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#and that's a failure of the show's creators
leupagus · 10 months
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So I'm sure there's different versions of this
But the one my cantor* told us when we were in Sunday School was this one:
Two rich men go to a cloth merchant's shop. This merchant is known for having beautiful silks, even though he has but a small humble store in the outskirts of town — so small that his infant son is sleeping on one of the chests!
These rich men want to buy these silks, so they demand to see them at once.
The merchant says, "I am sorry, they are not for sale today. Come back tomorrow and I would be happy to show them to you."
The rich men, knowing that this merchant is a Jew, think "ah-hah, he wants more money!" So they offer him a tremendous sum.
"I am sorry, they are not for sale today. Come back tomorrow, good sirs."
The rich men are puzzled, but they double their price. Quadruple it. Anything this merchant wants, they can give him.
"I am sorry, they are not for sale today. Come back tomorrow, if you please."
So, the rich men leave, annoyed, but they present themselves the very next day and sure enough, the merchant goes to a chest and pulls out the most beautiful silks that these rich men have ever seen. And when they offer to pay, he will only accept the price that he himself has deemed fair — many times less than even the first offer these rich men made.
"But why would you not give us these silks yesterday?" they ask, happy but baffled as they (or more probably their servants, but the cantor didn't get into that) pack up the silks to leave.
Just then, the merchant's wife comes in from the back, carrying their infant son. The merchant smiles and says, "Because my child was sleeping on that chest, and I did not wish to disturb his slumber. His peace is more precious to me than all the money you, good sirs, could ever provide."
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lonesomedreamer · 4 months
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do you ever think about what a gargantuan and lasting influence a silly little series of no-budget tv morality plays from the 60s that was canceled after three seasons (and would have been canceled after just two and thus would never have been syndicated, if not for an impassioned letter-writing campaign by fans) had on real-life science/technology and get really emotional about it, or—
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crickwater · 1 year
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I don't have any strong feelings abt matt mercer dming for d20. I am enjoying seeing the intense reactions of everyone else tho
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tiercel · 1 year
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Nothing will be as blatantly fucked up as the whole fer.al situation to be honest that was so crazy watching it all go down
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marklikely · 2 years
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theres been a lot of talk about cinemasins again lately and idk how i feel cause on one hand its definitely untrue when people act like they invented this nitpick, shallow plot-hole-ding style of movie criticism and maybe they get way too much shit for that, but on the other hand they are just so very annoying & obviously wrong and therefore easy to use as scapegoats
#also 'cinemasins style' is a perfect name for this time of commentary#avpost#idk its definitely not true that they invented this type of content#because even just specifically on youtube doug walker has been aroun since 2008 or so.#even then idk if you can say that these youtubers created or popularized this nonsense or if its just always been an issue#and they just made shows out of it. i mean maybe its always been widespread and thats how they got popular in the first place#i dont know because im too young to weigh in on that. i was not around for a world of film criticism pre youtube.#but also i feel like theyre definitely promoting this lazy shallow content as 'deep and So Smart' to their fanbases which is worth debunkin#debunking**#plus like i said theyre just so easy to target because its literally so easy to refute a cinemasins video if you just turn ur brain on#im also just not sure how to go about talking abt this type of content in general cause on one hand it annoys me so so so much#but also idk im not immune to liking stuff like this. ill watch a bad movies and a beat. ill watch a kurtis conner#but even then for me when i go in the top comments and everyones acting like this is serious and intellectual criticism#or when those creators try to discuss a serious film in the same way and its just a complete failure#its still kind of annoying. its hard for me to parse what makes it work and what makes it fail.#i guess just you have to be funny and cant take yourself too seriously as soon as you take yourself too seriously it all falls apart
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tropicalcryptid · 6 months
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Ok so She-Ra pulled such a great hat trick with Hordak's characterization, and I LOVE it
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One of my favorite things about 2018 She-Ra is Hordak's story and development (and Entrapdak cough but that's not the point of this particular post), and the cleverest thing is that so much of it is actually being set up and told to us in seasons 1 and 2 before we even realize that that's what's happening.
When we first see Hordak in the show, he's giving "generic evil overlord" vibes. Garden-variety baddie. Maybe a little more reasonable than some and clearly capable of long-term thinking, but that just serves to make him intimidating. Everything about him--the way he runs his empire, his armor, his color scheme, his minion, his Villainous Eye Makeup(TM), even his name--are all projecting to the audience "yup, Acme Bad Guy here. Move right along."
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But then, backstory. And everything snaps into focus. Not only is it one of the first big oh SHIT moments of the show, where we suddenly zoom out and realize that there is SO much more going on than we realized--it's also the start of the audience seeing Hordak as a character rather than an archetype. Suddenly we realize that he's not conquering Etheria because he wants power, or hates happiness and sparkles, or whatever--he's doing it out of a desperate attempt to prove his worth to his brother/creator/god. This moment where Hordak lets Entrapta in is also the moment the show lets us in on what makes our favorite spacebat tick.
On top of that, we've also seen him bonding with Entrapta and opening up to this person that he respects and trusts...probably the only person he's ever respected or trusted apart from Prime. And she's Etherian--someone of a lower species, someone he's supposed to subjugate, someone who he has been raised and trained and programmed and mind-controlled into believing is below him in every way.
But instead she's brilliant and creative and mesmerizing. She's not afraid of him, and she's fascinated with his work. For the first time since being abandoned by Prime, Hordak finally has someone that he can talk to, who is on his level and both understands and cares about the science! (because he is a giant nerd). She's kind to him, a mere defect. And it just sends his whole worldview into a spin, and that's all before--
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Bam, mans is a goner. Entrapta's "Imperfections are beautiful" comment punches right through all the toxic bs that Hordak has been steeped in his entire life. You can see on his face here--I think it's the moment Hordak fell in love with Entrapta, but this is also the face of a spacebat reevaluating his entire worldview. If Entrapta, who is amazing, believes something different from Prime...what does that mean? If Entrapta, who is brilliant, believes that he is worth something, and that she herself is a failure...
Well. We know what happens after that, and how Hordak begins to doubt, and eventually fights back against Prime (and remembers his love for Entrapta after TWO mind wipes help my heart ack). But we also get to see what life in the Galactic Horde looks like: the only life Hordak ever knew before coming to Etheria.
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It's not nice.
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It's really not nice.
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Prime operates in a very specific way, and we learn a lot about it in season 5. Prime expects complete obedience, devotion and worship from his clones. He allows no individuality from his subjects, not even a name. Failure or deviations are punished, mind-wiped, or destroyed. We even learn from Wrong Hordak that facial expressions are considered a privilege reserved for Prime (apart from, presumably, expressions of rapture caused by being around Prime).
And once we learn all of this, suddenly thinking about season 1 Hordak becomes very interesting indeed. The time we spend with the Galactic Horde and Prime throws absolutely everything that we know about Hordak into a whole new context. Now all those traits that made him a generic villain are actually hugely effective characterization! And what that characterization is telling us is that Hordak had already moved much farther away from Prime than we (or, probably, he) had realized, even long before he met Entrapta.
Horde Prime does not allow his underlings to have names, personalities, or any differences of appearance. Not only does Hordak allow this among his own troops, he chose a name for himself as well! Season 5 tells us that his very name is an act of blasphemy against his god. And yet Hordak took one for himself, and that name is part of the core identity he is able to hold on to when rebelling against Prime.
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Horde Prime cast Hordak out when he showed signs of physical imperfections. Hordak not only keeps Imp (who is by all appearances a failed clone or similar experiment) around, he treats Imp more gently than we see him treat anybody or anything before Entrapta. Imp is not simply "generic evil guy's minion," he is proof of Hordak's capacity for compassion, and evidence that Hordak cannot bring himself to cast aside "defects" as easily as Prime. Considering where Hordak came from, Imp's existence is a huge, flashing neon sign telling the audience this guy here is better than the hell that molded him, and we don't even realize it until 4 seasons after it's been shown to us!
