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fire-lizard-ro · 7 days

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Aventurine with a s/o who is related to robin and sunday or related to dr.ratio

Thank you for the request~ Now this one will be a bit short, so I apologize. I've been having a hard time getting back into the swing of things.

It would defintely be interesting, especially when thinking about these relationships in the context of the events of Penacony. So Penacony arc spoilers for those who haven't played through 2.0-2.1.

CW: somewhat mentioning Aventurine's past, signs of trauma, open ending (wowie not a straight up happy ending from Roro for once whoops ofiejw-), mentions of manipulation?, fluff, anyways it's not too bad I swear-

No mentioned gender for reader.

I decided to go with a S/O related to Robin and Sunday:

I imagine this S/O being a bit more like Robin (or at least what we think Robin might be like). Kind and soft spoken- pretty, too. I could see you having a strict sense of justice which maes you feel conflicted when finding out just how Sunday does his work.

Aventurine loves to take naps with you when he's around, falling asleep against your shoulder while you hum a quiet melody under your breath. It took him some time, but he grew comfortable with that. It was cute, really. He wasn't too keen on touch because of his past and had trouble accepting affection. But somehow, you brushing your soft wings against him when leaning close or when he would play with your hair helped a lot. It wasn't the same as feeling someone's skin on his. The hands of others had hurt him, but he had never felt the touch of feathery wings like yours against him. There was no precedent and this helped a lot.

I can also see him gently helping you with cleaning and preening them when he has the time because he really likes them. He's enamored with the way you purr and coo when he does, leaning down to press a kiss to your head (and sometimes the wings themselves) while sitting with you to clean them up.

Aventurine loves your kind heart and soft spoken attitude, especially since you can be firm when you need to- A little something you learned from your brother, Sunday.

You could understand where Sunday was coming from with this plan. After all, Robin was your sister, too. But this was too much. What you had thought would have just been a simple questioning turned into your lover walking up to the executioners block. You couldn't take this anymore- You had to stop him. "Brother! Please stop this," you begged, holding onto his sleeve with pleading eyes and voice full of desperation. "Now, now- You mustn't interrupt the consecration," Sunday said with a simple pat to your head. "I'm doing this for the good of our family."

You had never mentioned to him how you had once met this charming gambler from the IPC who had struck your fancy and continued seeing him around before eventually dating him.

Aventurine's eyes were wide at your appearance, having hoped you wouldn't get involved with all this. He wanted you safe and out of the blast zone, so to speak. But he couldn't speak up lest he incur more of Sunday's wrath upon himself and perhaps even you. He didn't think your dear brother would do anything to you, but that didn't mean there wouldn't be consequences.

Sunday just thought this was your characteristic soft-heartedness. But something about the urgency in your tone seemed off. "I know you don't like these kinds of methods, but I must do what I must."

He turned to continue the interrogation questioning. "He's my lover!"

The entire room was silent.

"...what?"

"He's..." You swallowed nervously in the face of Sunday's cold, even tone while looking into Aventurine's eyes that were telling you to stop. "He's my lover. We've been together for a while, now."

Sunday's face finally shifted. His once solid poker face that held an easy smile on it broke into a slow sneer. The put together, pretty cherub was now more of an angry seraph.

"You."

"Tried to infiltrate the faimly by targeting my younger sibling, hm? Even using this after watching our sister die..." "No! Sunday it's not like that-" you tried to argue. "Enough," the winged man commanded, holding a hand up. "We will discuss this later."

The man then looked at Aventurine again, snarl still in place. "You have 17 system hours, Mr. Aventurine. I do hope you'll use them well. After all, it's all the time you have left."

#Roro writes #asks answered #honkai star rail x reader #hsr x reader #honkai star rail x gn reader #hsr x gn reader #aventurine x reader #honkai star rail aventurine x reader #hsr aventurine x reader #aventurine x gn reader #gn reader

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apomaro-mellow · 1 month

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King and Prince 15

Part 14

We have officially begun the second arc of this fic! Arc 1: Enemies Arc 2: Friends? ....Friends.... (<- You are here!) Arc 3: Lovers

The day before the festivities, Eddie was constantly on his feet and on the move. He had barely a moment to himself. But as the sun set, he took a second to check in on his favorite hostage-turned-guest. But Eddie never did these checks in person. Now seemed to be the time to give Steve as much space as he could. Eddie didn’t know in detail what kind of life he led in his old kingdom, but it couldn’t be anything good. A crown prince should be fighting tooth and nail to get back home. Steve hadn’t made any escape attempts since that last one weeks ago.

Eddie stood by the window of his room and held a hand out to beckon the raven that landed. He stroked its feathers in thanks for letting him see Steve. His eyes became the bird’s eyes whenever he wished, allowing him to see how Steve behaved while he was alone. He never intruded for long, but Eddie wasn’t going to fall to a soft heart and let someone untrustworthy roam without suspicion.

His precaution was starting to appear unnecessary in the end. Because Steve had no plans to harm anyone, not even him. As much as he and Dustin had prodded at the prince to see further than his own nose and learn about what was around him, Eddie had to admit that he too had his own assumptions about him.

He hadn’t imagined the enemy to be an uncontrollable monster like the other side did. But Eddie hadn’t expected someone willingly lending a hand to some kids, who did manual labor with very minimal grumbling. He hadn’t expected Steve to be, well, nice. He might be the first Harrington who Eddie hadn’t wanted to kill on sight.

One thing his little feathered friend reminded him of was the fact that Steve’s wardrobe was severely cut down from what he must be used to. There was certainly a drop of quality as well, though it was comfortable to wear. And Eddie thought he shouldn’t be left out of the fun when it came to new clothes.

-------------------------

The next morning, Steve rose with the sun and had breakfast with the children in the kitchen. Afterwards, he figured his job for the day would be helping out wherever he was needed for the activities around the castle. But when he caught Robin in the hallway, she shook her head at him.

“I don’t have you today. You belong to those kids there”, she pointed to the gaggle catching up from behind.

“Them?”, Steve asked. “But they’re going to-” Their plans all involved the action happening in the town just outside the castle gates. A town filled with this kingdom’s people. People who might want to see Steve’s end, if they knew who he was.

Robin just waved with her fingers as Dustin and El grabbed both of his arms and started to pull him towards the main entrance of the castle. Outside, a wagon was already hitched up to a horse, driver at the ready to take them out. Steve tried to keep the apprehension off his face as he watched the kids get on, then followed after. Obviously the townsfolk couldn’t tell who he was just by looking at him. Even so, what if someone let something slip and the wrong thing was overheard?

His charges were unaware, still talking about all the things to do once they were there. They were already dressed in their new finery, surely with a warning not to get them too dirty before the performance. Steve tried not to feel too disappointed by his own clothing. He didn’t need any eyes drawn to him.

“We’re going to the games first”, Lucas said.

“Who said you’re in charge?”, Max challenged.

“I thought we agreed we should see the market first”, Will said.

“I agree that we should go before they run out of strawberries”, Dustin started. “But we can afford some time to go and see the mechanists first.”

Steve was suddenly struck with why he was put on supervising duty. Without an adult, they’d surely run off in a dozen different directions. They were let out right in the thick of it and Steve was overwhelmed but only for a moment as he clapped his hands and called them to attention.

“Hey. Hey! If one of you gets lost or hurt, that’s my neck on the chopping block!” Steve didn’t want to think of how literal that might be. “I’ll decide where we go and when and I swear to the old gods and new if I hear any griping, you can hop right back on the wagon.”

There was definitely some eye rolling. And the start of groans. And crossed arms. But no one directly opposed him. That left Steve to make a decision. He put his hands on his hips, looking at them one by one as they gazed back expectantly.

“So here’s what we’re going to do”, he began. “You all just ate. We don’t need to go and get berries right now. I promise we’ll go before they run out. It makes the most sense to do the games first. You guys are bouncing off the walls and need something to direct all that energy.”

After which, they’d be in a mood for some kind of refreshing pick-me-up, like freshly picked fruit. And maybe even some kind of meal before seeing what else the people of this town had to offer. His plan was met with minimal protests and for a moment Steve got the idea that they might actually like and respect him. There were games for both young and old, separated by skill level.

Lucas decided to try his hand at archery and Steve felt a twinge of pride, especially when he got a near bullseye on the first try. The next few weren’t as great but he hoped Lucas would remember that first near-win. If nothing else, he might remember the impressed look on Max’s face before she wiped it away, glancing around to make sure no one else saw. Even though the others typically weren’t so swayed by feats of athleticism, they congratulated Lucas.

“You almost got it in!”, Will exclaimed.

“Think of the potential. With an archer, we could be unstoppable!”, Dustin said.

Steve didn’t want to think about what sort of potential they were imagining. He’d thought he’d just follow them around and make sure they didn’t get kidnapped but was thrown off when they dragged him to a different field where there were older competitors.

“I think it’s time you show us what you got”, Mike said, arms crossed.

“What?”

“You talk a big game, but no one’s actually seen you do anything serious”, Max said.

“Lucas was there when Nancy tried to chop my head off”, Steve said in his defense.

Mike shrugged. “Yeah, but she was probably going easy on you.”

“You’d probably be good at that”, El pointed to where a bunch of young adults were tossing spears to see who could get it the farthest.

A simple task, especially given his royal training. Steve thought it almost unfair as he stepped up to compete. But he took the other seriously as he stretched and got ready. He wasn’t surprised when he thrust the spear forward and it fell in a graceful arc leagues further than any other. Still, he was glad that he wasn’t getting rusty up in that castle, locked away. Steve figured he’d proven himself, but then he was pointed to hay bale lifting, then the races, and then a child toss.

“Wait, why am I tossing you guys into the water?”, Steve asked while other people were stretching their legs.

Dustin lit up. “The child toss has a rich history that’s actually hotly debated and only because Eddie won’t tell us what really happened because he thinks its funny how many different stories there are-”

“Just lift them up and throw them in the pond as fast as you can”, Max said.

“As fun as it would be to chuck some of you, not in these clothes”, Steve put his foot down.

