dream of the endless in 1818 when mary shelley dropped: “Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust?”
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yea sooooo I may have or may have not watched and instantly rewatched all kuro musicals in existence in a spawn of one week and now have roughly 40 screenshots to redraw from
I think I might be insane or something
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Hermione, in both canon and often in fanon, seems to have predominately male friendships and kind of difficult time building strong relationships with women (Lavender, Fleur, etc.). Even initially with Luna, Hermione was particularly skeptical and had a rocky start.
What's your theory on why this is?
Hermione, especially in the early books, is written by an author who treats her unfemininity as a quality that makes her different from, and superior to, other girls. Hermione is self-serious, intellectual, and decisive, which are classically masculine virtues, which Hermione (and the author) are aware of; and so Hermione eschews femininity in any number of ways. The other girls at Hogwarts, meanwhile, with the exception of Ginny, are often portrayed as shallow, vapid, flirty (count the number of times Lavender or Parvati "giggles" or goes "oooh"), hyperemotional, and boy-obsessed. Meanwhile, Hermione is intense, driven, and oblivious to other people's feelings — in many respects "boyish." Not until the later books, when both the characters and their writing starts to mature, is humanity offered to people like Cho Chang or Fleur Delacour — and even then, Lavender's arc in sixth year is this remarkably mean subplot where a sixteen-year-old girl becomes the butt of endless jokes because she has the audacity to... act silly around her crush. (If you think "Won-Won" is a bad nickname, you need to go see what actual teens in relationships call each other, because I'm telling you, Ron has it easy.)
The narrative wants you to know that Hermione is special, and her specialness is underscored by her difference from other women. In canon, she buys into that specialness, which leads to a degree of disdain for other girls that's fueled by a superiority complex and internalized misogyny. I say this as someone who adores her, and adores her in her complexity: Hermione has trouble forming friendships with women because she believes that she is Not Like Other Girls, and her author agrees with her.
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"I should've seen the signs" I feel like Stoick was basically reliving the way he lost Valka.
To him, after a lifetime of wanting nothing but to kill a dragon, Hiccup's suddenly and inexplicably changed his mind. To him, Hiccup saying he can't kill them is just like when Valka refused to and tried convincing others as well, then as a result was 'killed' by one herself.
To him, way Hiccup tossed his weapon and shield to the side then approached Hookfang while speaking about how dragons aren't what people think they are probably bares an uncomfortable resemblance to the way Valka put down her weapon and stared a dragon in the eyes and as a result was taken.
To him, attempting to do anything but preemptively defend yourself against a dragon will only end in tragedy, so he has to do anything he can to stop Hiccup before it's too late.
(And just like with Valka, he unintentionally escalated the situation by trying to protect Hiccup but only agitated the dragon, causing it to panic and react, inadvertently putting someone he loves in danger. again)
Stoick of course, wasn't acting rationally, but it makes sense when you think about how traumatizing Valka's 'death' must've been for him (and how much Hiccup reminss him of her); he watched her get taken, presumably killed, and couldn't do anything about it.
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why do all of my favorite characters keep getting impaled both literally and metaphorically by a thousand sword blows representing the eternal weight of hatred and pain they must carry all by themselves why does this keep happening (this is about anthy himemiya and xie lian)
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while i'm on my fiona-as-monica-stand-in bullshit:
monica being like "i get it. i know what it's like. i was once where you are right now." IS INSANE TO ME???? MA'AM THAT'S YOUR DAUGHTER???? HELLO??? and then -
fiona's sad little smile as monica says "you have no idea how bad it is" BECAUSE SHE DOES KNOW. SHE KNOWS IT ALL TOO WELL. BUT THEN????
the fact that it's LIP who says "try me" ???? I'M GOING INSANE. FIONA AND LIP AS MONICA AND FRANK PARALLELS/STAND-INS IS KILLING ME. AND IT DOESN'T END THERE????
fiona going "i know how he treated you" because he treats her the same way im !!!!!!!! and THEN!!!!
the fact that she ACKNOWLEDGES that she was forced into this role by his negligence/abuse AND HER ABANDONMENT, the fact that she outright says "i'm not his wife. YOU ARE," the fact that she TELLS MONICA "YOUR LEAVING MADE ME HAVE TO STEP INTO YOUR SHOES. YOU LEFT YOUR CHILDREN AND MADE ME THEIR MOTHER. YOU LEFT YOUR HUSBAND AND MADE ME HIS WIFE."
i'm on the ground.
