hi i'd like to know about your transfem fuuta thoughts please. if that's ok
"if that's ok" as if I haven't been rotating transfem fuuta in my mind for a long time and dying for an excuse to post something 👀👀👀 Thank you so much Ah!! I was able to format my little ideas and headcanons into an actual write-up, I just love this concept so much! All the big murderous twists in the series and I’ll never get over it is what it is...
So, as much as I enjoy headcanons about some big revelation moment, I think that Fuuta Terminally Online Kajiyama has been very aware of his identity for a while. He just never really got the motivation to do anything about it. He knows he's not completely satisfied with his gender, but isn't constantly suffering over it, so he thinks telling people/transitioning would be way too much of a hassle at that point in his life. He also struggles with people taking him seriously given his height, attitude, etc -- unconsciously he's also worried it will only make matters worse in that area.
He wouldn't dare say anything to his parents, and wants to avoid hassle with his friends. People paint them as judgy incels sometimes, but if they were really calling out ‘bad guys’ online, I always got the vibe they were those annoying type of progressives who will harass people for not being accepting in the perfect correct way, you know? They'd be outwardly supportive but there's still a level of high expectations and performance that comes with it, and so deep down Fuuta understands there'd be a "hassle," but can't really define why.
I mentioned in another hc post that Fuuta and his sister have a silent supportive relationship. I feel like she's the one person in his life who knows everything and is super accepting -- this is understood even though neither have said anything out loud. (When he was younger, she definitely forced him into skirts, dresses, and accessories "to check something for her beautician work.") She's noticed all the times he's picked a female avatar in games, or cosplayed in ambiguous outfits.
Then, Milgram. Thinking his life will be over soon anyway, he opens up to a few of the prisoners about himself. Their unexpected openness keeps it on his mind more often than before. Still, nothing changes. Through some rocky verdicts, he's declared innocent and released.
Back in the real world, he's pretty fucked up from the whole ordeal, and starts off extremely isolated. He's in touch with his family, but distant. He maintains contact with some of the other released prisoners, but it starts off only over the phone. He changes schools or maybe drops out completely. Having deleted all online accounts after the incident, he gets to work setting up a new online presence. He was planning on using an alias anyways, and goes with something gender neutral. "To be extra safe that no one guesses it's me," he tells himself.
Letting his hair grow out begins as an accident -- just a side effect of never going out or minding his appearance. One day he realizes how long he's let it go and grabs some scissors to cut it. He makes a comment in his chat, and someone begs him to send a picture first. He goes to take it, but is suddenly disgusted and ashamed of his self-neglect. He's forced to make himself selfie presentable first: brushing his hair and throwing on something clean real quick. When he goes to take the picture, he realizes it looks good. It feels good. He puts the scissors away.
Soon, the prisoners/some new online friends coax Fuuta to hang out more. That's when she decides to reintroduce herself into society as someone new. She ventures out with the name of a favorite video game character. (I'm going to continue saying Fuuta because I genuinely can't name a single popular character from games she'd play, but just picture the most painfully obvious one you can. The kind you hear and go "oh okay. You play X too much, huh." And please send me your thoughts so I can work them into my own personal canon 👀)
She doesn't have any hatred towards her deadname, it's more the pain of association: she remembers it said accusingly from the mouths of ex-friends. She remembers that name being called a murderer. She's not trying to deny/run from that past, she just wants to be someone better. Well, some days it is her way of running away, but most of the time it's a healthy separation from the past.
Encouraged by the positive reception and abundance of privacy in her isolation, she finally starts to explore her appearance more. Mikoto left behind some earrings during a visit -- she pierces her ears herself and tries them on. (If she doesn't like them, the holes will just heal, right? She's not weak, she can take a little pain...) Yuno/Mahiru stayed over once, and left a bit of makeup in the bathroom. She tries that on too. With a beautician in the family, this self-styling comes very easily. Fuuta's cowardly tendencies have her torn between embarrassment and her typical 'fuck you' attitude that she can do whatever she wants.
You know when you solve a tiny problem and suddenly you're smacked with how much of a huge problem it actually was? Fuuta never believed she had any issues before, but all of the sudden she's happier. Every day is easier. She has more friends. True friends. She does better with school/work. Her personality is still fiery, but it's more passion than irritability now. Self-hatred she didn't recognize starts melting away. She smiles more. She laughs more. She has plans for her future. She's excited about her future.
(Shameless art plug hehe, before I had the timeline nailed down I did a little drawing of that selfie Fuuta takes when she realizes she's satisfied with this appearance, and now has newfound motivation to move forward in life.)
Over time she experiments with other elements of transitioning, and maybe changes her name to something a bit more subtle lol.
Unfortunately, I don't think it would go over well with her parents, but she never much cared for their opinions, anyway. One day a bit in the future, she bumps into her old friends in the street. Once recovering from panic, she's pleasantly surprised that they don't recognize her. Fuuta thought her appearance/fashion wasn't that different, but to fair, the friends figured they'd remember a stunning redhead with a very noticeable eye injury if they'd met before...
And just a few quick prisoner reactions (because in my heart they're all making it out ;--;):
Yuno has similar relationship as Fuuta's sister, offering immense help without unnecessary words. She's Fuuta’s go-to contact for trying new things and asking questions.