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Very cool, ND.
There's more, though. Hordak's red and black color scheme? His dark eye makeup and lipstick? Very Evil Overlord chic. But nope! Actually these are actually expressions of individuality on a level that Hordak knows would be abhorrent to Prime!
Reading between the lines, I see this as Hordak desperately trying to reconcile two diametrically opposed beliefs in his head: (1) devotion to Prime, whose approval he desperately craves, and (2) maintaining some degree of unique personhood, of Hordak, from which to draw strength. Because a failed, defective clone cannot survive on a hostile world, cut off from the hivemind and from Prime's light. A failed clone cannot create an empire to offer Prime as tribute, nor build a spacetime portal from scraps and memory to call Prime back. A failed clone cannot create cybernetic armor to keep his hurting, weakened body alive; to force himself to keep going no matter what, to fight through the pain and the doubt by sheer force of will.
But maybe Hordak can.
And so there it is. Hordak had plenty of time to gain and explore his individuality while separated from Prime, but I think the reason he did it so effectively (while still deluding himself that Prime would forgive him for these little sins, if only Hordak could prove his value) is because he had to.
Wrong Hordak gained his individuality surrounded by kind, quirky people who took care of him; Hordak was ripped from the hivemind by Prime himself and had to fight for his survival against all odds. And that produced a dangerous and damaging foe for Etheria. But it also produced the one clone with the strength of will to defy Prime himself.
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This is long and rambling, but ultimately my point is that 1) I love Hordak, and 2) I love love love love that the show was so clever about his characterization. We learn so much about him and how much progress he's already made in breaking from his psycho abusive cult upbringing, and we don't even recognize it until the show wants us to. Hordak had come so far, all on his own, before he met Entrapta. She just helped push him over the edge and finally realize (at least consciously) that Prime's worldview might not be the correct one.
Idk, I just don't know if I've ever seen all the trappings of Basic 80's Villain(TM) so successfully subverted, where looking back 4 seasons later is actually a smack in the face with the "effective character building" stick. Amazing.
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Inside Job didn’t just get canceled.
It had its first season split in two, a tactic animators said was used for Cuphead to let them pay staff less. Then, the show was renewed for a real second season.
And then the show was canceled before that second season anyway.
Final Space didn’t just get canceled on the most depressing cliffhanger ever. It was removed from all platforms before becoming a tax write-off, essentially meaning the only ways of really watching the show is through DVD or pirating.
The Owl House wasn’t just given a shortened third season. Disney, a company already known for a, let’s say, complicated relationship with its LGBT+ history, took a show created by a bisexual woman, filled with beloved LGBT+ characters, some of which were teenagers just like the audience, and told said creator to destroy her shows pacing so she could finish her story in just 3 45 minute specials.
I can go on about how Hollywood and television don’t respect animation and the like but this is endemic of a larger problem:
Capitalism destroys art.
The constant need for shows to be either the biggest thing in history or a complete failure, the constant need for a cash cow, leads to any show that doesn’t immediately become Squid Game or Stranger Things levels of popular, especially animated shows, getting scrapped for no reason other then it doesn’t make them enough money.
In our hyper capitalist hellscape, I worry we’re going to see more Inside Jobs, Final Spaces, and Owl Houses: shows made with love, that showcase potential, and dedicated fanbases, having a renewal reversed, or becoming a tax write off, or having its story rushed, so that the executives can save a few cents, while also fucking over employees.
I think that’s the part that always needs to be remembered too; the people behind these shows. Not just the creators or voice actors or well known animators, but everybody. As NewDeal4Animation illustrated, staffs on these shows are often underpaid and overworked. And to then, to not just lose a show you spent months, years of your life on out of nowhere, but to essentially lose a job… it’s terrifying. And every staff member, from the creators to the unpaid interns, deserves better.
So yea. That’s just my thoughts on the matter I guess.
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eamour · 8 months
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manifestation rules
everybody has a different set of beliefs when it comes to manifesting, determining their journey. some believe that nothing unfavourable can manifest for them, some believe that they can get whatever they want even if they react to their outer reality, ... whatever you choose to believe in creates the basis for the way you go about manifesting your desires. therefore, it's always nice to make manifesting easier and more effortless by sticking to certain rules that can protect, guide and make you feel more at ease while manifesting a certain desire.
applying the rules
it's totally up to you: you can make all of these your new rules or just pick a few new ones that resonate with you the most. the way you make these rules "work" is by simply declaring that this is now your new way of manifesting! don't worry, you don't have to learn them all by heart but remind yourself of them in times of manifesting. it's the most affective when you don't overcomplicate it!
here are the rules
whatever i want, wants me more
everything conspires in my favour
i am the only creator in my reality
the world revolves around me
i’m the main character and always get my happy ending
i am destined to win and succeed
everything is rigged in my favour
i easily manifest
manifesting is very easy for me
it’s all in my command and under my control
i am in charge of pretty much everything
there’s only one operant power and that’s me
i always get everything i want in my life
i was made to rule both dimensions
everything always falls into place for me
it all perfectly works out for me 
i never chase, i attract
everything i want is easily given to me
i have it all
i’m a master manifestor
i’m a pro at manifesting
whatever i desire is already mine
i’m the blueprint
i’m way too perfect not to have it all
all of my desires are meant for me
i effortlessly manifest the life of my dreams
everything is always about me
i am the prize, everything chases me
i decide what happens next
i am the god of my reality
i’m the master of my destiny
my desires are done deal 
everything is mine for the taking
i have my desires simply because i say so
as the god of my reality, it is my right to have everything i want
i get everything i desire since everything i say, goes
life is a game and i keep winning
i never fail to get what i want
it’s impossible for me to fail
not getting what i wish for isn’t possible
“failure” doesn’t exist in my life
others might not succeed but that doesn't go for me
i manifest quickly, effortlessly and instantly
my desires materialise very fast
i always get whatever i want whenever i want it
everything i want is being handed to me instantly
whatever i desire is mine in the very moment
i get whatever i want as soon as possible
i manifest regardless of everything and anything
there is no such thing as “impossible”, “illogical” or “unlikely” to manifest
circumstances don’t matter
the outside world doesn't affect me in any way
nothing can hinder my manifestation process
i cannot not get my desire
no one can stop me from attaining the life i want
the 3D immediately conforms
everything always works out perfectly for me
i am limitless
my abilities are infinite
anything is totally malleable 
i can change reality to my liking
the world only shows me what i wish to see
i mould my own world
in imagination, i have it all
regardless of any circumstances, i get whatever i like
intrusive thoughts, doubts or worries cannot influence my manifestations
the 3D quickly reflects my desires
my outer world shows me my inner world
negativity doesn’t exist for me
i am protected from anything undesirable
unfavourable thoughts never manifest for me
with love, ella.
