#and like. more classic sci fi in general

[utilitycaster]

wait two more thoughts (I swear I'm wfh today and doing work and then I keep sitting up and going 'WAIT'):

Ashton is great this episode but I do think that their actions are solely because it's FCG, about whom they feel very protective. I don't think he'd do the same for someone else losing control. Which is valid! But Ashton is still a bastard punk (honorific).

Might be unpopular but I find Dancer to be fairly sympathetic thus far, neutral at absolute worst. She's obviously a dumpster fire of a person, but it's weird to me how many people seem to be jumping to "Dancer definitely is why FCG is fucked up" rather than her, not unlike the Calloways, simply being a person in way over their head. I just...find it difficult to believe that a truly evil person is naming her robots Pussy and Oatmeal; I think she's merely a hot mess who reactivated an AI with serious damage and almost got killed for it.

#i do feel this fandom would benefit from reading some mid-century sci fi about robots #and like. more classic sci fi in general #i think most of the weirdness around calamity/aeor arc/fcg could be alleviated by some genre awareness #anyway contact me for my thoughts about Susan Calvin #critical role

[beebfreeb]

WHAT genre is didl

#i mean yeah im the one writing it but i dont know. ive mostly read sci fi things and like. vintage childrens books on occasion #i need to read more often in general but im bad at finding books that i like i should probably read more Classics^tm #my local library is ... Not Well Funded + i dont have reliable transportation and it is SO sad. #experimental and disturbing sci fi my beloved #funny talking tag

[vintagesffantasyactors]

Inspired by @hotvintagepoll, here's another bracket featuring some hot vintage actors- but instead of being about actors from a particular medium, this one's about actors associated with a particular genre:

The Hottest Vintage Sci Fi/Fantasy Actors Bracket!

I'll be starting with a men's bracket.

Submissions for the men's bracket are closed! More info about the polls coming soon!

What makes an actor eligible for this tournament?

In order to keep this tournament on-theme and not have it turn into a free-for-all vintage actors tournament, all actors submitted should have some kind of strong connection to Sci-Fi and/or Fantasy media. This might mean that they're an actor who has appeared frequently in various Sci Fi/Fantasy works, or that their most well-known role is from something that's Sci-Fi/Fantasy. Actors who aren't necessarily exclusively or primarily thought of as Sci-Fi/Fantasy actors are allowed, provided that they have at least one Sci-Fi/Fantasy work that is considered an iconic role for them. You are free to submit actors you aren't sure count! I'd rather have more submissions than less. Just keep in mind that its possible some people may be cut if it doesn't feel like they really fit the tournament.

(Also, as a side note: horror movies with some kind of fantastical/sci fi element also count for this tournament!)

Other rules for submissions & propaganda:

You can submit actors who appeared in work from as early as 1900 to as late as 2000 (so pretty much it has to be 20th century). That way we can cover a range of classic sci fi/fantasy, from some of the earliest SF/Fantasy films to some of the cult classic works of the 80s and 90s.

You can submit actors and propaganda from both movies and television! It just must be from or related to SF/Fantasy material.

Please only submit propaganda where the actor is at least 18! This also means if someone's only notable and eligible SF/Fantasy role(s) is from before they were 18, they are not eligible for this tournament (even if they continued to act generally as an adult, or were in more notable sf/fantasy roles past the 2000 date cutoff)

Live action roles only; voice roles will not be counted for propaganda/eligibility

Actors who aren't considered primarily Sci-Fi/Fantasy actors must have at least one iconic SF/Fantasy role to qualify for the tournament; however, if they've had other lesser known SF/Fantasy roles as well, you are more than welcome to send in propaganda related to these roles, too!

I might put up an FAQ as well if I get a lot of similar questions/for things that need clarifying.

#polls #tournaments #vintage actors #vintage science fiction #vintage fantasy #fantasy #science fiction #sci fi #vintage sf/fantasy actors poll #sffantasy actors tournament

[deconstructthesoup]

I really enjoy how the title songs of the Hatchetfield musicals capture the essence of the show pretty well.

Like---

"The Guy Who Didn't Like Musicals" is the opening number, an apt choice for a show that's a twisted parody of musicals in general. It's fun, it's got a jazzy, old-fashioned vibe to it... and it's sinister. The choreography is all jerky and wrong, the lyrics at first give off the impression that this is a story about a guy learning to love musicals but slowly devolves into tearing into him for not obeying and should we kill him? It's a bop and a good time and it's scary. It's a nice little notice that while there's gonna be jazz hands and kicklines, there's also gonna be murder. And it gives off 1960's vibes, which is fitting, seeing as TGWDLM seems heavily inspired by retro, Twilight-Zone horror sci-fi.

"Black Friday" is in the middle of the second act, which is a pretty damn good choice for a musical that's about how capitalism and consumerism is capable of bringing us to our destruction. It's slow, it's somber, and it shows our main character's life flashing before her eyes as she expresses her anger at the world and asks why the hell she was dealt this hand. It reminds us that even though there are definitely moments in this musical that are a touch absurd, it is a story that is deeply tragic, deeply horrifying, and deeply unfair at its heart. And out of the three title songs of the three musicals, it's the one that feels the most modern in its infliction, because Black Friday---while calling on some good old-fashioned horror tropes such as cosmic horror and creepy dolls---is a very modern horror tale. (Also, interestingly enough, it's the only title song that isn't a villain song!)

Finally, we have "Nerdy Prudes Must Die." The song that ends the first act, which is a perfect choice for a show that starts with the aftermath of said song, and a perfect example of the moment where all horror stories get serious. It starts out fast, heavy, and urgent, a bombastic villain song where the antagonist has fully embraced their final form and is furiously lashing out at his first victim... and then it slows down into an eerie call-and-response that starts out gentle, then surges in power again. This song, even more than "Literal Monster," is a perfect encapsulation of this show's theme---how you can never truly stop a bully, not unless they want to, and they rarely ever want to. And, of course, as this show is a wonderful homage to the classic 80's teen slasher films, the entire song has 80's vibes running through it.

So, uh... yeah. If we ever get that Miss Hollaway musical, I can't wait to see how amazing the title song will be.

#starkid #hatchetfield #the guy who didn't like musicals #tgwdlm #black friday #black friday starkid #nerdy prudes must die #npmd

[anthurak]

One thing that always feels so funny for me when it comes to the Rosebird Parents Theory isn’t when people simply disagree with the theory, but rather people apparently seeing the prospect of a ‘Raven is Ruby’s real father’ reveal to be this totally unthinkable thing and how could anyone ever think this could happen?!

Because once you get past the whole ‘two ladies making a baby’ hurtle, Raven being Ruby’s dad really fits into so many well-known fantasy/sci-fi tropes. Many of which RWBY notably has not done yet, or have already been tied to Raven herself.

I mean, the mysterious villainous and/or anti-heroic loner with ties to the family pulling an ‘I am your Father’ reveal on the protagonist? That’s a fucking CLASSIC. Hell, let’s consider a few things about Raven:

Big, intimidating helmet.

Clear Samurai inspiration.

Wields a katana-like sword that technically has an energy blade (dust=energy) which is generally RED-colored.

Possesses mysterious and terrible over-worldly powers.

Has a mysterious past tied to our protagonist’(s) family.

Was probably in love with our protagonist’s (apparently) dead mother.

Yeah I’d say Raven makes for a pretty good Darth Vader-expy.*

Beyond that specific case, we’ve already seen the story connect Raven to a BUNCH of ‘mysterious and angsty deadbeat dad who left their kid for unclear reasons’ tropes when it comes to Yang. Why not have those apply to Ruby as well? People have been clamoring for years about wanting to see Summer’s narrative dynamic with Yang explored as much as the one she has with Ruby, so why not have the reverse be true with Raven and Ruby as well?

After all, it seems that the story has now given Ruby a reason to seek Raven for answers just as Yang once did.

And as I’ve noted in previous Rosebird Parents posts, No I don’t believe Raven also being Ruby’s deadbeat dad would be somehow ‘redundant’. Particularly because the context is completely different: Yang has known that Raven is her birth-mother for most of her life, whereas Ruby would only just now be finding out that Raven is her birth-father. Far from being redundant, this would allow the story to explore two very different responses of kids to an absent parent: One who has had to live with the knowledge of that absent parent for years, and one who hasn’t and has to deal with this NEW information suddenly getting dropped on her.

Plus, as I alluded to earlier, it’s rather notable that RWBY hasn’t done some big ‘dramatic parent reveal’, given how much of a staple it is to the genre. And given how reimagining, twisting and flipping classic and well-worn fairytale/folklore/fantasy tropes (often via playing with gender-roles) is basically RWBY’s bread and butter at this point, I’d say giving the series heroine an ‘I am your father’ reveal from a woman would fit PERFECTLY in this series.

And if you’re going to ask ‘but how do two ladies make baby?!?’,

Raven can be intersex. Boom. Done.

Alternatively, magic.

As an aside, yes Summer being trans is a perfectly viable alternative. I just think logistically speaking, Raven being intersex and being Ruby’s ‘father’ makes a dramatic reveal a bit more streamlined. Also, the idea of Raven managing to be BOTH a deadbeat mom AND a deadbeat dad is just too funny XD

*Of course, this comparison gets even more fun when we consider Summer having her own Vader-parallels, ie; Summer almost certainly being taken by Salem and given what we can probably assume to be a Vader-esque makeover via grimm-hybridization in setup for a big reveal. So when we combine this with Raven, I think we can view what happened on their last mission as ‘What if Padme/Obi-wan got turned into Vader INSTEAD of Anakin?’ Like Raven in the present is basically Anakin doing Obi-wan’s traumatized hermit shtick, except all angry and edgy because it’s still Anakin.

