#and everyone else is like WHAT THE FUCK SOKKA

[sal-absinthii]

Rewatching AtLA cuz I'm cranky

Something that really stands out this time is how alike Zuko and Sokka are. They don't interact much directly in the series, but notably, they are the first each of them encounters immediately after their worlds come into contact. Sokka is standing alone at the front of his village when Zuko's ship lands, and Zuko deflects his attack with an ease that makes us feel a bit embarrassed for Sokka, who has been preparing for this his entire life. It struck me that really, it's the same for both of them -- they have both been preparing for this for a long time, and to the exclusion of everything else; it's their entire identity and reason for existing. They are set up as parallels before they meet, too, when we see each of them preparing for battle. Watching Sokka put on his makeup and gear, I was thinking how different it would feel to have seen this as a kid or teenager, when Sokka and Zuko seem grown-up enough to be doing this, than it is to watch it as an adult nearly twice their age and be aware of the elephant in the room that these are children. I don't want to say that they're playing dress-up, because that implies that it's their choice and that there's something innocent about it, but the reality is that it isn't for either of them; they are gearing up for a role that was placed on them by their fathers, by their cultures, by the circumstances, but it is not either of their choice even if they think it is. They are children fighting an adults' war, and even worse, it's a war that goes back generations. Aang draws attention to this pointedly, when Zuko, who in typical teenage fashion seems to think of himself as an adult, expresses surprise that the Avatar is "just a child" and Aang says "well you're just a teenager," a fact that is obvious to everyone except teenagers.

Sokka has to get ready on his own, Sokka has prepared himself, while Zuko is helped to get ready and has been trained more professionally, but Zuko is also alone; his helpers are faceless servants. The one person he has who cares about him, he pushes away. Sokka has his tribe and his family around him, but when he goes to fight it's only him, he puts himself out in the front, alone, because he thinks it's what he's supposed to do. Neither seems to know how fucked up it all is that either of them should be expected to live like this.

Zuko seems much more proficient at fighting than Sokka, but we also know that it's an illusion caused by being a big fish in a little pond, because in a previous scene we saw him struggling to master even the basics of firebending. Similarly, Sokka is the oldest "man" in the village, absurdly trying to teach little boys how to be men when he isn't even one yet himself. As we see later, Sokka struggles with feelings of inadequacy and some kind of impostor syndrome as the only non-bender in the group, feeling the conflict between trying to fulfil his role as the oldest boy and therefore supposed to be the strongest and the protector and being constantly aware that his little sister and this child are destined for great things and only at the beginning of coming into their full power, whereas he is "just the guy with the boomerang" (a boomerang that does manage to get one in against Zuko even after getting his ass immediately kicked, though). Zuko is the crown prince who was never as talented as his younger sister, who is in a certain role only because of an accident of birth while being always aware that he's second-best, that he isn't the most powerful and that his position, whether it's a good or bad position, is not due to merit, and that he is a disappointment.

Both are trying to impress absent fathers. Sokka's father is gone for legitimate reasons and has not intentionally hurt his son, but he is still not there to support and protect Sokka, and the pressures that he puts (or allows to be put) on Sokka still hurt him, even if the case can be made that they're justified because they are a small tribe at war with a big empire and Sokka will inevitably need to step into the role of warrior. Not only does Sokka not have his father, he doesn't have ANY adult male role models who are actually present in his life. Zuko's father is, of course, a raging abusive cunt who should be shot like a dog, but the effect on him is the same, because Zuko does not see him that way, at least not at the beginning. Zuko only internalises that he has failed, and that this makes him a failure, and "correcting" his "mistake" is all-consuming.

They both are impulsive and their pride is easily wounded. They both want the world to see them as disciplined warriors, but they are easy to set off, and this gets in both of their ways. Sokka's main character flaw that he overcomes is his pride. I would argue that even things like his sexism are just an extension of this, because he feels that if women and girls are skilled at things he wants to be skilled at, this is especially shameful, because it attacks his image of himself as a man according to his idea of what a man should be. But while it is something he needs to overcome, it is not his fault that he is like this. He is not sexist or prideful because he's fundamentally an asshole. This was taught to him at least implicitly by the messages given to him by his culture and family and the people he looks up to, that there are expectations of what it means to be a man and he must fulfil them, and it makes sense that he feels this as being threatened when challenged or shown up by girls or people younger than him. His entire idea of what masculinity is has to be constructed from the things he's picked up as a child, because there are no men in the village to be examples for him. Zuko is also prideful, and it comes from his obsession with honour, something taught to him by his culture and family and position, and it is also not his fault that he values this, or that he acts in a way that is consistent with what his idea of honour is. He was cast out by his father, and while he does have a potential/eventual role model in Iroh, it is a while before he is able to see him as one, because the values Iroh embodies are not the values Zuko was taught to have, and so for all intents and purposes, Zuko also has no role model in how to be the kind of person he's trying to be. He only gets that once he is able to see that his entire worldview has been flawed and that the things he thought were important to find and achieve were actually not good things. When children have shitty caretakers, they don't say "my parents are wrong," because if their parents are wrong, that's dangerous, because they depend on their parents for survival. So instead they think that they are the ones who are wrong, especially when their parents are actively telling them so. It's much easier to believe that you're wrong, because then you at least have power and control and the ability to change to keep the abuse from continuing, than it is to accept that the people you depend on are unpredictable or unfair or abusive or wrong. It is not Zuko's fault that he is trying to live up to the things he was raised to believe any more than it is Sokka's for having weird ideas about masculinity and pride. Neither of them have ever seen any different and have no perspective from which to start thinking that maybe they've been taught wrong.

Now I have other thoughts that are too digressing from fandom and so I will make that a separate thing but I wanted to get this out of my head because I'd never really considered these two characters as having much to do with each other, but they really do, and there are intentional parallels, and I think that's interesting.

#atla #sokka #zuko

[luriuan]

I love how whenever ATLA recognizes Sokka is smart enough to solve a problem but it’d be too fast they just stick him in some kind of situation. Like he COULD’VE stopped jet from drowning a town so they tied him up and dumped him in a forest. He COULD’VE figured out what that spirits deal was so they lost him in the spirit world for 24 hours.

#comment your favorite Sokka situation #he’s literally always in situations #hes gotten kidnapped 3 times #I wonder how the gaang would react to it #yeah jet kidnapped me haha… #and everyone else is like WHAT THE FUCK SOKKA #atla sokka #atla #avatar the last airbender #Sokka #my son #jet atla #free him from this

[shopcat]

there is, Obviously, fundamentally a difference between headcanon and an analytical reading of text, and treating the two as exactly the same is not only wrong but devalues both, but funnily, i've found people tend to forget that both of these things are the product of referencing our real life experiences and applying them where we see fit to make a more interesting way to interact with media. and you can't just like, forget that it's not JUST about headcanons and meta analysis and whatever, because people in real life also still matter. and in real life, there are different stakes and EXPERIENCES, and those experiences lead to thinking the way we do because that's how you Be a goddamn person, which is why it's ironic is all 😭

like, saying zuko atla has to be cis in order to be "properly" gay in order to be Truly Compelling narratively is fucking ridiculous. textually, zuko is not actually gay. he never was intended to be, he never will be intended to be, he was never even subtextually. the assumption otherwise is already rooted in fantasy, and the tongue in cheek assertion that it isn't, which means it has more credence, is ... dumb? childish? admitting to at least yourself that the things you talk about wrt character analysis aren't the intention of the creator is literally half the point of doing said analysis – you're MEANT to throw away the intended interpretation in order to give it a new life through different keyholes without entirely divorcing itself from the text. (in the same breath, insisting the creator truly meant One Thing when they absolutely would not have/don't care at all, and ignoring that the people who made the piece are going to put their own biases and experiences and background into the media itself and actually MUST be taken into account for things like this is just ... well. Stop That.)

i've personally never been someone to ever claim that The Writers All Along INTENDED to do something that they obviously didn't, like make a character from a 2005 cartoon lgbt+. this doesn't mean that reading doesn't have any substance or cannot possibly hold any meaning, or that it's wrong. if you can't be objective about your own readings what's the damn point... leaning into it being fiction, which changes just by being observed by a different person, is why it's fun or interesting to do in the first place. and yeah there are some basic cookie cutter headcanons people like to fling around, and there can be criticism for that otherwise, but claiming headcanons themselves AREN'T an offshoot of this way of thinking is fucking stupid. like it's plain wrong.

our own thoughts on why a character acts, what they do, what their presentation is, why their personality is what it is up to and including their sexuality, gender identity, religion, JOB, whatever, are made to fill the gaps the text can't or won't provide, and in the case of lgbt ones as long as it's not actively harmful (as in like insisting a lesbian character is bi or something) it is literally harmless seeing as it is fairly solidly a "won't", along with a whole bunch of other hc material that usually don't see the light of day on-screen nonstereotypically. people seeing themselves in characters isn't new but more than that, saying that you know this but then pushing it aside because The Analysis Means More when it's Realistic And Plausible is fucking dumb. and rude. bc the entire point of drawing the line of connections this way is how WE see them. being all like "oh well, your own personal identity is still valid otherwise, don't get your feelings hurt bc it doesn't matter," is moot if you've already asserted there's only One real way to be... plausible 🤨. which is to be NORMAL ! duh.

like, the read that zuko IS gay (and cis) relies on extracting parts through the lens of our own gay perceptions and is why cishet fans don't pick up on it, but you can ask pretty much any other lgbt fan and they'll agree. zuko's narrative arc IS compelling with the read that he is gay, from the way he is ostracised by his family, neglected and abused, the "punishment" he receives and then continues to become his own warden of, the order of his death and the banishment itself, sozin criminalising homosexuality, his inability to connect with others especially his own age, his inability to seamlessly interact with girls, his literal externalised viewing of seeing himself as someone with Two Sides, them being good vs evil, realising he can change the damn world through love and acceptance, striving for peace, being the face of change for his nation, relearning what it means to be who he is once he is free from his past, the shame and humiliation rituals, the claim of his father that he is worthless as a prince and person, AND MORE... and i cannot express enough here how fucking little it matters if he's specifically gay or WHAT THE HELL EVER 😭.

to claim in no small way that it's impossible for a trans person, or a bisexual person, or anyone else lgbt, could ever line up his narrative with their own personal one is so beyond ridiculous it gives me a headache. no, "plausibly", i don't think zuko is like, transmasc. yes, plausibly, he could be gay. plausibly, he could be amab nonbinary but no one seems to actually give a fuck about that for some reason (i wonder!). nothing would change in both cases, because he's not actually either, so i really don't see the point in making fun of or being frustrated by one to lift up the other because you want cisgender boot soles to brush the back of your throat THAT badly. the implausibility of thinking any way about a fictional character should be taken into account to an extent, sure, but at the end of the day neither of us are doing anything truly worthwhile, and no one is claiming that it's the intent from the beginning to say otherwise, so what's the point here. why are we doing this. let's go skip in a meadow together before i kill someone with this rock.

