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#and if we're not doing that then whats the fucking point
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"Let's Have a Talk, First"- Stereotypes, pt 1
Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.
There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!
Point #1: DEVELOP THE CHARACTER!! WRITE!!
Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.
None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!
Black people are PEOPLE! Write us as such!
If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.
I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!
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My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!
POINT #2: YOU CAN'T CONTROL THE READERS!!
Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.
That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.
It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.
But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.
My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.
People were HORRIFIC about Louis.
It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.
My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.
POINT #3: WHY is something a stereotype?
While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.
For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.
But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)
I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.
POINT #4: WATCH BLACK NARRATIVES!
As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!
I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!
POINT#5: You are NOT Black!
This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!
For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?
An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!
I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.
Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.
My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.
Conclusion
We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!
And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!
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sunkissed-zegras · 16 hours
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loving the uconn wbb manger fics bestie!! could you do one where she makes tiktoks with the girls?
𝐖𝐀𝐓𝐄𝐑 𝐃𝐔𝐍𝐊 𝐐𝐔𝐄𝐒𝐓𝐈𝐎𝐍 𝐂𝐇𝐀𝐋𝐋𝐄𝐍𝐆𝐄 ─ UCONN WBB MANAGER
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౨ৎ ─ summary | water dunk questoons with kk, paige and manager during offseason!
─ word count | 736
─ warnings | light language, lots of teasing (mostly paige and kk), comments being funny af, nothin else
─ taglist | @xocherishxo @iienstein @yazmunson @euphternal @uraesthete @hello-nah817 @wanderlusturous and here's a link to my taglist if anyone would like to join!!
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"HEY GUYS, IT'S your favorite trio," KK spoke enthusiastically as she waved dramatically.
"We're doing the water dunk trend and whoever gets the least points gets to buy dinner, yaya!" You explained with a grin as you took a seat in the chair in front of the water bucket, while Paige and KK sit behind you with a devilish smirk.
Paige grips your head as you send her a mock glare. "What's my birthday?"
You scoffed with a laugh. "This is light work, October 20, 2001."
"Damn it," Paige pretended to storm off as KK sends her a side glare.
KK chuckles as Paige dramatically storms off, then leans in closer to you with a mischievous glint in her eyes. "What's my favorite class?"
"It's a trick question, you hate all your classes." You responded slowly as you watched KK's expression carefully. KK scoffeed dramatically as she walked away and sat in your seat.
Paige comes back into frame and then holds KK's head with a small snicker. "Uh... what's my favorite color?"
KK looked alarmed as her eyes widened at the camera, laughing nervously. KK's eyes dart around, trying to come up with an answer on the spot. "Uh... purple? No, wait, pink! No, uh..."
Paige didn't even give her time to process before she dunked her head in the bowl, causing a loud laugh from you as you shook your head.
KK emerges from the water bucket spluttering and laughing, her hair dripping wet as she shoots a playful glare at Paige. "Bro, you're a liar. You're so annoying."
"It's blue, are you dumb?" Paige mumbled as she walked off screen, KK bursts into laughter, shaking her head as she tries to regain her composure.
You walk behind her with a sympathetic smile as you send Paige a glare. "I'll go easy on you, what's my favorite food?"
"Pasta," KK answered quickly with a proud smirk as Paige groans off-camera. KK sends her a cackle as she gets out of the chair, Paige taking her place in front of the the bowl.
KK walked behind her as she rubbed her hands together schemingly, a smirk playing on her lips.KK leans in behind Paige, her eyes gleaming with mischief. "Alright, Paige, let's see how well you know me. What's my favorite artist?"
"As in like... singers?" Paige clarified sending the camera a knowing smirk, as KK smirked. "Easy, Sexy Red."
"Wrong!" She dunked Paige's head roughly in the bowl as you bursted out in laughter, unable to hold it in as you watched Paige emerge from the water, laughing. "It's actually SZA."
"You're a damn liar," Paige glared toward KK as you clenched your stomach in laughter, shaking your head. You walked onto the frame and grabbed Paige's head as she sent you a smirk.
You hummed as you squinted, trying to think of a good question as Paige looked up at you. "Okay, okay. Um, what was my first pet that's still alive?"
KK looked confused as she looked at the camera and mouthed 'the fuck' as Paige laughed. "Easy, it's your chihuahua named Grace, she's like 20 years old."
You laughed out loud as Paige glanced at the camera smugly with a smirk. You let go of her head as she stuck out her tongue at you, KK rolling her eyes as she pushed her out the chair.
"How the heck do you know that, weirdo?" KK sent Paige a smirk she just shrugged. "This is the biggest Y/N fan right here."
Paige sent KK a glare. "I'm not a damn fan, I'm just a good friend."
KK raises an eyebrow, a teasing grin spreading across her face as she glances at the camera. "Sure, sure, whatever helps you sleep at night, Paige."
Paige scoffs, crossing her arms defiantly. "I am not! I just happen to pay attention to my friends, unlike some people."
You sent the girls a glare. "Can you guys stop arguing, you're giving me a headache. Anyway, who won?"
"Oh shit," Paige and KK exchanged looks as they burst out in laughter. "We forgot to keep score."
You groaned dramatically and pushed your head into your hands as Paige and KK kept laughing.
"Anyways guys, let us know who won in the comments cus we're dumb and forgot to keep score," KK gave the camera a thin-lipped smile as Paige kept laughing in the background. "K, bye guys."
──── COMMENTS
haley 💥 | i love y/n sm it's crazy 😭 ♡ 1.8k
urfavuconnluvr | there's no way y/n and paige aren't dating ♡ 120
↳ liz 🌻 | they can't look at each other without some saying this. the girls are just friends pls don't make this another rudy and madison situation
↳ hales :p | bro everyone has fucking dating rumors on the damn team, it's really not that serious... relax 😊
cameron! | y/n's facial expressions are so HILARIOUS i can't 😭 ♡ 1k
fav taurus 😶 | we need more kk, y/n and paige content pls!!!!!!!!!! ♡ 2.7k
↳ KK Arnold · creator | idk if i can do that, paige is getting on my nerves
↳ fav taurus 😶 | LMAOOOO KK PLEASE😭
💁🏻‍♀️💁🏻‍♀️ | wait does y/n have a gf ??????? ♡ 762
↳ becca 🙏🏽 | bro ain't no way 🤣
y/n's bitch 💛 | we need more edits of our queen y/n, please 😭 she's sooo hot ♡ 2k
↳ 😍😍 | just look up y/n edits theres so many 💀
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↳ make sure to check out my navigation or masterlist if you enjoyed! any interaction is greatly appreciated !
↳ thank you for reading all the way through, as always ♡
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Third Time's the Charm?: Chaggie
Vaggie: (bringing Charlie on a romantic walk through the Morningstar gardens) Hey, Charlie, there's something I've been meaning to say....
Charlie: (phone rings) I'm so sorry, Vaggie. Hold that thought! Dad's calling. (picks up) What's wrong, Dad? ..... He what? ..... With WHO?!?!?! .... I'll be right here! (hangs up) We gotta get back to the hotel, ASAP!!! Tell me later?
Vaggie: Uh... Yeah.....
Charlie: Great! Let's go! (grabs Vaggie's hand and runs while dragging her)
Vaggie: this is fine.......
*********
Vaggie: (sets up a romantic meal at the hotel just for her and Charlie) Okay, we're at the hotel, so nothing should get in the way this time.
Charlie: Vaggie, this is so sweet! You got all my favorite foods here! What's the occasion?
Vaggie: (shrugs nonchalantly) Can't a girl spoil her beloved without a reason? (swallows) But... I do have a reason, I guess. You caught me. I wanted to say something.... kind of important.
Charlie: (raises an eyebrow and balks) Are you breaking up with me?!
Vaggie: What? NO!!! No! Nononononono... Exact opposite. I want to stay with you forever, babe.
Charlie: (sighs) Whew! Good, because I want to stay with you too~
Vaggie: (smiles and starts pulling the ring out of her pocket) Charlie, I-
Explosion erupts through the door leading to the kitchen as a gruel monster growls deep within.
Angel: HUSK!!! I THOUGHT YOU SAID YOU COULD COOK!!!
Husk: I haven't cooked in decades! Why the fuck would you think I could cook!?!??!
Charlie: Holy shit! (runs over to the kitchen and grabs a fire extinguisher)
Vaggie: (listens to the screaming and sounds of the extinguisher blasting a gelatinous blob monster) ......this is fine.....
*******
Vaggie: (sitting on the balcony of her and Charlie's room and staring at a fireworks display she asked Lucifer to put together for her)
Charlie: (staring starstruck at the fireworks) Wow! This is beautiful, Vaggie!
Vaggie: (rests her chin in her hand as she stares at Charlie) Yeah... beautiful....
Charlie: (notices Vaggie staring and blushes) What? Is there something on my face?
Vaggie: Just your gorgeous blush, babe~
Charlie: (giggles all flustered) Vaggie, stop! What's got you lying on the charm so thick all of a sudden?
Vaggie: You deserved to be charmed every day of your life, babe. I love you, and I want to be able to do that for you. (grabs the ring in her pocket) So, Ms. Charlotte Morningstar. (sees Charlie wrinkle her brow and snickers) Charlie... will you-
Niffty: (out on the veranda, jumps onto one of the firework rockets and blasts into the air) AAAAHHHHHHHHHH-HAHAHAHAHAAAAA!!!!
Lucifer: Oh, quackers!!! Let go of the rocket, kid! I'll catch you!
Angel: Nah, let her be! She likes the pain!
Charlie: OH, MY GOD!!! NIFFTY-
Vaggie: (finally snaps) No! No more interruptions! You! (points to Charlie)
Charlie: M-Me?
Vaggie: Wedding! You and me! Holy matrimony and all that shit! Marry me! (pauses as she groans and holds up the ring) Charlie, will you marry me?
Charlie: YES!!!
Hazbins: FUCKING FINALLY!!!
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lovelytsunoda · 3 days
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does he take care of you? // george russell
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does he take care of you? or could i easily fill his shoes, but you say 'no'. yeah you said 'no'... and i'm not trying to stop you love, if we're gonna do anything we might as well just fuck
summary: they had always been walking a fragile, tender line between friends and lovers. they were bound to cross it at some point.
pairing: george russell x bonnington!reader
warnings: an attempt is made at angst, people can't properly deal with their feelings. minor drug use, insinuations and non detailed sex (but bestie bonnington can’t deal with her feelings properly so she bails when things get serious-) one small little insinuation that someone might jump off a building. loosely inspired by the song 'sex' by the 1975
it was dark outside, nearing ten pm at the track when peter bonnington came to find george. george was in his drivers room, looking over printouts of race data, trying desperately to figure out where he could improve the following weekend.
“I hate to bother you, mate.” peter started, “do you have a moment?”
thankful for the reprieve from straight line speed and throttle graphs, george folded the printouts back into their legal folder and turned to look at the engineer. “what do you need?”
there were lines furrowed on bonnos brow. the man looked stressed, and george had a feeling that it wasn’t due to the cars subpar performance.
