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#but the books are a different canon but they also arent?
sk3l3t0n444 · 7 months
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this is fine im not hyperfixating on fnaf...and its totally not turning into a special interest...anyways everybodys opinion on the timeline of fnaf is dumb and im the only right one/hj
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isaacathom · 2 months
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i have genuinely so many thoughts about how the book Lieutenant Hornblower was adapted and how most of the changes work, when accounting for the fact it must necessarily leave Bush's POV in order to work as television, and how those changes end up fucking over Bush's character in the movies, and how he was further pilfered by the series' decision to maintain characters like Styles and Kennedy. There is so much going on in there. Unfortunately, I don't yet own a copy of Lieutenant Hornblower, and having to constantly borrow it from my library is a faff and prevents me using post its to mark important passages. :(
#i also last read lt hornblower over a year ago at this point#analysing the intersection of bush and kennedy is particularly ripe since kennedy DOES NOT EXIST in that book#and barely exists in the book prior. he's in two chapters. he has like 5 lines of dialogue. he probably gets killed in france#but in Lt you can understand the impulse! because other than bush and buckland? there are two other lts who arent important#so scrapping them in favour of an existing character you cobbled together for the series? yeah! yeah!!!#but they can't give archie the fate of either of the scrapped lts. bc itd be utterly ignomious#one of them gets cut in half by a cannonball. the other dies offscreen during the prisoners revolt on the renown#so they shift the circumstances of the firsts' death to a sequence with bush (the anchor thing)#and they alter the latter to remove archie from canon before he completely breaks the events of Hotspur#but THEY ALSO take actions from bush! and give them! to archie!#and it has a marked effect on bush's character in those two movies!#and when loyalty/duty are more “faithful” to the books re: bush's characterisation its jarring!#*shaking the books* i have so many thoughts#hornblower#“what does styles have to do with it” changes how he relates to the crew.#also they give the cradling bush scene to styles instead of horatio which is Funny as hell but also ;-;#it has a completely different tone but thats the stand in! for horatio calling for him tenderly!#but they couldn't give that scene to horatio because he was about to have a similar thing with archie. :(
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insertdisc5 · 1 year
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The tumblr q&a is over, but I was curious! I love all the different phrases the characters in isat/sasasa:p use--If it's something you can say, where did inspiration for "gems alive" and other phrases come from?
THANK YOU FOR ASKING BECAUSE I GET TO TALK ABOUT WORLDBUILDING AND SWEAR WORDS AND BRANDON SANDERSON
long post ahead
ok so when I was figuring out the world, I found this lecture on worldbuilding by Brandon Sanderson (go watch it, and also go read his books), and (im gonna paraphrase heavily here) one thing he mentioned is that, to make a memorable world, one thing you can do is pick a couple areas of culture, and go real deep with it. So like, pick fashion, and architecture, and interior design, and develop those a bunch, and bam! you convinced people you have a whole dang world, even though you only developed 3 areas of this world. hollow iceberg everyone thinks is a real iceberg.
he also mentioned the idea of like... getting weird with it? and develop based on a weird detail? for example, in his book The Stormlight Archives, one detail is that women have to hide their left hand at all times. ok, so what does that mean, whats taboo about a left hand? is the left hand shameful, or lewd somehow, the same way ankles were for us? what about fashion, what does women's fashion look like? and how do you live your every day life, knowing you can't show this hand, can you carry things the same way? etc
SO, for me, one of the Big Worldbuilding pillars i picked was, uh, swear words lol. or language and common expressions, more generally. i went on a whole journey where i was like... ok swear words in a LOT of languages (including french and english, both languages i speak fluently) are either sexual, or about gross bodily discharges. you know what words i mean!!!!!
and, well, i also didnt want the game to be full of those words, mostly because i think its a tightrope to use those words without seeming cringe, and also because i have a Core Memory of showing a comic to a colleague and she said "well i wouldve liked to show it to my kids, but you said fuck 12 times in there" and i didnt show my face to her for a week. family friendly family friendly family friendly
so what swear words should my characters use, that arent the same ones we use? and could those swear words actually tell us something about the world they live in? could i actually use those swear words... to show the characters come from different cultures???
