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#and honestly i don't mind when people do most of these
comradekatara · 2 days
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i read somewhere that, after the war, zuko at least hands hama over to the swt instead of keeping her in fire nation prisons 'till the end of her life. Which is nice, I think. But I'm also curious as to how that would work out.
Most notably: how do you think it'd go down if she were to meet Pakku? given they both have some sort of connection to kanna's life, the idea of them being forced to interact even once entertains me very much. like, old waterbending master pakku—white lotus member—who has grown up in a patriarchal society and actively forbidden women from training to fight, under the precedent they are somehow ontologically weaker, fragile, and belonging in the healing huts... THAT guy, meeting his former fiancé's old friend: (or current wife's if you go by canon, which, eugh) A woman who not only fought in the front lines but ended up becoming one of the most skilled, creative, and deadly waterbenders in history. How would he react when finding out that a woman came up with blood bending? How badly would Hama mind-fuck him?? Because I'm confident they'd hate each other's guts-- no way she'd tolerate him,,,
And on a similar note—how would Kanna feel upon reuniting wirh Hama and discovering what she put Katata through, in your opinion? Idk, I'm just full of puppetmaster thoughts today. Hama is incredibly interesting and I wish she wasn't handled so much like a Halloween Specisl creepy witch, (even though katara herself is handled and written pretty well in this episode, i think. but i digress.)
i mean obviously i think about this all the time. i personally think that zuko hands hama over to the swt upon katara's request, and she and aang personally deliver her on appa (sokka is not there, for the very deliberate reason that if he knew what they were doing he would very vocally disapprove). and so katara is sort of retraumatizing herself by doing this, but she also feels like it's necessary specifically because she needs to be able to look hama in the eye and tell her why they're not actually the same (especially now that she actually did bloodbend someone in cold blood). katara has the love and support and safety to step back from her anger and her pain and her grief and hang onto her own humanity and allow herself to be the bigger person even in moments of abject rage and acute trauma, and hama doesn't. hama is a victim of her circumstance, and that's part of what makes her so uniquely terrifying to katara, because katara has that same capacity to make people hurt, she has the same tools at her disposal, and she has the same justifications to exercise that power. but unlike hama, she hasn't actually been pushed past her limits. sometimes she can see the cliff's edge, and sometime she even teeters on the line, but hama was fully just shoved off without a parachute, and that's really what separates them above all. i think katara should be allowed to acknowledge that and forgive herself for that, even if hama doesn't directly apologize to her (although in my mind she does, and it's not enough, but it's also so much more than katara ever expected to hear). even if it is too late for hama, katara deserves to heal.
frankly, i don't really give a shit about pakku or his reaction to hama. i also don't actually think that he thinks woman are ontologically incapable of being talented waterbenders of whatever; he's a pretty worldly guy, the reason he clings to these traditions isn't born of the belief that they're grounded in logical evidence like sokka's is, it's because he believes in the preservation of a system that benefits and valorizes him. pakku thinks katara belongs in the healing huts because he comes from a culture that dictates that women belong in the healing huts. like, he might also subscribe to the bioessentialist logic that women are better healers and men are being fighters, but that honestly doesn't really matter, because (unlike sokka) his epiphany lies not in the fact that woman can fight, but in the fact that his role in upholding these systems has actively driven his loved ones away due to his cruelty. he decides to be kinder, to women and in general, because he realizes that being an asshole has negative consequences. but frankly, who cares what he thinks of hama. realizing that your sister tribe in the south deserves aid and protection after being subjected to a century of genocide is kind of too little too late imo. unlike katara, sokka, aang, or kanna, who can approach this situation from the perspective of being a genocide survivor who even remotely understands hama's trauma, pakku really has no place in this conversation to me.
as for kanna...... god. hama/kanna reunion is genuinely one of the most heart-wrenching concepts to me in all of atla. as a sidenote, hama/kanna fanfic goes so hard every time. there's a total of like 15 fanfics for them on ao3 (last i checked) but they're all sooooooo. fucking delicious. tide locked........... ugh. anyway. i cannot fathom kanna's reaction upon learning that her closest friend once upon a time is not only alive, but also a convicted felon, for crimes including but not limited to manipulating her granddaughter, violating her (and sokka's) bodily autonomy in cruel and perverse ways, and forcing her to participate in that mode of violence in a way that traumatized her forever. even if you don't read them as former lovers (although it is indubitably better that way) it's so gut-churning. kanna lost so many people over the course of her life, and to learn that one of them has returned but in the worst way possible must be mind-boggling and distinctly unreal. like how do you even process that. first, how do you process how much pain she must have went through to become the kind of person who is capable of doing this, and then, how do you process the knowledge that the person you once loved most in the world irreparably hurt the person you now love most in the world? obviously she would always prioritize katara's safety over anyone else's no matter what, but god. kanna has led such a fascinating and impossibly difficult life, and it's not over yet.
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pomefioredove · 8 hours
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sorry if you dont do platonic/kid reader posts but could you do headcannons of the dormleaders with a younger teen yuu (13-14) who had a bad homelife before and they see him as their older brother? like they come to his room crying and asking him to hold them? sorry if this doesnt make sence!! thank you and i love your work!! ^_^ <3
I very gladly do platonic and familial requests <3 I myself feel more platonic towards most of the characters ^_^
summary: housewardens adopting you as their younger sibling type of post: headcanons characters: riddle, leona, azul, kalim, vil, idia, malleus additional info: platonic, yuu is gender neutral
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𝐑𝐢𝐝𝐝𝐥𝐞 𝐑𝐨𝐬𝐞𝐡𝐞𝐚𝐫𝐭𝐬
believe it or not, Riddle is a pretty good brother
especially to someone from a home life similar to his
I suppose he recognizes it immediately; just sees pieces of himself in you
and I honestly believe he has a soft spot for younger people, even with his temperament
it's no secret that he favors you over everyone else
(even if he'd insist he treats everyone equally)
he lets you get away with things anyone else would be collared for
he pesters you about letting him help with your homework
you're invited to every Heartslabyul event
so on and so forth
and, much to everyone else's astonishment, he's always there for you to lean on
had bad day? failed an assignment? were being picked on? had a nightmare about your home?
well, that just can't do
he'll have you two freshly baked tarts and tea ready within minutes
and, of course, he'll gladly lend a hug if that's what you need
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𝐋𝐞𝐨𝐧𝐚 𝐊𝐢𝐧𝐠𝐬𝐜𝐡𝐨𝐥𝐚𝐫
it's no secret that Leona's home life isn't exactly dreamy, either
and his relationship with his brother isn't ideal
in fact, the very idea of having another sibling- especially a younger one- used to make him cringe
but... okay, he'll admit that you're alright
what? he's not heartless
and he just can't stand to see you struggling like a prey animal
so, sure, he'll take you under his wing
just until you get on your feet, that is! don't expect any special treatment from him just because he was feeling generous today
he's basically no help with anything practical
homework to do? not his thing
boy/girl trouble? don't you have any friends you could ask?
he'll give out advice when you need it, but Leona's got this idea that you need to figure things out for yourself, too
it's his strange way of... raising you?
(don't ask him why. he'll just get annoyed)
but if there's one thing he's really good at, it's providing that much-needed physical comfort
in his eyes, all he has to do is lie there
and he'll gladly give you a hug or a cuddle if it'll wipe that mopey look off your face
(don't listen to him; he really does worry sometimes)
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𝐀𝐳𝐮𝐥 𝐀𝐬𝐡𝐞𝐧𝐠𝐫𝐨𝐭𝐭𝐨
his first reaction to you and your closeness is "what do you want?"
not in a rude way, mind you; when you first meet, he sees you as an excellent business opportunity
after all, you're leagues behind everyone else in school matters; and he has a helping hand to offer.
at a price, of course
and then, as time goes on and it becomes more and more obvious that you're not looking for anything but company... well...
sure, you're all alone here
sure, you remind him way too much of himself at a younger age
but why is that his problem? haven't you heard what everyone else says about him? he's shady! untrustworthy!
and... oh, sevens. he just can't bring himself to turn you away
what was once a business venture turns into a friendship
best friend/brother Azul is insanely overprotective
even though he doesn't show it, he's constantly worrying; are the other students nice to you? are they including you? is everyone treating you fairly?
will send Jade and Floyd to keep an eye on you when he's extra anxious
it takes some time for him to adjust to the idea of you being able to take care of yourself
but, still...
he makes it clear that on those days, the ones where you feel like running and hiding from the world, his door is open
you can come hide with him, instead
free of charge, of course
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𝐊𝐚𝐥𝐢𝐦 𝐚𝐥-𝐀𝐬𝐢𝐦
he adopts you immediately
literally just can't help himself; he sees you looking lost on your first day of classes and immediately takes you under his wing
Kalim already has a lot of younger siblings, he's used to this
anything you need, he's got it
hungry? he's already had snacks prepared
feeling homesick? he'll find you something to remind you of home
struggling with school? well... Jamil can help with that!
once word gets back to his family, they basically adopt you, too
no need to worry about having a home to go back to over breaks; his family has multiple!
he will never shut up about how great you are; literally introduces you to everyone as his younger sibling
treasures everything you give him and keeps it forever
and on your worst days, he's there for you then, too
as stated, Kalim has lots of younger siblings, he knows how it goes- and he makes a surprisingly good comforter
his hugs are always the best, too
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𝐕𝐢𝐥 𝐒𝐜𝐡𝐨𝐞𝐧𝐡𝐞𝐢𝐭
Vil already has a sort of motherly thing going on for him
he may be strict, but he's nurturing above all
and much like Kalim, he takes you under his care right away
you're still young, after all- and he knows you're not emotionally mature enough to handle all the chaos of NRC on your own
plus... well, he wants to leave an impression on you
after all, the sooner you start good habits, the likelier they'll stick
(he already has your skincare regimen ready)
it's the least he can do to help... you always seem very stressed, don't you? he wonders why that is
but he never pushes for answers, of course
he makes sure you're well acquainted with everyone from the dorm, too, so that everyone can keep an eye out for you
being Vil's favorite has its perks; soon, you're well-liked by anyone from Pomefiore
and friendly with most of them, too
(just don't let Epel influence you too much)
and Vil is always there; he makes plenty of time in his week just to speak to you
he wants to make sure you're adjusting well, after all
and any problems you have, he'll deal with personally
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𝐈𝐝𝐢𝐚 𝐒𝐡𝐫𝐨𝐮𝐝
it's more likely that Ortho bonded with you and took you in first
after all, you're closer in age than anyone else at school
you may even share a few interests!