Thankfully, they moved quickly to the other games. All things that Steve excelled at. For as much as he was trying to keep a low profile, the townsfolk started to be taken with this talented stranger. It didn’t hurt that many of the events gave them glimpses at his physique. As he promised, once they got their fill of watching him compete, he took them to the market where farmers were presenting the bounties of early spring. It was a good preview of things to come in the following months.

Steve popped a berry into his mouth when he felt a tap on his shoulder. He turned and saw a man he didn’t recognize. For a moment, he thought he’d been seen for who he was, but he read the other man’s body language. There was something a little nervous about it, especially in the way he seemed to want to look at Steve but not meet his gaze.

“Hey uh, so I saw you over at the fields and uh-”

Ah.

Steve licked some of the juice off his fingers and noticed how intensely he was being watched. He had his fair share of bedmates back home and was familiar with the look of desire. It had just been so long since he'd seen it. Before the man could continue, El was calling for him and Max was grabbing him by the elbow. The girls wanted to go and watch the street musicians while the boys wanted to go and visit the mechanists. Steve finally conceded to a split on the condition that they met up for lunch in half an hour.

“Half an hour is barely any time”, Mike complained.

“It’s all you have if you want to eat before seeing the illusionist. You have to be on stage right after that”, Steve reminded them.

Given that time limit, Will and the other boys rushed off to see the new machines and inventions dreamt up during the winter while the girls led Steve towards music playing. Unbeknownst to anyone there, the king was already present, red hood obscuring his face as he sat on a barrel, playing a cheerful tune for his people.

Part 16

Tag Team

@thesuninyaface @only-evanescent @snakeorsquid @ignoremyworld @theclichefortunecookie @goodolefashionedloverboi @just-a-tiny-void @0body0disphoria0 @cinnamon-mushroomabomination @samsoble @jamieweasley13 @y4r3luv @xtkxkrzrizir @un-knownperson @greekgeek24 @justdrugsformethanks @potato-of-the-lord @notaqueenakhaleesi @swimmingbirdrunningrock @queenie-ofthe-void @nebulainajar @lil-gremlin-things @nicememerino @robininblue @hornedqueenofhell @anne-bennett-cosplayer @moomkin77 @here4thetrama @bookworm0690 @autumncrocusandladybug @lil-gremlin-things @littlebluejane

#apo writes #stranger things #steddie #the party

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sepublic · 5 months

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Yes yes Hunter's arc involved moving to a safer, healthier environment and surviving his abuse and learning to love himself and that is completely valid on its own but!!! I do want to appreciate that it's also intertwined with caring about other people; Learning to care about palismen after seeing them as evil, or at the very least fodder for his uncle. Learning to care for Flapjack, and how others (particularly the Emerald Entrails) care about their own palismen as well; THAT's what ultimately pushes Hunter to openly defy Belos for the first time in his life.

It's part of his epiphany, genuinely believing because of abuse and indoctrination that he was doing a good thing to his fellow Emerald Entrails, only to realize otherwise because Hunter actually listens to what his friends have to say about his 'help', because turns out being in a prestigious coven wasn’t the validation Willow needed! He didn't just stubbornly stick to the idea that it was for their own good and the pain would be worth it, he went against it because Hunter cares more for people than a vanity trip!!!

In Hollow Mind, the first memory that makes him question things is realizing he's NOT helping people, that his mission is founded on lies and harm, when he realizes the false flag nature of the wild magic incidents. And in Labyrinth Runners, Hunter confesses to Gus that he DID think he was helping people while in the Emperor's Coven.

Like yeah, a good chunk of Hunter's arc was about wanting better for himself, and that IS good, and that can perfectly exist on its own; But I do want to appreciate the other side, Hunter being motivated by wanting to help others, or at the very least not do them harm and addressing those mistakes. He did this for others, too... Now there is the idea that Hunter still sees his existence as for others, but again that's where we get the "Learning to value yourself" aspect of his arc.

It's part of what distinguishes Hunter's arc from, say, Lilith or Amity's, in that he was an ideological believer of the coven system specifically; Whereas Amity was more grappling with her family before the system, and Lilith seemed to support it more for addressing her inferiority complex, plus she was focused on the curse and her outside connection with Eda. You could probably do a triple venn diagram with these three's arcs.

#the owl house #the owl house hunter #hunter toh #toh

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cedarxwing · 16 days

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The ending of Hannibal the novel explained

(aka the breastfeeding scene)

Here's the passage (end of Chapter 101):

I thought everyone was kidding about the breastfeeding kink jokes until my partner read Hannibal and the whole ending flew over their head. Their main takeaway was "that was weird." When I checked reddit, it seemed everyone was confused there too. I was gobsmacked to see one guy say that Thomas Harris was playing some cruel joke on the reader by writing an ending that didn't make sense!

How many people are reading Hannibal like this, completely missing the resolution to Hannibal's character arc? They must finish the book confused about what it was all about in the first place. So here's how I understand it!

First, I need to get this out of the way: a lot of people hate this scene, and from what I understand it's because they're weirded out by the "breastfeeding kink." Which is fine, but it makes me want to gently hold them by the hand and tell them that it's ok for someone to suck on a nipple. It happens all the time. Sometimes it just feels good, sometimes it's part of a breastfeeding fantasy, and sometimes it's literal breastfeeding. Between consenting adults, this is all fine and normal. Let's all move past this knee-jerk repulsion (or alternatively, sit in our discomfort and expand our horizons) so we can analyze this piece of art together. :)

Next, authors LOVE Freudian psychoanalysis. Even though it's all nonsense, it's full of literary allusion and makes for compelling narratives and character studies (childhood maladjustment, repressed memories, etc), which is basically catnip for a writer. Thomas Harris was no exception, and probably creamed himself (as I did) when he learned that Freud's oral-sadistic stage was also termed the "cannibalistic stage," referring to the time when an infant is growing teeth and begins to bite at the breast--the psychosexual urge to devour and destroy the thing you love. What could be more appropriate for Hannibal?

Next, consider the pattern of Hannibal's Il Mostro murders. He killed young couples in one of the most romantic cities in the world, then arranged them as Chloris and Zephyr from Botticelli's Primavera, exposing Chloris's left breast just like in the painting. In classical art, an exposed breast is often a symbol of fertility. Chloris is associated with spring, new growth, and transformation.

Perhaps, at the time, Hannibal rationalized these murders as retribution for rude behavior. Maybe the couples were performing disgusting PDA. Maybe they were obnoxious tourists on their honeymoons. Either way, it's clear to the reader that Hannibal has some deep-seated hang up about sex and romance.

The particulars of this hang up are open to interpretation, but based on Hannibal's obsession with the rape and transformation of Chloris as well as his embarrassment at the paintings of Leda and the Swan in the German's house, I think it's safe to say that Hannibal feels like any relationship he has with a woman who isn't aware of his true (monstrous) identity would involve a degree of violence/lack of consent. He is forever barred from normal romance.

Having given up on sex/romance, Hannibal is unable to consciously recognize his desire for Clarice, so he sublimates it into a more general familial love. He longs for a return to innocence, to return to the time before he ate Mischa and became an unlovable monster (cue the teacup metaphor).

But even familial love seems like too much to hope for, so he sublimates it further into something that seems more attainable: resurrecting the person whom he loved and devoured, and who loved him in turn (Mischa) through Clarice.

So we have the breast as a symbol of sex/fertility (Chloris/Clarice), as an object that is loved and devoured (Mischa), and as a literal source of sustenance that must be given up during infancy (mommy).

Big brain Clarice connects all these dots and, in the very same style of therapy that Hannibal has been using on her, distills Hannibal's psychological problems into a single poetic gesture that completely fixes Hannibal in an instant, proving that she's not only his intellectual equal, but is, in some ways, his superior.

When Clarice asks, "Did you ever feel that you had to relinquish the breast to Mischa? Did you ever feel you were required to give it up for her?", she's ostensibly asking Hannibal if he's stuck in the oral stage of childhood development (which yeah he probably is). On a deeper level, she's asking Hannibal to consider if he's given up on love.

When Clarice exposes her breast in the same fashion as Chloris, says, "You don’t have to give up this one", and suspends the drop of wine from her nipple, she is shifting his perception of her breast from familial devoured sustenance to a sexual object. Basically, "Why do you want me to pretend I'm your sister when we could be banging?" Hannibal is being aged out of his childlike mindset, not regressing into one.

There are other layers of meaning in this act. The hedonism of using thousand dollar wine for food play is a sign of Clarice's character development. The way Hannibal kneels before Clarice is a position of subservience, but could also be interpreted as devouring Clarice in a way that's new to him. It's the most self-actualized thing Hannibal has done since escaping prison (LOL) and marks the end of his hero's journey (as one of the first things we see him do in Hannibal Rising is nurse).

Personally, I don't read this scene as breastfeeding kink. Yeah, Clarice talks about breastfeeding, but that was more a metaphor for other stuff. Considering the direction of Hannibal's character arc, I understand this scene as him briefly licking the wine off before they have sex. But to each their own! ¯\_(ツ)_/¯

ANYWAY, yeah, it's unsettling. It's obviously meant to be. But it's beautifully unsettling! Hate it all you want, but this is peak cannibal romance, to me!!

#hannibal meta #hannibal #clarice starling

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picturejasper20 · 6 months

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One thing i want to talk about is how Danny Phantom A Glitch in Time is pretty similar on themes and character arcs to Steven Universe Future.

In general in DP A Glitch in Time there is this whole idea of searching for a new purpose-¨emotional drive¨ as it get called in the story- in a era where Danny managed to save the day and ¨earn his happy ending¨.

You get a lot of panels of Danny just feeling unhappy with his new status quo, not because he has tons of problems, in fact he has more than he could ever dream of. It's that he feels like he isn't needed as a hero anymore since there are other people that could fight for him. He isn't ¨useful¨, or well, in the way he used to be. He feels like people don't need him to be Amity's protector.

This itself shares a lot in common with the arc that Steven goes through in Steven Universe Future. He feels like people don't need him anymore and still tries doing the same thing he raised himself to be: a ¨helper¨, someone who is defined by his role to help others. This causes Steven to feel lost in his own sense of identity and purpose in an Era that is supposed to be ¨his happy ending¨.

