencarnation]

So you are very vocal on the war on palestine, which is commendable. However, condemning other people who dont to the same is non- sensical. Do you know how many humanitarian issues we have in this world at all times you have never spoken up for? Nobody expects people to rally for Sudan and people who stay quiet on topics such as this arent condemned. So, go forward with your activism but unless you speak out on all other humanitarian issues you have no ground to critizise people who dont partake in what YOU think is important.

context: this is an ofmd fan upset i called taika waititi & co zionists and said you shouldn't support them

this isn't a "humanitarian issue" it's a genocide backed by your government and payed for with your taxpayer dollars and 24,000 people have been killed. silence IS complicity. what twisted logic is "there are other crises going on so i will do nothing"? also yeah man i'm not an expert on every world issue but if someone told me hey the person/people you're supporting are profiting off the sudanese genocide i would stop fucking supporting them as the bare minimum what is WRONG with you

#also stupid fucking example bc i do and will continue to talk about sudan #all oppression and resistance is connected #freedom and decolonisation for all mf #also ur putting ur love for a show over the massacre of tens of thousands of civilians in what world isnt that disgusting #im not even an activist i just hold the radical and crazy opinion that apartheid occupation and genocide are bad #also wdym what *i* think is important do you walk around with your eyes shut #this affects everyone #and why tf do you not care about genocide bro like what is wrong with you #outing yourself here fr #palestine #gaza #israel #free palestine #our flag means death #ofmd #taika waititi #silence is complicity #free gaza

[chaiaurchaandni]

#im not sure but i read somewhere that hitler took inspo from america's ethnic cleansing project and this post is giving the same vibes #all oppressors r connected and all oppressed people are connected #no one is free until everyone is free #injustice anywhere is a threat to justice everywhere #free palestine #palestine #gaza #long live palestine #glory to the martyrs #from the river to the sea palestine will be free #long live the resistance #death to israel #far right extremism #right wing extremism #fascism

[palipunk]

The “you don’t have to be Muslim to stand with Palestine” phrase has always made me uncomfortable because for one, even though I am a Palestinian Muslim and I am happy to see so many people in the ummah supporting Palestine, it ultimately reads as supporting one *kind* of Palestinian.

Islamophobia is a huge factor in demonizing Palestinians, yes, and a lot of Palestinians are indeed Muslim and have used Islam as a form of resistance against the occupation, but (and I have said this before) it’s islamophobia rooted in hatred of Palestinians as indigenous people. All Palestinians, Muslim or not, even Arab or not, are considered to be a threat and are treated as such. It’s not *just* islamophobia, addressing it as just islamophobia is neglecting the other factors of Palestinian oppression.

Palestinian Christians in Gaza are under extreme threat as they compose a small population and many were killed in the recent Israeli bombing of Saint Porphyrius church, additionally, Israeli settlers have been trying steal land belonging to the Armenian Palestinian community in the Armenian quarter of the old city of Jerusalem.

Something I will make note of is that I want to see more Muslims not only learning to include Palestinians of other faiths or backgrounds in their language, but also using the same breath they speak about Palestine to also speak about Sudan, Tigray, Syria, Armenia, Western Sahara, West Papua, Congo, etc. many of our struggles are connected and we cannot be free until we are all free.

#palestine #free palestine #it is through being Palestinian and learning about Palestine that I have learned about so many other struggles #and it should be that way for everyone

[aroaessidhe]

I don't post much about nonfiction on here, but considering the strike this week I thought I'd share some of the books I've read on Palestine/Gaza in the last couple months. I got these for free from haymarket books & verso books (or my library). I recommend picking up some if not all of these.

The Hundred Years War on Palestine & The Ethnic Cleansing of Palestine go into the last 100 years of Palestine's history and occupation

Ten Myths About Israel gives a bit of an more brief overview centred around Israeli propaganda

A Socialist Revolution and BDS go into history & freedom/rights movements & institutional boycotts, in Palestine and globally

Freedom Is A Constant Struggle connects Palestinian liberation movements with Ferguson and Black liberation in the US

They Called Me A Lioness is about the experiences of Palestinians in the West Bank, and a teen girls' 8 month imprisonment

Light In Gaza is various essays on different elements of oppression, resistance, and life in Gaza

The Palestine Laboratory is about Israel's military tech being developed & tested on Palestinians and how it's used all around the world.

Palestinian Walks: Forays Into a Vanishing Landscape: about how the occupation has changed the land over time and the effects of this

#free palestine #if you find nonfiction hard to read try find an audiobook i find i absorb things much better in audio 👍 #I actually only just started the last one but #(I'm not great at summarising things but hopefully these make sense)

[fuck-yeah-anarchy]

Just a reminder for my fellow white anarchists about how critical it is to explore the perspectives of people of color, both anarchist and non-anarchist alike as not only do experiences of common oppressions like the state and class rule differ depending on identity and conditions, but they also demonstrate how intersecting systems of oppression, such as white supremacy, permeate society as wide-reaching structures of oppression. It emphasizes the significance of dismantling these systems alongside the destruction of the state and the development of a free society.

Failure by white anarchists to comprehend white supremacy, its connection to other forms of oppression, and the experiences of people of color and their distinctive oppressions will not only significantly impede any endeavor towards building a freer society but also guarantee the perpetuation of these oppressions within the organizations/affinity groups they establish and the work they undertake. These groups typically fade away after alienating numerous potential nonwhite sympathizers to anarchism and its principles, all while merely paying lip service to Anti-Racist ideals and the movements led by people of color.

Only by actively listening to, reading, and reflecting upon the experiences of people of color, as well as engaging in introspection to comprehend the white supremacist mindset that persists even among white radicals like anarchists, can we initiate the dismantling of these oppressive systems and progress towards a genuinely free society.

Here is some content on the subject from some fantastic folks.

Videos:

Zoe Samudzi - On a Black Feminist Anarchism

Saint Andrewism - Landback

Saint Andrewism - What is Black Anarchism

Literature:

Lorenzo Kom'boa Ervin - Anarchism and the Black Revolution

Roxanne Dunbar-Ortiz - An indigenous peoples' history of the United States

Mariame Kaba, William C Anderson, Zoe Samudzi - As Black As Resistance

#anarchism #anarchistcommunism #anarchopunk #anarchist #communism #landback

[genderkoolaid]

also hmm. im thinking maybe the cis woman resistance to a more expansive understanding of gender marginalization is out of like. the need to tie gendered oppression to womanhood?

idk if thats how i want to phrase it exactly but im thinking of how like every group or safe space for marginalized genders centers womanhood, specifically cis womanhood with trans womanhood (of all kinds) being kind of a "oh yeah you guys too". like "women and nonbinarys" has been justified by "oh its because nonbinary people are oppressed too!" but so are trans men, so are nonbinary people with no connection to womanhood, so it would make so much more sense to just refer to them as "marginalized gender spaces" and remove the central focus on womanhood/femininity

but uh oh! that would mean cis women don't get the biggest claim to gendered oppression! that would mean acknowledging how cis feminism's way of viewing gendered dynamics is inherently flawed! that would mean not just including trans people in cis dynamics but restructuring the way we understand gender! that would mean cis women don't get to position themselves as the authority on gendered oppression, the ones who get to pick and choose who gets included in women's safe spaces and who gets excluded! and we cant have that of course

#m. #ive spent the whole day working on shit for class so my brains kind of dead rn #is this anything

[folklaur21]

What would've should've been

Pairing: Theodore Nott x fem!ravenclaw!reader

Summary: Theodore Nott didn't truly know what love felt like until he found you. But now all he can do is sit and imagine what should've been.

Warnings: Mentions of death/killing, Battle of Hogwarts, use of Y/N

Word Count: 2.3k

Before You

Theodore Nott isn't the happiest person in the world. Scratch that, he might be the most subdued, emotionally complex guy to have ever existed. Hardly anything made him smile, next to nothing made him laugh. That's just how he was, is, and how he will always be.