but, of course, Idia's initial reaction was No. "Ortho, you can't just pick up random kids off the side of the road,"
...so to speak.
but somehow, you keep ending up in his dorm room to hang out
he avoids you at first, but the longer you're around, the more accumulated he'll become
when it gets to the point where he's teaching you how to play all his favorite games, it's so over for him
he's fallen right into Ortho's trap
much like Azul, Idia is a liiiittle overprotective
he's had some less than ideal experiences with siblings, after all
so maybe he's a little bit of a helicopter mom
that is, constantly watching you because he's deathly worried something's going to happen to you
(it takes a lot of convincing from Ortho before he relaxes a little)
and, of course, his doors are always open
he'll even pause his game if you come in looking upset
he just can't focus when you're all sad like that, see? now come inside and tell him what's wrong before he starts overthinking and goes into anxiety mode
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𝐌𝐚𝐥𝐥𝐞𝐮𝐬 𝐃𝐫𝐚𝐜𝐨𝐧𝐢𝐚
Malleus has had enough experience with children. according to himself, anyway
he was somewhat of a brother to Silver, and holds Sebek in... a slightly similar regard
but somehow, you're completely different
for one; you're magicless, and thus can't defend yourself like everyone else can
for another; you come from a different world
and you seem very reluctant on sharing details about your past
which just confuses Malleus. are you worried he will judge you for not having any magical abilities? surely, you must trust him better than that?
it's really Lilia who's able to guess that you had a rough home life. just something about the way you conduct yourself- he's seen it before
he asks Malleus to be gentle with you, and not to pry too much
which he seems to accept
much like the aforementioned, he's a little overprotective
okay, a lot overprotective
he holds those he views as family very close to him, and you're no exception
you're invited to every Diasomnia event, Silver and Lilia pitch in on all your tutoring needs, and no one would dare mess with the beloved younger sibling of Malleus Draconia
although he still makes an effort to understand all of your emotional needs
he gladly accepts all hugs and cuddles, too
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boba-beom · 1 day
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⋆⭒˚.⋆ late nights, city lights | CHOI YEONJUN
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⟢ neighbour!yeonjun x gn!reader
⟢ drabble; comfort, fluff
⟢ after a long day of unpacking, you thank your neighbour for suggesting you take a break while he introduces you to the city you're about to call home.
⟢ wc: 999
⟢ warnings: reader already has a lil crush, a little collision, yeonjun perhaps takes an interest in reader; interpret that as you will :>
⟢ a\n: requested by @blackhairedjjun <3 added details! 'reader just moved to the city on their own & is nervous and excited at the same time about starting their life over there, yeonjun as the cute next-door neighbor at their apartment who the reader hits it off with' I was so excited to write this because I already had some thoughts floating in my head from the prompt :> I had fun writing this one, I hope you like it!
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the last cardboard box was finally emptied, only setting aside the contents of it to organise later on, before flattening out the box and shoving it on the pile by the front door. you managed to wake up incredibly early to unpack everything, so all you had left to do was organise things in the next few days before being able to settle in fully.
moving out was hard. but you finally moved out and it was something you had been wanting to do for the longest time now. you had your new job to thank as well as your friends who suggested you take this new chapter in life, hoping to start afresh.
you let out a tired sigh looking at all the flattened boxes you're still yet to dispose of, but just thinking about the trips you'll have to make coming up and down the apartment complex seemed to burden you already. but you're gonna have to get moving since it's already late in the night.
you shove as much flattened boxes into one that's still open, opening your door and picking up the box only to drop it after colliding with what seems to be one of your neighbours. great. you scold yourself before checking on your neighbour to apologise.
"oh gosh I'm so ... sorry." your voice trails quietly when you see a guy of a tall and lean build, long hair and taking off his headphones to hang from his neck before scurrying to help with the cardboard that fell out.
he chuckles, and you nervously laugh with him.
"long day?" he asks and you simply nod, gathering the boxes and holding onto them instead of giving them back to you. he saw the rest of the boxes by your door, and ultimately you pick up on his intentions. "I'll help you with these."
"oh this is embarrassing, the first time I see a neighbour and you're already doing something for me." you worry but you're still thankful all the while.
"don't worry, honestly, it's not a problem. it's about time I met the new neighbour." he says simply, letting out a pretty smile that's just as contagious as his laugh. "I'm yeonjun by the way, my flat's just on your right."
you give him your name and mentally take note of his flat number to make sure you greet him whenever you bump into each other. "again, sorry for stumbling into you, I haven't left the apartment since I got here."
he notices your timid smile and a thought crosses his mind.
"how about you grab a jacket and after we throw these out I'll show you around the city nearby." he suggests, raising his brows in anticipation of your answer.
of course, it doesn't take much convincing since you hadn't had time to explore yet.
"wait, really?" you watch him nod in your direction with full enthusiasm and it just makes it easier for you to feel at ease.
surprisingly, you realised you'd probably knock on his door one way or another to ask where to throw out the boxes, forgetting where to throw them out, but this was a lot easier and less daunting than having to knock on a door late into the night.
yeonjun was truly one of the most down to earth people you've ever met in a long time. his calm nature of making you feel welcome to the city, him walking on the pavement closest to the road while you both walk and converse down the quiet streets of the city.
the lights were bright as ever, thinking that it'd be busy at this time of night until yeonjun told you about which days are usually roaring at night and which ones are a little quieter.
surprisingly, your new neighbour took you to one of the 24/7 convenient stores nearby for some ice-cream. the nights were getting warmer and the jacket was just a precaution. it was becoming hoodie season and it had you observing yeonjun's outfit; an oversized graphic hoodie with wide leg denim shorts that looked like a long skirt. his style was appealing for what counts as 'casual' clothing. you even took a candid picture of him while he was looking up where else he should take you at this time of night.
then within an hour of wandering around, yeonjun took you back to the apartment complex and onto the rooftop where you were able to see the skyscrapers and occasional lights from vehicles beelining their way around the city.
"so, what do you think so far?" yeonjun's voice was a little hoarse, the both of you gazing over the pretty lights below.
your lips turn into a tight-lipped smile, pondering on your first few thoughts about your first night wandering around, even if it was spontaneous and only for an hour.
"I could get used to this." you lean your elbows on the ledge, smiling to yourself.
you were proud of yourself for finally doing what you've been longing to do, even after some people doubted you before. it didn't stop you when you had the right support system to encourage you every step of the way. and now you have yeonjun too.
said male turns his head towards you, a gentle smile crawling on his lips while he scans the relief beaming on your face.
"I can always show you around again." he suggests, "like we can explore during the day. but I don't mind wandering around at night again."
you hum in agreement. there was something so soothing about being in his presence, but also comforting knowing that he was already so open to helping you settle into this new part of your life.
"thank you, yeonjun. I really appreciate this." you turn to look at him too, eyes locking a little longer than you have the past hour. you have a good feeling that this friendship will be a good one.
this is gonna be a good one.
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© BOBA-BEOM ; all rights reserved. do not repost, copy, alter or translate in any way or platform.
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thedoodlerreturns · 2 days
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More Conan reread thoughts (ignore the time difference between the last one). Spoilers for practically everything lol
Honestly compared to last time, I really like the dynamic between Shinichi and Heji
In this panel specifically I really like how basically the second after Heji hears Shinichi he gets really excited. And when Shinichi tries to focus on the case and everything but Heji just tells him to come visit Osaka (which I also think is great, he just wants to hang out with his friend), Shinichi goes to hand up lol. I just really like their friendship.
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I don't exactly remember what chapters these are from and how many are inbetween, but here's my next screenshot. Can you imagine this little child just suddenly appearing behind you and with the most innocent smile asking if you want to murder someone? I too would be horrified, even if I did want to murder someone lol. He just looks so happy to say it.
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And then we have the Akai family interactions.
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I cannot emphasize enough how much I love anytime they interact. I just love them so much. Like they just. They're a family. They all care for eachother in their own ways. Even though they aren't often together. It's great.
And then we have that delivery truck case where we see Amuro just being a good guy. A scary guy. But definitely fueld by the correct intentions.
Like dude is literally running while doing complex calculations in order to track where the message had blown off too. If that's not impressive, I dunno what is.
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And then he catches the guy (by punching him in the stomach mind you) and pulls out fucking tape while telling Conan to call the police. Like. Oh my god.
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Just look at how bright and happy his face is. This man has killed people before.
I think that's all I have for now, will be reading more soon. Might or might not post my thoughts we'll see
Thanks for reading my ramblings and I hope you have a great existence!
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greycloudsinwinter · 2 days
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Hello hello, feel free to not respond if you don't vibe with this request but thoughts on yandere Jamil from twisted wonderland?
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YANDERE JAMIL X READER
🐍 jamil never really thought much of you until he saw people pushing you and ordering you around . It made him think you where both in a similar situation for instance he has too work for kamil even when he doesn’t want to and you have too do what Crowley says even when you don’t want too.
🐍he starts to notice small things like how you try your best and make the most of every situation.
🐍his free time is usually spent stalking you but he doesn’t see it as stalking more of making sure your ok.
🐍when he overbolts he suddenly becomes very forward with his feelings for you. Even if you have only met a few times.
🐍if anyone and I mean ANYONE tries to take you away he disposes of them. He doesn’t even try to hide it from you. He thinks you will be impressed and well if your not he just ignores you.
🐍he will hide you in a tower like a tall tower in the middle of nowhere and only him and his family know about it . Everyone thinks your dead cause he faked your death so no one would look for you.
🐍wants you to depend on him for everything.
🐍you will get married but it’s a small marriage ceremony only his family and priest are there.
🐍if anyone gets too close to the tower he will know about it and he will get rid of them and say they were assassins or a spy.
🐍once your married he will let you explore your tower but your not allowed outside. It’s not like you can get out anyway because the door is sealed with magic and the only windows are upstairs.
🐍he would like a family maybe be one or two kids but honestly he doesn’t really mind if it’s just you and him for life. He would be content as long as he has you.
🐍when there is a gathering from every one that went night raven college . He will pretend to be sad you couldn’t be here cause you died (you never fixed he faked your death). But everyone thinks it’s so sad that he never got his happily ever after.