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beesmygod · 10 months
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we can all look back on and laugh at this when im wrong, but it seems like social media in its current incarnation is dying an undignified and overdue death. it turns out throwing all of humanity into one room and expecting everyone to develop a single ethos was beyond insane conceptually and the artists who built their following on social media are probably in a tail spin right now. people jumping to bluesky are insane lol. did you forget jack dorsey is the idiot who got us into this mess in the first place. why would you choose to subject yourself to this shit again. for what purpose?
the stock answer i got was that "for discoverability/audience" and if that's true thats a problem. i've been hollerin about this to anyone who would listen prior to this but the customer base of twitter (and all social media) is its advertisers. they have not been shy from the start about that fact because its the only way they generate income, as far as i know. YOU (the user) are the product. YOU (still the user) are also what draws people to the site. there is not a social media website on earth that has figured out that making a good website (which would require hiring and paying for quality labor over an extended period of time) is more likely to result in economic success than exclusively courting the businesses whose interest is in making the website worse to use with ads. at no point were our interests ever a factor.
in fact, imo, the number of people following you is not an accurate representational sample of your audience. the reasonable assumption you should make is that the vast majority of numbers involved with any website (esp those with a vested interest in showing off big numbers to VC investors or advertising execs) are inflated or just outright fake. the numbers exist solely to drive you insane and make awful people happy. the numbers cause you and everyone around you to start spontaneously spawning myths about a beast called "the algorithm" that possesses the incredible traits of being both something you can game for success or blame for your failures. it coerces you into enacting out nonsense superstitions to try to counteract or appease it in the hopes of, let's be honest, breaking it big and going viral. this way, you, the creator, do not have to do the hard work of building up a rapport with an audience. none of this goes anything but adds more numbers for the ceos to look at and nod approvingly or disapprovingly at.
the people running the world today are, without exaggeration, cartoon villains. they are deeply stupid, devoid of empathy, and open about their intent to do deeply evil acts in order to further their economic interests. trying to derive some kind of financial benefit from the creations of these unapologetic losers was always bound to be a wasted effort. the best thing i can say about twitter, a website i was banned from countless times and returned to out of stubborn desire, was that i got to make some great jokes with friends and cause some chaos lol. letting people know i have a web comic was always a secondary function once the realization of what social media was turning out to be set in like 7 years ago. any artist who insists that you have to do this or that on this or that social media site is trying to drag you down into the quagmire of online numbers poisoning.
run away!!! children heed my advice!!! the joy of creation does not lie on a path that encourages you to cater to the lowest common denominators while casting your net. just fucking have fun with it. if its not fun then it wont even be fun to do financially anyway. and isnt that, like. the point.
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never have I played any nights at Freddy fazbears
pls explain the whole plot and all lore to me as if I were small and slightly stupid
oh great timing i literally JUST explained this to my asoue discord
this is a VERY simple summary, but things to keep in mind while reading:
very very VERY little of this is directly spelled out for us. the creator, scott cawthon, LOVES to confuse people on purpose and the vast majority of the lore is gleaned from hidden minigames, secret cutscenes, and easter eggs. this makes things very confusing and controversial within the fanbase, so im gonna try to explain where there are differing opinions
really, there's two main stories: the first main story was completed with FNAF6 and Ultimate Custom Night, the story going on rn is the second and it is still ongoing. as such, a lot of the lore is still a mystery to all of us.
For clarity's sake, I will divide this between: THE AFTON STORY, the one the movie's gonna tell a part of, and THE GLITCH STORY, which the games are going through
dont worry i will make it fun to go through so it doesnt feel like school
ok lets go
THE AFTON STORY
First, let's get a visual chart in here. don't worry it's just for show
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These are the important families we will be talking about; the Emily family, with father Henry and daughter Charlie, and the Afton Family, with father William, two sons (Michael and a boy who is still unnamed, he might get named on friday? We call him Crying Child "CC") and a daughter, Elizabeth. Don't worry about the mothers they're not important
Okay so here's the thing: of these four children, all but Michael die VERY early on in the timeline
The problem is we do NOT know THE ORDER each of them died. There's a lot of arguments on all sides but I personally think the order is sad boi->charlie->baby so imma present it in that order. But keep in mind that we don't actually know because of the confusing way the lore is dropped.
okay so for starters.
Backstory/FNAF4
purple guy is william afton and he and this guy vcalled henry start opening a restaurant chain starring freddy fazbear
in the original location they've got two animatronic suits, fredbear and spring bonnie. the other location has freddy, bonnie, foxy, chica
the og location suits are ~special~ tho, bc henry and william are crazy inventor dudes. these suits are called "springlock suits". they function as full animatronics but you can wind all the wires and gears and endoskeleton and shit back and step into the costume yourself. only problem is the safety is jackshit and if you like. cry or sweat or breathe wrong the springlocks will fail and the metal will come crashing back and crush u to death. u should have enough time to get to the back room so u dont bleed out in front of the customers tho. springlock suits are important remember those
michael is in his early teens and has just learned how to be a shit to his siblings and is trying out this hot new bullying thing. he's picking a lot on CC because CC is terrified of the freddy animatronics. it is said that he "saw something" that scared him, it could be anything as benign as "saw someone go into the suit and got freaked out" to something as serious as "saw one of those aforementioned springlock failures and person bleeding out." could also be charlie or elizabeth's death if those happen earlier in the timeline. again we dont know bc cawthon likes to confuse us
CC is not scared of the freddy characters tho, he has all the plushies and calls them his friends. he's just scared of the animtronics. unfortunately his dad works there so he has to be there like 90% of the time so he's having a wonderful time. hence the moniker "crying child". bc he cries all the time
anyway at his birthday party, michael decides it would be really funny to shove CC up into the animatronic's mouth for kicks. this goes about as well as you'd expect cause the mouth closes and fuckin. crushes his head
kid goes into a coma for a while but eventually flatlines. while he's in the coma we hear michael tearfully apologizing, and his fredbear plush talks to him (presumed to be william) saying he will "put him back together"
anyway that was fun. so next up charlie emily gets FUCKING MURDERED
Backstory/FNAF1-2
for some reason charlie gets locked outside the pizzeria. william's driving by and decides to stab her bc why not
honestly most of us believe that this occured after CC just bc it gives william motivation to be pissy at his business partner and kill his kid abt it, but also a book that released a month ago implies that william might have been nightmare gassing his kids for shits and giggles so. who knows. dont worry about that btw its not relevant rn
anyway the thing is willie and henry had an animatronic designed to protect the children called the puppet. the puppet sees charlie outside and goes out to help her but it's raining so it fries up the puppet's circuits and it crashes on top of her dead body. cheery!
except this is where it gets wild bc charlie proceeds to like. possess the puppet
possession is really complicated in this universe but basically there's no real way to communicate openly with people and the possesser might not even be aware of who or where they are or anything really but. yeah the lil girl def possesses the puppet
its after this that william starts killing kids for funsies. a lot of us presume that he saw the puppet getting possessed and was like "holy shit a way to bring crying kid back" but again he might've just decided this was fun
anyway he lures five kids into the Secret Freddy's Backroom That Is Not On The Maps by wearing the spring bonnie costume. after killing them he shoves them into the other animatronic suits (freddy, bonnie, chica, foxy, fredbear "golden freddy") and yeah they start gettin possessed
the fifth missing kid was stuffed in fredbear and here's where it gets veeery theoretical cause we dont have straight confirmation of this but just some theories. it's VERY likely that crying child was also haunting fredbear at this point, and shoving another kid in there got two kids haunting the same bitch and it causes fredbear (golden freddy) to be really fucking weird and glitchy and eldritch or w/e. anyway you dont have to worry about that rn cause golden freddy doesnt show up much they're too busy ascending or smth
now this is where the lore gets confusing-- the first game claims that after the last two were lured, someone was caught on camera, arrested and charged. however we know for a fact willie-boi wasnt caught so either 1) this got retconned when cawthon decided to actually make lore, 2) he wasnt convicted and somehow still kept a hold on the fazbear empire during this, or 3) a lot of us theorize that henry was framed for the crimes and thats why he disappears from the timeline until the sixth game. cause yeah he disappears from the timeline until the sixth game. personally i believe the third it makes a lot of sense but yeah willie-boi stops killing at about five kids
anyway will is going full scientist with all these animatronics and he's like. ripping parts off them and putting them on other animatronics to see what happens. we THINK. again this is really vague but this is just kinda the most logical explanation here.