When Mahiru first finds out, she goes a bit overboard with a makeover attempt. She and Muu provide their most frilly, glimmering outfits. They paint her nails and do makeup. They style her hair. This obviously turns out to be way too much, earning them a Fuuta-typical rant. Still, she's secretly moved by their enthusiasm and kindness.
After that, designer Mikoto tries his hand at helping. Fuuta had been really worried the two of them would lose their guys nights out and relaxed friendship, but their relationship never changes.
Shidou is very accepting and very awkward. He's trying!! He gets excited, sending her all this information and help for medically transitioning.
Fuuta invites Kazui to their first pride parade <3
Though there's no return address on the package, Fuuta receives a gift of miscellaneous earrings and piercings in the mail with a note that they'd suit her well…
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jjk men and their red flags
a/n: i'm feeling problematic :> tell me what u think (agree/disagree/add more?) this is all for shits n giggles !! non sorcerer au kinda
kento nanami — (over)protective
but like... to the point where it feels like he's treating you like a child! he doesnt like to see you sweat or even work at all for that matter. he loves it when you cook but has bought covers for all the knifes. if he sees a burn on your hand get ready for a 10 minute long lecture. if you accidentally fall he wont let you get up for atleast 3 days to help you ""heal."" it's almost like he doesnt trust you to take care of yourself :') he probably has like 3 separate first-aid kits everywhere.
suguru geto — emotionally unavailable
i feel like this is explainable to his character (sort of.) i dont think that he'd make you feel isolated at all, he's be an amazing listener and probably memorizes every word you say. he listens to you rant and even trauma dump with insane patience. but at some point it feels as though you hardly know him. he's talk to you a lot but very little of it is personal and you hardly know what he's thinking because his ass is not tell you. he also unintentionally distances himself from people from time to time. this applies to you too and you can feel him getting emotionally distant sometimes. it isnt something he does knowingly but it sure ass hell bothers you.
satoru gojo — very clingy and needy
this nigga. he is so utterly clingy. and at first it's perfectly fine, even appreciated by you. you still love him like crazy of course but it is just overwhelming. he is like a child most of the time, he need you around him and is always accompanying you wherever you go, and he expects you to do the same. he also doesn't believe in "me time" because why would you feel better when you're away from him: (? want to hang out with your friends? what do you need them for: (? he's right there. he is also physically incapable of listening but boy is he good at making up.
toji fushiguro — controlling
he is so controlling omfg. it's usually subtle but sometimes he will outright just say no to things he doesnt like, not caring if you like them. it gets to the point where he actually starts to change your personality. he is very caring and that's his justification for this typa stuff. it is usually harmless stuff but he gets paranoid often. he doesnt let you wear miniskirts out if you're not with him. he doesn't let you befriend people he thinks are into you. he barely lets you buy stuff on your own, he usually gifts you whatever it is youre into at that moment. borderline turned on by fear and you being dependent on him.
choso kamo — has no social life outside you
pretty self explanatory. he doesnt have many friends outside you and isn't interesting in making them either. total loser. so taking him out to events, he probably doesnt interact much and chooses to look at you the entire time, which annoys your friends. he answers their questions pretty bluntly. he's never down to have people over and lowkey hates when you are.
hiromi higuruma — workaholic
also self explanatory. he leaves early, comes home late. you barely see him on the weekdays. sometimes he goes as far as ignoring your calls when in between cases. he calls you periodically but has to have an alarm set to remind him. he loves you very very deeply but is just used to working non stop T_T
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I can’t explain what blue eye samurai makes me feel…….its a typical revenge story, a man sets out on his hero’s journey to kill the four men who have wronged him. A lone ronin, wide brimmed hat and sword in hand, roaming Edo Japan on his vendetta. But he’s not a man. He’s a woman. And how has he been wronged? What’s she getting revenge on?
On the fact that she exists. She wants revenge on the four white men that could possibly have conceived her. Who got her Japanese mother pregnant with a blue-eyed child. And not just any blue-eyed child, but a girl child. How is she possibly supposed to live in the world like that? For the wrong of being conceived, for the wrong of being born, for the wrong of being birthed into a world that will never love or accept her, she will kill her father.
I don’t know what level of convoluted self hate that is. Is she a child of rape? Or a child of a whore? Halfway through I realise what she told herself at the start couldn’t possibly be true - it’s not really for her mother. Her mother wasn’t the root of her vendetta, she wasn’t really doing it for her. When she leaves that farm and leaves the chance to live a simple, legitimate life as a woman, she goes right back to hunting down the men. Those men personally wronged her.
And then there’s so much to be discussed surrounding the way she grew up, because as a boy child and a man she can afford so much more than life has dealt her. Her swordfather who took her in out of the love and care in his heart had no shame in teaching a mixed man his art. The face of a ‘demon’ is fine. But not the identity of a woman. Shh. Don’t say it. Don’t confess. He knows and doesn’t want to hear it.
And because she’s lived that way her entire life for safety and security, she’s so completely alienated from being a woman, perhaps she really is he. But not really by choice. Or is it? The thing she does best is the art of killing, the art of men. Gender is a prison and gender is a performance and she has to choose which to perform. The times cannot reconcile hatred and violence with a woman. So she lives as a man.
So she can get revenge on her father, for revenge on herself.
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