so my younger cousin is flying in to visit from brazil on sunday, and will be staying here for like, the entirety of july. which, don't get me wrong, is super cool! i love the kid! but it felt like a super weird move, considering his parents are the SUPER strict and borderline helicopter parents. even the smallest prank/roughousing with him/his little sister would lead to a strict talking to from his parents, he couldn't ever do anything without their clear permission, that sort of stuff. so letting him fly at alone at 16 to a whole different country and stay there for a whole month seemed WILDLY out of character. additionally, it just felt like a super last-minute trip. it's not like we have any plans to do when he gets here, and the flight itself and stuff only got booked like, midway through june.
and i was talking to my mom about it, kind of trying to nudge some answers out of her, and after a while she went, "yeah, i think they're sending him over here to get away for his boyfriend. see if the distance breaks them off." which, first of all, surprised me because last i checked, they didn't KNOW he had a boyfriend. literally everyone in the family did EXCEPT for them because while that entire side of the family being semi-conservative, his parents (mostly his dad) are EXTREMELY old-fashioned. so clearly something already went wrong. and considering the only reason the rest of the family knew is because one person found out and it spread like wildfire, i have a sneaking suspicion he wasn't the one to tell them, either.
and second of all. they're sending him HERE. to try to make him forget his homosexuality. i couldn't do anything but just wordlessly gesture to the multiple pride flags scattered around my room, then to myself, because really? he has like two other cousins in the us and they're sending him to me? honey i am about to introduce this kid to queer scenes you have never even heard of. he'll be returning home with labels only shrimp can perceive
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Imagine Simon's mom doesn't die with Tommy and Beth. Maybe she was out of town, or at a friend's house, and Roba's men were sloppy and missed her. Anyway, so it's just Simon and her now, and because he blames himself for what happened, he's pulled away from her.
He pays her rent, even if he wanted her to live in a nicer apartment complex. And he visits during her birthday and Mother's Day, and sometimes just randomly stops by. But he never stays very long, and he doesn't tell her a lot about his new life. It's a very one sided relationship, but she tries to make the best of it.
And then you move in next door, during one of Simon's deployments. You feel bad for the sweet lady that lives next to you. She never seems to have much company, and you take it upon yourself to befriend her, spending more time in her apartment than your own.
You learn about her ex husband, her sons, the tragedy, and most importantly, you learn about Simon. And you hate him. Mrs. Riley (she insists you call her Sarah) is such a lovely woman, and it's clear how much she cares about her living son, how hard she's trying to keep their relationship alive.
It's the second Mother's Day after you move in when you finally meet Simon. Your relationship with your own mother is complicated, so you've opted to spend the day with Mrs. Riley. You'd gotten her a small present, and had planned to spend the day drinking wine and watching historical romance movies.
You're thoroughly shocked when you knock on her door, and a man answers. Six feet, built like a brick house, but under his scowl, you recognize Sarah's eyes.
“You must be Simon.”
His scowl deepens, but before he can say anything, Mama Riley is pushing past him, pulling you into her apartment to fuss over you.
She apologizes for not telling you sooner, but your plans will have to be rescheduled. Simon's back early, and she can't waste a precious second.
You're understanding. You've listened to her worried rants, given her space to cry over how things have turned out. You know she loves spending time with her son, even if the visits are short and he doesn't talk much.
Simon doesn't miss the way you glare at him. There's a fury in your eyes, even as you cheerily wish his mother a happy mother's day. For a moment, he wonders if you're a spy. But that thought is quickly diminished, when you verbally eviscerate him at the door.
You're quiet, not wanting to upset his mom, but your anger is clear. It may not be your business, but Mama Riley is your friend, and you adore the older woman. And you cannot stand by while he treats her like this. She loves her son so much, and he needs to step up and try harder.
As you're chewing him out, Simon's already head over heels, planning your wedding as the seconds tick by.
(A/N: You can read this as a stand alone piece, but I did write 3 more drabbles (four in total!) for this! They're all on my blog under the tag mama riley au. Thank you for reading!)
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