and what COULD swear words be like, if theyre not about sex or body stuff? well irl they're usually about religions or belief. "oh god", "goddamnit", etc. as a sidenote, stuff like "oh my god" or "geez" arent used, because jesus christ is not canon to the ISAT universe. alright
i decided very early on i wouldnt have those in the game either, but i COULD have them be about the religions specific to this world. and for insults, i could have them be about stuff those beliefs would see as lesser.
anyway instead of talking about "gems alive" lets talk about "crab"
isabeau+mirabelle+bonnie use "crab" as a swear word because they follow a religion all around change, bettering yourself, evolving, and, the crab meme,
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for those who dont get the joke, its about carcinisation, and about how a bunch of non-crab-like forms somehow evolved to a crab-like form. which would be horrible, for a religion all based around change!!! you mean we change and evolve, but theres a chance we might all become crabs??? CRAB!!!!!!!
anyway having "crab" kinda reads as 1. swear word 2. thats funny and weird (sets the tone) 3. tells you they know what crabs are (world not that different from ours, AND means they live close-ish to the coast, aka not land locked) and 4. crabs are somehow hated/feared, even if as the player you dont get why, it shows this country has its own culture (even if you dont get the crabs joke, which uuuh apparently doesnt work as well in countries that dont have this specific meme. WHATEVER!!!!)
(a few people came to me saying "heh, i get it, because crab and crap are very similar words" and um actually i did not think about that. crab is just a funny word on its own, and also i am a comedy genius without even trying)
anyway tldr: swear words as a worldbuilding tool. soon in theaters
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puhpandas · 5 months
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i think this one line actually does a lot for showing us how rocky ggy trios group is.
a lot of ppls first impressions while reading GGY are "wow, ellis and gregory are really bad friends. they just shrug off all Tonys interests and make him do everything on his own." and that is true and is a big part of their relationships
but also this line i think shows us blatantly how Tony is in the wrong too. yeah, Ellis and Gregory (though he gets a pass. hes literally being mind controlled) make Tony feel like they dont care about his interests and are fine with him running off and wont care if hes gone, and they'll change his work without caring about how he feels about it,
But to be fair, Tony is always so in his head about everything, and he has never mentioned telling his friends about these issues to fix them. Tony, in always being so focused on his internal monologuing and whatever obsession of the week hes found, never bothers to tell his friends how he feels about the things he doesnt like that they do.
so of course ellis and gregory would have no idea.
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this line also applies to what i said. "tony hates that they always assume he'll do the work" but then he does all the work with no complaining. he never says that he doesnt like that, and on top of that he does exactly what ellis thinks he'll do.
Ellis is basically saying that Tony always runs off without them to do something himself. Tony is always so in his own head, he doesnt wait for his friends if they want to put off the story another day, and will go off without them every time.
of course Ellis is in thr wrong too, but i would also be annoyed if my friend ran off first hour for a 'group' project just to get it done faster without them. and it seems from Ellis' experience, he doesnt bother trying to join in later becasue by that time Tony already has a whole thing gotten into his brain that Ellis isnt included in (which is literally true. tony did do that in the book)
i wouldnt be suprised if Ellis (and gregory) changed GGY because its like a way of getting back at Tony. Ellis is frustrated with how he'll run off and start the story without him and then turn around and get mad when he isnt involved with its creation, so he just does this. immature? yeah. but Ellis is 12 and Tony is also 12 but tries so hard to be older.
and that makes him distance himslef from Ellis canonically. he talks about how hes frustrated with how Ellis is content to stay acting his age but Tony is starting to 'grow up', and he wonders how much longer they'll be friends. but with this in mind and how Tony handles conflicts with his friends its kinda clear that wow he is not mature enough to actually work through these issues
Tony gets defensive a lot of the time, and if Ellis challenged him and confronted Tony and talked about how he never tells them these things and gets mad when they arent mind readers like Tony believes himself is, Tony would take that as ellis telling him hes immature (because he would be) and would get pissed
but back to the Mr Rabbit thing, all of this is shown in this one line. Tony also never listens to his friends or takes them seriously, and he distances himself from them (which he then gets mad about them not being involved over) and then doesnt care enough to get Gregorys num de plume right. (even if Mr. Rabbit was something petty to get back at gregory because of tonys frustrations, once again goes towards how tony is more immature than he thinks he is)
i have lots of thoughts about these three and how their relationships could work, but this is an analysis on their strictly book characters with no fanon. of course theres a lot of potential with these three if the events of the book go differently (gregory is never mind controlled and is actually there as himself to resolve these issues, or tony doesnt die in ggy and has a wake up call later on that he acts on and apologizes + changes, or gregory goes missing and tony survives and he changes as a person going through that (and when gregory comes back later on)), so i think resolving their relationship issues within different scenarios is really interesting
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olvitier · 2 months
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Sorry its so late buf i am in an Edling mood tonight and I will never stop thinking about the idea of how theyre the epitome of right person wrong time.