anyway this is what happens in fnaf2 and what it does is like. split the souls and shit. and he's like "oh this is sick" except this makes all the suits act erratic as hell and very angry towards adults (theyre cool with kids tho) and eventually one of them causes the infamous Bite of 87. we're not entirely sure what it was but one of the animatronics bit off the frontal lobe of someone in 1987. this caused this location to get shut down and willie boi just puts the pieces back on the og animatronics and is like "well shit what do we do now boys"
FNAF5: Sister Location
anyway so this is where we think elizabeth dies in the timeline. william makes these things called the "funtime animatronics"-- we know they are made after a fnaf location shuts down, though it's not specified which. these animatronics are built SPECIFICALLY to kidnap children. ballora is built as a distraction for parents, the other two are built to only move when not seen, and then Circus Baby™ has an arm that can grab kids and drag thtem into her until willie lets em out. she is programmed to only do this when a child is alone in the room so william tells elizabeth "do not go see baby when you are alone in the room"
so elizabeth is like 6 and she goes to see baby when she is alone in the room and baby grabs her but the arm is fucked up and the kid dies p badly
funtime's location is then immediately closed due to "gas leaks" and william rents out the funtimes for parties. at the same time he starts shoving some haunted parts into the funtime animatronics to see what happens. we THINK.
important location here btw is the "scooping room." it's actually very good horror but basically it's a bitch that is supposed to rip the endoskeletons out of the suit whenever theyre malfunctioning. super smart idea that will cause no nightmares going forwards.
anyway the animatronics all kinda know that william killed them so after a while (a few years??? who knows) they start trying to kill him and he's like "hmm. i cannot go into this bunker anymore. let me send michael, my last surviving kid who i hate." this is where michael, now an adult, re-enters the timeline.
mikey boy is told by his dad that he can bring his baby sis back to life if he goes down into this bunker and does some shit. michael is like "oh sweet" bc honestly he probably still feels guilty about literally killing his bro and so he goes down to the bunker.
the animatronics eventually tell him "go into the scooping room it'll be totes mcgotes" and when he gets there he finds out that the animatronics have killed all the other employees, scooped themselves, and fused their endoskeletons into one conglomerate called ennard
ennard is like "yeah we cant escape here cause they just bring us back so we're gonna use you as a skinsuit k thnx" and they scoop him and use him as a skinsuit
it's really good horror i promise
BUT this turned out to be a bad plan because Humans Decay so after like a week ennard gets puked up by the MikeSuit and escapes into the sewers.
here, meanwhile, is where mike pulls a reverse uno card and possesses his own decaying corpse
LIKE A FUCKING BADASS
he then calls up his dad and is like "hey dad :) elizabeth's fine now :) BUT :) they fucking killed me :) because they thought i was you :) you sure sent me down here to die huh :) anyway :) im gonna come find you :) you have a ten minute head start start running :)"
actor really fucking sold that monologue too ngl
so he's like. PISSSSSSED and rightfully so he is walking around in his own corpse. so he goes to find his dad
Backstory/FNAF3
this is about when peepaw willie goes back to the original fnaf location (we THINK) and is like "ok im just gonna take apart all the animatronics and do something with these"
only when he destroys the suits the missing kids' ghosts show up and spook him. so this guy who's been studying ghosts is like "oh fuckshit there's ghosts here" and tries to hide in the spring bonnie suit. only he laughs and this causes the springlocks to malfunction and FUCKING VIOLENTLY KILL HIM. get springlocked idiot
except then HE possesses the spring bonnie suit and this is springtrap. but also he's in a super secret back room while this happens so he is trapped there for a while
FNAF6
so ennard, michael and william are fuckin around for a couple years. at some point ennard decides that elizabeth is kinda a freak actually and kicks her out of the hivemind so she just rebuilds herself a circus baby suit and keeps wanderin around so now we got four bitches doing who knows what
eventually it's been 30 years since the last freddy's closed and someone opens up a haunted house parody of it. mike goes to work there as a security guard* and guess what they found springtrap and bring him to the attraction thinking he's just an animatronic. after five nights of fucking with him mike sets the place on fire to try and finally kill his dad fr. it does not work
*note that this isnt confirmed to be michael but we kinda. all know it's probably him. it really seems to be him
anyway then michael finds out that an actual fazbear's is opening and needs an owner so he goes and becomes owner of the restaraunt. while some guy on a cassette tape is giving him tutorial instructions he sets up the place and also collects several animatronics. these are:
scraptrap (peepaw post-fire and really pissed)
scrapbaby (elizabeth now thinking that maybe if she kills things her dad will pay attention to her)
molten freddy (remains of ennard still not entirely sure what's going on)
lefty (a bear solely built to capture the puppet, who was still fuckin around the fnaf2 location i guess. anyway now the puppet is here thats important)
so after our five nights scrapbaby comes on the speaker system and is like "omg dad if we kill people will you love me. we're gonna kill soooo many people it's my passion actually" and that's when the cassette tutorial guy interrupts her
and he just goes "yeah. you're not doing that"
anyway he's like "hi guys. you remember me??? henry??? from 30 years ago?? i owned half this business? you killed my daughter and stuffed her soul in a puppet? lmao yeah i literally lured you all here and you came like the fucking idiots you are. im setting the place on fire, we're all gonna die and go to heaven. except for YOU, WILL. you are not going there. lmao bye" and he sets the place on fire and they all burn. it's more epic when he says it tbh
now henry mentions that he had an escape route ready for the building owner but he figured out the owner was michael and was like "i feel like you wanna stay and burn with us" and michael's like "fuck yeah"
you might think that wraps up the story nicely but OH NO THERE'S MORE
Ultimate Custom Night
see, the next game is ultimate custom night where you can choose which animatronics hunt you and their level of difficulty. it is through hidden messages and shit that we find out that ucn is, canonically, william being tortured in hell. which is sick af
anyway the tormentor is a spirit labelled "the vengeful spirit" in the files, and "the one you should not have killed" by the animatronics. we sometimes hear either a light voice behind the other animatronic lines (could be either a woman with a light voice, a little girl, or a little boy), and the pic that sometimes shows up as a hallucination is a distorted photo of scott cawthon's son. we know for a FACT this spirit is someone from the fnaf6 fire cause they reference the fire more than once while poking willie with a stick. it's probably not elizabeth cause she was just tryin to get her dad's attention. it's not charlie/puppet bc one of her lines is like "ffs just stay out of my way for ONCE." we also know for a fact it's not henry cause they were like "henry sure tried to release us huh. not happening im not letting you go that easily bitch haha" so that narrows it down to michael and the missing kids
now here's the thing.