“I need you to talk to y/n. she hasn’t been doing well these past few months and I’m starting to get really worried. she won’t talk to me and she won’t talk to her mum. toto tried to ask her about it and she threw her drink in his face. something is wrong with my little girl and she’s shutting me out.”
george frowned (although he had to admit that the mental image of babe bonnington throwing the icy remainder of her pink starbucks refresher onto the great toto wolff made him laugh). “when did all this start?”
“when she came back from wales a few months ago, that big work trip. I think it has something to do with that wanker matthew she was dating, he hasn’t been around the house since before she left.”
“do you know where she is?”
“the roof, I think.”
at the look george gave him, bono sighed, shaking his head. “she’s not gonna jump. she just wants peace and quiet. I think the inside of her head is too loud. besides, the motor home isn’t high enough off the ground for anything serious to happen if she falls.”
“still, why would you let her be on her own right now?”
“she didn’t give me a choice.”
after a bit of floundering (and a trip back down the stairs after he realized he’d forgotten a coat), george found his way to the roof. from here, he couldn’t quite see the track, but he could see the lights and hear the sounds of the paddock, watching the last few stragglers exit their team homes and head for the front gates.
y/n sat at the edge, feet pulled up under her and a halo of smoke around her messy hair. her clothes were baggier than normal, darker than usual. when she turned to face him, the driver could see that her eyeliner was smudged, a single mascara tear running down her cheek. in her hand, she shakily clutched a lit joint, the embers at the end glowing orange in the night.
“I thought you quit that?” george asked, concern evident in his tone as he moved to sit next to her.
“fucking mattys fault.” she grumbled, taking a long drag of the fragrant plant. “he’s set my anxiety issues back about five years, figured it was time to go get my cbd prescription refilled.” she stopped, taking another drag before exhaling the smoke and offering it up to george. “it won’t get you high, but if we share it, it will make this look less sad.”
george frowned, taking the joint from her hand and taking a shaky drag, choking in the smoke as it filed his lungs. “what did he do? did he touch you?”
she laughed sadly, defeat in her eyes as she looked over the paddock. “nope. what he did hurt a whole lot more. when I got back from wales I went over to his apartment to surprise him, since my flight had gotten in a few hours early. he was in bed with another woman. and this wasn’t the first time, either. he’s been seeing her almost as long as he’s been seeing me. apparently she didn’t know I existed, and he was thinking about marrying her. I was fucking humiliated, george.”
“I’m so sorry.” he didn’t know what to say as he passed the joint back. she took a long drag, refusing to meet his eyes until he had reached over to shake her gently by the shoulder. “you did nothing wrong. you are pretty and funny and smart and most of all worthy of love. if matty couldn’t see that, then he didn’t deserve you in the first place, y/n.”
it happened so suddenly it almost knocked the driver on his backside. they were just talking, sitting comfortably in the marijuana smoke and then suddenly the engineers daughter is kissing him. soft, guava lips pressed to his, pillowy from all the tropical lip balms she can’t seem to put down. her hands are hungry, extinguishing the joint against the metal motor home roof before pawing at george’s broad frame.
they had been friends for years, yn considered him one of her closest. it must have been the part of her that needed reassurance that said ‘it’s okay, cross the line’ because soon enough, he was kissing her back, tongue exploring her mouth with reverence, hands gripping her waist through her mom jeans, then slipping into her back pockets to cop a feel.
“is there anyone left inside?” she panted, resting her forehead against george’s, hand splayed against his clothed chest.
the driver shook his head.
“good. I want you.”
and then they were in his drivers room, everything happening so fast that it felt like a fever dream. and then it happened, her jeans and panties on the floor, stripped down the lacy camisole she’d had on under her sweater, back on the massage table as she wrapped her bare legs around george’s hips, his hands gripping thighs hard enough to leave marks as he pounded into her, sweat dripping off the tips of his brown hair.
“god, fuck, george, please!” none of the words leaving her mouth were coherent. it didn’t matter. this was about avoidance, a mere distraction, if you will.
she needed to be fucked so hard she couldn’t think about all the bullshit matty was putting her through.
when all was said and done, her mind blissfully clear as she lay prone on the massage table, feeling the sweat dry on her flushed skin as she watched george tuck his cock back into his jeans, all she could find it in her to say was “god I needed that.”
and from there, it was all too easy to fall into a dangerous pattern that didn’t help anybody. one that tord a line so fragile it might as well have been made of salt, intended to keep the deeper feelings out.
the night in george’s drivers room turned into a quickie the next morning in the airport bathroom, bent over the vanity in front of a mirror, panties around her ankles and a massive hickey tucked into her turtleneck as they sat across from each other on the private jet, sharing a glance and smiling at the secret they shared,
eventuakly, back on home soil, the driver became her coping mechanism. when she wanted to go out but her friends were busy, george was the first person she called, pulling up to his house in her toyota corolla, synth-heavy music that was popular on tumblr in 2014 shaking the frame of the car. she turned it down as george opened the passenger door, giving her an odd look as the guitar solo played quieter in the background.
“how can you think when it’s that loud?”
“that’s the point. I can’t. it keeps the thoughts at bay.”
that night had ended in the back of an empty parking garage, movie theater popcorn and a takeout box left abandoned on the passenger seat, y/n on her knees with george’s rock hard length in her mouth. hearing him moan her name was its own kind of drug, and hearing him call her ‘good girl’ was enough to have her clenching around air.
or when george would come over, and they would make a new recipe together, criminal minds playing in the background. how many nights did the dinner end up burning while george had y/n's legs spread wide on the dining room table?
and while the act itself brought him nothing but pleasure, it was the aftermath that left him feeling like shit. he knew this was never going to go any further, that y/n was just looking for a rebound. something to take her mind off just how fucked her last relationship had been.
george would never be anything more than a friend, someone she could fuck when she needed it and be platonic with when she didn't.
she deserved better, someone who could take care of her in teh way that her heart ached for.
someone like george william russell, he thought.
but who was he to decide what was best for her? maybe he could show her, treat her right and change her mind somehow. but he wasn’t sure how to do it.
it was a night like any other, over a game of uno and a bottle of white wine, reruns of coronation street playing in the background, the smooth jazz of the intro and outro music only adding to the atmosphere.
and of course, as nights like these do, the cards ended up discarded on george’s living room floor, bodies mushed together in a heap in front of the soft blue glow of the tv. he picked her up bridal style, deftly lifting her weight as if she weighed nothing, carrying her to the master bedroom.
the bedroom. a place so intimate and so forbidden. their relationship had subsisted on having sex anywhere but a bed, for a bed would make it too real. there would be too many feelings involved.
and yet here he was, taking a massive leap into the unknown, uncharted waters as he laid her down against the linens, caging her body in with his as he kissed her.
a kiss so different from all the others that they shared, this one soft and tender. no teeth and no tongue, just the soft caress of a man’s chapped lips, done with reverence, as if her body was a treasure.
he trailed his soft, open mouthed kisses down her neck, no words exchanged between the two as his hands began to slide up her black t-shirt, over her belly-button piercing and then coming to rest over the padding of her bra as his lips traced her collarbone. he was in tune to her every movement, every whine and gasp.
he kissed down her stomach, feeling it rise and fall with her every breath. listening to the way that her breath caught as he popped open the button in her skinny jeans, dragging them down her legs and watching the goosebumps rise in their wake.
“george,” she hummed as he kissed and nibbled at her inner thigh, so close yet so far from what she needed.
“george!” it was a shout this time, paired with her small hands aggressively pushing him away. “I can’t do this. what are we doing here?”
“what?” george was wide eyed an confused “I’m treating you like a decent fucking boyfriend would! I like you yn, and you mean a lot to me. you deserve more than some cheap fuck in the backseat. you deserve to be treated like a treasure.”
she shook her head, standing up from the bed and pulling her jeans back on, refusing to meet georges eyes as she faced the firestorm of thoughts in her head, each one telling her that she had made a horrible mistake.
“we can’t. there was a line, and we crossed it.” her voice was shaky, bottom lip quivering. she was doing the right thing, or so she kept telling herself. putting that boundary back.
because they were friends. nothing more, nothing less.
george laughed. an awful, grating sound in this context. “you weren’t worried about crossing lines when you let me fuck you on my massage table. or when you had my cock down your throat.”
“please don’t take that tone with me!”
“I know matty hurt you. and I know you needed a rebound, but I want all of you, yn. I want your good days and your bad. I want to take care of you.” he was getting desperate. they both knew that there was no such thing as ‘just friends’ after this.
“I can’t be what you need, and I can take care of myself.” she tucked her hair behind her ear before storming last george and back into the living room.
george would always regret letting her leave. somehow, as he watched her grab her purse and her leather jacket and the keys to her fucking toyota, that this would be the last time he saw y/n bonnington.
and he was right.
he didn’t see her start to cry when she got into her car, driving to an empty space of road so she could pull over into the shoulder and let it all out, the radio tuned so loud that she swore it was shaking the frame of the car. and that’s when she decided it was time to reevaluate her life.
george didnt see her again for months. he heard from bonno that she quit her job, moved out to the coast. somewhere on the water. brighton or blackpool or bournemouth. a new group of friends, a new job, a fresh start.
she sold the toyota, bought herself a mini cooper countryman, a car she’d wanted since she was a little girl. she stopped wearing tight, dark clothes and starting seeking out florals, pastels even. flowier clothes that made her feel good.
and she was happy. from time to time, she still thought about that night at george’s. in a way, she was thankful. it had forced her to change, to become a better person. a healthier one. but she hated that she had hurt him. played with his feelings and then stomped on his heart. but deep down, she knew she had done the right thing. she could never have been the girlfriend that george needed. she was too broken.
george saw her again a year later, in the paddock at silverstone. he hardly recognized her: new hair, wide smile. mom jeans and a floral crop top that looked straight out of the seventies. she looked good. happy. healthy.
but there was something else he saw that hit him like a knife to the kidney.
it was the man on her arm. he was conventionally attractive, if you liked surfers. his dark hair flopped around his face the same way hugh grants did in ‘notting hill’ and his sunglasses were hooked into the collar of his striped resort shirt, left open for the top few buttons of course. she looked at him like he’d hung the moon, and he held her like she was the most important thing in his life, always having an arm around her shoulders, tucked into the back pocket of her jeans.
his name was colin. of course his name was fucking colin. like he was a character in fucking love actually, and not the man dating the woman george had so vulnerably bared his heart to.
he’d pulled out his phone, open to her number even though he’d sworn to himself that he’d delete it but he never did.
the text was right there in the message box, waiting to be sent.
does he take care of you?
but when he looked over at them again, his arms around her waist and his head on her shoulder as she was pointing out different things on her dad computer monitor, george knew the answer.
colin took incredible care of her, and he seemed to be exactly what she needed.
and how could george fault the other man for doing exactly what he would if y/n had been his?
he deleted the message without sending it, quietly slipping out of the garage, with the intention of working out until he couldn’t feel the pain any more.