#rwby #rwby theory #Raven Branwen #Ruby Rose #Summer Rose #rosebird #rosebird parents #rosebird parents theory #star wars references #guess who's back on their bullshit? XD

[radioactive-earthshine]

im having a great time with Pluto despite not having seen much astro boy (been aware of it obviously just never sought it out) what would you recommend for someone to watch/read after pluto from the astro boy franchise that is similar in tone and content?

Oh boy oh BOY!

If the Pluto anime is your introduction into the Astro Boy franchise then you've been thoroughly acclimated to the most fervent reoccurring themes found within Tezuka's writings and as such a lot of the tone and story telling will be very similar - even if Pluto was written by Naoki Urasawa and not Tezuka himself.

What I personally would suggest for those curious about learning more about Astro Boy and this particular story is to read the Pluto manga (8 volumes) as an accompaniment - the anime is a very good adaptation but some things had to be cut for time (it's inevitable) and the manga was simply better at revealing some things than the anime to give you a broader sense of place that this world takes place in.

From there you have many options before you depending on your accessibility to some of the series below.

NOTE: There is nothing quite like Pluto other than Pluto, but in all versions of Astro Boy you will find the same themes and content found within Pluto but with a different narrative voice.

For the sake of simplicity I am not getting into the bigger Tezuka Star System I'm just focusing on Atom in the most direct way - no this is not meant to be a full complete list of EVERYTHING.

The 1950s Manga

Written by Tezuka himself, where it all started.

Contains all of the original core stories of Tetsuwan Atom (Astro Boy) which were adapted in various media.

Is available in English to purchase and is online.... in places...

Can get shockingly dark and gruesome and I do not have the spoons to list all the Content Warnings possible. Adults will find enjoyment from this series.

Is generally episodic.

Classic golden age sci-fi with themes relevant today still.

The 1960s Anime

Written and worked on by Tezuka himself.

Contains many of the core stories presented in the manga adapted to fit a single episode.

Episodic.

The first two years (104 episode out of 193) are available in English to purchase on DVD (with extras!) - I do not know if the 'missing 89' are available online with subs or if the original Japanese is available with subs out there.

Yes, inevitably the dubs sanitized a lot of the stories and Americanized them - but even so they are worth a watch.

The 1980s Anime

Also written and worked on by Tezuka himself.

Is available in English to purchase, but like the 60s dub, it has been cropped, chopped, and censored - in some ways worse than the 60s series. The DVDs at least do have the Japanese track with subs available.

You can find the 80s Japanese unedited online with subs.

Is mostly episodic but does have a subplot featuring a new character Atlas and his sister Levian.

Contains some of the core stories from the manga but this series is much shorter so some of your favorites might have been dropped.

The 2003 Anime

Tezuka did not work on this series as he was deceased at time of production.

Modern Astro Boy with a more modern lens and modern story-telling expected of anime of the time.

Contains a plot and contains the episodic spirit of the original shows and manga, but the plot is still referenced in modern anime story telling. The main plots being 1.) robot rights being established in a world where they have none despite having "kokoro" (heart) which is basically free will and sentience and 2.) who is that boy anyway?

Many of the most beloved Astro Boy stories from the manga are not present in this series.

American voices dictated the direction of this series from the start even in the original Japanese which is a big negative.

The English dub is heavily censored and altered from the original version - but it contains some amazing performances from people like Dorian Harewood whom I still to this day don't know HOW he agreed to play Dr. Tenma but my god he did an amazing job.

The unedited subbed Japanese version can be found online.

Despite the amount of butchering and meddling during production it is still a relevant part of the Astro Boy collective world.

Naoki Urasawa's Pluto Manga and Anime

You already know of this adaptation but it's a retelling of The World's Greatest Robot, the classic story from the manga and is present in all of the above series. It is also direct commentary about the American invasion of Iraq with some names changed so as to not hurt feelings. I generally suggest to adults to read this and if it connects with them then try on the original manga and maybe see if any of the anime gets their eye too.

A note on Tezuka and his extended works.

An American equivalent to him would be Jack Kirby however he had more creative control with his work, was credited for his creations, and had just about the same amount of influence on Japanese comics as Jack Kirby did with American comics (maybe even to a greater extent). Tezuka was incredibly prolific and is dubbed "The God of Manga" for a reason. Many of his stories all circle around the same themes; war, grief, the futility of hatred and the doom of mankind while also taking on blatant political sides including environmentalism, equal rights, gender rights and even playing with gender and expression (note they are products of their time and some of which are offensive today but for the time were groundbreaking).

If you wanted specific stories from the manga that might be more what you are looking for to refine your search, let me know! I've been needing an excuse to drag them out.

#astro boy #pluto #pluto anime #osamu tezuka #tezuka #tetsuwan atom #naoki urasawa's pluto #my niche interests #no i didn't include x thing on purpose

[justletmeramble1701]

My favorite part of My Adventures with Superman so far is how they handle the trunks.

When he first gets the suit, it's trunkless, making the audience believe it's going to be another Superman thing that is trying to make the suit look cool by ditching the trunks no matter how important they are to the design. Then, Ma Kent sees the suit and goes, like, "Ya know, it's missing something," and gives him the trunks! This gets me more hyped for the show than anything else.

This shows that the creators understand the importance of the trunks. Of course, there's the design aspect. Generally, if the Superman suit is broken down into its value scale, the red is the dark tones, the yellow the light tones, and the blue the mid tone (sometimes the red and blue switch and, when the yellow is replaced with black, one of the other colors, usually the red, has to become the light tone). Since classic Superman is an inspirational character, the light and dark tones tend not to be that far apart, so that causes the blue to look very muddy if it is not broken up by something, in comes the trunks.

The red trunks and the yellow belt break up the blue by adding both the light and dark tones in the middle of the design, making it pop more. There are ways of doing this without the trunks, but it tends to move away from the classic design. Common examples are adding black and/or white, putting more red and yellow throughout the suit, or having multiple shades of blue (which the cartoon's design also does).

The trunks also represent something very important tonally, Superman is inherently goofy. That's why a lot of modern designs tend to forgo them. They are a reminder that Superman is a silly character tied to the childlike idealisn of a non cynical past. This scene is the show telling us that it believes that the silliness of the base concept (idealized sci-fi) is a key component of the character. It proves (along with the overall tone) that the show is going to allow itself to be goofy, which is great.

#my adventures with superman #superman #clark kent #superman's trunks matter #let superman be goofy #if superman is treated too seriously the themes of the character gets drowned out

[silenzahra]

Luigi the Bookworm 📚✨

Today, April 23rd, we celebrate Book Day in Spain with a beautiful tradition: gifting books and roses. In the past few months, I've started to see Luigi, my favorite Mario character, as a bookworm, thanks to some art pieces like this one, by Mikis_art94 on Instagram, and this one, a short comic by Sarahsketckesluigi, also on Instagram.

And, since I'm also a bookworm myself, I thought of celebrating this day by sharing with you my own take on Luigi's bookish side 🤭 Warning: this is gonna be LONG, so make sure to grab some drinks and snacks and make yourselves comfortable! 💖

(Also, I may go and turn some of these into actual fanfics at some point because, well... I got myself inspired 👀🤭✨)

Please go and check this amazing post by @itsavee4117! It's a companion to this one and you can see many of my headcanons illustrated in his lovely art style!!! 📚💖

@bberetd @vulpixfairy1985 @peaches2217 @nuctoria @keakruiser

@pepperycar @kelbreyworshipper @roscolate and anyone else who might be interested: I hope you enjoy! Happy Book Day! 📚🥀✨

Part 1: Luigi's Bookish Side

Luigi is a person who tends to get excited easily, and when he does, he experiences those feelings with great intensity. This applies to all aspects of his life, and reading, one of his greatest passions, is no exception.

In terms of genres, Luigi is generally open to read anything. He enjoys realistic novels, historical novels, classic novels, mystery novels, sci-fi novels... And he also reads books about gardening, cooking, baking and mechanics from time to time. The only things he’s unable to consume are thrillers and horror. He's tried, but, with all the times he's had to face King Boo, he's had more than enough terror and frights to last him a lifetime, thank you very much.

His favorite genres are fantasy and romance. The former, because traveling to made-up worlds allows him to forget about his real-life problems and offers him an escape from his daily life, which can often be exhausting. The second, because he’s a complete romantic who loves to see people loving each other and living happily ever after. And also... because of something that has to do with Daisy.

Luigi lives every book he reads with the same intensity. For him, it's as if the characters really existed, as if they were his friends, people he can talk to, share common interests with, and also help to achieve their purposes in life (i.e. in the books they’re from).

And maybe... just maybe... he's fallen in love more than once while reading and now he has a loooong list of literary crushes thet only keeps growing.

So, when he’s reading, Luigi laughs with the characters, cries when one of them suffers or dies, his heart tearing in his chest, and is deeply moved every time a tender moment occurs, such as a kiss, a hug or a cute scene involving, for example, a baby or an animal.

