#also more evidence that i can draw things that are not wes

[acourtofthought]

My husband finally put into words for me something that has been the main problem with this whole Anti Gwynriel because of Gwyn's past narrative.

According to Anti's, it's not ok to ship Gwyn with Az because she's not healed enough and hasn't shown that she's ready for a relationship.

According to Anti's, fanart of Gwynriel in provocative positions are not appropriate because it's disrespectful to Gwyn due to her SA, that she needs to first give verbal consent before we're allowed to imagine what a HEA for Gwynriel might look like.

And at first, it almost feels like a gotcha for them because you question whether you're disrespecting real survivors by saying, "she doesn't need to give consent for us to ship them since it's a book." This statement is true, I don't think readers should be forced to abide by real world morals when it comes to possible paths a characters arc might take, however it makes you pause for a moment to question whether what you're saying is disrespectful to those who have been victims.

But he actually flipped that entire thing on it's head when he said, "if the issue is about consent, then why is only being applied to a SA victim? Shouldn't consent be applied to everyone?"

It was kind of a lightbulb moment for me because those Anti's never vocalize how it's wrong for people to ship Eris & Az, Mor & Emerie, Vassa & Lucien (SA victim), Lucien, Jurian & Vassa, the LoA & Helion (because at this point they are not a consenting pair), Nesta & Eris. There are a bunch of non canon, non consent ships in this series and nobody has an issue with those. Nobody takes up the crusade arguing that it's wrong for people in the fandom to imagine those pairings together or drawing fanart of them in NSFW positions. Most of the time they're celebrated but has Emerie consented to having a sexual relationship with Mor? All she did was call her beautiful and Feyre had done the same in ACOMAF. Why do they never call out fanart of that pairing? Or Neris after Nesta harshly rejected him? Where Eris is currently suffering torture at the hands of Beron and we've got no clue as to his sexual preference. Also, Elain only consented to a fully clothed kiss in the bonus (remember, she grew up with human morals which she still holds fast too, she didn't jump right into bed with Graysen), we have no evidence she wanted more yet there's plenty of NSFW E/riel artwork out there and I'm betting some existed before SF, before she even consented to a kiss.

The only time I've ever heard anyone argue for consent or argue against NSFW art is in relation to Az and Gwyn and the message they're sending is that only female characters who have been SA need to give consent before fans should be shipping them.

That's when the shipping agenda makes itself known because if no other non-canon / non-consenting pairing disturbs them to the point they need to create post after post surrounding how wrong people are for shipping them, then it's clear to see that it's only Gwyn being shipped with Az that they take issue with and when only E/riels make these arguments, it seems highly suspect.

Gwyn's SA is irrelevant in terms of consent because EVERYONE should have consent before engaging in physical acts with others no matter their past. However, Gwyn's SA should not be the weight dragging her character down, the scarlet letter on her chest that means the fandom isn't allowed to give her the same treatment that all other characters receive. Where we're free to imagine and create fanart / fanfiction / headcanons (even the NSFW variety) for any pairing that we desire, regardless of their past or preference, even those who have never expressed romantic interest towards one another, except for Gwyn.

Consent in the actual book will be important but consent having already been given in our imaginations so we can imagine possibilities beyond what is currently written is the right of any reader.

#gwynriel #anti e/riel #gwyneth berdara #pro gwyneth berdara

[micromime]

anyways

Based on this silly going around Twitter to choose two of your comfort characters :)

#wes #wes dst #riddler #arkham knight riddler #idk what this is dont worry about me #my things #mypets #i cant even begin the describe the correlation between these freaks #you wont understand and im not going to tell you my secret #anyways #uh #hi #also more evidence that i can draw things that are not wes #HA

[sophiamcdougall]

You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying. I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead? Congratulations, you are significantly better-informed than the British government! So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"

Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :(" You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter. I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers. This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold. Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.

Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.

Question 1: Should the current law providing for the inspection of wills be preserved?

Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.

Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?

No.

Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?

Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you.  I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.

"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age."  -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.

Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?

Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.

Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!

Did you even speak to any historians before coming up with this idea?

Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?

Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?

No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.

Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.

There is no good version of this plan. The physical documents should be preserved.

Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?

This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.

Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?

Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.

Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.

No, all the documents should be preserved indefinitely.

Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.

No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.  

#ukpol #uk politics #fuck the tories #lost media #data loss #cultural vandalism

[ssahotchnerr]

jealous!Aaron would be super interesting in a situation where the reader has a meeting with an agent that has vibes similar to him and Kate Joyner (Whoever the reader meets kinda resembles and ex or maybe even Aaron himself and they're oddly friendly 🤭)

the one

OMG cw; bau!reader, jealous!aaron, aaron's petty (and a bit insecure), established relationship (and a healthy one at that <333), vague allusions to sex, fluff wc; 1.8k

"your team will be stationed here." the chief of police led you, aaron and jj into one of the conference rooms, complete with a large table, vast seating and numerous bulletin boards. "our head detective will be in to assist you shortly."

"thank you." once he had exited, aaron exhaled a breath - more so a let's get this show on the road, "alright, let's get settled."

jj began unpacking the evidence from the boxes collected so far, as aaron and yourself hung up photos; crime scene as well as images of the victims so far.

as promised, the door soon opened, allowing the noise of the precinct to drift in. it ended as abruptly as it had started, the door clicking shut.

"mornin', i'm detective parker." you heard from behind you, the name and voice strangely familiar, causing you to slow. "it's real nice of y'all to come all this way to help us out."

jj introduced herself, and then aaron, but no introduction was needed on your end; you turned and your eyes connected with the voice, both of you recognizing each other instantly.

"no way!" you grinned, moving forward and bypassing a handshake for a hug. he reciprocated your energy, exclaiming your name as he embraced you just as tightly.

aaron immediately stiffened, and jj was equally taken aback, studying the man. the first noticeable thing, the resemblance. the dark hair, dark eyes, tall frame...

while aaron began to seethe, and jj took the initiative to vocalize what they both were wondering - she had also noted the vein beginning to bulge in his neck. "the two of you know each other?"

"we worked together back in the tuscon field office." you explained, turning back to parker with a smile. "that was what, three, four years ago?"

"has it been? doesn't feel like it." he released a hearty laugh. "look at you, you haven't changed a bit. you look good, and i mean real good."

a swarm of jealous heat filled aaron's body, and only grew as you and parker began chattering away like lifelong best friends.

eager to draw it to a close, he cleared his throat, loudly. it regained both your attention, and cut your small reunion short.

"huh, a bau profiler," parker said as he sobered down, his smile lingering as he gazed at you. "who would've thought."

jj inserted herself into the conversation again, intrigued yet perplexed. "so the two of you were close, then."

aaron refrained - with a large amount of effort - from physically rolling his eyes. clearly. he opened a file, solely to maintain his composure.

"oh, absolutely," parker answered for the both of you, while also throwing an arm around your shoulder. "there was one time we-"

"fascinating." aaron deadpanned as he interrupted, closing the file in hand, rather aggressively as it produced a quaint slap. his eyes rose and studied the agent's arm placement for a few, obvious seconds, his lips drawing into a tight line before continuing. "need i remind you we currently have three victims and a killer who is unraveling as we speak. it's in our best interest to work diligently and remain focused."

parker nodded, his cheeks producing a faint blush at the injunction.

"the recent victim's family still requires an interview. you can start there."

"the two of us can go," parker said, gesturing to yourself, "it's quite a drive away, could give us the opportunity to catch up."

"that won't be necessary, jj can accompany you." aaron stated firmly, not even looking at him, nose buried in his file again.

an amused yet disdained expression formed on jj's face, nodding slowly in confirmation. "that i can."

parker opened his mouth, probably to protest, but aaron had already turned his back. he surrendered and headed out, jj following.

"aaron." you transferred your weight onto your hand as you leaned on the edge of the table, raising an eyebrow.

"what?" he looked at you. despite his query, his eyes were a telltale - he knew what he was doing.

you arched your eyebrow more, giving him a look.

he sighed, shutting the file. "i didn't like the way he was looking at you."

"he wasn't-"

aaron gave you a pointed look this time, prompting your words to trail off. he tore his eyes away from you again, allowing his next inquiry to exit his mouth more easily, "so, were the two of you...?"

"oh, no." you began to shake your head, but halfway, you hesitated. "well... almost."

his lips fell into an uneasy line, a pained expression painted on his face as his gaze shot back to yours. "almost?"

"we went on a few dates, kissed and..." you released a breath, choosing to keep the summary short, but the brooding envy in aaron's eyes deepened. "but nothing ever came from it. we were better off as friends."

after a moment though, you added, on the quieter side, "and besides, i transferred before anything really solidified."

the lines in aaron's face only grew, biting down briefly on his bottom lip.

"but it's in the past." you quickly reassured, bringing your hands to his cheeks for a moment to relieve the tension. "i won't deny that we were close, but you know how partnerships work. i depended on him, him on me, and the majority of our time was spent together. it caused a lot of emotions, all of which, are gone. i haven't even spoken to him since, seriously."

aaron wanted to counter, does parker know that? but from the earnest expression on your face, and loving look in your eyes, he withheld from doing so.

the bitterness on his face still didn't falter, but "okay. that's fine."

you still weren't convinced. "are you sure?"

"yeah. you're allowed to have a history, but that doesn't mean i need to be optimistic about working with him." he said as he exhaled a breath. he meant it, fully secure and confident in your relationship. he simply detested the idea of another yearning for you, especially one you had a past with, and one who looked quite like him - a potential competitive force.

you were his.

"of course," you nodded, with full understanding. "if the roles were reversed, i know i'd feel the same."

"and as long as he doesn't try anything..."

you laughed, your fingers playing with and then smoothing out the lapels of his suit jacket - positioning them in perfect place just as they belonged. "he won't. trust me, he's not like that."

aaron nodded, his eyes softening as he gazed down at you. if it weren't for the current setting, he would've brought his lips to yours.

"i have you." you offered him a loving, genuine smile, the affirmation to his just-previous thought calming his heart rate further. "i have everything i could ever want."