TAGS:
@magnummagnussen @libraryofloveletters @userlando @httpiastri @clemswrld @thatsdemko @diorleclerc @cartierre @lorarri @sidcrosbyspuck
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mcflymemes · 3 days
Text
CHALLENGERS (2024) PROMPTS *  assorted dialogue, adjust as necessary.
who says i want somebody to be in love with me?
i don't want to fuck you to prove a point.
fuck me because you want to.
are you gonna do it or not?
tastes even better than it looks.
i just told you i missed you.
i really want to kiss you right now, but i'm worried that if i try, you'll think i'm the worst friend in the world.
you know, it hurts me sometimes how little you believe in yourself.
decimate that little bitch.
let's be honest, you gotta feel bad for the kid.
you're not a spring chicken anymore.
dude. he's a pancake. you're gonna flatten him.
how's this feeling?
we're ready for you.
so obviously this isn't the result you wanted today.
you choked.
i don't want you to embarrass yourself.
i'm just a little rusty. it's a confidence thing.
get your fucking confidence back. i can't do it for you.
i'm so sick of you using this as an excuse to have a fucking meltdown.
you said we could watch a movie.
you're evil.
i'm gonna quiz you on it tomorrow.
sir, i don't know who you are.
i don't think we have much more to talk about.
i haven't spoken to you in five years.
i was just taking a little nap.
move, or i'm calling the cops.
you were really something back then, huh?
we always talked about how amazing it would be to win this together.
i'm a crazy person.
any predictions about how that's going to go?
can you do me a favor? can you not, like... demolish me tomorrow?
shut the fuck up.
if it matters to you so much, i can just give it to you.
i need it to look like i really beat you.
don't guilt me with your dying grandmother.
she's the hottest woman i've ever seen.
you were... fucking incredible.
baby, we've got to get going.
i'm not going to that party.
are you that threatened by me?
we can't both just go in there, dicks swinging.
i'd let her fuck me with a racket.
hey, do you smoke?
of course they will remember you.
see, that's your problem. you think you're like an artist or something.
you just want to win because you love it when people tell you how talented you are.
are you on facebook?
i told you tennis was boring.
you just got this crazy look on your face.
are you on a date?
i don't kiss and tell.
why did you want to have dinner with me?
i think you might be the worst friend in the world.
i didn't know you were so concerned about my feelings.
of course you still have a thing for her.
we just had what i'm assuming is the best sex of our lives.
i fucked your brains out?
what do you think you need? a cheerleader? a fuck buddy? a girlfriend?
you're talented, you're charming, and you've got a big dick.
excuse me for inconveniencing you.
don't expect to sleep here tonight.
stop going easy on me.
i'll be whatever you need me to be. i'll fuck off if you want me to.
i need you here, actually.
you're referring to when i declared my love for you.
you're not in love with me anymore?
i've been dreaming about this for five years.
i'm gonna propose something to you, and it's gonna make you angry. it's gonna make you very angry. but you have to hear me out, okay?
i'm finally ready to listen to you.
how dare you fucking ask me that.
do you think it's cute what you're doing? do you think it's funny?
that's the stupidest fucking thing i've ever heard.
i've always wanted you.
you didn't do anything to me. i did it all to myself.
i think i've reached the limit of my willingness to have this conversation with you.
do you understand how embarrassing it is that you're here?
you've never beaten me.
tell me it doesn't matter.
will you just hold me?
i'm not here to fuck you.
i miss watching you play. you were so beautiful.
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onakomiyaki · 1 day
Text
just a silly crush (not) pt.1
pairing: daniel ricciardo x childhood friend-brabham!reader ; lewis hamilton x reader (implied, platonic relationship)
summary: even after two decade of constant battle with his own silly first love slash crush and manage to almost win the fight, you're still the one who manage to knock the breath out of him. and yet, here you are, still oblivious to his feeling.
this is set in 2021, so papaya daniel :D.
warning: unedited and rushed work (I GOT INSPIRED AFTER TWO CANS OF REDBULL RAAAAAAHHHH), harsh words, childhood trauma (kinda), slowburn (we're talking about 20 years of pining from danny)
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"c'mon danny, you never say no to a good party!" lando whines as he follow the irritated daniel around like a puppy.
the older man let out a sigh before continuing what he left behind; wiping his helmet. lando stomp his feet once–then let out an exageratted sigh as he sat down beside him.
"just leave your helmet and go out with us!" he insisted.
"lando, no." he sternly said.
"you never say no to a party! especially monaco party."
its true, daniel would never refuse an invitation to a party. in fact, most of the time he would be the one who send out the invitation to everyone on grid. but it's different. today is different.
"it is (y/n) brabham we talked about dan! don't you want to go to her dope party?" lando reason.
if only you knew that is the reason why i refuse to go, lando. daniel thought. "so? why do i have to come along?" he asked, finally facing the young brit.
"uhhh, because it is y/n? she's like a hot topic and the it girl of the paddock right now? daughter of david-fucking-brabham? and maybe i want to know her more?" he answer as if the answer he said is the most obvious answer.
"and i heard from max that she is your friend! so maybe you can-"
"was." daniel stop him.
"damn, okay. she was your friend, whatever. and maybe you can introduce me to her." lando scoff.
your name is still a sour topic to him, leaving a bad taste in his mouth and saying that word killing him inside. yet, he doesn't have the courage to elaborate more to the poor confused lando norris.
(y/n) brabham, the famous australian model turn to actress and daughter of david brabham–yes the david brabham, become the hot flaming topic on the grid after her unexpected debut on the paddock at bahrain gp as lewis hamilton's plus one.
while other drivers didn't think about it a lot, daniel feel like he's about to passed out right then when he saw y/n walking beside lewis, in black mercedes polo—matching with the man beside her–while laughing and waving at the media crew.
maybe because she was also known for her controversial on stating her dislike over the motorsport that his father (and his family) was famously known for. it was not her cup of tea, she said back in her 2019 famous vogue interview.
and maybe because his father insisted on pushing it to her and her younger sibling. and of course their famous leaked dispute over the death of brabham motor company. either way, (y/n) and formula one has never seen in the same sentences. it is just an unwritten and unspoken rule at this point.
max–being the only person who knows about daniel's pathetic one-sided first love– was there to hold daniel's body, giving the poor man some reassuring pats on the back. "mate, if i were (y/n) i would also choose lewis." he said, and daniel swear he's about to knock the blue eyed dutchmen out.
although lewis officialy stated that you were just his friend and fellow ambassador for tommy hilfiger on interview for a few times now, daniel can't help but to get jealous at the 7 times world champion.
because of course you would show up as lewis hamilton's plus one rather than his, despite your history. and after many attempts of invitation and bribery that failed, he just stop asking.
"danny, i hate loud noises and i know how loud those cars are. and also, you know how i feel about the sport"
loud noises his ass.
lando leaning in closer now, shoulder touching his as he stare at the older men with those disgusting puppy eyes. daniel push the younger men on the forehead, as he shake his head.
"oh c'mon now! don't make me call for reinforcement to get you out of here!" lando said as he grab his phone from the back pocket of his jeans, and typing furiously.
"what reinforcement?" daniel asked, eyebrow raised in question.
not even a minute later daniel's motorhome door open, then, enter max verstappen along with carlos sainz and charles leclerc.
"that." lando simply stated as he point to the trio.
max watch in amusement, folding his hand in front of his chest.
"get 'em boys." he said.
"wha-"
"sorry cabrón, we have to get you outta here." carlos said as he walk to his direction, holding his left arm.
"what he said." charles said, grinning as he hold the opposite arm.
"seriously? you're gonna drag me out of my own place?" he asked as he forced to stand up from his seat, not even resisting because god knows how strong these two people are. especially the spaniard.
"yep."
"yeah, pretty much."
"uh-huh."
lando, carlos, and charles said at the same time.
daniel then turn his gaze to the dutch, annoyed at how his smirk seems to speak a thousand words despite being the most silent out of four.
"i expect these three gremlins to be the one who did this to me, but you?" he said, eyes glaring at the dutchmen.
"well, beat me for wanting a good source of entertainment for free, ricciardo." max said, shrugging his shoulders.
"i am going to kill you all, with my own hands."
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he already lost lando, carlos, and charles the second they enters the club and god knows where max and kelly are. the lovebird seems to be touchy even before entering the club and now danny needs a glass–or two, of the strongest liquor they legally able to serve.
the–clearly exclusive–club where your party was held is amazing to say the least. it would have been a big fat lie if danny said he was not impressed by the place. he walk through the sea of human, heading straight to the bar as he scan the room.
"oh?" a familiar voice interrupt his train of thoughts as he turn his head to the source.
"they did manage to drag you out of your fortress, i thought carlos was joking. huh, impressive." you said, occupying the empty seat beside him.
"that, they did." is the only response he said as he shot you a thin smile.
"you look good, ricciardo." you smile at him, squeezing his shoulder in friendly manner.
"and so are you, brabham." another dry response from him.
"ugh please, i want to get married just so i can get rid of that cursed last name." you said, rolling your eyes. god you do hate your last name.
"right." he coldly stated.
you nod your head as you brought the martini glass close to your mouth. ah, he's mad at you still, you thought. and he have every right to do so. showing up at the paddock out of nowhere after rejecting his invitations since 2012, without telling him first, was a jerk move.
so, you did the right thing you know.
"sorry about bahrain. i- it was for work purpose." you said, facing him with guilty eyes. you knew this would hurt him.
"its alright, y/n." he answer, refusing to face you because–oh god you look and smell so good and he didn't want to let his wall down. and he knew if he face you, he won't be able to stay mad at you. you are his kryptonite after all, always have been. but tonight he want be strong. he want to be pissed at you.
"well, enjoy the party i guess. and thanks for coming." you chimed, sliding out from the seat as you rub his shoulder.
daniel's fast reflex is both curse and blessing for him. and boy do he feel like it was a curse. because before even his mind processing what is happening when her hand touch his shoulder, his hand was already firm on your wrist, refusing to let go.
you watch him with a mixed of both puzzled and surprised look.
"danny? you need something?" you asked.
his mouth agape, seems to be clueless and surprised at how fast his hand reacted. damn his good reflex.
"oh–um. no, sorry." he managed to say as words seems to be tied inside his throat, unwiling to spilled out as he stare at you blankly.
"oh-kay?" you said.
he let go of your wrist, as if your skin burn him. as if your skin a flaming fire. "sorry."
you open your mouth to say something, but-
"daniel!" both you and daniel whip your head to the sound.
max is waving his hand at him while kelly was nowhere to be seen. but from the goofy smile, max's disheveled hair, and his flushed cheeks, danny might have some ideas about her whereabout.
"i thought you run away or something." the blue eyed dutchmen said as he approach his former teammate with a smile.
"speak for yourself max, i've been here all the time. where have you been?" daniel said, amused look on his face.
"oh! just–uh–dancing with kelly." he speak, trying to clear his throat.
you let out a giggle which causing max to raised an eyebrow at you. that cause you to start laughing.
"uhh, what so funny y/n?" he asked.
daniel roll his eyes as he pointed max's neck and collarbone. "seems like a good dance, look at you all flushed and littered with lipstick stains."
max turned pale as he hide his neck with his hand, immediately buttoning his shirt up to hide the evidence.
"i'm–ahaha–i'm not... you know what? i'll just go..." he said, quickly turn his heels to walk away from the embarrassing situation he's in.
both you and daniel watch as max trying his best to hide himself in the crowds. and when he is out of sight, daniel let out a holler.