(obviously in a context of like fandom shenannigans where canon events arent 100% set in stone like edling arent canon but also idc !! they are to me! im ignoring it let me be insane) ANYWAY
Even if they wanted to be together post promised day Ling has all the responsibilities of Xing and his clan and Edward would never hold him back from that for a second. Im of the opinion that brotherhood Edward feels a lot of guilt for wanting love from the people around him particularly those he sees as good (winry, alphonse, etc) especially if hes done things hes perceived as hurting them (maes’ death, the transmutation, etc etc). Which is why I think Edward connects with Ling so well cayse he doesnt carry the weight of a lot if his past mistakes, and then when the stone happens its like goddamn it i roped this guy into my shit again. Like i dont know Edward doesnt really dedicate himself so fully to people outside of winry and ed a lot so its interesting like!!
He cares about a lot of people like the majority of the allied cast and we see him be openly affectionate towards Nina and Hughes pre their deaths but I think Ling is the only person hes ever decided to stick with WITHOUT alphonse? I may be wrong but the whole sure Ill stay with you and trust my brother and Winry to stay safe and follow you around the outskirts of the east for a week till the promised day to protect my new friend is so??? what?? huh???
But anyone my point is post promised day Edward cant really ever see a future with Ling because of all the responsibility Ling holds outside of him and its veyr tragic imo like especially because in a different scenario if Ling didnt have those responsibilities and Edward wasn’t so dedicated to the people around him to a fault of never thinking about his own desires I think they could have the possibility of a future.
Like I have read a lot of fanfiction abiut Ed traveling to Xing and living with him there but?? I realistically cant see him ever doing that just solely because Edward is not the type of person to settle down! like its my one and only criticism of the fma manga is that I cannot see Edward ever being satisfied with a simple life? Like even in Fma 03 which is my favourite interpretation of Edwards character once he gets stranded in our world he learns?? Rocket Science?? For the chance to get back to Amestris but he doesnt really seem to take that goal all that seriously especially considered Alfons ends up getting involved in a lot more aircraft projects than Edward like Edwsrd genuinely enjoys learning!!
Im pretty sure he was the one who dragged Alphonse into Hoenhiems office when they were kids after he left, probably to Al’s reluctance of if they were allowed in there, and started ripping through all of his old books just to learn. Edward never stops and it gets so bad that he never stops to even consider himself constantly worrying about getting his brother back or improving the states of others lives especially when! ya know! the whole country is at stake!!
So in a circumstance post promised day where Ed decides what he wants to do (my personal favourite interpretation is either an alchemical researcher outside of directly performing alchemy, ie revolutionizing the circle matrixes and discovering nee combinations or becoming a professor of some kind) I dont think he would give that up to settle again. And obviously Ling cant exactly up and leave being Emperor unless he decides he doesnt want to, im not the most knowledgable on Lings characterization so I wont speak there but!
They have so much fun together and compliment each other and genuinely care about each other so much but their happiness and fulfillment as people to themselves and others make it so its nearly impossible they would ever realistically end up together and its really doomed and tragic!! idk i think about it a lot.
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oldmemoria · 6 months
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hate the ultimate guide. heres a few reasons why.
reused art: I understand how hard it is to make art, especially at that calliber of detail. I'm an artist, I get it. but the charm of the original ultimate guide was that we had these hand painted, unique pieces of art of these characters, it showed a little personality too.
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How stale and lifeless the art is: This is a complaint that I've had with the current western artist for years, the art is just... boring. the colors are pretty, yeah, like wow hyperrealistic cats. cool. but what else? can we see their personalities? what's the book gonna be like? the old covers had that charm, but not these ones. at all. (also is that even... i could not tell that was runningnose and littlecloud. i mean. runningnose has water in his snout, thats not what cat snot looks like but go off. he just looks a little soggy ig, not in a perpetual state of sick.)