It isn't completely his fault. People are never born 'sad' or 'emotionless'. Theo was brought up this way. It was ingrained into him as a child, silently impacting his life forever, and he didn't even realise it. Well, that was until his mother died. At the hands of his father.

Theodore's mother was a gentle soul. Sweet and caring, she always looked after her son. She gave him everything a child needed, wanted, and then some. The one thing she couldn't provide for Theo? A stable father, who wasn't an alcoholic, abusive pig. Though she did try, the fear she had of Theodore's father never ceased throughout their marriage. She just had to try to shelter Theodore from this cold, uncaring lifestyle.

She could only protect her son so much. When Theodore was just nine years old, she couldn't take the abuse from his father anymore. So she tried to escape. From her house, from her husband, from her life. Yet she failed. And he found out. Theodore Nott Sr. was not happy with this. So he did the only thing that he thought could ease his troubles. He killed his wife. The mother of his child. The child that had heard the Unforgiveable Curse uttered from his father's lips. The child who watched the flash of green light emitted from his father's wand. The child who had to watch his own mother, the only person who truly cared for him, die.

When he started Hogwarts, Theodore wanted a somewhat fresh start. Free from the burdens of his home life, he made friends.(Arguably, they were friends who his father would have approved of. If his father even cared.) At school, Theodore worked hard, and tried to mask the emotions he had always been told to oppress. Anger. Hatred. Vulnerability. So none of his friends truly knew what his life was like. Except for Lorenzo.

Theo told Enzo Berkshire everything. It was easier, having someone understand why you were like you were. Someone who you trusted with your deepest, darkest secrets. Someone who cared about you. That's how the two became best friends. Practically inseparable, 24/7.

During You

Having a connection with someone was something Theodore didn't truly seek throughout his lifetime. Especially now, in his fourth year at Hogwarts. Apart from Enzo, he was fine with keeping to himself, keeping a low profile and staying out of everyone's way. That was, until he saw you.

"Enzo, I don't want to go."

"Please, Theo, I want you to come. I'll be lonely without you." Enzo pleaded with his friend.

"I don't want to go to the Yule Ball. And besides, I didn't ask anyone to go with me." Theodore replied, still resisting the idea.

"So? No-one really cares if you're with someone or not. It's supposed to be fun." Enzo says with a sigh as he flops down next to Theo on his bed.

Theo scoffs. "Says you! How many girls asked you to go with them? 15?"

Lorenzo turns slightly pink at his friend's comment. "23..."

Theo lets out an exasperated sigh. "Exactly," Theo says, but after a moment he decides, "I will go to the ball with you Enz. Only because it's that, or sit around here or in the common room with all the first years."

So, that was how he ended up standing at the side of the Great Hall, sipping a glass of pumpkin juice, and watching all of his friends dancing with whoever they brought to the Ball. Theo didn't really mind. Once again, he was merely waiting in the wings, not really expecting anything grand to happen to him. At least, that's what he thought would happen. Until he saw you.

You were with some of your friends on the dancefloor. Laughing and smiling, you were carefree, living your life to it's full potential. Theo couldn't bear to take his eyes off of you. It's not like you would have seen him anyway, with him lurking in the shadows.

After he had spent what felt like forever watching you, Enzo came to his friend's side, offering a new glass of pumpkin juice, which Theo gladly accepted.

"Who's that?" Theo asked his friend, nodding his head in your direction.

"That's Y/N. Y/L/N I think. She's in Ravenclaw. She's actually quite clever, I sat next to her in arithmancy last year." Enzo pauses for a second. "Why do you want to know?"

"I don't know," Theo shrugs, nonchalant. "I just... don't remember seeing her before, that's all."

"Oh. Well, she's really kind. And sweet." Enzo smiles before rushing of again to resume dancing, leaving Theo to mull over his thoughts. Thoughts of you.

A week later, whilst sat in Potions, Theodore couldn't help but watch you, sitting across from him in the classroom. Strange. He had never noticed you before, but now it seemed you were the only thing plaguing his mind. He hardly took any notice of Professor Snape that lesson, watching you as you took notes with your brow furrowed, and how you twirled your quill around in your fingertips if you seemed distracted.

Over the next few weeks, Theodore Nott grew to know lots about you, even if you didn't yet realise it. He knew your favourite subject (Charms), your favourite sweets from Honeydukes (Chocolate Frogs, because you collected the cards). He even knew how you liked to spend your Sundays (sat in the courtyard with a book and a hot chocolate). Theo was drawn to you, for some unknown reason, and not even he could figure out why.

In the weeks leading up to your exams, you spent an increasing amount of time in the library, studying. Funnily enough, so did Theodore. He wanted to do well academically, even if his friends preferred skiving off and messing with first years. So, that was how he came to speak to you for the first time, five whole months after he was first captivated by you.

"Can I sit here? All the other tables are either occupied or slightly sticky and I don't want to mess up my books"

"Uhh, sure!" Theodore said, shocked that you had even come over to him. "No," he told himself. "She's only over here because nowhere else was free. Don't get your hopes up."

"I'm Y/N, by the way." You smile at him, and wave your wand to get your books laid out on the desk in front of you.

"Theodore. But you can call me Theo." Theodore said, as he found himself smiling in return.

The two of you started to talk about anything and everything; school, exams, your hobbies, interests, just your lives in general. And that's how Theo realised that, maybe he wasn't such a cold, uncaring teenager after all.

A week or so later, the two of you were sat under the shade of an oak tree overlooking the Black Lake, studying for, you guessed it, exams. That moment was when Theo finally plucked up enough courage to ask you something.

"Hey, Y/N?" he asked, taking a deep breath.

"What?" you replied, looking up from your book.

"I was wondering, would you maybe like to, and it's OK if you don't, I don't mind, you don't have to say yes or anything because it's completely your choice-"

"Spit it out, Theo!" you giggled, humoured by his rambling.

"Right. Sorry." Theo said, trying to calm himself down. "Umm, would you like to go to Hogsmeade with me next weekend? And could we possibly go to the Three Broomsticks? You know, just... us?"

Your eyes widened, before you smiled at the boy's worried expression. "Of course! Theo I'd love to."

You wrapped your arms around him and gave him a small kiss on the cheek before returning to your book, leaving Theodore grinning as if he'd just won the lottery. Which, with you, he basically had.

After You

It had been a while since Theodore Nott had been back at Hogwarts. Since he had gotten the Dark Mark, at his father's force, he had stayed working for The Dark Lord, being a Death Eater. He hated it. It was a life his father had forced him into, a life which wasn't truly his. And now he was back at the one place which had been a home to him, but now he was here to destroy it.

Theo tried to look for you. The one person who he trusted, and the one person who trusted him. Theo wasn't here to fight. He wasn't here to kill. He couldn't do that here. His safe place, where his father couldn't physically torture him. Where you were.

Before his sixth year at Hogwarts, Theo was held under the Imperius curse by his father, and the searing skull tattoo, the tattoo that would hurt him forever, was imprinted into his left arm. When school started again, he couldn't bear to tell you, his girlfriend, what had happened. But he did, because between you two, there were no secrets. When you found out, all you were was supportive. You helped Theo though his pain and anguish, but what he didn't know is that when you first found out, you cried for hours. Crying about his future, your future, angry at the world you live in for being so cruel. Crying was really the only thing you could do.

After Dumbledore's death, Theodore did what he thought would be best for your relationship, best for you.

"You can't be serious, Theodore?" you said, trying to keep your voice levelled and clear, holding back the tears.

That hurt Theo. You never called him Theodore, unless you were really frustrated. Which hadn't happened until now. "Y/N please, I have to, it's for your safety."

"My SAFETY? Theo, I couldn't care less about that right now. Please, don't do this." You couldn't hold back any longer. The tears were now streaming down your face.

"I don't want to, but-"

"But what, Theo? I love you!"

"I love you too, but-"

"Then surely that's all that matter?" you say, exasperated. "We love each other. We can run away together, and live in hiding until it's safe for us to come out, to be together."