-

despite aaron being a bit (very) high-strung, and keeping a close eye on parker, he kept his word - he remained civil. naturally, he still was passive aggressive, short, and didn't dare smile while interacting with him.

the team noticed the 'chemistry' too. you knew they were whispering about it; they had gazed questionably between the two of you upon their arrival at the precinct, and through the substance of the case - the naturalness, the easy meshing, bouncing ideas off each other. but you had worked with parker for years - you knew how he worked, and likewise. it was like riding a bike, old habits resurfacing.

they also noticed the familiar characteristics to aaron (morgan of course teased you about it, you simply waved him off). and even penelope all the way back home asked about it, "so this guy, what's the story there?"

but despite the at-times, annoying attention - the case proceeded and resolved easily. within a few days, it was time to return home.

as the team settled other matters - exit reports, paperwork, etc. - you found yourself with parker, packing up and clearing out the conference room.

the two of you were alone for the first time all week, and you could sense it in the silence - a pending question. it was a matter of time before it was brought to focus.

"what do you think would've happened, if we would've given it a shot?"

you froze, facing him. "what?"

"you and i." his eyes searched yours, creating a sense of deja-vu. it was familiar, having spent so much time with him and once it had sent shivers throughout your body. but as strong as they seemingly once were - it wasn't like with aaron. it didn't leave you feeling lightheaded and giddy and as if you could simply burst at the seams.

when you remained silent, he continued.

"we were good together." he stated, insistently. "you can't deny it. good partners, a great team."

"yeah... we were," you agreed, fiddling with some papers as you thought. "but in the field. romantically, no. we couldn't see eye to eye on anything non-work related, don't you remember how much we bickered?"

"that was good for one thing, at least."

you ignored that, firm and conclusive in your answer. "we wouldn't have lasted."

"and he's in the picture now." he chuckled as he crossed his arms, a tinge of irritation present.

"yeah, he is." you hardened your voice - he knew it as your tell to quit it. "like i told you the night before i left. i couldn't stay. there was more for me out there. and after joining the bau, i now know it was in more ways than one. i love the work, although it's tremendously difficult and gruesome at times. i love the family it's given me. and most importantly, i love aaron."

parker nodded silently, rather disappointedly, but understanding nonetheless.

"i love him. he's the one, i'm positively certain he is."

he sighed as shoulders dropped, his words melancholy but supportive. "well, he's good for you. if anything about him being attached to your hip, or giving me the subtle death glare constantly the past few days, has something to say for it."

you laughed gently. "profiling the profilers?"

"oh c'mon, the way he looks at you? anyone can tell."

-

on the jet, you weaved down the aisle, past the team finding their seats, getting comfortable for the ride home. when you reached aaron, you wrapped your arms around his middle.

aaron's lips tipped upwards in a smile, his arms mirroring yours. "what's this for?"

you only tightened your grip, mumbling into his chest. he could hear your smile in your voice. "just 'cause you're mine."

#aaron hotchner x reader #aaron hotchner #aaron hotchner fluff #aaron hotchner x you #aaron hotchner x fem!reader #aaron hotch x reader #aaron hotchner imagine #criminal minds #criminal minds x reader #criminal minds x you #criminal minds drabble #aaron hotchner drabble #criminal minds imagine #criminal minds fanfiction #hotch imagine #criminal minds x fem!reader

[theoddest1]

Hey, isn't it so..."Great" that Viv is out here liking posts that clearly find moments where Angel is being sexual with his rapist "Hot" How much more telling can this all get, right? We really sit here, having to explain how fucked up it is to take SA, try to tackle it "seriously" but then proceed to not even do it for that reason. Only for it to be for angst and goon material. How do you expect me to SIT HERE and take whatever Viv has to offer seriously? The number of people I have seen trying to justify this gross behavior is abysmal. If you have this kink or whatever, fine not like I can stop you, be into that shit somewhere else, but DO NOT try and TACKLE IT only for it to be not even seen as serious or as a way for you to get off to your sick fantasies.

Why the hell would you like this? "Angel with his abusive rapist boss😝, so hot guys! Can'tstop thinking about it!"

What good reason would Viv have in liking this post? Why do over 4k people find a post like this neat? "Oh they're fictional, it's gucci, stop bitching" wouldn't need to bitch if people didn't outright sexualize moments meant to tackle an irl fucking problem.

By the way, this person ships Angel and Valentino together. Their pinned tweet is legit sexual Val and Angel art. I wouldn't recommend attacking them regardless if you disagree with their ships and what they deem...ugh "hot."

Fair warning to I WILL be showing some of their arts and reblogs as evidence, so if you are not into that sort of thing (anything NSFW), I highly recommend scrolling past my post or past this section of it.

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I'm pretty sure Viv actively searches for this sort of thing on Twitter, like it's PAINFULLY obvious that she does. How you just so happen to like a post clear af lusting for this abusive relationship YOU CLAIMED to take seriously that ALSO happens to be from an account that ships the abuser with the victim? Gtfo with your two-faced shit, just say your find this hot instead of lying your absolute ass off. The audacity for some fans to go after one group of people for liking questionable stuff only to let other questionable things slide. Like homie, you can let rape slide, but draw the line for any other questionable thing? How's about you have that energy for EVERYTHING with your hypocritical asses. Ion wanna hear y'all stank ass make callouts if you're okay with a rapist being shipped with someone he actively harms in various ways.

And Viv

You say this entire sequence is meant to be uncomfortable, meant to not sugar-coat how awful this situation is, and supposedly have people who are victims/survivors themselves, yet here you are liking posts from people who do anything but take it seriously and even sexualize it. That's absolutely insane to me. And reminds me how you were drooling over some pins that glamorize the abuse Angel and supposedly Husk goes through, you know, the same character that COMPARED his abuse with Angel's.

Ah yes, let's downplay how horrible Angel's situation is further, shall we? Let's especially do it after adamantly arguing with other SA survivors who "haven't seen the episode yet" and need to shut up or don't watch 😃. Let's ignore the fact that Husk and Angel's situations STILL aren't comparable but it's still very odd to have pins on TWO situations taken seriously in the show. So do you actually view the situations seriously or not Viv???

God she's....actually fucking stupid and horrid.

#vivziepop critical #vivziepop criticism #anti spindlehorse #anti vivziepop #hazbin hotel critical #hazbin hotel criticism #hazbin critical #hazbin fandom critical #hazbin hotel #hazbin valentino #hazbin angel dust

[actual-changeling]

Season One meta posts in 2024? Yes, very much so. We need more of that.

Will this be slightly unhinged? Yeah, probably, so welcome back to Alex's unhinged meta corner.

Everyone has probably connected the kiss back to the wall-slam scene in Tadfield Manor by now, but while I was re-watching it for the nth time and combing through it frame by frame like a mentally sane person, I realised just how orchestrated it was from beginning to end.

I assume we can agree that Aziraphale called Crowley nice on purpose to get a hint of intimacy out of him, but I think this time it is very different from the other instances during which he reacts with anger to being called nice.

My first main observation is the way Aziraphale positions himself.

We pick up after Crowley's explanation about the non-lethal shooting happening outside, and they are facing each other at an angle, with Aziraphale having stopped a few steps behind him.

Now, until the slam itself, Crowley doesn't move, he remains where he is, waiting. (We'll come back to that in a bit)

However, instead of remaining at a safe distance or standing literally standing anywhere else, he walks a small curve to then stop right in front of Crowley. Not at his side or a little bit away or at a respectable distance—no, right in his face. You can judge his position by looking at the wooden door (?) in the background.

The following camera position makes it hard to see the amount of distance between their faces, but we know that he must be close enough so that Crowley can immediately grab his coat without problem.

Excuse my art skills, but just to make sure everyone is on the same page, have a little drawing showing their positions and movements.

Now, that manoeuvring takes Aziraphale a few seconds, and what does he do? He stalls. Look at what exactly he tells Crowley:

You know, Crowley, I've always said that, deep down, you are quite a nice—

There are a lot more words than necessary! He could have shortened that sentence but he didn't, and on top of that, if you listen to him say it, he makes two noticeable pauses, one after 'Crowley with a little look outside, one after 'that'. By then he has reached his final position, so no more stalling, he can try to finish his sentence now.

Alex, you might say now, of course Aziraphale did it on purpose, but Crowley only reacted to what he said.

And to that I respond, nope, he was 100% in on it.

I know because when Aziraphale stops in front of him, he waits. He does not move, he doesn't shut him up even though he has heard the same spiel hundreds of times—no, he is waiting and allowing Aziraphale to initiate their little game.

This face is not the face of someone who is already angry or confused about which words will tumble out of Aziraphale's mouth. He even arches his eyebrow in a motion that I personally interpret as 'go on'.

Crowley is listening and waiting for the signal, and the moment Aziraphale says 'nice', he grabs him and pushes him up against the opposite wall. It's an extraordinarily quick reaction, the kind you have when you know you're about to act and what you'll do.

Some further evidence that the entire moment was orchestrated by the two of them.

Aziraphale stretches out his arms behind him to brace himself against the wall, he was expecting to be moved that way and intentionally put himself into a position that would allow Crowley to do so.

Additionally, by grabbing his lapels the way he does, Crowley can make sure that the back of his head doesn't hit the wall. If you watch the clip by yourself and slow it down, you'll discover that Aziraphale gently rests it against the wall on his own while Crowley is talking.

Aziraphale is completely relaxed not only because he knows Crowley would never hurt him, but also because this entire thing is a game that they willingly participate in. It is dangerously under-negotiated, sure; luckily they more or less agree on the ground rules.

Obligatory close-up with the noise squish because I am a blorbo connoisseur and not a heathen. The little eye gaze at the lips, and if you ask me, and this is my post so you ARE asking me, Crowley is very much looking at Aziraphale's lips from behind his glasses.

But I have one more observation to make!

I could never quite put my finger on why exactly the scene felt off, but now I am convinced it's because despite the act, Crowley isn't actually upset. There ARE times when Aziraphale actively crosses a boundary and endangers him with his compliments, but this is not one of them. The growling, him baring his teeth, the fact that he is pressing their entire bodies together, him leaning in thar far, and also what the FUCK is he saying?

The excerpt from the script books:

First part okay, I can buy that, a bit basic but alright. But 'nice is a four letter word'? Where exactly was he going with that and how was that sentence going to end? It's close enough to the topic to pass as real for any outsider who might overhear them, but if you actually listen and try to comprehend it—yeah, no, he was about to go full gibberish.

The goal wasn't to yell at Aziraphale about calling him nice, it was all about prolonging the physical intimacy by holding a monologue.