"that little rascal," he said, downing his whiskey "oh right, you were about to say something. what is it?" he asked, turning his body to fully face you now. thanks to max, daniel feel a little more calm now.
you give him a smile, shaking your head. "i forgot about it," you simply said with a shrug "it was nice talking to you daniel, really. i have to go and greet another guest now and um–sorry, again. hope we're cool now?" you said, offering a hand for him to shake.
daniel stare at your awaiting hand, finally giving you that sunshine smile before taking your hand in his, shaking it. "we're cool, brabham," he said "only if you come to spa as my plus one."
"oh... but–i have a catwalk on the race day." you said, opening your calendar app on your phone.
"hmm, zandvoort then?"
"photoshoots."
"alright. monza?"
"ah another, photoshoots."
"oh."
"but i can come. the photoshoot will be held in monaco anyways, so it's not that far." you said, showing him your–packed to the year end–schedule.
"really?" daniel said, voice full of hope.
"its only fair if i come to your race since i came for lewis's," she said, smiling at him brightly. "but–"
daniel expression fell, anxiously waiting for what you have to say next.
"you have to win."
he let out the breath he's been holding on, wiping his face before chuckling.
"you have yourself a deal, brabham."
"win that race, ricciardo." you said, giving him a kiss on his cheek.
daniel's grip on your hand loosen as he gave you a warm stare, caramel colored eyes staring at your orbs with some unreadable expression.
"oh i will win this battle, brabham. just wait." he said with more of certainity in his voice now.
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galedekarios · 3 days
Note
Keeping this anon, but I hear you hate bloodweave. I was curious on your take to why.
You don't have to reply to this if it makes you uncomfortable thought!!
i'd like to preface this again by saying that this is my opinion. idc what you ship.
i've talked about this here, but i don't mind reiterating my points:
they have no chemistry, to the contrary, gale shuts him down right away during their first talk and ast*rion's manipulation attempts. i assume that gale sees right through him from the beginning. a lot of people love to hc gale as naive as or as completely taken with ast*rion, but it's the complete opposite. i imagine his many years in waterhavian society made him realise quite quickly what type of person he's dealing with. the relationship they have doesn't progress much from that. by act iii they - at best - begrudgingly tolerate each other.
they are diametrically opposed in the things they value as people as well as their morals. gale is kind-hearted, he approves of helping those in need, children, mothers, slaves, refugees, even the animals you meet in-game. he seeks to avoid bloodshed, approves of letting people who want to pay the party back for their help keep their money and belongings. he seeks knowledge and even power not for selfish reasons or a taste for the darker things, but because he seeks to better their odds of survival against a seemingly invincible foe. ast*rion meanwhile is selfish and cruel and vile. he delights in violence and bloodshed, he finds the struggle of people caught in the crosshairs amusing. he is greedy and short-sighted, seeking power for himself, no matter the cost to others.
they are completely incompatible in terms of what they look for in a relationship and a potential partner. gale wants and needs a deeper connection, a tangling of the souls, and he needs someone to be there for him unequivocally, to love him for who he is as he is. he is not taken in by someone's looks or image they present of themselves, nor does he do hate sex / endless bickering / enemies to fwb / etc.
the first things he cites for trusting the protag are their good actions (helping mirkon, helping arabella, seeking to ease the tension between zevlor and aradin), it's all those things that at first make him trust the protag and later - when they unselfishly offer him help, give him artefacts - makes him fall in love with them. sex and immediate gratification isn't important to him. sex is a component - one way in an array of ways to proclaim love.
for ast*rion, it's manipulation first and his entire romance hinges on that. his partner falling for his looks and his text book manipulation into sex. that's already where this breaks apart for me in terms of this ship because that doesn't work with gale.
add to that ast*rion's cruel remarks about gale's when he is need:
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[after gale's background story reveal] You'd have us debate? That Netherese jack-in-the-box should be a blip on the horizon by now!
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[after mystra's demands] I can't believe Mystra's demanding Gale sacrifice himself to destroy the Absolute. It's just a waste of a perfectly good cult that we could be controlling. And a waste of a perfectly good Gale, I suppose.
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[at the stormshore tabernacle] Well? Go on, then - it's rude to keep a goddess waiting.
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[after orin potentially kidnaps gale] So, we kill Gortash or Gale dies? It's not an easy call. On the one hand, killing Gortash would be fun. On the other, Gale can be very annoying. We should probably save the wizard, though. He does have his moments.
i think it's very clear, given the fact that these reactions range from act i to act iii, that he doesn't give a singular fuck about gale. contrast this to karlach's reactions, or even shadowheart's:
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Karlach: That bloody freak won't get away with this. That's my wizard she took. And we're going to get him back.
(particularly karlach has many reactions like this.)
...unless you play either of them as an origin char and make the most ooc choices, i do not see how this pairing is supposed to work.
additionally, as i've discussed more in my previous post, the parallels people draw between them are shallow at best or can be drawn virtually between any of the other origin companions, or are non-existent at worst. ast*rion having a reading animation that he shares with gale (as halsin and shadowheart do too), or having their tents next to each other (like wyll and gale do in act i) isn't really enough for me.
as i've said previously, i have tried to engage with the pairing because it's sadly inescapable since people often don't bother tagging, but there's nothing except shallow ooc stuff.
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sunriiize · 3 days
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While We're Young | 1.0k
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Anton x reader
Note : this was gonna be part 1 of a series a scrapped 😔 anyways this is heavily based of While We’re Young by Jhenè Aiko
Warnings : first love trope, mention of other idols (Naori Rei), based in America (but I'm British...), kissing, my first time writing purely fluff
You stared at the vacant courtyard, eyes focusing on the way the leaves sway with each blow of wind. You've always found tranquility in nature. Whether it be the chirping of the morning birds or the humming of a bee passing by, it didn't matter. It felt like all the stress of exams and university melted away once you remembered how little you are compared to nature, like a drop of water in the ocean. You were quickly dragged out of your thoughts once you recognised a familiar person strolling through the grassy scenery. Anton.
You knew he didn't have any lectures today so you were surprised to say the least. Hastily, you gathered your belongings and got ready to leave. And as if on cue, your lecturer began to thank everyone for coming as people began to filter out of the room. buzz buzz buzz. Once you stepped into the hallway, you held your phone up to your ear.
"Hi Anton, where are you going?" You spoke as you navigated your way through the busy corridor.
"Hey Angel" He spoke from behind you before ending the call.
"I told you not to call me that!" You pouted and playfully slapped his side. Best friends aren't supposed to say things like that, things that cause butterflies to flutter crazily in your stomach, things that make your heart pound against your ribs.
"Lets say 'fuck everyone' and walk hand and hand to the Sun"
He intertwines his fingers with yours as he says "Don't act like you don't love it" in a teasing tone. You don't reply. Opting for silence rather than letting him hear the truth. You do love it. You love the way it sounds coming out his lips. Gosh, his lips are so pretty, so soft. You just wanna see how they'll feel against your fingers or better yet, your own lips.
"Telling everybody your mine and I like it"
The way your mind reeled over every little thing he did was a common occurrence at this point. It started during the last year high school, it was one of those swimming practices where everyone just felt lazy. As Anton was getting out the pool he asked you to help him but instead of him getting out, you got in. He pulled you close to him as you dropped into the deep end of the pool. Later that evening, as you were trying to sleep, you couldn't take your mind off how his hands felt around you. It was so... odd. If you really wanted to take it back to the root though, you'd have to go back to the start of highschool when you over heard Naoi Rei and her group talking about how good looking Anton is. You felt this weird jealousy and instead of just letting it go you decided to make it very clear that Anton was somewhat yours. Looking back, it was a bit extreme but at least it got the message across.
"Y/n? Helloooo, earth to y/n" he waves his free hand in front of your face. "Sorry, what were you saying" you look up at him with an apologetic smile. He explains the whole thing once again. He tells you how he actually wanted to pick you up from class so you could go to his dorm to have a movie night. Usually you'd show up to Anton's dorm once you had freshened up and gotten snacks but Anton quickly reassured you that the dorm will be empty so you can shower there and he's already gotten the snacks.
"I'll go everywhere you go"
The sun had begun to set by the time you climbed into his bed, leaning your back against the headboard. The familiar scent of your best friend engulfed your senses. Anton adjusted and laid his head on your lap, humming when he feels your fingers run through his fluffy hair.
You sat in a comfortable silence, his focus on the movie as you watched him smile at the screen. Looking up, you see the main couple kissing each other in the rain. Your eyes wander back down and you begin to feel the familiar butterflies fluttering in your stomach.
“Anton?” You whispered, unsure of what you're gonna say next.
"hm?" he smiles as he turns his head towards you.
“Can I kiss you?” You say in the same quiet voice as before, the rhythmic beating of your heat quickly sped up. His eyes widen slightly and his lips part before he nods, tucking his lower lip between his teeth.
You bend down and kiss him hesitantly, savouring the pillowy feeling of his lips. You feel him lean into the kiss before placing his hand on your neck to bring you closer. The room felt like it was spinning by the time you separated. Anton sat up and looked at you with wide eyes. "Again?" he said beneath his breath.
This time was different, more romantic. The way your lips moved against each other could only be described as a dance, both of you moving along with an imaginary beat.
“Wait” you confess as you pulled away from him. He quickly makes some distance between the two of you. “I can’t go further if we’re just friends”.
It’s silent for a couple moments after that, “Anton? Are we just friends”. That’s all it took for the feelings he’s been hiding to just tumble out of him. He quickly denies the question and tells you about how he’s been wanting this for so long but didn’t want to lose you.
“I didn’t want to scare you away” he admits. He was always so considerate, especially when it came to you. "You could never" you reassured him before hugging him.
A familiar sense of tranquility washed over you as you tighten the embrace, nuzzling your head into his chest.
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Text
I Think Hypmic's Portrayal of Gender Roles is Kinda Refreshing: An Essay A.K.A. I'm Procrastinating on a Weekend Deadline :)
Hypmic's talking points on gender are hamfisted, corny, and melodramatic. "Maybe...we shouldn't have a wage gap," is not the hottest of takes. However, like most things in Hypmic, the writers have a lot more to say about gender and gender roles in the framing of the story itself that's much more nuanced. And honestly? It's kinda refreshing.
It's also something that went way over my head when I first became a Hypmic fan. Sure, I read manga and played Japanese video games--usually translated into English first--but I didn't have enough exposure to hundreds or thousands of pieces of untranslated Japanese media. I'm going to guess that most Hypmic fans don't either, which is totally fine and normal. We all exist within our respective cultural communities wherein we're bombarded with messages constantly telling us how to act, think, and speak. We tend to absorb these messages on subconscious levels and reflect them in the art we create and stories we tell, either by reinforcing them or challenging them. Thus, our stories don't exist in a vacuum, and divorcing stories from their cultural backgrounds can suggest the artist is the original thinker of a larger concept or hide their specific point of criticism. That is, if I wrote a story about a man who chooses to not catch fish, drink beer, and drive a Dodge Ram pick-up truck, we should be aware that I'm not the person who conceptualized the stereotype of dudes who catch fish, drink beer, and drive pick-ups. I wouldn't deserve the credit for dreaming up that exact image, and at the same time, it would be incorrect to read that as me targeting those three things randomly. The choice to not drive a Dodge Ram pick-up is not a commentary on Fiat Chrysler Automobiles. It's a stand-in for the notion of masculinity.