His favorite stories are those about siblings. Not only because he enjoys reading family stories, but also because, without even thinking about it, he often finds it easy to put himself in the place of the younger sibling. For him, therefore, it’s as if he were reading a story starring himself and his beloved brother Mario, and he loves to imagine that they’re going on adventures together in an unknown world. Almost like when they first arrived in the Mushroom Kingdom.

Over the years, Luigi has gathered quite a collection of books, so Mario, the moment they move into the little house in the Mushroom Kingdom that Peach offered them, doesn't hesitate to suggest to his brother that he use the extra room to build himself a small library. Luigi is not too sure at first, thinking that maybe his brother would like to have an office, but Mario insists.

So Luigi has a small library in his new home, which he soon fills to the top with books, and it’s his pride and joy. He and Mario assembled the bookshelves together, which they brought all the way from Brooklyn, and now Luigi has a wonderful reading nook where he can isolate himself to let his imagination run wild for hours. It is, along with the bedroom he shares with Mario, his favorite room in the whole house.

For Luigi, reading is something so important, meaningful and almost sacred in his life, that he has a whole ritual that he performs every time he sits down to read. He has a rocking chair in his small library, a present from his brother when they moved to live in the Mushroom Kingdom, and he has it placed right next to the window and in front of the fireplace. He likes to be able to see the sky when he looks up from his reading, and he usually stares at the clouds or the stars while he daydreams about or reflects on what he has just read. During the summer, he usually keeps it open, as he loves to read in natural light while the gentle breeze from Peach's land cools him, and in winter he keeps it firmly closed while the fireplace warms him.

Luigi loves to light a scented candle to help him get in the perfect mood for reading. His favorite scent is vanilla, as it reminds him of his favorite princess, but he also loves lavender and cinnamon. He usually makes himself a hot drink, sometimes tea, sometimes chocolate, and brings a nice blanket to warm up, which is why his favorite time to read is the coldest time of the year, especially autumn. He also prepares his set of post-its to mark his favorite sentences and parts of the book, and he has a ritual for colors too: yellow for funny moments, blue for sentences that make him reflect on them, red or pink for romantic scenes…

Luigi knows that there are many people who write directly in their books, but, for him, that is unthinkable. He sees books as a valuable and precious object, a repository of stories that helps him disconnect from reality and let his imagination run wild. He respects what everyone does with their books, but he’s simply incapable. Especially if it’s a book he has been given as a gift.

His favorite copies are hardcover, even more so if they include a dust jacket. He treasures all his books with the same affection, but those are undoubtedly his weak point. The most precious of all is a hardcover, dust-jacketed edition of his favorite book, which was a present from Mario, and which also has painted edges.

Usually, when it's time to read, Mario is either napping, spending quality time with Peach, or doing something else around the house. Polterpup, on the other hand, takes the opportunity to approach his owner and, if it's summer, lie at his feet while he reads. If it's winter, however, Polterpup will jump into Luigi's lap without his permission and cuddle up and fall asleep immediately, before Luigi even has time to recover from the fright and resume reading. (Check out @pepperycar's funny addition to this!)

Luigi is a speed reader. Usually, when he starts reading, he doesn't intend to go too fast. It's just that, after so many years reading, his eyes have acquired an astonishing speed, and he’s able to retain every word in his head despite going through them very quickly. Also, if a book really hooks him, he’s unable to put it down until he finishes it, which has caused him to stay up late several nights and go to work half asleep the next day, but it's always totally worth it. Because of this ability, he can finish books of about 300-400 pages in just a few hours, and sometimes also 500 if he gets caught up completely.

Luigi LOVES to buy books. His favorite visits are to Sarasaland and the bookstore, and he also does a lot of online shopping to support small publishers. Every time a new book comes home, he gets excited as if it's the first time, and always asks Mario to please record him while he's unboxing it. Mario unhesitatingly stands on the other side of the camera and makes sure that every shot is perfect and that the book looks great, and Luigi, delighted and grateful, always gives him the tightest and most spontaneous hugs every time they finish filming.

And, of course, once he has the book in his hands, Luigi squeals and kicks, excited, as he waves it in the air like maracas before hugging it tightly to his chest. And, when the book is a present from someone dear to him, he acts exactly the same, only he ends up crying and thanking again and again the person who gave it to him while, again, he presses the book against himself as if his life depended on it.

Luigi is VERY much a fan of merchandising. He loves collecting bookmarks, he has such a huge collection that he's had to divide it into several drawers, and every time he’s going to start a new reading, he tends to spend more time deciding which bookmark will be the most suitable than choosing the book itself. He’s also bought a few literary stickers and some printed works of his favorite books, like fanarts of different scenes or characters illustrated by various artists, which he's hung on a corkboard. And, of course, since his books are the most precious thing he has, he’s also bought many literary covers from different small artists' stores, so that he can keep his books well protected when he carries them around.

Luigi is the kind of person who takes a book with him everywhere. A doctor's appointment? Book in backpack in case the wait gets longer. Public transport? He can't think of a better way to spend it than reading. He even takes them with him when he meets up with Mario, Peach and Toad, just in case his brother and the princess get lovey-dovey, and Toad falls asleep. And, if there's one thing Luigi likes better than sleeping in nature, it's reading in nature.

Part 2: The Reader Brother

Luigi has loved reading since he was very young. When he and Mario were babies, their parents used to tell them a bedtime story, sometimes Pio, sometimes Mia, and Luigi always listened very attentively. He would gawk listening to them and loved how they used to put voices and even recreate some scenes to make them laugh.

Mario also listened very interested, but being a more energetic baby, he used to fall asleep about halfway through the story, with his head resting on Luigi's shoulder and his arm firmly around his brother's waist. Their parents would drool, but they had to continue, for Luigi, even if he was struggling to keep his eyes open, wasn’t going to go to sleep without knowing the ending.

Only then, with a satisfied smile, he would hug his brother back, curl up next to him, close his eyes, and put his thumb in his mouth to get ready for sleep. By then, Mario was completely asleep, clinging to Luigi like a koala to a eucalyptus tree, and their parents had to make great efforts not to melt as they tucked them in and kissed them goodnight.

Since then, both brothers have grown up being great lovers of stories, only that, while Luigi loves books, Mario prefers to consume them in movies or video games. Even so, these are all hobbies that the brothers share, as they love to immerse themselves in a good story that helps them escape from reality for a while.

When Luigi gets emotional about a book he’s reading or has just read, Mario immediately comes to his side to hug and comfort him. He knows that, even if it's fiction, his brother has lived through it all in such a way that his feelings, of sadness, joy or emptiness at having finished a great story, are real and intense. And Mario would never judge him for it.

Luigi is deeply grateful not only that his brother comforts him, but that he listens to him talk endlessly about what has just happened in the book he’s reading, and even catches his emotions. Mario may not cry, but he feels his brother's sadness as if it were his own. Fortunately, the same thing happens when Luigi is happy or excited because of a book, and even on the few occasions when Luigi has gotten angry with a character, Mario has giggled under his breath before calming him down, because he finds it extremely tender.

Luigi usually goes to the bookstore at least once a week, and Mario, since they were teenagers, has almost always accompanied him. The only exceptions were when Mario was dating Pauline, and Luigi had no problem paying his weekly visit to the bookstore by himself, but, deep down, he missed Mario.

His brother also loves to accompany him, because, despite not being as much of a reader as Luigi, he enjoys watching him go back and forth from one shelf to another, pointing out the books he’s already read and the ones he wants to read. Also, when he gets the chance to buy a new one, Mario is amused to see Luigi picking up one book after another and trying to load them all and then deciding which one to take home.

Of course, Mario immediately offers to help him carry the books so that Luigi can keep picking up more if he wants to, and Luigi appreciates it from the bottom of his heart. And also that, again, Mario listens to him chatting incessantly about why each book has caught his attention and why he has such a hard time making up his mind.

Mario always tries to guide him in the best possible way: "What do you feel like reading more right now?" "Is it part of a series or is it a standalone?" "Is the sequel already out or would you have to wait?" "Did you like this or that author better?"

And Luigi thanks him deeply for his advice and questions because, that way, he manages to discern which book he really wants to buy that time.

The best way to surprise Luigi, the best birthday and Christmas present, will always be a book. Mario knows this, and that's why he doesn't hesitate to ask his brother to show him his long and endless lists of books he wants to purchase, as well as discreetly taking notes every time he goes to the bookstore with him. Luigi cherishes every book his brother has gifted him like the priceless treasures they are to him.

Sometimes Luigi runs into space problems. Even though his bookshelf is large and spacious, there’s a limit to everything. In those moments when he’s overwhelmed because he doesn't know where to place his new acquisitions, Mario always comes to the rescue: he immediately offers to hang a new shelf on the wall, or to look for another bookshelf to place in some free space in the room, or, directly, he stares at Luigi's shelf with a frown and his hand on his chin for a few moments, before taking the new books from his brother's arms and, displaying his skills playing Tetris, manages to find room to place them.

He loves to do it not only because he enjoys applying in real life what he has learned playing video games, but above all because of the relieved smile that blooms on Luigi's lips when he sees that Mario has found the perfect solution.

Luigi loves going to literary events where he can meet his favorite authors and have his books signed, but he tends to get so nervous that he always gets stuck for words and sweats a lot, which embarrasses him deeply.

The first time, in fact, Luigi was so shocked to have his favorite author in front of him that he fainted. When he woke up in the ambulance, he was so embarrassed that nothing Mario, who, of course, always accompanies him, said succeeded in comforting him.