"No, we can't, you know we can't, we'll be found and then... you'd... You'd be killed." Theo says in a small voice. "And I can't let that happen to you. Please, Y/N, just listen to me. As soon as this is over, we can get back together. We can live together, start over together. But it can't happen now. Not yet. Please, Y/N, wait for me."

You can't stop crying now, and you lean over to Theo and kiss him. "OK. When it's all over. I'll be waiting for you, Theo. You'll definitely come back to me?"

"Of course I will, Y/N. I promise I'll find you."

And of course, that's what he was currently doing. Looking for you. He had been waiting a year to see your face again, hoping you hadn't forgotten about him. However now he couldn't find you. Running through the corridors, shouting you name, dodging curses and rubble, Theo's only goal was to find you. And he did.

There you were at the top of the Astronomy tower, a split lip and wearing a torn blue jumper, you were aiming all sorts of hexes at a Death Eater. Theo was so relieved, and began firing spells at your opponent, until he was knocked unconscious. At that point, Theo kicked the limp body over the balcony, not caring what would happen.

"Y/N." Theo smiled. "I told you I'd come back."

You pulled Theo into a hug and kissed him. "Theo!" you breathed.

"I love you more than anything, Y/N." All Theo could do was look into your bright, tearful eyes, relieved that he could see you once again before-

"AVADA KEDAVRA!"

That fateful curse.

A flash of green light.

Your body fell limp in Theo's arms.

Your eyes lost their brightness.

"NO!"

Theo tried to pull you up, tried to hold you tight, but it was no use. You were gone. Theo looked up to see your murderer, looking him in the eyes. His father.

Your death at the hands of Nott Sr. ensured Nott Sr.'s death at the hands of his son. That was the first and last time that Theodore Nott would ever use the killing curse, and it only made sense for it to be on the person that used it on the two people who he had loved most in the world.

When the Battle of Hogwarts was over, most of Voldemort's supporters were dead, captured, or had fled the scene when it was evident that they were losing. But two Death Eaters stayed behind, simply because they couldn't bear to leave the castle like this. They felt it was partly their fault. Those two Death Eaters were Theodore Nott and Lorenzo Berkshire.

Whilst everyone gathered in the Great Hall, Enzo wandered the, now ruined, corridors of a place he loved so dearly. What he didn't expect to find his best friend, leaning on the crumbled wall of the Astronomy tower, cradling someone in his arms. Not to mention the fact that his father lay on the ground mere feet away.

"Please, Y/N, you can't be dead, you can't. I came back for you I-"

"Theo?" Enzo inquired, sitting on the floor next to his best friend, who was in fits of tears.

"He killed her, Enz. He killed her so- So I killed him. I had to."

"It's OK, Theo." Enzo replied, putting an arm around his friend's shoulder, and letting him cry.

The pair fell into a comfortable silence, with the sound of everyone in the castle talking and grieving the loss of friends and family. The two could have been down there with them, celebrating the demise of the people who made their lives hell.

But instead, all Theodore Nott could think about is what should've been.

#slytherin #slytherin boys #theodore nott #harry potter #harry potter universe #lorenzo berkshire #theo nott #theodore nott x y/n #theodore nott x reader #y/n #theo nott x reader #slytherin boys x reader #slytherin x reader #x reader #fem reader #x female reader #ravenclaw #slytherclaw #battle of hogwarts #hogwarts school of witchcraft and wizardry #hogwarts houses #wizarding world #sad fanfiction #fanfiction #fanfic #enzo berkshire

[goryhorroor]

Upcoming horror movies (some without release years) - not in order

Longlogs - FBI Agent Lee Harker is assigned to an unsolved serial killer case that takes an unexpected turn, revealing evidence of the occult. Harker discovers a personal connection to the killer and must stop him before he strikes again.

Nosferatu - A gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake.

Bermuda - Unknown details but it will be set in the mysterious patch of the Caribbean where planes and ships have gone missing over the years.

Twisters (ok thriller but imma count it because i can) - A sequel to the 1996 film about stormchasing scientists studying tornados.

Immaculate - Cecilia is warmly welcomed to the picture-perfect Italian countryside, where she is offered a new role at an illustrious convent. But it becomes clear to Cecilia that her new home harbors dark and horrifying secrets.

Ghostbusters: Frozen Empire - The film centers on the Spengler family as they return to where it all started – the iconic New York City firehouse – to team up with the original Ghostbusters, who’ve developed a top-secret research lab to take busting ghosts to the next level. But when the discovery of an ancient artifact unleashes an evil force, Ghostbusters new and old must join forces to protect their home and save the world from a second Ice Age.

Mickey's Mouse Trap - follows a group of friends who become targets of a serial killer dressed as Mickey Mouse

Imaginary - When Jessica moves back into her childhood home with her family, her youngest stepdaughter Alice develops an eerie attachment to a stuffed bear named Chauncey she finds in the basement.  Alice's games with Chauncey become increasingly sinister, and Jessica intervenes only to realize Chauncey is much more than the stuffed toy bear she believed him to be.

Skeletons in the Closet - Haunted by a malevolent spirit since childhood, a desperate mother allows herself to become possessed in order to save the life of her terminally ill daughter.

Lisa Frankenstein - love story about a misunderstood teenager and her high school crush, who happens to be a handsome corpse. After a set of playfully horrific circumstances bring him back to life, the two embark on a murderous journey to find love, happiness… and a few missing body parts along the way.

Winnie The Pooh: Blood & Honey 2 - oh yay? I guess a sequel

Adrift - It is described as a supernatural ghost story set aboard a ship. It is an adaptation of a short story by Koji Suzuki

Dustbunny - It follows a young girl who asks her neighbor to help her kill a monster under her bed after she thinks it has eaten her family.

Faces of Death -  follows a woman who discovers violent videos that recreate death scenes from movies online. 

Heretic -  two religious women who become the focus of a strange man's games. 

History of Evil - In the near future, war and corruption have plagued America and turned it into a theocratic police state. Against the oppression, ordinary citizens have formed a group called The Resistance. One such member, Alegre Dyer, breaks out of political prison and reunites with her husband Ron and daughter Daria. On the run from the militia, the family takes shelter in a remote safe house. But their journey is far from over, as the house’s dark past begins to eat away at Ron, and his earnest desire to keep his family safe is overtaken by something much more sinister.

MaXXXine - Six years after the ‘Texas Pornhouse Massacre’, Maxine is now LA-based and on a driven quest to become a star in the acting world. But things take a sinister turn when bodies once again begin to fall around her.

Dracula - A futuristic sci-fi western version of Dracula.

Apartment 7A - Prequel to the 1968 film Rosemary’s Baby.

Baghead - follows a young woman who inherits a run-down pub and discovers a dark secret within its basement. Enter Baghead - a shape-shifting creature that will let you speak to lost loved ones, but not without consequence. 

Out of Darkness - In the Old Stone Age, a disparate gang of early humans band together in search of a new land. But when they suspect a malevolent, mystical, being is hunting them down, the clan are forced to confront a danger they never envisaged.

Stopmotion - stop-motion animator by the name of Ella whose latest project might just be driving her to the brink of madness.

Late Night with the Devil - 1970s talk show host Jack Delroy on his last legs, wrung out by personal tragedy and in need of a ratings win. His plan to feature as a guest a young girl who is allegedly possessed seems like a Halloween night layup… until the cameras roll and all hell literally breaks loose.

You'll Never Find Me - An isolated man living at the back of a desolate caravan park is visited by a desperate young woman seeking shelter from a violent storm. As the savage storm worsens, these solitary souls begin to feel threatened – but who should really be afraid?

The First Omen - When a young American woman is sent to Rome to begin a life of service to the church, she encounters a darkness that causes her to question her own faith and uncovers a terrifying conspiracy that hopes to bring about the birth of evil incarnate. (this might be a prequel to the omen)

Abigail - After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl. 

Return to Silent Hill - James, a man broken after being separated from his one true love. When a mysterious letter calls him back to Silent Hill in search of her, he finds a once-recognizable town transformed by an unknown evil. As James descends deeper into the darkness, he encounters terrifying figures both familiar and new and begins to question his own sanity as he struggles to make sense of reality and hold on long enough to save his lost love.