You can see this applied in DP A Glitch in Time with Vlad Masters too. From the start of the story he sends off these vibes that he has been aimless since post-Phantom Planet events. When he returned to his home he found that ¨he had nothing to return to¨ as in the sense nobody missed him nor cared he was dead or alive. He also became enemy number 1 considering how he tried holding the world hostage, making him lose most of the power and position he had.

What it is interesting is how Vlad tried going back in time to ¨fix his mistakes¨ by asking Clockwork to give him that chance. From the beginning of the story he admits that he did something wrong, just not what. There is this idea that he isn't interested in being in role of the ¨villain¨ anymore. The worst he does in the story is probably looking forward to keep the origin of ghost powers for himself, aside from accidentally realizing Dan during his fight against Clockwork.

Much like Steven Universe Future, you have these characters struggling to see where they could fit in this new status quo. Their character arcs involve finding a new purpose and learning more about themselves in the process.

Lets talk about Dan Phantom's role in the story. He is the main antagonist from A Glitch in Time. He absorbs Clockwork, master of time, to become more powerful, thus causing terrible time glitches for the rest of the characters. A lot of Dan Phantom's arc in the graphic novel has to do with self-destruction. Him being obsessed with ¨winning¨ and continue fighting even when the fusion with Clockwork is very unstable, is hurting him and destroying the reality at the same time.

Dan's obsession with ¨winning¨ reminds me quite a lot of Jasper from Steven Universe as well as Steven's arc in SU Future. There is a lot of repeating what the same thing over and over even when it isn't working anymore. The character themselves struggle to be something beyond the the role them or others pushed them into and they don't know what to be outside of that.

In fact, there are some panels Dan reminded me a lot of Jasper, such as when he is getting time glitched/corrupted.

Another main theme in Danny Phantom A Glitch in Time is about the characters getting second chances- the characters in case being Vlad Masters and Dan Phantom. Both characters do the terrible things they do due to their circumstances. They have certain pretty bad things that happened to them that lead them to become evil and hurt people. In addition to this, there tons of mentions of how ghosts aren't evil and they have reasons to do what they do. During the fight against Dan, Danny tries persuading him into stepping down and stopping the fight, pointing out that the timeline is getting destroyed. At one point he asks to Dan ¨why are you so angry?¨.

I want to bring up that, yes, this theme is a continuation from the main theme of The Ultimate Enemy episode from the series. But, at the same time, when reading the graphic novel i couldn't help but think about how Steven Universe has these similar ideas of looking into what motivates an antagonist and them being given a second chance to do things right. What really made me think about this more is seeing Dan Phantom, the main antagonist from the novel getting a second chance. Because in any other show, a character like Dan would probably be destroyed but this is something that wouldn't happen in Steven Universe, since it isn't so much about if someone ¨deserves¨ it or not as it is if they choose to change.

I'm not saying that Danny Phantom A Glitch in Time ¨ripped off¨ things from Steven Universe. That would be an absurd conclusion to come to. What i'm discussing here is that it is possible that the graphic novel was influenced by Steven Universe, mainly Steven Universe Future to some extent, in terms of themes and character arcs.

#steven universe #danny phantom #danny phantom a glitch in time #su future #danny fenton #vlad plasmius #dan phantom #steven quartz universe #jasper su

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piratecaptainscaptainpirates · 2 months

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It is absolutely fascinating how in season 1 Izzy is constantly demonstrating how he's just very bad at the things he defines himself by, and in season 2 the story replaces these things and gives him something more grounded to hold onto. I think it's an essential part of his s2 arc that being "one of the crew" becomes a part of his identity.

He's always making implications about what piracy should be like and how pirates should behave (and this continues into s2 as well), but he's really kind of a shit pirate, isn't he? He has a standard for professionalism that other pirates don't feel the need to abide by, and Stede takes advantage of on several occasions. He seems to care quite a lot about doing things in the "proper" way, and in an underhanded profession like piracy, it's funny that he's always complaining about Stede's lack of "professionalism" or that Stede beat him "on a technicality."

He's also just really not a good sailor. Dismissing Ed's attempt to get him to engage him in talking about clouds is a rookie mistake - we know Izzy registered it, because he brought it up later, but when he was nagging Ed about telling him the plan and Ed immediately started talking about clouds, he should have been able to take the hint. Learning how to tell weather conditions is like sailing 101.

Izzy defines himself as a loyal person, with "loyalty above all" to his captain seeming like an essential aspect of himself when he talks about himself. But that's just horseshit, though, isn't it? In s1 Izzy is loyal to himself and that's it. He's shockingly quick to involve the English Navy, he constantly insults Ed when talking to others about him, he mocks Ed's attempts to define for himself how Ed wants to behave and present himself. He calls this loyalty but it's very obvious that his first priority is always maintaining his status as someone who is important (he's content to be captain after Ed and Stede sign the Act of Grace, and he only begins to panic in s2e1 when Ed reminds him that he can just find a new first mate). Being replaceable scares him.

And I think all these things really add to how as he grows in s2 being a part of the crew replace these traits in his mind. He is accepted by the crew explicitly in spite of how he feels "less useful." He no longer feels like he has to control Ed's behavior in order to feel irreplaceable because now he is a part of the crew and that on its own makes him feel like an irreplaceable part of things. Being a member of the crew becomes a core facet of his identity for him to hold onto and inform how he interacts with others.

#ofmd #our flag means death #usually i forget about izzy as soon as i'm not looking at him so enjoy me rotating him in my brain for a sec

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alpaca-clouds · 7 months

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Rape, Abuse, Trauma and the Need for Power

This topic has been sneaking around in my brain for days now. Because I find it quite interesting to see this depicted in now multiple franchises. And I really want to talk about it. Partly, because I see some people struggling to understand it. So, let me, an abuse victim, explain.

You see these three characters? Yeah, they actually have a lot in common. Let me explain.

Spoilers vor Castlevania, Stray Gods and Baldur's Gate, obviously.

All three of them were victims of abuse and (probably) also rape. It should be noted that with both Carmilla and Persephone it is never outright said that they were raped, but it is heavily implied. With Astarion, obviously, it is outright stated.

More than that, we do know about all three of them that they were also abused. Both Carmilla and Astarion by their respective sires. Persephone by Hades.

And they also have one other thing in common: Their character arc features them trying to get some sort of power. Let me go through with them.

Carmilla was abused by her sire. We do know very little about the details, only that he was very cruel. There is some heavy implication that the abuse involved rape. At some point she killed her sire. Her entire character story is about her trying to get power for herself. First by trying to get control over Dracula's Castle. Then she tries to build her own empire. With her mental health getting worse, she ends up fantasizing about world domination.

Persephone in Stray Gods was kidnapped, raped and abused by Hades. She had everything taken from her during this, until she finally could not take it any longer and killed Hades. But the other gods denied her to take control over the underworld. Her basic conflict stems from her wanting to regain control over the underworld again.

Astarion is of course the odd one out, given we learn a lot more about his abuse. But like the two women, he was abused, raped and tortured. Due to the DnD vampire rules, he had no way of actually fighting back against his sire, with him escaping just through what amounts to sheer luck. When he learns that his sire wanted to sacrifice him (and many others) to gain a lot of power, Astarion wants to finish the ritual for himself, gaining the power.

The outcome of course is different for all three.

Carmilla gets killed, once she goes down the "world domination" thing. While with Persephone and Astarion it depends on player choice. I would argue though, that the happy end for them both is them giving up the power. That is Persephone giving up the throne and Astarion not finishing the ritual.

What is the interesting thing about this... Or, well, interesting might be the wrong world. But it is well written. Because this is very, very realistic for their backstories.

See, both abuse and especially rape are a lot about power. The abuser/rapist takes full control over the victim's body and life. (Which is also why rape rarely has to do with sexual enjoyment, and more with the rapist wanting to assert power.) Or, from the perspective of the survivor: It is all about having the power taken away from them.

This is bad enough if it is something that is a one time occurance. But if the survivor is in the situation for a long time, they experience a prolonged period of powerlessness and fear. The survivor is constantly afraid, constantly in survival mode, constantly trying to just get through it.

In my life I have seen too many bad takes along the lines of: "Rape survivors should stop whining. How bad can one rape be?" And those people do once again not understand: Rape is not about the sex. It is about having control and power over your own body taken away from you. It is about you being turned into a thing to be used by someone else. Which does not even mention the feeling of fear most people experience during a rape, as they do not know what kind of other violence might follow.

And this is something that leads the survivors to even after escaping the abuse, the trauma often leaves them feeling powerless. They might objectively not have less power than they had before the abuse happened, but to the traumatized nervous system it feels like that. And the traumatized brain does not work logically or objectively. All it knows is: The survivor has not enough power to prevent this situation from occuring again. But here is the thing: No amount of power will make them feel like they have enough power, like they can meaningfully protect themselves from further abuse.

This is why Carmilla is escalating so much in season 4 of Castlevania. Because no matter how much control and power she gets, she does not feel like it is enough to protect herself.

This is also why I do feel like the happy end for both Persephone and Astarion is them giving up their symbol of power. Because the thing is, that them gaining the power will just push them along into a spiral of needing more power to keep themselves in a feeling of being safe. Which is why the good ending for them needs to involve them being convinced to basically trust people again. Because that is a path that given enough time can lead to healing. Them gaining the power won't. In terms of their trauma the power they might gain is just a bandaid on an infected wound.

I have seen a lot of people argue that you should let Astarion finish the ritual, because it "is what he wants". But the thing is... it isn't. All he wants is to feel safe. And he thinks if he gains that power, he can feel safe. But he can't. To feel safe he needs to heal.

#analysis #baldurs gate 3 #castlevania #castlevania netflix #stray gods #astarion #bg3 astarion #castlevania carmilla #stray gods persephone #trauma #cw rape #cw sa #cw abuse

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celluloidbroomcloset · 5 months

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(This is going off of this post/discussion from @areyoudoingthis, as well as my own TED talk but it got kinda long and I didn't want to write a treatise on someone else's post.)