He only calmed down a bit at home, when, alone with Mario, he began to silently cry without even realizing it, and his brother, not uttering a word, sat down in front of him, worried, and wrapped him gently in his arms. He pressed the back of Luigi's neck softly to make him rest his head on his shoulder and stroked his back gently, his heart aching at each new sob that escaped his brother's throat.

It took him many, many years to convince Luigi to go to an event again, for Luigi feared the same thing would happen to him again. He didn't want to make a fool of himself like that ever again, especially not in front of writers he deeply admires.

So Mario decided that they would practice: he dressed as much as he could like Luigi's favorite author, watched as many videos as he could on the internet to soak up his personality and find out what kind of books they wrote, and pretended to be them again and again, relentlessly, until Luigi, little by little, managed to exchange a few words with him.

It took them many attempts, because, despite knowing it was his brother, Luigi had no trouble getting into the situation due to his overflowing imagination. Mario had to step out of character several times to try to calm him down and help him regulate his breathing.

Luckily, thanks to Mario's efforts, eventually it worked, and Luigi, a few years later, found himself back at an event and able to chat for a few minutes with the writers he read, even though his heart was beating frantically in his chest and excitement was flooding his insides.

He will never be able to thank his brother for his infinite patience, but Mario always plays it down tenderly. He keeps assuring him that it was not patience, but his deep and sincere love for his younger brother and his eagerness to help him fulfill his wishes.

Part 3: Royalty + Luaisy

Ever since the brothers met Princess Peach, she and Luigi have been, little by little, building up a beautiful friendship that grows every day, just like the sweet romantic relationship between her and Mario.

It didn't take long for Peach to discover Luigi's bookish side, and it made her eager and excited, as she has always enjoyed reading and loves to comment on the books she reads in great detail.

So she didn't hesitate to take Luigi to the huge library of her castle, and she smiled, touched, as she saw the amazement with which Luigi observed its towering shelves, turning on himself in the center of the room as he tried to take it all in.

Since then, Peach and Luigi have become reading buddies. The two of them love to immerse themselves in a good story, read together in the castle library while comfortably sipping tea and, of course, comment on what they have just read and exchange views. Luigi even ends up causing Peach to also take a liking to collecting bookmarks and literary merchandising.

They often do joint readings: they discover a book they both feel like reading and set a series of goals to try to read it at the same pace, so they can discuss it as they go along. Sometimes, however, Luigi discovers that Peach hasn't read one of his favorite books, so he doesn't hesitate to read it with her so he can see her reactions, and vice versa. They love to share their anger, their cries and their joys, for it fills their hearts with bliss and emotion that they have someone by their side who understands perfectly well what they’re feeling and why.

They enjoy hearing what this or that scene has made the other feel, or what they think of this or that character, because it helps them to see things from a point of view that, perhaps, they had not considered before. Reading enriches them, but their literary conversations enrich them even more.

And Mario, of course, is delighted that the two most important people in his life have forged such a strong, deep bond and spend so much quality time together, sharing one of their greatest passions. Often, unbeknownst to them, he stands watching them as they read in the library and gets a silly grin on his face when he sees them laughing together after chatting a bit about their readings.

When it comes to Prince Peasley, on the other hand, Luigi is the one who watches him while smiling, mesmerized, as the prince, always so elegant and sophisticated, has an exquisite oratory and knows how to strike the perfect tone every time a character intervenes, and also to confer the right emotion when it comes to the narrator. And Luigi, besides staring at him, enraptured by the fabulousness of his figure, also listens to him spellbound. He would almost say that he enjoys reading more when his beloved prince is the one who narrates, and plays, the stories.

Princess Daisy, due to her energetic nature, is not much prone to reading. She prefers more dynamic activities where she can unleash not only her endless energy, but also her competitive side. Even so, she knows and respects the value of books, having grown up well aware of their importance in safeguarding and protecting the history of her kingdom. (@kelbreyworshipper you may like these ones!)

But when she meets Luigi, she begins to show a slight interest in reading, something that at first was only born so that she could have something to talk to him about. Fortunately, Luigi, despite his initial shyness, doesn't need more than a mention of literature to start talking nonstop about his favorite stories and how much they make him feel. And Daisy, not even realizing it, finds herself listening to him entranced, very attentive to his every word and genuinely understanding why there are people, like Luigi, who find reading so exciting.

Over time, she starts asking him for book recommendations, which he happily obliges, and Daisy discovers that she actually enjoys reading, especially stories with tons of action. Still, what she likes the most about this is Luigi's thrilled and moved expression when he finds out she's actually listened to him, read the book he recommended and, therefore, now they can fangirl together. She falls even harder for him because of the cute little face he makes.

Sensing that her interest in him is growing and that it may be mutual, Daisy decides to invite Luigi to Sarasaland Castle to show him her library. At first she doesn't tell him what she has invited him for, which makes Luigi VERY nervous, as he doesn't know if this is a date or not. She playfully takes him by the hands, leads him to the library doors and asks him to close his eyes. Luigi hesitates a little, unsure, but ends up obeying so as not to disappoint her.

Daisy then opens the library and guides Luigi carefully inside. He almost trips, which makes her laugh, causing him, in turn, to relax a bit. And when she finally tells him to open his eyes, Luigi gasps and his jaw drops, his heart pounding in his chest, not only because that library is even a bit larger than Peach's, but also because, slowly, his mind understands and assimilates that Daisy had prepared this to surprise him.

And even though he’s fascinated by all the books before him, he ends up, without realizing it, looking at Daisy, with a blushing smile on his flushed face and his hands over his heart, while she explains to him that all those volumes belonged to his ancestors and that he has her permission to come whenever he wants to get them. "They're yours!" she says at last, turning to him, and Luigi's heart grows larger at the offer, causing a tear to escape his eyes as the princess, full of tenderness, smiles at him.

Over the next few days, Luigi goes to the library, encouraged by Daisy, who insists again and again that he come to Sarasaland. Her library has a huge ladder to reach the highest shelves, and Daisy uses it without a second thought to glide across the room, to the terrified gaze of Luigi, who dares not even climb the first rung.

As soon as she notices this, Daisy gets down, walks over to Luigi and takes him by the hand to guide him to the ladder. He almost cringes when she places his hand on the wood and freezes when Daisy encourages him to climb up. "It's completely safe!" she assures him. "And, besides, I'll be right here. You can hold my hand as you climb up. I promise I won't slide you down too fast the first time!"

Very slowly and clinging to Daisy's hand, Luigi climbs up the steps. She doesn't let go and keeps repeating phrases to encourage him, which makes Luigi feel almost as safe as when he is with Mario, though in a different way. Once he reaches the top of the first shelf, however, Luigi is unable to climb any higher, so Daisy doesn't pressure him any further. She gently grasps the lower end of the ladder and, after warning him, moves it a little, very slowly as she promised, to make him feel secure.

The next day, however, Daisy goes up right after Luigi and, leaning into the next bookshelf, pushes as hard as she can to propel the ladder to the opposite side at breakneck speed. Her laughter mingles with Luigi’s screams, but however, once they stop, he discovers that, despite his initial panic, he’s had fun with what Daisy has just done.

This then becomes a regular occurrence between them, until it gets to the point where Luigi feels comfortable and confident enough to climb the ladder by himself and propel himself across the library in true “Beauty and the Beast” style.

In the kingdom of Sarasaland there’s a tradition to honor books, as they’re not only a source of entertainment, but also the sacred objects that preserve their history. Daisy has grown up with these values and does not hesitate to tell Luigi about this tradition soon after they start dating.

On Book Day, it is customary for the man to give the woman a rose and the woman to give the man a book. This originated many centuries ago, before everything related to gender and relationships evolved, so nowadays, simply put, the members of a romantic relationship give each other both a book and a rose.

Luigi shows up in Sarasaland on the appointed date very nervously, dressed in a smart green suit, his favorite color, and carrying a wrapped book for Daisy, as well as a purple rose, very rare and hard to come by, which he has grown himself in his garden with Peach's help. Daisy greets him in a lovely purple dress, with a vaporous skirt, matching elbow-length gloves and her delicate shoulders bare. She holds out her gift to him almost before he reaches the castle gates and can recover from the amazement of seeing her so dazzling and beautiful.

He’s delighted when, upon opening it, he discovers that it is one of those special editions he’s been looking for for so long. Only Mario knew he wanted it, so he understands, without needing Daisy to tell him, that his brother has given his girlfriend a hand to surprise him. And that makes his heart fill with love and his eyes with tears, and the book even more precious to him.

Daisy excitedly opens her present and, to Luigi's surprise, squeals when she discovers that he’s gifted her a fantasy adventure novel that caught her eye when he first took her to his favorite Brooklyn bookstore. Daisy drags him into the library, invites him to sit down with some drinks (tea for him, a smoothie for her), and asks him to please start reading.

And so they spend their first Book Day together: settled on Daisy's fluffy library couch, she sat on his lap, the skirt of her purple dress spread over his legs, almost hiding them, and her arms around his neck, depositing light kisses here and there as he struggles to read aloud the book he’s just given her. This was the first time they gave each other a book, but of course it would not be the last, as reading together, visiting the Brooklyn bookstore and Sarasaland and Mushroom Kingdom libraries, and continuing to celebrate Book Day would soon become habit for them.

Daisy often stares at Luigi as he reads, amused by his reactions and the faces he makes, and, when their relationship is more established, she has no qualms about peeping over his shoulder. And Luigi, far from getting angry, what he did the first time and has continued to do ever since is to read aloud, so that she also finds herself immersed in the story without realizing it. (This may sound familiar!)