#🐾 #tldr i am actually just so sick of people saying the word plausible #it's not plausible for this character to be trans. well OKAY. THARS NOT THE FUCKING POINT IDIOT #not every fucking thing people do is for the sake of furthering the fucking plot holy shit what is wrong with you #these people will never know joy or happiness and forever be miserable bc they're just OBSESSED with trying to rationalise.. art?! #LIKE ITS NOT GONNA HAPPENNNN 😭 #even if it is a plausible trans read people will pick it apart. I Know. i've been there. people do not and i hate to break it to you #like trans people. even other trans people. SHOCK HORROR. jesus christ #this is a real torture dungeon of my own creation #also my two cents personally i think the sum of who zuko is as a person is first and foremost autistic and gay. and everything else is as #an abuse victim. and i honestly don't care if he's trans bc it doesn't matter in the way ppl need to be tantruming over #but it still would be just as significant if not more so. acruallg definitely more so what the hell. my family doesn't hate me bc i Like #Boys .. OR GIRLS. #and YEAH sokka does read more trans sure. but he also is the one who got made fun of for at least like matching his belt and bag #or liking shopping or being feminine .. #is this what people mean when they say that... that katara would be transphobic to her own brother 😭 #well probably not. anyway. #if we're being textual sokka literally IS the one with some sort of gay subtext just FOR being the victim of the charming 2000s lightly #homophobic joking. not zuko. no one gives af about zuko #it does not break my arm to say zuko got banished for being too much sowmrbing and not enough something and got to be himself afterwards #in the slow journey that that took. this could mean literlalt anything. so who cares #he's lgbt all at once. There. bitch #also these ppl bc it was a whole bunch ofc. seemed to just mostly be mad bc zuko got the hc more #like how is that everyone else's problem now. just make sokka trans more ... idiot #☆

[zvtara-was-never-canon]

Can you give examples of Aang showing Empathy? Oh wait, you can't.

Actually, I can - because unlike you, I base my opinion of the characters on the actual stuff that happened in the story, not the bad faith takes dumb people on the internet come up with.

Zuko literally only survived past book 1 because Aang was the ONLY person amongst the heroes that gave a single fuck about his well-being. Aang offered to be FRIENDS with him as early as episode 13, even though this dude is trying to kidnap him.

In the first damn episode we see him realize and try to remedy Katara's struggle with no longer being able to act like a kid and have fun. He wants to travel with her so SHE gets to learn waterbending. He willingly lets Zuko take him into his ship because he understood that a conflict could lead to the people of the water tribe getting hurt or killed.

In Warriors of Kyoshi he apologizes to Katara for letting all the praise and admiration go to this head. He makes sure to put out the fires Zuko and his crew started in Suki's village.

He tries to help remedy the Hei-Bai situation, even though he is unsure of himself and even scared, because he knows he is the only one that has any chance of helping - and the thing that allows him to connect with Hei-Bai is the fact that he is ALSO upset about the destruction the Fire Nation has caused AND hopeful that the world would eventually heal.

He thinks Jet is awesome because he wants to help people that are being oppressed by the Fire Nation - and then is horrified when he finds out his intension is to "free" them by killing everyone

He wants to help the two rival groups not only safely cross the Great Divide, but also stop hating each other.

He confesses that he hid the map to Hakoda because Bato, Katara and Sokka are showing how much they appreciate and trust him and he feels unworthy of it after what he did because he knows it'd hurt him if the roles were reversed.

He is so devastated by the fact that he ACCIDENTALLY hurt Katara that he swears to never firebend again. He is also able to recognize the same principle behind his mistake in Zhao's fighting style, allowing him to win the battle against the bastard.

He accepts the fact that the Northern Air Temple is now occupied by people who not only don't belong to his culture but also don't understand it and unknowingly destroyed something sacred to him (and that one of them had been forced to make weapons for the Fire Nation) because these people have nowhere else to go and he doesn't want them to suffer.

He is furious at Pakku for refusing to teach Katara waterbending, because he knows how much it'd mean to her and how unfair it is that she can't learn it just because of her gender.

He is so devastated by the death of the Moon Spirit that the Ocean Spirit latches onto him to avenge it and save the day - and the leve of destruction it causes haunts Aang, even though the violence was against his enemies. And still, he tries to go into the Avatar state again because people are dying and he can't accept that.

After the fall of Omashu, he wants to rescue Bumi, not because he needs a teacher, but because they're friends.

He felt empathy for Toph when she was explaining to her parents how lonely and unappriacted their over-protection made her feel.

He and Katara both feel bad for snapping at Toph during "The Chase" and wanted to apologize for not understanding that being part of a group was a radical change to her, even though she had refused to even try. He also didn't have a problem with fighting alongside Zuko and Iroh against Azula, AND he looked concerned when Iroh was injured.

After Katara comments on the fact he called Toph Sifu but not her, he calls her Sifu while bowing, to show that he respects her both as his master and friend.

The hopelessness and downright depression he was feeling after Appa was stolen only starts healing because he saw a couple being happy with their newborn baby - the same couple he decided to help cross the Serpent's Pass, even though he and his friends had just been allowed to take a much safer route to Ba Sing Se.

His understanding and sympathy towards Jet, even after everything the guy did, was so strong that it freed him from literal brainwashing.

He doesn't want to push his love for Katara aside to gain power because he cares about her too much - and then does it anyway because, even though not making her his main focus 24/7 offers the risk of her being hurt, him neglecting his mission guarantees she'll get hurt.

He is devastated to learn that the world thinks he is dead because he knows he was everyone's last hope - and yet in the end he still accepts the burden of failure because he understood that, at that moment, everyone would be safer if no one else knew he was still alive.

He goes to a Fire Nation school and bonds with the kids, wanting to give them a taste of freedom and joy, as well as trying to understand what the war is like from their perspective. The same episode also has him pull Katara for a dance because he noticed she was feeling left out.

The boy felt empathy for, and understood the mistakes of, both Ruko and Sozin. SOZIN. Aang could see the humanity in the monster that is responsible for him losing his entire culture and everyone he loved.

When Zuko spoke about wanting to control his impulses so he wouldn't accidentally hurt anyone, Aang explicitly connected with that struggle and saw them being teacher and student as fate, and Zuko agreed because that's how deep their connection was.

Aang is not happy about Katara wanting to murder a man, but he still lets her take Appa on her mission and is not disapproving when she ultimately spares the guy but does not forgive him and makes it clear she never will.

He feels empathy for freaking Ozai, to the point that refuses to kill the guy - even as he has the balls to say that Aang's family, his people, deserved to die. He spared that guy - but only after he had a way to do that without it meaning the death of more innocents. Aang, the pacifist, was going to turn his back on everything he believed in just to avoid more human suffering.

So yeah, miss me with your bullshit and don't come back until your brain is developed enough to understand a cartoon aimed at kindergarterners.

#anti zutara #pro aang

[wilcze-kudly]

The Gaang being 'bad parents' didn't ruin their characters.

I've seen this argument tossed around a couple times and it's honestly one of my least favourite criticisms of lok.

Katara (and Sokka but we have no confirmed kids for him, which seems unrealistic with how much game he had) lost their mother as children and their father was forced to abandon them when they were barely starting their teens. They were raised by their grandmother with little to no peers of their own age.

Aang did not know his parents and a huge chunk of his childhood was him being groomed into taking up the mantle of the avatar and mastering airbending. He also was isolated from other kids his age. His closest parental figure was Gyatso who was more of a teacher than a father. Also the Air Nomads were literally wiped out so that adds to the trauma pile.

I really don't think i have to talk about Zuko's family life here, but at least he had relatively positive parental figures in the form of Ursa (though i do have a burning personal dislike of ursa) and Iroh. Despite this his struggle around the subject of his family and his trauma relating to his upbringing was a focal point of his character arc.

Toph was raised in isolation by her asshole abelist parents who did not listen to her, sent people to capture and bring her back and then disowned her. (If my cursory understanding of 'the rift' is correct, I need to actually read it because i am unreasonably obsessed with the Beifong family.)

Where, pray tell, were they supposed to learn proper parenting skills? On their brief stint as child soldiers? While fighting a war as literal children?

There is the argument that they must've matured later in their lives, of course. But you can only recover so much from copious amounts of childhood trauma.

Being a bad parent doesn't necessarily make you a bad person. Sure it makes you a failure in an incredibly delicate and important aspect of human life but it doesn't make you a bad person. And saying that it does takes a lot of nuance out of the conversation.

Like, do you know how easy it is to fuck up a child?

Especially that the ways the members of the Gaang 'fucked up' as parents feel mostly in character.

Bumi was going to face some struggles with self worth due to being the firstborn child of the Avatar and arguably one of the most powerful waterbenders in history, while being a nonbender himself. That much was unavoidable, no matter how his parents approached the issue.

And Aang was obviously going to be over the moon when Tenzin was born. Think about it. He's literally the last of his people. He has no one else 'like him'. No one else to pass down the traditions, the teachings that Gyatso and everyone else he cared about and who were horrifically murdered to. Aang is getting older and he feels like his culture and history and his entire life before he got trapped in that damned iceberg will die along with him. And then Tenzin is born and Tenzin can take up the mantle that had been thrust upon Aang.

I'm going to withhold my judgement on Izumi and Zuko, since we barely know anything about them. She seems well adjusted but that's all i can say right now. But Zuko has also been shown to be extremely, painfully aware of how fucked up his family is and has clearly been putting in a lot of work to unscrew what his ancestors have screwed up.

Toph situation feels very tragic to me,because it's obvious that she thought she thought she was doing better than her parents. She gave her daughters the freedom to do what they want, to not feel opressed and trapped like she had. How was she supposed to know that she was making her girls feel like she didn't love them? (Here's another post of mine about the Beifong family and how they just feel like they're cursed or something at this point.)

TLDR; I get annoyed by people saying that the Gaang being 'bad parents' ruined their characters, because to me it felt like it actually enhanced them.

Neither Aang nor Toph acted out of malice or a lack of love. On the contrary, Toph was trying not to repeat her parents mistakes, accidentally committing a bunch of her own. While Aang probably didn't even realise that he was neglecting Kya and Bumi.

But just loving your children doesn't always make you a good parent.

I think these flaws only add to them as characters. It makes them feel more real.

It's unrealistic and, frankly, just plain boring to go 'oh the Gaang were all good people so they would be good parents too.'

The Gaang were a gaggle of traumatised children forced into saving the world, because the adults around them failed them, that then grew into traumatised adults who have no idea how to be good parents.

#badly voicing my thoughts #avatar legend of korra #i know i did not write this out correctly but it is like 3 am and i am tired and mad and stressed #avatar #avatar: the last airbender #the last airbender #legend of korra #aang #avatar aang #katara #sokka #toph #toph beifong #zuko #ursa #iroh #bumi ii #kya ii #tenzin #firelord izumi #lin beifong #suyin beifong #the beifong family #the beifongs #wow look at all these traumatised people

[drpoisonoaky]

So here’s the thing, everyone in the Gaang assumed that Azula was the older sibling.

