DP x DC: The Most Dangerous Card Game
Ok so Danny has essentially claimed earth as his. And he is fully aware that there are constant threats to the planet. Now he can’t stop a threat that originates on earth (that’s something he’ll leave to the Justice league) but he can do something about outside threats. Doing some research on ancient spells, rituals, and artifacts, he cast a world wide barrier on the planet to protect it from hostile threats so they cannot enter. This will prevent another Pariah Dark incident. However, barriers like this come at a price. You see, there are two ways to make a barrier. Either make one powered up by your own energy and power (which would be constantly draining) or set up a barrier with rules. The way magic works is that nothing can be absolutely indestructible. It must have a weakness. The most powerful barriers weren’t the ones reinforced with layer after layer of protective charms and buffed up with power. Those could eventually be destroyed either by being overpowered, wearing them down, or by cutting off the original power source. No, the most powerful barriers were the ones with a deliberate weakness. A barrier indestructible except for one spot. A cage that can only be opened from the outside. Or that can only be passed with a key or by solving a riddle. So Danny chooses this type of barrier and does the necessary ritual and pours in enough power to make it. And he adds his condition for anyone to enter.
Now the Justice league? Find out about the barrier when Trigon attempts to attack, they were preparing after he threatened what he would do once he got to earth. How he would destroy them. The Justice league tried to take the fight to him first but were utterly destroyed, so they retreated home to tend to their injuries, and fortify earth for one. Last. Stand. Only when Trigon makes his big entrance…he’s stopped.
The Justice league watch in awe as this thin see-through barrier with beautiful green swirls and speckled white lights like stars apears blocking Trigon and his army’s advance. The barrier looks so thin and fragile yet no matter how hard the warlord hits, none of his attacks can get through and neither can he damage said barrier. That’s when Constantine and Zatanna recognizes what this barrier is. Something only a powerful entity could create. For a moment, the league is filled with hope that Trigon can’t get through yet Constantine also explains that it’s not impenetrable. And clearly Trigon knows this too for he calls out a challenge.
And that’s when, in a flash of light, a tiny glowing teenager appears. He looked absolutly minuscule compared to Trigon and yet practically glowed with power (this isn’t a King Danny AU though).
And that is when the conditions for passing the barrier are revealed. And the Justice realize that the only thing stopping Trigon and his army from decimating earth. The only way he can get through….is by beating this glowing teenager in a card game.
Not just any card game though. The most convoluted game Sam, Danny, and Tucker invented themselves. It’s like the infinite realms version of magic the gathering, combined with Pokémon, and chess. And Danny is the master. So sit down Trigon and let’s play.
(The most intense card game of the Justice league’s life).
After Danny wins, this happens a few more times with outer word beings and possibly even demons attempting to invade earth, yet none have been able to beat the mysterious teenager in a card game. Constantine might even take a crack at it and try to figure out how to play. He’s really bad though. Every time this happens, the Justice league worry that this might be the time the teenager looses. Yet every time, he wins (even if only barely).
Meanwhile, Danny, Sam, and Tucker have gotten addicted to the game and play it almost daily. Some teachers might seem them playing the game are are like ‘awww how cute’ not realizing this game is literally saving the world. Jazz is just happy they aren’t spending as much time on their screens playing Doomed.
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HOT TAKE
But I like the idea of the phantom world being reincarnated into very unexpected people.
Like I still love the idea of Danny being Martha or Thomas.
Or Dani being another clone, or her being Damian, and Sam being Poison Ivy and or Martha, etc.
But I also like the unhinged nonsense of Sam being a clone in the dc world — ideally Kon, and Dani (or Dan) being Bruce, while Vlad is gasp Thomas Wayne.
HEAR ME OUT
JUST HEAR ME OUT
I just think the idea of Danny finding out that in an alternate world he married a nicer and age appropriate Vlad and had the son the guy has been demanding for so long in their world is hilarious.
The absolute mental breakdown that boy will go through: this is my son, and I love him, look at him go being a hero and kicking ass, but holy fucking Ancients above I fucked VLAD —
And on the other hand, can you imagine Bruce’s reaction? To his alternate mom being a sassy teenage boy, his alternate dad being an older guy ‘preying’ on this kid that absolutely HATES the guy, and being an absolute creep while his alt self **gestures to your choosing** is either a tiny girl menace or the biggest and meanest growling ghost that is BARELY tolerating being in the same space as the living.
But they also hate his alternate dad and would punch him into next week with Mom! Danny.
This man will being going THROUGH IT.