🐍after the school meet up he will tell you all the gossip and what happened so you don’t feel left out.
🐍if you fight him at all when your trying to get away from he will get mad and lash out but once he calms down he apologises.
🐍he is a very delusional and obsessive yandere .
🐍overall you could have worse but he definitely definitely isn’t the best yandere to have.
Thank you so much for this request ❤️❤️
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styrofauxm · 2 days
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On aroace flags...
I want to be very clear, I am not criticizing anyone specific, but rather the current ways of combining the asexual and aromantic flags into a cohesive flag.
But I've had this floating around my head for a while, and I saw a post similar to it today, so I thought I'd throw in my two cents.
Cut because it got long.
In the ace flag, black means asexuality, gray means gray/demi sexual, white is for allosexual allies of asexual people, and purple means community. (I lost the link to the AVEN post, but someone dedicated can find it. Otherwise you can just look up the meanings on the internet to verify).
In the aro flag, the green and light green stripes are for the aromantic spectrum, white is for non-romantic attraction, and black and grey are for the sexuality spectrum. (Post by the creator saying this here: https://www.tumblr.com/cameronwhimsy/102698477928/whoops-yeah-i-just-realised-i-never-actually-made?source=share).
So black, grey, and white all mean different things for each flag, yet in most combination flags, they only appear once. Do they mean what they mean on the aromantic flag or what they mean on the asexual flag?
The light green and green don't have any arbitrary separations for people who do and don't feel romantic attraction, and the grey and black of the aro flag don't have that for sexual attraction either, while the asexual flag does. Cutting out one of the green stripes or moving the black and grey away from each other don't make sense in the context of the aromantic flag.
I've also seen some that add an extra purple stripe. It doesn't mean anything, it's just aesthetic.
Whether or not you like the sunset aroace flag, it is a good example to look at when trying to create a flag to represent aroace people. It keeps the association with asexuality and aromanticism, without using the original colors in ways that don't quite fit. (Color meaning breakdown by the creator here: https://aroaesflags.tumblr.com/post/181034758671/revised-aroace-flag-after-some-conversation-among).
The whole point of having pride flags is to have a meaningful symbol to represent our communities. For aroace people, mashing two together keeps the association with asexuality and aromanticism, but loses the deeper meaning behind each flag.
Honestly, as an aroace person, I think the only way to really design an aroace flag is to depart from the imagery of either flag. That ensures the meanings are solid, and it ensures no one in accidentally excluded (which is, to my understanding, why the sunset flag was created originally - to have a community symbol that included the whole community inherently). But I understand not everyone shares the sentiment.
So, from one aroace person to another, if you are going to design an aroace flag that's based on the ace and aro flags, please keep in mind what those colors mean in the context of each flag, and don't put them in just to have them. And be sure that your design properly includes everyone you are trying to represent.
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rayshippouuchiha · 1 day
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Here to beg my fellow Voidlings to read Dungeon Reset. There's 3 seasons (total 193 chapters) so far and it's something I binge read because it's so good. It's got such an interesting story! Yeah, it isn't really fast paced as you would expect generally from this type of story/genre, but the pacing makes sense and the combat scenes that do exist are amazing.
Basic premise: Our MC Dawoon (using the spelling in the webcomic here) gets teleported into a Dungeon Game. He's not the only one though, there's in fact a massive crowd of people there with him. The 'game assistant' tells them they need to clear the game in order to go home. We immediately get a taste of how dark and deadly this experience will be when the Game assistant kicked off someone's head for being rowdy. (This is genuinely in the first chapter, no spoilers here)
Upon their entrance everyone is granted a Special Ability by the game. What they do is different for each person, and they aren't all combat related. A Special Ability is one that has 3 tiers of leveling and each tier unlocks new functions, each tier also has 10 levels each (normal abilities/skills don't have tiers but do have 10 levels) which can improve the use of that Ability (eg. Skill gives a 2x multiplier as a base, level 2 gives a 2.5x multiplier and decreased cool down). A normal Ability can be earned by getting an Achievement, which isn't easy and typically not something people earn (eg chop 10,000 trees to get the Achievement)
Our MC does not have a combat Special Ability.
Those in the Dungeon divide themselves between Fighters and Crafters. Fighters being those with Special Abilities predisposed towards combat (fire, lighting, archery, spearmanship etc). While Crafters are those whose Special Abilities aren't suited to combat, but are needed/used by the Fighters for continued survival in the Dungeon (herb identification, purification, etc). Crafters are called that regardless of what their actual skill is because the Fighters have them crafting everything. They are responsible for butchering the monsters, handling the meals, making basic tools like torches, things of that nature.
There is a very high death rate for people in the Dungeon. We see in the first chapter how that massive crowd of people who started out, dwindled to less than 10, rather quickly in fact.
As the story progresses we learn more about the Dungeon Game, why it's happening, how it came about, what's going on with the world it's set in, etc. And all of that information is insanely interesting and given in such a way that is gradual and feels almost natural.
The set-up would lead you to believe the MC does some Duex ex machina type of thing, but even though he becomes good with his Ability it's only possible because he is honestly out of his damn mind. Also, there's many instances where the success of a battle is only possible with help from others.
I saw someone else describe the story as having elements of Dungeon Meshi and of Solo Leveling. Can't speak on the Solo Leveling aspect, but our MC is very much eating/cooking the most questionable things and is receiving a lot of side eyes from others about it.
!!!!!!
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kelocitta · 1 day
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Hello! I love your use of geometric shapes and saturated colors in your illustrations. Which artists influence your work?
Honestly while I can name a lot of artists who serve as some sort of inspiration for things like creature design or color, I can't really place ones for specifically the geometric aspect! I'm sure there are some out there, but I think a large part of specifically that is probably just me personally liking balanced/clean/symmetric stuff along with most of my sketch papers growing up being gridline paper, so doing sharp geometric shapes was common. I also tend to think of my lineless art as similar to layered paper art, which has to be physically cut out. Its sort of one of the reasons I reuse colors often? Like you'd reuse the same piece of paper
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Color wise I pull a lot from my friends, save a lot of art I think does interesting stuff with colors, etc. Generally I might skip through a couple artworks for a good "starter" color or a palette I like and go from there, adjusting it for personal preference. All the parts are drawn in little individual bits, so I can change them all independently. So often I have colors in mind at the beginning, but don't actually pick them till the very end. Here's some pieces to show how that gets fiddled with
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And if you go back far enough, everything starts as a yucky mash of whatever colors made it easiest to tell one piece from another with zero regards to palette
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I just really like bright saturated colors and honestly just kinda feel it out from there. Sometimes that's making it brighter sometimes that's making it a little more washed out. Sometimes I decide what I was going for doesn't actually look as nice as I thought. It's sort of hard to name inspirations directly because so much of what I do I do effectively by feeling, and I have piss poor memory so naming exacts is real hard. If I tried to list people whos art I think about a lot we'd be here all day. I know a lot of my recent stuff has had more direct inspo from Boxheadpaint who has just amazing shape language (but almost the exact opposite of 'geometric' but I try and match their vibe a lot when I'm trying to draw a little looser and less stiff. Also looooove how they texture stuff)
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I don't ship Soriel... Why?
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... because I honestly don't like their friendship...
... it's based on secrets and lies...
... also, Sans lets a child almost die and treats it like a joke, which is a deal breaker for most single parents (especially ones with dead kids)!
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Trying to scare Frisk for fun during first meeting...
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Tricking Frisk into shaking hands with a whoopie cushion...
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Telling Frisk to hide behind a lamp, then telling Papyrus about Frisk's hiding spot...
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Asks Frisk to play along with Papyrus' puzzles and doesn't wait for Frisk to agree or disagree...
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Does nothing to help Frisk with Papyrus' more dangerous puzzles (keep in mind, Frisk is a child and Sans made a promise to Toriel to protect Frisk)...
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Refuses to interact with Frisk, while Frisk bonds with Papyrus...
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Pranks Frisk with a whoopie cushion again and pretends to leave Frisk with the bill...
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Spills ketchup all over Frisk's dish, if Frisk wants the ketchup (he does give Frisk his meal however) ...
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Asks Frisk about a flower...
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Tricks and pranks Frisk again...
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Sleeps when Frisk is being chased by Undyne...
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Stacks hot dogs on Frisk's head...
The pranks seem at first seem harmless, but Sans is definitely trolling and messing with Frisk, with the pranks being a bit antagonistic...
He doesn't truly do anything to help Frisk, despite making a promise to protect Frisk...
He usually keeps his distance, even when Frisk hangs out with him...
Sans never truly acts like Frisk's friend, he only acts more like an acquaintance at best... and even then, he might not even truly be Frisk's acquaintance.
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Considering that he tells Frisk that the child would be dead where they stood, if it wasn't for Toriel's promise.
Then he jokes about how 'great' he is at protecting Frisk.
And then he chuckles about the thought of Frisk dying, if Frisk gives him a look.
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Toriel is allowed to move on from Asgore and date other people... but if she must date someone else... it should be someone that actually cares about kids and is honest with her.
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wavytam · 2 days
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This is the most primitive question ever but isn't Nami's tatoo a windmill and a tangerine but it's obviously an S? Can you make a post about Luffy's POV regarding SaNami? I wonder how people ship him with Nami when he's fully aware about Sanji's affection to Nami they make him look like a heartless douche
Hello, anon! I don't know how long this ask has been here, so I apologize if it took so long to answer! I didn't see this message before!
Anyway, about what you said.
First, about the tattoo: sorry, but I think it's just coincidental that it has an S shape. I think Oda could still use the drawing of the tattoo for something related to Sanji, though... maybe a pattern in something he wears. Idk. But I don't think Oda made Nami's tattoo with Sanji in mind. Maybe... I can't read his mind lol. It would be really nice if it was the case heh
About how Luffy sees Sanji and Nami: first, I'm not going to say that LN is impossible to happen, honestly.
In my opinion, the interactions Luffy and Nami had feel more like that of a brother and sister than that of a couple, but we never know when it comes to how Oda writes romance. So... Yeah. I still don't see it happening, though, for a series of reasons.
First, like you said, I'm pretty sure that Luffy, in his own way, is aware that Sanji has feelings for Nami. Not only did he witness key moments where Sanji expressed how important Nami is to him, but Luffy also incentives Sanji to help Nami.