Infested -  invasion of venomous spiders, forcing residents of a suburban building to find a way out.

Tarot - Tarot follows a group of friends who recklessly violate the sacred rule of Tarot readings – never use someone else’s deck. In the wake of broken rules, consequences follow, this time in the form of unleashing an unspeakable evil trapped within the cursed cards. 

The Strangers Chapter 1 - a couple, have to survive the night while being terrorized by masked strangers in a remote Airbnb in Oregon

The Watchers - the film follows a young woman who becomes trapped with three strangers in a shelter deep within a forest in Ireland where the group must fight off mysterious creatures every night in order to survive. 

Never Let Go - a family who has been tormented by an evil spirit for years as their lives become more dangerous when one of the kids questions if the evil is real. 

The One - Follows character Taylor as she becomes a contestant on a reality TV dating show to find love. Taylor's experience takes a turn as she gets down to the final three and becomes terrified of not finding love (with a horror twist)

Thread: An Insidious Tale - new actors who play a husband and wife who use a spell to travel back in time to prevent their daughter's death, which has worse consequences than imagined

Weapons - The movie is about the disappearance of high school students in a small town, similar to the movie Magonlia's from 1999

A Quiet Place: Day One - New characters in New York

Alien: Romulus - takes place between the first & second movies

Beetlejuice 2 - not much is known about the plot details, but Beetlejuice will have a wife & Lydia's daughter will be in it

Speak No Evil: this is the English remake (all it really says; but it's just the 2022 movie but English?)

Smile 2 - it's a sequel but no details have been revealed

Terrifer 3 - not too many details revealed but it will take place on Christmas Eve

Wolfman - not too many details revealed but it's a new take on the werewolf tale

I Saw The TV Glow - Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.

Don't Move - A seasoned killer injects a grieving woman with a paralytic agent and she must run, fight and hide before her body completely shuts down.

Arcadian - Nicolas Cage comes back to save the day - and his children - from ferocious creatures at their remote farmhouse.

All My Friends Are Dead - College friends? Remote Airbnb? A secret murderer? What could go wrong in this classic toxic friend group killing spree? Looking forward to attending the biggest music fest of the year, this group of friends get together for what should be a killer weekend.

Monolith - It is about a disgraced journalist who investigates a conspiracy theory while trying to salvage her career.

some movies coming out maybe not this year but have been floating around: The Toxic Avenger (I think remake), Witchboard (remake), Year 2 (about werewolves), Shelby Oaks (A woman's desperate search for her long-lost sister falls into obsession upon realizing that the imaginary demon from their childhood may have been real), Salem's Lot (remake), Little Bites ('70s-set monster movie that highlights the lengths a parent will go to protect a child), The Crow (Reboot), Jordan Peele's untitled movie, I've also seen there's going to be another Saw (but it hasn't been confirmed), and another Scream (but that production is already a trainwreck so who knows)

#horror #horror movies #horror cinema #dracula #the crow #terrifier 3 #saw #scream #alien #beetlejuice 2 #smile 2

[calentvre]

that one person in the replies of the black sails vs ofmd poll arguing against black sails being "an actual queer show" is being deliberately obtuse and a troll but i can't sleep so. sure. i'll say why dismissing black sails like that is intellectually dishonest

defining how black sails is a "queer show" or how queerness is written into its core is i think explained best by the other things that black sails is about. queerness is but one among the show's most important themes, that all overlap and intersect each other

on the societal level: hierarchies of power and influence - hinging on wealth, status, gender, reputation, et cetera. transatlantic empires - colonization, slavery.

on the personal level: identity, image - the performances we put on for others, safety, independence, dependence on other people. the narrative of a life. how human life resists narrative payoff. becoming, then bearing the burden of what you've become.

in general: stories - the power they and the act of telling both hold. the truth and its importance; its irrelevance. reasons. consequences. inevitability.

black sails is about all these things and it connects the threads between them with precision, narrative grace and emotional payoff. it is a tragedy about disenfranchised characters that are navigating their wants and needs in the face of various expectations, crafted with historical plausibility in mind.

if it's somehow still unclear how queerness ties into the show's themes... it is insulting and frankly absurd to denigrate the queerness of the show with arguments dismissing flint's struggle just because there wasn't on-screen sex between men. flint not being straight is only the backbone of the plot! and reducing wlw relationships that span the entirety of the show's four seasons into "male gaze fodder" or whatever is an incredibly disingenuous take that not only glosses over how multifaceted and integral their characters are but also reveals the bad faith nature of these arguments. the first season featured a lot of sex and violence, sure, to lure in a mainstream (GoT era) audience, but the mere existence of a wlw relationship alone? what about anne and max building their trust and love, balancing against duty and image caters to the straight man, exactly?

yeah, black sails does not really play for representation points - instead, it has real things to say: about fighting against a rigid society that would rather get rid of you. about choosing either idealism or pragmatism in the face of oppressive forces. about escaping your identity or holding onto it and the violence and freedom concealed in each choice.

#black sails #text #discoursing as a little treat to myself<3

[blackpearlblast]

hey, if my ask is insensitive or simply too much work/you dont want to give your opinion/energy thats ok, and im sorry for bothering you if it is. ive seen many jewish people say "from the river to the sea" is a dogwhistle/generally antisemitic phrase to use, but you used it in your golem art's text part(incredibly moving text btw.) im asking you bc you mentioned youre jewish and i thought you might have insight or thoughts to give on why you use it/what you think about the first statement about the phrase?

hi, yes, i would be glad to talk about my perspective on this! first of all, i do want to say that i think a lot of palestinian bloggers have already talked about this and their voices will always be what you want to seek out first when educating yourself. however, i do know the crowd of people claiming that "from the river to the sea" is antisemitic/genocidal has been very loud so i understand why you would want to hear a jewish perspective on it too. second, in order to explain why i think "from the river to the sea" is not antisemitic will involve me comparing it to actual antisemitic, nazi slogans and dogwhistles and talking about what they mean. so just a heads up for that before it comes up.

the full phrase is "from the river to the sea, palestine will be free!" i think a lot of times in accusations of antisemitism people leave off the second half of the phrase in order to claim it is calling for something else to happen from river to sea (like the expulsion or execution of all jews.) but that's just like, not, ever, a thing? that is said? you can tell the pieces of the phrase go together because they rhyme and also are said together by palestinians and allies near constantly. it's "from the river to the sea, palestine will be free." and i think all of the fearmongering relies on a good bit of ambiguity beyond that too. "what does a 'free palestine' mean? could it meant they want to throw all the jews into the sea?" - some zionist when i tried to look up the origin of the phrase in case there was anything really important i was missing that i should cover in this. there's like this idea that they can't really be asking for a free palestine, there has to be some kind of catch.

i think it's also important to look at the circumstances that this slogan was born under. the thing about modern day palestine and occupied palestine, on which israel tries to build itself, is that even though spatially the land stretches from river to sea, the people's experience of it does not. because of the apartheid system of checkpoints, ID-based restriction of movement, and blockades (in the case of gaza), there exist great gulfs in the land that are impossible or near impossible for people to cross. there can be a place a couple miles away, that due to lacking the "proper credentials", is more distant for palestinians living under apartheid than perhaps a destination a cross-country trip away would be for you. so i see the call for a free palestine specifically "from river to sea" to remove those gulfs and allow freedom of movement for everyone. i find very little of this has to do with jews, personally. the only connection is that the people who set up and maintain this system of apartheid happened to be jewish. and i hope that we would all agree that resisting one's oppressors- even if those oppressors are also marginalized and oppressed in other ways- is not a bad thing.

but it is true that many white supremacist/antisemitic slogans may focus more on the creation of a (white) nation than actually the jews themselves, since they have already established among themselves that a white nation has to mean no jews. so let's look at some of the more famous nazi rallying cries and how different they are from "from the river to the sea."

the fourteen words are most primarily known to be "we must secure the existence of our people and a future for white children." wow! i guess we could find some superficial similarities between this and river and the sea, like if we really wanted to stretch it. but personally, there's a ton of alarm bells in my head that this phrase sets off while river to the sea doesn't. the emphasis of "we" and "our" when used in this way really implies an us versus them narrative. and here the ambiguity really is present and malevolent! a "free palestine" is a palestine unrestricted by apartheid and colonialism. a "secure existence" and "future for white children" is uhhh, what does that Mean. like, we Know what that means right. but they aren't saying it. we can very easily find people saying what a free palestine means if we listen to palestinians. please, please listen to palestinians. there are so many people talking about what their idea of a decolonized palestine looks like, but the basics are generally one state, for all people, with equal rights for all, and the ability for those who were expelled from their homes in the nakba and all of the many long years following it, to return.