the vaaaaast majority of the fandom is convinced that the vengeful spirit is cassidy, the missing child that was stuffed inside golden freddy with cc. this is because golden freddy is in a looot of ultimate custom night and if you beat the hardest mode you just get a quick cutscene of him glitching and then everything fades to black
however. i have seen legiterally no convincing evidence that this is the case. all we know about cassidy is she is the golden freddy missing kid and was talking to cc through the logbook. and we BARELY know this. in the alternate universe book she first showed up in (the silver eyes) she wasn't even the golden freddy kid. people point out a similar situation to her and cc in fazbear frights where one of the kids was tormenting william (stitchwraith) but that's literally a whole separate universe and completely separate characters with separate backstories and personalities
there's a sprite in security breach who fights glitchtrap (explained below) who was named in the files as "cassidy" so ppl point to that but 1) they changed that name after people made a deal out of it, 2) that could mean literally anything, 3) the protag of the next game was named "cassie" and her story kinda paralleled the sprite's first game so uuhhhh anyway
honestly i think it's WAY more likely the vengeful spirit is mr michael "i'm going to come find you and set you on fire twice" afton, using his childhood likeness to fuck with his dad. this is strengthened by one of the easter egg cutscenes in ucn, where the vengeful spirit talks to a benevolent spirit who tells them to "leave the demon to his demons. there is nothing for you here." the audio in the background is someone distortedly screaming "HENRY" and "MICHAEL"
one of the animatronic lines also says "is this a prison for you or for me? perhaps both" implying that the vengeful spirit feels like they belong in hell, which would fit with mike's "i killed my brother" self-loathing. the golden freddy glitch could very easily be his mental anguish as well as william's, with the optional cutscene telling us that while michael is self-harming by torturing his dad in hell, he has the ability to move on and find peace if he can forgive himself. honestly i really like that open ending there
another point towards "vengeful mike" theory is that we play as him for most of the games (definitely 5 and 6, most likely 1 and 3, some theorize 4) and so him being the vengeful spirit is way more emotionally impactful than "random kid #5"
however every time i bring this up to the fnaf fandom they get really really pissy at me because y'all love ur angry lil girl cassidy headcanons and honestly that is completely fair i also love angry lil girls. im just saying this bc we're going over whats canon rn and i firmly believe in vengeful mike (thank @birdsareblooming for that) but yknow. cassidy is also fun as hell
i wrote a whole essay on this btw these are just the cliffnotes. do you guys wanna see the essay
anyway that's where the afton story ends but OHHH NO MR CAWTHON CANNOT STOP
if you just want a quick catchup before the movie you can stop here but anyway. let's talk mimicry
THE GLITCH STORY
the games coming out recently are kinda a sequel-story and bc theyre still coming out we are still very confused about what the fuck is canon and what is not so this one will be a lot more guessing. i digress let's talk about
Help Wanted
so back on earth, it's the 2020s-2030s. turns out the fazbear company is still functional and they're like "well shit guys what the FUCK do we do about all of That"
so they decide they need a brand cleansing and what they do is they secretly hire an "indie game developer" to make the fnaf games in-universe, to make light of the tragedies and make people take them less seriously. they pretend to have beef with this indie dev but eventually put all of his games into a VR game as a show of "good faith." somehow this actually does work in revitalizing the brand image
also sidenote but the books imply that the indie dev was kidnapped and gaslit into making the games but thats not important
now see there's a glitch in the game and the beta-tester jeremy mentions it and then gets increasingly withdrawn and obsessive. because it turns out there is a Bitch in here
now. the identity of the Bitch is uh. controversial in the fandom rn. i will say for clarity that i am in Party Two and will probably be biased towards that but here's the thing. the Bitch is either:
a digital upload of william afton's soul (somehow escaping hell)
THE MIMIC
Help Wanted Interlude: The Mimic
see, the other books (silver eyes, fazbear frights) are set in a parallel universe-ish to the books, similar rules and worldbuilding but cawthon can fuck around all he wants with no consequences. there were charliebots and springtrap mpreg at one point it was nuts. but the thing is right now they're kinda trying to tell us that the current series, tales from the pizzaplex, is game-canon. god only knows if they'll stick to that so some people think the books are in the game's universe, others think they're parallels to the games and not 1-1 exact much like the others
but anyway they give us crucial lore on The Mimic so here we go
some guy named edwin (some think he's a parallel to henry or william, but rn we're just gonna assume he's canon) is a single dad to a toddler. however he's working for fazbear making all these animatronics and he's sooo busy and needs something to distract the toddler so he creates a fucked up nightmare animatronic called The Mimic, whose programming is extremely basic: "copy whatever you see being done"
the toddler actually loves the fucked up nightmare animatronic and teaches him to play patty-cake and carry around stuffed animals or w/e. anyway then the toddler runs out into the street and gets hit by a car
edwin is still grieving and the mimic comes up carrying the toddler's stuffed animal and still copying him and when the mimic that edwin programmed to copy things is still copying things edwin snaps and just beats the fuck out of it bc he needs a grief outlet. he then abandons the thing but however the mimic has just learned Violence
some employees come by to see where edwin's animatronics are and the mimic just starts killing all of them bc. well. it's supposed to copy things. it will copy things
there's a BIG GAP here in what happens to it next but it disappears for the next 30 years. however it is heavily, HEAVILY implied that it witnessed at least one of the missing children incidents
fazbear actually has a Lot of mimic endoskeletons but bc they start copying violent shit they shut them all down. however they all run on the same program, "mimic1" and fazbear keeps that tech around cause you know it could be helpful
Back to Help Wanted
now here is where the "we only THINK this is canon we dont knkow yet" comes in
back to the vr game, they are just shoving random old pieces of code in there to speefd up the process of making the game cause capitalism doesnt like long development times. this puts the mimic1 program into the program and it immediately sees All Of Afton's Crimes In 4K. it decides "oh yeah i can mimic this but i should probably get a physical body in order to do that"
so beta tester jeremy sees the mimic program, which takes the form of Spring Bonnie Suit. this is Glitchtrap
now keep in mind that some people do still believe that all this aint happenin and the spring bonnie glitch is just william. again i personally believe the mimic cause it makes more sense than "william escaped hell somehow" but w/e
anyway, glitchtrap is fuckin around. it tries to possess beta tester jeremy and in order to stop it, jeremy does the sensible thing and cuts his own face off
so glitchtrap is like "hmm. that didn't work out" and decides to go for the more subtle approach. the next beta tester, currently unnamed, starts recording tapes inside the game to send to the next beta tester so they dont fuck with glitchtrap. glitchtrap however seals itself inside the tapes so that when the beta testers try to delete it, it'll instead be inside the tapes and cant be removed lmao. it then "mimics" tape girl's voice and adds a last tape saying "let him possess you its ok i promise"
it also mimics her intro of "hello can you hear me" in the one time it speaks so. mimic
anyway the next beta tester is this gal named vanessa and she gets possessed like suuuper quickly and glitchtrap is like "oh fucking FINALLY"
Security Breach Therapy Tapes
vanessa's acting weird at work so company requires her to go to therapy, however she has the same therapist as Another Patient. this patient will be named later however right now we're calling them Patient 46. they do not talk but have the same therapist as Vanessa and is creepy about it. anyway whenever a therapist prods too much into either Vanessa or P46's life, or discovers them fucking with fazbear tech, the therapist mysteriously goes missing and shows up later dead and mangled by machinery
they go through like five of these bitches at least, but it's clear P46 is another bitch possessed by glitchtrap but they're like more possessed than vanessa is so glitchtrap likes them better
BUT THAT'S ALL BORING, WE'VE GOT A PIZZAPLEX NOW!!!