If you still don't believe me, have a look at their faces when they get interrupted.

Crowley has a "whot?" expression on his face and not a single hint of anger or annoyance. Aziraphale has an expression I will lovingly call "perish you peasant and let my demon husband slam me against a wall in peace".

If someone gave you only this picture—no context, nothing—what would you assume they were doing before someone rudely interrupted them? Based on what the fuck is happening on their faces and the complete lack of distance between their bodies, you'd probably assume they were snogging each other senseless.

Which they were, in a way, just without the lip contact.

I rest my case.

#alex talks good omens #good omens #crowley #aziraphale #good omens meta #good omens season 1 #go2 #aziracrow #crowley x aziraphale #ineffable husbands #ineffable wives #ineffable spouses #alex's unhinged meta corner

[woso-dreamzzz]

Promise

Hardersson x Child!Reader

Part of The Big Adventures Universe

Summary: Magda takes Pernille to dinner

The restaurant is fancier than the restaurants that Momma and Morsa usually take you to.

Evidently, Momma thinks so too because she holds your hand a little tighter and pulls you in front of her.

"Magda," Momma says," Are you sure this is the right place?" She looks down meaningfully at you.

The usual restaurants you go to aren't fancy like this. They're homey places, much more likely to be family-run for years rather than being awarded Michelin stars.

"Yep," Magda says as the host takes them towards a private booth at the back.

You're big enough now that you don't need to sit in a high chair anymore but Magda and Pernille still box you between them in the booth, sitting so you're in the middle and they're facing each other.

"This is expensive, Magda," Pernille warns.

"We can afford it."

"I know but, still."

"It'll be fine," Magda assures her," I promise."

This whole trip was out of the blue.

They had just come home from training when Magda sent Pernille off to the bedroom to change into something fancier than the usual tracksuit bottoms and old shirt she usually wore post training.

There was already something laid out on the bed and, by the time Pernille was finished, you and Magda had also changed. Tomorrow was a day off so it wasn't out of the ordinary for you all to go out the night before but not in fancy clothes and not to this fancy restaurant that looks like a little girl like you shouldn't be in it.

"Is there a kid's menu?" Pernille asks.

You frown. "I want a big girl meal."

Magda laughs, leaning over to kiss the top of your head. "I've ordered ahead for her."

Pernille raises a brow. "How did you even get a reservation for this place?"

"Millie knows a guy."

"You make it sound like she's in the mob."

"She could be."

"What's the mob?" You ask.

"Nothing, princesse," Magda laughs," Here. The nice host lady brought you some paper and crayons."

You grab the crayons quickly, scrawling over the paper with reckless abandon.

"I'm serious, Magda. What's going on?"

"Can't I take my girls out for a special evening?"

"You can," Pernille says, eyes narrowed in suspicion," But at a place like this? You're up to something."

Despite her suspicions, Pernille does end up having a nice time. The food is good, the wine is great. The company is, obviously, even better.

You seem to be having fun too, going through all of the crayons as you draw a picture of the three of you standing under a rainbow together.

The dress you're wearing, now that Pernille inspects it, is a perfect match to her own, right down to how it's styled on your body. Both of them compliment the ensemble that Magda's wearing, Pernille notices as Magda rises from her seat to take you to the bathroom.

You look like a perfect pair.

Pernille can see a lot of Magda in you, all the way down to the way you walk. You've got Magda in your face and your smile and the way you giggle hysterically when Pernille tickles your tummy.

You return after a few minutes without Magda, reaching out for Pernille's hand with the same secret smile on your face that Magda has when she's about to do something surprising.

"Where's your Morsa?" Pernille teases, allowing you to pull her up.

"She's outside," You say," She paid earlier. Come on, Momma!" You pull at her insistently. Clearly, Pernille isn't moving fast enough.

You pull her out of the restaurant and across the road to the play park.

Magda's waiting by the gate and you stop in front of her. You turn to look at Pernille.

You smile at her, the exact same as Magda's smile, before squeezing her as tight as you can.

Magda picks you up and you cover something with your hands.

"What have you two planned?" Pernille teases, her own smile ghosting her lips.

"Pernille," Magda says," I love you."

"I love you too."

"I understand that this moving in together thing is still new-"

"We've been moved in for a year?"

"I have a speech," Magda laughs," Can you let me get through it?"

Pernille laughs too. "Alright. I suppose so."

Magda clears her throat. "As I was saying...I understand that this moving in together thing is still new and I know that there's going to be a few hiccups along the way but I love you and I love Princesse and I love this little family we've made. I know we want a future together. Honestly...I...This came out of nowhere and I know we're still in the height of our careers but..."

She nudges you.

"Please agree to be engaged to be engaged to Morsa!" You say, holding out the little ring you've been hiding in your hands.

It's a fairly simple ring, clearly not a proper engagement ring but it's still beautiful. Pernille takes it from your hands, slipping it onto her finger.

"Yes," She says," I will be engaged to be engaged to your Morsa."

You cheer, a beautiful round of bubbly giggles spilling from your throat as Momma pulls Morsa into a kiss.

Morsa's cheeks are all pink when she pulls away and she's got one of those silly star struck smiles on her face that she gets when Momma is around her.

"Can we get ice cream now?" You ask and they both laugh.

"Yes, Princesse," Morsa says," Let's get ice cream."

#woso x reader #hardersson x reader #pernille harder x reader #pernille harder #magdalena eriksson x reader #magdalena eriksson #woso community #woso fanfics #woso imagine #woso #The Big Adventures Universe

[gummygowon]

bingo | park seonghwa

word count: 1.8k

genre: angst + fluff, single dad!seonghwa x reader

warnings: brief mention of hwa's ex partner not being in their daughter's life

author's note: after seeing seonghwa on that one show with kids i literally cannot get dad!teez out of my head

it's been almost a month? since you've started going out with seonghwa. he was a great guy, a little older than you and was always a gentleman to you, what more could you ask for? at this point, you were waiting for seonghwa to make it official but there was just something that was holding him back. you didn't know what it was but you trusted that with time he'll tell you.

tonight, was another date night and even after all these days you still got nervous before each one. it was no different when you arrived at seonghwa's house fiddling with the hem of your cardigan.

hesitantly, you knocked on the door to reveal a disheveled looking seonghwa. his usually slicked back hair wasn't done and a few buttons on his shirt were open.

"hi," seonghwa breathes out, a tired smile on his face.

"are you okay, hwa?" you ask almost instantly, concern taking over before you notice a tiny figure waddling up behind him. big doe eyes looking up at you from behind his legs, "oh hello!"

"yeojin, go into your room really quickly. appa will be there in a second." seonghwa softly asks, the exhaustion evident in his voice. "come in, i'm so sorry. just give me a minute, things have been...chaotic."

"oh no worries." you respond empathetically, taking note of how many toys and coloring books were scattered all over the place. so he has a child? is he divorced?

before too many questions popped into your mind, seonghwa immediately began talking as he began to pick up the scattered toys. "i'm so sorry about the mess. i had to stay at the office a little longer and then i picked up yeojin late and i just haven't had time to clean up and then our babysitter canceled last minute and now-"

"hey, hey," you interrupt before seonghwa combusts from being overwhelmed. to ease the burden, you also begin to pick up the toys around the living room after you placed a hand on his back. "it's okay. don't worry about it. there's always tomorrow seonghwa."

"i know, i know but-wait. you're not mad or disgusted?" the man stops in his tracks looking at you perplexed.

"i'm a little surprised if i'm being honest. i know taking care of a child is hard and by yourself i assume is even harder. your kid is more important than anything in the world, missing one date won't kill me hwa."

seonghwa was standing still, not a sound coming out his mouth which was beginning to freak you out. did you say the wrong thing? is seonghwa yeojin's dad or? "seonghwa?"

"sorry, i'm just a little shocked. not a lot of people are very happy when they find out they've been going out with a single dad." seonghwa lightly jokes trying to ease the tension in the air. "thank you though. it means a lot. really."

"of course," you smile at him.

a door opens to reveal a tiny yeojin peeking out from what you presumed to be her room.

"hey bubba, what's up." seonghwa asks, his voice becoming much softer.

she doesn't say much but instead pads over to the coffee table and attaches herself to her dad. "can we draw?"

"of course bubs. let appa go get the markers."

"i can get them." you say faster than seonghwa gets up to which he directs you over to one of the drawers in the living room.

upon your arrival, seonghwa has a bluey coloring book out for yeojin. crutching down to reach the table, you gasp softly at the blue dog. "is that bluey?"

yeojin nods her head shyly, a small smile appearing on her face as seonghwa looks up at you in surprise.

"ahh, i love bluey! who's your favorite character?" you ask watching yeojin point to the smaller, light colored dog.

"bingo?" yeojin nods again, her smile growing even bigger. "no way, i like her too!"

seonghwa watched the two of you converse in awe and he swears he couldn't have fallen more in love with you. it was always a gamble bringing up the fact that he had a kid to his dates and lately he's been ghosted more times than he can count. maybe that's why seonghwa took so long to talk about yeojin. although, he would never admit it, you had him wrapped your finger and he was scared to lose you.

so far though, you were taking his little "surprise" or "fun fact" about him better than he thought you would. still, he was worried what you would say when yeojin left the room. would you be mad at him? dump him on the spot? ghost him after tonight? he's never had one of his flings (?) ever meet yeojin because they all left at the mention of a kid. to say seonghwa was terrified of your reaction was a massive understatement.

"seonghwa?" you ask, pulling the dad out of his thoughts. "yeojin wants to watch bluey."

"right." he answers, gently removing yeojin from his lap as he goes to scrounge for the remote in his unusually disorganized apartment.

while seonghwa looks for the remote, you continue to converse with yeojin about bluey which was the show you ironically watched during dinner time. hey, there's actually plot and messages in the show okay?

by the time seonghwa returned, the two of you were in a deep conversation about some episode regarding bingo and bluey playing pretend with their grandad. almost immediately, yeojin eye's become glued to the screen as soon her dad puts on the kid's show leaving you and seonghwa to talk amongst each other.

"so, you know bluey?" seonghwa asks, a teasing tone to his voice.

an embarrassed laugh slips past your lips, "uh yeah, sounds silly but i watch it as background noise, you know?"

"i'm not judging," he pauses, "just surprised."