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Lack of Personality: this is a different complaint I promise. I dont like how the art seems to take away the personality of every character so theyre staring stoicly at the camera. some of these characters arent all that stoic. I never liked the firestar art in the last hope because I deadass thought it was mapleshade until someone told me it was firestar. firestar isnt this scary, stalky cat in the shadows. not to normal people at least. if i can mistake your main character as one of the villains in your cover art that isnt fucking good. I don't want to see these cats staring bug eyed at the camera, I want to be able to tell what they're like JUST from a glance at the art. Who is that- harestar?? why doesnt he look nervous?? he looks almost noble here, which is the opposite of who he's supposed to be, he's a wuss and a loser and i love him for it. like girl that is NOT mudclaw thats some random cat i saw at the shelter once, WHERES HIS ANGER? WHERES HIS FUCKING RAGE??? RISE RISE RISE RISE RISE RI
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the Characters are hard to recognize, even with the title cards: Who are these cats. who. who the fuck are they. I can recognize a few cats, sure, but thats if I can pick out a defining trait. Squirrelflights tail, Scourges Collar, Ravenpaw's white chest, those are things that are explicitly told to us that these characters have, but everyone else??? WHO??? Like that was supposed to be leafstar?? HUH?? Wait that's supposed to be Oakheart? I cant even tell if hes red, its so YELLOW OUT I CANT FUCKING TEL WHO HE IS. Sagewhisker is described with yellow eyes, yet she has blue ones in the ultimate guide (i dont usually get pissy about eye color but not only are these cats supposed to be distinct from each other but i really like sagewhisker and i would die for her, yes i will gatekeep her from the artist fucking fight me), Bluestar is barely recognizable, i didnt know who half of these cats were before i read their nameplate. thats not a good thing.
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Red mapleshade. Why she red. WHY SHE RED.
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Leafpool. I didn't even know that was you at first but man they did you dirty.
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sol. dude that is not sol no matter how much you stretch it- why is he a tabby?? hes supposed to be a tortie, why does he look like lionblaze?? and even then he doesnt look that lionlike, even though hollyleaf literally thought he was when she first saw him like what?? HUH???
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mothwing. why she anger. also why she not fluffy
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squirrelflight. i always hated her SE art but seeing the whole thing makes me angrier. like she isnt not accurate to canon or anything i just... hate it. i hate it withe very fibre of my being. ALSO WHERE IS HER PERSONALITY I WANT TO SEE HER BEING ENERGETIC NOT STARING 😐 AT THE CAMERA FUCKING HELL-
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yeah, so im not gonna buy this book. i dont even want to know how they wrorte any of the female characters to make them somehow evil or how they somehow make a completely irridemable male character a sweet uwu baby. and everyone has talked about the ableism to death so im not going to beat this clearly still living horse, im just gonna let you find it yourself.
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favouritefi · 3 months
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I would be super fascinated to learn more about how Peglar's views re. If humans get to be people why can't I, affects his relationship with Bridgens - and really just about how they came to be in/navigate through that relationship. Your art is adorable and I love it doubly more so for the amount of care and consideration you have for the inner works of creating a dog/cat boy world. :)
aw thank you this au really is my brain going "crack treated seriously" and somehow making This and im glad other ppl enjoy it too. i have a lot of thoughts on this in terms of how much history to keep and how much to disregard so its under the cut:
so apparently in the book (which i have not read and do not plan to read) bridglar met on the hms beagle and as far as i can tell thats completely made up bc peglar was sailing w the east india company at the time.
then theres the show weirdness of bridgens being like in his 50s/60s when irl bridgens was in his 20s and this makes more sense bc as far as i can tell the position of steward was usually one reserved for younger men so for 50smth bridgens to be jfj's steward is a little odd and esp odd if hes a human in a position that is typically meant for cat/dogboys so my logic for this is that either 1) jfj requested bridgens to be his steward or 2) bridgens requested to be jfj's steward and either option would mean giving bridgens and jfj a slightly closer relationship than what they have in show canon which is fine that just means peglar and bridgens likely met during the first opium war but then how they met is still a mystery bc peglar would be aboard the wanderer with hodgson and bridgens would be on the cornwallis/clio with jfj so like ???
