God dude these two scenes and how roxie moves hurt my heart so so bad 🥹
it's like a mix of anger, feral, emotional breakdown, and complete sadness that just fucks me up soooo fucking bad.
it's like she's a pet who got abandoned by their owner but they see them again after years of sadness and depression of them being gone and leaving them like that and all that anger and sadness just manifest's into one bundle of emotion's towards them they cannot control.
roxie baby ur gonna be okay u deserve better :[
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naruto people need to become a bit more creative w their dreams for the future at some point i think like it cant be that literally every child who wants to make something out of themselves only dreams of becoming hokage. how about being a weapons manufacturer. build huge fucking scythes and kunais and other cool ninja shit. become a teacher. a trainer for magical animals. something like that. like something thats actually cool sgsgsgs and there cannot be 50 hokage per generation anyway
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Critical Role has ruined me for bad faith storytelling. If you don't believe in the world you've created, I don't want to be part of it. If your whole point is the banal everyday evil of humanity at every twist and turn with nothing good to say about anyone in it, if there is no kindness that does not go unpunished, I don't want it. I get enough of that shit just looking around. Reminding myself that people are fundamentally good and generally trying their best is hard enough these days. Give me stories about people doing their best and loving too much and failing any day. I love that, because people are also messy and biased and hypocritical. It's a feature, not a bug. But if nothing in your world can be trusted because "that's just how life works," or because you the writer have no faith in people or community or kindness, take it somewhere else. I'm tired of cynicism. Show me even the potential for joy, that you believe kindness to be integral to the spirit of humanity, and I'll follow the story anywhere.
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So this is controversial: for the record, I’m anti outdoor cat. That’s a hill I will die on. And I know I will regret posting this, but. I stand by it.
And that’s where things get tricky: so J and I already have a 100% indoor cat. She’s older, persnickety, and extremely opinionated (read: a hater.) And our neighborhood is absolutely full of stray, abandoned, and feral cats of varying types. It’s bad. As a biologist at heart, I weep, for both the wildlife they affect and the cats themselves.
There is a stray who has found our yard this spring, borderline emaciated but otherwise seeming healthy, who has suddenly and inexplicably glued herself to my side (and legs). She is dismal at being a cat and clearly misses the indoor lap of luxury, so I’m left to assume she was dumped at a young age. Which is just cruel. So now I’m left to figure out how to take care of her, with the end goal that she be an indoor cat somewhere….
I do wonder if she can find it in her heart to latch onto another person. She loves laps, head butts, scritches and being held. She doesn’t like it when you try to leave and she is LOUD, so a bit much for my sensitive self. So I’m gonna do some problem solving because she doesn’t deserve the streets.
She is making it all but impossible to attend to my garden. And Zelda does NOT approve of the competition.
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hot take moment cwilbur is literally just psychotic as all hell and i think people got way too comfortable villianizing the shit out of a man who was clearly portraying signs of severe mental illness. cwilbur was like im so fucking paranoid and scared and i think everyone is out to get me and hurt me and ive spiralled to the point i cant reach out to the people closest to me because im so afraid and lost in this spiral and im having constant panic attacks and hurting myself because i dong know what to do with myself and the only way out for me is to die. and everybody was like EVIL MAN WHO ENJOYS HURTING OTHERS AND IS ABUSIVE ON PURPOSE AND A VILLAIN AND SHOULD NEVER BE TRUSTED AGAIN. and then he came back and was like im still deeply troubled and afraid but im desperately trying to make up for the wrongs i did in the past and the people i hurt in my own way and communication is really hard for me but i hope people know that im truely sorry and i love them. im going to try my hardest to fix this in the only way i know how and then respectfully remove myself from the situation because i feel thats the kindest thing i can do to the people ive hurt. and people were like ABUSER ABUSER ABUSER EVIL MAN ABUSER. like girl
Yeah no based true real no questions asked
I'd hope I manage to portray Wilbur the way he deserves in my content, cause that man is heavily bpd coded and he just needs therapy and someone who genuinely loves him but also can handle his bullshit (which has exclusively and reliably been Quackity like, canonically)
But yeah no completely agreed. The man has issues and has definitely fucked up a lot but at the end of the day he really does need love and care and patience, but also boundaries (and therapy and meds, obviously)
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Also also. the magic is that Roy thinks he’s going to be the one helping Jamie to be a better athlete and be greater than Zava and solidify his place on the team etc. and on the surface level, sure he is. BUT on a deeper second level it will be Jamie helping Roy (who has been sooo off these first few episodes. Btw.) on his journey to recognizing his pattern of leaving behind really good things before he can be hurt by them. This is how their best-friendism will lend itself to the realization of how similar they are in both being deeply repressed and unable to accept the care and love they deserve. Over the course of the season they will become the best versions of themselves TOGETHER in no small part because of the other. In this essay—
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I love the idea of a death wizard who parallels Malistaire pre-Sylvia’s death working together with Cyrus so much. Cyrus sees his brother in this child and it hurts because he misses his brother so much but it also worries him deeply. The wizard and Malistaire are so similar he can only hope that the trauma the wizard will have to live with after dragonspyre (and even more so after future worlds) will not make them into the man Malistaire is now. And really and truly, Malistaire is just a man overrun with grief over a loved one, which could so easily happen to the wizard. I think it would so interesting to see a villain arc very similar to Malistaires with the wizard
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eiffel's problem is that he sees every injustice as an interpersonal issue. he doesn't understand how his flippancy or apparent leniency towards hilbert might look to hera; in his mind, it doesn't contradict his support for her. to eiffel, it seems obvious - he is also one of hilbert's victims, hera is his friend, of course he's completely on her side - but he fails to fully grasp how the stakes are different for her.
ep 19: "you need to stop treating this like a joke, officer eiffel." / "hey, i'm the person for whom the joke tolls." / "i get you're scared he put something inside you. but i hope you haven't forgotten emergency code alpha victor. he put that in me." and ep 51: "they're just jokes! they don't really mean anything." / "see, eiffel, you get to have that. they can be 'just jokes' for you because you're... well, you. but we don't get that."
the issue in shut up and listen is eiffel's repeated, if unintentional, microaggressions, but it's also his general use of dark humor as a coping mechanism - jokes he feels justified in making because of how the subjects of those jokes have impacted him. eiffel sincerely believes in treating people equally, but his idea of 'equal treatment' can be idealistic and naive. he has an awareness of interpersonal harm, but he's lived most of his life without ever being confronted with the reality of structural harm - being pre-judged and othered and having his life devalued on the basis of outside categorization.
but the thing about that is that it has happened to him, too. eiffel is an addict, and a convict, and marked as from a lower socioeconomic class than minkowski or lovelace, and those things are the reasons goddard futuristics was able to buy him as prison labor and - without his consent - consider him expendable for medical experimentation. none of that is a coincidence, but he doesn't see the systems at work, only his own actions and regrets. which he then equivocates to the worst actions of people who don't share his sense of morality or guilt.
eiffel's ability to recognize and bring out the humanity in the people around him is one of his best qualities, but... on the basis of his identity, he's been able to live a life where he conceptualizes himself as the default person, and that's been reinforced by the pop culture he loves so much. that's a massive blind spot. he assumes everyone navigates the world in a similar way, and so, on some level, he sees everyone around him as an extension of or a reflection of himself. if evil is always personal, then it can always be reasoned with.
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