Even without caring about romance, Luffy saw Sanji:
volunteer to help Luffy carry Nami up a mountain to find a cure,
almost die in an avalanche to prevent Nami from getting hurt
get so angry over Nami being kidnapped that he lit himself on fire
talk about how Nami is important to him during Whole Cake
So it's safe to say Luffy knows there's something there. And I think that he even incentivates Sanji to help Nami when it's needed.
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You came up with an interesting point: considering the way Oda wrote things, specially how Sanji is so enamoured with Nami (again, more than any other woman) it would be weird to make Luffy end up with Nami, with him knowing about Sanji's feelings. I'm saying this in a writing perspective.
To add more fuel to the fire I remember how Oda clearly stated he doesn't care who Luffy is interested in - which is a question he gets frequently, apparently. And just like Oda doesn't care, Luffy also doesn't care about his own love life. His purpose was always to inspire people to seek freedom. I do think he might end up with someone at the end, but I don't think Oda is actively looking for opportunities to give Luffy romantic scenes in the manga.
Sanji's developement, on the other hand, always had to do with love and emotions. So the idea that Oda always planned a romantic stoyline for him is not farfetched, and the person he likes to write Sanji pursuing the most is Nami.
Again, I really don't know what is in that guy's mind, so maybe at the end he still pulls a uno reverse card and makes LN Canon and Sanji doesn't even care lol But I think it would be a really weird choice, considering the things you have pointed out and other moments we have in the manga.
Most of the LN moments can be interpreted as more of siblings growing a bond - rather than a couple having feelings. For SaNami, especially because of Sanji's side, we can't call what he does as sibling-ish at all, even if Oda calls the Strawhat a "family" and says their dynamic should be interpret as such, he was also the one who chose to make Sanji infatuated with Nami. There's also Robin, ofc, but Nami seems to be a lot more in Sanji's mind.
Once again, it all depends on Nami and how Oda writes her reacting to Sanji's pursuits or how she acts towards Luffy.
We have favorable and unfavorable moments, and every time, it was mostly because of how Oda wrote Nami. So let's wait and see.
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starberry-skies · 6 months
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customers honestly amaze me to no end. where did you find this. why did you "put it back" all the way over here. how did you manage to open that product to "test" it faster than i can blink. we have demos of that out right now. what the fuck
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comradekatara · 2 days
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Can you go a bit more in depth about your post about Sokka in the Burning Rock episode? You said that it was basically his suicide mission, which I agree with. I'd really like to hear more of your thoughts on it.
okay yeah i mean i'm sure i've covered all these points before extensively because i love weaving a tapestry of sokka's fucked up psychological landscape more than anything in the world, but every so often someone will comment on one of my posts and be like "i think you're reaching i think sokka is the paragon of mental health actually" and i'm just like um. did we not all watch the boiling rock. did we just ignore the apotheosis of sokka's entire character arc. like katara's apotheosis in "the southern raiders" is both very overt and impactful and also, arguably, subtler than sokka's, because they don't explicitly spell out the themes every five seconds, but like. if you didn't watch the boiling rock then you cannot understand sokka. and weirdly enough i also believe that zuka shippers are the biggest culprit of this despite this episode being thee zucchini episode because they somehow still have the audacity to characterize sokka as "goofy sunshine who exists to comfort zuko" when like. the entire point is that sokka is legitimately suicidal here and zuko is doing everything in his power to support him thru what is quite literally a mental breakdown. like their relationship is legitimately interesting i don't understand how people have taken that and made it deeply boring.....but i digress.
the boiling rock is quite obviously sokka at his lowest. the worst thing that could ever happen to him – fumbling a mission that was squarely his responsibility, from its conception to its execution, due to not being able to sufficiently compartmentalize his emotions, leading to the mass imprisonment of most of his comrades, including the men of his tribe whom he idolized his entire life and felt immense pressure to live up to, including his father who he is deathly afraid of disappointing (for reasons that have nothing to hakoda being malicious or neglectful in any way, fwiw), and thus being directly implicated in the failure and the harm caused by said failure – happened. sokka is someone who is especially bad at dealing with failure, because a) he is exceptionally talented, and thus has less experience dealing with failure in both minor and major ways, and thus lacks the emotional resilience developed through the process of struggle and growth that normal people (such as, incidentally, zuko) go through and b) to sokka, whose primary desire at all times is to protect and provide for others in any way he possibly can, for someone else to sacrifice themselves for him constitutes a fundamental disruption to the order. there is a perverse wrongness to kya or yue or hakoda or suki making sacrifices on their own volition, because it means that sokka has existentially failed to protect them by martyring himself. like, he somehow feels so guilty about suki being imprisoned that when azula reveals this piece of information to him, it literally distracts him from his own mission. and mind you, there's absolutely no way sokka could have known or been responsible for suki's imprisonment. but he still feels guilty nonetheless. and azula knows that, knows exactly how to twist the knife to make him break, because, well, it's honestly pretty obvious.
sokka obviously cannot retroactively save his mother or his first girlfriend, but he can save his father and his current girlfriend. in "the awakening" aang says he has to restore his honor after the guilt and shame of his failure in ba sing se (aang is also an incurable gifted kid perfectionist, btw, as is azula. posts for another time...) and sokka repeats zuko's line again in this episode, after experiencing the guilt and shame of his failure during the eclipse. the driving motivation of zuko's entire character, feeling like he has failed in some ontological way and must therefore redeem himself or die trying, is reinforced through aang and sokka's respective experiences mirroring that drive. aang goes out in a storm and nearly drowns to redeem himself in some vague, nebulous way, because he isn't thinking rationally. and likewise sokka, who usually always has a plan and always thinks things through, feels that caution and foresight is pointless, because he came up with a genuinely brilliant invasion plan and it didn't work, so clearly there's something wrong with him (just as he always suspected) and no amount of planning even matters, because he's a capital F Failure and always will be. and so he vows to save his father, as he promised him he would when they parted on the day of black sun, or die trying, because if he can't even do that then what is he good for; at least he'll die a martyr, which to him, is basically his ideal situation. because to sokka, dying as a martyr is basically the highest form of fulfilling his purpose (being needed, protecting people) and so if he dies a martyr, then maybe his catastrophic failure (that is entirely his fault and rests squarely on his shoulders btw) can be forgiven. so his plan is basically just to sacrifice himself for his father so that he can die "redeemed." very normal, rational, healthy behavior, i would say.
sidenote, i also see people claim that "the boiling rock" makes sokka look stupid because why wouldn't he take any of the insanely talented benders to a prison in a giant volcano surrounded by a boiling lake, and it's like. sokka literally admits that he's not being rational, that he doesn't think he's going to survive this, that this is not a good idea. it would go against sokka's entire modus operandi if he brought the children who he feels a deep, presiding responsibility to protect on a suicide mission that he's lowkey hoping will fail (because he not so secretly loves courting death. it's like she's the moon or something). he only lets zuko come with him because he doesn't actually care whether zuko lives or dies at this point. sokka has absolutely no faith in zuko whatsoever (and frankly, why would he, zuko has yet to actually prove himself to him. he didn't even kill combustion man; sokka did) so he has no idea that zuko is actually going to be helpful and supportive in a meaningful way. and frankly, if he had known that at the beginning, or even remotely liked zuko as a person, he probably wouldn't have caved so easily when zuko invited himself to join. if he didn't think that zuko was objectively worse than him and basically worthless as a human being, i doubt he would have let himself be so vulnerable with zuko in the first place. meanwhile zuko is eating it up bc he's like "omg he's confiding in me he's letting me help him we're basically besties" because he doesn't actually know sokka well enough to realize that sokka doesn't actually do that shit with people he remotely respects. shit like "my first girlfriend turned into the moon" and "i had a feeling this was going to be a one way trip" are simply not things that sokka would say out loud 98% of the time. the fact that he is admitting something real is not a testament to the trust he places in zuko, but rather the opposite. sokka spilling his guts (you know, for him) to his resident collateral damage, sokka bringing his lovingly crafted space sword on this mission, sokka not even confirming whether or not his father is actually there beforehand – he's simply stopped giving a fuck, he doesn't care whether or not he lives to see another day, because to him, he has nothing left to lose.
but of course, that also isn't true at all. i mean, for one thing, zuko still needs to teach aang firebending, so he does serve a pretty important function to the group, and zuko simply telling him to do hot squats in his absence does not qualify as significant tutelage. but also, even more importantly, sokka is integral to the fabric of the group. when he's gone for a day in "sokka's master" they literally all just shut down and start complaining about how much they miss him (we don't actually see any b-roll of the gaang hanging around the western air temple because the episode is simply too busy for that, so who can say whether the same thing occurs twice). sokka cannot afford to simply die just because his first plan failed, he still has a major responsibility to his friends. fucking idiot. i've said before that sokka has the emotional resilience of like. a pathetic wet newborn kitten caught in the rain. but like, come on man. i mean, as someone who has also suffered from debilitating perfectionist issues and never had to be responsible for a failed military invasion that cost my people their freedom, i do get it, but still. not his best moment. although there is something genuinely admirable about the fact that after he finds suki, he decides that saving suki is enough, and genuinely does want to succeed in his mission going forward. like his love for suki is one of the only things that consistently makes him happy and makes him forget that his greatest dream in life is to be murdered, and that's so beautiful to me.