POINT BEING for all the reasons above ive handwaved away exactly how they meet but AT SOME POINT they do meet during the first opium war. peglar was the one who initiated the relationship tho the two of them did have mutual feelings for each other before committing to anything and bridgens is deffo the kinda guy who would go all "i would love you no matter what species you are" and actually mean it and peglar. ok so. i have a lot of thoughts about peglar.
so irl peglar was lashed for drunkeness and mutinous conduct while serving with the east indian company and for catboy peglar i like to imagine that travelling to places where cat/dogboys arent treated the way they are treated in england really opened his eyes and his mind to the idea of being treated like a person and this is obviously not a mindset that human officers want him to have and hence why he was lashed. he then served on the wanderer fighting against the slave trade and thats another chance to see a different type of human-to-cat/dogboy relationship even if he wouldnt have had as many opportunities to live amongst the locals as he did while with the east india company. and peglars like, smart. part of the reason why bridgens falls in love w him is bc of his intelligence and cheek and wit and peglar knows that britiannia's "civilizing mission" is bogus because while they are trying to abolish slavery on one hand they are also actively enforcing Company rule in India on the other and bc peglar has seen both sides of that he has Thoughts about it, Thoughts he didnt dare share with anyone until bridgens coaxed it out of him and to his surprise bridgens agreed with him.
bridgens, being well read and well educated, also knows that the way england treats cat/dogboys is the exception and not the rule and really like cherishes peglar and loves him like truly loves him and is thus completely aware of and careful of their uneven power dynamic here and wouldve never been the first to initiate anything for that very reason. and its not easy to navigate this forbidden relationship but peglar makes it worth it and both of them did worry that maybe this was merely a maritime romance but in the months between the war and the expedition they managed to sneak in lowkey dates on land and found that they were still very much compatible and it really makes things all the more tragic that bridgens cant afford to adopt peglar outright and ensure that henry lives out the rest of his days in peace curled up next to the fire with a good book and smiling whenever he catches john staring at him and god, they are so in love.
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suffarustuffaru · 2 months
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What are your least favorite ships? Not counting Subaru x one of the minors (i sadly have seen some around)
whew...... least favorite ships..... now thats a bold question HAH and i may have some. ah. Bold answers hah.
im generally pretty open to most ships, its just a matter of like. either i already liked the ship / was really into the ship or im more neutral about it and you just gotta convince me why i should at least give it a shot or be like "this could be good in certain circumstances". i dont usually care if a ship is toxic or "problematic" per say bc 1. this is rezero and sooo so many ships in this show arent 100% healthy lbr and 2. i will like a ship if its like. complex, and if theres problematic stuff, then its done for a reason - like it's not just there willy nilly. but thats just my personal feelings on it yep!! :o fiction is different from real life and all that.
more under the cut!!
that being said like. you know, kinda like you said - the obvious answers would be like subaru x any minors and just any sort of incest ships bc like. i do not see the point of it. that and you know, like a lot of people, i tend to avoid these sorts of ships with 99.999% of fandoms im in. i aint here for incest or shipping adults with minors. and i know theres like fandoms like game of thrones where this sort of thing IS relevant in the story, but with rezero - like it just is not relevant here and adds nothing unless youre into that. i do get that fictional stuff is different from real life and its not necessarily an indication of someone's character. i also definitely know this bc ive cowritten a gluttony if selfcest fic for this fandom as a very extreme crack treated seriously story hahh. but yeah like. ships between family and adult x minor are Not For Me in this fandom. i dont feel like it adds anything to the story and its also like Really out of character.
granted, i cant really say much on that bc ive written and posted selfcest for this fandom but like. in my defense, i did way too much research for that fic (..............i researched a lot of psychology stuff) and also gluttonybaru is Canonically Not Normal about subaru. the more you think about gluttonybaru the worse he gets HAH. like. dude has canonically kissed subaru via emilia's book of the dead....................
but obviously ofc i do not condone any of this ^^^^ in real life.
anyway on a lighter note!! im not a huge fan of most ships between subaru and *insert a female side character here*. like im not a big fan of like. subaru x anastasia, subaru x priscilla, subaru x elsa, subaru x yorna, subaru x pandora, like... the list can get kinda long bc people in this fandom in certain english spaces like to ship him with like any girl ever, it feels like sometimes. it gets to the point where sometimes i feel like subaru is just the self-insert to be shipped with women that people have the hots for.