But what Luigi enjoys the most is that Daisy, whenever the characters in the book share some intimate gesture, instantly replicates it with him. If they hold hands, Daisy immediately reaches for Luigi's hand. If there’s a hug, Daisy wraps her arms around Luigi and holds him tightly, which leaves him breathless, but also makes him laugh and fills his heart with tenderness.

And, of course, if there are kisses, Daisy won't hesitate to start showering Luigi with them. First on his hand, on the tips of his fingers and on his palm. Then on the forehead, with a delicacy that always melts Luigi. His cheeks color every time Daisy places her lips on them, but what drives him absolutely crazy is when she seeks his mouth. It's the only thing that makes him put down the book and postpone reading for another time. (Check out @bberetd's wonderful art for this!)

Often, before they fall asleep, Daisy cuddles up to Luigi in bed, wearing his green shirt, and buries her face in the crook of his neck. Luigi absentmindedly begins to fiddle with her hair, delighted to have her so close, and, with his other hand, reaches for his book to read aloud a few more pages before they fall asleep. It's part of their routine and they both love sharing stories that way.

Part 4: The gang

The visit to the bookstore and libraries has now become a regular occurrence for everyone. As soon as he started talking about books with Peach and she showed him her library, Luigi immediately invited her to come with him and Mario the next time they went to their regular Brooklyn bookstore, and she gladly accepted.

On that first visit by the princess, Peach was as thrilled as Luigi and the two of them went back and forth in the bookstore, she eagerly looking at everything, he endlessly talking about the store and the many books he’s bought there. Soon they found themselves going often to acquire new books, not without first spending a good while in the place accumulating stories in their arms to, again, decide in the end.

Again Luigi was looking for Mario, who, unconsciously, had been staring at them with an amused smile and his eyes full of affection. Blushing, Mario would hurry to come to his side to help him, and Luigi, even though he’d caught him gazing at the princess in rapt attention, wouldn’t comment anything so as not to make him uncomfortable or put any pressure on him.

Many times, however, Peach would intervene and take two of the books Luigi had chosen. That's how she also started giving him books as presents, and Luigi couldn't be more grateful that his beloved friend pampers him that way. Her gesture makes her even more attractive and sweet in the eyes of Mario, who melts at seeing her displaying such adoration towards his beloved little brother.

Daisy, always eager to learn more about the place where her dearest hero in green grew up, also joins in, but, to her surprise, she finds herself next to Mario, fondly watching Peach and Luigi, especially the latter. They, however, are so excited talking about books that they never notice the goofy smiles with which Daisy and Mario look at them, delighted to see their two favorite people indulging in their greatest passion.

Despite this, both Mario and Daisy make sure to pay attention to the books that Luigi and Peach point out with the intention of acquiring them in the future, and then make plans with each other to decide which ones to give them on future birthdays, Christmases and, of course, regular days. Any time is a good time to surprise their favorite people with a new literary gift.

Sometimes, on their dates, Luigi and Daisy also go to the bookstore, and she, as always, listens to him talk very attentively. When it comes to advising him on which book to acquire, however, she’s much more practical: she thinks Luigi should pick the book he wants to read the most… or the one with the most romance in it.

And Luigi blushes violently because he perfectly understands the implications of such a suggestion.

Literary events also end up being a regular thing they all do together. Luigi, thanks to Mario, already manages to control his nerves and chat a bit with the authors when they sign his books. Peach, of course, is all sweetness and always tells them how much their stories have made her feel and dream. Mario just smiles and listens, delighted to be able to accompany them and to see them enjoying themselves so much, right up their alley. He always takes pictures of them with the authors, both together and separately, something he already did when it was just him and Luigi.

Daisy, on the other hand, is so spontaneous and genuine that she doesn't hold back when it comes to treating the writers with too much familiarity, which only embarrasses the others, especially Luigi. If it's the author of a romance book, Daisy doesn't hesitate to cheerfully tell them how much she and her boyfriend enjoyed the sensual and intimate scenes, or that she lost count of how many times she kissed her sweetie during the reading because of the sheer number of times the characters kissed.

In those moments, Luigi can only think of crawling under a rock. He has to resort to all the training with Mario to manage to keep his composure and not faint again or run away to hide so no one sees him turning red as a tomato.

However, then Daisy intertwines her arm with his and kisses him on the cheek, and he feels that his blush, this time, is due to being close to her and to her tokens of affection. After all, Luigi adores everything about his princess, all her sides and her personality, and besides, to other authors, fortunately, Daisy tells them how much fun she and her boyfriend had with their novel, and Luigi can only adore her.

At these events, both Mario and Daisy go out of their way to get lots of bookmarks and merch for Luigi and Peach, as they know they both love to collect stuff related to their favorite books. And also, again, they take mental notes of all the books they can buy as future presents for them.

From time to time, Toad and Peasley also join in on their visits to the bookstore, libraries or events. Toad is a big fan of fantasy and adventure comics, as they nurture his enthusiastic and adventurous spirit, and Peasley loves to talk endlessly with his favorite authors about the various subjects they cover in their books, thus unconsciously displaying, once again, his impeccable eloquence.

I really hope you liked this! I had a blast writing all of this and imagining my favorite characters in the many situations I've experienced myself as a bookworm, as well as adding others I came up with 🥰

Plase feel free to add your comments and feedback, and also headcanons if you have a few of your own! And if by any chance this inspires you to create your own stuff, I'd be more than honored 😭 All I ask is to please give credit! 🙏💖

Before I leave, please remember to check @itsavee4117's blog today! You won't regret it 🤩📚✨

#Luigi the Bookworm #luigi #luigi my beloved #super mario bros #super mario headcanons #luigi headcanons #mario and luigi #mario #peach #daisy #peasley #toad #polterpup #princess peach #princess daisy #prince peasley #luaisy #luisley #super mario #my writing #silenzahra

[theresattrpgforthat]

I found a goth speakeasy/coffee shop by my school that does a Thursday tabletop night where you can bring and run your own games and I was wondering if you had any recommendations for games you'd feel comfterble running with a table of strangers / mostly strangers? Thank you!!

THEME: Games to Run with Strangers.

Hello friend, fall comes upon us and I finally get around to answering your ask. Thank you so much for your patience! I’d definitely recommend bringing some safety tools to any of these games, since you’re playing them with strangers. That being said, I tried to pick games that were easy to pick up and quick to learn considering you’d probably want each session to be a standalone one.

I often run games with groups of people who don't know each-other beforehand, and I'd recommend allowing silliness to blossom when possible, even if you're running a spooky game. Let’s see what we can find!

Wizardry and Bureaucracy, by Oh Little Moth.

You are a member of the National Parks Service. You and your team would do just about anything to protect your national park. Also, you’re wizards. But all the magic in the world can’t save you from the slog of paperwork you have to endure as a civil servant. Your mission is to preserve your park and all creatures living in it, promote a love of nature and the environment, and also keep park visitors from seeing through the curtain separating the magical from the mundane.

Like most Lasers and Feelings games, this has quite a bit packed into one page. Easy character generation, a standard list of gear, an introduction where you collaboratively design your park, and the classic Lasers and Feelings mechanic that makes you automatically better at one thing and worse at another. The game is also set up to be raucously silly. This game includes the very good piece of GM advice that I adore for improv: ask questions and build on the answers. You don’t have to come up with the entire story yourself! Give your players the chance to tell you how exactly magic interacts with the local National Park.

The Children of Saturn, by Dan John Crowler.

The people of Petrikstein are tormented by a blood craving beast prowling the night. Players take the roles of parish appointed investigators on a mission to find and slay this alleged Vampyr, before it claims even more lives. Will they be able to find out the truth in web of lies, myths, and fear fueled superstitions? Play to find out!

The Children of Saturn is a neat little game that combines the Keys mechanic from John Harper’s Lady Blackbird with the graded 2d6 roll of Powered by the Apocalypse. You can accumulate dice to roll depending on whether the action in question is in line with your character, and failure increases the chances of success the next time you roll. The characters are pre-made to some extent, but the players will be able to make them unique through names, descriptions, and how they decide to role-play. This game also come with a small hex map for your characters to explore - and everything fits on one page! If you want something spooky and quick to prep, this is definitely worth checking out.

2400, by Jason Tocci.

2400 is lo-fi sci-fi. It’s centuries in the future, and it’s a decades-old modem that screams like a dying robot when it connects to the net. It’s a space ship with an FTL drive, artificial gravity, and a flickering display you gotta tap a few times to see the jump coordinates. It’s hacking something together with whatever cheap materials you have on hand, ignoring the rules until you need them, banging out something that might not sound finished, but definitely sounds fun.

The 2400 system is a stripped-down ruleset inspired by the OSR that has been used to create a number of hacks in different settings. Every time I’ve run a 24XX game, the session lasted about 2 hours, so it definitely has the ability to play quick. The original page for 2400 currently has over 20 different settings to choose from, so if one of them really hits off, you could come back with a different setting each week for your friends to play through!

The Great Soul Train Robbery, by Cloven Pine Games.

On the road to hell there was a railway line. An express train to the infernal city of Dis, crewed by furies and carrying treasure and souls to damnation. You’re going to rob it.

