the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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Bruce stared. He had just been lecturing one of his son on his gala manners. Dick or Jason were usually the ones misbehaving like that, not Tim! What had gotten into his son to behave like that in public when he wasn't even in a sleep deprived state. Of course, Bruce had to lecture his kid and benched him for the night to get some sleep because Tim had to be sleep deprived to act like that. That was untill said son, he was lecturing, came through the front door shouting at him for leaving him behind at the gala.
His head swayed between Tim and the teen he had apparently just abducted and possibly has now knowledge of their secret identities.
Okay, maybe Alfred was right about his amount of sleep. Bruce brain went to overdrive, he could play it all of with an extended Brucie act.
That was before the teen lifted on hand in a calming manner and sheepishly smiled at him.
Danny: I get the whole secret identity thing, but i dont think it's a good idea to bench me, when ghost might come attacking. I won't tell a soul about yours if you keep mine! I can make a death vow if that helps. So can I call vlad now? As much as I like getting on his nerves and away from him. HE is my original ride home.
Tim: Wait, Vlad Masters who pestered ME all night is your guardian?
Bruce continued staring at the teen that looked like Tim and was now talking to his son while his son was parallel texting on his phone. No doubt telling his other sibling.
Good, they will never let this go and Alfred will use this situation against him next time he works through several nights.
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In my neverending quest to keep Pampérigouste from achieving her dreams, I have launched a formal investigation into her last escape, which I had no explanations for at the time.
I figured it out! At the far far end of her pasture, near the road, a few fence posts have become more or less horizontal (the ground is quite wet / muddy there so they've never been very stable, especially with Pirlouit using them to scratch his forehead)—so instead of a high jump + long jump combo to get to the road, Pampe just had to clear the long jump over the ditch. Which is still impressive.
I also suspect that she chose to escape from this place near the road on a snowy morning as a deliberate strategy, knowing the snow plough would erase any traces of her jump, thus preventing me from discovering where the weak spot in the fence was. Well done.
You need 2 people to fix these fence posts so in the meantime I decided to kill two birds with one stone: cut all the broom and thorny bushes in this corner of the pasture and use them to form a discouraging barrier. I set to work earlier this week, and here's the same place as above, mid-process:
When I texted my mum to tell her about my new thorn-based anti-Pampe plan of action, she said "Like the Maasai who make fences with thorny acacia branches to keep out lions!" and it made me feel even more confident. I mean, I have neither acacia nor Maasai fencing techniques but my thorny shrubs are pretty aggressive, they pricked my fingers even through my thick work gloves—which felt satisfying in an anticipatory way. Excellent! prick Pampe's nose exactly like this. How could a llama not be deterred by a fence material that deters apex predators?
Vexingly enough, she seemed quite supportive of my efforts. At one point she breathed some warm air against my shoulder in a gentle, patronising way.
We were engaged in psychological warfare all afternoon—every time I stepped away from my vegetal fence, feeling like it was now good enough, Pampe would immediately come to inspect it, cheerful and impatient, which sapped my confidence so I would go and add a few more shrubs. (Note that I sort of plaited the first / biggest shrubs with the pre-existing fence so they don't go flying on the road, and so Pampe can't just push them aside.)
On the right: Poldine, looking for little fresh leaves to eat amidst the chaos.
On the left: Pampérigouste, thinking.
(At this point the barrier was only 20% thorns, and 80% broom—the fact that she waded through it without a care and didn't prick her belly made me go and add more thorny shrubs, and pack them more densely)
It's kind of fun watching Pampe think, honestly. Can I jump over this? Do I have enough visibility? Can I eat my way to freedom (again)? But these shrubs are disgusting. Am I above exploiting my daughter's lack of culinary discernment to achieve my goals? Maybe I should go back to my calculations re: probability of wild boar destruction.
I may have pincushions for hands after handling prickly bushes for two hours but I'm helping stimulate my llama's intellect and creativity and that's so important.
I tried to alternate broom and thorny branches so that the non-thorny broom became tangled up with thorns and brambles to form an impenetrable and incomprehensible wall. I will call it this method the salmagundi-fence.
Poldine is in awe of my vegetal installation.
Can I just say, compared to Pampérigouste who constantly has a devilish glint in her eye, Pampelune's face exudes wholesome politeness and moral goodness. It's still hard to believe they're mother and daughter.
I went home once my fence started looking like Maleficent's forest of thorns and Pampe had long stopped trying to wade through it, but I still felt antsy and ended up coming back one hour later to have my apéritif with the llamas so I could keep an eye on Pampe until nightfall.
... where is Pampe?
Oh. Here. No worries!
Still staring at the road. Still thinking.
...
With all that said, please admire my beautifully delirious Forest of Thorns-fence and let me know what you think.
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I won't be surprised if years later we find out from leaked documents that the 8 day truce's only purpose was to try and make the public forget about Gaza and reduce people's anger at Israel
And I'm afraid that maybe it worked. Less and less people are watching Gaza now.
Because How else can you explain the audacity to kill 1000 civilians in 24 hours , starting minutes after the truce ended at midnight?
They planned this.
Do not stop talking about Palestine
Please...
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