River Reads Midnight Sun
Well met, traveler! This is the starting post for my experiment, wherein I, who have never read the Twilight books or seen the movies, read Midnight Sun (basically Twilight from Edward's perspective) and commentate for (hopefully) your entertainment! I decided it would be easiest to do this a chapter at a time, and my commentary will essentially be a summary of each chapter so people equally unfamiliar with the story can follow along. You can follow or block this experiment with the tag #river reads midnight sun.
I think that should do it! Let's get started with:
Chapter 1: First Sight
In which Edward finds high schoolers very Boring and Inane, and also nearly goes bonkers over a potential snack.
First things first: Can we talk about how gross pomegranates look? Is the cover art SUPPOSED to resemble an optical illusion between a halved pomegranate and a bleeding heart? Either way, EW.
Right, on to business!
Edward is bored, you guys. He is SO BORED. High school is so boring. Purgatory is mentioned, as well as “tedium” and “monotonous.” He really wants us to know how bored he is, even though the word “boredom” is not used until the sixth paragraph. But trust me, he’s very bored. One begins to wonder why the immortal 100+-year-old vampire is choosing to hang out daily in such a boring place, but I’m sure it will be explained.
Now we learn about his mindreading powers! This is also very boring because most of the minds he has to read are petty high school minds. By the way, the inane sheeple chatter in the school mindscape today is all about the new girl! I wonder who she could be! Ed sure doesn’t care! He can see every angle of her face via peoples’ thoughts, and he is NOT impressed. Half the “sheep-like males” are crushing on her. Edward’s disdain for them is palpable, almost as if it's not totally normal and fine for human teenagers to find new things like a new student exciting. We may be witnessing a smidge of superiority complex, which is shocking, no doubt.
Mind-reading as a way to introduce other relevant characters is handy, I will grant the author that! Of course, Ed tries not to mindread his fellow vampires out of courtesy, but he KNOWS what they are probably thinking, and boy is he ready to tell us!
Rosalie: Is either actually super hot or super thinks she is, and apparently this debate encompasses her every waking moment. She only compares herself to VAMPIRES, of course, because humans could never be comparably hot. Related to a stagnant pool. Wow, Ed.
Emmett: Hyper competitive guy who has no new thoughts because he says EVERYTHING he thinks. Compared to a glass-clear lake. I suppose that means Ed maybe thinks he has depth? Maybe? We'll err on the side of optimism.
Jasper: Suffering. That’s literally the entire description.
Alice (who can see the future) introduces herself by beaming thoughts at Ed asking how Jasper is doing. Jasper is not doing well. Apparently he is so ready to eat people that he has forgotten how to Human and is sitting in a corpse-like rigor, because it seems when you become a vampire you lose quirks like restless leg syndrome and blinking? This feels full of potential hilarity to me, but I fear such hilarity will not be realized in this Very Serious Book.
Anyway, back to Jasper, who is SUFFERING. Alice asks if there is any danger. Edward signals no. Half a page later, his exposition about Jasper's problem adds, “Jasper was very dangerous right now." Okay, so which is it?! PICK A LANE, ED
(On a genuine note, I already like Alice; she counters Jasper’s fantasies about eating a girl by telling him her name and a few personal facts in a way that shows Alice makes an effort to know her classmates as more than just The Humans. Yay empathy!)
Btw, Ed’s internal monologue indicates they’re hanging out at this school to build their strength and endurance by being around humans and not eating them, and to that I say REALLY??? You chose high school for that?! The one where you’re SUPER BORED?? GO HANG OUT AT A COFFEE SHOP OR SOMETHING
Ope, plot progression! Bella has entered the chat lunchroom. Literally everyone is thinking about Bella, including Jessica, no doubt the requisite catty high school rival who crushed on Edward previously. She has many disgruntled thoughts about Bella, Bella noticing the Cullens, everyone noticing Bella, etc. Ed, who has been doing a great job keeping us up to date on the general thought processes of the student body, takes this moment to assure us once again how much he finds all of this chatter inane AND petty AND trivial, and he’s definitely going to try harder to block them out (again).
Wait, oh my word, was that a line of HUMOROUS BANTER between the Cullens just now?! I have renewed hope for this Very Serious Book!
So Edward is the vampires' mental scout who checks for people suspecting he and his family are inhumanly weird (as opposed to acceptably weird), and naturally he does a brain scan on Bella. Oooo but he’s not hearing anything! And now they have locked eyes! Her eyes are very odd, because of the DEPTH of them! Already, Bella is very Frail and immune to mindreading and somehow has “deeper” eyes than I guess any other human Edward has met in his 100+ years? Ed, I think you need to make eye contact more.