Security Breach
fazbear opens a giant 80s-style mall with a ton of attractions like disneyland or w/e and call it the Mega Pizzaplex. There's state-of-the-art animatronics in here that are basically sentient ai. they might be possessed but we're not actually sure rn they might just be advanced robots
they start with "glamrock" freddy, bonnie and chica, along with roxy wolf instead of foxy. we're not sure why rn. anyway at some point something suspicious happens and bonnie is found mangled and he's replaced with montgomery gator, a c-list animatronic they had to run the golf course. he doesnt seem to take the spotlight well and has started breaking things but its probably fine
anyway they eventually realize they can automate the staff and stop paying human beings and they jump on that cause they love cutting costs. they've got staffbots everywhere except for ONE person- vanessa, who is hired as the security guard. we find a note saying that her interviewer found her too inexperienced for the position, but someone "very" high up in the company pushed her into the role. this is implied to be glitchtrap taking over the systems
so vanessa and P46 are shoving glitchtrap into the systems because, well, guess what? the pizzaplex is built on top of the fnaf6 location. the one where henry set them all on fire, and they're trying to do some sort of shit with the burnt remains of springtrap. if you believe in william!glitchtrap he's trying to get his body back; if you believe in mimic!glitchtrap he's trying to fuse himself to afton's corpse in order to gain a corporeal form. it also helps that there is The OG Mimic Endoskeleton in this area (its explained in the books im not going into it) but it's pretty fuckin damaged so they gotta spend some time fixing it before fusing it with peepaw's corpse
but the night they're supposed to do that, something goes wrong: a child is loose in the pizzaplex
glamrock freddy had a malfunction onstage, and when he wakes up in his room, there is a child hiding in his stomach compartment (used for oversized piñatas and cakes). this child is named gregory and he looks suspiciously like the crying child and we dont have an explanation for that but no, matpat, he's not a robot, it's probably just symbolism
anyway gregory actually has like very little memory of what's going on and barely remembers his own name but he says that vanessa the security guard is trying to fuckin kill him so he needs to get tf out of the pizzaplex. freddy's like "well you're shit out of luck cause the doors close and seal until 6am but that's fine we can make it til then" and gregory's like "fucking JOY"
long story short gregory has to run around the pizzaplex while every animatronic but freddy is trying to kill him. freddy is not trying to kill him bc his malfunction caused him to enter Safe Mode and it turns out that Safe Mode is safe from the glitchtrap virus. everyone else, however, gets glitchtrapped and is trying to kill this kid
you dont find out why until like laaaate in the game and even THEN you're confused until one of the goosebumps-knockoff short stories confirms a thing, and that thing is:
gregory is patient 46
oh shit
turns out gregory was possessed by glitchtrap for FUCK knows how long and was used as its body for like the entire time. and when he eventually wakes up un-possessed (no idea how that happened) he has no memory of whats going on at ALL and is understandably fucking terrified. doesnt remember being possessed or killing ppl or anything he just wakes up and runs. glam freddy likely malfunctioned cause glitchtrap was like "oh my god go GET that stupid kid" and glam freddy was like "but???? protecc????" and entered safe mode
so gregory eventually fuckin DEMOLISHES all the other animatronics and uses their parts to upgrade freddy. freddy is like "hey where'd you get these parts" and gregory's like "uhhhhhhhhh dont worry about it" "hey where are my friends" "DONT WORRY ABOUT IT"
while this is happening, a possessed vanessa is in a bunny suit calling herself vanny and also trying to kill him. this is just as confusing to us as it is to you
anyway there are six endings to security breach. according to the most recent game, there is a chance that two of them are canon. WE DO NOT KNOW which of the two is canon. these are the endings:
Princess Quest Ending: greg and freddy try to confront vanny and she gets freddy ripped apart by staffbots. gregory then finds an arcade game in her room and plays and beats it which sets her soul free (presumably he knew how to do this cause he's remembering bits and pieces of being possessed??? idk). anyway once the game is beat she is unpossessed and takes gregory and freddy's decapitated head out of the pizzaplex
Burntrap Ending: gregory and freddy avoid vanny and go to the fnaf6 basement where freddy starts acting all fucked up and then thtey find the Springtrap corpse, now Burntrap (fused with the mimic? glitchtrap? yknow). it tries to kill them so you have to Boss Fight everything and then set him on fire again. THEN a tangled mess of animatronic wires with a funtime freddy head (remains of ennard???) shows up and drags him off. again, just as confusing for us as it is for you. freddy and gregory escape. no idea where vanessa is
ONE of these is canon. we do not know which. this is making the fanbase super chill and normal /lying
Evidence for Princess Quest: in ruin, we see a headless glamrock freddy in the exact same area he is in pq. we also have no sign of vanny trying to help glitchtrap. you can collect gregory's fanart of his own game and pq is the only one he didn't draw. princess quest arcade game has sword sticking out of it
Evidence against Princess Quest: aforementioned headless freddy is labelled a prototype on his foot and we know for a fact that our freddy does not have that stamp. he also has a gift inside his stomach when freddy gave his stomach gift to gregory already (and it was a diff color). the pq arcade game has sword sticking out of it BUT that could symbolize the princess being skewered, and surrounding the game is art of the escaped glitchbunny
Evidence for Burntrap: labelled as "true ending" in the files, only ending to be FULLY animated instead of switching to comic form and also only one with boss fight, the tangled animatronic mess is definitely canon (we see it, gregory draws it so he saw it too which means he went in the basement where it was), while vanny isn't seen her grafitti is everywhere and appears to be recent
Evidence against Burntrap: the "true ending" label, like cassidy, could mean literally fucking anything. also if vanessa is still under his control why the fuck doesnt she help him where is she
so yeah we're having fun figuring THAT out
Ruin (the end so far thank god)
the most recent game we got, then, was the dlc for the above game, this dlc is called ruin. a few months after this, a lil girl named cassie wanders into the ruins of the pizzaplex cause her best friend gregory told her to meet him there. when she gets there she finds a walkie-talkie and he's like "girl im trapped under the pizzaplex you need to shut down the security and come get me" and she's like "sounds great"
she finds vanny's mask and puts it on and enters an AR world where a glitched bunny is trying to kill her (this one isnt glitchtrap actually) and a friendly little AR bear is telling her to keep going she's doing a great job (this one IS glitchtrap probably)
anyway it turns out her backstory is her dad worked for the pizzaplex and she had a birthday party there with her Favorite Character Roxy and literally none of her friends showed up. she was sad about it until gregory showed up and became her friend. then gregory went missing and she was sad
anyway the last security node is favorite character Roxy and roxy recognizes her and is nice to her and its very sad
cassie eventually goes down to the fnaf6 basement and is like "ok gregory i opened the door are you okay" and PSYCH, IT'S NOT GREGORY
IT'S
THE
MIMIC
youtube
the mimic immediately tries to kill her bc it likes violence but roxy shows up to save her. the real gregory calls her on the walkie-talkie and is like "bITCH GET OUT OF THERE" and she's like "IM TRYING" and gregory's "friend" (whose pronouns are very specifically blurred out, so it could be either freddy or vanessa) uses the building maps to help her to an elevator. however when she gets in the elevator gregory's like "yeahhhhh sorry we cant let you be followed :(" and drops the elevator, trapping her there
it's like a 99% chance this last bit was not gregory but it was the mimic, seeing as gregory is not even in the pizzaplex and the mimic lost cassie right next to the elevator fuse box that it could easily rip out. so you know
anyway we end with either roxy finding cassie or the mimic using roxy's voice finding her so this kid's fucked lmao
also other questions about if mimic is burntrap is that we see the mimic p naked in this game and not in a fun corpse skinsuit so where did bunny go??? however i will also mention that there is a secret ending that shows us that the FUCKING SCOOPER is here so. personally i think that answers that question. get scooped idiot
oh also if you noticed "hey 'cassie' sounds a lot like 'cassidy,' the golden freddy kid who was sharing a body with the crying child, who has a similar design to gregory," congrats! we've noticed that too! we have no fucking idea what it means! :D
and thaaaaat's five nights at freddy's
that didnt take too long did it
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comicaurora · 7 months
Note
so... thoughts on Cats 2019?
The kind of fascinating incompetence that tells you waaaaaay too much about the creator's blind spots. As someone with an extremely surface-level understanding of musical theater, even I understand that the pretenses of the stage musical exist for extremely good reasons, and the fact that a setpiece might be more small/flat/colorful than reality or that a person singing in a theatrical context sounds far more practiced and beautiful than you would "realistically" expect them to is not a fucking plot hole or failure to "correct" by making everything look and sound like shit in the name of Realism and Authenticity, which - and call me bananas on this one if you want - is not something I personally demand as an audience member when I walk into a showing of fucking Cats
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lilyginnyblackv2 · 1 year
Text
I think a lot of Buddy Daddies fans will be interested in this article by Unseen Japan entitled:  How discriminatory comments by Japanese Prime Minister Kishida Fumio's secretary may lead to actual reform on LGBTQ+ issues in Japan.