…

And they love her eyeliner.

— — — Sokka

Sokka: WAIT WHAT

Azula: Ugh, why are you yelling at me?

Sokka: YOU ARE THE YOUNG SIBLING

Azula: Yes? Why you ask?

Zuko: He was complaining about Katara. And then he said “Ugh but you wouldn’t get it cause Azula is the oldest”.

Azula: And you get it?

Zuko: Not really.

Sokka: IT’S IMPOSSIBLE.

Azula: It’s cause I’m better at everything.

Zuko: It’s the makeup and how insufferable you are.

Sokka: IT’S EVERYTHING.

Sokka: How she looks, talks, thinks…you have to be messing with me.

Azula: I honestly don’t know if I should feel flattered or insulted.

Zuko: She’s the same age as Katara.

Sokka: NO WAY.

— — — Aang

Aang: So tell me how was Zuko when he was a baby? I’m curious.

Azula: I don’t now. I’m guess he cried a lot.

Aang: Oh you don’t remember?

Azula: I wasn’t alive avatar.

Aang: Hold on, are you the younger sibling?

Azula: I am.

Aang: But you look older, and know more about history and stuff. Plus all of that trauma and emoti-

Azula, slightly annoyed: Yes Aang I get it.

Aang: It doesn’t make sense.

Azula: It’s simple: makeup and discipline.

Aang:

Azula: What?

Aang: I have some meetings this week could you help me to look older so they will pay me more attention?

Azula:

Aang: Please. For the sake of the world?

Azula: Sure I’ll show you.

— — — Toph

Toph, seeing how Katara and Sokka are arguing: Men sometimes I’m glad I’m an only child.

Azula: I almost was once. Zuko wasn’t happy about it.

Azula: But I must say, having an older brother who looks after you feels nice. But if you tell anyone I said this I’ll commit arson.

Toph: WHAT?!

Azula: I mean Zuzu and I fought a lot.

Toph: Not that. No way he’s the big bro.

Azula:

Azula: I’m actually curious about why you didn’t know it cause it’s impossible that it could be for the makeup.

Toph: You were a fucking pro master firebender back then and Zuko wasn’t.

Azula: Did you know that my flames are blue?

Toph: No way. Why nobody tells me this things. Anything else cool?

Azula: I can make lighting balls in both of my hands and I can make a perfect eyeliner in 30 seconds.

Toph: Can you do it now?

Azula: Which one?

Toph: Both but bring someone else cause when I ask if it looks good on me I need to know the truth and I still can’t fucking tell if you’re lying or not.

Azula: Makes sense. Although I would never lie to you about that.

— — — Suki

Suki: I need you to teach them firebender’s forms even though they’re non-benders.

Azula: Easy. I used to do it with Ty lee.

Suki: But you have to treat them as your younger sisters. Like how you would treat Zuko if you like him.

Azula: What?

Suki: Kindness?

Azula: No. Do you think I am the older sibling?

Suki: You aren’t?

Azula: No.

Suki: Wait what?!

Azula: I’m the same age as Ty lee. I went to the royal fire academy with her.

Suki: Whao.

Suki: You did and plan all of that shit when you were 14?!

Azula: I don’t know what that tone means.

Suki: Did you have that huge breakdown at 14?

Azula: Now you are simply being rude.

Suki: I don’t believe you. TY LEE COME HERE.

Ty lee: What’s sup?

Suki: Is she the same age as you?

Ty lee, raising an eyebrow: Yes?

Ty lee, realizing: Oh you didn’t know she’s younger than Zuko. It’s the makeup ‘Zula. You look beautiful, but it makes you look older.

Suki: It can’t be.

Azula: Can’t you stop being rude? I look great.

Suki: Not that, asshole. You being younger than Zuko. It doesn’t makes sense…

Azula:

Suki:

Ty lee:

Suki:

Ty lee: I think you broke her? What were you doing before?

Azula: She was explaining to me who I was supposed to teach and how I have to treat them.

Suki: But how she fights…

Ty lee: Oh right, c’mon they’re waiting. They actually pretty nice. You have to be patient ‘Zula.

Azula: Ugh.

Suki: And she played with us…

Ty lee puppy eye’s version: For me please?

Azula: I hate you.

Suki: She conquered Ba Sing Se…

Ty lee: No you don’t. *kiss Azula’s cheek* Hurry up. Bye Suki!

Suki: She killed the avatar…

Suki: AND SHE WAS 14.

Azula, being dragged by Ty lee: Ty, I think you are right. I broke your boss.

Ty lee: I hope that means a vacation for at least a week.

— — — Katara

Katara: You are my age?!

Azula: Hello Azula. How are you Azula? You look great Azula.

Azula: That’s how you have to start a conversation. But yes I am. Why?

Katara: Everything we did.. We were the same age all the time?

Azula: That’s how time works.

Katara: I THOUGHT I WAS BEATING SOMEONE AT LEAST AS OLD AS MY BROTHER

Azula: Why are you yelling at me? Is it a family thing?

Katara: I thought I was so ahead of my age…

Azula: You are a master waterbender without almost any professional help, you heal people with your bending and help to end a 100 year war. Plus you defeated me once. What the fuck are you talking about?

Katara, blushing: Oh, that…that was actually so nice, thanks. I- I appreciate it.

Azula: Your welcome. Now if you excuse me I have things to do.

Katara: Wait.

Azula: What now?

Katara: Can you…?

Azula: I can do a lot of things.

Katara: Well your eyeliner…can you…?

Azula: *sighs* You’re the third person to ask. So I guess it’s your turn.

— — — Zuko

Azula: If someone else imply I’m the oldest sibling you will have to bring back the straightjacket.

Zuko: In my defense they didn’t ask they just assumed.

Azula: You know how many eyeliners I had to do today besides mine? Three. THREE.

Zuko: I think Sokka was going to ask you too, he was looking for you…

Azula: For Agni’s sake.

Azula: At least I hope you don’t want me to teach you too.

Zuko: Mai taught me a long time ago.

Azula: Thank Agni.

Zuko: But I must say I don’t get them. You clearly are my little sister.

Azula: Because I’m a much better version of you?

Zuko: No.

Zuko: Because you are a lot more insufferable and insane than I am.

Azula: If you don’t start running now I’m going to celebrate becoming an only child. Again.

Zuko: Sure buddy.

Azula: One, two-

Zuko: LALA DON’T YOU DARE. STOP THE SPARKING.

— — — Mai & Ty lee

Azula: FIVE five people’s makeup. And I don’t even like them.

Ty lee: Wait five? Suki too?

Azula: I’m counting mine. Adds more drama.

Mai: Such a drama queen.

Azula: But anyway I don’t deserve this.

Mai, raising an eyebrow: You sure?

Ty lee: Look at it as your little price to pay in your healing path. Plus every time you do an eyeliner your aura gets a little bit pinkier. So stop complaining.

Mai: Although I don’t see the big problem with the fact everyone thinks you’re older than Zuko.

Ty lee: True, why is bothering you so much?

Azula: I refuse to think Zuzu ages better than me.

Mai:

Ty lee:

Azula: Whatever. By the way I’m impressed with the little avatar’s fangirls. You were right Ty.

Ty lee: Of course. When am I not?

Mai: When you started to date her.

Azula, starting to sparkle:

Ty lee: And here we go again.

#atla #avatar the last airbender #aang #sokka #suki #azula #mai #ty lee #tyzula #azutara #katara #toph #zuko #fire siblings #azula’s eyeliner

[comradekatara]

nothing too insightful to say just !!! toph is the disabled character of all time and it means so much to me, personally. thinking specifically about what you mentioned on the last post about how she learns to let herself be loved; it is often such a fundamental aspect of growing up with a disability that “love” is the guise that adults stripping you of agency wear.

it’s not just being helped in a way that harms and deemed incompetent. it’s being perceived as incompetent, receiving help for your disability that strips you of autonomy, being vulnerable to the abuse and unable to speak for yourself in response to it because you are too frail, helpless, all under the premise of “love.” when disabled love becomes the equivalent of burdening another and being taken from yourself, toph is kind of incredible because it took me nearly twenty years to even begin to unlearn all of that, but she managed to open herself up to others within a few months (to varying degrees, it’s also interesting she seems to trust sokka the quickest, maybe i will send another ask after breakfast rambling about that).

but toph’s ability to adjust her concept of what love is and open herself to it, is genuinely one of the most powerful disability arcs i have ever seen. she becomes able to accept help and not have that feel like embodying weakness, which feels dangerous when disabled because your perceived social weakness is why you have been stripped of all agency and dehumanized, esp. as a disabled child. toph is incredibly strong in regards to earth bending, but truthfully it is this ability to listen, observe and adapt that is her greatest strength. her character is soooo good and her arc is so fucking beautiful

YES 💗 i don’t talk about toph’s disability enough because i don’t like getting too personal on here but you really do articulate that struggle perfectly and i agree so much with what you said.

toph’s foundational trauma is tied not to her experience being blind, but rather the abuse she received due to her blindness. the struggle of being disabled is always twofold: firstly, and i hate when people sugarcoat or ignore this, having a physical disability does make life more difficult. we see toph struggle when she’s not in a position to use her earthbending as a mobility aid; there are aspects of life that are difficult or genuinely impossible for her to participate in due to her limitations. she can and does often compensate by being a brilliant earthbender, but there are still some things she simply cannot do.

but what’s more important to toph’s experience with disability is the way she is treated by those around her, especially her parents. toph simultaneously struggles with being coddled and smothered due to her unique needs, denied agency due to the assumption that she is somehow less able to dictate her own choices, and treated like a shameful burden due to her disability. so by the time toph joins the gaang, she is very afraid of being seen as a burden, but she also doesn’t want anyone helping her with anything or telling her what to do, because she associates that with her parents’ abuse.

she bristles when katara tries to get her to help out, because she wants to be the kind of person who respects everyone else’s space and lets everyone be capable of “carrying their own weight,” just as she wants to be allowed to be left to her own devices. she doesn’t yet understand that a community or support network is not the same thing as a denial of agency, and so she assumes that katara is overbearing and motherly instead of a kid who comes from a place where everyone does an equal share of labor and expects everyone else to do the same.

that’s why i think a lot of people who have never experienced any kind of major disability firsthand don’t really understand toph, and just assume she’s spoiled and brash due to being rich and entitled. but that’s not the case at all. she’s spent her whole life being treated like a fragile doll instead of a person, and it’s dehumanizing and isolating. she doesn’t understand the value of a community because she’s sick of people trying to help her, and due to her own experiences being “helped,” assumes that help is necessarily negative and a denial of one’s agency.