"blood and soil" is even vaguer. but thankfully(?), nazis were very enthusiastic about explaining what the phrase meant to them. "blood" is the superior aryan bloodlines and eugenic values that they wished to propagate and the "soil" represents the land of germany and the desire to "reject modernity and embrace tradition" by leaving urban life behind and living in the idealized countryside. (see we got a twofer here!) the only possible connection i could make to from the river to the sea here is the emphasis on the land but that on its own doesn't feel significant to me. land and the place where you live is very important to all kinds of humans all over the world. and i think another particular aspect of "blood and soil" is the emphasis of how you are living on the land. it's not just enough to be able to live in your homeland with freedom of movement and the ability not to be killed with impunity by occupying soldiers (lucky you!), you want to live there in a state of racial purity exemplified by eugenic values. in general, in nazi slogans, there is a particular fixation with a society shaped to represent these specific values. the call is not for freedom from repression, from an actual occupying colony, but instead from the considered bad actors and impure values coming from within their society. freedom from having degenerates sullying their perfect aryan nation. there is a plea to be able to get rid of those who do not match their view of a perfect society. the plea for a free palestine is, so much, a plea to be able to keep their family members, their friends, the friendly stranger down the block. that is not a fascist ideology, that is the will to live. and though i am referring to the ideology surrounding "blood and soil" in past tense because i am referencing the coining of the phase, these sentiments and slogans are obviously (and unfortunately) alive and well today. though, there is a particular irony to white american neo-nazis chanting it on stolen land.

"they will not replace us"/"jews will not replace us" refers to the "great replacement" theory, that jews are orchestrating a mass replacement of white people with immigrants (specifically non-white, often muslim immigrants.) i do not think this slogan has even any superficial similarities to from the river to the sea. you could definitely compare this sentiment to israel's attempts to maintain an artificial ethnic majority, since in many ways the potential "solution" to the "great replacement" would also need to involve creating/maintaining an artificial ethnic majority. (this is obviously not saying that israel subscribes to the great replacement theory, but that the tactic of maintaining artificial ethnic majorities is shared between zionism and great replacement theorists, since both ideologies rely on a specific ethnicity being the majority in their country.)

dogwhistles like 88, triple parenthesis, etc. rely on being vague symbols so that only those who know what the symbols stand for know what they mean. (88=HH=heil hitler, the triple parentheses representing the supposed (((echoes))) of jewish influence throughout history.) "from the river to the sea, palestine will be free" is a complete phrase that directly names its cause. people who say "free palestine" want you to know they stand with palestine. i guess if you wanted to be going for the most bad faith reading possible you could say "free palestine from what?", to which every palestinian and everyone who has been remotely paying attention to what palestinians are saying would shout: "from apartheid, colonialism, ethnic cleansing, and currently, very open and deliberate genocide!" like, it is true that if you felt you did not glean every aspect and detail of what the people in the occupied territories are calling for, you would be correct! but they are answering this. they want to talk about it. the reason i do not believe from the river to the sea is genocidal or antisemitic is because i have been reading and listening to what palestinians are saying and none of them have said they want to kill all jews. they do not want genocide, they want to go home! they just want to go home. i don't know most of this was written pretty tongue in cheek because i was talking about nazi slogans and nazis are pathetic and even more pathetic when held up against a movement of people who are legitimately trying to fight against a great wrong that was committed against them, but i just get so sad saying this. they just want to go home. haven't you ever felt that way before?

in the end, words mean things, and even more importantly, the contexts they're said in mean things. and while it's true that antisemites do hide behind dogwhistles and vague statements for plausible deniability, the alternative meaning does have to actually be established somewhere for them to be effective. from the river to the sea lacks an established alternative meaning. fearmongering from people who refuse to listen to what palestinians are actually saying does not make sense to me as legitimate definitions of the phrase.

also!!!! i'm sorry this got so Fucking long, thank you if you actually made it this far! i intentionally used "from the river to the sea" in my artists statement because it frustrates and upsets me so much to see people making such a big fuss about it when actual antisemitism goes unpunished. like a lot of the phrases i talk about here were chanted at the charlottesville neo-nazi march in 2017 and while many people were deeply upset and angry at what happened, the jewish community was not rallied around even Close to as much as it right now. and with joe biden saying "if it weren't for israel, not a single jew in the world would be safe" at a fucking hanukkah celebration i just. i don't know. the push back against "from the river to the sea" has so much to do with backing colonial and imperial interests and so so little to do with our actual safety. the concept of our identities and safety is being weaponized against palestinians, and at the same time makes it harder to identify actual antisemitism. and that hurts.

#received #no sources and minimal proofreading because i already spent way too long on this but everything i mention #should either be easily google-able or my opinion #nazism #antisemitism #racism #islamophobia #ask to tag

[horizon-verizon]

Honestly as a neutral party I would prefer Jaehaera living to Daenaera being introduced. Jaehaera is an innocent, mentally disabled child and her death is needlessly cruel. Her death is the least plot relevant of all of the child deaths that have happened in the dance and it's reasonable for people to want that changed since it comes off as pointlessly cruel. Killing Alicent or even just focusing on her imprisonment more is enough to show that the greens have paid for their betrayal. At least Daenaera can still be introduced and do something else in the narrative even if she doesn't marry Aegon.

I've already explained why Jaehaera's death was plot relevant HERE and HERE.

A)

Daenaera's entire narrative purpose was to marry Aegon and have his children to propagate the Targ line AND to become part of Aegon's mental rehabilitation from the effects of the civil war and watching his own mother get eaten burned/alive by a dragon. This is also reason why she's a fan fav in the first place; it's seen as a noble undertaking to some and a way for the Targs to move away from the greens finally. What other narrative use would you have her have?!

We can't bring up how after the War of the Roses the two fighting houses (Yorks and Lancasters) were successfully brought together in marriage to justify Jaehaera marrying and having a family with Aegon. Because:

Elizabeth of York wasn't disabled like Jaehaera

neither her nor Henry Tudor were little kids when they married

this is a fictional tale that, while modeled after some real events and people, is using them as springboards for a specific, purposefully created "message" unique to the author's

and imagine what it would being pregnant several times really be like for a very mentally incapacitated and traumatized girl like her?!!

Much less the other traumatized boy who's to be her husband? What the consummation and all the...impregnating times looked like?! Then, imagine what the family life would have been like, with these parents unable to ever connect thus the resentment is worse and their kids seeing that?

This doesn't justify Unwin Peake murdering Jaehaera, but no she never should have been married off to Aegon or anyone in the first place and that was not Unwin's doing but a larger group's--Aegon's council/patriarchal feudalism. This is what GRRM's trying to tell you, stop resisting it.

B)

I can believe that it is the way she died and the other context of so much violence men and adults perform against women and girls in this world is what really offends people enough for them to say that somehow, this a narratively irrelevant death. Because they're just that horrified.

The feelings are valid. But the action to erase the significance of the death is not valid. You definitely can wish for a much less violent one, like a poisoning that puts her to sleep or something. The death is supposed to be tragic and make you feel that it wasn't deserved, was horrible, etc. Because it was all those things.