Here is an excerpt from the article (with text provided underneath):
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Text: Just days after Prime Minister Kishida minced words on legalizing same-sex marriage, his secretary Arai Masayoshi made things worse. Speaking to reporters off the record, Arai expressed his distaste for sexual minorities, saying, “I don’t want them living next to me either. ”Arai’s comments very much made it on the record. The ensuing backlash led to Kishida summarily sacking him. Arai’s blatant discrimination prompted politicians and activists to decry his comments and reignited discussions on the government’s failure to protect sexual minorities.
(Bold done by me for emphasis and to highlight what Arai said, specifically.)
There are also a lot of quotes by politicians in the article as well. One, Koizumi Shinjiro, makes this comment:
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Text: Looking at the news reports on these statements, once again I feel that the government’s efforts to tackle the declining birth rate on a different dimension will never come to fruition if their policy is based on denying diverse values and ways of life [3].
It should be noted that many of the politicians, activists, and every day people in Japan do not agree with these sentiments and actually support same-sex marriage rights. Unseen Japan made a Twitter post about this, which I will link below.
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Text:  A new telephone poll by Kyodo News says that, in the wake of discriminatory comments against LGBTQ people by PM Kishida’s (former) secretary, a full 64% of people in Japan support same sex marriage rights. Only 24.9% oppose.
And the wild thing is that Buddy Daddies is airing right now, right when it seems like issues regarding same-sex marriage, discrimination, and general rights are all starting to reach a boiling point in Japan. We have this show airing about two hitmen living together and raising a child together. IN MODERN DAY 2023 JAPAN.
That’s the big thing. They aren’t raising a kid together in a made up fantasy land or in a sci-fi future world or in a city based off of NYC. Kazuki and Rei are raising Miri in modern day, 2023, Japan. 
When Kazuki and Rei are at Miri’s daycare, listening to her speech with all the other parents (moms, really) like this:
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They are going to be perceived as a same-sex couple. When the government official was looking over their paper work like this:
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He was perceiving them as a same-sex couple. 
We know that one of the theme’s of the series is “two people of the same sex raising a child together.” That was a modern day theme that they wanted to explore. And they are exploring it so mundanely. Like, there are some ridiculous aspects to the series, but those aspects aren’t connected to them being two guys raising a child. The ridiculous stuff usually stems from the conflicting aspects of their job and caring for Miri + their general personalities.
Instead, we are getting a story that is normalizing the concept of a same-sex couple (as society would perceive them) raising a kid together. Right when there is a shitstorm going on in the Japanese government around discriminatory statements about sexual minorities by the PM, the PM’s secretary, and other politicians in PM’s political party in the past (like back in 2018).
This is kinda revolutionary by not being revolutionary at all, and just presenting everything in a realistic and normal way (in regards to the more SOL aspects, anyway). And that, in the current Japanese social and political climate surrounding LGBT+ based issues, makes it a very queer series. Even if the creators weren’t intending on that. 
And now, I am done finishing on this topic (at least for now), lol.
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libraryraccoon · 3 months
Text
A Traumatized Raccoon
For : @idkfitememate
Messages for them : It was supposed to be in a message but I thought this will be too long (guess i'm not an anon anymore-), I have create a past and give a trench coat to Raccoon Creator, I hope you don't mind. Gender : Raccoon Pronouns : they/them TW : Bad english, english isn't my first language. Wriothesley story quest spoiler.
_____________
The fact that a prisoner in Meropide have a stone that can show your trauma and that he used it directly on other prisoners, making it enter in their brain when they aren’t listening him, were already bad, but now that the racoon of Metropides was touch by that ? That was horrible.
They were trying to stop Dougier, when he had the splendid idea of, with a syringe probably stolen from the infirmary, plant it in the head of the Raccoon of Meropide and inject in them the black liquid made from the rock of fears (name given by the raccoon.. Wriothesley doesn't know how they manages to write, poorly, but always writing, with their paws... He doesn't want to know).
And now, he have to take care of the Raccoon of Meropide, or Hellion (Wriothesley named them like that because that what they are, an hellion, and also because he was tired to always say "Raccoon ! No !" everytime they try to kill fight another prisoner), that is running away from everyone and seems having fear of every persons they sees..
Can a raccoon have trauma ?-
Wriothesley already know Hellion isn’t a normal raccoon, I mean, they are the first raccoon criminals and they have stoled the Mécanique D’Analyse Cardinale.. But does that mean they have trauma too ?
Wriothesley can already feel the headache of all of that..
----------------
They were running.
They have to run.
It was all red, all was burning, the houses were burning.. They don’t know where they go, but they have to leave that place, leave Khaenri’ah-
This place the Raccoon Creator have love, the place they lived, was burning, destroyed by the Archons and Celestia.
Raccoon Creator hate them. They hate humans, Celestia, Archons.. And every living creatures that exist. They hate what they have done to them, to their family.
It was supposed to be a normal day, Raccoon Creator going to annoyed RhineDottir, playing with the kids… Not this.
They never wanted Khaenri’ah to be destroy. They never wanted all that people, all that kids, to die.
‘A creator, huh..’ think the Raccoon, looking at the corpse of one of the kids they used to play with, the same that made them their little trench coat. ‘More like a failure.. I can’t even protect those I love.’
All the Creator can do was running, running away from this chaos.
But then, they were in front of boots. They look at the person, praying for not being kill, when they realized that it was-
“Wriothesley ?” ask the Raccoon, all that came out was a raccoon sound.
Yeah, that’s right. They are at Meropide. With Wriothesley. The chaos was finish. Khaenri’ah was destroyed. Some of them were alived. They were alived.
And The Mécanique D’Analyse Cardinale ! Think the Raccoon Creator. They can’t stay here ! They have to destroy it, to kill Foçalor, like that they will have avenge the members of their people killed by the Archon Hydro.
“-ey, Hellion, you’re with me ?” ask Wriothesley, making the Raccoon focused on him.
‘What’s that look ?’ ask mentally the Raccoon, looking at Wriothesley that seemed tired, exhausted and worried.
‘Worried.. They never saw him worried about anything. That doesn’t feet him well.’ Decided the Raccoon Creator.
“What’s wrong ?” ask the raccoon, even if all that came out was raccoon sounds, Wriothesley seemed to understand.
“Nothing bad. We just have to go to my office.” Said the human, taking the raccoon in his arms.
-----------
Hellion was tense in his arms, thing, Wriothesley thought, normal given that the latter hated being touched by humans, or even Melusines.
Wriothesley thought that maybe have something with their path..
He’s not used to the fact that a raccoon have a path and is traumatized. But again, they aren’t a normal raccoon.
Wriothesley walked to his office, glancing at the raccoon only to see blood leaking from their wound, golden blood.
The same as the creator.
Something that didn't make sense because the creator was supposed to be the Otter who stays with Neuvillette and Furina..
Does that mean there is two creators ?
And, more importantly, does that mean that creator have a bad past with humans and melusines ? A bad past with their own creations ?
Wriothesley want, no, he need answer. But before, he have to take care of Hellion- no, the creator.
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Little drawing of Raccoon!Creator running away from Khaenri'ah but I can't draw :
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I wanted to make Wriothesley realized the raccoon is a creator that was traumatized by their own creations, and after I remembered I can't write good angst.
3 little hc of Raccoon!Creator (bc I'm bored) : -Raccoon Creator used to love caresses and good attention, but after Khaenri'ah's trauma, they start to hate it. -Raccoon Creator let no one touch their trench coat, and every time the trench coat is a little unstitched, they put it back together because they don't want to change it, even if it's worn, because it's the last thing they have from Khaenri'ah. And they wear it always, never put it away. -The Raccoon!Creator hate being call a creator because of Khaenri'ah (They will fight every person who call them like that).