Thing is, we're hit with messages about masculinity, femininity, and other gender-related concepts on a daily basis. No matter where you live or what language you speak, every person on Earth is inundated with messages saying, "This is what you are, and consequently, this is how you should act." Our relation to these messages is complicated, and this complexity is compounded by different cultural communities preaching different messages in their stories, marketing, and human interactions. For instance, the US's massive global cultural influence means that those outside the US can still easily recognize what I mean by catching fish, drinking beer, and driving enormous American pick-up trucks. But the location and cultural differences may add or subtract nuances. A person living in, say, Munich is unlikely to have Dodge pick-ups advertised to them the way a person in rural Texas would. Our fictional Munich person does not feel the same social pressures to buy a Dodge and represent their masculinity with a Dodge the way our imaginary Texan would. In turn, the Munich person likely sees a Dodge with an element of absurdity--who the hell needs such a big truck in a European city?--and foreign Americanness. The Texan wouldn't have that concern--why worry about navigating your enormous truck down narrow streets when you live in the countryside?--and sees Americanness as their local default, thus removing any element of foreignness.
That is to say, gendered messages aimed at people (especially women) who live in Japan don't affect me the same way as they impact those who do live in Japan. Like, it's not my dog in the fight, and there are plenty of people who are directly affected who write their own stories and commentaries on gender roles in Japan. Japanese women don't need a random guy in the US to stand up and say, "Damn, your gender roles are fucked!" 1) They already know. 2) They're already saying it. So I come at this from an angle of someone who already has deep, primary frustration with the gendered messaging in my culture and secondary frustrations when similar messages appear in other cultures. I don't have a bone to pick with Japanese media in particular. Plain and simple, reading and working on hundreds of pieces of Japanese media is what I do for a living. It's in my face constantly, and as a result, I am also perpetually bombarded by messages about gender roles in Japanese media.
It's not a hot take to say that Japanese media, like the media of every single other culture around the globe, has a lot to say about gender. There's a lot of slotting people into boxes and telling people what to do. It's chafing, as we see all across history in art produced in reaction to gender roles. In the past couple of decades, global shifts in gender roles have caused media to shift the messages they're pushing, but it's not controversial to say that Japan has lagged behind other countries like the US.
Many, many stories push arbitrary notions of how to be a girl or how to be a boy that don't necessarily come from the author themselves. The authors probably aren't even fully conscious that they're making these choices. If an author writes a story about a library and makes every female character a romance fan and every male character an action fan, it's likely a reflection of endless messaging that says action is for boys, romance is for girls. In turn, this story becomes yet another reinforcing message. If no fictional girls like action, and no fictional boys like romance, it becomes alienating for real girls and boys who don't follow these same rules. These rules are everywhere and have so much to say about gender that it's hard to know where to begin. Girls must like cute things. Boys can't like sweet food. Women must not express sexual desire. Men can't be shy. On and on and on.
Which is why, when there's a relative lack of this in Hypmic, it's kind of a breath of fresh air.
Wrong Ways to Be a Man
Actually, Hypmic does have a few moments where characters claim there are certain things men or women should do, but the writing always frames these messages as incorrect.
Take Samatoki, for instance. After Kuukou and Sasara leave MCD, Samatoki tells Ichirou, "Men shouldn't cry when they lose their friends. Men should only cry when they lose a family member."
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(TDD chapter 10)
This line usually appears via Ichirou's perspective. In the stage play, it's told during a song Ichirou narrates, and as shown above in panel 3, the manga frames the line from the angle at which Ichirou sees it. In such moments, the audience is meant to read this as a cool line from a strong mentor figure to Ichirou. That's how Ichirou sees it, and he's a seventeen-year-old with too much on his shoulders who idolizes Samatoki. He is incapable of seeing how much pain Samatoki struggles with.
However, when the manga focuses on more intimate moments of Samatoki's life, we see that Samatoki does struggle quite a lot.
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(BB/MTC+ chapter 6)
This isn't a cool, attractive figure meant to be idolized. While Samatoki's cigarette usage and aggressiveness are often framed as sexy or enticing, the juxtaposition with dirty laundry, overflowing ashtrays, and empty bottles make him a sympathetic and struggling figure. Therefore, we should understand that his notion that men don't cry is flawed. It's a means to distract himself from emotions he doesn't want to feel.
Later, as Samatoki begins to process his emotions and open up to his teammates, the unhealthy coping mechanisms recede. Samatoki is more confident, mature, and happier as a result of being more emotionally vulnerable.
We see a similar transformation with Kuukou. As a teen, Kuukou is reluctant to accept help or truly let anyone in. In a conversation with Hitoya, he says (and I am still completely unable to take this seriously), "A man's got to wipe his own ass."
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(DH/BAT chapter 4)
However, over the course of his character arc, Kuukou learns that he cannot exist as a good leader or individual without the teamwork of his newfound "family." Only rejecting this classical and toxic notion of masculinity brings Kuukou joy.
In fact, most of the first-line characters have very similar arcs. At the start of the story, Ichirou is insistent on doing everything himself. He has to learn to be able to rely on other people (Kuukou, Samatoki, Ichirou and Jirou) to be happier and unlock his true strength. See below, his final attack and Ability use in the 2nd DRB, which is only possible when his brothers figuratively and literally support him through it.
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(BB/MTC+ chapter 25)
Sasara struggles with emotional honesty and trust in favor of using humor to gloss over discomfort. It takes multiple heart-to-hearts with Roshou before he can let humor take a backseat and say how he really feels. Ramuda has difficulty trusting other people and being honest with his emotions when faced with stressful scenarios. Only through Fling Posse is he able to open up and ask for help instead of driving people away when the problems are too big for him to face alone. Jakurai struggles to connect with other people, work through and acknowledge his complicated feelings, and not place himself on a pedestal. Through Matenrou, Jakurai is able to ask for help, be more open, and ultimately be less hard on himself.
The second- and third-line characters follow similar arcs, and this repetition creates a core message for Hypmic: Trust and rely other people. Be open with your feelings. There's a wrong way to be a man, and that's to hurt yourself and other people.
Right Ways to Be a Man...Are Infinite!
But with that being said, there is a surprising lack of commentary on how else to be a man. Hypmic as a whole doesn't do much to constrain the male characters in terms of gender roles.
Sure, some characters do fit into more traditionally masculine roles--Ichirou, Samatoki, Riou, etc. The messaging makes it clear that it isn't wrong to play into masculinity provided it doesn't become toxic. (See above.)
Even then, however, these especially masculine characters are associated with less masculine traits that are either portrayed positively or not portrayed as a joke. Riou is an avid cook, but the joke is never that he wears an apron and knows his way around an outdoor kitchen (tee-hee, men don't cook!). It's that he cooks with horrifying ingredients. Samatoki is a fashionista, but the joke is framed as a counterpart to Ichirou's nerdiness.
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(DoD chapter 1)
Here, it's funny that neither of them can shut up (the ペラペラ/blah blah SFX, the long bubbles filled with lots of text that's cut to indicate they kept going for longer), but the object of their attention--a model toy and a pair of jeans--are treated in the same neutral light. It's very common for stories to touch on, even defensively, the social taboo of men being into clothes. Hypmic doesn't even acknowledge that such a taboo could exist.
This is subtle but extraordinarily effective in giving characters the same consideration and weight. The more feminine characters are always treated just as sincerely (or, if there's a joke to be made, irreverently) as the more masculine characters. Take Ramuda, for instance. In Japanese media, a love of sweets is often characterized as feminine and will often be remarked upon, even in LGBT+ media, as atypical for men. Again, there's zero acknowledgement of such a thing in Hypmic. Whenever other characters talk about Ramuda's food intake, it's always framed as a concern about the lack of nutrition.
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(FP/M chapter 11... I don't have the source lying around on my computer, so here's the old-ass scanlation lol)
It's also given the exact same weight as anyone else's junk food habits. Here, MCD goes out for burgers (a neutral to masculine-coded food due to the meat and high calorie count) while Ramuda opts to try a sugary Starbucks-esque drink. The parallelism in the comic's framing suggests that the two objects are functionally the same, and there is no comment that a sugary drink is feminine and therefore "inappropriate" for Ramuda. There's also no indication that MCD's preferences are in any way better. They simply happen to be the characters' personal preferences. The punchline is two groups splitting up, only to awkwardly run into each other again moments later.
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(DoD volume 4 bonus comic)
Similarly, Ramuda's interest in clothes or fashion is never treated negatively--in fact, the discussions of clothes as a means to find identity and happiness make it a positive!
In ARB cards and promotional materials, Ramuda sometimes wears dresses. It's, again, portrayed in parallel to other characters wearing more masculine clothes and is never commented on as something "unusual." It's just who Ramuda is.
Hifumi is another interesting case. Like Ramuda, his playful personality often doesn't as stereotypically masculine. (To be clear, I read much of this as "gender neutral with a strong emphasis on youth" versus "feminine" in a way that I'm not sure has a good US equivalent...metrosexual/yuppie men's fashion, maybe? In the sense that it's a youth subculture that defies some masculine gender roles but is still focused mainly on men. I wish I was more well-versed in Japanese men's fashion and could give an exact term, but I'm what I'm thinking of is definitely an established thing--young, trendy dudes whose styles focus on poppiness vs. the rugged manly man or "idk, I'm just some guy" subcultures. It's a thing that pisses off old Japanese conservative men in the same fashion as people getting up in arms about "the gayz!!!1!" and their androgynous clothing lol.) Their personalities are often the butt of jokes, but only in the same way that Dice or Doppo are--that is, that they're exaggerated and over the top. There's no commentary on masculinity or lack thereof.
There are also moments when Hifumi, Gentarou, or other characters play feminine characters in roleplay moments, which is usually (but not always) not the sole joke. The audience is supposed to find it funny, but the humor is almost always centered on the absurdity of the scene as a whole. For instance, in a moment where Hifumi and Doppo are pretending to be two drunk karaoke-goers, the humor comes from the composite set-up of Hifumi's hair twirl, Doppo's untucked shirt and tie, Doppo and Hifumi's exaggeratedly flirtatious poses, the spotlights and sparkles, and the same font as used on classic karaoke machines.
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(FP/M+ September 2022 oneshot)
Hifumi and Doppo do not perform traditional gender roles in their homelife, and while it's easy to see and often commented on in the English-speaking fanbase when it comes to Hifumi, I find it just as prevalent on Doppo. It's true that Hifumi is taking a feminine role by doing the majority of the household's cooking and cleaning, but if we were to assume Doppo has the masculine role in the household, he would have the breadwinner duty. However, he isn't the main source of income for their household, and he's just as unassertive in finding a (female) romantic partner as Hifumi is. Japanese men are bombarded with media messages stressing the importance of taking an active role in career and romance. That Doppo does not would, in many stories, make him the butt of a joke for not living up to masculine gender roles. But he isn't; instead, Hypmic portrays him as a sympathetic character. It's tough, Hypmic says, for people to get good jobs and maintain friendships/relationships as an adult.