the last thing she wants in that situation is to be overbearing, to be the one telling other people what to do and how to live their lives (yet another reason why she would never become a cop). of course, she signed on to be aang’s teacher, so pretty quickly she does have to get over herself and actually instruct, and she’s not a gentle pedagogue either. but she also knows that she is supremely qualified to teach earthbending, and so it’s easier for her to tell others what to do when she knows that her wisdom counts for something and she isn’t just imposing her will onto someone else for the hell of it, or because she doesn’t respect them.

she also definitely takes iroh’s advice to heart, because unlike a certain incorrigible nephew, she’s really wise and emotionally mature, able to respond to measured advice and actually internalize what iroh is saying. so it doesn’t take long for her to develop a bond with sokka where she doesn’t feel afraid to rely on him. and it’s funny, because she accuses katara of being overbearing and motherly, but she does actually listen to sokka and follow his every command, despite her supposed disdain for authority. and i think it’s the fact that even though sokka does sometimes forget that she’s blind, he’s never purposely insensitive, and he never bosses her around for the hell of it.

unlike katara, who is genuinely unkind to toph in “the chase,” sokka never disrespects toph, and he certainly never disrespects her disability. he’ll banter with her about it, like when he says “well you’ve never not seen anything like this” in “sokka’s master,” but the joke isn’t at her expense, unlike “the stars sure are beautiful tonight,” which is straight up cruel and lowkey unforgivable (sidenote: as someone who has been bullied for being disabled, i do think that this is hands down the worst thing katara ever says in the show, and i understand why toph would continue to hold a grudge against her for that for a long time). whereas sokka always treats toph like a person, and toph recognizes that, so she thus not only accepts his help, but actively asks for it and enjoys receiving it.

toph does grow and accept her own vulnerability remarkably fast, but to the gaang’s credit, they are great friends, and they all treat her like a person instead of a burden or a doll (including katara). having people who love you and understand you, both in terms of your strengths and your limitations, is really necessary, for anyone, but especially for disabled people. i’m really lucky to have people in my life who love me like that, and toph’s arc is so beautiful specifically because she is given that love and care and never takes it for granted. i definitely think that toph is one of the greatest disabled characters of all time, and it’s because her disability isn’t simply incidental to her character, but rather the central pillar of her arc that informs all her motivations at all times. she learns to ask for help, and accept help when it’s offered. she finds a community.

#amorphousea #asks #toph #analysis #katara&toph #sokka&toph #she means so much to me….. #and please do send that follow up ask about sokka because their dynamic is so important #honestly it’s probably what got me to like sokka in the first place #crazy i know . but his friendship w toph is just so perfect #& it rly made me appreciate him more as a kid

[juicyreptile]

Things in ATLA fanfics that really butter my bread

zuko described as breathing out sparks/embers/smoke/steam, especially unconsciously

aang forgetting he is the most powerful human alive

sokka gets the braincell

the gaang (aang or zuko esp) gets to be feral. as a treat ❤️

rotational team parent - everyone gets a turn to try and corral (and fail!!) the other members!

everyone forgetting that zuko is a master of stealth and/or zuko getting to actually use those Blue Spirit skills

Everyone's Uncle Iroh is Best Dad

ZHAO ALWAYS GETTING FUCKING DUNKED ON, NON-STOP. fuck zhao all my homies HATE zhao

suki my beloved suki

toph being the absolute gremlin that she is

aang being a troll

physical differences in benders!! like, firebenders running HOT, being hard to burn; waterbenders running cool, able to deal with colder temps easier; earthbenders have denser bones, tougher skin; airbenders having huge lungs, superior senses of balance/up-down; ect ect, (this can also extend to non-benders of the dif nations in less dramatic and/or obvious ways)

zuko being the leading expert on airbenders/the avatar to the surprise of everyone, with the excuse that he was hunting for the avatar for three goddamn years and looked up any tiny scrap of information he could find. (also extends to him being super knowledgeable about the customs of other nations/places because he's literally been all over the world)

found family gaang real; they're all stupid and protective over each other, sharing one braincell collectively and doing incredibly dangerous things but then all just pile up in one place to chill and take a group mirmir

outsider POV of the gaang, esp ones were people are incredibly alarmed over this group of feral children being the ones running the world now but also wtf else are they gonna do?? they gonna tell the Fire Lord what to do? they gonna tell the AVATAR what to do?????

please share with me YOUR favorite things in fics i wanna hear them ❤️

#atla #the last airbender #avatar the last airbender #the gaang

[returquoise]

ATLALA, aka Avatar the Last Airbender Live Action

Sooooo, I finished the first season and had thoughts (just like everyone else lol). First context, non-spoilery thoughts, and then spoilers under the cut, yadda-yadda.

Why context? Because for a lot of people OG ATLA was their childhood, and they have super strong feelings about it and about any adaptation that exists. I'm not one of those people.

The first time I watched OG ATLA I was over 20 years old, which means I was an adult and had adult viewpoints about the story – worldbuilding, character writing, etc. It was never the hallowed most perfect show ever for me. It was and still is a fucking good show with some amazing writing and worldbuilding but I did have some gripes.

So when ATLALA was announced I remained neutral – I've seen the movie that shall not be named and din't really like it but shitty adaptations have always existed. When we started getting photos and trailers and news pieces, I was feeling pretty positive about the visuals, but neither news pieces or trailers actually tell you shit about what the writing or worldbuilding is like. However, I was about 70% optimistic.

Because what indications I did get about visuals, writing etc, were very reminiscent of another adaptation that had come out recently, about a series that was actually a bit more important to me on an emotional than ATLA. I'm talking about One Piece, and OPLA which came out last August. I've been a fan of that for 10 years longer than ATLA, and while they did a lot of changes, the spirit of the story was there.

So I copied my optimism and good feelings from that, going into ATLALA.

Now, the thoughts.

Visuals are pretty good. There are moments when I can tell they left some visuals out due to trickiness/budget (the "is Zuko's ship real?" review after the premiere). Some things look fake or plasticy, some stuff is too clean. Bending looks a lot better than in the movie that shall not be named.

Writing has issues. Some of it is very expositiony which makes it wooden and the shots uninteresting (there were so many badly framed shots with characters just awkwardly standing and talking). There are some lovely bits of dialogue that gave me feelings, but those moments were in the minority. And some writing choices were also quite childish, even for an adaptation of a kids' cartoon, so I'm a bit confused about the intended age demographic – except there are some really violent bits in there, which leave me even more confused.

Pacing was either frantic or okay-ish. The writers clearly had trouble paring down the OG series, and then ended up cramming stuff together. I could keep up with it (knowing what certain characters roughly meant for the plot, even if they were at a different place and time), but I'm not quite sure if someone uninitiated in the OG series could. The last 2 episodes had probably the best pacing and even then there were some things that made me go "hmmm."

Some actors have issues emoting – main and extras. I agree that the Gaang has lost some of their flaws compared to the OG series. Maybe some of them will make more of an appearance in season two when everyone's more experienced at acting? Especially considering that they'll likely have stuff more spaced out there – there are some episodes I'm pretty sure they'll outright skip, just based on the choices in this season. But we'll see. There were some fun and interesting bonding moments between different characters.

Sokka, Zuko, and Suki were the standouts from the younger cast. Suki is considerably different from the OG but it was acted and written well, and is an interesting choice. Sokka's quips, while not as numerous as in the OG, were fun. Physical comedy is obviously more toned down because real bodies can't do the same shit as cartoons. More about his arc choices later. Zuko was a bit toned down from the OG but IMO also the closest to it. And as someone who's almost finished with a Zuko AU fanfic, I was positively cackling due to the fact that some of the choices made for the character are similar to something I've done in my fic.

As for the rest of the main kids, there'll be more in the spoiler bits, BUT, they're different, and feel less experienced in acting. They're not bad but some choices were definitely different than in the show and they offer interesting opportunities. We'll see how they pan out, but be prepared for some speculation from me.

Fight scenes sometimes had IMO slow moments in the choreo, and they could have been better. Some were excellent, some a bit ehhh.

On the whole, I think this is about 7 out of 10. Some moments were 8 out of 10. It's a passable adaptation

Spoilery thoughts waaaay down.

Whoo boy. Where to start here?

Let's start with the cramming. As far as I can tell from my notes, the episodes are roughly divided like so:

EP1: 3,5 and bits (Boy in the Iceberg, Avatar Returns, Southern Air Temple, half of the Storm, bits of Avatar and the Fire Lord)

EP2: 1 and bits (Warriors of Kyoshi, part of Waterbending Scroll)

EP3: 3 halves (King of Omashu, Jet, Northern Air Temple)

EP4: 1, 4 halves and bits (King of Omashu, Jet, Northern Air Temple, Cave of Two Lovers, half of Winter Solstice P1, bits of the Avatar Day,)

EP5: 2 halves and pieces of 3 (half of Winter Solstice P1, half of Bato of the Water Tribe, part of Southern Raiders, part of the Library, part of Siege of the North) AND timeskip mention of the Great Divide and the pirates from Waterbending Scroll

EP6: 2, two halves and bits (Winter Solstice P2, Blue Spirit, half of Bato of the Water Tribe half of the Storm, part of Siege of the North)

EP7: 2 (Waterbending Master, Siege of the North)

EP8: 2 and pieces (Siege of the North, Return to Omashu, bits of Northern Air Temple, part of the Library)

Waterbending Scroll is a bit of throughline because you see moments of training in pretty much all of the episodes.

Episode 1 was very full, and felt rushed at times. There were a few places where they could have shortened some parts (like the earthbender spy scene at the start) to give more time for other stuff. Biggest gripes are the convenience of timing – Aang going off to clear his head only for everyone to die that very night. HOWEVER, me and my friends talked about it being likely Spirit shenanigans going "fuck, Air Nomads are gonna die now, we need to deepfreeze the Avatar for storage." We also concluded that the sudden current of Sokka and Katara finding Aang was either physics we don't understand, or Spirit shenanigans. Also the thing about all the Air Nomads coming over for the Great Comet festival? And then having so few of them on screen? Sorry, but I ain't buying it. Having such a sparse population in one temple I could have bought (with caveats) but adding in the gathering, nah.

Episode 2, Sokka-Suki was beautiful. I think it works even with the removed downplaying of girls capabilities (this change also brought some other stuff to Sokka I absolutely adored in later episodes but I'll talk about that when I start ranting about the characters). This was pretty close to the OG episode in many ways and I really don't have other problems with it, besides the somewhat childish end discussion about hope and shit with Aang and Suki's mom (Suki having a badass mom is fun). Manifesting Avatars and being able to talk to them only at their shrines will be an interesting take on stuff. Because that will affect some stuff on later seasons and I'm not sure how.

(And considering how scared Aang is of the Avatar State this early on, we might end up skipping the Avatar State in the next season. At least partially. Because we did get a lot of info now.)