Y’know what? Stede is inexperienced at gay sex, but he was also inexperienced at being a pirate. And what he learned pretty quickly was to ask for help and accept help from people he trusted. He’s SURROUNDED by a crew who love him deeply and who will be incredibly embarrassed and also incredibly willing to talk about sex.

Olu stayed up with him all night and reassured him that he’s good looking and has nice hair when Ed left with Jack. Lucius volunteered to manage his breakup and told Blackbeard - THE Blackbeard - to stop being such a dick to him. Hell, Stede even goes to Izzy to help him be a better pirate (though I’m now convinced that’s more about helping Izzy than him). Stede is not afraid to ask for help anymore, and he knows that there are people willing and able to help him.

As complicated as those relationships are now, I don’t think for a moment that Lucius would refuse to give him advice or guidance, and might very well volunteer it. (Lucius, who was so mad at Stede and within five minutes is admitting to him that he’s afraid of talking to Pete, because he knows that Stede is empathetic, will understand what he's feeling, and he too has missed that connection.) AND STEDE KNOWS THAT. He might be embarrassed, he might present the question as an academic hypothetical, but he’d ask for help and he’d pay attention.

You know who else he’d talk to? ED. Because he loves Ed. He knows Ed loves him. He thinks about Ed's comfort and consent, and seems to even value them above his own. And Ed has got to know that this is Stede's first time having sex with a man. You think Ed would just…not talk to him? Not guide him? Not be totally moved and emotionally overcome at a man, a man that he loves and wants to go to bed with, wanting to know what he likes and how he feels and what he needs and being willing to learn?

Whole dang show involves Stede externalizing all these repressed feelings and desires and learning to treat them as real, not imaginary, things he's allowed to have. His arc into Season 2 is him maturing and understanding himself to better understand those he loves, especially Ed. I really don’t think he’d just not have learned that he has friends who want to help him, when so much has been about him learning to trust people with himself, rather than his idealized version of himself, and know that they’re not going to use that to push him around.

#ofmd season 2 #ofmd #our flag means death #stede bonnet #edward teach #rhys darby #ofmd meta #blackbonnet #gentlebeard #gif #getting a wee bit defensive here #i think the key to the whole season is buttons' line about change in order to love someone as they should be loved

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xerith-42 · 13 days

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Hey guyyyys!! I'm baaack with a fresh batch of Laurance angst brought to you by "I really like this random design detail and will try my damnedest to make it make sense." The design detail in question is heterochromia!

Today's programming involves discussion of torture and probably some body horror

So, I'm a big believer in heterochromatic Laurance. It's just real to me. Because honestly both of his very distinct looks are serving cunt in very distinct Laurance Zvahl ways. I have a preference for his original appearance because I have a few bones to pick with Jessica's design decisions, but the pale blue and even blind eyes fit Laurance really well.

In a separate iteration of Laurance I made him lose one of his eyes before the rebirth process, so his heterochromia was unrelated to the whole pseudo-zombie thing. But in MCD... Well... Everything comes back to Shadow Knights.

Little Larry has beautiful emerald green eyes that then get utterly destroyed by the cruelness of the hell he willingly threw himself into to save those he loves. And uhhh, Laurance in canon says he was tortured down there. So let's get into that, shall we? Now, a thing about torture methods is that there's a lot of them, they're really easy to come up with if you have even a slightly sadistic mindset, and they are often focused. Most people who frequently engage in torture chose one field of the body to focus on.

Now let's look at Gene. Obviously for his magical and psychological torture, his focus is on the mind. But what about his physical methods? Obviously Gene gets his kicks out of people in pain, yet I think his real focus is when it gets personal. When someone isn't just in pain, but they are crying, shaking, writhing in agony while staring up at him cursing his bloodline. The eyes are the window into the mind and they say so much that the mouth can't when words fail or are restricted.

Gene focuses on eyes. He remembers them. They haunt him. When he's learning how to break people, he learns how to use their very sense of sight against them. It's already what he knows how to do with his magic and extreme gaslighting tactics. If he has a focus, if he has a piece of information he needs, and he has a target, then he'll focus on the eyes. If he, for example, thinks that Laurance has more information on either realm barriers or Aphmau, who is quickly becoming a point of interest for the Shadow King, then he'll have a reason.

But he can't possibly permanently ruin both of Laurance's eyes. He still needs another for at least semi-proper comprehension of how fucked he is. Gene doesn't need more than one eye. And I like to characterize Gene as a bit of a mad scientist, testing out his magic and Shadow Knight powers in extreme and unhinged ways.

Who knows what he did to Laurance's eye, what happened when he destroyed it and regenerative powers brought it back over and over. What effects traversing between realms had on whatever the fuck Gene did to make it so bad it didn't even resemble his original eye color.

Irene's blessing is able to mitigate the damage on his other eye, the one that was only blinded by realm travel, and bring it almost back to its original state. A pale sage color that has partial but still restricted vision. Laurance is grateful for what little eyesight he has. His other eye, the one Gene targeted... It doesn't come back. After the realm barrier blinded it, there was no undoing the damage anymore. It remains a cloudy pale blue, scars running across the skin around it and through his retinas.

I want to make it clear that Laurance isn't ashamed of this. He doesn't try to hide his eye, but he is cagey to answer questions about it. Most people are smart enough not to question, and he'll open up to the people he cares about (ie Garroth and Aphmau) when he's ready. I have a whole arc related to his blindness that's a whole side blog post I'm working on, but Laurance doesn't forsake the sight he has and he also doesn't lament what he's lost.

"Cad[endza] and Aphmau keep saying they want to bring my sight back. [I] know they mean well but... I can't tell them what happened. I don't think either one of them could take it. Garroth might be able to, but I don't think either of us trust each other enough for that conversation yet. I don't need my eyesight back, and I don't need anyone to fix my left eye. If they knew what that monster did, they would be grateful I have an eye to be blinded.

He doesn't encourage anyone to try and bring it back, and he might even get upset if they're too insistent about it. He's not exactly eager for another magic user to get their hands too close to an already severely damaged eye. He might not say it out loud to someone, but... [blinks my gay little eyes] There's a page in his journal that reads--

Text ID:

#aphblr #minecraft diaries #text post #laurance zvahl #aphverse #angst #its always angst #aphmau #mcd #mcd aphmau #mcd garroth #mcd cadenza #mcd gene

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thrilling-oneway · 4 months

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Fate in Project SEKAI - 1/?

VBS

2.3k

1. An and Kohane

Right from the main story we're introduced to the idea that An and Kohane's first meeting was simply fate. Kohane was just a bypasser overhearing An's singing, hearing An talk about her dreams. It's this that makes Kohane reflect on herself, how she's never been passionate and never had anything she wanted to throw herself into. This girl is everything she isn't and everything she would like to be.

They don't even meet formally, but An's profession of her dream and Kohane's longing for one is what causes their SEKAI to manifest. We know from MEIKO that it's been around for a long time, but it wasn't until Kohane saw An that it revealed itself to its owners. But that could've been anyone. Anyone could've been inspired by An, or Akito and Toya, since they were involved in its creation too. Heck we could've had Kotaro who outright stated was inspired by Akito. But no, it had to be Kohane. Kohane had something she wanted to change about herself, and meeting An is the only way this could happen.

An also needed a partner, and Kohane was the perfect partner. An grew up talented surrounded by talented people. She never had any problems, she'd always been a step above everyone else. Kohane is a total beginner, far, far out of her comfort zone. They compliment each other. Kohane learns from An how to sing, how to be confident, all about her dreams and aspirations. She learns what it's like to be passionate. An learns what it means to rely on someone, what it means to wholly trust someone. A beginner is not to be protected, a beginner is to be taught. She teaches Kohane all these things, and learns what it's like to struggle too. She experiences a sense of weakness for the first time, the fear that someone will surpass her. She's not jealous, she's happy for Kohane, but she's insecure that Kohane will become too good for her, that she'll fall behind and lose the person she loves and trusts more than anyone else. It's these insecurities that push her to become even better, to improve further. She may be naturally talented but that doesn't mean you can't improve.

Kohane's fes card further touches on the idea of An being everything she wanted to be, by literally making her become An. All this time she thought she had to become An, not realising that what she truly needed was to stay being herself. Kohane wanted to change, but to change yourself doesn't mean to become someone else entirely. Kohane is still Kohane. She's still the shy girl who was too scared to do anything, but she left that girl in the past the second she chose to return to An in the main story. It's this idea of a rebirth that is touched on a lot more later on in Nagi and Akito's arcs, and VBS' arc as a whole.

2. Akito and Toya

Was Akito and Toya's meeting just a coincidence, or was it fate? I'll discuss the overlaps between coincidences and fate in this game later, but for now we'll say that yes, Akito and Toya's meeting was also fate. In fact, it's rather similar to An and Kohane's - a parallel, if you will. Not quite the same but not wholly different.

Akito had been fully devoted to soccer for his entire childhood. He was talented, the best player on the team. He put so much time and energy into it. And then he lost, and gave up. Bringing back that idea of rebirth. Akito's passion for soccer burnt out, he was done with it, and not going back. Sure he was good, but he had nothing left in him to care about it anymore. Seeing that concert relit that passion. Made him rediscover himself. Maybe he wasn't made for soccer, but made for music. Music was an opportunity to reinvent himself, much like it was for Kohane.

Toya came from a musical family. Surrounded by professional musicians, tied to the fate of music from birth. His family expected nothing less of him than to follow in their footprints, a fate pushed onto him regardless of whether he wanted it or not. It wasn't right for him and it hurt, his parents hurt him trying to make him into something he wasn't. He may be talented and experienced, but he was willing to run away from it all. The lyrics to RAD DOGS say as much. Classical music was never his real fate, his real fate lied with street music. Even then, street music was just something he chose because it was so different from the path chosen for him. It was an unknown route that he didn't know how to navigate, but nonetheless, he grew to love it. Fate cannot be chosen, so maybe Toya's spontaneous choice was leading him in the right direction.