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ayashitetsuko · 6 months
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An open letter to David Jenkins
Some fans believe that we should not vent our anger and frustration to show creators. I don’t believe that. The thing about being a professional is that receiving criticism is part of your job—especially if you have done a terrible job.
OFMD went from groundbreaking to disappointing overnight.
There was a momentum to create a queer media that is smart, fun, sexy, and most importantly, respectful. In the way they are writing these queer characters. Especially older and disabled queer characters, a reflection of a generation of marginalised communities that have gone through so much. To give audience a glimpse of hope in their escapism.
But sir, you choose to Remus Lupin him instead.
This is not just about killing off a character. Hell, I might be willing to accept it. After all, I have read and even written fics with MCD in it—involving my favourite character.
But I want you to know that this is a special case. It is not just another popular character being killed off to drive plots.
I have issue with how you kill off a queer character that represents many marginalised communities in his arc.
Izzy is an abuse survivor who becomes disabled as a result of it. Izzy is a queer elder. Izzy is suicidal but manages to overcome it with the healing power of love and community.
Having him killed off just like that is a huge slap for fans who have gone through what he has gone through. Turns out, even in fiction, in our escapism, there is no joy. Only despair.
Also. Father figure? Where does that come from? Ed has never been shown to have any level of respect for Izzy. So let me ask you again. Where does “father figure” come from?
You have an opportunity to make a difference with OFMD; to be remembered in history for the right reasons. Yet somehow you choose not too. You choose to turn this into cheap, sensationalist entertainment where death and torture are thrown around for shock value.
It is like you have no idea how much power you have by being a professional storyteller.
Let me break it down to you. For you as a writer, perhaps killing off Izzy is nothing but an artistic choice. A plot point to figure out. But for audiences in marginalised groups, stories are mirrors. They see themselves in stories. That is how stories give them hope. This is why OFMD has never been “just a pirate story”. Perhaps this is hard to understand if you have never been part of an underrepresented community in the mainstream media, but this is how many are feeling about your work now. Your legacy.
OFMD has truly become an overnight failure. I don’t know how this happened. I would like to blame budget cuts, but your Vanity Fair interview makes me realise this is all deliberate choice.
So, what is next for us Canyonites?
If anything, this convinced me that queer and disabled people should write. And continue to write.
We can no longer trust major media to speak for us. We definitely can never trust David Jenkins again. Any form of progressiveness that he showed earlier was just coincidence, apparently. Even worse, it was fake.
As my friend Sam beautifully puts it, Izzy belongs to us now. We reclaim that character and give him all the happy endings he deserves in our fic, our art. We transform the works. We write about queer, disabled, suicidal characters the way the deserve to be written. If being a published writer is the path you choose, make sure you make wiser decisions than David Jenkins.
Thank you, sir. It was good while it lasts.
But this is a terrible job that you’re doing.
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malarign · 10 months
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studio nights
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(when you help him write lyrics for his new single)
contains: idolbf!Jake x fem!reader | genre: a little bit of angst and a little bit of fluff | tw! crying | wc: 0,6k
reblogs, likes and comments are highly appreciated!!!
author’s note: guess who is back 😼 honestly as a musician, it is probably the most disappointing part - not being able to come up with any good melody or just being unsatisfied with your work, but i guess all creators can agree on that :’)
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Jake buried his face in the palms of his hands as yet another phrase slipped his mind. He never thought writing lyrics would be so difficult yet here he is hopeless since all the good words seemed to be nonoperative. Not only lyrics were his problem, but all the melodies also didn’t sound as good as he wanted. He thought all those years of musical education and violin playing would be helpful but somehow made it even worse, setting expectations so high, it was almost impossible to reach.
Suddenly the sound of a new message notification resounded in the quiet studio. He immediately reached for it thinking it could be you. Thankfully it was.
y/nie 💞: hi my love! are you done or should I come over?
He thought for a while and bit his lip. The last thing he wanted is you to see him in that state. His hair was messy, he didn’t shave for a while, and his eyes bloodshot red from crying and being in front of a computer for a whole day. The only moment he left the studio was to go to the toilet and when Jungwon asked him if he had maybe seen their choreographer.
He finally decided to just apologize for being at work until late hour once again.
His phone lit up again showing another message from you.
y/nie 💞: well too bad cuz i’m already at hybe :)
The message made him freeze. He really didn’t want you to see him like that, having a feeling that you were going to scold him for not taking proper care of himself. He quickly grabbed his phone to take a quick shower before you came only to see you as soon as he opened ten door. He noticed the bag of his favorite snacks and a bright smile on your face, which slowly faded away as you saw how in bad shape your boyfriend was. He thought about how disappointed you were, not knowing the only person you were mad at was yourself, feeling guilty for letting that happen.
“My love…” you finally spoke and caressed his cheek lovingly. This faint touch made his lip quiver as tears started to flood his eyes.
You closed the door behind you for some privacy and engulfed him in a tight hug, that he needed so much.
“I feel like a failure. I can’t even come up with the easiest lyrics,” he cried trying to calm down at the same time.
“Jake, look at me,” you spoke and cupped his cheeks. “It’s okay to have a block, I know how difficult it is to write good lyrics and that’s why I’m always so proud of you and how far you’ve come. You never fail to impress me and many others.”
He nodded at your words which spoke to him perfectly and resolved his doubts.
“Thank you,” he simply said and smiled at you.
“Can I maybe help you? Can I see what you have already?”
A little skeptical about your idea he showed you his notes full of scribbles and crossed-off words. You took your time in reading his work and soon gave your feedback, which to your surprise seemed to untie some knots in his mind. You watched as he slowly nods and writes it down hastily, regaining his confidence thanks to both your comment and good remarks.
You spend long hours in that one small studio, thinking of good and catchy phrases and tunes in the hope that maybe both of your names are going to be listed in the final credits of the album.
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thank you for reading! back to the masterlist
permanent taglist: (send an ask to be added) @nicholasluvbot, @en-chantedtomeetyou, @kpopstanmeg, @skzenhalove, @nfrgirl
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hashtagloveloses · 7 months
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But the real root of the problem seems to be that Disney higher-ups see these characters as only dollar signs, so they gave a visionary and talented creator the bare minimum amount of time and resources to continue their stories. The show didn’t need to be good to sell merchandise, especially when the characters were already familiar to viewers, similar to how the Marvel Cinematic Universe has apparently been cutting key elements of the TV production process to churn out its many IP-stretching series. Here lies the bittersweet truth of Ahsoka — this eight-episode streaming series with one writer, the corporate pressure to maintain a streaming service’s profitability, and the responsibility of launching the future direction of the entire franchise, was doomed from the start. Whether it continues with another season, a movie, or not at all, Ahsoka is another victim of late-stage capitalism’s path of destruction through Hollywood, decimating incredible storytelling potential in its wake. Even Filoni’s considerable talent, much like that of J.J. Abrams, Rian Johnson, or any of the gifted screenwriters and directors these studios bring on for both major franchises and original prestige projects, can’t stand up to Hollywood’s intellectual property machine turning almost everything into passable “content,” good enough for merchandising and driving subscriptions. A few genuinely wonderful projects, like Andor, and compelling characters and concepts, like the Mandalorian, miraculously slip through the cracks to keep audiences interested, but this IP-squeezing race to the bottom continues. Let’s just hope that the recent gains by the WGA and rise in unionization across the industry can prevent it from continuing before more beloved characters are put through the wringer.
i wrote this piece about ahsoka, a show i'm so so sad didn't live up to it's potential, and what it says about the entertainment industry right now. i am not a total hater, and there really were things to love about this show, but i needed to get out how disappointing it all feels, and hopefully i got that across. thanks for reading!
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