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I love how Spider-Man: Into the Spider-Verse said “Anyone can be Spider-Man”. I love how it inspired everyone to imagine their own Spider-People, saving the day in their own universes, with all kinds of cool, interesting personalities and aesthetics and mutations and life stories and relationships. We all put pieces of our soul into these homemade heroes. We had fun. We found community. And then Spider-Man: Across the Spider-Verse said, “Wow, great job! You’ve really taken our message to heart. Well, get ready for even more of everything you liked from the first movie and a new message to complement the first. Anyone can be Spider-Man… and anyone can be pulled into a cult.”
So now we all have to contemplate whether our lovingly crafted heroes would ever be on Team Mandatory Trauma Because Martyr Complex or not and why.
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DPXDC Prompt #89
Danny didn’t know what would happen when his parents portal turned on for the first time but this wasn’t it. He accidentally turned it on and the next thing he knew he was in front of this pool of green swirling liquid with this lady named Talia telling him she’d take care of him. The weird thing is he was now half dead with weird ghost powers and he somehow was turned back into a 5 year old. He met a kid the same age as him and the two quickly became inseparable, his name was Damian and even though he was to be the next head of what Danny assumed was a cult, he knew it was but he was in the body of a 5 year old and couldn’t exactly go home like this.
5 years pass and Danny gets sent along with Damian to Gotham to live with Damian’s birth father Bruce Wayne. Danny didn’t want to go at first but Bruce seemed to welcome him with open arms regardless of his background with the league. Everything is going well for the 2 until Danny meets Tim’s secretary, it’s Sam and she absolutely did not know how to handle her now smaller best friend. Tucker is doing an internship at Wayne Tech too.
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I went to an Ilan Pappé talk yesterdays - I really recommend his books if you've not checked them out already. He's arguably one of the worlds leading experts on Zionism and the "Israel"-Palestine conflict, so obviously everything he said was great, but what I want to highlight:
Someone asked him if he thought the protests and petitions and calling you reps and shit would work, and he said no, it never will. It's still important to do that but the powerful will never surrender their power to the powerless just because they ask for it. Asking the UK and the US to cut ties with their imperial outpost in the Middle East is like asking an animal to gnaw off it's own limb - it won't do it unless its only other choice is dying completely.
So who does have the power to put a stop to this, we asked. The working class of the imperial core. That's us, and we are the most powerful people in the world right now, because this war machine can't function without us. Movements like this can only be built from the ground up, so stop looking to the government and start looking to your community. We need to make it more unprofitable to support Israel than it is to cut ties with it.
This is a call to action. The people HAVE the power, and we have to use it. Yes, that's you. Contact your trade union, your workplace, your school, your church, your university. Your friends, family, any connections you have. As many people on board as possible, with one goal: shut it down. Take direct action now.
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I was on Pinterest this morning and I saw this and went “MACHETE wait- he wouldn’t drink from a puddle even in an apocalypse” then I’m like- apocalypse machete wouldn’t last five minutes, he’d cringe at the thought of mud getting on his heels(tm) and Vasco would probably act like a hunting dog, he might do pretty well ina full on apocalypse or war or something, and he would carry machete over all the mud puddles Q^Q
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Me: I hate all superhero movies/shows that boil down to 'it's Superman but an Asshole' they al-
Megamind 2010: all?
Me: oh no not you, you're perfect.
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Thinking about step 9 and the whole concept of forgiveness of one’s self and others and it bringing healing and how bobby and Eddie have been paralleled a fair amount and the idea that Eddie started this process back at the end of s5 with his forgiveness and acceptance of his father but how he hasn’t yet gone anywhere near his mother and their relationship .
How his catholic guilt storyline seems more likely to play on his reltionship with his mother than his father (if his father wasn’t around that much it would’ve been Helena taking him to church etc each week) so the idea of an Eddie - Helena storyline that plays on catholic guilt and potentially his queerness in relation to that has me chewing on glass - it could be so epically good
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hear me out: divorce ceremonies. divorce cake and divorce outfits. toasts to the uncouple spoken by the Worst Man and Maid of Dishonor (gender neutral). separate piles of gifts for the freshly parted, stuff like nice sheets and Target giftcards and cookbooks. marriage gets to have all this ritual attached to it and by god divorce deserves some of that action
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I want to make a longer post about this someday but: I think Arya's TWOW arc is going to include her coming to terms with her identity as a Lady. This has been an ongoing conflict with her since her first chapter and I think her flowering in winds is going to mark a turning point. The theory of her having an apprenticeship with the courtesans holds a lot of weight and the idea of Arya going through puberty among a group of unconventional women she's fostered a positive relationship with is just too perfect. It would really have an impact on Arya reconciling her personal idea of what a Lady should be. There's also a lot that she could learn from them in terms of courtesies, communication, appearances, body-language, etc. that would elevate her current skill-set and ways her relationship with them could push the plot.