And to say such an untrue thing as "not narratively relevant" also leads me to suspect that some people don't like Jaehaera's death either bc they just:

wanted the greens to win in some way bc they favor them and their cause (my second linked post)

you--knowing that Daenaera will likely be black in the show IF they ever get to the Maiden's Ball--go so hard for Jaehaera bc she at least is a white girl in the universe of HotD

want excessively centrist politics to sway the story at the expense of actual understanding of why we should change and upend the status quo entirely (here the feudal entrapment of girls and women); deny a reality, discourage learning to the oppressive status quo can prevail [on this trend of neutrality]...the truth is the villains/antagonists were always the greens

AND/OR, are avoidant of facing ugly, sordid truths of oppression because they are close to it in real life and haven't found ways of separating that from collective understanding of oppressive systems/coping mechanism

Look anon, Alicent's imprisonment doesn't make up for mass death. Because it's not even just about Alicent as the individual, the grandmother, the mother, etc. It's the effect of her actions on a population. Jaehaera was one of many girls Otto AND Alicent endangered (another being Halaena). Though her actions became something much bigger than her & things went out of her control, that doesn't stop them from being hers AND having affected thousands of lives. Her main aim was to accrue power through her kids and grandkids--who she chose to risk by usurping Rhaenyra and beginning the war--the consequence is she loses said kids and grandkids through other's similar ambition. Again, bc even though those kids were noble and were supposed to be relatively safe, because they are all technically heirs or adults around them can use them accrue power (whether by killing them or through marriages or whatever), they were also targets. We could say similar for Rhaenyra's children, as what happens to her youngest 2; all of them in one way or another die because they were or could be used. however, they AND the greens' kids were all safer if the greens had not usurped Rhaenyra.

The greens were the aggressors and transgressors. The ones who started this war and looked for something out of it. They tried to act worse against Rhaenrya before/during the war AND the whole of Westeros before/during/after, thus they get the worse punishment and lose more than she did.

The entire point is that the greens lose everything, because they went after "everything". They lose everything, including their kids bc they relentlessly and hypocritically ran to obtain more power for themselves by attempting to exclude a woman from the position she never would have had without the will of a man.

They went on the basis that a girl/woman should not rule or become an heir before any direct male relatives...so Jaehaera was cut out of the line of succession by her own side of the family, thus she was also less prioritized, thus she was made into a baby factory for Aegon III. She became their last chance to get their blood to at least be part of the future line, but even that's dashed by a man who had similar ambitions as Otto and Alicent.

In trying to go against the king's word/an actual law, the greens also made it much more justified for someone to not care much for Aegon II's claim or authority...bc if you can so easily flout a king's word, why should you care about the guy you're trying to make king?! And using people who themselves are willing to be so dishonest creates a higher likelihood that they'd betray you, as similar to Ulf and Hugh betraying Rhaenyra. (And somehow, Rhaenyra is the only naive one when she expects people to follow through with their oaths 🙄)

Have you ever thought, anon, about those other girls who were maimed or terrorized into not appearing before Aegon III in the Maiden's Ball? Sure, most of them weren't disabled (Priscella Hogg was, I think), but what happens to Jaehaera is because she was girl in the way of a man's ambitions and not because she was disabled. What about all those Tumbleton folk, Bitterbridge refugees (the raped septas and girls as young as 8!), and riverland peasants--most of them children! Undoubtedly, you will have disabled children in those populations, anon. Why is Jaehaera's death so much more valuable than these mass deaths of also children? Remember that Alicent raised her kids to easier justify committing these atrocities. Maelor and Jaehaerys' deaths also reflect these events. Jaehaera's death was markedly different in meaning from theirs (to open up space for another girls who's being used) because she was female. In the first linked post, I talk about why and how people used Jaehaera's marriage to Aegon and how that reflects on her death being unique from her brothers' because of her gender.

GRRM comments, through Jaehaera and these girls and Rhaenyra what one pattern of F&B has: being female is dangerous because it is to be more of an object or property in lieu of self-concerned ambitious men to the point where the most vulnerable and those who cannot practice some of the same sort of agency can experience gruesome consequences--sometimes to become terrors themselves in their attempts to gain denied agency or defend themselves.

#jaehaera targaryen #daenaera velaryon #asoiaf asks to me #jaehaera's death #fire and blood writing #the greens vs the blacks #fandom critical #hotd fandom #green stan nonsense #fandom nonsense

[chaiaurchaandni]

does throwing a stone at a tank

make a child a terrorist?

is terrorism about resisting oppression? is terrorism about demanding your birthright to live safely and peacefully in your homeland? is terrorism about hating the killers of your family, your friends and your people?

accusations of terrorism are often weaponized against those fighting for liberation and sovereignty and dignity. the french settlers called the algerians terrorists. the indian government calls the kashmiris terrorists. the pakistani army calls pashtun activists terrorists. the turkish government calls the kurds terrorists. apartheid south africa called nelson mandela a terrorist. americans called the vietcong and the black panthers terrorists. the israelis call the palestinians terrorists. all oppressive regimes are connected. all oppressed people are connected. injustice anywhere is a threat to justice everywhere.

#fares odeh #this is the justification that israel uses to imprison and kill palestinian children #accusations of terrorism are often weaponized against poc who fight for liberation #'wider impact: after odeh's picture became famous israeli tanks were told to start shooting at stone throwers' absolutely insane #free palestine #palestine #gaza #from the river to the sea palestine will be free #glory to the martyrs #long live palestine #death to israel #long live the resistance #save the children #palestinian resistance

[arthenaa]

Hey bro I like your writing and I was wondering if you could give us some Mizu x Filipino!Reader hcs🥺👉👈 ̶(̶t̶o̶t̶a̶l̶l̶y̶ ̶n̶o̶t̶ ̶g̶o̶n̶n̶a̶ ̶u̶s̶e̶ ̶i̶t̶ ̶t̶o̶ ̶p̶r̶o̶j̶e̶c̶t̶ ̶m̶y̶s̶e̶l̶f̶)̶

I have to make this poetic I'm so sorry but also making it modern!au and canon setting teehee (ALSO DOUBLE UPDATE?) slight nsfw ig!! mdni.

canon divergent, just think of this is as that scene from Goyo where Remedios and Gregorio Pilar do a wholeass pining scene idk

Absolutely met you at some fancy ass noble party

You're a child of a wealthy Senor who's in great partnership with the Lords from the Commonwealth

Mizu's camping in and disguising herself in the party to find more intel on her next target and then she bumps into you

at first you're like very inquisitive of where she came from (considering that you view her as a man at this point), how she enjoys the party and what not

then you're suddenly like ik what you're doing. you're not from here.

Mizu's thrown off bc haha this is an international gathering of sorts and like ppl here are mostly foreign

you're like well its bc you're so obvious when it comes to occasions like this that I've already spotted you from a while back

and so youre like dancing and all and Mizu has no choice but to extract info from you

she reveals that shes looking for a white man, and that he may have connections here in the ph

and coincidence cuz you, who's also a part of the resistance, have been tracing the weapons provider of the spanish army.

so you guys work together. you give her intel, she helps you hunt down the provider and their little goons

it kind of starts like an enemies to lovers .... kind of a forced situation where Mizu has to deal with the resistance in order to get to what she wants but rlly theres no other way around

falls in love w your love for your country

despite your privileged upbringing, you're deeply interconnected with your roots, and have been fighting for the filipino people

you guys fight over the simplest of things, like how she doesnt wear things right or holds weapons correctly

you definitely bond over weaponry though and its history. the first time you've seen her katana, you were so amazed. in return, you showed her a kampilan—a sword carved and forged by your grandfather. she had so many questions.

yeahh overall i think what pulled you together was your shared anger and desperation for justice. No matter the situation, whether it be a resistance against oppression or looking for the man that caused a hellscape within your life, y'all resonated with the emotions and trauma that came with that.