The Great Soul Train Robbery is a tabletop roleplaying game for 2–6 players and 1 gamemaster about Desperados robbing the train to Hell. Spin an allegorical Weird Western yarn as your sharpshooters, fiddlers, homesteader widows, and other Desperados attempt a Hellish train heist. Will you claim your prize from the train, or be overcome, damned, or broken by the heist?

This is probably the biggest Honey Heist - inspired game that I’ve seen to date. It’s a solid pitch, with very little background needed in order for your players to grasp what exactly it is they’re doing. If players aren’t sure what kind of character they want to make, all of the options have d6 roll tables to give your group a goal, your train some complications, and your character a name and a special item. There’s quite a few pages of GM advice in this, which is probably a big boon to anyone running the game, as it allows you to construct a more complex train than what you might have created out of the top of your head. I’d probably even just steal the train construction section to use for other similar games!

Hold Your Own, by Sharkbomb Studios.

It's a time and place, not unlike the one that you, the players, grew up in. A dark mirror of the decade of your youth.  You play as a group of friends at the cusp of adolescence and life is hard. You're unpopular and unwanted. All you've got is each other.

But it comes worse: A strange menace threatens to devour everyone you know. And nobody wants to believe you, not the teachers, not the parents. It looks like it's up to you to save your home.

Fans of It and Stranger Things will probably like this game. This game uses small dice pools and four basic stats. You’ll be facing off against an antagonist called the Menace, a threat that the rest of the community believes doesn’t exist. The Menace will always be strong enough to provide a challenge, and as you play, you’ll learn more and more about what it is exactly that you’re fighting against. This is a great game for fans of suspense, and it’s also small enough to learn it within the few hours that you’d have at a coffee shop.

Games I’ve Recommended in the Past

Something is Wrong with the Chickens, by Elliot Davis.

Koboldly Go, by CoffeeSnake Studios.

Faewater, by A Smouldering Lighthouse.

The Station, by pidj.

#tabletop games #indie ttrpgs #dnd #game recommendations #asks #games for strangers #quick games

[nintendoteuthis]

Some thoughts on the books, comics, and magazines you can put in your lockers

Disclaimer: This is a mix of reasonable inferences and headcanons.

Comic books

Comedy comic: A comic book featuring the character Monkey Crab (that's who that is. he seems to be quite popular). Aimed at younger readers; has a more light-hearted tone

Romance comic, fangirl comic, love-and-war comic: All romantic manga, probably written by the same author. Don't know what's inside, but I'd wager that the first tells a relatively simple story of a boy and girl falling in love, the second involves a romance developing between a performer and one of her fans, and the third involves a love triangle involving two men on opposite sites of a war. Not the most complex of plots, but Inklings and Octolings eat it up.

Sci-fi comic, sports comic: Pretty much what they say on the tin.

Sharktooth Comix: Basically Weekly Shonen Jump but for the Mollusk Era. Weekly anthologies of comics aimed at a young male demographic. From the covers, we can infer that among the series inside are comic adaptations of Ultra Squid and Octo Kong Country (and another series based on Monkey Crab).

Magazines and journals

Boneless Appetit: A cooking magazine aimed at a younger demographic. They're trying to make cooking fun.

Drip Squad: A fashion magazine. This issue includes a feature on Inkline.

Evolved Science Journal: A scientific journal focused on biology, paleontology, and evolution. The study that made the cover presumably discusses Inkling evolution.

Ink & Splatter: Based on the title, the Roller on the cover, and the Ammo Knights logo, I think this magazine focuses on inksports, especially weapons and strategy. Sponsored by Ammo Knights.

Inkopolis Illustrated: Hey! That's HaikaraWalker! A general culture magazine that covers the styles, sports, and music of Inkopolis. They try to find interesting things about the city to cover. Lots of Inklings and Octolings who moved to Splatsville subscribe to this, so they still feel like they have some connection.

Nostalgia Power Magazine: A retro gaming-focused magazine. Not to say that it doesn't include stuff about older games as well, but retro gaming is its focus. It seems that retro games are very popular among Inklings and Octolings (based on locker stuff, the N-ZAP, and all the stuff in Ancho-V Games).

Rockin' Music Quarterly: A music magazine. Not much to say.

Squidgital Game Guide: Another gaming publication. In order to avoid competition with Nostalgia Power, it probably focuses more on walkthroughs, tips, and trivia about newer games.

Tunnel & Track: For the real train nerds. This magazine is all about public transport.

Other stuff

Fantasy novel: Can't really say much more about this from the cover.

Popular novel: Also a novel. I think that this is, like, a "classic" - the type of thing you'd be forced to read in high school English classes.

Salmon Manners Handbook: Honestly I'm not sure what this is. It seems to be geared towards fish, and it also doesn't seem to have anything to do with Salmonids. Any ideas?

#splatoon #splatoon 3 #locker stuff #my headcanons #(I guess) #oc

[nellasbookplanet]

Book recs: sapphic romance for people who like Hannibal and Interwiev with the Vampire, aka fucked up and toxic

Enemies to lovers, lovers to enemies, fucked up power imbalances, manipulations, plain bad people doing bad things - if you like your sapphics a little bit dark check out these books!

Some of these end happily, some tragically, some are more will-they-won’t-they than full on romance, some focus on healing while others focus on Getting Worse, but they’re all very juicy.

For details on the books, continue under the readmore

Feel free to recommend more books in tags and comments!

Othe book rec posts:

Really cool fantasy worldbuilding

Really cool sci-fi worldbuilding

Mermaid books

Vampire books

The Abyss Surrounds Us by Emily Skrutskie

Young Adult. tumblr classic back in the day! A trainer of sea monsters genetically engineered to protect ships from pirates is kidnapped by, you guessed it, pirates, one of whom happens to be very hot.

Escaping Exodus by Nicky Drayden

While my feelings on Escaping Exodus were mixed, it cannot be denied that the dynamic between the two leads and the way they go from childhood best friends to enemies on different sides of a class and power struggle is very delicious. It also features some really cool worldbuilding of living, alien generation spaceships and the human culture that has developed inside them.

The Stars are Legion by Kameron Hurley

This book fucked me up when I read it. It’s weird, it's gross, there’s So Much Viscera, there are literally no men, it has living spaceships and biotech but in the most horrific way imaginable. Had I to categorize it I would call it grimdark military sf. It’s an experience but not necessarily a pleasant one.

The Lumionus Dead by Caitlin Starling

Possibly one of the most unsettling books I've ever read, and definitely the most claustrophobic. Gyre, a caver on an alien planet, ventures into the dark and dangerous underground, guided only by a woman who has no compunctions on using and manipulating Gyre as she sees fit to obtain her secretive goals down in the caves.

The Jasmine Throne by Tasha Suri

On the less toxic and fucked up side of the spectrum, but still pretty juicy. A princess held captive by her own brother, who wants to see her dead, tries to trick a servant into helping her escape, but with undeniable attraction growing between them and the servant having her own goals things quickly get complicated.

Gideon the Ninth by Tamsyn Muir

Listen, if you're on tumblr I probably don't need to explain this book to you. Trust me when I say it's exactly as good as people claim. There are indeed lesbian necromancers in space (quite a few of them, actually), but also incredible worldbuilding that keeps growing with every new installment, interesting political commentary, morally complex characters with fucked up dynamics, and well-thought out plot that keeps you guessing until the last.

They Never Learn by Layne Fargo

Listen, sometimes you just want to read about a vicious bisexual lady professor who murders predatory men and falls for the woman trying to solve her crimes and that's okay.

Fingersmith by Sarah Waters

The source of not one but two movie adaptations, Fingersmith is a story of trickery and manipulation as a young conwoman works to gain the trust of a heiress. I don’t want to say much more because the twists are some of the best parts, but trust that it doesn’t take long for things to get real complicated between them.

The Unbroken by C.L. Clark

Tourraine, who was stolen as a child and trained as a soldier for the empire that conquered her home, is recruited by Luka, the future leader of the conquering country to route out a rebellion. A game of twisted loyalties and attraction is soon to develop.

This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

Again, if you're on tumblr (or twitter, apparently) you have in all likelihood already heard of this one, too. Just like GtN it lives up to all expectations. It features two women on different sides of the titular time war, who starts leaving letters for the other to find as they chase each other through time. A quick read, slightly surreal, and absolutely beautiful, I cannot recommend this enough. Pretty mild on the fucked-up-scale.

House of Hunger by Alexis Henderson

In a world where the rich drink blood to preserve their health, Marion applies to a position as bloodmaid in a notorious noble house far from home. Suddenly showered with luxuries and debauchery, Marion soon gains the interest and favor of Lisavet, countess of the house. A fresh take on the idea of vampires.

Sorrowland by Rivers Solomon

A young pregnant woman flees a cult that left her body strange and changing in terrifying ways. Hidden from the world, she does her best to raise her children while trying to find out the truth of the cult and being pursued by a hunter in a dangerous game of cat and mouse. In no way a romance, but certainly has some fucked up sapphic shit going on.

The Traitor Baru Cormorant by Seth Dickinson

After her home was conquered by another land, Baru is determined to join their forces and climb the ladder until she’s in a position to free her people. To prove her loyalty, she’s sent to bring order and quell rebellion in another conqured region. Baru is set to succeed, but also has to struggle with her feelings for Tain Hu, a duchess of this region.

Ice Massacre (Mermaids of Eriana Kwai trilogy) by Tiana Warner

Young Adult. A small island is forced to defend itself against intruding forces of vicious mermaids. As all men trying to fight them get lured in by their siren song, a ship filled with warrior girls is sent instead. However one of them, Meela, had a complicated past with one of the mermaids, which is brought back to life when the two reunite on the battlefield. This one is also available as an ongoing webcomic!