Akito happened to meet Toya on the street one day, just like how Kohane first encountered An. Akito, who had refused to work with so many people before, immediately chose Toya on his own accord. He recognised Toya's talent, that Toya was new and inexperienced despite all that, and that Toya was someone who needed a guide in this unknown world. Akito and Toya are two sides of the same coin. Akito is bold and brash and two-faced, Toya is calm and reserved and honest. Akito has no background or talent in music, Toya has all of that. Even their colours are complete opposites. But at the end of it all, both of them chose this path as a way to reinvent themselves. Relight a fire that had burnt out within themselves, allow it to burn brighter than before. Relight, restart, reborn. It's all the same. They're one in the same despite all their differences. They compliment each other and it's what allows them to work so well together, to trust and love each other more than anyone else. Aun no Beats' title is derived from the term Aun no Kokyuu/Aun Breathing, when two people act in perfect harmony to the point of breathing the same, being able to understand each other without words. There's a reason they and no one else was chosen to cover that song.

3. Bird lore + Arata and Souma

The Walk on and on event essentially confirms that the meetings of the two pairs were indeed fate, and that they're soulmates. A word that so fully describes exactly what they are. They complete each other, understand each other and trust each other so, so deeply. Kohane would not be who she is now without An, An would not be who she is now without Kohane. The same applies to Akito and Toya, their meeting is essential to who they are now, they wouldn't have navigated this far without standing shoulder to shoulder, back to back. The best way to describe these feelings, these actions, the way they act and the way they complete each other, two halves of a whole, two sides of the same coin, two parts of the same story, would be love. Platonic or romantic, the text supports both. Kohane and An will keep working hard to become the best possible partner for each other. Akito and Toya are still learning too, how to become even better than the best partner anyone could ask for.

The cards for that event contain a few references to the idea of soulmates two. First, the costumes. Toya and Kohane's costumes for the event have a single wing on the back. Their first recolours change the accent colour to their partner's image colour and flip the side of the wing. This alludes to the mythical Hiyoku bird. A bird with only one wing that will not be able to fly until it meets its other half. Akito and Toya would never have been able to fly, to get as far as they have, if it weren't for that chance meeting on the street. The same applies to An and Kohane, if Kohane hadn't run into An she never would've changed, and An never would've had a partner quite like Kohane. The cards also feature crows, a bird that, notably, mates for life. Toya explicitly states in the event that he wants to stay right beside Akito forever. It's a promise, it's not quite fate but it's the closest a person can get to it with their own actions. Toya is never going to leave Akito's side, and in return, Akito will continue to stand shoulder-to-shoulder with him. We see this demonstrated in Toya's card, with Akito literally having broken Toya's cage to reach him, and continue to sit beside him.

KAITO's card is particularly interesting, as it suggests that Akito and Toya, and An and Kohane are not the only fated partners on Vivid Street. KAITO's costume notably already has two wings, a completed whole, only one of them is damaged. Whilst not confirmed, it's highly likely that this is meant to represent Arata and Souma. After all, Souma was an important character in Walk on and on, as was his relationship with Arata. Souma and Arata's relationship has been compared to Akito and Toya's multiple times. Both of them wholly care for and love their partners, as outright stated by KAITO in THE POWER OF UNITY. For Toya, Akito is incredibly important to him. Akito taught him to love music again, Akito introduced him to a whole new world that he only entered out of spite but now is devoted to with his entirety. He has nothing but gratitude for Akito, much like how Souma has nothing but gratitude for Arata. Both of them want to give something back, through the medium both they and their partners love and understand more than anything.

Souma's accident may have made him unable to continue to stand by Arata's side, but Arata will continue to carry the dream that once rested on both their shoulders. It's more complicated for Arata though, who is still clinging to the grief of losing a partner who always stood beside him, a wall placed between them against his will, a wing torn from his shoulder. Dreams can't be carried alone, which is why he can't truly ever carry Souma's dream, nor claim it as his own. He's so caught up in his feelings that he can't realise that he wants this too, that it isn't just for Souma. It's in his honour, the memory of a dream that can't be achieved anymore. Arata's inability to realise this brings him so much pain because he loves Souma, so much, and it crushes him to think that he's betrayed him, in a sense. But once again, they truly are two people who complete each other. Souma wouldn't have reached the heights he did reach if Arata wasn't there beside him, and Arata would not still be on this path if it weren't for Souma leading him along for the first part of the journey.

4. Nagi and RAD WEEKEND

If there's one thing known about fate, it's that fate isn't kind to everyone. Fate was cruel to Nagi, it took her life from her. Her dreams were to be left unfulfilled, half complete. She had no choice in the matter, her story was coming to a close, before she could bring it to a proper conclusion. However, even if her fire burnt out, she still had the time to light a fire in a new generation. Her story will never see a proper end, but she can give her story to a new generation, and inspire them to write their own, one that can be truly completed.

Nagi held RAD WEEKEND as a send-off to herself, one last performance that she could put everything that she could into since she wouldn't have another chance. It was also a chance to create a legacy for herself. Whilst she herself would be gone, her impact would be remembered, be seen by many and inspire them to reach for their dreams, or perhaps give them a new dream. As she looks out to the audience whilst putting her legacy and dreams into the world, she sees An and Akito in the audience. While they wouldn't know it for years, Nagi knows, in that moment, mere days before her death, that these are the children she's inspiring, the ones who will remember, the ones who she's lighting a fire for, a fire that will never burn out. It's fate that Akito was there, it's fate that Nagi saw both him and An, and chose to entrust her life's work to them. Without Nagi, there is no Vivid BAD SQUAD. Without Nagi, An and Akito would not be so passionate, for there is no RAD WEEKEND to be passionate about. Akito wouldn't have chosen Toya as the one to run toward his dreams with, because there would be no dream to run towards. Kohane wouldn't have seen that passionate girl on the street and wished she could be just like her, wish she could be more than herself. And without that, there would never be a Vivid BAD SQUAD, never be a SEKAI, never be an Arata who learnt that he's not alone, or a Kotaro who learnt that he's not as talentless and useless as he believes.

Without Nagi, there's nothing. Her fate was not to die before her story was finished, because she finished her story. Her fate was to pass that story on, allow it to be rewritten and adapted by the ones she inspired with it, allow it to continue on. Nagi had more of an impact than she will ever know, but she knew that it's what she wanted, she knew who she was telling her story to, who she hoped would take what she gave them and run and burn brighter than she ever did. For Vivid BAD SQUAD, for Arata and Souma, for Kotaro, and for Tatsuya, Nagi is what guided them to their fate. Even moreso, she may have created it.

#project sekai #mine #vivid bad squad #rambles #sorry the last part is a bit short. i typed this directly into a discord server over the last 1.5 hours #also its 11:30. pm.#i don't wanna clog tags but for the sake of my blogs organisation:#azusawa kohane #shiraishi an #shinonome akito #aoyagi toya #tono arata #miyata souma #kotaki nagi #and for the fun of it #anhane #akitoya #arasou

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oneatlatime · 3 months

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Any predictions for season 3, or are you planning to dive straight in?

You're not the first person who's mentioned s3 predictions, so I'll give it a shot, but I'm really not sure if I have anything to use to make predictions. S2 ended in a very final, end of arc kind of way. Lots of things have been tied up. I don't even know where they're all flying off to. Back to the Southern Water Tribe, since the Earth Kingdom's a bit of a bust? The Fire Nation's out of the question, the Northern Water Tribe probably has mixed feelings about seeing them again, maybe the Eastern Air Temple? Although even that might not be safe, since Aang's travel plans to said temple to meet the Guru were known by various Earth Kingdom generals. And that stupid King.

I think the Fire Nation contingent are going back to the Fire Nation, and I am looking forward to a Zuko with eyes at least somewhat open interacting with FN citizens/nobles/military etc. who are still completely drinking the kool aid. I think it's going to suck for Zuko. Should make for good TV though. Lots of conversations where both people are saying entirely different things while thinking they're talking about the same thing.

I said it before, but I'm worried for Iroh. He's for sure arrested, but is he going to be executed? Obviously I don't want that, but unless Iroh still has enormous popular support, and the Firelord's grasp on power is incredibly shaky, I don't see how permanently eliminating a traitor (from a FN perspective) can be avoided. Then again. Kids' show.

As for the Gaang? In broad strokes, Aang still needs to learn firebending to fully Avatar himself, then he needs to defeat the Fire Lord (who is quite the homebody apparently - seriously, where is this guy?). So next season Aang will shake off his lightning hangover, find a firebending teacher, defeat the firelord. He'll probably have to commute to the Fire Nation to find the Fire Lord first. No idea what he'll do in between those things. Perhaps inadvisable shenanigans? That would be in character. His biggest story arc all series has been learning to accept his status as Avatar, but between his talks with the Guru and opening his last Chakra in the finale, I think he's done it. So all that's left is the main plot and goofiness.

Katara has the same problem she had going into S2 - she's mastered waterbending, so she needs a new conflict/arc. S2 answered this demand by... having her hang around? What did Katara do this season? Bend a bunch, set up camps, tear down camps, wreck Jet, support Aang, be nice to Toph that one time, yell at people. I hope she gets something meatier in S3. I still think she should meet some good FN citizens that challenge her morals.

Sokka was also kind of just there this season, although if I'm being mean I'll say that he was also kind of just there for S1 too, which is why it doesn't feel as odd as Katara's lack of purpose. I loved his stuff with Suki. Suki is officially the glow up of the season. I loved their interactions together, and I love the growth she poked him into doing. I'd like to see more of that. So less a prediction and more of a hope: S3 Sokka develops the ability to rely on/trust others (or maybe realises others can be relied upon/trusted is more accurate), hopefully with Suki somehow involved. And I loved his dad too. I want to see more of that guy, but since a cardinal rule of kids' stories is getting rid of the authority figures asap, it won't happen.

Toph. Honestly I'm stumped. She already broke the universe. Where can she go from there? Unless she's going to devolve into an antagonist, which I absolutely don't want, I don't see how she can top her S2 plot. And Aang's got earthbending down, so I guess she'll be like Katara was this season: tagging along. Not that I'm complaining; I love me some Toph in any form. We have seen that she wants to make peace with her parents, sort of, probably? Or at least give them another shot? But I kind of don't want her within 100 miles of her parents. So I don't know.