"yeah, i like the accents." you say in a panic causing seonghwa to smile, "so, um i don't mean to pry but i assume yeojin's yours?"

the smile slowly fades on his face as seonghwa feels the guilt build in his stomach. "yeah, her, uh mom isn't in the picture anymore."

"oh, i'm so sorry to hear that."

"it's fine now, it's better without her." seonghwa looks down at his hands trying to distract himself from the thoughts about the past.

"oh."

there was a beat of silence where the both of you didn't dare to look at each other, too afraid to make things weird. only the faint conversations of the tv and the sounds of the marker on paper were heard.

"look, i'm really sorry for dumping all this on you." seonghwa gestures to an oblivious yeojin. "i know you probably weren't expecting a child tonight or any of this really. i completely understand if you don't want to talk again or you need space. whatever you want, i'll do."

"it's okay,"

"i-you're not mad?" seonghwa asks in shock.

"i mean i'm not mad. i understand not bringing up a daughter on the first date. but i'm just a little disappointed you didn't tell me sooner." you confess.

"i didn't want to lose you."

"seonghwa-"

"i was trying to plan the perfect time to talk about yeojin but i just got so swamped with everything that time slipped through my fingers and you had to find out in such a shitty way."

your eyes dart towards a sleepy yeojin on seonghwa's lap at the curse word. even he jumps a little at his realization and then calms down when he realized that his baby girl was almost knocked out in his lap.

"would you have told me before we made things official?" you ask, testing the waters about how serious you could go tonight with the questions.

"yes. most definitely yes. i couldn't just ask you to be my partner and then surprise you that i have a whole child that i've been hiding from you."

interesting. so was he going to tell you about yeojin soon? was he going to make things official?

seonghwa could see the gears turning in your head at his words. "it sounds hypocritical now but trust me i really wanted you two to meet. i just-i really like you y/n."

you go quiet. processing everything he was saying. from what he was saying there was a very very high chance he wants you to be his like officially his but even if he actually wanted to make things official, he has a whole child. a child without a mother. were you really ready to take on the responsibility to be one? or anything similar to that role?

being with seonghwa meant much more than just being together and loyal to one another. being honest, you didn't mind yeojin. so far you got along great with her but a single interaction and convo won't predict the future of your relationship with her. it's a lot definitely but-

"y/n," seonghwa softly says pulling you out from your daze, "i'll be right back i'm gonna put yeojin down in her room."

you hum in response, letting your thoughts consume you once more.

your brain was beginning to ache because of how much you were thinking but one thing was for certain. you really liked seonghwa. enough that you were willing to accept everything that came with him - including yeojin.

you reminded yourself that dating seonghwa didn't mean automatically becoming a parent all of a sudden. he wasn't asking that of you. probably won't for a long time. he wants you for you. it's just a bonus you got along with yeojin so far.

there was a soft click of the door closing that made you turn your head. you look over to see seonghwa awkwardly make his way over to you, uncertainty written all over his face.

"i'm sorry for going quiet on you." you apologize, fingers toying with the hem of your cardigan once more. "i was just thinking."

a quiet laugh escapes seonghwa, "it's okay, don't worry about it. i'm sure tonight was a lot. but-"

"listen, seonghwa," oh here it comes. the "i'm so sorry, i don't think this will work out anymore". "i don't know what your plans were for us but regardless of what happened tonight, i want to be more. i know you having a whole kid might make things difficult or a little confusing but, i'm willing to try with you."

seonghwa felt his heart drop and then pick back up again when you finished talking. he didn't know what to say. he was grateful, excited, but most of all relived.

"so, how does another date this thursday night," seonghwa pauses, trying to not choke on his words, "as mine sound?"

"are you finally asking me to be your partner, park seonghwa?" you smile. it's finally happening.

"yes." seonghwa breathes out, truly terrified of your answer.

"then yes, i would love to." you answer, wrapping your arms around seonghwa's neck.

"sounds good then my love." seonghwa mumbles, his heart racing and his head buzzing from the overwhelming night but it didn't matter to him.

you were finally his.

#and if i make oneshots for each member but dad!teez au #wait i kinda wanna do that now omg #ateez oneshots #ateez angst oneshot #ateez fluff oneshot #ateez angst oneshots #ateez imagines #ateez fluff imagines #ateez angst imagines #ateez x yn #ateez x reader #park seonghwa oneshot #park seonghwa imagines #park seonghwa fluff #park seonghwa angst #seonghwa oneshot #seonghwa fluff #seonghwa oneshot fluff #seonghwa oneshot angst #seonghwa angst #park seonghwa x reader

[luveline]

smutty sunday???? uh, count me the heck in! can we get a cock-warming fic with either steve or eddie? also hope you have a lovely day!!

SMUT 18+ ONLY MDNI I missed you cock warming with Eddie <3 (cw: p in v, cockwarming, praise) | fem!reader | 1k words

"So I just… don't move?" you ask, a murmur. 

Eddie noses at the side of your neck. You turn, wanting to see his face, and find his eyes creased with tiredness as you know your own are, the two of you exhausted from a long week apart. "You can shift a little if you want, but not much more than that." 

You raise your hand to brush a bundle of brown curls behind his ear. His big eyes widen, and then his flush of dark lashes kiss as he squints happily.

He moves underneath you, the bulge of his cock a heat where it's pressed to your aching cunt. Neediness roils in you, a desperate pull to be close to him. 

You missed him so much you'll do whatever it is he wants you to do. "It sounds fun," you say honestly. 

His hands move to his hips and he pulls down his jeans enough to work his cock. You hold your weight up until he's ready, heartbeat in your cunt as he tugs your panties to the side and lines up. "Come on, sweetheart, let me fill you up. There you go, you just-" he hisses. 

Your walls cling to him as you go down. You're wet with wanting from a slow hour in his lap but not entirely prepared, the stretch an amorous aching. Goosebumps erupt as you sink into him, as you let your thighs fall heavily on either side of his, spread over his cock. 

"Oh, fuck," you whimper. 

Eddie pushes his hands under the hem of your t-shirt, big palms hot and fingers spreading wide as he pulls your back flat to his chest. He kneads the bump of your tummy and sighs happily in your ear. 

"I missed you," he says quietly. "Missed you." 

"I missed you too." You don't sound half as calm as he does, breath shuddering as you get used to his size. 

He rubs your clit indelicately, sloppy, broad strokes as he kisses your neck, whispering, "Missed your skin. Missed your smell… I missed having you in my lap." 

"Yeah?" you ask, melting in his arms. 

He hooks his chin over your shoulder. "So much. I hate when I can't just reach out and touch you." 

"I know what you mean."

He kisses your cheek, a playful thing, before pulling his cock out carefully. You whine, spurring a wave of Eddie's placating shushes. He spits into his hand, pushing two careful fingers inside you and stretching, feeling along your gummy heat until he's satisfied. 

He settles you back on his cock. It's just as good the first time – that stretch, the prodding of his tip into your sweet spot. For a second you forget you're not supposed to move too much and bring yourself up. 

"Stay still, sweetheart." 

You fall back into his lap and feel your chest rise into Eddie's waiting hand under your shirt. He cups your breast and squeezes, teasing your nipple until it's peaked and aching. He has attentive fingertips. Precise, they know their way around your body like they do his precious guitar, and he plays you the same. 

Soon, your head is fuzzy with fatigue and pleasure, your entire figure languid where he's laid you out. His every moment is leisurely, and his unhurried pace only serves to tease you more. 

"Can feel…" he starts, his words low and drawn out, "how wet you are, babe. Feel you dripping all over me. Can you feel that?" 

You nod uselessly, turning your cheek into his chest. "Yeah  I can feel it." The space where you're connected is sticky with excitement. 

He moves inside you. Not a lot, but enough to know he's doing it on purpose, and the sound further evidences his point. "Feel it," he draws a line down the length of your arm, touching so lightly that it tickles, "running down n' making a mess on me. You're always messy, huh? Pretty girl, lucky I like you so much, or I'd have you clean it all up." 

You shiver. 

He flattens his palm and rubs away your gooseflesh, humming under his breath. "Yeah, you'd like that, wouldn't you? My baby just loves," he rolls his hips, "kissing on my cock. Fuck, you don't know how much I've been thinking about your kisses." 

He pushes his fingertips through your mess of wetness, fingers brushing over slick curls until he's found your clit. He barely touches it, only rubs it once – though, you'd say, very lovingly – before wrapping both arms around your stomach like he had before. 

"Just lying up wondering when I'd get another one." 

You lift your head and twist in his hold, gaze imploring. He chuckles and kisses your pouting mouth obligingly: slow, soft kisses that build. He ebbs and you flow, trying to pour every ounce of affection, every I miss you past his parted lips. 

He starts to move his hips searchingly, in time with your sluggish kiss, the press of his tongue to yours and his cock deep in your cunt a melting bliss. 

Eddie breaks away and presses his nose to the side of yours, your breathing tandem. Rushed and shallow breaths.

You try, but you just can't seem to stay still any longer. You turn in his arms and he helps you rearrange your limbs until you're chest to chest, falling back onto his weeping cock with a quiet moan.  

He looks blown away, close to breathlessness, shaking his head to encourage dark tangles away from his face.

"I'm gonna kiss you sick, Eds," you promise fondly, arms weaving around his neck.

"I'm counting on it." He rubs the highest point of your cheek with his thumb. "That's starting now, right?" 

"Starting now," you agree, wading in. 

#eddie munson x y/n #eddie munson x reader #eddie munson x you #eddie munson smut #stranger things fic #stranger things x reader #x reader

[purpledisastertwin900]

For all of the “Raph raised himself AND his brothers” fans out there I bring this train wreck of a thought (I’m a lil sleepy so sorry if it doesn’t make sense or if I repeat myself a lot-)

We do not in fact have any actual evidence that splinter was neglectful to the boys when they were little. In fact, we have the opposite.

All of these flashbacks indicate that Splinter acc spent a LOT of time with his boys-

With Mikey, he was obviously coached in his art, a smol child can’t paint like that no matter how talented they are so we can see that splinter put in the time/effort to get Mikey the supplies and teach him how to do it well. Which probably means he researched and learned it himself first, idk I just can’t really see Yoshi knowing how to paint/draw that well but that’s just a theory.