Borderline (The Arcadia Project trilogy) by Mishell Baker

Urban fantasy mystery. Very much of the will-they-won’t-they variety, with a bisexual lead who has a male love interest as well as a female without falling into the typical pitfalls of a love triangle. Plays around with various fucked up power dynamics. A year after a failed suicide attempt that cost her both her legs, Millie is recruited by a secretive organisation that works to control traffic to and from Arcadia, the land of faries. Bear in mind that while the sapphic-ness is present throughout, it has a much smaller presence in book 1 than books 2 and 3.

Bonus AKA I haven't read these yet but they seem really cool

The Hunger by Whitley Strieber

Ancient vampire is on the hunt for a new partner, none of which tend to last long.

Codename Villanelle by Luke Jennings

Precursor of the famous Killing Eve tv series. While I don’t know much of the books, I did enough research to know this: their endings differ.

#next list will be either vampires or mermaids #(probably mermaids bc i have a couple of vampire books i hope to finish first) #book recs #nella talks books #wlw books #I've been playing around with the layout of these posts and you know what i like this #might edit the first to rec posts to the same layout to make everything nice and cohesive

[sir-adamus]

the thing is, this is all running into a soft reboot for the show, it's RTD closing the chapter on 'Time War veteran, Lonely God' Doctor, which we've had for 18 fucking years and honestly there's not much more you can squeeze out of it for angst without repeating beats and elements and what have you

cos like, that's how he reinvented the show for the time he was bringing it back to - it couldn't be just be a silly, slightly manipulative dude in a box pottering about and solving mysteries and arguing with a bloke covered in bubblewrap and stringcheese, this was when a lot of sci-fi and fantasy shows were all about drama and action and sex. so RTD throws in a big lore event, the Time War, the Doctor is now a battle scarred, traumatised figure who has a reputation so big just invoking it can scare monsters away

there's only so much you can spin in circles before it starts getting repetitive (and in another 8 years NuWho will have been running just as long as Classic Who). so we get these specials to celebrate the history of the show, both classic and new, which also serves to introduce new lore, revisit old faces and pack the Time War shit in a box and chuck it in the attic. it's over, we've moved on (for real, this time)

people are gonna get shirty about the lore. because they always do. and here's the thing, everything about the 'lore' of Doctor Who is retcons stacked on retcons. the Doctor was never originally planned to be a Time Lord from Gallifrey, both of those terms were added in later (Gallifrey didn't get named until 1973). this show runs on stupid shit, it's meant to be fun before it's anything else

as a general rule, don't take shit more seriously than the idiots making it

#Doctor Who #Doctor Who spoilers #Doctor Who is not a serious show about angst and trauma #it's about a whimsical idiot walking face first into avoidable problems and not having the good sense to leave

[yanderes-galore]

A romantic concept of Peter Parker if you can please????

Oh wow I never actually did the MCU version of Peter so let me see what I have for this fic. Aged up as usual. This takes place in no specific movie.

If you like this you may like the two concepts I did for Comic! Peter;

Comic! Peter General Concept

Comic! Peter with Civilian! Darling

Yandere! Peter Parker Concept

Main MCU Version

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Stalking, Manipulation, Overprotective behavior, Jealousy, Paranoia, Invasion of privacy, Secret picture taking, Kidnapping mention, Murder mentioned, Dubious relationship.

Peter is such a relatable character and yandere.

He knows how to get along with his darling even with how awkward he is.

Peter's also very innocent and awkward at times, despite this he feels comfortable around you.

Peter's yandere behavior is Overprotective, Obsessive, Manipulative, Emotional, Caring and Moral.

He's a hero that would never kill/have a hard time killing for his darling.

Peter holds a ton of responsibility and it feeds into his obsession.

He wants to keep you safe but fatally wounding others to achieve it would have to be a last ditch effort.

Other Marvel heroes aren't quite the same as they have more experience and know sometimes... there is no choice.

Peter is pretty classic with crushes.

During high school he's been so occupied with being Spider-man he still hasn't gotten any better at talking to crushes.

He struggles so hard to be friends with you but is relieved when he eventually manages it with stuttered conversations and personal pep talks.

Peter gets really awkward and shy towards his darling despite his friendly demeanor.

To put it simple... Peter is a nerd at heart.

He loves to talk to his darling about superheroes and sci-fi....

He adores you even more if you like the same things as him.

Peter seems like your normal every day student just trying to get his final studying in. (finals for high school or college)

You two have average talks and are just good friends.

It takes awhile before you uncover the iceberg that is Peter Parker and his obsession with you.

Peter is the type to be completely lost in his crush when he starts his obsession.

He daydreams and watches you in all the classes you have together when you still go to school.

Peter's ashamed to admit it due to his inner morals as a hero but... he does stalk you.

He can climb walls and perch on trees/balconies.

The temptation to use his power to fuel his new addiction is a bit too strong for him.

He promises to look away if you're changing or anything!

He just likes to know you're safe... and maybe take a few pictures.

Peter is overprotective both as a civilian and Spider-man.

When he's just Peter it's usually due to a feeling of paranoia or jealousy.

He's very awkward with it at times but you can tell Peter is tense when others are a bit too friendly with you.

It's not entirely possessive behavior as it stems from a fear of you getting hurt instead of it being entirely from jealousy.

If Peter tried to threaten anyone it doesn't come off as threatening unless he's really mad.

He saves violence for the villains, however.

When asked about his behavior Peter just says he's worried about you.

If anything this just makes you think he's an anxious person and isn't the biggest red flag.

Peter shows overprotective behavior as Spider-man too.

That's the reason for most of the stalking.

As Spider-Man he feels he needs to keep you safe and often tries to keep villains away from your home.

If they ever did find you then he's swooping in and protecting you with his life.

Peter has dealt with a lot of traumatic experiences as a hero and it bleeds into his obsession with you.

It makes him more hesitant about the people around you after what he's seen.

Peter is overly obsessive of you to the point it's invasive.

He listens in on coversations about you and writes down whatever info he can about you.

Whenever you're mentioned in conversation it causes Peter to perk up and start listening.

He fantasizes about his crush on the daily...

So much to the point he gets distracted.

Peter can be manipulative.

Even more so if you know he's Spider-Man.

After all you may listen to everything he says due to him being a hero.

Peter tries to be subtle with manipulation.

Small things like influencing your opinion of people or a decision you plan on making.

He dislikes the idea of you developing crushes that aren't about him and tries to make you hate the person.

He feels a bit guilty but tells himself it'll be worth it....

There's also the big lie he tells himself and you; "What he does is for your own good."

That's not always true.

Especially if he's starting to get his obsession out of control and suggests moving in with you or tries kidnapping.

Peter can be emotional about his darling.

If you're hurt he panics... he's always worried about your safety...

He also takes arguments to heart.

If you had a fight and you called him something like a monster?

Peter thinks about it for a long time... it eats away at him.

Peter also tends to blame himself a lot.

If you're unhappy he blames himself.

If you got hurt he blames himself.

Peter also gets overly excited about you.

Being one of the younger Avengers he hasn't quite gained a stoic facade yet, even with what he's been through.

Which means Peter shows emotion of all kinds a lot during his obsession.

Peter is moral and caring.

Even if he has the typical yandere issues he knows to not kill.

If he ever did then it's if he has no other choice.

He also cares a ton for your own feelings and emotions.

Peter wants to make you smile as your hero.

He doesn't want you to fear him.

He wants you to love him!

Peter will be a yandere that can hide his tendencies.

He's still clumsy and may mess up at times but overall can hide it.

Peter, even with the yandere tendencies, can be a good boyfriend.

He does not like bringing any sort of harm towards you, like restraining you with webs.

But will if he has too.

Overall, Peter isn't too bad of a yandere and has innocent intentions towards his darling...

Even if the paranoia gets to his head and makes him way more worried about you than he should be.

#yandere spiderman #yandere peter parker #yandere marvel #yandere mcu

[max1461]

Ok, after a few years of mulling around rat-adj tumblr, here are my assessments:

Classic, Yudkowskyan rationalism: super silly but kind of cool. Obviously I don't believe in all the AI apocalypse stuff but it's neat to lurk in their spaces and inhabit their worldview for a bit. I consider myself kind of a connoisseur of funky little worldviews, I like cannibalizing them for interesting insights and tidbits even when I think they're irreparably flawed, and Yudkowskyan rationalism has been kind of a goldmine for this. And I actually do think the basic premise of AI safety research is worthwhile, even if Yudkowsky and co. don't seem to be very good at it. Unfortunately it does seem from what I've heard that some organizations/communities in this part of the rationalist sphere have traits of high-control groups, which is not very good.

SSC-type (or perhaps "Alexandrian"?) rationalism: less silly and less cool. There are definitely some interesting posts on SSC, and I've enjoyed the same kind of "cannibalizing the interesting bits" thing that I've enjoyed with respect to Yudkowskyan rationalism, but overall I find Alexandrian rationalist ideas much more likely to be frustrating instead of entertaining. I think they're generally less out-there, and so less fun, and they also foreground hot-button social issues more often. In terms of specific frustrations, I often feel there is an overwillingness to buy into loose heuristics as gospel, an insufficient skepticism towards received cultural narratives and categorization schemes (I'm struggling to pull up a really representative example here, but for a throwaway case I recall Scott at various points commenting on "the basic difference between Eastern philosophy and Western philosophy", a definite description whose referent I suspect does not exist), a tendency towards insight-porn, and an enthusiasm for ranking and categorizing human beings which I find at best distasteful.