Appa & Momo will hopefully be tagalongs in S3 too. I learned my lesson this season about wanting the animals to have character arcs.

I guess the antagonist in S3 will be the Fire Lord, finally. Who else is left? Zhao tried, he died. Azula tried, she won. Unless S3 has an Azula rematch. But would she want that? She's already proven that she won. She can go home and enjoy the spoils of her victory (which may or may not include Zuko - I'm kind of unclear on exactly how much agency Zuko is going to have in the FN, especially since I'm not actually sure that he has permission to be there as a free man - didn't the arrest warrant Azula was executing in episode 1 list both Zuko and Iroh?)

There's nothing left for the Gaang in Ba Sing Se, so I doubt they'll go back there. Frankly it's the FN characters who have roots there. I wonder what will happen to Iroh's tea shop? I wonder if his investors will find out who he is? I wonder if money talks louder than national loyalty? (It's the Earth Kingdom - the answer is yes) Wouldn't it be funny if Iroh busted out of imprisonment and went right back to serving tea? And everyone sent to find him would be thinking "this is the famed tactician the Dragon of the West - he's probably travelling the FN plotting a coup as we speak. That devilish mind of his must have safe houses set up all over the nation." When actually he's right back where he got caught, doing exactly what he was doing when he got caught, to great and not-very-quiet acclaim?

I think S3 might have an overall darker tone too, within the bounds of a kids' show. I don't know what place Ba Sing Se occupied in the mind of the average person in the Avatar universe (although refugees seemed to revere it), but the city's fall to the FN represents a very big FN victory. The Gaang will probably be the most underdoglike in S3. S1 was mostly stalemate, then a big FN defeat. S2 was opened with the FN taking Omashu and closed with them taking Ba Sing Se. The FN have never been in a better position, and I bet the NWT is safe from further invasion only until the FN have built their fleet back up. So even the few free areas could have an expiry date on their freedom.

This is rapidly devolving into rambles, so I'll conclude by saying I have no clue what's going to happen next season, and that's exciting.

#ask

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imthepunchlord · 9 months

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Possibly How It Should Have Been

Gosh, I've just thought about it sometimes, as I'm largely trying to turn my creative focus onto something more enjoyable than ML (hence less writing for ML fics), but sometimes I just can't help but focus on it. Cause it's a great concept and it's butchered and that bothers me so much.

And there's SO MUCH that could've been done to improve it. Some of which could be easy tweaks. Some of which needs massive overhauling. Some of it is just picking a lane, staying in that lane, and you follow the road to progress.

It's a great concept with a LOT of possibilities and ways it could've been done. I've actually thought about possible ML Rewrites a few times, I even reached out to a friend to try and help develop a Rewrite that we could've collabed on cause I was struggling to much to decide, and we both just got stuck cause there's so many options for characters and what could possibly be done as we could see so many pros for each option.

And of course, part of the pondering that came to my mind was seeing promising improvement with kwami swaps.

Like, Marinette and Adrien may have developed better if they had each other's miraculous. Plagg could've been the ideal foil to Marinette as he's the opposite of her in every way, addressing her overworking herself, prioritizing others over herself, and caring so much about her responsibilities that it just weighs and stresses her out. And with Adrien and Tikki, she could've helped him develop as an actual, step up in responsibility, learn to take on duty, to care about others over himself. She also would've helped him get the plot rolling, as Adrien is a stagnant character but Tikki is not. She's going to get him involved into the Agreste plot whether he wants it or not, and in turn, he's going to get Tikki to learn to be more attentive and considerate of her holders cause things can go south for Adrien very quickly if she pushes too much.

Gosh, another great kwami swap that could've been done that could've improved a lot was switching up who are the leads. I always wondered if Tikki and Plagg TRULY would've picked Marinette and Adrien, also if they were even the right picks now that we know that Fu doesn't know everything and is running on limited knowledge. As far as we know, they ARE the wrong picks for these two. And considering there was an ep of Tikki and Plagg picking their own users, I now wonder if Alya and Nino should've been our actual leads.

How Alya was initially as Scarabella screams to me that it would've better served in the Origins as a starting hero. Alya also has promising potential arcs as a starting hero, especially as being a superhero is her living her dream:

There's the struggle of balancing her civilian and hero life, she can learn that the civilian life is just as important.

She can learn that being a hero isn't all glory and isn't always easy.

She can learn the importance of secrecy, and what happens if she exposes herself to the public or to a friend (probably Marinette).

And a lot of the lessons Tikki is involved with would make more sense with Alya, who does get tunnel vision and isn't good at listening to others and isn't so considerate and can be very pushy with her own agenda. Alya naturally aims for the leadership position and Tikki wants her Ladybugs to be leaders, so Tikki can help guide Alya to improve as a leader. Lastly, Alya will challenge Tikki on her call outs, which could at certain points help established that Tikki isn't always right and is open to learn and adapt too. And Alya could busy herself looking into HM, making her theories and being nosy about his identity, which Tikki would readily be apart of and encourage. Which Alya should've done in the show than recklessly trying to expose the heroes identity to the public and help HM win. Which, if Adrien wasn't a hero, maybe that should have been his role instead, which Gabriel could encourage and Adrien is even more excited cause he thinks his father is taking an interest in what he does which can be some later Adrien angst for you.

With Nino and Plagg, the BIGGEST plus is that it would actually give Nino SOMETHING outside Alya and Adrien. It would've prompt him to get more focus, and based on what's seen, he's 2nd to Marinette in having the most friends, meaning he can be more engaging and present with what happens to his classmates. Plagg also could bring some needed chaos to his life. You can even expand upon what's seen in Horrificatr where Nino can be controlling, strict, and harsh so Plagg can work on that. Nino does have some similarities to Marinette where he does care a lot for his friends and is hardworking, so there's something there to make Plagg a bit of a foil to him. To expand on Nino's role as Alya embraces being the big hero and savior, could even do the fandom popular idea of him getting Guardian training.

With those two taken, this nicely opens up others getting the Five.

Marinette can work with either Bee or Fox. If you want to work off Chloe vs Marinette, it works best if Marinette has the Bee. Though I think Pollen's personality should be overhauled, but if not, at least there's a perk that yes man Pollen going to force Marinette to take initiative and decide things for herself instead of seeking advise from her kwami. And with Fox, that can work off Marinette being a meddler, schemer, being creative, and her more inclined to work from the shadows. There could also be a fun twist to explore with Marinette not liking liars and she has a miraculous tied to deception, plus her and Trixx could've been an interesting pair to see interact, especially if working off what's seen in Sapotis where Trixx is very observant and manipulative, but also a bit of a chaotic gambler (from what I've seen, later seasons seem to ruin Trixx as a character). And of course, Marinette having Fox could work off her vs Lila, you could even dabble in her vs Felix.

Arguably, Chloe MAY grow as Alya and Nino would NOT have been so tolerant of her unlike Marinette and Adrien, so Chloe could've gotten the Bee and actually be a good hero and character for it. But that can also come down to preference and how you want Chloe to go.

Adrien could've gotten the Turtle, which I think could've been one of the best miraculous he could've gotten as he naturally likes to be a protector, and this miraculous works off that while also giving him protection. Wayzz also could've maybe addressed Adrien readily sacrificing himself, help him learn to be more cautious instead of rushing in, or at least think and be smart about how you go forward. There's even a possibility of Adrien having Turtle full time, as Nino could share his suspicions with Fu about Gabriel, so Wayzz could be there as a spy to check things out, which would have Adrien eventually get involved in his own plot, but still allow things to be at a slower pace. And as Wayzz, ideally, seems to be serious and dedicated but also playful and open minded, I think he would be very engaging with Adrien, which in turn could mean that when Adrien needs a call out, he would listen to what Wayzz had to say more (as most of the time Adrien ignores what Plagg says).

As for the leads, both would have an equal neutral involvement in the plot that can explain why things don't resolve quickly (looking at you Adrien who won't even ask questions about the suspicious book your father has). Alya would be a hero and lead for glory and self-righteousness, Nino would be to genuinely help others. Neither would have a super close tie to Gabriel, allowing him to sit under their noses for a while.

Also, gosh, you even could've had a lot of fun with color coded rivals/foils/personal antagonists for Alya and Nino.

If you really wanted to do Alya vs Lila, let Lila actually have the Fox or maybe she bought the Fox in Volpina, and this has Alya and Lila having the miraculous the other is color coded for. She could work off being a hero initially for the wrong reasons, just like Alya who starts for the glory too, as well as integrity vs deception.

Something could also be done between Nino vs Felix, with Nino really color coded for Peacock while Felix is color coded for Cat. Could play off both being ambitious to a fault and being selfish and nosy, but Nino cares more for others vs Felix is more exclusive.

And if expanding to others...

Of course could do Marinette vs Chloe if Marinette has the Bee, Chloe could have the Mouse, which could be funny to see Chloe deal with herself. That might humble her.

As for Adrien... could do him and Max being foils, work off Max getting Horse while largely wearing green, and I think Adrien is most color coded for Horse. Could work off both being perfectionist and could delve into the shared interest of gaming, with Max trying to bring out the competitiveness in Adrien. Could be thinking vs action.

Either way, ML is frustrating cause it's a show with potential and great concepts and it's irritating that it got butchered so. And the most frustrating thing is that there is just so many options to how it could've been done better. And kwami swap wise, these are my top two picks that would've been better.

Thank you for coming to my TED talks.