Similarly, it's noteworthy that Hifumi's self-appointed term "Gigolo" is consistently portrayed as a good thing in Hypmic. The meaning of the English term aside, the Japanese word ジゴロ (jigoro) is almost always used as an insult for a man who is financially dependent on one or multiple women. In the strictest sense of the term, Hifumi is a jigoro in that his income derives from his female clients. However, there is never any shame associated with that, and as a whole, Hifumi's career as a host is shown to be a positive thing. I can't express enough how rare that is in any sort of semi-serious media. Certainly, Hypmic acknowledges that his job requires too much drinking (Doppo's verse in Hoodstar), but the overall portrayal is overwhelmingly positive. Hifumi and his coworkers are never treated as uneducated, boorish, or pathetic for "failing" to find other work that does not require flirting with and entertaining women. (This is partially due to the overlapping judgment with sex work.)
All the various harmless preferences and personality traits of the male characters are treated equally with no judgement over what's masculine or non-masculine. Within the broader context of Japanese media, this absence of judgment stands out and reinforces one of Hypmic's core themes: Differences make us better, not worse. In the end, Hypmic suggests, there's no one right way to be a man.
Right Ways to Be a Woman...Are Just as Infinite!
But what about women? This series is, after all, marketed mainly towards women, and while female audience members can no doubt extrapolate the lessons learned from the male characters, it's worth taking a look at the female characters too.
The female characters do receive much less screen time than the men and are not the focus in the series; I'd argue that's less an issue of overt sexism and more that they fall out of focus in the story the writers want to tell. (There's a broader discussion to be had about inherent sexism in the writers' focus which goes hand-in-hand with rap industries across the globe favoring men and rap being an example of exaggerated masculinity, but that's a topic for another day.)
Even so, the framing of the female characters is interesting in a couple key respects. The individual character arcs and motivations of the main female characters are, in my opinion, some of the weakest parts of Hypmic--many times, Otome and Ichijiku do things because the plot demands them to, making them look incompetent or needlessly cruel for characters we're supposed to sympathize with. Nemu's story seems to be handled with more care and takes an interesting twist, wherein she openly acknowledges that she's disenfranchised as a woman in modern Japan but rejects the notion that she needs to find strength on either Ichirou or Samatoki's (male) terms. By choosing to be strong in "her own way" (whatever that means...it's not well-defined), the authors are using Nemu to reject the notion that strength and power are inherently masculine.
What I find to be far more interesting is the character design for the Chuuouku women, both in what is said and what is not said.
To begin with, the characters and their portrayals run the gambit from highly sexualized to completely non-sexual. Some characters (especially Ichijku and Honobono) have conventionally attractive, curvy body types and are often drawn in ways that highlight their bodies.
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(FP/M+ chapter 4)
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(FP/M+ chapter 14)
In some cases, especially Honobono's, the enticing nature of the illustrations is framed as the character's choice; in the above, her words indicate that she wants to seduce the off-screen listeners. The images included above are largely representative of these characters' raps, regardless of illustrator.
But on the flip side, other characters with large breasts or hips are never drawn in a sexual fashion. By way of comparison, here are two shots of Nemu rapping.
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(BB/MTC+ chapter 12)
Even in shots with dynamic poses, no attention is drawn to Nemu's figure in any sort of provocative sense. Nemu touches her chest, drawing the reader's eye there, but the artist does not emphasize the size of her chest--they're allowing a chest touch to be no more than an emphasis of the self. At the same time, Nemu's body isn't downplayed. We can see in panel 2 on page 2 that Nemu has a small waist and wider hips, but once again, she isn't being sexualized. The action lines draw the reader's eye to Samatoki and thus put the action first and foremost. This creates the idea that not only can characters portray themselves sexually, but they can just as easily choose not to.
We see similar with Otome, who does not wear any sort of revealing clothing and is never shown in a sexual fashion. However, Hypmic doesn't equate revealing clothing to sexual portrayals either! While I wouldn't call Tsumabira's outfit revealing, she does have more visible cleavage than most Chuuouku figures. However, her bare chest is never sexualized like Ichijiku's.
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(BB/MTC+ chapter 4)
Compare the non-emphasis on the chest and the power stance to any of the many shots of Ichijuku where her breasts are front and center in the camera. Speaking of power stance, Tsumabira remains confident in her power stance without being sexy--that is, no stepping on the camera and showing her whole leg.
Which isn't to say that Tsumabira is a sexless character. She's drawn visibly turned on by the male characters in such a way that is cartoonish but not, in turn, overly sexual. Were this supposed to be titillating to the reader, I would have expected to see a larger close-up on her face and tongue. However, the artist (who is no stranger to focusing on tongues!) devotes the majority of the panel to Tsumabira's body language (which, again, doesn't absurdly exaggerate any of her proportions or focus on her chest) and covers part of the mouth with text bubbles. Tsumabira is drawn as engaging in sexual behavior without being sexualized for reader entertainment.
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(FP/M+ chapter 4)
The juxtaposition of such different views with little to no judgement attached to any of them suggests that it's perfectly okay to want to be sexy or not, to wear revealing clothing or not, to be involved in sexual situations without being the object of sexual interest, or to simply exist with an attractive body type without sex ever coming into the equation. Just as some characters choose to tie bodies to sexiness, some don't whatsoever--and either is perfectly fine!
The former idea ("I can choose to be sexy") may not sound especially revolutionary to US audiences, where sexuality is thrust upon women willingly or otherwise, but I find it fascinating because it lets the main characters embrace this idea without associated slut shaming. So much of Japanese media insists that women should be sexy but are also wrong for wanting to indulge in their own sexuality. Therefore, having characters who run virtually every iteration of take on the topic (I want to engage in sexuality and be sexualized, I want to engage in sexuality without being sexualized, I don't want to engage in either) with multiple body types (ie, Tsumabira isn't automatically not sexualized because she has a smaller chest; Nemu isn't automatically sexualized because she has a bigger chest) and no judgement involved feels like another breath of fresh air to me.
As a whole, I find the diversity of the Chuuouku uniforms and character appearances quite interesting. They're undeniably all feminine and relatively militaristic, but different characters wear entirely different wardrobes. Skirts vs pants, blouses vs dresses, high heels vs boots... Since every character has her own take on the common theme, it once again feeds into the idea that each character is her own individual and perfectly valid for defining femininity in her own way.
Haircuts, too, range from longer and more feminine hairstyles to pixie cut-esque looks.
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(BB/MTC+ chapter 16)
Again, nothing of the framing suggests this short-haired woman is in any way different from her longer-haired counterparts on the edges of this screenshot.
Finally, while most Chuuouku women are conventionally attractive, I find it extremely compelling that Haebaru is a stereotype of an unattractive Japanese woman. To be extremely clear, I do not think these stereotypes should have weight, but the combination of chubby and/or muscular build, freckles, rounded nose, and non-glossy hair is often used as a visual shorthand for unattractive or otherwise undesirable women.
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Sure, it's not fantastic that Haebaru is a scheming, two-bit villain. However, so is virtually every other female character in the series, and in particular, Haebaru is (the conventionally attractive) Tsumabira's counterpart. Both are treated with the same respect or lack thereof, suggesting that one's appearance has nothing to do with your ability to be a no-good baddie. Ha ha ha.
It would be lovely if the female characters were fleshed out further and given intelligent choices and diversity outside of the realms of physical appearance. However, I do think the writers' choices are limited by virtue of all women automatically being antagonistic side characters (which, again, is another discussion altogether). What the writers can and have accomplished is further reinforcing a celebration of differences. Just as there's no one right way to be a man, there's an infinite number of ways to be a scheming snake of a woman HAHA.
Intersection with LGBT+ Topics
Unfortunately, this is a very binary look at gender and gender roles, which, while largely representative of the current state of Japanese media, can be disappointing.
Hypmic appears to want to steer shy of LGBT+ topics as a whole, which is a bit of a shame. In a story so focused on gender and acceptance of diversity, it seems the natural next step to explore the notion of those who experiences don't align with a strict gender binary. Such stories are growing in popularity in Japanese media but have yet to be anywhere near the mainstream acceptance in US media (which is still in a fledgling stage at best). I would imagine Hypmic's writers are unable or unwilling to take a definite stance on these topics in the work due to fears of financial or career backlash. If nothing else, the sexuality of the main characters needs to remain in a limbo in order to have plausible deniability for both self-shipping and shipping with other characters. (Some deniability may be more plausible than others.)
The few instances in which Hypmic does wander into this territory are usually clumsy. I am no fan of the handful of scenes where male/male attraction is supposed to be funny purely by virtue of being male/male.
The inclusion of Urumi, the one minor character explicitly LGBT+, is not stellar either. I am hesitant to apply any definite label to her, as the real-life people her stereotype portrays self-identify as everything from trans women to cis men--or refuse to use these English labels at all! Still, we know from her profession (proprietor of a bar heavily implied to be a gay bar by the neighborhood it's in), appearance (poofy permed hair, exaggerated make-up), and demeanor (feminine speech style, a bit flirtatious) that she's AMAB and choosing to present herself in a feminine fashion. By writing Jirou to ask, "Aren't you a man?" in an exasperated fashion, the writers have put her gender presentation in a boke role--suggesting she's over-the-top, exaggerated, comedic. It's not great. I completely understand why readers find it offensive (and it is) even while I don't think the writers intended it that way. Ultimately, it would have been great to see other explicitly LGBT+ characters portrayed without the joking angle.
With that said, I'm not entirely unhappy with her character. She is a stereotype, but the authors have chosen to take only the visual elements of the stereotype and leave the rest on the cutting room floor. In other works of fiction, characters like Urumi are often hypersexual to the point of being in-universe creepy, especially towards underage boys. Other times, characters like her may be eccentric or off-putting in other ways. However, that's not at all the case here. Urumi seems to play a helpful big sister/aunt role in Jirou's life, and he's clearly comfortable enough with her to spend the night at her bar.
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(BB/MTC+ chapter 17. "Sorry, but can I shack up here again tonight?" "Of course you can.")
While she seems to engage in some sort of a bohemian lifestyle, as evidenced by the alcohol and smoking, it isn't anything outside of what many of the other characters do. Additionally, while she isn't drawn in a flattering fashion in scenes where she's playing up her persona (which is par for the course with any character in this series, regardless of gender), there are plenty of neutral shots of her being serious. Finally, the art is never outright rude--that is, she isn't drawn exaggeratedly masculine or flamboyantly...snakey? I don't know how to describe this to anyone who's lucky enough to have never seen this--clearly LGBT+ AMAB characters drawn with noodly limbs and huge, overblown lips winding around male characters.
Maybe because I see so much worse continuing to be produced in this day and age, I feel like Hypmic could have done a much, much worse job with this character. She overall plays a positive role and is treated with much the same care as other side characters. It's unfortunate, then, that the writers have chosen to make her gender presentation the subject of a joke.