Neartermist/Non-Longtermist Effective Altruism: really good. I don't have any deep insight into the community, but from what I've seen, really good. Making the world a better place. Thinking about seriously important issues. I have almost wholly positive things to say. Almost certainly the best/most important thing to come out of rationalism thus far.

Longtermist Effective Altruism: completely idiotic. A hodge-podge of sci-fi bullshit and megalomaniacal venture capital nonsense. Might be evil if it wasn't so dumb. Nigh-valueless.

#navel gazing #society

[simon-roy]

The idea of logging on a colonized alien planet brings my mind back to the planet Lalonde from Peter F. Hamilton's Night's Dawn books - a world that had very hard wood as its only meaningful export, and was also stuck developing its economy from agriculturalism (due to investment shortages, though).

All this is to say - Hey! What are some foundational inspirations for your sci fi verse? You gotta have some like recommendations of classic or older sci-fi for us, right? What are some of your suggestions of books and authors to read?

OK SO - My sci-fi tastes have sort of ended up in some very specific niches. Growing up, I was a Larry Niven +Jerry Pournelle man, in part because my dad amassed a huge collection of their books - then gave 90% of them away before i was old enough to read them. So one of my teenage missions was rebuilding that library, trash and all!

Stuff like Footfall, Ringworld, Gil "The Arm" Hamilton, Protector (yes i attempted to name a comic series similarly, and paid for it) "The Mote in God's Eye"... you name it, I read fuckloads of these books. And while they tend to land on a sort of human chauvinist "mankind will win based on his inherent adaptive human-ness, and the aliens will fail because of their rigid alien-ness", this shit was very foundational to me.

Their more collaborative series, The Man-Kzin Wars and War World, also loom large in my teenage mind. The Man-Kzin wars are super fun - humans meet a race of tiger-men, and go from being NWO peaceniks to roughneck cat-skinners in a generation! PEACE AND LOVE WONT DEFEAT TIGER MEN!

Similarly, war world (like lots of that 70s/80s military sci fi) was a sort of catch-all for western military nerds to play with their favorite factions - it was a planet where all the un-ruleable ethnic groups and nationalities had been deported by the authoritarian earth government, and left to rot... until a race of genetically engineered fascist super men land on the world, and start trying to rule the place. Pretty fun shit.

As I got older, I turned hard into William Gibson, and read the absolute shit out of both the Neuromancer trilogy and the Bridge trilogy, as well as his short stories. Bruce Sterling was part of that wave for me, too, and I religiously sought his old paperbacks out too. In terms of novels, "Distraction" is my favorite coherent Sterling Novel - though the short stories in the "Schismatrix" novel/collection of his remain my absolute favorite space opera pieces.

At this age, too, I found my top-top fave Sterling Stories - "Taklaman" and "Bicycle Repairman", both gritty pseudo-cyberpunk stories of the highest degree, in this collection:

This thousand-plus page collection of short stories and novellas was basically my bible for a few years - i put sticky notes on each story i loved and meant to return to, until the book was so festooned with sticky note bookmarks i abandoned the practice altogether. If you have the chance, just buy this book and chew on it for a few years.

As i got into my 20s, Charles Stross became my lode star - his books like Accelerando and Glasshouse were total game changers for me. They come with their own peculiarities, but I loved his transhuman/posthuman musings (or at least i was obsessed with his stuff for a good few years - the venn diagram of his obvious interests and my own overlapped enough that his books were great fodder for a growing sci-fi loving brain).

But since then, my main literary squeeze has been the great man, JACK VANCE. Working on Prophet, my friend @cmkosemen made a remark about how much the early issues of the series reminded him of a book series called "Planet of Adventure" or "the Tschai Cycle", by Jack Vance. The book has a beautifully simple setup - a man from an entirely undescribed spacefaring human civilization crash-lands onto a weird planet. But on that planet, he finds four separate civilizations, each who possess a population of enslaved humans, culturally and physically molded to the needs of their masters. And each book of this series covers our generic hero's interactions with each bizarre expoitative culture. I was extremely intrigued.

Soon thereafter, I found my current absolute favorite book - "THE DRAGON MASTERS". A book about an isolated medieval world... which gets visited, once every few generations, by a black pyramid starship, flown by a reptilian race known as the Greph. The greph capture humans to (surprise surprise) breed them into hyper specific slaves... who in turn become Greph-like in their thinking and demeanours. But the last time the BLACK PYRAMID landed, a bunch of angry medieval dudes stormed the thing, blew it up, and captured a bunch of greph... who became the breeding stock for a whole new human world of slave labour. By the time we meet this planet, the two rival lords of the human-populated regions have been breeding greph slave warriors, or "dragons", for generations, for combat against one another. But soon, the black pyramid will return...

I love this book I even spent a good few months during covid talking with the Vance Estate and several publishers about developing it into a graphic novel, but nobody could quite agree on how it could get made with old Simon getting a paycheque... so sadly it fell apart. There are concept drawings floating around my patreon and other corners of the internet. But one day I'll use 'em...

My other favorite books of his, to name a couple of the MANY books of his I love:

THE BLUE WORLD: A caste system of humans, descended from a crashed prison ship, live on floating settlements on an ocean planet, paying protection to a giant long-lived intelligent crustacean. But one man is tired of giving up all his crops to this tyrannical megafauna...

THE MIRACLE WORKERS: Rival lords on a planet descended to medieval tech (surprise surprise) fight using armies... and rival SORCERORS who employ the powers of suggestion to voodoo each others' warriors... but when facing non-human intelligences, these sorceror's skills fall short.

But there are heaps more, and I love most (thought not all) of the ones i've read. They're generally short, concise, and full of all sorts of bizarre bullshit.

THere are more books i've read and enjoyed in my life, of course, but these are the core ones that I think of when I think of my career as a sci-fi reader... let me know what your top recs are!

#sciencefiction #science fiction #book recommendations #jack vance #larry niven #jerry pournelle #simon roy #griz grobus #charles stross #dragon masters #william gibson #bruce sterling

[entropyvoid]

Honestly with all the overlap between sci-fi and fantasy fans, I’m really surprised that “high fantasy in space” isn’t more of a thing.

There are some things generally assumed by most to be sci-fi that I’d personally label space fantasy, like Star Wars, where the high tech is just there as a backdrop to a classic heroic story of good guys vs. bad guys, who are definitely doing magic (by using the force). The point of Star Wars isn’t the tech or anything, it just happens to be a tale told in space. It contrasts pretty starkly with something like Star Trek, where the vast majority of episodes revolve around exploring whatever scientific or philosophical concept the writers thought would be kinda neat that week, using established characters as a vehicle for said exploration.

I think one of my favorite things about Honkai Star Rail is that it freely and unabashedly mixes sci-fi and fantasy. It just goes “You are a walking neutron bomb. Also turns out your bestie is from a self-reincarnating race of dragon people with powerful water and illusion magic. They live on this big, planet-sized ship that’s dedicated to hunting down this one cosmic horror that cursed all the ship’s inhabitants with immortality, under the banner of this other cosmic horror that exists solely to kill the first cosmic horror. Let’s go on vacation to the theme park planet, the actual resort is technically an Alice-in-Wonderland style dream triggered by the same kinda cosmic-horror-gifted bomb as you. Your new friend is a meme. By the way, did we tell you about the one time this super-genius harnessed the power of *imagination* to build a death ray that instantly obliterated a bunch of planets? That was kinda fucked up, huh.” Sometimes Star Rail tries to give explanations for its tech in a way that seems believably sciencey. Sometimes shit’s just straight up called magic or it’s from some deity or another and none of the characters present have a good understanding of why, so you all just go about your bullshit. It makes it work within the context of its established universe.

Cosmic horror in general is often (but not always) found in sci-fi, but where the point of sci-fi is to expand on and detail a concept in a believably scientific way or explore the impacts of a scientific thing, the point of cosmic horror is that there is a Thing that is beyond human understanding or comprehension. Sci-fi is a fun thing to insert it into, because the more scientifically sensible and well-understood elements of the world you have, the more jarring that becomes.

Then you’ve got things like Dungeon Meshi, which exists in an inverse of something like Star Rail: it takes a very Tolkien-inspired Dungeons and Dragons-esque setting, and then details it in a very scientifically sensible way. There is magic, and there are these fantastical monsters, yes, but the monsters are parts of their own delicate and intricate ecosystems, they are edible, and they have very particular nutritional values and ways you can cook them! The protag’s biggest strength lies in him being a nerd about monster biology. Magic, too, by the end of it, ends up with a plausible enough explanation as well. And the explanation is a cosmic horror! In this way, Dungeon Meshi, despite being built entirely off of very easily recognizable and classic fantasy tropes, is probably more accurately classed as sci-fi.

I just love all of it. Can I get like 50 more of these fucked up lil mixtures of science and magic please?

#ch.txt #honkai star rail #dungeon meshi #star wars #star trek #sci fi #fantasy #tagging all these bc I wanna hear if other people have cool thoughts on the subject #hopefully this isn’t considered bloating those tags or w/e #this came about from musings and conversations abt what kinda world/story I wanna write? since I’m redoing my lil sci-fantasy project