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actual fashion crime
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thinking about how any mention of rem is completely ignored by knives.
he was willing to spare her during the big fall but the fact that she sacrificed herself to save the human ships was the last nail in the coffin. so, he pretends he has no guilt over killing her.
but it's so evident that he still loves her; that the betrayal hurt that much more because he loved her so much.
while knives killed her, vash keeps her alive. and in doing so, wasn't all the love that vash learned from rem what saved knives in the end?
knives killed her and it killed him but it also saved him and in turn saved her legacy.
happy mother's day y'all <3
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AFO strangling OFA users but Tomura, supposedly "the next AFO", who choked an OFA user too, let him go
I mean the conditions aren't the same (deadly battle vs middle of a mall and everything that comes with that), but I'm just saying like. There's some kind of connection here
This OFA user and "next AFO"s relationship is different. It won't end the same way
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Okay but why haven't we had a time travel/fix it fic where after some shenanigans everyone decides to take down shinra, they split up to take out the important figures, sephiroth obviously takes hojo for any and all of a dozen good reasons.
And then hojo pulls a winter soldier sleeper code on him.
And then everyone is suddenly dealing with a brainwashed sephiroth.
-
Hojo has to have some way to control sephiroth as he grew into his monstrous strength and power, yes? And learned helplessness isn't enough of a reassurance your prized military leader powerhouse isn't going to wake up one day and realise just how easily he could paint the labs walls red with chunks of you. And because hojo is obsessed with total power and control, dealing with a murder machine with huge mental issues, it'd only be fitting he create his own emergency shutdown.
In the most needlessly traumatic and mentally violating way, of course. Would sephiroth even know, if he couldn't remember? Would he have long stretches of emptiness in his memories that never get explained to him, or would he wake up where he'd blacked out, just another day in the labs?
Imagine, his allies watching on the cameras, as sephiroth stalks into the labs, a predator sighting its prey, exchanging a few cold words with hojo, raising masamune... And then hojos mouth opening, sephiroth going stiff like an animatronic, rearranging himself on the floor where he stood, face hidden behind his hair. Hojo leaves the room and he doesn't move, doesn't respond to any comms or passing scientists accidentally rolling a cart over his coat and hair.
Hojo ordering sephiroth to reveal their plans, their allies, their resources. Sephiroth doing it. Hojo deciding to punish sephiroth for the rebellion with lab procedures, or hojo ordering him to hunt down his co conspirators and end the takeover. Sephiroth doing so, heavy in his steps, crashing through walls and doors, heedless now of morals or civilians, silent, unresponsive. So completely unlike the jenova malice they'd been prepared to fight, that sephiroth had been bracing against. No arrogance, no mocking, no dramatic battlefield or hungry glowing eyes.
The puppeteer becomes the puppet, and with it, every trace of holding back. The perfect soldier.
I imagine the first trigger word would be lucrecia.
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the thought of simply being a cog in a machine, just another hand in the assembly line, not knowing what's waiting at the end until it's right in front of you and you were a part of it all along, whether you knew it or not. we saw this with Jon, and how he was caught up in the Web, and I think we are starting to see the same thing happen to Gwen, as she becomes a part of 'something' in search of answers
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Frankenstein AU
I had a post wondering what happened to Yoichi's body after he died, but an AU where AFO pulled a Frankenstein would be interesting. Especially if Yoichi didn't remember anything when he woke up from the operating table. This is where it would diverge from the book (even more), because Victor abandoned his monstrous creation while AFO would take the opportunity to teach Yoichi. Of course, his teaching would probably be something like giving him a heavily edited version of Captain Hero where the spiky-haired vigilantes are the villains.
And because he had to be all stitched up, I imagine AFO would also tell him that no one could love Yoichi other than him. Naturally, he tries to escape and form other connections (like how the monster wanted a mate), only for his brother to be proved right when people scream in fear and he accidentally kills someone in his panic.
We could get the good ending where Kudou and Bruce find him, accept him, and get him away from his brother, but... Remember the part where Victor was building the monster a mate and thought about how terrible it would be if there were two of them, so he ripped up his work? Now imagine AFO doing the same to the two vigilantes.
What happens next depends on whether or not Yoichi met them. If AFO did it before they found him, then Yoichi would forever live as his perfect little brother. If he did it after they found him, he'd get angry that his brother took the two best people in his life away and get his revenge. Remember how the monster killed Victor's bride? Well, about a century later, Yoichi gets his revenge in the form of Inko and Izuku. Then he runs away to kill himself so he can be with his lovers again.
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trying to keep all my clemviminnie thoughts contained until i get to episode 3 but
its hard
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