In other frustrations, I heavily dislike the unnecessary gender divide in background characters. All punks and other background baddies are male, whereas all adoring fans are female. (But Rhyme Anima has done an interesting job of subverting this!) The vast majority of other background figures fall into strict gender roles, which is likewise disappointing. It appears that diversity may be an accepted trait for none but a lucky few that form the main Hypmic cast.
All in all, I don't think Hypmic's portrayal of gender roles is groundbreaking, nor do I think it's fair to suggest that all Japanese pop culture plays into strict gender roles. There are certainly many Japanese works, popular or otherwise, with much more interesting things to say about gender. However, when compared to the vast majority of the titles that cross my desk on a regular basis, I notice and appreciate the level of care put in to Hypmic's commentary on gender roles. The work consistently reinforces the notion that it's okay to be your own individual, no matter how that plays into your gender, and I find that freeing. That's a message we could all do to hear more often, regardless of culture and language.
TL;DR: Oh no, my rapidly approaching deadline. :)
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suchawrathfullamb · 2 days
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*points gun is obviously a joke bc we're always joking about Will pointing a gun at him for any reason, so read the fucking room before complaining about it don't be a fucking asshole
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vivwritesfics · 42 minutes
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Can We Get One
The youngest Leclerc loves baby Leo. So why the fuck won't her boyfriends let her get a puppy?
Norstappen x leclerc!reader
Okay I found out one of 'my' dogs died while writing this
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"Hi Baby Leo," she gushed as she scooped her little puppy into her arms. He was like a little shark with the way he went to bite at her sleeve.
But she didn't much mind, gushing over the dog that she had dubbed her nephew (well, if Arthur and Lorenzo weren't going to make her an aunt, Leo it would have to be).
"I'm gonna kidnap you," she said in that baby voice as she stroked under his chin. "Gonna steal you away from your daddy so you can come live with me and Lando and Max."
She was in her own little world as she played with Leo, her brother, her boyfriends, lost to her. Max tried to call her name, but she waved him off to press kisses to Leo's head.
Lando and Max couldn't deny how goddamn cute she looked, holding Leo close to her chest. She scooted around on her ass to face them. "Boys, I'm in love," she said and pouted at them as Leo went to bite her chin.
"Baby," Lando began as he joined her on the floor. "We're not getting a dog."
"Assholes."
She turned her attention away from Lando and looked towards her brother. "Charlie, do you need a baby sitter?" She asked as she placed Leo in her lap. He happily sat there and chewed on her skirt.
"No way," Charles said. "You're not babysitting my dog."
A huff left her lips and she muttered something to Leo, something like 'you'd never be this mean to me, would you angel?' "If I move in with you, cook, clean, pay rent, can I get a puppy?" She asked as she looked at him.
Max couldn't stop the laugh that left his lips. "Um, excuse me," he called and tapped her on the shoulder. She ignored him. "Angel, just because we're not letting you get a puppy..."
"That's not it, Maxie," she muttered and scratched at Leo's belly. "Leo just wants me close, that's all."
The Leclercs had always had dogs growing up. It was one of the reasons Charles had gotten Leo. So, seeing his sister so in love with his little puppy, he knew he had to do something.
Charles picked Leo up and pulled his sister up from the floor. She put Leo in his harness, attached his lead and put him on the floor. "Why don't you take him for a walk?" He said and pointed her towards the door.
But she didn't leave. "Cha," she whispered, looking back at her boyfriend. "What're you doing?"
He whispered something in her ear, something that Max and Lando couldn't hear. Something along the lines of 'I'm gonna try and convince these guys to get you a dog'.
She couldn't help but smile as she walked out, Leo at her heels.
Charles began talking to Max and Lando. But what he was suggesting was unrealistic. How could they have a dog when they already have cats? It wouldn't have been fair to Jimmy and Sassy.
But Charles wouldn't drop it, wouldn't drop how happy she looked when she was with Leo. Wouldn't drop how happy she would be if they got her a puppy.
By the time she came back with Leo, they still weren't convinced. But Max couldn't get it out of his head. They were his cats at the end of the day.
It didn't take long for him to work out that he'd do anything to make her happy, including get a puppy.
Charles took her away for a week. He was in on it, happy to help however he could.
And, while they were away, Max and Lando brought home Baguette. The name was Lando's idea, a 'French Poodle for a French girl'. Which pissed her off because she was not in fact French.
It was Max's job to introduce Baguette to the cats. It wasn't smooth sailing, but the boys knew it wasn't going to be. And, by the time Charles brought her home, Baguette and the cats were coming fast friends.
The memory of the first time she met Baguette would always be ingrained into Max and Lando's memory.
She threw her arms around Lando's neck the moment she walked into the apartment, unaware. But then she heard the barking.
"Is Leo here?" She asked, clearly confused as she looked around for the puppy.
But Max didn't emerge with a puppy. Well, not that puppy anyway. The French Poodle puppy was a stranger to her. "We got you something," Lando said as he watched her expression.
"No." It was almost a whisper as Max approached, Baguette in his arms.
"Baguette, say hello to your mommy," Max said as he passed her the dog.
Her mouth fell open as she took Baguette from Max. "This... this is a joke, right?" She couldn't stop herself from asking as Max wrapped his arm around Lando's waist. "You guys got me a dog?"
"We sure did, baby," Lando said as he stepped out from Max's embraced. He stroked Baguettes head, touched his soft, curly ears. "Baby, meet Baguette."
(Baguette below)
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sunkissed-zegras · 1 day
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𝐃𝐑𝐔𝐍𝐊𝐄𝐍 𝐂𝐎𝐍𝐅𝐄𝐒𝐒𝐈𝐎𝐍𝐒 ─ PB⁵
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౨ৎ ─ summary | request -> "hey! I think u should right a fic about the night ice and paige were in miami out partying (obviously including reader) but paige has a little too much fun, so reader and ice to take care of her. reader is also dating paige at this point they are just on the down low 🤫 anyways adapt on the story however u want i just think this would be super cute!!" or, paige wants to finally tell ice that you two are together.
─ word count | 1.2k
─ warnings | drunk!paige, mentions of being wasted af, emotional paige, confused af ice, scared y/n, ummm... confessions, idk what else
─ taglist | @xocherishxo @iienstein @yazmunson @euphternal @uraesthete @hello-nah817 @wanderlusturous and here's a link to my taglist if anyone would like to join!!
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PAIGE STUMBLED FORWARD as you and Ice grabbed her arm, making sure she didn't fall.
You and Ice exchanged amused glances as you got Paige up to her feet, drunken giggles coming out of the blonde's mouth. She had one too many drinks tonight and now, you're not sure she'll remember tonight.
Paige's hand went up to grab your shoulder, holding on tightly. "Hey, you guys are the fucking best," Paige slurred, her words weaving together slightly. "I love you guys, have I ever told you guys?"
You chuckled, exchanging another glance with Ice. "We love you too, P," you replied, steadying her as she swayed. "I think it's time to call it a night, what do you think?"
"But we're out here in Miami," she slurred as she let out an amused chuckle at her own joke. "L-Looking for the hoochie daddies,"
"Yeah, it's time to go back to the hotel." Ice held in her laugh as she looped Paige's other arm around her shoulder. You carried their bags as you guided her through the crowd.
The cab drive back to the hotel was anything but peaceful, Paige almost puked five times and she kept talking about how much she cared about you guys and the team. When you finally made back to the hotel, Ice threw Paige on the bed with a groan.
With a weary sigh, Ice carefully helped Paige settle onto the bed, making sure she was lying down comfortably.
"You're lucky we love you, Paige," Ice said with a playful grin, shaking her head as she glanced back at you.
"Yeah, me too." Paige sighed as she glanced back at you with a grin. "C'mere,"
Your face felt warm with embarrassment as Ice gave you an amused look as Paige kept gazing at you expectantly. Oh shit, she wasn't about to air you two out, right? Well, drunk Paige was very unpredictable you slowly made your way over to where Paige lay on the bed, her gaze fixed on you with a playful glint in her eyes.
With a nervous chuckle, you took a hesitant step closer to Paige's side, unsure of what she had in mind. "What's up, Paige?" you asked, trying to keep your voice casual despite the butterflies fluttering in your stomach.
Paige's grin widened as she reached out to grab your hand, intertwining her fingers with yours. "Just wanted you closer," she said softly, her words laced with drunken boldness. "You know I love you, right?"
Your heart skipped a beat at her words, warmth flooding through you as you squeezed her hand gently. "Yeah, Paige. I know, I love you too."
"Damn, am I interrupting something?" Ice joked as her amused expression faded into a confused one. You and Paige exchanged glances as Paige laughed, pulling you closer.
Ice looked very confused as you shot Ice a slightly panicked look as you tried to figure out how to respond.
"Oh, no, nothing like that," you stammered, feeling the heat rise to your cheeks. "Just, you know, friends being close."
Paige sent you a glare as she sat up. "A friend? Are we really still doing this, Y/N?"
Ice looked slightly uncomfortable as she watched the interaction, sensing the tension in the air. "Um, I'm gonna go get us some water."
You shot Ice a grateful look, silently thanking her for the distraction, before turning your attention back to Paige. "Paige, I..." you began, searching for the right words to say.
But before you could continue, Paige let out a frustrated sigh, running a hand through her hair. "I'm tired of pretending, Y/N," she admitted, her voice softer now, tinged with vulnerability. "I'm tired of hiding how I feel about you."
Your heart skipped a beat at her confession, a whirlwind of emotions swirling inside you. "You're just drunk. Are you sure you wanna do this, now? On vacation, with Ice?"
But Paige shook her head, her expression determined as she reached out to take your hand. "No, I've never been more sure of anything in my life," she insisted, her eyes pleading with you to understand. "I love you, Y/N, and I don't want to hide it anymore."
You felt a lump form in your throat at her words, torn between the fear of what could happen if you gave in to your feelings and the overwhelming desire to be with her. "Paige, I..." you started, your voice faltering as you struggled to find the right words.
But Paige pressed a finger to your lips, silencing you. "Please, just hear me out," she urged, her voice soft but determined. "I know this might be scary, but I can't keep pretending that I don't feel this way about you."
You looked into Paige's eyes as she sobered up, seeing the depth of emotion and vulnerability in them, and felt your resolve crumbling. "You're sure?" You whispered, your voice just above a whisper as Paige nodded.
As if on cue, Ice came back with three bottles of water and an awkward smile. She looked at you, noticing the proximity before handing you the bottle. You both mumbled a quick thank you before glancing at one another.
"So..." Ice began, her voice soft as she looked in between her close friends. "What's going on-"
"We're dating, Ice." Paige ripped the bandaid off quickly as your eyes widen in panic, shooting her a glare. "For like three months, I'm sorry I didn't tell you."
"Just three months?" Ice asked as she opened her water bottle casually, taking a sip. There was a moment of silence as you all just stared at each other, waiting for Ice to continue. "What?"
"That's all you're gonna say?" Your tone was slightly annoyed as Ice shrugged, sending Paige a grin.
Ice laughed as she shook her head, as Paige pulled you into her chest. "We've been known, Y/N. It's pretty obvious, trust me."
You blinked in surprise, feeling a mix of relief and disbelief wash over you. "Wait, you knew?" you asked, feeling a bit dumbfounded.