the entire point of this episode, by the way, is that sokka is wrong. if that isn't obvious. sokka's entire worldview, that he only has value insofar as he exists to provide for others, and if he fails to protect people in any capacity, he has fundamentally failed to uphold the one reason he even exists on this earth, and thus he does not deserve to exist unless he is bearing the weight of everyone's suffering or otherwise proving his worth through sacrificing himself for others, is um. fucking stupid???? and incorrect. and stupid. the thing is, unlike zuko, sokka can't really point to any one person who taught him to see himself this way. he can't just face his father and tell him that his abuse was cruel and wrong, because hakoda is a good father who has never not supported and believed in and encouraged him, done everything in his power to protect him, loved him unconditionally. hakoda has inadvertently damaged sokka's psyche in various ways, of course, but never with any intention to hurt him. like, ozai tried to kill zuko, on multiple occasions. it's a pretty obvious indicator of the primary source of harm in his life. but sokka is equally if not more Unwell, and there's no one single figure he can blame, because his complex lies within a tangled web of what my best friend fanon calls the "massive psychoexistential complex" of the colonized subject. he is being dehumanized not through interpersonal abuse, but through the violent logic of imperialism. sokka's formative traumas inform his psychology as he understands that he only has value insofar as he is protecting the people he loves (namely his sister) from being murdered by imperialists, much like his mother did. and that logic is continually reified through the violence he is being subjected to, until he truly absorbs the belief that his life has no value on its own, that he is genuinely Less than [human] in some fundamental way. which is obviously deeply tragic, but also lowkey kind of comical because he also happens to be the specialest boy in the world, who literally did come up with multiple working escape plans at the world's most secure supermax on the fly, mind you! but whenever anyone tries to point that out, including piandao literally saying "you're the most exceptional and worthy person i've ever met in my life" sokka is just like "um. that is incorrect actually." like NO ONE should depersonalize themselves and feel that their only value lies in their ability to serve and sacrifice themselves for others, but it's especially ironic that sokka literally does not think he has any value as a human being, and yet he is also objectively exceptional. like, do you understand why i adore this character so much. do you.
anyway. the point of this episode isn't that sokka has worth because he's exceptional, either. that's lowkey the point of "sokka's master," but also a) sokka doesn't really internalize it and b) the more important part of the episode lies in how much the gaang just misses his company because they miss their neurotic control freak big brother who makes bad jokes. but even if he couldn't come up with multiple working escape plans on the fly, suki and zuko still stay by his side anyway because they care about him. they are demonstrating that they would risk their safety and possibly even their lives, in the exact way that sokka is always trying to for everyone else, for him. that sokka doesn't need to be the one who always protects everyone else, and that he isn't a failure for letting people who care about him help him and protect him. and sokka has to accept their help, because suki and zuko are simply too stubborn not to force him into letting them support him. they are standing in a literal maximum security prison in the middle of a volcano and they are still choosing to prioritize sokka's mental health and wellbeing, which is honestly crazy, but also exactly what he needs in this moment. suki has known sokka for what, 3 days maximum? yes they're soulmates but like, girl get up. and in zuko's case, "girl get up" is magnified tenfold, because he literally risked his life to go with him to the boiling rock (also largely motivated by the guilt of not being able to stage his own prison break with iroh, but still!) and let himself get imprisoned despite being the fire nation's most wanted criminal, stayed by sokka's side no matter what including getting thrown into a literal torture chamber for him, jumped across a gaping boiling chasm with no guarantee that he'd survive except for the implicit expectation that sokka would catch him on the other side. like zuko is so fucking pussywhipped and sokka didn't even value him as a human being until like halfway through their entire mission. insane.
in conclusion: "the boiling rock" is a beautiful story of the most mentally ill boy on the planet (he took first place ever since jet died rip jet forever in our hearts), and his two ride or die bitches who he met like yesterday, and also his dad, and a casual homophobe named chit sang, all working together to demonstrate to him why killing yourself is a bad idea in most cases, probably. it's also the story of the most insane dyke drama of all time, but that's for another post (of which i have of course made multiple, most recently, here). i said it's the apotheosis of sokka's arc, and by that i mean it's the most overt acknowledgement of what his fundamental issue is, and the first steps one must take in actually resolving it (namely, accepting help and support from your peers and loved ones). do i think that sokka is magically cured after returning from the boiling rock? no, probably not (in fact, because i'm somewhat sick & twisted myself, i like to imagine that once the war ends, he actually gets worse). but he does seem genuinely happier after they return. and maybe that's just bc kyoshi warrior pussy hits different, but like. he was able to rely on others for help (including mai my best friend mai) who supported him unconditionally and prevented him from simply giving up, and that's so incredibly important. that kind of support is always important, to everyone, of course, but as we've established, it's especially important to sokka specifically, at his lowest (quite possibly ever), in this situation. no one has an obligation to risk their life for someone else, but sokka is something who thinks that his purpose is to risk his life for other people (namely katara), and so for people who really have nothing to gain and everything to lose in standing by and promising not to leave without him, to actually show that they support him unconditionally is huge. if sokka has no fans then i am dead and so is suki zuko hakoda toph aang piandao iroh the mechanist etc etc etc. perfect episode <3
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panharmonium · 5 months
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Hi! I love your Naruto thoughts and meta posts with all my heart and I want to ask your thoughts on something that has been on my mind literally since I was 13: what do you think about the relationship between Sasuke and Sakura? I went from being a hardcore shipper when I was a teenager, to being against any romantic relationship in Naruto after finishing the anime when I was in my early twenties. Nowadays I'm very into platonic love and depictions of friendship and I think the anime's obsession with forcing the "romantic interest" curse upon the main female character robbed us of... so much. There are a few wonderful moments in the anime where Sasuke and Sakura acknowledge each other, but because she's always "the girl with the crush", her actions are so often interpret as irrational or selfish by the fandom.
Hi @riemmetric!  It's great to talk to you again! Sorry it's taken me so long to answer this; RL has been making demands of me lately and it took me way longer to finish writing this up than I wanted it to (then again, I knew from the minute I read your original ask that my reply was going to get long, so I suppose I should have predicted a delay XD)
It's funny, my sister once asked me to choose between Sasuke or Sakura for an “unpopular opinion” meme, and I ended up doing Sasuke solely because I think the negative fandom opinions about Sakura are so unhinged and divorced from the actual text that I wouldn’t even know where to start.  People are entitled to dislike whatever characters they want, obviously, but there are some fandom takes that are, for me, so obviously rooted in bad faith viewings/readings that there’s no urge in me to discuss them.  That said, since you asked, I’m happy to go into my own thoughts on this a bit, with the disclaimer for other potential readers that I only write about fandom things for my own personal enjoyment, not as a contribution to The Discourse. If you don’t like Sakura, great!  I have no interest in changing your mind. Please consider this a sincere invitation to scroll on by and go enjoy whatever parts of the fandom appeal to you.
In general terms: I love Sasuke and Sakura’s relationship as much as I love all of the relationships in Team 7.  If we’re talking about them specifically as a romantic couple, then I probably fall somewhere in the middle of the spectrum, because I do like them together in a post-canon (to be clear: non-Boruto) setting, after time has passed and they’ve continued to develop individually and reconnect with each other, but I also wouldn’t exactly call myself an intense “shipper,” in the sense that I have no interest in pulling things out from the text and incorrectly citing them as evidence that Sasuke has hidden romantic feelings for her during the canon period. He cares about her in the canon period, just like he cares about Naruto and Kakashi.  That’s not up for interpretation; it’s the text.  But Sasuke during the canon time period does not demonstrate specifically romantic interest in anyone.  
[A note before people who might ship Sasuke with Someone Else emerge to rail against this statement - please just scroll past and continue enjoying fandom in whatever way is most fun for you. It is cool to ship whatever fanon thing you want; I think that’s great!  But earnestly citing any loving or emotional thing Sasuke does re: various characters in this story (yes, Sakura included) as indicative of specifically romantic love isn’t supported by the text. I know there are always going to be enormous subsets of any fandom who insist that it is, and I'm certainly not going to barge into anyone else's space to complain about that (because other people having fun together is harmless and none of my business), but I'm not obligated to indulge it on my own blog, either.]
Anyway, that said - the reason why I love Sakura and Sasuke’s relationship (from here on out I’ll use “relationship” in a general, non-romantic sense) is precisely because Sakura isn’t just “the girl with the crush.” Sakura has an arc when it comes to Sasuke, and its trajectory moves in the exact opposite direction of “irrational” or “selfish.”  She specifically goes from “the girl with the crush” to “the girl who steels herself and tries to put her personal feelings for Sasuke aside for the greater good” to “the girl who knows she can’t put her feelings aside, but who also knows full well that Sasuke doesn’t reciprocate them, and who still wants to save him regardless, because he matters to her as a person and a friend.”
[I'm putting the rest of this under a cut to save everyone's dash, and also to emphasize once again that this is a personal post on my personal blog which I wrote in response to a question from a personal acquaintance, the full content of which no one is obligated to read. I am not sending this post to random strangers and forcing them to look at it. I'm not even putting it in the character tags. I'm typing it up on my own blog and putting it under a cut. If you already know that you don't like Sakura, but you still click the link/read the post and then feel an urge to comment and complain, I am going to copy-paste this disclaimer and remind you that I specifically recommended that you scroll past and go have fun with fandom in your own way. Thanks in advance for responsibly curating your own fandom experience!]
So, from the top:
1. the girl with the crush
Sakura is, obviously, completely obsessed with Sasuke at the beginning of Part 1.  She’s also deeply clueless about him and his history (bizarre though it is, the story seems to indicate that she initially doesn’t know what happened with his family, the same way young!Obito is initially clueless about Kakashi’s father).  But what I like about Sakura and Sasuke’s Part 1 relationship is how this changes over time.
The critical scene that kicks this off happens right at the beginning of the manga, when she and Sasuke are talking by that bench - she complains about Naruto and blames his behavior on him being all alone/having no family to scold him; and even says she’s jealous that he doesn’t have parents to nag him all the time.  This obviously triggers an outburst from Sasuke, who tells her she has no idea what loneliness means and that she “makes him sick”/she’s “annoying” (importantly, the exact same thing Sakura said to Naruto in anger earlier that day), which in turn prompts Sakura to reassess herself and wonder whether she’s been making Naruto feel this terrible all the time, too:
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From that point on, it’s a process of her putting little pieces together.  She still has a MAJOR crush, and she still acts like a twelve year-old, but as we approach the end of Part I, Sakura actually has a more accurate grasp on Sasuke’s current state of mind than Naruto does.  Naruto is initially excited to fight Sasuke on top of the hospital, because he feels like Sasuke’s finally acknowledging him, whereas Sakura is the one who immediately recognizes that something is wrong about this situation.  She is also the one who, after this fight, is concerned that Sasuke is really unwell and might do something drastic like run off in pursuit of the power Orochimaru promised him, but when she communicates this to Naruto, he assures her that this would NEVER happen:
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(Sakura isn't convinced, though, because she goes to monitor the exit out of the village anyway.)