That's a very full itinerary and it was hardest to follow at eps 3-4 because there were so many things going on. Jet's and the Mechanist's conflicting storylines made for an interesting drama (though, again, hard to follow) and gave Sokka and Katara something to do – which they didn't really have in the OG Omashu episode, which was what Aang was mostly dealing with here. In my opinion these two episodes didn't get a proper handling, because they're one of the few instances were we get people from the Earth Kingdom doing questionable shit, but we don't really discuss it. And while everyone know marketing is a mistake (it makes no one happy), considering that this series was trying to sell itself as a more mature take, that feeling is left kinda lacking in regards to Jet and the Mechanist. I do appreciate Bumi being fucking bitter, like Yass, you go king, as well as the bit with the Earth Kingdom soldiers speaking of grief and mistreating Iroh. That complexity is what was left lacking with Jet and the Mechanist, and how Katara and Sokka dealt with that emotionally. Also loved Zuko getting hit by a broom and Iroh taking the fall for him. The Zuko-Zhao alliance was an interesting angle to take (after messing it up pfft) and establishing early that Azula is a master infiltrator? I liked that move, also the fact that there are Fire Nation rebels. Although I fucking loved the quick fake marriage.

5 and 6, despite being about as full if not fuller, were weaven together really well in my opinion. My biggest gripe with that two episode storyline was how the Fire Sage Shyu-Aang team-up was done – not that it was any better in the OG to be fair but it is more jarring in live action. I just about died at the 41st twist because holy shit that's an amazing angst take and I appreciate it so much. And while we do get Aang planting an acorn, it feels like a really small moment and I think the Hei Bai issue should have got a bit more attention as the episode was resolved. Koh was fucking terrifying and the appearance of Wan Shi Tong – and in the last two episodes the appearance of the celestial objects calendar machine, as well as the fact that Zhao got his dirt on Tui and La from a Fire Sage – leads me to believe we won't be getting the Library episode next season.

(The only way I can see Return to Omashu happening is if it's remixed with Imprisoned which was totally left out of this season, or we get the important info aka neutral Jing info all from the Swamp, or from a letter Bumi sent. I personally think Return to Omashu-Imprisoned remix is more likely, just so we can prep Teo and the Mechanist for the Day of the Black Sun which we saw flashing by on the celestial objects machine just before we finally got the confirmation that Sozin's Comet is still a thing. Although The Avatar State could also be remixed into this in a sort of "yes, Earth Kingdom needs to free Bumi etc but I can't do it in Avatar State, we need to be smart.")

Episodes 7 and 8 were pretty chill in pacing issues. I thought Yue was a bit too quick in warming up to Sokka but considering how it was explained I can accept it. Also, the fact that Tui and La are intelligent enough to not be fish 24/7/365 is a change that makes sense although the whole Ice Moon (is it the local Halloween?) thing was very out of left field. Women joining the fight was a wild update and definitely more of a modern take than an early 2000s take. Do I have other thoughts? Sure, but I don't want to write bajillion essays and I just want a general overview in one post.

Zuko is, like I said, a standout. Absolutely love his conspiracy board, and as someone who writes a fic with a more scholarly inclined Zuko, I loved him being able to draw, being the foremost Avatar expert in the world (you can't tell me there can be more than one or two people out there who know more than Zuko at this point, look at his research), and having opinions about calligraphy brushes. Ugh, my heart. There's some absolutely wonderful acting happening and he does action really well. Is he a bit less explosive than in the OG? Sure, but one must remember, that adaptations are just licensed fanfics. His abuse background is in the performance, and my biggest question is the Agni Kai. There was a certain desperation in his face, so he must have wanted to make an impression on Ozai, and maybe felt a bit more like he had the right to it – as this show made it clear he had been invited in the War Council and did not needle his way in. Also the 41st twist oh holy smokes I just about screamed. His flaw is still anger and trouble thinking plans through.

Azula (her bangs in the flashback crack me up, was that her emo phase?) is more obviously affected by Ozai's games in this. I know OG Azula has loads of fans and there are loads of deep dives into her character and abuse and etc, but this is actually the first time her writing has made it obvious to me. She's still cold and calculating, but she's affected by more things and that makes her into a more approachable character for me. I know many fans got this from the OG portrayal so I know this is a me thing.

Sokka is another standout. I saw an interview where the actor was like "I tried to interject and ad lib humour where I could" and I appreciate it, because a lot of them made me cackle. There was some really good humour there. As for his arc and conflict; I think it's really interesting that he tries to live up to his dad's image of a warrior, and doing it very much out of duty. It isn't so much that he wants to be a warrior, but he wants to be good enough and I think that came through wonderfully. He can be a warrior, but it ain't his passion. It also offers very interesting bonding possibilities and parallels with Zuko. My heart broke at that ice-dodging scene in episode 5, as well as his heart-to-heart with Katara in episode 4 (fucking SIBLING LOVE TRIUMPHS). Also absolutely loved the fact that he supported Katara being a warrior in the North. His flaws in the OG are self-esteem issues (nailed here), and a certain level of arrogance, that affected his attitude towards girls at times. The latter has been removed but considering it only lasted until episode 4 in the OG series anyway, I don't see it as a terribly big deal. We can still get his "it'll totally work out this way" arrogant moment at pretty much any point in the story in the future.

Katara has trouble emoting. I don't know how much experience her actor has with acting, but I hope she gets better with practice. There are some very nice bonding moments she has with Sokka and Aang that bring emotion out, but she's very stone faced a lot of the time. One could read it as a symptom of seeing her mother being literally burned alive but that depends on how her arc is written in future seasons, and how it's acted. I really like the parallel with Sokka, of him trying to be a warrior out of duty, while Katara wants to be that and has trouble getting the opportunity to do so. This came out really well in episode 4. The fact that she was made a fucking commander of sorts at North was amazing moment of proving to her that she can be, that she is, a warrior. I'm kinda sad her temper has been left out of the writing, because with her being a self-taught water bender (which I'm okay with because we see her practising every fucking episode) there's a threat of her sliding into so-called Mary Sue territory. Hopefully Toph's inclusion brings her temper out next season. She's also missing some of her naiveté, although having a crush on the first good looking outsider (with fucking mirrored shots) just like her brother is hilarious.

Aang is... to mature. He gets a lot of really good and morally and ethically right speeches, and while he expresses that he's scared and doesn't know what he's doing, it still feels too mature. He also doesn't have that many dumbass child moments (what was that episode he just went "oops" in, that was funny and felt childlike, and then there was the water fight he had with Katara). It could be because we're going through stuff so fast but it'll be hard to fix later. I kinda like how his connection with Katara is being the last of their kind and loss – and then the small really good acting in ep7 when Katara says stewed sea prunes taste like home, and you can just see him go "oh, there's still someplace she can belong to, unlike me." I loved his calligraphy brush discussion with Zuko, because there was the beginnings of a bond there. As a friend said, it's nice they removed the Disney princess like love at first sight thing from the OG. If this turns into a romance (I have thoughts on that... later) I feel like it has a better chance to grow organically. No, I never shipped Kataang, please refer to the context part of this post.

Suki had a fun isolated, but curious, and socially awkward vibe to her. She's obviously different from the OG, but it's a fun and interesting difference, as the most characterisation we ever got for her was badass. Yue was interesting, more assertive and playful, which I liked. I also liked the fact that she had obvious duties and was expected to be the next chief. Even if the Northern Water Tribe sexism was kept, this felt like it added some dimension to it. June flirting with Iroh was hilarious, enough said. Mai and Ty Lee are blanks of wood. Their writing, and the direction they were given was horrible, and they're a prime example of that awkward standing and bad framing issue I mentioned way earlier. Ty Lee could have at least been bending herself into a pretzel, and Mai could have been using a knife to dig stuff from under her nails or something. I hope they get better writing and direction in the future.

Iroh was honestly pretty enjoyable. There were some moments of skilled evasive answering, but I was left missing him saying that Zuko was like a son to him. They do have really good chemistry though and you can see the care between the characters. I hated the long monologue at the end of episode 6, that felt very much beneath whatever target audience they were aiming for, and failed show not tell. Not perfect but can improve. Also, that one part where they played Leaves on the Vine, I almost died.

Ozai being a manipulative, abusive game addict is different but offers him some agency and motivation besides megalomania, which I appreciate. He had a peculiar expression when he burned Zuko, and that smells like hidden lore to me.

That's probably every character I feel like addressing at this point. However, I did mention romance in Aang's section, and I have to agree with the other whispers on the net. The fucking scarf scene. At this point, it's more likely for this show to be Zutara than Kataang IMO. BUT before people go and blow up about it, some points; cartoons offer more leeway in visual age differences, I feel like they would need to extend ATLALA plot line to last several years (instead of like, 9 months it's in the OG) to make it visually make sense. The Fortuneteller (as well as Katara's obsession with love?), and Aang's love at first sight have all been written out. Cave of Two Lovers was used for sibling love on the first season, and we ain't visiting that location again, not with how efficiently we did pretty much all of the Omashu stuff this season. Most of the Kataang iconic moments have been left out deliberately. Does this mean we'll get Zutara? Of course not, but due to the scarf scene, as well as that rivals thing they have going (we literally have two fights between Zuko and Katara this season, and the water sprout she used to thwart his fireball in episode one, and if that isn't a traditional beginning of a rivalry, nothing is), it's certainly more likely at this point than Kataang.

But we'll see, just like with everything else. It's an okay start, it's far from perfect, but it does offer new viewpoints that I find fascinating.

What's in the future.

I already explained my Return to Omashu-Imprisoned-Avatar State mash-up idea above, and that we'll likely miss the Library. I also think Avatar Day will be left out. I do however think, that we'll get the Deserter next season. We also need a way for Aang to learn about the Comet coming again and if Library is out (and probably also the Desert), best chances are IMO the Swamp or the Fortuneteller (remixing those two together is also possible). Or maybe Yeong Yeong has spies and they tell him about the Comet and he tells the Gaang. I also think they'll be foreshadowing/setting up White Lotus a bit more than we got in the OG.

I don't quite have my thought together enough to make any other guesses, but we will get Toph, Ba Sing Se, and Azula's Mean Girls Squad, but no clue yet how they'll be remixed. Season 2 has a much clearer timeline structure, whereas season 1 had a lot of episodic stuff that doesn't timeline wise offer too many roadblocks for remixes, as we saw with what they did with Omashu.

I think that's about everything I can think off. If you have comments, please be nice. This was mostly rambling, and tin foil hat baiting.

#avatar the last Airbender live action #avatar the last airbender #atlala #natla #netflix avatar the last airbender #review #thoughts #spoilers #non-spoilers #I'm sad people prefer the term natla to atlala #I'll keep calling it atlala for funsies #season 2 speculation #character analysis

[ultfreakme]

natla naysayers have used the term "feminine rage" so much that I just really wanna know what people think 'feminine rage' means? Because Katara is angry here.

In NATLA she yells at Sokka for acting like he's her dad, telling him off when he dismisses her for following Jet and him ignoring her warnings about the mechanist, then again when she freezes Jet and walks away, and then when she talked to Pakku, then when she talked to Aang and he told her she shouldn't fight, then later with Zuko in the spirit oasis. She was angry. Not as much as the original, but she isn't the flat board people think she is here?