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galedekarios · 4 months

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that interview is driving me insane i've been thinking about it for the past hour and i still can't wrap my head around it. i think what really gets under my skin is it just... contradicts with the text of the game. the most positive possible reading of the ending where gale blows himself up is that it was an unavoidable tragedy dictated by fate but even that's a stretch. to say it's a good ending?? or a satisfying conclusion to his arc?? i call bull. it's more infuriating because there is such a clear good ending for gale's character arc and it's the professor ending! his arc was about learning to accept himself as he was, to value who he is as he is flaws and all, and he's done that in the professor ending! and the god of ambition ending is a bad end for him but still ties into his overall arc in a satisfying if sad way (imo). the ending where he dies just... doesn't. which is fine as a tragedy but to imply it isn't exactly that, a tragedy, is wild to me. and it being so blatantly contradictory to the actual events of the game makes me think that whole thing was just catering to people who hate gale which like... why? people who don't like him don't care about his story so why pander to them like this?

uhg. i am sorry for blowing up your inbox like this i just feel like i'm gonna rip my hair out and need to express that to a fellow gale appreciator. i love gale's epilogue SO MUCH it made me feel for a bit like maybe the writers had actually changed how they felt about him but. nope! silly of me to hope for that. wish i could memory wipe that whole interview from my brain dark urge style.

don't be sorry at all! 🖤 i feel the same way in a lot of ways. altho i feel the need to mention that gale's writer, jan van dosselaer, was not involved in this interview.

i started to make a meta post about this yesterday, but reading things like this from gale:

act ii [after elminster] Player: An old man with a craving for cheese. Hardly the great wizard of legend. Gale: A wizard doesn't reach Elminster's age without enjoying their home comforts. Those who seek danger over cheese don't tend to live as long. Gale: For Mystra to have sent him... The severity of her bidding could not be clearer. Or weigh more heavily on me. devnote: reflecting on mystra sending elminster, of all people - a powerful individual, becoming reflective. Gale: Time seems so infinite when you are young... a month is an age, a year is a lifetime... it is a strange feeling, to realise how little of it one might have left. Player: You're seriously considering doing what Elminster said? Gale: Of course - he offered the clearest solution to our problem. All I have to do is find the right place and time, close my eyes, and let go... devnote: Trying to sound upbeat, not fully engaging with what he's saying (that he's going to kill himself). Gale: Then the slate will be clean, wrongs will be righted, the Absolute will be gone... devnote: Trying to sound upbeat, not fully engaging with what he's saying (that he's going to kill himself). Gale: ...and I along with it. devnote: Still trying to sound upbeat, though this time the reality that this means he will die weighs a bit heavier

and:

act ii [act ii romance scene] Gale: I am terrified - I will not claim otherwise. My face could scarcely conceal it even if my words sought to deny it. nodecontext: Hushed, vulnerable Gale: There is no point in running from the inevitable. Better to meet it, on my own terms. nodecontext: Resigned

as well as this:

act ii [act ii friendship version] Gale: Yes... but there is so much to live for, and so few moments in which to house it all. Gale: Damn you. Damn you for giving me so much to care about. Our friends, our adventures... this would have been so much easier if it was just me. But it isn't. Gale: If there is a way - any way - to save all that's grown dear to me, I want to seize it. I just cannot fathom what that might be, other than to fail Mystra and condemn the world. Gale: Stay with me, will you? I don't want to think of it any more, but I don't want to be alone either.

act iii [before the netherbrain] Player: Gale... I think we should consider using the orb as Mystra intended. To blow up the Netherbrain. Gale: I'm getting rather tired of how often those I care about seem to reach the same conclusion.

when you have this:

and i just... couldn't finish the meta.

it's absolutely beyond comprehension for me how anyone could try to frame this as an ending that is the right one in "many ways", as the "guy who starts off annoying everyone", eating your "most priced possessions", having to "give back to the world".

for the founder of the company to say he wasn't "ready" the "first time", but he's finally "ready" now.

gale's death isn't only unnecessary, an instruction given to him by his former mentor on the behalf of a goddess, who would've sacrificed not only him but thousands of others to achieve her own goals, he doesn't want to die. he's terrified. he wants to live. he is offering this because he believes that his time has run out. because he wants his death to have purpose if it must happen. because he feels he made a mistake far bigger than he can ever make up for. because he doesn't want others to waste their chance at life like he feels he has. the will he leaves behind in the epilogue if he sacrifices himself isn't finished because he thought there would be more time. i could go on and on.

and again, the question is too... for what exactly does he need to "give back to the world"?

being perceived as annoying after coming out of what is presented as isolation and depression? asking for help with a now chronic impairment that feeds on his very soul and wreaks havoc on his body? for making a mistake? by that logic every companion deserves the same fate.

which brings me to the contrast to how most of the other companions are framed in this interview: k*rlach, "the labrador of the party". l*e'zel, "she's so young". ast*rion, "much of what he does it out of fear". sh*dowheart, "the jason bourne" and "victim of religous trauma". w*ll, "the true baldur's gate hero".

the difference is staggering. there's empathy here. there's at least a surface level understanding and/or appreciation of the characters there.

...and then you have gale.

it's alienating and disappointing to see devs have so little respect and care for their own character, as well as for the parts of their fandom who have grown attached to the character exactly for the strengths and flaws he has, for the struggles he faces and for the healing journey he can have if he is helped and lives.

#my opinion on larian has already changed to the negative for the way they've lied prior release re: what is actually in the game #as well as the amount of bugs and issues that other companies would be dragged through the mud for #as well as the extreme bias showing itself in the scene disparity of their characters #but this was really the final nail in the coffin for me #i also think that it would have been so easy to find a more diplomatic answer instead of choosing reddit talking points but that's just me #ch: gale dekarios #vg: baldur's gate 3 #series: baldur's gate #text: personal #text: asks #bg3 critical #larian critical #suicidal ideation cw #depression cw

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yan-san-yan · 11 months

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A deep-dive into Luka as a kid with anger issues.

For a long time now I believe Luka used to have anger issues as a child, because he didn’t know how to deal with the emotions he sense from others due to his incredibly high emotional awareness and empathic nature. He also struggled with expressing himself and finding himself due to being the only male in the family and feeling the need to protect his younger sister and pirate mom. I feel like he would also not have been violent or explosive about it but it was the one thing he knew how to express as a child.

Here is a bit of Luka backstory + character arc timeline for my headcanon of why he would have anger issues and why it makes sense:

Emotional Intelligence: Luka's heightened emotional awareness and empathic nature could be both a gift and a burden. As a young child with an unusual upbringing (a mother like Anarka + being single mom that may have ended up neglecting her children, especially Luka as Juleka might have required a bit more attention) this leads to Luka being affected by his environment and other external factors that could have added pressure onto him while it should have been a time for a child to learn and grow and just be allowed to be a kid. He constantly absorb the emotions of those around him, listening to what was being said, leading to a sense of overwhelming pressure and confusion. This emotional overload could be challenging for him to process and manage effectively.

Emotional Sensitivity: Luka's heightened emotional intelligence and empathy make him highly sensitive to the emotions of others. This sensitivity could become overwhelming for him as a child, leading to difficulties in managing his own emotions.

Difficulty Expressing Himself: Luka has always been the feel and act type of bye, often struggling with communication as words have never been his strong suit, instead sticking to his music and express himself through his craft. The kid even started calling people’s true emotions/true selves “heart songs”. One reason for his struggle with expressing himself could stem from feeling the need to protect his younger sister (twin or not) and irresponsible mother. As the only male in the family, he might have internalized a sense of responsibility, which lead to suppressing his own emotions and needs. This creates inner conflicts and make it challenging for him to find his voice. Normally it wouldn’t have been that much of a problem, but since he already comes from a somewhat dysfunctional family with police involvement, finances that he took cake off and a sister that is a victim of bully at school, Luka feels a strong sense of responsibility and need to grow up fast and take care of his family. This results in the emotions he picks up from around him becomes a added stress factor to him at times.

Protective Nature: Luka's eventual anger issues could arise from a deep-rooted desire to protect those he cares about, such as his family. I personally think the Couffaine siblings didn’t have a lot of friends growing up, only having each other which would also enhanced this protective nature of his. Luka feels a strong sense of responsibility for the family’s well-being, which leads to frustration when he perceives their safety or happiness as threatened. I can see it being very frustrating to feel helpless against a situation where cops are involved and seeing people pick on your family/mother for being different and doing what they believe. As a child it may be hard to understand when your loved ones (mother) is sometimes in the wrong and it leaves him wondering why people are so cruel to pick a fight and argue with Anarka. Luka despise people ganging up on one person and in addition to his sister being bullied it makes him even more furious to see people oppressing the weak/minority. It teaches him how unfair the world is from an early age.

Anger as a Defense Mechanism: As a child, Luka might not have possessed the emotional maturity or communication skills necessary to effectively express his protectiveness and concerns. His inability to convey his emotions in a constructive manner could result in bursts of anger or frustration. His keen sense of justice and upbringings of having a pirate-like mom greatly affected this. I wouldn’t put it past Anarka to preach about standing up to what is right and to fight back when being oppressed or targeted. She may not have been the greatest role model in how to act and resort conflicts which means Luka had to learn the hard way. On an additional note, Luka's anger issues might have also developed as a defense mechanism to cope with the overwhelming influx of emotions from others. When faced with an overload of emotions, he could have resorted to anger as a way to protect himself and his family or create a barrier. I am not talking about screaming or throwing a fit whenever, but rather being unapproachable, giving harden glares and even fight if he sees his sisters being picked by other kids. Luka would be quick to act and give in to his grudge and wrath. Luka’s anger isn’t very loud even if his music may be, both as a child and as a teen.

Domino effect: Also he might have had a hard time distinguishing others emotions from his own, like if a room is full of depressed people it has a domino effect. Especially empaths have to be extra careful to separate the emotions they sense from others with their own and also learn to let those feelings go instead of keeping them. A difficult feat for a child.

Reflective Nature: Through trial and error Luka would soon learn the issue with expressing his anger at the injustice and his integrity of “the truth over all” at the world. His talent for reflection would make him introspective and thoughtful. He possess the ability to analyze situations, emotions, and relationships, allowing him to gain insights and learn from his experiences. Usually reflecting when he is plucking the strings of his guitar. Music is a great source for him to relax and to take a breather. To gain new perspectives and a good outlet for him.

Reasoned Decision-Making: Luka's ability to see reason would make him adept at evaluating different perspectives and making rational decisions. He would consider logic, empathy, and the greater good, allowing him to navigate complex situations and conflicts. I can see Anarka giving the occasional wise advice to him and Juleka help him realize that he doesn’t need to be strong for all of them, that they all can share some of that weight and be stronger together.