I’m not criticizing Naruto for his response here.  I ADORE hearing him say that Sasuke is too strong to need Orochimaru, with such perfect confidence - I love seeing how much respect and admiration he has for Sasuke underneath all their fighting, because that’s the whole reason he’s always baiting Sasuke and yelling at him and claiming “you're not so great!” He looks up to Sasuke; he wants to be like Sasuke; he thinks Sasuke is awesome! (It’s that Obito @ Kakashi behavior, you know?) But the fact remains that he is clueless about what’s actually going on with Sasuke in Part 1, and he remains clueless(ly optimistic) for a long time.  
(Eg, when he catches up to Sasuke during the retrieval arc and Sasuke climbs out of that cursed seal coffin, Naruto waves at him and calls "Come on, let's go!" as if Sasuke has been successfully rescued and is now going to come running home.  Even in Part II, when Naruto hears that Sasuke killed Orochimaru, he beams and immediately says, “So he must be on his way back to the Leaf Village!”  And everyone else in the room is like, “....,” because they know better.  Naruto doesn’t yet fully understand [or doesn't want to accept] the extent to which Sasuke has willingly chosen this path, and it’s not until after Jiraiya’s death/the Pain attack/the Five Kage Summit that Naruto really starts to understand Sasuke more clearly, which is something he himself admits.)
Sakura, in Part 1, has access to more information about Sasuke - she’s there for his first dissociative monologue during the bells test, she’s there for the curse mark’s placement, she’s there for his first violent transformation in the Forest of Death - she is, in fact, the unwitting catalyst for it (“Sakura…who did this to you?”), and her compassion is the reason Sasuke is later able to overcome the curse mark’s influence - so she has a more accurate/complete picture of “how he’s doing,” for lack of a better phrase, whereas Naruto, who doesn’t know about the curse mark in the first place, is still in the dark.  This means that Sakura is able to accurately discern that Sasuke is struggling more than Naruto realizes, and specifically to predict that he’s going to run away.  
(This dynamic is then interestingly flipped in the back half of Part II, since at any point after the Five Kage Summit, Sakura doesn’t have access to extremely relevant [if currently questionable and unproven] details that would in any other circumstance inform her behavior).
Of course, just because she has more info in Part 1 doesn’t mean she has some kind of miraculous insight into Sasuke’s every thought and feeling.  There are parts of her attempt to convince Sasuke to stay in the village that are as clueless as any of Naruto’s assumptions, and they showcase the kind of magical thinking common to childhood - like when she says that if he stayed with her, she could give him happiness, she’d do anything for him, even help him get his revenge - this idea that she herself can do something to make him feel better, that she can love him powerfully enough to defeat his pain - obviously none of that is rooted in realism.
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Is this part of her approach irrational and immature and inadvertently self-centered?  Of course it is!  But it’s no more irrational and immature and inadvertently self-centered than Naruto’s stated plan to drag Sasuke back to the village even if he has to “break every bone in [his] body!” 
Hating on Sakura for her Part 1 attempt to convince Sasuke to stay in the village while simultaneously lauding Naruto for his feels like a bad faith misread of what is, to me, pretty clear narrative intention.  The story doesn’t at any point intend for us to see her begging him to stay as a selfish or conniving attempt to get something she wants.  She’s begging him to stay for the same underlying reason that Naruto is: she cares about him.  She thinks he’s making a mistake that will only cause him more pain in the end (she’s right) and she wants to make it so he feels less pain right now (she can’t.  But she doesn’t understand that/isn’t able to admit that, and she’s willing to try ANYTHING that might help).  
It’s critical that this farewell scene is set in front of that same bench from their first important confrontation - she references that day and how angry he got at her, and this time she tells him that she understands his reaction.  She’s learned things and she recognizes how insensitive she was being back then (“I know what happened to your clan, Sasuke”), even though she still can’t fully grasp all the complexities of the situation. She tells him that him blowing up at her back then helped her understand what loneliness actually meant (as opposed to her previous shallow understanding of it), and she challenges him about his choice right now: "So that's it, you're choosing the lonely path?" And when she tells him that she'll be very lonely if he leaves, we're immediately shown a panel of Sasuke thinking of both his friends, with the very clear implication that if he goes through with this, he will be lonely without them, too - that he's still struggling with the idea of leaving them, no matter how hard he tries to pretend:
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Sakura at this point knows that Sasuke isn’t interested in her the way she is in him, but she still wants to give him happiness, however fantastical and immature her ideas sound to us (and, I’m sure, to him).  “I’ll do anything, even help you get your revenge/we'll have fun every day, and...and you'll be happy! I'll make sure of it!” - of course, it’s completely childish.  It’s irrational.  It’s ridiculous to think that any of this would ever be effective, but no more ridiculous than Naruto’s belief that he can simply break every bone in Sasuke’s body and keep him in the Leaf by force.
Both Naruto and Sakura are children who have a deeply oversimplified understanding of Sasuke’s situation.  They both still think they can fix him themselves.  They both think they can save him themselves.  They both think they can convince (or force) him to do what they want, what they think is in his best interests.  Both of them don’t yet understand that he has to want to come back, if it’s ever going to mean anything.  Their attempts to keep him in the village are immature and unrealistic, yes.  What they aren’t, however, is selfish, because neither Sakura nor Naruto are doing any of this with the intention of advancing their own interests.  They’re only thinking about Sasuke - how to keep Sasuke safe, how to make Sasuke happy - even when neither of them are taking an approach that will actually work.
Naruto and Sakura are children.  They’re afraid of losing somebody they care about.  Their attempts to prevent that from happening are desperate and messy and ultimately ineffective, but they are also genuinely felt and rooted in a true desire to rescue Sasuke from his pain, which - and this is the single most important thing that should impact our viewing of Part 1 - is something that Sasuke RECOGNIZES.  He doesn’t spend that agonizingly long moment bowed over Naruto’s defeated body so we can pretend he doesn’t understand that Naruto was just trying to help him.  He doesn’t take the time to murmur, “Sakura…thank you,” before laying her out carefully on a bench, just so we can discount it and pretend that he doesn’t recognize and appreciate her genuine intention to make things better for him, however clumsy that attempt might have been.
2. the greater good
If Stage 1 Sakura is "the girl with the crush," then Stage 2 Sakura is a progression to “the girl who decides to put her feelings for Sasuke aside in order to protect innocent people, including (but certainly not limited to) Naruto.”  She’s driven to this decision by interactions with Shikamaru, who all too recently had to grow up fast himself (“We're not kids anymore...we can't allow a war to break out between the Hidden Leaf and the Hidden Cloud because of Sasuke") and Sai, who risks his new friendship with Sakura and Team 7 in order to speak some hard truths and deliver one of my favorite lines in the whole story: “I don’t know what promise Naruto made to you, but it’s really no different than what was done to me.  It’s like a curse mark.”
(INCREDIBLE.  How can anybody be complaining about a season where Sai gets to say something that goes THIS HARD and Sakura LISTENS and takes DRAMATIC ACTION that actually propels the story forward in a meaningful way - )
[Okay, yeah, brief personal opinion interlude - it is just bonkers wild to me that there are people who complain about Sakura in the Five Kage Summit arc. That entire season is the greatest character arc she ever has.  Literally she has never been more interesting and dynamic than in Season 10; it’s the first time she ever gets to be as deep and fascinating as the boys; what is everybody so worked up about?  Oh, “she lied to Naruto that one time” - Sasuke joined infant-kidnapping baby-murdering human experimentation machine Orochimaru when he was twelve years old in order to (dare I say it????) selfishly pursue his personal goals and yet, somehow, we are still able to root for him.  He abandoned his friends/allies to imprisonment and death (Suigetsu and Jūgo) or outright stabbed them in the chest himself (Karin) in order to (SELFISHLY) get what he wanted, and yet, somehow, we are still able to love him, understand him, and be on his side.  Naruto is canonically not upset with Sakura about her lie after receiving context for the situation and I think we can probably take our cues from him without feeling the need to bring her up on war crimes; please calm down]
[Sorry, I just really love most of Season 10 and think it’s one of the best examples of how good this story can be when every single character gets to do something that matters (as opposed to things being all Naruto, all the time) so I get a little bit worked up over people complaining about some of the best writing Sakura ever gets.  I don’t understand what certain elements of fandom want from her. People complain about her being “useless” and not doing anything that contributes to the story, but then they complain just as much when she does finally get to act decisively and have just as complex/dynamic an inner world as the boys.  She’s “weak” for being unreasonably in love with Sasuke, but when she tries to be “strong” and put her love for him aside and eliminate him in order to protect Naruto and the rest of the world, she’s evil, because she should have been more understanding of his situation (despite the fact that she doesn’t KNOW anything about his situation).  But then when she can’t go through with killing him after all because she cares about him too much despite the things he’s done, she’s not "compassionate" or "kind" or "a good friend," she’s “weak” again. Nothing Sakura does in S10 is more wrongheaded or rash than any of the batshit, buckwild things Naruto and Sasuke have done in the past (and will continue to do in the future), but when Naruto and Sasuke have big feelings or take bold action, it makes them interesting characters, whereas Sakura can’t breathe in anyone’s direction without being minutely scrutinized for moral impurities.]  
Anyway. Back to a more measured response.  
Every single piece of development Sakura has with regard to Sasuke in this season satisfies me so much.  Her initial shock and disbelief at hearing that Sasuke had joined the Akatsuki?  Good, appropriate.  The fact that she starts to acknowledge the reality of what Sasuke’s done sooner than Naruto does?  Also extremely appropriate, very in-character for both of them.  Her taking Sai’s words to heart and deciding that the promise she asked Naruto to make when they were children is causing him to suffer and she has to relieve him of that burden?  Juicy!  AND thematically significant (promises!!!!  the burden that a promise places on a person, especially when it can't be kept - we've seen that before in this story and we'll see it again).  Her anguished pivot from wanting to protect Sasuke to realizing that she has a responsibility to protect the countless innocents who will die because of the war he’s trying to start?  HELLO THIS IS INCREDIBLE CHARACTER DEVELOPMENT.  Her knocking out the classmates who agreed to help her so they don’t have to share in her burden (and so the only person Naruto will hate when it’s over is her)?  BRUH.  Her being so committed and focused on her goal of saving innocents and protecting Naruto (not just from being harmed by Sasuke/the Akatsuki, but by the possibility that Naruto will someday have to hurt Sasuke himself) that she tries to take everything on by herself and walks into a confrontation that she absolutely cannot win??  INCREDIBLE.  (Literally the first time I watched this, I said, “Finally!!!  It’s Sakura’s turn to go off the rails!”  I laughed with my sister about how Kakashi isn’t even mad, because Naruto and Sasuke have been pulling stunts like this for years and Sakura was way overdue for her own meltdown.)  And then, after Kakashi intervenes in the fight - Sakura barreling back into the battle when she realizes he’s going to take on the burden of killing Sasuke himself in order to spare her and Naruto the horror - “I can’t let Kakashi-sensei bear this burden!”  I love her for that.  