Not to mention she will undoubtedly reclaim her identity as Arya Stark, and her being a Lady is inseparable from that. Arya Stark is a Lady Stark and being a Lady is a social position, not a measure of how well someone preforms feminine tasks. She shouldn't have to relinquish her position because she doesn't fit patriarchal standards. That's not to say that she's ever going to be the perfect example of a traditional Lady but what I think will happen is that she becomes capable of playing the part. She plays several identities throughout the series but she's always been Arya underneath, so I think it's appropriate that she learns to adopt a "persona" that's part of her. Her remembering Ned putting on his "Lord's face" (+ the various examples of other characters being separate from their ruling persona) makes me think that Arya will be donning her "Lady's face" when she makes a return to Westeros.
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ok I don't think we as a fandom talk about the way Vash cries blood enough
we only see it once or twice from what I remember, the one definite time being here ^ when the puppet attack first begins & he's dealing with the emotional agony of seeing so many of his family turn into puppets.
so it's clearly something that comes out only when he's in severe emotional distress.
the interesting thing is that Wolfwood is fucking TERRIFIED of him bc of it.
whatever this moment is, Vash is giving off the same sort of oppressive energy that Wolfwood's experienced with Knives. it's the first time during their travels that he's really been forced to recognize What Vash Is. he knew it of course, saw him in Jeneora, but he's such a goofy guy it's easy to forget.
but whatever Vash is doing here, it makes Wolfwood Incredibly aware of what he is.
so the real question i think is What exactly is going on here? is it unintentional? is it simply a response to the emotional agony?
Vash isn't the type to indiscriminately terrify everyone in the vicinity on purpose. he wouldn't be doing this purposefully out of anger while Wolfwood's there. no, in this moment, he's not even angry at all. he's Distraught.
going from This
to this
in just a moment.
yeah. that's some fucking emotional agony. i dont think Vash is doing this entirely on purpose.
but THEN...
as both Leonof and Wolfwood stare at him in fear, Both feeling his oppressive energy, Vash then lets out some sort of blast that blows against everything between him and Leonof. it doesn't destroy anything, doesn't even injure him, but it's a physically tangible effect that scares the Shit out of Leonof & spurs him into motion.
there may be some anger involved in this moment, but it's not the hair-trigger rage you would expect from seeing his family turned into puppets. it's something Quiet, something almost cold. he's distraught, Resigned, & retaliating just because he has to.
Vash hates all of this. he doesn't want to fight him. he fucking Knows this guy too, knew him as a kid, & none of this makes sense. but he knows that he needs to fight him, & doesn't have any kind of choice.
but he's not happy about it. not in the slightest.
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I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
---
P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
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So this:
Leads to this:
Which leads to this:
Which allows vecna to do this:
Right? Right………. So then this:
Leads to this:
Which leads to:
???????????????? 👀👀👀👀👀
Will has had powers.
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y'know what we don't talk about enough? Hazel died. We talk about how she grew up in the 30's and 40's and we talk about how out of place she feels in the modern world, but! She died! She was dead! She has spent more time dead than alive, and not by a close margin!
How does that effect a person??? We got some of it in the flashbacks, but once those caught up with her present timeline and she shared them, they just kind of... disappeared. And she was a regular girl with some weird past experiences. That's one way of doing it, sure!
I think it would have been a lot cooler if she was just a touch creepier. If she felt a little bit Wrong. Yeah, in general she's more approachable than her brother, she's more sociable and less closed off, but. If you actually spend any time with her, it can be difficult to tell which child of the underworld is actually more unsettling.
Hazel is bright of personality and has a dazzling smile, but sometimes she'll just... shut down. She'll go completely blank for like half an hour and nobody knows what to do with it. Sometimes she forgets she's alive. Sometimes she'll spout the grimmest shit you've ever heard like it's nothing, she won't even notice it's weird until the room goes quiet. She spent decades in Asphodel, which is designed to make people forget about themselves and wander around for eternity, only she didn't have the luxury of forgetting! Wild! After she comes back to life, sometimes she forgets that she's allowed to Do Stuff now. She can spend so long sitting and staring at nothing. Sometimes she'll start crying on cloudless days because it hits her again that she can actually feel the warmth of the sun on her skin and she can hear birdsong. Every little mundane experience is a blessing and she will make you remember that in the most foreboding way possible.
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given that seems to be the new popular take in the fandom at large since totk got out: let the record show that I'll gladly let myself get repeatedly manipulated by the wind waker speech and be foolishly moved by its implications over rejecting space for humanity and vulnerability in the monstrous and the dispossessed, and then feeling weirdly smug about severing that fleeting attempt at connection and deem it obviously insincere
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