She was not confident at the start because the draw a direction connection between her bending and her personality. As she grows more confident and learns more moves, she comes out of her shell.

Sokka stifles her, but this time because he thinks waterbending will somehow get the Fire Nation to their shores and the search for a waterbender is what killed Kya. Katara has trauma surrounding waterbending put on her by colonial forces. It's in-text, Katara needs to embrace her culture, and the good parts of her mother's life and celebrate the memory of Kya. Waterbending is like a million different things to her now; her culture, honoring her mom, being herself, fighting against the FN by simply bending, it doesn't even have to attack a person. Her bending at all is shown as something important.

And at the end she DOES. And she's confident and centered and smug about her powers. It's not the same arc and it could have been better written, but they're building up to why Katara acts the way she does the same way they did with Azula. One's a modification, the other's an addition.

It kinda sucks when people dismiss Katara's new arc because it's genuinely good. Bending is culture, the Fire Nation made her and the southern water tribe so afraid of what they are that they have to hide it and hate it but she grows throughout the show to go "fuck you" to the Fire Nation and everyone else and bends. That's a personal journey right there. In the OG Sokka didn't want her bending because he just thinks all benders are a problem. It's such an important commentary on colonialism! They take away your culture, bastardize it, to strip you away of your identity. They teach you different languages and say your gods and beliefs are evil and bring trouble. Sokka think waterbending, just Katara daring to even try it would mean the Fire Nation will come. They made the SWT afraid of their own culture and made it so that Sokka now thinks "surviving is enough" and Katara- her hope, and her embracing bending- is what shows that people should strive for more.

Like istg if you stop looking at what's gone and see what's there on the show, you'll find the new stuff.

#natla #natla positivity #katara

[eponastory]

Alright let's break this silly argument down a bit shall we?

First off, yes, everyone in the Gaang has trauma. We know this, and we don't disregard that. We know that Sokka and Katara have trauma. We know Aang has guilt over what happens with the Air Nomads when he ran away. We know Toph has baggage because her parents kept her confined because of her disability. That's all been established.

Comparing trauma does not work in anyone's favor because it's different from person to person and the way that it's treated. Hell, there are FOUR types of PTSD and not all of them have to do with existential circumstances. Some of these types have nothing to do with being in a situation that causes panic.

But it's how we deal with our trauma that sets us on the path to healing.

In Katara's case, she had some pretty severe Survivors Guilt. Not necessarily PTSD, but it could be argued that she does have that. It changed her life irrevocably and that is something she had to deal with. She does get to deal with it in TSR but this leads to conflict between her and the group because there is this perception of her that isn't really her.

Sokka has to rise above his issues with being a non-bender and feeling left out. I also feel like he hides a lot behind his humor to deflect how he really feels about things. This is what happens when you have anxiety about meeting expectations. He has expectations he has to fulfill, and it never goes right. He's afraid of disappointing people he cares about and doesn't want to let them down. He isn't a failure, but when he does actually do something amazing, there is Imposter Syndrome. We don't see it much, but we do in NAtLA.

I'm not going to talk about Aang. I refuse.

Toph has been sheltered her whole life because she is blind. She is at home with herself, but she doesn't like anyone to do anything for her. She eventually learns that it's okay to have help when she needs it and that it's okay to have friends. (Not comparing trauma here, but she has the minor character arch out of all of them)

Zuko is... a lot to unpack. At the beginning, we know next to nothing about him except that he is the Crown Prince of the Fire Nation, and he's hunting the Avatar to reclaim his 'honor'. He's hot-headed, but we never actually see him hurting anyone. He threatens, but he doesn't want to hurt people. That's the first sign that things aren't all they seem with Sifu Hotman. Throughout book one we get to know him a little better and see that he is Banished from home because of a 'misunderstanding' and he was also brutally abused by his own father. In the Netflix Adaptation it's more nuanced at how Ozai is playing his children against each other for his own benefit. It sucks but it's also good writing (some of the best writing is done with the characters of the Fire Nation) but anyway, we get an understanding of where Zuko's trauma comes from.

He has been emotionally abused by his narcissistic sociopath of a father because Zuko didn't have that 'spark' in his eyes at birth (not the entire reason but I'll get to that in a bit). Azula was the Prodigy, so Ozai put all his focus on to her. Then, his mother literally killed Azulon to save Zuko's life, but he doesn't find out until later. All of that plus the Agni Kai against his father is why he is so invested in finding the Avatar. Ozai seemingly took everything away from Zuko, but Zuko still loves his father and his people.

So why is he chasing the Avatar? Because he wants to go back to everything he knows. It's not just about getting back something that was never really taken away, it was all about getting back everything Ozai took from him.

Zuko never lost his honor, but he had everything else stripped from him and was humiliated for it.

He eventually grows through this and begins to heal himself with confronting Ozai on the Day of Black Sun. That was when he said 'fuck this shit I'm doing this my way' and that royally pisses Ozai off.

So if you don't like that our argument has better standing than yours, I suggest you go take some creative writing classes and learn about character development.

#fight me on this and youll lose. #it pays to go to college #adult opinions here #zutara #pro zutara #pro zuko #character development

[erisenyo]

I very much agreed with @lizardlicks that this post had Sokka vibes and then a fic somehow happened. Enjoy!

“—So when you lost consciousness and fell down like an overwhelmed Victorian woman—”

“I fell normal!” Sokka protests, trying to get off the ground and allowing the EMT to stop him. “I fainted in a normal way!”

“You put the back of your hand to your forehead and spun around,” the EMT says, dry, snapping a fresh pair of latex gloves onto his hands.

Yeah, because Katara’s cut suddenly started spurting when the other EMT pulled off the flannel she’d been using to apply pressure, like they’re in some kind of 70s samurai film and apologies if Sokka didn’t think it was cool and neat like everyone else— “That never happened,” Sokka protests, feeling his face coloring despite himself. “I fainted in a normal or maybe even masculine way.”

“A masculine faint,” the EMT repeats, raising his eyebrow—only one, with that scar, but Sokka is more trying to get another look at his eyes without being obvious about it because in the light of the streetlights above them they looked almost gold, and maybe Sokka did hit his head on the way down…

“Yes,” Sokka insists, refusing to cringe like part of him wants to because god, he can hear himself, alright? He knows. “A very masculine faint.”

“Masculine faints, Victorian woman faints, that from your fancy med school, Sozin?” the other EMT suddenly calls from where he’s finishing bandaging Katara’s arm, and Sokka feels himself flushing even darker at the words. “I must have missed that one with my plain ol’ technical year.”

“Yes, Jet, you must have, thank you for pointing that out yet again,” the EMT—Sozin?—says, giving his colleague a look just this side of a glare.

The other EMT just grins—smirks, really—the toothpick in his mouth somehow accenting the gesture.

“Sokka, just let the man look at you,” Katara huffs, rolling her eyes. Like Sokka is the one bleeding, like Sokka is the one who got bumped by a stumbling fair-goer and who even knows what she slashed her arm open on but it was probably rusty and full of tetanus and why is everyone else acting like it’s no big deal. “It’s not a big deal,” she says, giving him a knowing look. And then giving her EMT—Jet? Is that his real name?—a very different kind of look.

“Alright,” Sokka’s EMT says quickly, catching the look Sokka is giving Jet. “Let’s just focus over here for a moment, okay? Do you always faint at the sight blood?”

Sokka sighs, reluctantly setting aside Jet and his worry for Katara and the huffy feeling in his chest over Sozin’s choice of words to describe. Which regretfully only leaves the fact that his EMT is hot. High cheekbones and thick, shaggy hair and warm golden skin and a scar that only makes his face more interesting and that Sokka thinks bleeds into a tattoo around his collar and making that polyester uniform look better than it has any right to.

And he just saw Sokka fucking swoon like some Regency romance heroine.

“I didn’t faint,” Sokka insists, quickly closing his eyes so he isn’t staring at the guy from not even a foot away, which somehow makes the sensation of Sozin’s fingers testing for sore spots, gently and confidently running up the back of his neck and over the curve of his skull, that much sharper.  

“Sure,” Sozin says, the raspiness of his voice even more apparent when Sokka doesn’t have anything else to focus on. And so clearly humoring him. Sokka feels something longing twist in his chest even as he tries not to visibly shiver. “Do you always decide to take a break at the sight of blood?”

“I didn’t,” Sokka repeats, unsure why he can’t let it go. It’s no like he would think poorly of someone who did faint over blood. It’s supposed to be inside, it’s suddenly on the outside. He hunted with his dad every winter he can remember up until they moved, but he gets it. It can be unsettling.

And normally Sokka wouldn’t care what some random person thought about him, not even a cute guy. But Sozin is hot, and he and the other EMT and future-neurosurgeon-pediatric orthopedist-gynecologist-she-has-to-decide-one-day Katara didn’t even bat an eyelash when she suddenly started gushing blood. And Sokka…did.

“No pain, that’s good,” his EMT says, fingers disappearing. “Any headache?”

“No,” Sokka sighs. Though he’s sure he’ll be banging his head against his headrest once they finally get to the car enough to fix that.

“Hm. Open your eyes for me?”

Sokka does, caught somewhere between reluctance to admit this is all happening and wanting to stare as long as he’s going to get the chance to because god, those eyes are definitely gold. “Do you wear contacts?” he blurts before he can catch himself.

“No,” his EMT says after a pause, giving him an amused look. “Do you?”

“Uh, glasses, sometimes,” Sokka says. “Not all the time, but for like, reading and stuff. Not like, I don’t need them need them,” he adds quickly, thinking of Gran Gran’s reading glasses. “But like, sometimes when the print is small and the contrast isn’t great and your eyes just strain?”

“You wear glasses,” Sozin finishes for him. Definitely amused, but Sokka didn’t tell any jokes, and…shit. “So if I ask if your vision is blurry…?”

“It’s fine,” Sokka says quickly, straightening and glancing around for something to read. The side of the ambulance—no, that’s huge. The make and model off a car? But he could recognize that by sight. A license plate! He can read out a—

“Good,” Sozin says, apparently happy to take his word for it which…shouldn’t leave Sokka feeling quite so deflated. “And can you concentrate on the end of my flashlight here—” He carefully moves the little penlight left to right and up and down, Sokka diligently tracking its movements and blinking but holding still for the quick flash of the light into his eyes, trying to look into the middle distance and not just lose himself in his EMT’s impossibly gold eyes because he doesn’t need the man to think he’s any weirder than he probably already does.

“I really am fine,” Sokka says as the penlight disappears into Sozin’s pocket. “Not that I don’t appreciate the little head massage and checkup, but—"

“I’m glad to hear it,” his EMT says. Back to humoring him. “Any nausea?”

“Because vomiting on a cute guy is just how I need to cap off my night,” Sokka says before he can catch himself, freezing when he belatedly registers the words.

Sozin pauses, lips pursed, before continuing to rummage through his medical kit and Sokka just…dies a little bit inside.