And then, of course, in the end - her not being able to do hurt Sasuke after all.  Despite committing herself to the act, despite forcing herself to put her feelings for him aside, despite resolving to stop him from starting a war and killing innocent people, she can’t harm him.  She cares about him too much.  This, too, is thematically significant - think about Itachi’s “you don’t have enough hatred” - she doesn’t have enough hatred to kill someone she cares about, even if it seems like he deserves it, even if would be the right thing to do to protect others.  She can’t do it, and Sasuke almost kills her for her compassion.  
I love the dynamic this sets up between her and Sasuke, for a few reasons:
1) Personally, I think Sasuke respects Sakura much more for trying to kill him than he would have if she’d just tried to talk him out of his behavior or beg him to come home (a la their original confrontation in Part 1).  This is the first significant interaction he’s had with Sakura in years, and the fact that she does something SO contrary to his memory of her is an important demonstration of the fact that she’s not the same girl she used to be.  Sasuke spends a lot of time after his defection declaring to his old team “I’ve changed; I’m not that person anymore,” but this is one of the moments where he’s forced to acknowledge that his teammates have changed, too.  Time didn’t just stop for them when he left.  While he was turning into someone new, so were they.  They grew up without him, and his old memories of them can’t encompass the whole picture of who they are now.  
(This is a little tangential, but in general, I love the spectrum of reactions that Naruto, Sakura, and Kakashi have in this sequence, and the way that all of them are ultimately messages Sasuke needs to hear.  Sasuke - who we know textually regrets what he did here, who apologizes to Sakura for it later - for “everything,” in fact - needs Naruto’s aggressively optimistic open-arms policy, yes, needs that potential, that unconditional possibility of return.  He also needs Sakura’s refusal to let him hurt her friends and start a war that will kill thousands of people, needs her surprisingly ruthless attempt to take him down; needs just as much her failure to do so, because it shows him that she still loves him too much to kill him even as she condemns him.  And he needs Kakashi’s grim line in the sand, needs someone who very possibly won't hesitate like Sakura (despite the horrifying personal cost), someone who will try to reach him but also won't let him escape and become the next generation’s Orochimaru, who won't let him cause untold suffering to untold numbers of people just because a teacher loved him too much to stop him when he had the chance. 
(And then even Kakashi chooses not to deliver a killing blow when he has the opportunity -)
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(I know that in fandom people are more likely to be all, “oh, Naruto Good, everybody else Bad,” but I don’t think the narrative frames Sakura or Kakashi as “worse” than Naruto in any way.  The story goes out of its way to make it clear how desperately they don’t want to hurt Sasuke and how much they care about him.  And [this is just my interpretation, so obviously I won’t claim it as fact], I personally think that Sasuke - Sasuke, who, looking back, can see how lost he was then and how tortured he would have been if he’d gone through with many of his plans - would be grateful to Sakura and Kakashi for making an attempt to stop him when he couldn’t stop himself.)
2) On the other side of this, the fact that Sakura wasn’t able to deliver the killing blow means a lot. Sasuke was incapacitated under that bridge; he was completely at her mercy - but she stopped with the kunai an inch from his back.  She couldn’t kill him, even though she knew that he was completely willing to kill her (because he'd attempted to Chidori-assassinate her from behind just a few minutes ago).  That’s huge!  Sasuke is too out of his head right now to process this or understand it, but later, it's going to matter.  She stayed her hand.  She spared his life.  She loved him too much to hurt him, even when he’d given her every reason to take him down.  She hesitated, and he almost killed her for it, but her inability to strike him ultimately gave him yet another chance to come home, another chance to get better, another chance to have a life outside of his pain.  Despite everything, some part of her still hadn’t really given up on him, and that knowledge will matter later, when he’s finally able to acknowledge it.  
The point of all this is to say that I really have no complaints about Sakura and Sasuke’s dynamic in their S10 confrontation.  This season is the point where Sakura fully grows past her “girl with a crush” stage and into her “shinobi must make very harsh decisions” adulthood, but it never means that she doesn’t care about the person she’s trying to take down.  Her ultimate inability to deliver the killing blow remains a dangling lifeline for her relationship with Sasuke, an open door that Sasuke is able to walk through at the end of the story (literally, in fact, when Sakura opens that portal for him and saves him from Kaguya’s desert prison, and figuratively, too, when Sasuke apologizes to her).
3. she only wants to save you
The last stage in their relationship is what Sakura settles into during the war arc.  She started off Part 1 being just a girl with a crush, then tried to harden her heart and put her feelings for Sasuke aside in service of the greater good, but she was unable to actually follow through and kill him, and because of that, what she’s come to accept by the war arc is actually two things: that 1) Sasuke truly is willing to let her die if it furthers his goals, and 2) she wants to save him anyway.  
She has no intention of pursuing Sasuke romantically.  She knows full well that Sasuke isn’t interested in her.  She even knows that Sasuke isn’t really on their side (there’s a great scene where Sai questions Sakura about Sasuke’s return, and she reassures him that everything is fine, and Sai sadly thinks to himself “even I can tell your smile is fake”).  She’s well-aware that Sasuke didn’t try to help her when Madara stabbed her.  She’s well-aware that he left her to die in the lava pit.  She’s also well-aware that none of this is enough to make her stop loving him.  He doesn’t have to care about her - she still cares about him.  She still wants to help him.  She still wants to save him.
This is not hidden, hard-to-parse character development.  It’s explicitly articulated on the page:
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Sakura’s not trying or wanting to make you hers!  She only wants to save you.
I’m not sure if people look at this last confrontation and unquestioningly take Sasuke at his word (as if we haven’t just read 71 volumes/watched 700 episodes showing us how how painfully distorted his thinking is), or if they stop reading/watching before the end of the scene, or if they don’t understand that Sasuke saying something doesn’t make that statement an accurate representation of reality.  The entire point of this scene is to show us how deeply mistaken Sasuke is about Sakura (and, by extension, the rest of Team 7).  He’s locked into a false pattern of thinking.  His single-minded focus on revenge and destruction has blinded him to the unconditional love his friends feel for him; he’s become so accustomed to using others and being used that he can’t understand or accept that someone would care about him without needing a reason, without needing him to love them back, without needing to receive something from him in exchange.
Sakura’s not trying or wanting to make you hers!  She only wants to save you.
Sasuke matters to Sakura as more than a love interest.  He always has.  She does love him romantically, yes, but she doesn’t only love him romantically, and her desire to help him is not and has never been contingent on him returning her feelings, romantically or otherwise.  Sasuke isn’t able to acknowledge that in this scene, but that doesn’t mean we’re supposed to just sit back and agree with his warped perspective.  Kakashi is the one who’s explicitly positioned as the voice of the narrative here.  We, as the audience, are supposed to recognize that Kakashi is the one telling us the truth.
[tangential thing 1: You don’t have to love Sakura's last plea to Sasuke here. It’s not my favorite, either - the best part, other than Kakashi’s speech at the end, is the moment after Kakashi collapses when Sakura’s expression changes from pained uncertainty to pure rage, when she grits her teeth together - when I first saw that, I almost leapt out of my seat like “Oh my god.  She’s finally going to let him have it.  It’s finally happening - ”  I wanted that so badly, and I still think it would have been a more effective writing choice for Sakura’s last words to lean more into her anger at the suffering Sasuke is causing all of them (himself included!) and less into yet another of Kishimoto’s “let me have Sakura articulate what a shame it is that she can’t do as much as Naruto despite the fact that I literally just went through a major reveal sequence in the war to show that she’s caught up to the boys; I can’t make up my mind about whether I want her to progress or not” - it’s extremely frustrating (and it's something he does at the very end of the S10 Team 7 reunion, too, which is the ONLY moment of S10 that falls flat for me).  But at the same time, even if there are ways this sequence could be more satisfying, it doesn’t change the fact that her plea to him is not remotely motivated by a desire to be with him romantically and not anything to condemn her for.]
[tangential thing 2: I do like how she remembers that moment when Sasuke says “Thank you.”  That panel precedes her saying “If there’s even a tiny corner of your heart that thinks about me…” (which I’m sure is one of the things that people like to criticize about this scene, aka “oh she’s sooooo self-centered” etc), but that particular line of dialogue is preceded by that particular flashback panel for a reason: Sakura knows that Sasuke DOES think about her.  He thinks about all of them.  Sakura remembers that “thank you,” and it reminds her that despite everything Sasuke has done and said since, despite all evidence to the contrary, she knows in her bones that his expression of gratitude back then was genuine.  He cared about her once.  He cared about all of them.  She’s trying to reach the part of him that still does, if it exists.]
[tangential thing 3: The fact that Kakashi says “she suffers from loving you,” and it triggers Sasuke to remember his own family - thinking about how much he suffered (and still suffers) from loving them - “Perhaps…those are the ties to a failed past” - the idea that it’s not worth it to have bonds if it means you suffer this much…that it’s too difficult, it’s too painful, and if Sakura and the rest of Team 7 were smarter they would just give it up (all Sasuke knows how to do now is sever potential bonds before they can hurt him; so why aren’t Sakura and the rest of his teammates doing that, why can’t they let it go, why are they making this so hard - ) << yeah, he clearly doesn't care about her/them at all.]
4. the shadow of my family
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This has all been a really long way to answer the original question, but the short response to “What do you think about the relationship between Sasuke and Sakura?” is “I really care about it,” just like I really care about the relationship between Sasuke and Naruto, just like I really care about the relationship between Sasuke and Kakashi. And I don’t think the story ever asks me to choose between them.
I’m not sure whether it’s the impact of Boruto-era “canon” that gets in the way of other people approaching things this way (I don’t consider sequel material when I evaluate the original story), or if it’s Kishimoto’s frequent disinterest in/disrespect towards female characters, which yes, does sometimes make it harder, or if it's a shipping thing (bane of my existence), or some combination of factors, but for me, taking one member of Team 7 out of the equation hobbles the rest of the story.  I can’t read/watch Naruto while hating one of the protagonists and loving the other three.  It doesn’t work like that for me.  The story wasn’t written that way, and there’s nothing in the text that would cause me to receive it that way.