We now return you to your regularly scheduled torrent of inane high schooler thoughts! Amazingly, they are all still focused on Bella and being attracted to or jealous of her, because of course real high schoolers are all Inane and Tedious. (The one exception is Angela, who is busy thinking about homework. I like her, she seems normal.) Jessica is being catty again, and what’s this?! Ed suddenly has this STRANGE URGE to SHIELD Bella from this nasty girl! How very odd and unusual! Especially from a guy who very clearly finds all human teenagers Inane/Petty/Trivial! Bella must be special, except she is also “very unexceptional." Also, Ed is highly frustrated that he can’t read this girl’s mind, despite him constantly reading her like a book and her having “deceptively communicative” eyes.
Rosalie breaks Ed out of his frustration-driven contradictory spiral, and they all go to class, Ed casually mentioning his two medical degrees in an internal dig at his biology teacher (again, why are you hanging out at high school???) Naturally, Bella shows up and the only seat available is the one next to Edward, because Plot everyone is subliminally terrified of him. Ed has a moment of panic wondering if not hearing one girl’s thoughts means he has a vampire disease and is gonna lose all his mindreading, and then he has another moment of empathy for Bella having to sit next to the Scary Vampire.
Then she walks in front of an air duct, and Edward is suddenly overcome with INTENSE BLOODLUST THE LIKES OF WHICH HE HAS NEVER EXPERIENCED BEFORE!!! He wants to eat her SO BAD, you guys! He spends roughly EIGHT PAGES brooding on how badly he wants to eat her, noticing how delicious she smells, crushing the underside of a desk with his intense self-control grip (but having the presence of mind to “destroy the evidence” by rounding out the finger-shaped hole he just made), analyzing the logistics of eliminating a roomful of witnesses and whether to do so before or after eating her, seeing his monstrous reflection in her eyeballs, angsting over how bad he will feel when he murders a bunch of people, plotting ways of murdering her that WON’T result in collateral damage, questioning Bella’s sanity for daring to SHAKE HER HAIR IN HIS VICINITY, angsting about how disappointed his wonderful adoptive dad Carlisle will be (aww, that’s actually sweet), stubbornly deciding “she can’t make me,” hating Bella with the fury of a thousand suns for daring to smell so delicious, and shutting off his breathing so he has at least some self-control, which does sound uncomfortable but I applaud the effort.
Then class finally ends (for him and for us), and he goes and hides in his car. Which, honestly, relatable.
The car timeout helps restore his sanity, and he determines he does in fact not need to kill her and that hating her guts for smelling like an eight-course dinner probably isn’t fair! He just needs to avoid her as much as possible. Bless your heart for your optimism, Male Lead of a Paranormal Romance Novel.
The solution he comes up with is to charm the poor secretary (who keeps having to remind herself mentally that he’s too young for her, which, augh) into switching him to a different sixth-period course. Bella chooses this opportune moment to walk in, which he doesn’t notice until her DELICIOUS SMELL is blown over him (I question why someone with such advanced senses can only notice powerful smells when he is downwind of them). Edward’s Amazing Vampire Vision kicks in, allowing him to once again see his Monstrous Face in the reflection of her eyes, despite her being over against the wall. He briefly contemplates double homicide, then . . . uh . . . gives up on changing classes so he can walk away. This doesn’t feel like a long-term solution, Ed, but Kudos for the self-control.
The chapter wraps up with him jumping into his car (it’s the end of the day, so the others are waiting for him) and breaking the speed limit out of the parking lot. Alice uses Future Sight (it’s super effective!) to see that Ed is either going to book it out of Forks (the town) or go and murder Bella in her house. I once again have reason to like Alice, who orders him not to do it, adding that it would metaphorically kill Bella’s dad. He drops them off and races away again, not yet sure if he’s going to tell Dad Carlisle that he’s leaving or going to go eat the delicious new girl. And Scene!
Well, that wasn’t as painful as I feared, so huzzah! I kind of appreciate the internal look at his thoughts and how his mindreading lets us see other characters even when they can’t talk. Got a bit long at times, especially with how Inane and Petty and Trivial high schoolers are to Edward! LOTS OF DETAIL about how badly he wanted to eat Bella and possibly murder all bystanders, which I guess does go to show how bad the bloodlust is, because dang! (But why do none of the others have this reaction to her yet? Maybe they just don’t have classes with her. You must be this close to the Bella to ride the maniac vampire train!)
And with that, I have earned a much-deserved break before delving into CHAPTER TWO: OPEN BOOK! I’m sure Edward will totally succeed in his plan to skedaddle out of Forks and never see Bella again! Stay positive, Ed! =Dd
Chapter 2->
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Wait is each day a surprise👀 or are you allowed to give us lil hints for the upcoming days😏 love yr glory & Kent ones btw they had me Deep in my feelings lol <3
Hey there!
So, the characters aren't really a surprise (the list of them can be found here. It's not in order, and there's no kinks listed, but it's just the folks I'll be including).
As for the rest of it, there is the official list of kinks that I'm loosely following (roughly in order, with a couple exceptions), but the combos and character order are a surprise!
If you want any hints at all though, feel free to ask 😊
And ahh, thank you! I'm so glad you liked them! Kent's has been one of my absolute faves so far, so I'm happy others have liked it as well! 😁
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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