With raph and Leo, their lemonade stand is structurally sound: obviously not put together by an 8 year old, and there’s a lotta lemons lyin around that were probably a bit difficult to find, and just LOOK at their faces here they are definitely familiar with this kind of father/son shenaniganizing-also just LOOK at raph. That’s a happy child, one full of excitement and happiness, not a kid who had to grow up too fast. Also his dad is literally right there in the picture

And then with Donnie, I can’t really tell what he’s doing in the background (it’s a bomb) but what i take from that screenshot is that Donnie feels safe/loved enough to come to Splinter when he gets hurt. And Splinters taking care of him!! And, Donnie is wearing clothes, which shows that he went out and got clothes for them but also didn’t force the boys to wear them if they didn’t want to (see other screenshots lol) which also goes to show that he lets his boys choose who they wanna be and what they wanna do. At any point he could’ve forced all of them to train as ninja, at any point he could’ve made clothes mandatory, and at any point he could’ve forced them to drop things that made them happy like skating or science or art but nah. He was supportive every step of the way.

Now am I saying he was perfect? No. Am I saying he couldn’t have done anything better? No. What I’m saying is that Raph acc did not have to raise himself and his brothers. Splinter acc gave them a pretty good childhood, all things considered and it kinda makes me sad when ppl bash Rise Splinter or continue the neglectful parent trope. Again, I’m not saying he did everything right, he def could have spent more time with his kids on an individual basis and he should’ve been more present, but let’s cut him some slack bc he did a really good job at raising the boys. And he got so much better as the show progressed! But that’s another post lol. I’m also not trying to take away Raphs oldest sibling syndrome, he still def has that from being the leader and watching his bros while splinter was away-I’m just saying he didn’t have to do it ALL alone.

Look in the end he’s doing his best and his best was really good for what they had. He’s a good dad, he’s not neglectful.

#sorry if the pictures suck #click for better quality?? idk haha #Rottmnt #unpause rottmnt #tmnt #rise splinter #splinter is a good dad you guys #I will die on this hill #yes he made mistakes but he is improving phenomenally and that’s what counts #Hamato yoshi #splinter hamato #I’m also v sleepy rn so sorry if this don’t make sense #radios realizations

[omegalomania]

the full apple music interview with zane lowe is out! we got snippets of it when love from the other side dropped, but they finally rolled out the full thing. here are some highlights that stood out to me :)

patrick describes pete's lyrics as what gets him out of bed in the morning. if pete doesn't send him lyrics, he doesn't write a song.

andy and pete used to draw fake snake tattoos on each other using magic markers as kids omg?

so evidently patrick was the one who got covid during hella mega tour. and he hated it and he was miserable and that's when he called neal avron about the new record lmao

patrick says that joe was hesitant at first and he was the one who said that for this record he wanted to make something that they could all savor and spend time on and patrick was immediately on board with that

pete says patrick's job is to interpret him because pete calls his mentality a "little bit off" but patrick is capable of understanding him and translating it

patrick describes his and pete's creative relationship as "twin speak." it's not linear and it's like living in his brain a little bit. he calls it the "weirdest thing i've ever seen" when pete can just Tell that some words that patrick adjusted weren't ones he wrote despite not remembering writing them. patrick says he's gotten better at connective tissue and knowing how pete would say things

pete: back in the day patrick was like, "what's the difference between cry and weep i will KILL YOU. THEY'RE THE SAME THING. I'M GONNA KILL YOU RIGHT NOW."

zane says patrick's vocals are next level for this album. pete agrees that he kills it on this album and said he never would've expected that voice coming from him when they first met. zane says patrick could sing a recipe and it would be good. he then passes patrick a recipe and patrick. sings it???

patrick: i'm not gonna belt it. (starts belting) NINE INCH PIE PLATE ROLLING PIN

patrick says that pete doesn't mean to have rhythm to his words but there's a rhythm to them all the same and patrick can find this syncopation in his words and thinks it's amazing

more talking about patrick and pete's Magical Mystical Transcendent Soul Bond. patrick says "if we were one guy, we'd be an INCREDIBLE DUDE"

patrick and pete say that interviews with all four of them are hard because it's chaos and everyone's talking at once but it all makes perfect sense to them and no one else. zane says that sounds like fun flkjdfd [i agree please do this more it's a joy]

pete says joe really stepped up and wrote a lot for this record!

patrick: "joe is kind of a conundrum because he's this really talented...he's a brilliant writer, a brilliant player, but pete and i became the "team" and it wasn't really a plan, but that's just kind of how it happened. [brief tangent about the hiatus] we come back from the thing and joe is this fully-formed writer with a very distinct - he has one of the most distinctive writing voices. when i hear his parts, when i hear his ideas, i could pick them out of a crowd. like i know the way joe writes, and it's VERY joe." part of the process with post-hiatus was integrating him into the writing process more.

discussing the hiatus and fame and pete says his life kind of "blew up" and took it pretty hard. apparently during production for folie paparazzi actually broke down the gate to neal avron's house

patrick goes on a big tangent about how bad things got during the height of pete's fame. "part of my role is to tell his story. i'm a composer. that's what i like to do. i work on movies, i work on shows, and i work on pete. pete has a story that needs music, and if he's removed from himself, if he's not even able to access himself because he's behind all of this stuff, i don't have a story! so not only did i not have my buddy, which was heartbreaking in its own way, but then i also don't have a purpose as an artist."

patrick says that andy is always ready to play but when you get him happy to play, it's another level

"and trohman, there were these moments where he...he got so excited."

patrick describes writing what a time to be alive as wanting to write the saddest, most desperate song you could hear at a wedding. pete bursts into laughter and calls it "so twisted"

talking about other endeavors outside the band - patrick talks about composing and said joe's been super busy with his book and writing for tv and because there are so many deadlines for stuff like that, it's what hammered home to him that fall out boy needs to not be that. "there's something special about this that can't be...this has to be passionate and art."

discussing how scared patrick was of his own voice while the band took off. patrick was really scared of the song saturday at first because there are some really exposed vocal moments. he describes saturday as a song where everyone in the band lets each other go for it.

zane calls fall out boy the "emo blueprint" and says they were unapologetic in being emotional. patrick immediately says, "that was pete. i don't think we could've done that without him." he and joe were basically kids and patrick was too anxious to talk on stage.

zane says, "i remember interviewing you in the early days and i felt like every time i asked you a question i was bullying you." pete IMMEDIATELY loses his shit.

"in another life where i didn't have a pete...cause saturday, i did write most of that by myself...so there's a world where that song exists without the band. there's no world where i sing it in front of people without pete."

pete says every night before they put out a new song he calls patrick up and gets really scared and wants to back out and patrick talks him down every time

they talk about how scary it was when arm's race released and performing it at the amas. patrick starts laughing rly hard as they get into how there were giant crickets on stage and the crowd was just stone-faced and utterly nonresponsive and their stage manager was utterly panicked

towards the end patrick really loosens up and starts swearing more dlkfjdfd

#fall out boy #*making poasts #they kept being SO SWEET ABOUT EACH OTHER LIKE. I CANT HANDLE IT #patrick and pete are like lets tell everybody about our magical soulbond for 1 hour straight. thanks guys.

[svsss-fanon-exposed]

Exposing SVSSS Fanon: 2/∞

SHEN JIU VISITS BROTHELS ONLY TO SLEEP AND NOT FOR SEX

Rating: FANON - SUPPORTED

It is a widely-held belief in the fandom that Shen Jiu only visits brothels to sleep and for comfort, and never has sex with the women. However, the only thing that is directly stated is that his purpose for visiting brothels is for seeking the company of women, and because he feels more comfortable around women than men.

 Though Shen Qingqiu was unpopular among his peers, it wasn’t to the extent of being kicked out of the communal sleeping quarters. He just loathed being in close quarters with those of the same sex... ...Liking women wasn’t the least bit shameful, but treating women like saviors, cowering within their embrace and seeking courage from them…even without anyone saying it, Shen Qingqiu knew that was horrendously shameful.

There is nowhere that directly states he does not have sex while at the Warm Red Pavillion. In fact, after Yue Qingyuan sends Liu Qingge away during the confrontation, it states that:

One person’s [SQQ] clothes were mussed and disheveled, while the other’s [YQY] had not a thread out of place. 

It's often argued that the dishevelled and undressed state (a few paragraphs later, Shen Qingqiu is putting his outer clothes back on) is due to Shen Qingqiu having a fight with Liu Qingge, however, in this scene, Yue Qingyuan is able to stop the fight before Shen Qingqiu can even draw his sword, or before an intense fight can occur.

Yue Qingyuan saw that the situation didn’t look good and pressed Shen Qingqiu’s elbow downward, preventing him from drawing his sword.

It's important to note that it is uncertain whether the two had already come to blows at this point, or if Yue Qingyuan was able to prevent any sort of physical fight from occuring. It is also uncertain whether Shen Qingqiu's state of undress and dishevelment is from sleeping at the brothel, fighting with Liu Qingge, or the earlier fight with BZP disciple Ji Jue, which we do know actually came to blows-- maybe it is a combination of the three.

Therefore, it cannot be said with certainty that Shen Jiu does not have sex with the women at Warm Red Pavilion. However, even if Shen Jiu had undressed to sleep there, it still doesn't mean that he had sex. There's just as much, if not more likelihood that it is only for companionship. He is never described as being fully undressed, so while he probably didn't remove his outer robe just for a fight with Bai Zhan Peak, he was still wearing his inner clothes, which would be normal for simply sleeping in.

There is more evidence that he does not have sex with the women at WRP than otherwise, however, especially when considering the infamous exchange between SQH and SQQ in Bai Lu Forest:

Shen Qingqiu asked. “And where am I supposed to find a male virgin’s pee out in the middle of nowhere?” Once these words left his mouth, he realized that Shang Qinghua was gazing intently at him. “Why are you looking at me?! As for my former self—let’s not talk about that for now. You wrote Shen Qingqiu’s original character yourself. He’s unsullied without, degenerate within, always burning with lust. He had an affair in his youth and sought prostitutes as an adult. You think I’m still a virgin? And don’t point at yourself, Shang Qinghua was written the same way.”

Though with this passage one can make a fairly good argument that Shen Jiu was a virgin, since Shang Qinghua never directly refuted what Shen Qingqiu was saying, it still cannot be said with complete certainty.