Ice chuckled, nodding as she took another sip of her water. "Yeah, it was kind of hard to miss," she admitted, a playful twinkle in her eyes. "But hey, I'm happy for you guys. You make a cute couple."
"That's all you're gonna say?" You repeated as Ice sent you a glare, Paige stifling her laugh.
"What do you want me to say? Oh my god, really! You guys are fucking, wow what a surprise." Ice exaggerated as you let out a laugh, shaking your head in disbelief. It was really that easy, huh?
You couldn't help but laugh at Ice's response, feeling a sense of relief wash over you at her easy acceptance. "I guess we were just expecting a bit more of a reaction," you admitted, still chuckling.
Ice rolled her eyes playfully, nudging you with her elbow. "Come on, you know me better than that," she teased, a smirk playing on her lips. "I'm happy for you guys, really. You guys are adorable but I hope I don't become, a third wheel or something."
You grinned at Ice's playful remark, appreciating her lighthearted approach to the situation. "You could never be a third wheel. You're an essential part of this trio." you reassured her, nudging her back gently.
Paige nodded in agreement, looping her arm through Ice's. "Yeah, we're a package deal, remember?"
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↳ make sure to check out my navigation or masterlist if you enjoyed! any interaction is greatly appreciated !
↳ thank you for reading all the way through, as always ♡
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fangirltothefullest · 9 hours
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Guys I just got back from the dollar store and this middle aged white guy was trying to steal a few things and I'm like, not my business (as you do), but the cashier caught him and like it would have been fine if he just left? Like at this point dude just GO, you were caught, give up the ghost nobody has threatened the cvops on you right in this moment just go.
But OF COURSE the guy starts yelling loud as he can about how he's just "trying" the lighter first, which the cashier lady tells him that's not how it works. So she (who caught him in the act and is keeping a nice distance) was like "sir you pay for it or you go".
And he KEPT yelling, extremely hostile, and repeating "you can't pay me to stay!" but he KEPT not leaving?? And so she started to firmly be like "I will call the cops sir, please get out" cause he got VERY hostile VERY fast and we're all in line like fuck uh what the hell, this is a dollar store at this point it's not worth it-
My sister pulls out her phone and IMMEDIATELY because she is tall and can see over the shelves, and she starts recording of course. I'm looking back for the kids I saw earlier and their dad has thankfully taken them to the farthest corner of the store away from this guy because he's WAY too hostile.
The other cashier who was checking everyone out (who has since stopped everything to turn and help his coworker and everyone in line is like VERY ok with this) is like "Sir please-" and he's being very quiet and trying to de-escalate the situation, but the guy WILL NOT take the hint and so the first cashier (my hero) told him "SIR I AM CALLING THE COPS".
He does not go?!
He's screaming about getting shot like George Floyd (which, white guy you CANNOT think you will be shot dude you are a WHITE MAN, you're deliberately making a scene because you're pissed they caught you!)
He starts rounding the corner with his stolen items, trying to cut everyone in line to suddenly "pay for what he intended to buy", he's shoving his way through and no one will stop him because he sounds at this point absolutely on the verge of a violent outburst.
He tries to pay, but the cashiers just want him gone so she's INSISTING he leave, and he knocks everything onto the floor out of anger and SHE PEPPER SPRAYS HIM IN THE FACE!
It gets on him and he angrily leaves, it gets on her and she takes it like a fucking CHAMP and it's palpable in the air. She is shaken but trying not to let it get to her and I'm thinking gods I hope you don't have to deal with this often....
The dog, thankfully, that this lady brought into the building (an entirely different story of course) did NOT go bonkers with the spray, but it was a VERY tense evening at the Dollar Store and the lady told me this is NOT the worst she has seen (she had to call the cops earlier that day, as I said, and I did NOT inquire about it because that was enough excitement). FUCKING WILD TIMES AT THE DOLLAR STORE I GUESS.
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batmanisagatewaydrug · 22 hours
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going to format this like a reddit post because it’s the only way. i (transmasc) don’t know if i’m sexually attracted to the girl (transfem) im having sex with. i’ve known for a while that i’m asexual and fuck for fun, and when i see my friend who i’m fucking, i don’t have any immediate overwhelming desire to have sex with her, unless we’re like, in the moment yknow? like i totally forget that it’s even an option bc i could just sit there and talk to her for hours as my friend bc i love (platonic) her dearly and we have a lot of stuff in common. my only quip is that like, is that sexual attraction ???? being in her bed and having our hands on each other and kinda feeling it then? but not at other times? is sexual attraction constant?? maybe im bisexual and aromantic. or maybe i’m regular bisexual and i just dont like romantic relationships. makenzie why are human minds so goddamn difficult to parse the emotions of? i want to be her friend but im confused by my emotions towards her. how am i consistently having sex with someone im not literally sexually attracted to? and liking it? i mean that kinda has to be sexual attraction right? idk. help girl (gender neutral)
hi anon,
have a seat. drink some water. take a deep breath. we're wildly overthinking this.
what you call yourself - asexual, aro bi, bi but not into romance, whatever - that doesn't actually matter.
here are the things I'm worried about here: are you feeling at all pressured or coerced here? given the choice would you want to stop having sex with this person? do you feel comfortable setting boundaries and saying no when you have sex? you don't need to be overcome with raw sexual yearning for your sexual buddy, but do you enjoy and look forward to having sex with her? is this a positive experience for you?
it's fine to have sex even if you don't walk around thinking about it drooling like a horny cartoon wolf, whether it's because you're asexual or just allosexual without a particularly vigorous sex drive. (the line between those things can be pretty blurry and is pretty up to you to define, by the way.) sex can be fun and feel great; it's fine to want to do that even if you don't have a longing in your loins for it.
think of it this way? I don't particularly like most vegetables, but I like how my body will feel when I eat them, so I make a point of doing that as much as I can. and when I cook them they'll usually come out pretty tasty, and I'll enjoy or at least fell neutral about them. and still doesn't mean I like vegetables, or at least I don't particularly identify as someone who likes vegetables, but I did. eat those vegetables.
the sex is vegetables.
I can't tell you if this is sexual attraction. but also it doesn't matter very much as long as you're being safe and having fun.
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infizero · 13 hours
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"...we know the government doesn't give a fuck about us. We know the government doesn't give a flying fuck about the future of this country. I don't give a fuck about Biden's campaign! Nor do I give a fuck about Trump's campaign. Because they don't care about me! They don't care about babies. They don't care about women. They don't care about Black people or Native Americans. They don't give a fuck about Palestinian children. I do! I give a fuck about this country! I was born on this soil. I love this place. Because I love my friends, and I love the earth, and I want to protect it, and they don't. Because they want pocket change."
source
FULL TRANSCRIPT:
"
You have to forgive me, cause I'm getting a little angry, but I've seen a lot of rhetoric on this app, and on other social media, and on the news, that our generation is soft. That Gen X- Gen X, Boomers, and Silent Generation believe that Gen Z and millenials and this Gen Alpha are soft. And I will tell you what, I think that is the worst thing to assume.
I have witnessed hundreds of my peers' lives be stripped away from them; their futures, their hopes, their dreams, their prom nights, because of our government's inaction with gun control. I have witnessed millions of lives taken away and altered and changed and ruined because of our government's inaction with Covid.
You guys made us tough. We're tough. We're tougher than you think, and we're tougher than you like to admit. Because we know the government doesn't give a fuck about us. We know the government doesn't give a flying fuck about the future of this country.
I don't give a fuck about Biden's campaign! Nor do I give a fuck about Trump's campaign. Because they don't care about me! They don't care about babies. They don't care about women. They don't care about Black people or Native Americans. They don't give a fuck about Palestinian children. I do! I give a fuck about this country!
I was born on this soil. I love this place. Because I love my friends, and I love the earth, and I want to protect it, and they don't. Because they want pocket change.
Tough. You think you're tough? You're bootlickers! Subservient to the idea of "growth." As if we can grow anymore! Our planet is dying! Because you don't give a fuck. Because you're soft. And saving the planet might be a little tougher than you thought.
I'm ready for that work. You know what I'm not ready for? Another world war. Just because I'm not gonna go over and shoot another working class person that I probably have more in common with, than an owning class piece of shit like Elon Musk, I'm soft? Because I care enough to accomodate my differently-abled peers, I'm soft? Because I don't wanna joke about women getting abused, I'm soft? If I'm alone in a room with Jeff Jackson, I'm leaving with his teeth in a jar. I'll show you how soft I am.
And you wanna ban the only place that we found community? Yeah, nonono. This election year is crazy. Because at this point, like, I think the entire generation, my generation, knows that you guys are geriatric, and knows that the Constitution is as well. It's too old. We are one of the youngest countries and we have the oldest Constitution? Make that make sense to me.
It's time for change. It's time for a new way of life. And these rich, stupid fucks don't deserve to be in charge of it. That's it, I'm sorry, that's it. That's it, I'm done."
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my take on challengers
1. not about the movie itself but i'm so excited for what seems to be the first occurrence of monoculture in a while it's so fun to all be talking about the same thing and it not being t swizzle related
2. i'm so sorry for this but i don't think zendaya has enough gravitas to carry the movie. like she's very good as the alluring figure you're attracted to right away but as soon as she starts speaking i can see the wheels turning in her head and it's clear to me she's not embodying the character as a person with a past and memories as much as emulating whatever emotion tashi's supposed to feel in a given scene. this is even worse in the "present timeline" scenes like i just did not get 30yo mom who is bitter and dissatisfied and weary at all her body language was the exact same in every timeline when she's supposed to be at very different stages in her life
3. continuation of the preceding point but there's no triangle if all three relationships aren't equally as entrancing!!!! and to me the scenes between art and patrick were a 100% more interesting than any of the scenes they had with tashi individually unfortunately. i just didn't get anything from zendaya
4. i like that the attraction between art and patrick was implied BUT it could have been taken further imo. we see patrick swiping (left or right i don't remember) on a guy on tinder so we know there's something going on there but what about art???? are we just supposed to think tashi repressed him so bad he just forgot about it??? (and yeah the final scene yada yada. i know. but still it felt like it still went unacknowledged for quite a while)
5. some of the editing choices were bad ie. the timestamps which were unnecessary after the first time (we could tell by the length of their hair!!!) and the slomo at certain points (when tashi was walking down the alleyway like it was a runway with her fuckass bob 😭😭😭)
6. the score fucks trent reznor and atticus finch you will always be famous
7. josh o'connor. how do you do it
8. blood orange during the almost threesome was so good. i need to know who is responsible for this
9. the non-chronological storytelling got kind of cheap for me at the end. it kinda did a disservice to the movie because it made it hinge on a bunch of big reveals we all had guessed a while ago so quite unnecessary in my opinion (and yes i know the back and forth is supposed to mirror a tennis match but to me this is style over substance and not in an interesting or original way)
10. all in all this is a fun movie but not quite all it's made out to be.....i think it could've been stellar if we'd had a real trio and a real presence at the center of the movie which i don't think zendaya can be quite yet!!! but ykw. we let keanu do it twenty years ago and we're letting john david washington do it now so zendaya should be allowed to as well!
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