like with most content about these sorts of ships, its hard for me to see much point to it - and there IS potential there. there is almost always potential in so many different tropes and ships, and theres some cool fanart in this fandom with these ships!! but you know, i hear about people suggesting ideas with these ships or writing fic about these ships and its just not my cup of tea bc it really sacrifices the characterization of all these women. and elsa is like already sexualized enough okay and its almost never nuanced and taking into account her backstory :( like i could be convinced to ship these ships with like idk 20k to 200k words of relationship and character development, but as it stands i personally really dont like them hah ;-;;; and also priscilla is clearly more into women okay (she canonically talks about how men are only allowed to fantasize about her and nothing more or she'll cut off their heads!!) and anastasia seems more into like julius and priscilla so like. HAH.
subaru x crusch is not something im a big fan of but im pretty open to it hah, i just havent seen much fancontent about them that really piques my interest :,)
anyway i also just. dont like the idea of taking a gay subaru ship and genderbending only one of them due to homophobia. and ill emphasize and underline that last part - due to homophobia - bc ive seen really good genderbend subaru content in this fandom where subarus afab and shipped with like julius or reinhard or something and there was clear effort and passion put into it!! and i do think its interesting thinking about how genderbend aus would affect this sort of thing for sure <3 i really really enjoy seeing the well made genderbend aus in this fandom!!
but i see other people suggesting fic ideas or making fics sometimes where its like fem subaru x male side character or like now-fem side character x subaru but it like its only clearly done bc some people just cant ship a gay ship, they gotta make it straight and then not put effort into thinking how this would change more things. and the female character in the duo now is Especially terribly out of character :(( the homophobia is just so so irritating to me. i go on the fic reddit thread sometimes and i see stuff like. i think once i saw a thread about someone requesting ottosuba and someone else immediately went "oh, with femotto right!!" like. ...... please. they are a gay ship :,,,))))))) let them be gay Sometimes at least!! maybe we can genderbend both of them sometimes??? :,)))
also on a less serious note HAH ok like..... ok hear me out, dont kill me for saying this either, but - fredotto. frederica and otto. and - ok dont get me wrong, i think theyd be really really interesting for multiple reasons, right. and ive seen some cute fancontent on them that i liked a lot!! so i really do think they have lots of potential!! like theres the obvious "otto had a crush on a cat as a child and frederica's a cat demihuman", then theres the other obvious fact of otto and frederica being connected via garfiel being their brother/brother figure, and also like personality/temperament wise they could bounce off of each other in interesting ways but like.
the thing with fredotto is that i feel like in english fandom its treated as the "more likely" otto ship to happen, at times. which is Absurd to me after studying otto's lore way too hard bc not only is this dude just way too obsessed with subaru (like regardless of whether you view it as platonic or romantic or not, ottos like Down Bad either way LMAO i just dont see him having eyes for anyone else at this rate)... but also otto OPENLY ADMITS that he'd be bad in a relationship with a woman. like im really sorry but frederica would probably be Too Good for him. and he would Know That.
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otto………. can you specify what “the most important thing” is. like do you mean ONLY your career or—
anyway so its like. you want me to believe that otto "i could never be in a relationship with a woman as i am now" suwen. could date a woman????? right now???? i dont think so LMAOO. like i would feel BAD shipping a woman with otto bc barely anyone deserves otto, ok. idk you might be going "suffaru arent you kinda mean to otto" but like being an otto fan also means being his biggest hater and dude is just super super cringe. and even if he had a crush, the chances of him voicing it is Probably Low.
like ships like fredotto, again, need like idk maybe like a few thousand words of development At Least on both ends, bc frederica?? we barely know anything about her at the moment, so its Really hard to approach a ship like this in an in-depth manner right now. like id love to explore fredotto!! id love to learn more about frederica!! id love to go crazy with this ship!! but yeah its definitely kinda hard bc we barely know anything on frederica :< :( and yeah once again. i think shes too good for otto. i think almost every woman is too good for otto. if youre shipping a woman especially with otto you gotta jump through hoops to Really convince me on this HAH. bc i think shipping him with men is just gonna lead to two different possibilities (codependency. and/or otto trying to femme fatale his way through life 👍)
yeah anyway jokes aside. fredotto at worst feels like just a case of pairing the spares and like Clearly they must only be in a straight ship or something HAH.... like i would love to read/write extensive relationship development on them though ;-;;; they got good potential, youd just have to put in the work for me to Believe that they could happen ;-;;;; but most fredotto english fic content atm is just them already being a Thing in the background like ;-;;; this would Not Happen from either of them without development!!!