Learning from Mistakes: Luka's growth-oriented mindset would enable him to recognize and acknowledge his own mistakes. Instead of dwelling on failures, he would use them as opportunities for growth and personal development. He would actively seek to understand the lessons within each experience. This is ruled to protect his loved ones by becoming the diplomat, the supporter and the bridge between his loved ones and to the world.

Personal Development: As Luka matures and learns to control his anger, he becomes more introspective and develop strategies to cope with his emotions. He would develop a greater sense of self, discovering his values, aspirations, and passions. This growth would help him find his purpose and contribute to his overall character. Believing in his integrity of honesty and that by focusing on that instead of acting out of anger, he will start resorting more to communication and emit a calm and positive outlook. By being patient and honest he finds himself being more listened to. It may not solve all his problems but it makes great progress. This leads to personal growth, further self-reflection, and a greater understanding of himself. Or developing coping mechanisms that allow him to navigate his empathic nature effectively. Hence he becomes the loving supportive character we know him as in the show and even the go-to-therapist friend.

Meditation as a new Coping Mechanism: Recognizing the need for emotional balance and control, Luka could have discovered meditation as a way to calm his mind, regulate his own emotions. It would provide him with a tool to process and channel the emotions he absorbs from others.

Inner Harmony: Through regular meditation practice, Luka could have learned to find inner peace and harmony within himself. It would allow him to center his emotions, understand his own feelings better, and navigate the emotional challenges he faces. His reflective nature would extend to his emotional intelligence, where he would both have a deep understanding of his own emotions and be attuned to the feelings of others. This awareness would contribute to his growth and allow him to build meaningful connections with those around him. Which helps balance his exceptionally high EQ.

Positive Role Model: Luka's journey of overcoming anger issues and change in behaviour and suddenly being more approachable could serve as an inspiration to others who may be dealing with similar challenges. It could teach them the importance of seeking help, finding healthy outlets for their emotions, and growing as individuals. This is where his new responsibility of the go to guy begins, a positive change that will eventually become a burden.

Empathy as Strength: Luka emotional awareness and empathic nature becomes a source of strength for him instead of the source of his stress. He learns to channel his empathy into supporting and understanding others, fostering deep connections and friendships. It makes him more compassionate, patient, and supportive towards those who are also dealing with emotional difficulties. This could highlight the importance of empathy and emotional intelligence as valuable qualities. Which leads us to the next problem.

Supporting Character (Complexity and new issues): Luka's selflessness shapes the relationships with others. It helps with strengthening bonds and create deep connections as people appreciate his caring nature, but it could also lead to challenges when his own needs are overlooked or unacknowledged. Luka's personal development have a significant impact on the relationships he has with others so it will take a long time before this issue is addressed, or when even he realizes this.

Exploration: This involve exploring his own identity and finding a sense of self amid his familial responsibilities. He might feel torn between fulfilling his protective role and discovering his own passions, interests, and aspirations. This may eventually lead to internal conflicts and a quest for self-discovery in the future. This does not mean he has identity issues of low self-esteem. He is stuck in the responsibility role due to circumstances.

Self-Sacrifice: Luka's tendency to prioritize others lead him to self-sacrifice, putting the needs and well-being of his loved ones above his own. He might willingly set aside his own desires and ambitions to ensure the happiness and support of those around him.

Emotional Support: As stated earlier Luka naturally become a reliable and compassionate source of emotional support for his friends and family. The person others turn to in times of need, knowing he will be there to listen and provide comfort and new sets of perspectives, to empathize with their struggles, and offer thoughtful insights. Which position him as a mentor or guide to other characters. Luka’s wisdom and ability to see reason would make a valuable source of advice and support, offering guidance to those who may be struggling with their own challenges. While this deepens his connections and foster a sense of trust and understanding it becomes a problem with his habit of….

Neglecting Personal Needs: Luka's focus on caring for others might result in him neglecting his own needs and desires. He could put aside his own emotional struggles or dreams, not wanting to burden others or divert attention away from them.

Struggles with Self-Worth: Luka's selfless nature may lead to internal conflicts and struggles with self-worth. He might feel that his value is now tied to how much he can do for others, and without that, he may question his own significance or purpose. Perhaps it’s a fear of losing control of his emotions, to feel the anger that is brewing inside him, or simply just a fear of not being able to protects those he loves.

Moments of Vulnerability: Despite being there for others, Luka struggle with expressing his own vulnerabilities and seeking help when he needs it. Juleka may be the only person he gets to truly be transparent with. His journey could involve learning to open up, trust others with his own struggles, and seek support when necessary.

Finding oneself: Even though Luka has come a long way, he hasn’t been following his own advice, he is not as kind to himself as he is to others. I personally think it’s not because he isn’t trying, but because no one ever offers to lend an ear to him (outside of Juleka). For instance others may think that the calm, patient Luka couldn’t possibly be struggling or needing advice when he always have a solution to a problem. So why wouldn’t he have one for himself then? He may have tried to talk about it but his voice was drowned out by other’s needs or they might have talked over him or simply not payed attention since they wouldn’t expect him to feel that way. Luka's character development could involve learning healthy boundaries and understanding that self-care and self-prioritization are necessary for his own well-being. And put distance between his feelings and others and that it’s okay to say no. Through personal growth and support from those around him, he could come to realize that taking care of himself is not selfish but essential.

Luka's anger issues isn’t fully gone (possibly) as it may arise from a tendency to suppress his emotions, especially if he feels the need to be strong and dependable for his family. Holding in the emotions for an extended period could lead to occasional outbursts or difficulty managing his anger when someone he cares about is threatened. Silencer and migration is a perfect example of that.

Overall, I think this backstory would provide Luka with a compelling arc of growth, self-discovery, and emotional mastery. It showcases his resilience, empathy, and determination to overcome obstacles, while also emphasizing the importance of emotional well-being and self-care.

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illwynd · 7 months

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What direction would you have enjoyed most for Thor and Loki after TDW?

I recall in the long dry years between TDW and TR, a large part of the conversation in the fandom around this topic was on how pissed off Thor would be when he learned that Loki hadn’t actually died and had kept that fact from him (or “faked his death,” however you wanna phrase it) and how much trust would have to be rebuilt. And there is definitely that aspect of it. I think there was trust that needed to be rebuilt on both sides, in fact, and many long-overdue conversations about everything that had gone wrong to get them to that point. Conversations about Loki’s ancestry and his miscalculation with the Destroyer and all the questions Thor didn’t ask when Loki reappeared and not visiting him in the cells and ancient resentments and so many other things.

But most of the fandom, in the discussions I’ve seen, seems to have been hoping for resolution between them, for things to get all healed and tied up in a tidy little bow and have their character arcs just ride off into the sunset and… yeah, I don’t want that. I never wanted that. There is way too much emphasis these days on “healthy” and “wholesome” and, goddamn, like what are y’all doing looking at these two if you’re looking for therapist-approved wellbeing? You’re digging in the wrong place. (Something that I feel is carried over from Norse mythology into their characters is the idea that there is value and importance in lives that don’t have a Happily Ever After, worlds ending in destruction and final defeat but with a deep integrity to what mattered. The world doesn’t promise healing. Sometimes, living with the knowledge that things will not be fixed in the end but it all matters anyway, and the connections between people matter, and the ability to find flickering moments of joy amidst the sorrows… to me that is far better, far more fitting to who they are than any tidy, happy resolution could ever be.)

One of the things that I love about many of their comics arcs is the sense that while things do change between them over time, with different emphases coming into focus and into prominence, there is an essence to both of them that keeps them in perpetual conflict and ALSO keeps the love strong enough that neither of them ever wants to go their separate ways permanently. They both have their own lives, with Thor doing his best at heroing and Loki doing his best at being himself, but Their Relationship is a constant, and it’s nobody else’s business, and whether they’re on opposite sides in their daily lives doesn’t really factor into it.

So basically, in my ideal world in which phase 3+ didn’t suck, TR would have involved some of those long-overdue conversations and some working together against a bigger bad, but the kiss-and-make-up would have been incomplete, like an unresolved chord at the end of a phrase of music. Loki would have disappeared again but this time making sure Thor knew he wasn’t dead, and he’d have popped up again from time to time, always with uncertain allegiances, to have a few poignant interactions with Thor, or to absolutely destroy some big bad that’s threatening Thor’s life but in the meantime doing something that makes it seem like he got some material gain out of doing so (just to keep everyone on their toes), and if anyone questions this in Thor’s presence you’d get a very stormy look and a subtle suggestion that he doesn’t have to be slumming it on Earth.

Loki would be there to be The Most Important Person in Thor’s life even when he’s not physically present, and the niggling itch that never quite goes away from the fact that things aren’t resolved and may be unresolvable. (Having a relationship like that—where it is possible or likely that things can’t be fixed—is actually really important to telling Thor stories that have emotional weight. Resolving the relationship or making the question null through death cuts off so many of the important questions that cling to Thor in themes and resonances. To a character who embodies the virtue of striving for heroism and goodness, an unquenchable love for such a liminal character as Loki, whose moral standing flits all across the field at any given moment, and having Thor see that not as a problem, as a liability or an inconsistency but instead as a value in itself—that keeps Thor from becoming an insufferable, inflexible moral pedant.) And Thor—Loki’s love and devotion to Thor, mingled with his resentment of him and the lingering frayed edges of his trust and the centuries-old anger and desire to win against him just once—would be there to rest like a base color underpainted beneath everything Loki does in his schemes and clever workings and, a gnarled anchor or a rusted root, keep him from wandering too far afield.

And, I mean, they’re gods. If you carry any story on long enough it ends in death, but in a story of superheroes and modern legends, the gods should still be there in the end, at the edge of the tale, perhaps, but continuing nonetheless, spinning against the stars, the huge half-invisible shadows of giants bordering the far horizon, the cycles of their lives so much longer than ours.

#replies #anon #ty for the ask anon!#grand unified theory of loki #theories of thunder #sorry this was not plot details but general gists and moods #TR and everything after annoys me so much my brain just won't work with those materials

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