BEST BELIEVE THE SEX WAS GOOD and rough and yes hbejawhejehe mhm

anys thats all. you're like PARA SA PILIPINAS and shes on her knees.

modern au hehe

met through int sch program. mizu is a transferee from japan who joined their uni's international program and got linked w ur sch

she was in one of ur classes and like yeah, she was nearest to u so she had no choice but to ask u for sch stuff

YOU THOUGHT SHE WAS PRETTY CUTE but like u wanted a good impression so u tried to help her as much as u could

even gave her a tour of the campus

showed her a few iconic eating places that she could go to jic her budget was on a limit or wanted good filo food

you wanted to expose her to the culture as slowly as u could just so that she could adapt and pace herself

definitely stuck by your side since then

you learned that she's going to study here for 3 years before going back to japan for her masters, and you're like wow thats so cool and shes like thanks

definitely a gamer

you guys hang out at one of the comp shops nearby (IF NAGAARAL KAYO SA TAFT .... guys suki ako don HAHAHA)

loves learning abt history, esp filipino craftsmanship

you definitely treat her to various street foods

mizu : what's this

you : we call it kwek kwek, but u can call it neon balls

mizu: neon balls????

showed and taught her how public transpo works once, and she gets a hang of it a week later

knows her way around manila than you do (author is projecting mb)

knows basic filo words when navigating. you teach her the slang.

basically friends to lovers guys omg, ayon sana all eme

you do that lips thing where you point w ur lips and at first, she was so confused (this is during your relationship)

she thought you were asking for a kiss and she kissed u and you were like ?!@!?@??$?

mizu: ha

you: I WAS ASKING FOR THE,ASd MUGWTF

mizu: ahhh my bad haha

walks u to class teehee

hangs around in empty class rooms esp comp labs and you guys watch movies there

momol sa dorm, momol sa clasroom na madilim, momol sa may agno charot

MOMOL = MAKE OUT MAKE OUT LANG

revels in simple pda like linking ur pinkies together, thigh against thigh when seating, and just yk so landi. landi niyo.

you have her id pic on the back of ur id and she yours on her clear phonecase

EWWWW GAY PPL (affectionate)

unintentionally matching

loves gifting u jewelry esp necklaces (likes to see it when u guys are in the bedroom, splayed on your chest and just yk decorating your collarbones so nicely)

holds your hand and helps you cross the street omf

pays for ur commute fee when riding the jeepney

memorizes ur kwek kwek and fishball sauce combination

loves exchanging one shoe w u for funsies

loves taking pics w u w the cats on campus

OVERALL A CUTIE TEEHEE!

A/N: DEDICATED KAY DELULU RECEIVER!! eto para sayo sorry ginutom keta ng sobra huhu @ianiralvs may isa pa kong utang sayo na req mo hihi gagawen ko pa yon to muna HHAHHAHA

#arthenaa #the blue eyed samurai #mizu x reader #the blue eyed samurai x reader #mizu fluff

[milkbreadtoast]

tried drawing the mc from a dream i had recently... design and colors tbd(+placeholder clothes) but i decided to give him pink hair lol (more info under the cut)

ok im going to ramble a bit abt the lore now.... all this is tentative/im not sure bc it's based on a dream... he works for this organization that's basically like a super powered "peace keeping" police force/FBI type deal that paints itself as like super heroic & good & all abt justice... but it's secretly an evil organization that oppresses/experiments on monsters and hides this from the officers(except the higher ups) and the public... i think maybe 1 of the officers' jobs is to defend the public from monsters? (the monsters include animal-like ones but also magical creatures w human-like intelligence) but they secretly capture + do cruel experiments on monsters... and oppress them in other ways(?)

+ in the dream there was a resistance group of fox/werewolf-like shapeshifting monsters... ok im just gonna copy what i wrote here:

just gonna add that the mc prob joined the police force bc of the childhood friend incident (wants to protect ppl so this doesnt happen again?) + he was prob also chosen as a target by the resistance group bc of this incident too... like it's all connected... the childhood friend incident is related to the monsters... only they (and the evil org) know what rly happened... mc is chosen bc of his ties to that friend/the incident... maybe the childhood friend was a monster..? I'm not sure lol but def connected. MC also has superpowers but I haven't decided for sure what they are (i rmbr his ability in the dream but idk if im going w that kdfjdj like it has to make sense...)

also in the dream the mc guy had like unassuming brown haired just some guy energy but after waking up i was considering other colors and pink popped into my head lmfao... also if he looks kinda like yeseo LOOK AWAY... I RLY TRIED OK... this is why i made him pink and not brown🤧

the mc also had like 2-3 fellow officer friends in the organization... i vaguely have an afterimage of what they looked like... 1 of them was a more srs type... mc himself is p laid back... kinda dense and disarmingly nice type lol. Also he's a young adult... maybe 24ish? (or older cuz i can do whatever i want)

Bonus: i also drew this yesterday, it's another mc from a dream i had the other day (but im not satisfied w this lol + dont rmbr enough of the dream to flesh it out)

#OC

[callsigns-haze]

Out of All: Chp 3

Jake Seresin x OC! Anna Bradshaw

Brothers' Best Friend Series! Follow along as these characters navigate the treacherous waters of love, loyalty, and desire, all while facing the ultimate taboo: falling for your sibling's best friend. From heart-pounding moments to steamy encounters, this series is a rollercoaster of emotions that will keep you hooked until the very end. Brace yourself for intense romantic tension, sizzling chemistry, and enough drama to keep you guessing. Are you ready to embark on this captivating journey?

This chapter includes explicit sexual content with detailed descriptions of sexual activity and intimacy between characters. Scenes depict physical intimacy, including kissing, touching, and biting, with characters described in states of undress. Emotional intensity is explored, encompassing themes of longing, desire, and vulnerability, with brief references to past trauma. Characters may be shown consuming alcoholic beverages, and mature themes such as casual relationships

The studio walls seemed to close in, suffocating you with their unyielding presence. Bloody January, new year, new you, but here you were, stuck in the same cycle of frustration and disappointment. Hours had slipped by like grains of sand through an hourglass, each one adding to the weight of your exasperation.

Today was one of those days where nothing seemed to click, where every note was a struggle, and every chord felt like a battle. The music refused to flow, stubbornly resisting your attempts to coax it into existence. And as the hours stretched on, tensions simmered beneath the surface, threatening to boil over at any moment.

Frustration radiated from every corner of the studio, a palpable energy that hung heavy in the air. The once vibrant space now felt suffocating, stifling your creativity with its oppressive atmosphere. All you wanted was to escape, to retreat into the sanctuary of solitude and lick your wounds in peace.

But duty called, in the form of your brother's plea to join him and his friends at Penny's bar tonight. You wanted to meet them, to connect with his circle, but today, the thought of socializing felt like an insurmountable task.

"Anna, we need to get this moving!" Harry's voice cut through the tension, his frustration mirroring your own. With a roll of your eyes, you shot him a pointed look, the weight of exhaustion bearing down on your shoulders.

"What do you honestly think I've been trying to do, huh?" you snapped, your words laced with frustration. You were tired, irritable, and every fiber of your being screamed for release. The studio felt like a prison, trapping you in a cycle of unfulfilled potential and dashed hopes.

As Harry left the room, leaving you alone with your thoughts, you took a deep breath, steeling yourself for another attempt. One more time, from the top, and then you were out. With a resolve born of sheer determination, you began to play, your voice a beacon of defiance amidst the chaos.

Each note carried the weight of your frustration, each chord a testament to your resilience. Despite the odds, you refused to be defeated, pushing forward with a determination that bordered on desperation. And as the melody unfurled, weaving its way through the heavy atmosphere, you felt a glimmer of hope ignite within you.

The music may not have been perfect, may not have flowed effortlessly from your fingertips, but it was yours. A reflection of your struggle, your perseverance, and your unwavering commitment to your craft. And in that moment, as the music carried you away on its wings, you found solace in the simple act of creation, a reminder that even in the darkest of times, there was still beauty to be found.