The accusation that Shen Jiu was a lecher who was visiting brothels simply to satisfy his lust is canonically false. The real reason that Shen Jiu visited brothels was to seek comfort. However, it is not explicitly stated that the comfort he sought out never included sexual relations, which could still be seen as part of that comfort.

In conclusion, it is fairly likely that Shen Jiu did not have sex at brothels, and only slept there, however, since only the intention was disproved in canon, and not the actions themselves, it cannot be stated as a directly-confirmed, canonical fact and may be interpreted otherwise.

#svsss #shen jiu #fanon exposed #supported

[kairiscorner]

question of the day: who would fall the hardest if they ever fell in love?

well... i've got 4 candidates in mind, and i think... (1/4)

miles g. morales — guilty of falling hard for you.

summary: miles morales always struck you as an apathetic guy, one who wouldn't particularly take relationships too seriously; until you both fell for each other, you realized... he did indeed fall for you, but he fell hard, way, way too hard for you. pairing: miles 42 x gn!reader genre: fluff !!

miles g. morales was, to you, such a cold, apathetic guy who always looked calm and composed in everything he did. he seemed like a guy that, you believed, wouldn't care too much if he was in a relationship–that he would put himself before his significant other; though you didn't have any evidence to back it up, save for how distant he seemed to you at first. but oh, were you wrong.

miles g. morales wasn't really all that insensitive as you thought when you got to know him, in fact–he was more sensitive to your thoughts, needs, and wants more than any other boy had ever been for you. it took a while, but the longer you spent around him, the more obvious was the fact that he truly, truly cared about you, from the bottom of his heart.

miles g. morales was the boy who'd stay after class, waiting for your class to finish so he could meet up with you and just be around you. ask him to explain why he's always risking his ass getting scolded for loitering outside your classroom, he can't give you one straight answer. "we had free time", "i had no where else to go", "i... left a pencil in that classroom. yeah."

miles g. morales would never admit to your face that he does indeed stare at you sometimes when you're not looking. whenever he sits close to you in class, be it behind, next to, or diagonally across to you–he always finds every angle of you to be a perfect angle to stare at and admire. don't be mad that he's looking, though, he can't help himself; you're way too mesmerizing for him to handle.

miles g. morales whose sketchpad gradually became a book full of... you in it. it started off as simple, small doodles of you; little cartoony you's that he found adorable and kept drawing when he wasn't focusing on anything else. but as time went by, he found himself focusing on you and your features more and more, almost as if he couldn't rip his gaze away from you.

miles g. morales had also noticed that whenever you speak, he hangs on to every word you say. he thought it would've creeped you out at first, how he can remember all the little details you'd tell him when you're telling him about something that happened in your day or how he remembers all the names of your pets, friends, favorite restaurants, favorite bands and artists–he hangs on to every word you utter, and he can't help it; your voice is just too tantalizingly sweet and attractive that he can't not listen to every word you speak.

miles g. morales was the boy who would use his intimidating appearance to his advantage and defend you against assholes who wouldn't take 'no' from you for an answer. he'd stare them down and glare at them, remind them for you that you said 'no', and if they didn't get the message the first time... they'll have to get through him to get to you. "i'm not gonna back down just because they're bigger than me, because i don't fear them. i don't fear them because, for all their brawn, they sure don't have any brains. and whatever happens after, i'll make sure you don't get in trouble; i'll shoulder the fault. i'd do this for you, every time."

miles g. morales would never wish to get in trouble or have beef with anyone else, but if it was you that others were bothering, then he'd willingly do everything he can to keep you safe and unbothered. he doesn't care what happens to him, so long as you stay safe, so long as it isn't your face being beaten in. you insist he shouldn't do these things for you, but... he can't help it. to picture you in danger makes his heart feel heavy; to get rid of that heaviness, he does these things for you, because he... he loves you.

miles g. morales doesn't dream at night, or at least didn't dream for a long while–or maybe he did and just forgets what he dreamt of the previous night–but when you two became much closer friends, he began to see glimpses and images of you in his dreams. in his wildest dreams, he was able to tell you in all kinds of scenarios that he felt weird around you–a good kind of weird. he'd feel a kind of warmth in his chest, accompanied by the pitter-pattering of his heart when your eyes lock with his, and he feels this urge in the corners of his lips to smile widely when you smile up at him. and, he'd never tell you this, but... in those dreams, he'd tell you how he really feels, and you'd teach him how to handle those feelings by placing your hands on either sides of his cheeks and pulling him close to your face–your nose feeling so soft against his own when your noses brush together–and with the feeling of your hot breath against his own lips... he wakes up.

miles g. morales wakes up to the reality that you probably only see him as a very good friend, a friend you used to think wouldn't care about those who love him but was proven very, very wrong. the friendship bracelet you made for him sits there by his nightstand, next to a cutely frame photo of the two of you at your birthday party. you designed that photo frame for him, and despite how a guy like him probably wouldn't care for cute things... he finds comfort and solace in a bit of cuteness in his life; he just wishes he could express that to you, you, who is cuteness personified. he wears that friendship bracelet every day–and wears it proudly. he doesn't hide it under his sleeve nor tuck it away when you're not looking; he's always got it on and shows it off by just having it on him. he loves having mementos of you on him, it gives him a feeling he hasn't had in a long time... and he hopes that, by some miracle, you'd feel that feeling for him, too.

tags !! @ii01vq @luvstarrstruck @maxoloqy @k4tsu3 @solecitoszn @toneystank-3000 @popeheywardssecretgf @lovefrominaya @onginlove @meowmoraless @euphovlq @anikaluv @conitagray @q2ie @zalayni

#earth 42 miles morales #earth 42 miles morales x reader #earth 42 miles morales x you #earth 42 miles morales x y/n #earth 42 miles morales fluff #earth 42 miles morales fanfiction #earth 42 miles #earth 42 miles x reader #miles morales #miles morales x reader #prowler miles #atsv #atsv miles #atsv fluff #atsv imagines #atsv x reader #atsv x you #atsv x y/n #spiderverse #across the spiderverse #spiderman across the spiderverse #spiderman across the spiderverse x reader #spiderman across the spiderverse fluff

[iamnmbr3]

I find it incredibly creepy how Dumbledore views Riddle as being this sort of inherently seductive 'femme fatale' type. In book 6 he implies that Tom used his looks to endear himself to his teachers when he started school and hide his supposedly inherently evil and corrupt nature.

Like. Albus. DUDE. Tom was ELEVEN. Why would you assume that teachers would be swayed by or even paying attention to the attractiveness of an eleven year old?! WTAF?

And then he portrays the Hepzibah Smith memory as another example of Tom using his seductive charms for evil. But although he does bring her flowers he doesn't do anything else to encourage her and in fact seems uncomfortable and determined to keep the conversation focused on work.

She is actually the one who is being creepy here given the power differential between them. I mean, yes, Tom is putting up with her because it suits his designs for the moment and could and would kill her in a second if provoked. But even though we know that she certainly doesn't. As far as she knows she's creeping on this young store clerk without wealth or connections whose job depends on keeping her happy.

And certainly while she enjoys his looks and his attention she also seems quite happy with the persona he puts on where he addresses her in a highly respectful manner, not as an equal. She's certainly not complaining about how he calls her Miss Hepzibah or asking him to drop the honorific. She likes that. She likes that he addresses her not much differently than how her House Elf does. She likes his whole "I am only a poor assistant, madam, who must do as he is told" thing. And as far as she knows he is just that, with no particular special power or talent other than his good looks which she evidently appreciates. This is not him leading on and taking advantage of an innocent sweet old lady.

And yes he brings her flowers, presumably to keep her happy, but other than that he tries to keep the conversation professional and steer the discussion towards the purpose of his visit. He doesn't say anything overtly flirtatious or even try to prolong their discussion by asking to see some of her other things.

She brings that up on her own. Nor is there any indication that he is the one that decided to move their relationship in this direction. It seems more like she saw a young and good looking man, apparently far below her in terms of station and magical power, and made her move. He probably isn't the first.

The way she casually touches him is just so creepy to me. And though he tolerates it, he did nothing to encourage or solicit it. Riddle is someone who is in general quite averse to touch. We only see him voluntarily touch one person in 7 books and that's when he touches Harry, just for a second in book 4, just to show that he can. I don't think he enjoys this kind of attention. He was probably glad to kill her for more than just the purpose of getting the cup and the locket.

And yet none of her creepiness is acknowledged. Instead, Dumbledore draws our attention to how Riddle cruelly seduced and murdered a nice old lady whose affections he sought and then betrayed:

#Hepzibah Smith #Tom Riddle #Albus Dumbledore #do i need to tag #anti albus dumbledore #Tom Riddle meta #Harry Potter meta #my meta #Harry Potter #meta #my post

[coconut-dreamz]

king of my heart

"the taste of your lips is my idea of luxury" || tom blyth x singer!reader

a/n: inspired by ts once again !!!

i'm perfectly fine, i live on my own i made up my mind, i'm better off bein' alone

you had spent the last few years being single and throwing yourself into your work. that was evident through the sheer amount of music you'd made in the last five years and the world tours you'd gone on.

after your messy break up a few years ago, you'd sworn off love and relationships lately. though, they did make great inspiration for music. but throwing yourself into your work for the past three years had consequences. you were feeling burnt out after your latest world tour and your manager had strongly urged you to take a break for awhile. not to mention you were in a rut. you hadn't wrote a single song in months. nothing inspired you, all of the songs you tried to write sounded wrong. 

we met a few weeks ago now you try on callin' me, baby, like tryin' on clothes

rachel was a good friend of yours, you had met on at a red carpet once and became fast friends. she had recently finished up filming for a project and was in new york. she wanted to meet up with you and introduce you to her cast mates. 

that's when you met tom. there was an instant attraction between you two, there was no doubt about it. everyone in the room could feel it. tom, luckily, also lived in new york. but he lived in brooklyn while you lived in manhattan. but he was constantly calling you, asking you to meet up or come over and hang out. nearly every day he was free he'd call you up. 

salute to me, i'm your american queen and you move to me like i'm a motown beat and we rule the kingdom inside my room

you two were just hanging out in your bedroom, listening to your vinyl records. stand by me started playing, softly filling the room. "dance with me," tom stands, offering his hand to you. you just smile and agree, standing up. his arm snakes around your waist as your hand makes its way to his shoulder. you lay your head on his chest as you two sway to the music.