“Can we just…forget I said that?” Sokka says, squeezing his eyes shut again as the hopeful flutter in chest wilts. Fuck he just…really is trying to face plant in every literal and metaphorical way he can right now, isn’t he.

“Generally I do need to keep track of signs of confusion or repetition, so sorry. Gotta remember that one.”

“Got it,” Sokka says, slumping and scrubbing his hands over his face. “Makes sense. Look, Sozin—”

“Zuko,” his EMT interrupts, Sokka dropping his hands to give him a blank, confused look. “It’s Zuko,” the man repeats, tapping the nametag on his chest that…does not say Sozin. “Sozin is my last name.”

…Right. Right. The nametag has great contrast and giant letters, too. Fuck.

“Look,” Sokka sighs, tugging on his wolf tail, “I didn’t faint, I just—Katara is my only sister and we basically raised each from when she was like, ten years old and I was twelve, okay? And she was hurt, and we handled it, and you guys got here, great, awesome, she’s in good hands. But then, you know, the whole spurting blood thing and it got worse and…”

Sokka trails off, trying to find the words, some part of him hoping his EMT—Zuko, his name is Zuko, and he isn’t Sokka’s anything—will be able to fill in the gap. But Zuko is just quiet, rummaging in his bag far more than he probably needs to considering he isn’t pulling anything out. Probably just looking for something to do with his hands so he doesn’t have to look at Sokka rambling and making an idiot of himself and humoring him, again, but fuck, Sokka is going to try to explain it anyway because he didn’t faint, okay, he didn’t.

“Look, people can take turns for the worse, okay?” Sokka says, hearing himself fast and clipped and aware that he’s being cryptic and hoping this doesn’t get him another check in the ‘confusion’ column like his fucking contacts question probably did. “It can all seem fine and like you don’t have to worry anymore, but then you do. It happens, okay? So it was just—it was a lot. Emotionally, I mean. But I didn’t faint, I’m not—I wouldn’t lie about something like that,” he says, the heart of his frustration finally spilling out of him. “It doesn’t—I wouldn’t care, I wouldn’t try to make your life harder like that, I wouldn’t—I wouldn’t lie,” he repeats, feeling himself running out of steam when his—the—EMT still doesn’t respond. “I wouldn’t,” he finishes softly, frowning down at his sneakers against the asphalt. “I’m not like that.”

A long beat of silence except for the faint murmur of Katara and the other EMT’s voices, the fair behind him, the distant sound of cars along road, until finally Zuko stirs, the rustle of his uniform overly loud between them. “What’s your name?” he asks, glancing up, and Sokka sucks in a quick breath.

“Sokka,” he says, something hopeful trying to root in his chest again. “It’s Sokka.”

“Sokka,” Zuko repeats, nodding a moment before suddenly rising smoothly to his feet. “Let’s do your balance check.”

Sokka closes his eyes a moment, letting the fluttering edges of a new crush truly wisp away before he rises to his feet, carefully following Zuko’s instructions. His eyes are more on the pavement still than anything else but he can say that’s just for balance, just for focus as he obediently stands on one foot and then the other, touches his nose, leans to the side, feeling like he could jump and spin just fine, throw in some fancy footwork no problem, but just…not wanting to.

“Everything looks good,” Zuko finally says, and Sokka lets his arms drop, nodding.

“Yeah,” he says, mustering up a smile and glancing over to see if Katara’s ready, too. “Thanks, man.”

“Hm.” A considering look as Zuko peels off his latex gloves, then, “Are you sticking around for the rest of the fair.”

“If Katara can,” Sokka shrugs. “But I know, none of the crazy rides, take it easy, don’t stare at screens, if I feel a headache coming on don’t push it. I have been concussed before, I do know what it feels like.”

Zuko purses his lips, carefully balling up his gloves. “From fainting?”

Sokka pinches the bridge of his nose. “Hockey.”

Zuko nods, carefully checking over his kit before zipping it shut, all studious, careful focus and Sokka is trying to decide if maybe he can just…melt back from the edge of the parking lot to exit this situation when Zuko suddenly says, “I was actually going to say that Jet and I are working for the fairground. Not like, as city paramedics.”

“Okay,” Sokka says after a beat. Is this—are they going to get billed, or…?

“Which means we’re on shift at this location.” Zuko’s eyes flick up, his voice almost diffident. “My shift ends in two hours. If you’ll still be around.”

“Oh, that—” Sokka blinks, making himself actually replay the words. “Oh.” Is that—is Zuko--?

“I could check on your symptoms,” Zuko adds, glancing up again and…definitely looking through his lashes. Oh. Oh. “Test your hand eye coordination, make sure it’s still good? I hear ring toss is good for that.”

“Yeah, that—yeah.” Part of Sokka is still a little bit disbelieving, but Zuko is still looking at him, holding eye contact, lips curling at the edges, small and shy and pleased and cute, cute, cute and yeah, Sokka is going to let himself belief it. “That would be nice. I’d like that.”

“Me, too,” Zuko says, hefting his bag as he stands again, all easy strength and grace and he’s a few inches taller than Sokka and Sokka has the feeling he’s going to like looking up into his eyes. “Meet by the Ferris wheel?”

“Absolutely.” Hopefully there aren’t two of them here. Sokka and Katara barely got to explore before she got hurt.

“You should practice your ring toss in the meantime,” Zuko says, serious and grave and teasing, definitely teasing, and Sokka can’t help but grin in answer.

“I don’t know, I gotta keep it a fair competition when you show up,” Sokka says, buffing his nails against his shirt and teasing back and his entire body feeling light when Zuko’s eyes crinkle in the corners in response.

“You better practice, then,” Zuko says, all confidence and challenge and Sokka thinks he if does end up feeling faint tonight, or dizzy, or weak in the knees—hopefully not nauseated—that it is very much going to be Zuko’s fault.

He can’t wait.

--

“…Did you just pick up your paramedic?”

Sokka gives her a sideways look. “Did you?”

“…Let’s go get funnel cakes and not talk about it.”

“Great idea,” he says quickly. He has a feeling they’ll both get their answer in one hour and fifty-eight minutes and counting, anyway.

#fic writing #Sokka #Zuko #Zukka fic #my writing #quick fics #This is unedited and stream of consciousness so enjoy everyone! #tw: blood mention #(no one is actually really hurt)

[redwiccanrobin]

I keep seeing people say the live action show is going to be bad only because Bryke is no longer involved. Now, I’m not particularly interested in the show because live action remakes just don’t do anything for me, personally. But I think y’all are giving Bryke way more credit than they deserve. Let’s discuss.

First, I think we should acknowledge the more problematic aspect of them creating the show in the first place. While I love Avatar, Bryke are two white men who took the aesthetics of many different Asian cultures to create their world. And most of the voice cast were also white. If there were Asian voice actors, they were either a background character or a villain (besides Iroh and Zuko, of course). Now, I know that some of you may have read that and thought about how the actor playing Sokka is not only white but lied about his ethnicity. Don’t worry, I’m mad at that as well and I’m beyond frustrated that Sokka has been whitewashed not once, but twice in the name of a live action interpretation.

And speaking of live action interpretations, let us not forget Bryke’s role in the 2010 movie. They announced their decision to leave this new show due to it not matching their vision. But they had no problem with the film that casted almost exclusively white actors to play characters of color. Again, if there were POC in the movie they were either background actors or villains (again, besides Iroh and Zuko). When people bring up the movie, they blame Shamalan for every aspect of it. Yes, he did not direct a good movie. But, at the end of the day, Bryke wanted this movie to happen. Everyone else, including Shamalan, wanted a season four but they were dead set on the live action movie that whitewashed most of the characters. And they were fine with that. That didn’t clash with their vision despite relying very heavily on non-white cultures to make their show.

Outside of the whitewashed movie, their creative choices are… interesting, to say the least. And we didn’t get to see those because the writers pulled their weight and tweaked the original concepts. Toph? Bryke wanted her to be a boy and be in a love triangle with Aang and Katara. It was the writers who made her a girl. Azula? Again, Bryke wanted her to be a boy and, again, the writers made her a girl. Katara fighting sexism in the Northern Water Tribe? They wanted her to be fighting for Aang, not herself. It was the writers decision to add in Katara fighting against a patriarchal system. Many of the episodes that people point to as their favorites (Zuko Alone, The Puppetmaster, The Southern Raiders) were not written by them. Yet, they get the pats on the backs from casual viewers and even some dedicated fans.

Do you know what happens when they do have creative control? At best, it’s mediocre, at worst, it’s bad. Let’s first take a look at their continuation of this universe by looking at Legend of Korra. The writers that made those iconic and beautiful episodes in ATLA? For the most part, they’re no where to be found. And it shows. LoK was a mess from the very beginning and never quite got its footing. Yes, I will acknowledge that Nickelodeon fucked them over. Yes, I do have respect for them for sticking to their guns and making Korrasami an item and giving us not one but two bisexual women of color. But besides that? It’s just a very mediocre show with mediocre writing.

But we see how truly bad things can get with the ATLA comics. Now, I do need to acknowledge that they didn’t work on that comic alone. So, like the movie, there are others to blame for the mess. But Bryke signed off on everything and wrote some of it themselves. And, boy, are they bad. A large number of the ATLA fandom do not like these comics and there’s definitely a reason why. Including out of character moments, prominent sexism with how the women are written, and just downright bizarre discussions, it’s not that much of a surprise that we don’t like to acknowledge it. In my opinion, no one got screwed over more in those comics than Katara. They make her a trophy girlfriend. A shadow to Aang rather than being her own character. That girl we watched in the show, the one who was vibrant, layered, complex, was gone. In her place, a hollow shell. And they would continue to show disrespect for their own character in LoK where she has been upgraded from trophy girlfriend to trophy wife. They didn’t even care enough about her, besides her being the wife of Aang and the mother of his children, to give her a statue! All the feminism we see in the original show? It definitely wasn’t Bryke.

I don’t know how this new live action show is going to pan out. It could be great, it could be bad. It could just be meh. But none of those outcomes have anything to do with whether or not Bryke was involved. Because they may have created ATLA, but they weren’t the ones who truly breathed life into it.

#avatar the last airbender #atla meta #anti Bryke #atla fandom critical

[zvtara-was-never-canon]

I found it. The worst Katara take.

https://www.tumblr.com/illycanary/748146862907867136/kataras-entire-arc-was-about-her-becoming-someone?source=share

Her entire arc was about becoming someone who could lead the Fire Nation!? The nation that GENOCIDED her people!?

Please… please I need to hear your take on this. It hurts my soul. Give me peace.

Zutarians: It's so disgusting how Kataang completely reduces Katara to just "The Avatar's girl."

Also zutarians: Katara's entire arc, trauma and struggles are not actually about herself, but about her Totally Real romance with Zuko and how she'll be great for his nation.

And she used to hate said nation because it was an elusive concept to project her insecurities onto. It was totally not because said nation had in place a socio-political AND military system that was hostile to her, her loved ones, and her culture by design.