"Summer went away Still, the yearning stays I play it cool with the best of them I wait patiently He's gonna notice me It's okay, we're the best of friends Anyway

I hear it in your voice You're smoking with your boys I touch my phone as if it's your face I didn't choose this town I dream of getting out There's just one who could make me stay All my days

From sprinkler splashes to fireplace ashes I waited ages to see you there I search the party of better bodies Just to learn that you never cared

You're on your own, kid You always have been

I see the great escape So long, Daisy May I picked the petals, he loves me not Something different bloomed Writing in my room I play my songs in the parking lot I'll run away

From sprinkler splashes to fireplace ashes I called a taxi to take me there I search the party of better bodies Just to learn that my dreams aren't rare

You're on your own, kid You always have been

From sprinkler splashes to fireplace ashes I gave my blood, sweat, and tears for this I hosted parties and starved my body Like I'd be saved by a perfect kiss

The jokes weren't funny, I took the money My friends from home don't know what to say I looked around in a blood-soaked gown And I saw something they can't take away

'Cause there were pages turned with the bridges burned Everything you lose is a step you take So make the friendship bracelets Take the moment and taste it You've got no reason to be afraid

You're on your own, kid Yeah, you can face this You're on your own, kid You always have been"

---

Bradshaw! Where's your sister at?" Natasha's impatience cut through the chatter, her eyes scanning the bar for your familiar presence. Bradley glanced at his phone, hoping for a message or a sign of your impending arrival, but found nothing. A sense of unease settled over him, a nagging feeling that something was amiss.

"Don't know, Phoenix. She's probably stuck at work," Bradley replied, his voice tinged with concern. He watched as Jake and Javy played darts, his mind drifting back to the front door of the bar. "Where are you, Anna?"

With a flicker of apprehension, Bradley unlocked his phone, dialing your number in a desperate bid for reassurance. Each ring felt like an eternity, his heart pounding in his chest as he prayed for your familiar voice to answer. But the silence on the other end only deepened his worry.

Then, a message popped up on his screen, accompanied by a video from you. Relief flooded through him as he read your text, a small smile tugging at his lips. "We only wrapped up now. Give me ten and I'll be there!"

As he watched the video, a sense of pride swelled within him. Your voice, clear and strong, filled the bar, carrying the weight of your emotions with each note. It was a song about solitude, about facing life's challenges head-on, and Bradley couldn't help but feel a surge of admiration for his talented sister.

"Hey guys! My sister's gonna be here in a bit. She sent me a video if you want to see!" Bradley called out to the group, excitement rippling through the air. He had mentioned your burgeoning music career to his friends before, and now they eagerly gathered around him, eager to catch a glimpse of the elusive Anna Bradshaw.

As the video began to play, Jake's eyes widened in recognition. The pieces fell into place, and he realized why you looked so familiar. With your distinctive features and undeniable talent, you were unmistakably Baby Bradshaw, the younger sibling whose musical journey had captivated their curiosity.

As the last notes of your song faded away, a chorus of applause erupted from your audience. Bradley couldn't help but feel a swell of pride in his chest as he watched his sister's talent being recognized and celebrated by those closest to him. In that moment, as the warmth of camaraderie washed over him, he knew that no matter what challenges lay ahead, you would always have a supportive network by your side.

He and Coyote both took a step back, their expressions mirroring a mix of shock and disbelief. Javy leaned in, his voice barely above a whisper as he posed a question that hung heavy in the air, "Isn't that the chick from last weekend?" Jake shot his friend a warning look, silently urging him to keep his thoughts to himself.

In that moment, the weight of his actions hit Jake like a ton of bricks. He had been sleeping with a Bradshaw, his wingman's precious baby sister. The realization washed over him, a wave of dread and regret crashing against his conscience. How could he have been so blind? How could he not have recognized you, despite your distinctive features and undeniable talent?

God, Bradley would kill him. The thought sent a shiver down his spine, his stomach churning with a sickening mix of guilt and apprehension. He had betrayed his friend's trust in the worst possible way, tarnishing the bond they had built over years of camaraderie and loyalty.

As he glanced at Bradley, he could see the color draining from his friend's face, his expression a mask of disbelief and shock. The room seemed to spin around him, the reality of the situation hitting him like a freight train. "Hey Bagman, you okay?" Fanboy's voice cut through the tension, his concern palpable as he glanced at his fellow pilot.

"Fine," Jake replied, his voice strained as he forced the words past the lump in his throat. But inside, he knew that nothing would ever be the same again. He had crossed a line that could never be uncrossed, and now, he would have to face the consequences of his actions.

---

You parked your car near the light blue bronco, recognizing it as your brother's vehicle. As you stepped out and locked the door, a sense of apprehension settled over you. You knew Bradley would likely be frustrated, perhaps even angry, that your colleagues had made you late for the meeting.

Entering the bar, you spotted Bradley with a group of young aviators. He walked down to greet you, enveloping you in a side hug. His whispered words tugged at your heartstrings. "You actually came," he murmured. With a playful eye roll, you leaned in to whisper back, "You pay the rent without allowing me to, I had no choice."

The resemblance between you and Bradley was uncanny, from the curls in your hair to the twinkle in your eyes. As he introduced you to his friends, you greeted them warmly, but your attention was quickly drawn to one individual in particular: Jake. Jake Seresin, Hangman, Bradley's wingman.

Bradley's introduction sent a jolt of panic through you. You had slept with Jake, your brother's wingman. Out of all the people, why him? The realization hit you like a ton of bricks, and you knew you had to tread carefully to ensure that Bradley never found out about your previous encounter with Jake.

As Jake greeted you with a Texan charm that sent shivers down your spine, you struggled to maintain your composure. Bradley couldn't know, couldn't suspect anything. So you smiled politely, nodding at Jake's introduction, all the while grappling with the knowledge of the secret you shared with his wingman.

Jake knew that Bradley could never figure out that the two of you had met previously, so he played it cool, maintaining his composure to prevent your brother from catching on. "Hangman, but you can call me Jake, darlin'," he said, his Texan accent adding a touch of charm to his words.

As Jake shook your hand, Bradley watched the interaction closely, his protective instincts kicking in. "Brad told me a lot about you," you remarked casually, withdrawing your hand and wrapping your arms around yourself as you engaged in conversation with Jake. "I could say the same," he replied, a hint of amusement in his voice.

Glancing over your shoulder, you noticed Bradley had rejoined the group, leaving you to converse with Jake. But before you could delve further into conversation, Jake leaned in, his voice barely above a whisper. "We need to talk."

Your heart skipped a beat at his words, and you met his intense gaze, scanning the room to ensure no one was listening in on your conversation. "Yeah, that's putting it nicely," you replied, a sense of apprehension creeping into your tone.

----

"You're actually his sister," Jake sighed, his frustration evident as he ran his hands down his face while seated on the outside deck of the bar. The realization hung heavy in the air, both of you grappling with the unexpected twist of fate that had brought you together.

"Look Jake... Would you change anything if I wasn't his sister?" you asked, your voice tinged with uncertainty. It was a question neither of you had anticipated, probing the depths of what could have been if circumstances were different.

"No," Jake replied simply, his gaze meeting yours with unwavering determination. Despite the complications that your relationship with Bradley introduced, he was adamant that he wouldn't alter a single moment they had shared.

His response left you conflicted. On one hand, you were relieved that he didn't regret what had transpired between you. On the other, you couldn't shake the nagging doubt about the potential fallout with your brother.

"What about Bradley?" You countered, your mind racing with the implications of your newfound connection with Jake.

As you contemplated the situation, memories of the rules you and your best friend, Caila, had established as teenagers flooded your mind. Rule number one: Never, under any circumstances, become romantically involved with each other's siblings. It was a pact born out of loyalty and mutual respect, a boundary that had never been crossed. You believed guys had some sort of similar boundaries.

But now, faced with the undeniable chemistry between you and Jake, you questioned whether those rules still held weight. Was it breaking a code if neither of you were aware of its existence? And could you deny the undeniable attraction that pulsed between you, despite the potential consequences?

"I've done worse things," Jake confessed, his words hanging in the air like a weighty admission. In that moment, you knew that the path ahead would be fraught with challenges, but the pull of desire was too strong to resist.

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