"this is nice," you whisper out as the song ends. "i like spending time with you. hours feel like minutes here," he responds as he spins you around, causing you to erupt in giggles at his antics. you continue to dance around the room until the sun sets behind you, lost in your own world with tom. when you were with him, everything else melted into the background. it was like the only thing in focus was tom. 

'cause all the boys and their expensive cars with their range rovers and their jaguars never took me quite where you do

you had reluctantly agreed to a date with someone one of your model friends had set you up with. he picked you up from your apartment in his flashy car, drawing attention to you two from everyone around you. you weren't quite used to all this attention, you had been a lot more private in recent years. 

the date was absolutely terrible. he took you to some upscale restaurant that served expensive dishes that were only 1-2 bites each. as he drove you back to your place, all you could think of was how you wish you'd just stayed home and gotten take out with tom. you'd be a lot less hungry and a lot more happy if you'd done so.

after being dropped off, you texted gigi that you're never letting her set you up again. after texting her, you called tom. he picked up almost immediately, as if he was waiting for you. "that was the worst date ever!" you shout, once the call connects. all you hear is his melodic laugh in response. "i wish i would've just stayed home and gotten take out. i'm starving. the restaurant we went to didn't fill me at all!”

"how about i come over and pick up something up on the way there? we can watch a movie or two and you can tell me more about how much of a disaster it was." you smile at his suggestion. "that sounds great, i'll see you soon?" you answer, happily. "see you soon, love." he hangs up. you smile, couldn't wait.

and all at once, you are the one i have been waiting for king of my heart, body and soul

being with tom felt easy. you didn't realize it at first, but then all of a sudden he was embedded in every part of your life. being with him was as easy as breathing. it came naturally to the two of you. he had somehow snuck in and captured your heart. 

"i love you," you whisper out as the two of you stare up at the stars. you'd decided to go on a camping trip upstate. you were laying on a blanket, cuddling. it just felt right with him. nothing was ever forced. it was simple. 

tom sits up abruptly at your words, looking into your eyes "do you mean it?" he asks, unsure. "you're the king of my heart, body and soul." you state, staring back at him. a huge grin making its way onto his face. "i love you, i have for awhile. i was just too scared to say it first. i wasn't sure if you felt the same." he admits, a little shy. 

"you are my everything. there's nothing i wouldn't do for you." you admit to him, leaning in and placing a delicate kiss on his lips. you feel him smile into the kiss as he deepens it, pushing you to lay on the blanket and crawling on top of you. 

late in the night, the city's asleep your love is a secret i'm hoping, dreaming, dying to keep

"shhh, don't be so loud! it's like 3am." you whisper shout at tom as you two walk through london. it was a stunning city, even more so with him by your side. "i love this woman!!!! i'm so glad she's mine!!!" he shouts into the open air, spinning in circles and laughing. his silliness causes you to laugh at him, playfully slapping him on the chest, trying to get him to shut up. 

tomorrow was the world premiere of the ballad of songbirds and snakes. you were so excited for him and the rest of the cast, but there was a selfish part of you that wanted to keep him to yourself. you didn't want him to become the internet's boyfriend or the 'white boy of the month'. you wanted to keep your love a secret from the world.

you wanted to shield the budding love from the cruelty of not only the world, but the tabloids. the press had ruined your previous relationships, breaking the trust you'd previously shared because of false rumors and speculations. you know tom wasn't like that, but you didn't want to be proved wrong. you just wanted to hold onto this secret for a little longer.

change my priorities the taste of your lips is my idea of luxury

some people may have labeled you as materialistic in the past, your countless new shoes and outfits adding fuel to the fire. but, as of late, your priorities had changed. you no longer cared for material goods, the only thing you desired was tom. everything about tom, you wanted. his hugs, his kisses, and especially his love for you. his love would be worth more than anything money could buy you. 

is this the end of all the endings? my broken bones are mending with all these nights we're spending

shortly after meeting tom, you were reinvigorated. he was your muse. he mended your heart and gave you inspiration to write once again. no longer were you writing sad songs about ended relationships, but songs confessing your love to him. by the time you had known him for six months, you'd already written enough songs for two 20 song albums and a few extra for deluxe editions.

the more time you spent with him, the more songs you were inspired to write because of him. your agent had wanted to kiss him on the mouth personally for the amount of songs he had inspired you to write after over a year of nothing. your fans would be thrilled to hear you'd be releasing new music after three years of nothing.

"what are you doing there, darling?" tom walks into your office as you play around on the piano and write down the notes you were playing. "just composing a new song. i was inspired during our date last night. i just finished writing the lyrics and now i'm trying to come up with the melody." you answer him, not looking up from the notebook. his eyes widen at your words. "you wrote the lyrics already?" he asks surprised. 

you look up from you notebook at this "of course i did, you're my muse. i've completed two albums dedicated to you now." you answer him and continue playing, trying to find the right notes. "you what?" he asks, unaware of his influence on your creativity. you stop playing at this and stand up to face him. "from the moment i have met you, i have written and composed exactly 47 and a half songs. you are my muse, tom blyth. you occupy my mind at all times. i love you" you confess to him with a grin. "my god, i love you." he captures your lips in a searing kiss. he truly was the king of your heart.

#coriolanus snow #tbosas #the ballad of songbirds and snakes #tom blyth #tom blyth imagine #tom blyth x reader #tom blyth x you #coriolanus x reader #coriolanus snow x reader #coriolanus snow x you

[yournextflame]

Elden Ring Sigils and Color Theory

Elden Ring magic sigils sorted by color. Long post about their lore, meanings of certain colors and what it can reveal about the story of Elden Ring under the cut.

In this post, I will be going over why it is important to have a good understanding of color and meanings associated with color in the context of lore. In a game, color is used by developers for more than just drawing the world, it’s about creating visual language, a bridge between writers and players. There are countless articles about usage of colors in videogames, but in this post I will try to reverse-engineer the process and find out the meaning behind visual symbolism and combine it with game’s equivalent of heraldic symbols - magic sigils.

In Elden Ring magic sigils have been used to represent origin of sorceries and power sources of incantations, usually they give us hints what kind of deity is worshipped by people or who created the spell. They are an invaluable source of information on history on the Lands Between. I’ve been already playing with idea of color sorting when I did the same thing with remembrances, but sigils revealed even more secrets about story and lore. How about origin of life on the Lands Between? Origin of the outer gods? But let’s not rush.

The first category, Blue Sorcery as I called it, already shows how color sorting method is supported by the game itself. With a help of descriptions we can place the sigils in the chronological order and track the change in design over the course of story such as replacement of flowing weapon in the sigil of Eternal Cities to Carian sword. Their sigils are incredibly similar to each other, solidifying connection between Nox and Carian royal family; both factions are associated with silver, sorcery, artifical life, moons and stars.

This talisman represents the lost black moon. The moon of Nokstella was the guide of countless stars (Memory Stone)

The young astrologer gazed at the night sky as she walked. She had always chased the stars every step of her journey. Then she met the full moon—and, in time, the astrologer became a queen (Stargaizer Heirloom)

Moons played a central role in Nox and Carian culture, the circle is a base shape for both crests, however, while Raya Lucaria sigil shares similar elements with Eternal Cities and Carian emblems (glintstone sorcerers are the descendants of astrologers, a fact that the Carians remain aware of, - Preceptor's Long Gown), this part was drastically redused in size and moved on top; the central place is taken by the star and framed by a pair of cuckoos. The hue of sigil is also significantly different from cold blue tones of Nox and Carians emblems, the warm greenish tint is close to the color of primeval current spells, which were banished once Rennala became rector of the Academy.

These scholars, who sought to master Carian sorcery, instead learned to see the moon as equal to the stars. This robe, in the hue of the full moon, signifies their heresy (Lazuli Robe)

(Cuckoo Greatshield) Boasting high magic damage negation, this shield is used to hunt down mages. "Our enemy is none other than Caria itself."

So far I’m not going to delve deeper in the roots of the conflict between Carian royal family and Academy of Raya Lucaria, it’s a mere demonstration of a method and how it works. But in next paragraphs I will use it as evidence for a few theories about worldbuilding.

(thanks for clarification about Malenia’s Crest, I rewatched fight on youtube and, yes, it’s a normal Raya Lucaria sigil)

Golden incantations is the biggest group on the list, in a way I can say that history of the Lands Between is a history of gold. Here we can see a symbolical depiction of the Erdtree, the central piece of the game both in a metaphorical and literal sense; we can track how portrayl of the Erdtree changed during Marika’s age until it was replaced altogether by the abstract emblem of the Golden Order Fundamentalism. I have a lot of to say about this group and currently working on post with a more detailed investigation, so far I will touch only basics: such as origin of life gold.

Gold in Elden Ring is more than than shine metal or a color, it’s prima materia of the Greater Will, a force of unknown origin (it’s never called 神  god or an 外なる神 outer god anywhere in EN or JP script and before jumping to conclusion wait until I’m going to observe confirmed outer gods) which is responsible for the creation of Elden Ring. From the description of Elden Stars, the most ancient incantation in this category, and Elden Remembrance we can figure out keywords associated with the Greater Will:

It is said that long ago, the Greater Will sent a golden star bearing a beast into the Lands Between, which would later become the Elden Ring/It was the vassal beast of the Greater Will and living incarnation of the concept of Order (I’d like to point that it’s “Order”, not “The Golden Order”).

(I believe we still can see remnants of the golden star in a form of meteorite ore in Divine Towers and Sealed Tunnel near Erdtree) 

In other words, the Greater Will is about gold, Order and everything Elden. However, a common mistake is to tie the Greater Will to the Golden Order, despite the name the latter is not representative of it, even more so... original gold from the golden star wasn’t yellow.