That doesn't mean there's anything wrong with disliking one of the main foursome (or any character, for that matter) - obviously we're all going to have different preferences, and everyone is free to enjoy or reject whatever parts of a story they want, or to like or dislike whatever characters they want. I know that some people have more fun disregarding canon and doing their own thing, which is fine.  My own personal zone of enjoyment comes from receiving the story as closely to how I think it was intended to be read as I can, and personally, when I look at this particular story, what I see is that all the members of Team 7 clearly demonstrate their love for Sasuke in ways that he himself later recognizes and acknowledges. All of them are driven by their desire to save him and their unwillingness to hurt him. All of them make repeated choices to chase after him when he runs away, to trust him when he hasn't exactly earned it, to give him another chance when he doesn't appear to deserve it. ALL of them, not just Naruto, do these things multiple times throughout the story, and Sasuke owes his life (and thus his eventual recovery) to ALL of them, many times over. Kakashi disobeys Hokage-elect Danzō and breaks the law to negotiate for Sasuke's life with a foreign head of state. Sakura and Kakashi both have opportunities to kill Sasuke in the Land of Iron, and they choose to spare him instead. Kakashi stops Sasuke from killing his only friends at two different points in the story, which would have been a mistake Sasuke couldn't have recovered from. Sasuke would have died in Kaguya's desert dimension if Sakura hadn't saved him (Sakura, who knew that Sasuke wasn't even truly on her side yet, who knew he'd abandoned her for dead multiple times already that day). Kaguya's bone bullet would have killed Sasuke too, if Kakashi, with his intention to die in Sasuke's place, hadn't leapt in front of it (Kakashi, who also knew that Sasuke wasn't fully on their side yet, who also knew that Sasuke had abandoned him for dead earlier that day). Sasuke and Naruto would have BOTH died in the Final Valley if Sakura and a severely injured Kakashi hadn't chased after them to heal their injuries.
Remove any one member of Team 7, and Sasuke never makes it home. Without the combined efforts of all three of his teammates, he doesn't survive.  That’s the way it should be, thematically, for a story whose first and most foundational premise was the importance of teamwork, and since Sakura was just as essential to that framework as everyone else, I’m just as invested in her relationship with Sasuke as I am in his relationship with everyone else.  You can’t remove one leg from a four-legged stool without damaging the integrity of the entire structure, and for me, discounting any single member of Team 7 irreparably damages the integrity of the entire story. 
TL;DR: I love all of the Team 7 relationships, including Sakura and Sasuke's, because despite what some segments of fandom seem to believe, the text of the story never gives me any reason not to.
#naruto#meta#replies#anyway that's that! hopefully that is a helpful answer#thank you for the question! i honestly don't think i would have ever gotten around to writing about this if i hadn't been directly asked#i love talking about the stories i enjoy (obviously; we all do; that's why we're here)#but i'm usually ¯\_(ツ)_/¯ about responding to takes that blatantly misread the narrative to justify hating a particular character or ship#mostly because a) it's whatever. as long as people mind their own business and leave me to enjoy myself they can do what they want#and b) some opinions are so divorced from the actual text that they're not worth discussing#like. what's the point of responding to random internet posts saying that sakura was selfishly pursuing sasuke as a lover the entire time#when that is textually and provably not the case?#if you're that committed to experiencing things in direct contradiction to what the narrative is asking of us then just go ahead#is it mildly annoying to me? sure. but so are lots of things and it's better to just let stuff go#like - i initially planned to take this piece of meta all the way up through sakura and sasuke's last scene together#the one where he tells her 'maybe next time' and finally reclaims and redefines itachi's forehead tap (INCREDIBLE. THIS SCENE.)#but ultimately i changed my mind because everything i wrote for that last section was coming out too harsh#i generally prefer to talk about fandom stuff in a chill/friendly approachable way#but i kept thinking about the most obscenely & disrespectfully inaccurate read of that scene i'd ever seen#and i couldn't figure out how to talk about it in a non-scathing way#that scene and the one where naruto gives sasuke's headband back are the ONLY well-written things about the finale of naruto#they are SO perfectly constructed and i can't respond to people slandering either one without feeling an urge to kill#so i just deleted it. partially because again - this is fandom; it's not that serious; people can do what they want#but also because i know i get extra frustrated about people picking over the text and plucking out isolated bits and pieces#to contort into blatantly misinterpreted mutant shapes that 'confirm' whatever pre-existing judgments or ships they had#instead of experiencing the story as a cohesive whole & keeping in mind the greater context of what it's always been trying to communicate#people on this website say 'we all interpret things differently :)' as if it means no one can ever be wrong about what a text is saying#newsflash: not all interpretations of a text are valid. things can't in fact mean whatever you want them to mean.#the ***story*** persists and exists even if the author is dead to you#if you choose to ignore that then that's fine; it's just fandom; who cares. but i'm not going to pretend you're 'analyzing' anything.#(ok now i'm really done. you can see why i deleted this section XD)
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wild-at-mind · 2 months
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Had a really stupid conversation via minor emotional breakdown with a queer friend about what makes an LGBTQ person 'assimilist'. From what she said I'm kind of forced to draw the conclusion 'if you say you're not assimilist, then you're not'.
#i love her but none of it makes any sense to me#i think i really just wanted her to see that this kind of rhetoric is no good if you're fundamentally unable to see yourself as having valu#to a community- which is where i'm still at sometimes unfortunately.#i would say that i may not be the only one since mental illness + self esteem issues + being lgbtq are not exactly unlinked#but i have basically never found anyone else who has my particular hangups...maybe online once ages ago#so in my own mind i'm the most assimilist lgbtq who ever existed- not even worthy to call myself queer#and it's nice that she thinks i am not like that and in fact am 'one of the good ones'#who is not assimilist- look i know that 'one of the good ones' usually means the opposite ok i know! it's just an impression i get#she's like telling me obviously i'm all good because i look like i do but all i can hear is#that if i didn't look like this then i'm an assimilist#i fucking hate my brain honestly no one asked me to have a mental breakdown at their house (thank god i didn't cry)#and then go home and that's when i cry because i saw a trans guy's 'this many years on t' post and i felt like shit because#i haven't done anything about transitioning in ages and i'm not even out at work :'(#like i know i'm an assimilist because my main reason for not coming out at work is not wanting to do the beaurocracy#of changing my name on my email and every fucking log in i have on everything- telling every single person i interact with#i just can't it's too much and my line manager is worse than useless#but i have 'my job is computer and doing emails all day' privilege so i don't like to talk to people about it
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magentagalaxies · 6 days
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#this might be both oversharing and being too vague rn but it's 2am and i'm emotionally exhausted#i can't believe during one of the most traumatic moments i've had in the past year i was lucky enough to have scott as my biggest supporter#the entire time as i was going through it he was so supportive giving me space to process shit and always having my back#and yet there are some people in my life who are always going to villainize him for one comment he said during that time out of context#or even if they're not ''villainizing'' him i now feel like i have to begin every sentence about scott with#''yeah we don't agree on everything but we're still friends and isn't that amazing!''#which yeah that is true and i do genuinely enjoy when scott and i disagree and are respectful about it#BUT WHY DOES THAT HAVE TO BE THE FIRST THING I SAY ABOUT HIM????#and honestly that whole experience made me agree with scott on way more than i started out with#i'm proud of how i was able to grow as a person and for the fact that it brought me and scott much closer together#but that shit i went through at my college was still traumatic. and it did change me as a person#it completely changed my relationship to activism in a way i'm not happy about bc i want to be more of an activist#but when i had someone use social justice language to justify horrible things against me it's hard not to be wary#of how hollow and performative a lot of conversations can be#and like i'll even say it. like people might get mad at me for admitting it#but that whole traumatic situation has irrevocably changed my relationship to gender as well#or at least how i label myself and how i move through these conversations#and in some ways i'm grateful for it bc i do feel like i know myself more and like i don't have to worry about what others' think#or even what other people understand#but it shouldn't have had to go down like that. and as much as the time i got to spend with scott during that time was so much fun#and such a great experience and he was truly the perfect support system during that time#he shouldn't have had to deal with that and neither should i#and the fact that scott somehow got villainized in some people's minds while the person who actually caused that trauma#is instead treated like ''yeah he was a bit misguided and made a mistake but he was probably anxious about it!! he's just a person!!''#that's never going to stop being painful. especially the idea that with the importance people put on labels#i would supposedly have more ''community solidarity'' with that asshole than a cis gay man like scott#idk i think i'm past the timeframe of that traumatic experience bc it's not consuming every day like it used to a few weeks back#but something triggered it tonight so i just need to process it. anyway shoutout to scott for being there for me i really needed it
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sol-draws-sometimes · 2 months
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You can tell not a single Venezuelan was involved in the making of Jane the Virgin, cause NOT ONCE DID THEY SING THE BIRTHDAY SONG!!!
It's a comedy show, like wouldn't it have been so funny to see a white man(or Rafael since he's not Venezuelan) celebrating a birthday at the Villanueva household and they're just expecting "Happy Birthday" but with the words in Spanish and they get fucking hit with; a song with a completely, different ass melody; with 4 verses, probably with Happy Birthday in Spanish afterwards; one more time in English cause, "We're immigrants so we gotta do it in English"; and the whole ordeal is about 5 times longer than the normal birthday song. Like, that shit is hilarious! Missed opportunity!!!
I caught it when Mateo turned one and they just sang Happy Birthday in Spanish, which latinos DO do, but that's just not Venezuelan. And like, yah Michael will probably have known about the existence of the song since he's been dating Jane for a while, but like it doesn't even have to be funny(I know that scene supposed to be serious), it's just a small thing that's Venezuelan you know.
Also, I'm not even super Venezuelan, I just have extended family cause I had a visabuelo(great uncle) that was Venezuelan, I'm sure an actual Venezuelan would've caught more things.
Anyway if you don't know what I'm talking about, go watch this skit it's super funny. Or here's the song in a form you'll normally hear it. There's also additional quips, you can see in this video. I don't know them cause my cousins don't really do it, but other people do, so it makes it even more chaotic.
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