It wasn't Zuko and the Fire Nation that had to understand that everyone else in the world was as human as they were, oh no. It was actually Katara and the rest of the world that had to understand that the Fire Nation ain't as bad as they thought - even though they WERE doing all the horrible things they thought they were doing, and ruining their lives by taking away everything and everyone they loved.

#UnhingedZutariansShutTheFuckUpChallenge

Also, can the fandom as a whole stop it with the bullshit "Characters like Jet and Hama existed to teach Katara and Sokka not to be racist against the Fire Nation"?

They were NEVER okay with killing, or even mistreating, someone just because they happened to be born in the Fire Nation or were under their control. Everyone they hated had done something to earn said hate: killed someone they loved, attacked their tribe, chased them around the world, held people prisoner and forced them into slave labor, etc.

You might think it was wrong of Katara and Sokka to do something like try to convince Aang to leave Zuko to die in the North Pole (and the show was very clearly saying that was the case) but you cannot act like that was based on some unearned hostility to anyone vaguely associated with a nation they "didn't understand" and not on, like Sokka said, not giving the guy that was trying to kill them a chance to try again and maybe succeed - hell, Katara gave Zuko a chance in Ba Sing Se, and look what fucking happened. Her best friend died right in front of her because Zuko jsut had to go help Azula take control of the city, and then he sent an assassin after them.

No one is fully good or evil - but people CHOOSE to do bad things, even if they have sympathetic reasons, and a political system CAN be inherently cruel, unfair and EVIL. And the Fire Nation under Sozin, Azulon and Ozai's rule very much was. And since Zuko went out of his way to keep that political system in place, he was doing something evil, and thus the people that were being victimized by him had every right to hate his guts for it.

Once again, let's hear it from Zuko himself:

"Growing up, we were taught that the Fire Nation was the greatest civilization in history. And somehow, the war was our way of sharing our greatness with the rest of the world. What an amazing lie that was. The people of the world are terrified by the Fire Nation. They don't see our greatness. They hate us! And we deserve it! We've created an era of fear in the world. And if we don't want the world to destroy itself, we need to replace it with an era of peace and kindness."

The Fire Nation screwed up. Zuko screwed up. They need to get their shit together (and Zuko did), and the responsibility to do so is on THEM, not on the people that are quite literally fighting for their lives because the Fire Nation gave them no choice.

It's not Katara's job to make Zuko, and an entire country, see reason. And her arc was about HER journey, HER struggles, HER accomplishments, HER life, HER culture, and HER loved ones - just because Zuko would eventually be part of the last category, that doesn't mean that it secretly all about him the whole time.

And Zuko knows all this. That's why his arc, and his friendship with Katara, works. The show already gave you the perfect scenario to turn that friendship into a romance in fanfics and headcanons, you don't need to pretend the Fire Nation wasn't the obvious bad guy in the war THEY chose to start.

You can respect the beautiful arcs both Katara and Zuko went through, or you can make excuses for the Fire Nation's choice to commit genocide by saying "Well, EVERYONE had something to learn from it." You cannot possibly do both, because their arcs are all about showing this "both sides" thing is NOT TRUE.

#anti zutara #pro katara #pro zuko

[bisexuallsokka]

zukka n 22 pls :)

22. a kiss in a rush of adrenaline.

"Sokka."

"I know."

"It's just that…if you don’t make it…”

"I know, Zuko."

"Sorry. You can do this. Win for me, yeah?"

Sokka spares a glance at him, seeing how he is worrying his bottom lip. Zuko meets his eyes, as if he can read Sokka's thoughts about Zuko's lips and his hands and his--

"Sokka!" Suki warns.

"Shit," Sokka curses, redirecting his attention to the television and glaring at the banana peel that his kart just ran into. "Sorry, uh, got distracted."

"Sokka just hit a banana peel," Zuko says, continuing his ongoing narration to Toph. "I think it's the one he planted during the last lap."

Toph lets out a cackle that Sokka chooses not to acknowledge, and out of the corner of his eye he sees Katara lean forward more. His palms feel sweaty. He's so close to gaining on her, he can't let Zuko down after Katara beat him in the last race. Funny, the fact that he could lose the pool of money reserved for the champion of their Mario Kart bracket doesn't seem to matter to him anymore.

"Katara is still in the lead but Sokka is catching up, they are approaching the finish line to start the final lap, they both just got a power-up..."

Sokka tunes him out as he crosses the finish line, focusing on the final lap, on beating Katara. He turns a corner, then another, then-

"Fuck," Katara mutters as she just barely misses the shortcut that Sokka takes, then she shouts, "Fuck!" when her position changes to 2nd and Sokka takes 1st. He doesn't dare let it distract him though, tries desperately to not get distracted by Zuko for once as his narration of the game gets louder from his excitement. Sokka just focuses on completing the rest of the track smoothly, dodging a shell that Katara sends his way, then-

"YES!" he and Zuko shout at the same time, Sokka jumping to his feet as Zuko chants, "He won, Sokka won!"

Suki and Aang cheer and Katara gets up to give her brother a firm congratulatory handshake and a smile that makes Sokka fearful of ever trying his luck a second time. He turns back to Zuko, finally letting himself fully bask in his smile and the way his eyes are wide and excited. He's on his feet, throwing his arms around Sokka so strongly that they nearly topple over, then Zuko is pulling back from the hug and Sokka's hands are grabbing his elbows to stop him from getting too far and he's leaning forward and-

Shocked silence falls over the room except for the music from Mario Kart and, after a few moments, Toph saying, "What?"

Zuko and Sokka are staring at each other in shock, Sokka's hands still frozen on Zuko and Zuko seeming unable or unwilling to step away.

"Uh, Sokka just kissed me," Zuko tells her. Toph cackles again.

"I did," Sokka says. It had barely been a kiss, just a peck really, but there was no denying their lips met. And he wanted it to happen again. But also... "Sorry, it was the adrenaline," he starts, but when Zuko's face falls Sokka grips his arms tighter. "Not like that! Like, I definitely wanted to kiss you, but I hadn't planned to do it just now, I was just excited and you were looking so-"

"Sokka, I will double my contribution to the money pool if you have this conversation literally anywhere else," Katara says, already going through the menu to start a new race, sounding way too unenthusiastic for someone who has been telling Sokka to make a move for months. Everyone else is still busy processing what just happened to say anything else; Aang's eyes are darting quickly between Zuko and Sokka, Suki is hiding a smile behind her hand, and Toph is smirking in their direction.

And, well, it's the push that Sokka needs as he grabs Zuko's hand and leads them toward the door to go for a walk and a conversation that has been a long time coming.

#i was going to choose which map theyre doing and who they play as etc but to be honest im too lazy to think about that rn #thanks for the prompt! #sophiasrant #ask me stuff #prompts #my writing #zukka

[woodlaflababab]

hey! can i ask what your thoughts are on sokkaang? why do you ship them?:)

Oh my gosh. Okay, so funnily enough I literally gave a break down to someone yesterday. Sokkaang is my little rare pair gem that I hold close to my heart.

I did write this meta, but that doesn't cover even half my thoughts.

I'll give you the short version first in case you don't want to read my full ramblings:

Sokka is Aang's biggest protector. Aang. The Avatar. Sokka is a nonbender but he don't give a shit bc Aang still needs and deserves protection.

Aang is the biggest believer in Sokka. He thinks all his ideas are genuis, and unironically uses the stupid names he comes up with. He also brings fun to Sokka.

They're smart and wise seperately, but idiots together and I love that. I just think they'd make fantastic partners in all things.

Long Version:

So, I'm a sucker for protective tropes, right? And something that absolutely kills me about Sokka and Aang is that Sokka is a nonbender and Aang is literally the most powerful person on the planet, but it is Sokka who protects Aang. I've always been soft for Aang and more than anything I want good things for him. Too many people throw him at threats, too many people expect great things from him.

Sokka doesn't. He fights Hei Bai for Aang while everyone stands back. He realizes Aang needs them in the Bato episode. His plans to defeat the fire lord are always centered on helping Aang, giving Aang any advantage he can. At this point I'm just repeating my earlier meta BUT

Basically, when I realized this I was just like, "aw, cute friendship"

And then I remembered the fuckin "Toph writes a letter" plan. The two are fucking idiots together. It's hilarious that they affect eachother like this and it's not even like, unrealistic, because of what Aang does for Sokka.

Aang is Sokka's biggest supporter. He usually happily follows Sokka's ideas, he accepts the stupid names Sokka comes up with and uses them unironically. Aang belives Sokka to be a genuis, which means he doesn't question his ideas when they're stupid, he just trusts it's a genuis idea because of course it is, Sokka came up with it. And Sokka soaks that up like a sponge.

People talk about Aang bringing fun to Katara and like, 10/10 I love that, but I feel like it's not talked about as often just how much Sokka changes thanks to the brightness Aang brings. I'm paraphrasing someone elses meta here but I don't remember where I saw it but if you know it lmk, but Sokka literally goes from "You can't fight firebenders with fun" (to which Aang replies "You should try it sometime") to the finale where he gets rid of an entire crew by fucking around all amused at himself. He goes from the most sour character to the joke filled idiot we all know and love. I do believe a lot of that is thanks to Aang's influence.

So, yeah, cute friendship, blah blah, but then I was thinking about post-war them and I realized, despite zukaang being my favorite ship and loving kataang, there's no one I'd rather see travel around with Aang than Sokka. That's always been their dynamic, Aang with the purpose and Sokka with the maps and plans to get it done. I want Aang to be able to continue to rely on Sokka in tough spots, I want Sokka to continue experiencing the world and fun thanks to Aang.

I just don't see Sokka wanting to settle back down and take on the responsibility shoved onto him as a child. He fucking bloomed thanks to being on the road and getting true oppertunities to use his strengths and I want that for him.

And Aang is Not Good at the whole plans and stuff. Sokka is so good at filling the gaps in Aang's abilities and I don't want Aang to lose that. I don't want him to lose the person that says "I don't care if he's the avatar, I'm going to fight his battles with him." I feel like Aang would be lost in some ways without him.

Then I was thinking abt Aang's admiration and belief in Sokka and realized, it wouldn't take much to tip that into a crush, esp for Aang who falls so easily.

And Sokka, we have established, is attracted to people that could kick his ass without ever landing a blow. I can see Tall Aang being Sokka's surprise gay realization.

And I just think, if they were together romantically, it would be so drama free because it would be the epitome of a relationship built on friendship. They'd just be together. No bells or whistles. I feel liked they'd just be chill af about it. They'd love eachother and it'd be as simple as that.

Just, partners, in everything. I love them so much. I'm so alone in shipping this but I have so many sokkaang ideas and they will never not be dear to me. Also, tbh, it helps that Sokka is my favorite character after Aang ksndksnd

#sokkaang #sokkaang talks #atla #woodlaflababab #i have many feelings about them #thank you for giving me an excuse to talk about them #i need to write more sokkaang metas