From dialogue with Sellen we can learn that stars are containing amber, but golden stars are kind of special:

Golden amber contains the remnants of ancient life, and houses its vitality (Sellen)

And Hyetta’s speech supports futher that the Greater Will is responsible for creation of life in one way or another:

…すべては、大きなひとつから、分かたれた 分かたれ、産まれ、心を持った

けれどそれは、大いなる意志の過ちだった だから、戻さなくてはならない

All that there was divided from the One Great. Divided, born and given heart. But it was a mistake of the Greater Will (Hyetta)

So, Miyazaki pretty much unitied theories about meteorites being consensually considered to be involved in the origin of life and primordial soup:

Meteorites could have been responsible for delivering the basis of life's genetic code. Analyses of three meteorites suggest that nucleobases, the crucial components of DNA, could have formed in space and then fallen to Earth to provide the raw material for the origin of life itself

For nearly nine decades, science's favorite explanation for the origin of life has been the “primordial soup”. This is the idea that life began from a series of chemical reactions in a warm pond on Earth's surface, triggered by an external energy source such as lightning strike or ultraviolet (UV) ligh

Now if we check descriptions of Crucible Aspects and Crucible Knights items we can find out that original gold had rent tint.

Holds the power of the crucible of life, the primordial form of the Erdtree. Strengthens Aspects of the Crucible incantations (Crucible aspects incantations)

This sword is imbued with an ancient holy essence. Its red tint exemplifies the nature of primordial gold, said to be close in nature to life itself (Ordovis Greatsword, the name itself is a reference to Ordovician Period, part of the Paleozoic era, a rich variety of marine life flourished in the vast seas and the first primitive plants began to appear on land)

Ancient Erdtree/Crucible emblem is slightly reddish too, however, the modern gold is more pure and yellow, the gold of the Golden Order. The sigil changed the color too and lost the root part just like the Elden Ring itself if we compare modern depiction with Farum Azula mural:

The Golden Order was created by confining Destined Death. Thus, this new Order will be one of Death restored

But a gold is a gold, even though it’s different, but as Turtle Pope said heresy is not native to this world and everything can be cojoined:

The worship of the ancient dragons does not conflict with belief in the Erdtree. After all, this seal, and lighting itself, are both imbued with gold

Yes, the Greater Will governs everything what is golden. 

And yet, the young Miquella abandoned fundamentalism, for it could do nothing to treat Malenia's accursed rot. This was the beginning of unalloyed gold

I can already hear the raise of pitchforks from certain kind of Miquella fans, so let’s talk about outer gods and what exactly they are.

With a surprising exception of emblem from the Scepter of the All-Knowing (Gideon, I have a few questions for you) all sigils in Red Group are assigned to the deities: outer/ancient god of Rot, outer god Formless Mother, Rykard’s immortal serpent and Fell God, who is bit tricky, it’s ambitious if  古い火の悪神 “ancient” is applied to the god or fire. The only confirmed outer gods, who didn’t made it here is an outer god of Deathbirds and Frienzied Flame. Considering theory that removal of the Destined Death from Elden Ring drained color from the god-slaying Black Flame and eclipsed sun of outer god of Deathbirds, I can suggest that original color of their sigils was red too. 

Long story short: sigil of the outer gods and other unwelcomed deities are represented by red color and they are all related to the death, Formless Mother is about bleed, fell flame is burning, rot is decay, etc.

However, as stated in the description of Ordovis Greatsword, primordial gold of the Crucible had a red tint that was lost when Marika estabilished Golden Order by sealing away red Rune of Death; and this knowledge eventually leads to conclusion that...

Outer gods aren’t aliens. What a surprise.

They are natural powers that were screwed by the removal of Destined Death, when they got outed from the Golden Order. They are red tint of the primordial gold.

Once the concept of Death was banished from the Lands Between the elements and effects linked to it - death, decay, combustion, bleed became outer to the newly estabilished Order. There is a clear thematic difference between celestial Greater Will, who isn’t even presented on the Lands Between, and actual outer gods, who can be sealed or banished, more over there are no outer god of water, sunshine or happiness, they are all linked to the side-effects of death. When death was excluded from the Order, they were affected as well.

The thing is that gold in Elden Ring is a magical substance and changes the tint depends on the currently running Order, which is shown in the endings when Golden Tree (黄金樹 that’s how Erdtree is called in JP) acquires different hue. It’s another overlooked element of visual storytelling.

This Golden Order is something that the Elden Ring may have once represented, but not directly. It’s more about how you apply those rules and how you enforce them on the physical world and what effects they have on it, - Miyazaki in interview to gamesradar

(Golden Order isn’t direct representation of the Greater Will/Elden Ring as it was said by Miyazaki himself, it’s only one temporary set of rules)

Elden Ring consists of runes and even newly discovered mending runes (concepts) can be added to the system (regression is the pull of meaning; that all things yearn eternally to converge) ot removed and the gold will respond to it by changing the color and reshaping reality according to the Order (causality is the pull between meanings; it is the connections that form the relationships of all things). Elden Ring - Rune of Death = yellow gold and banishment of ancient gods, who were associated with death, Elden Ring+mending rune of a choice=see example aboive.

For futher evidence that gold changes metaphysical properties and in the current state (Golden Order) preserves things from not only from dying, but decomposing too, I want to bring a few descriptions:

Fresh beast blood, glinting with gold. Material used for crafting items. Found by hunting carnivorous beasts.This glimmering blood never rots or decays ( Beast Blood)

Someone's excrement. It has a golden tinge. Material used for crafting items. Gold-tinged excrement is a highly stable substance; it doesn't dry out, nor does it lose its customary warmth or scent. For better or for worse, it remains as it is (Golden Dung; I can’t believe I’m using description of literal sh/t to prove my point)

However, from what we know only Rune of Death was sealed, and while outer gods’ influence was seriously weakened, it still existed. This is why Miquella abandoned Golden Order and was working on development of his own gold, even more pure and untainted, before he got mohgged:

Unalloyed Gold Needle: An intricately crafted needle of unalloyed gold. A ritual implement crafted to ward away the meddling of outer gods, it is thought capable of forestalling the incurable rotting sickness.

Now let me clarify: community’s favorite boogieman “influence of the evil alien outer gods/the Greater Will” isn’t a thing in a sense that there is a group of invaders from the outer space trying to enslave the Lands Between. Even thought  外なる神 is used in Japanese media culture for lovecraftian beings, we should remember that history is fabricated by the Golden Order in Marika’s favor; "outer gods” are alien to the current Order”. Same goes for the influence of the Greater Will, it was never about mind-control or whatever was projected onto it, the influence of the Greater Will is simply how Order and gold are changing course of the nature. 

Last thing I want to add is that influence of the outer gods isn’t always about destructive powers (Order of Rot is about decay and rebirth), but I’ll leave it for a dedicated post.

In Mixed Group I put sigils with unique or unknown colors.

In my first draft Dragon Communion was placed in the Red Group for the intense hue of sigil, but upon futher research I decided to move it here. The power of Dragon Communion incantations doesn’t stem from any patron god or the assigned star (unless I missed something); they are scaling from arcane, an inner force of the caster. 

Violet is an interesting choice for Gravity sigil because this color, albeit with the less intence hue, is used for sleep status and associated items. 

I like how yellow color of Frenzied Flame is similar to the gold of the Greater Will, carrying the theme of duality, yet the shape of the sigil is distorted and assymetrical. In fact, designs of the ancient sigils usually is far less complex than intricate shapes of newer ones (with a few exceptions). Just to be clear, even though influence of the Flame of Frenzy can be cleared by Miquella’s needle, the game never calls it an outer god. It’s a matter of semantics, but I guess that unlike crew from the Red Group it was never booted from the Order since Chaos and Order can’t naturally coexist, but there are a lot ot of to speculate about, considering drastic changes in Frenzied Flame quest and lore.

Golden star in the centre of Bestial sigil reminds of Cinquedea dagger (Short sword given to high ranking clergymen of Farum Azula. The design celebrates a beast's five fingers, symbolic of the intelligence once granted upon their kind), which shows beast’s arm holding golden slab.

So, Death spells. I believe that both Black Flame incantations and Death Sorcery of Deathbird outer god were affected by confining of Destined Death.

The black flame could once slay gods. But when Maliketh sealed Destined Death, the true power of the black flame was lost

Storied sword and treasure of Castle Sol that depicts an eclipsed sun drained of color.The eclipsed sun, drained of color, is the protective star of soulless demigods. It aids the mausoleum knights by keeping Destined Death at bay. Mausoleum Knight Armor: The wing-shaped ornaments on its back evoke the Deathbird

And, as I’ve been already pointing in a different post, death of Godwyn brought back forgotten death sorcery that almost ceased from existance during age of immortality, but was rediscovered

Death in the Lands Between is incredibly complex subject and deserves a series of posts, even though I believe there should be DLC because so far all lore related to it seems to be incomprehensible.

Unmarkered sorceries don’t have background sigil, but they all share something in common. They originated from the Mountaintops of Giants:

Zamor Ice Storm: Ice sorcery of the Town of Zamor.Strike the ground with the staff to create a freezing tornado. Charging enhances potency. Cloaked in icy tempests, the knights of Zamor have challenged the Fire Giants since ancient times.

Briars of Sin : An aberrant sorcery, discovered along with red glintstone by those exiled to the north for their crimes.The Academy reviles this sorcery, which draws its power from faith

Founding Rain of Stars: The eldest primeval sorcery, said to have been discovered by an ancient astrologer. A sorcery of legendary status.The glimpse of the primeval current that the astrologer saw became real, and the stars' amber rained down on this land. Sword of Night and Flame: Astrologers, who preceded the sorcerers, established themselves in mountaintops that nearly touched the sky, and considered the Fire Giants their neighbors.

Another interesting details to consider is that they are all in some ways are unwelcomed or straight up heretical. It reminds me of relationships between Golden Order and remnanats of the Crucible. Aberrant sorcery is a mark of sin, primeval current was banished and cold sorcery is veiled in occult mystery:

The snowy crone taught the young Ranni to fear the dark moon as she imparted her cold sorcery.

I guess Ranni’s secret mentor is called snowy crone for a reason.

That’s being said, everything I wrote is a subject to change as DLC may reveal more details or I will reconsider some parts under futher research. But overall I think it was an interesting experiment.

読んでくれてありがと

#elden ring #ranni #miquella #elden beast #elden ring lore #lore theories #outer gods #elden ring sigils #ask opened again for 1-2 days #I have a lot of ideas about silver #malenia #hyetta is underrated #it's frampt/kaathe is all over again #elden ring - unique fantasy take on evolution #paleontology #heraldy #physics #colors #western fandom: we know exactly one holy book and view everything through the chr/stianity lenses #yet another day of me hating translation of root resine