also i have some fredotto tumblr posts floating around with what i Think would be fun to do with their dynamic…. idk where they are rn hah but yep i think they got potential :,) !!
anyway HAH i hope you did not mind reading about my least favorite ships in this fandom bc this is everything thats coming to my mind now 👍
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wc-confessions · 4 months
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no disrespect to the ppl who worked on them but i have GOT to get this off my chest: serpent sol/sharpen your teeth/serpent and the stars is SO stupid and confusing my god. like ok yeah they have some of the most beautiful animation in any warriors maproject and i can tell the animators put a lot of love into it. but the story is so fucking confusing and so far removed from warrior cats that these may as well be original characters in their own story instead of some complicated undertale au ass shit
and yet whenever anyone ive seen say this publicly expresses this opinion u get former friends/supporters of cheeteh z (who distanced themselves from him immediately after the accusations against him came out but still continue to defend his work) coming out of the woodwork to say "errrmm this is actually rly rude to say bc cheeteh has done so much worse :/ :/ :/ ur just selfish/hating on him bc its the Popular Thing to hate on him now" or "ummm this is a WARRIOR CATS AU and ur getting mad at CHEETZ'S writing??? but canon is sooo much worse :/ kinda hypocritical" like YES!!! I KNOW CANON SUCKS!!! but ive seen so many incredible rewrites/original stories/aus based on this series that ARENT confusing messes!!! why is it Controversial to criticize cheetehs maps for being overly complicated/confusing??? bc multiple ppl worked on the animation??? im not attacking the ANIMATORS, im criticizing the STORY. i have nothing against the animators!!! their work is absolutely stunning!!!! but good animation does not make a warrior cats fan project good.
i used to be subscribed to cheetz bc i still think to this day that cowboy mapleshade is one of the best wc maps ive ever seen. and comparing it to the clusterfuck of bizarre au lore hes come up with over the past year you can see the major difference: you can actually TELL whats going on in cowboy mapleshade without having to read a goddamn script. if ur familiar w the books thats an added bonus. the serpent and the stars/cheetehverse stuff is just. a huge mess of bizarre storytelling decisions that even fans who are familiar w the books would have a hard time understanding at first glance. and just bc warriors itself is ALSO a messy series doesnt make it any better!!! im tired of ppl acting like the cheetehverse is immune to criticism just bc its based on warrior cats or bc a lot of ppl worked on it. my god i should be allowed to express my opinion on the work of a public figure in the fandom without being dogpiled by ppl who claim they dont support him anymore but get awfully offended whenever u criticize SatS's storytelling
anyway rant over. sorry that was long ive had these feelings bottled up for a rly long time LMAOOOO
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powerpolyculeshowdown · 10 months
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know of any shows with positive poly representation? everything I've seen either kills a part of the polycule, or they break up and the two with the most chemistry end up together in the end
i dont watch a lot of shows, but here's what i learned from running this:
the main one that has been recommended here by other followers is Leverage, the polycule even won the first showdown! from my understanding, in the original show they werent able to make it explicitly canon but the writers confirmed it's a polycule, and people mentioned a newer version but i know less about that.
the polycule from The Expanse just got second place in the canon showdown! so thats another one
I was told Siren is good but to not watch season 2 iirc cause thats where they do exactly what u dont wanna see (end the polycule in favor of a couple) but alot of Leverage fans recommended that one as well
Sens8 has one canon polycule and one trio that can also be interpreted as one, but arent confirmed canon. The canon polycule had to be rushed because netflix cancelled the show, but i hear its still v good!
If you count podcasts as shows, Penumbra Podcast Second Citadel has also been highly recommended and ive heard amazing things about the polycule in that one!
And idk if you only mean live action but if you include cartoons, there's Amphibia! How canon it is has been oftenly debated in my notes so i cant advocate much but a lot of ppl seem to feel like the show heavily supports that as a possible direction for the relationship of the protagonists?
those are the ones i can remember right now, im sure if you keep an eye on the notes to this ask there will probably be other recommendations! i also have the tag #polyam rep (which ill add to this ask since tumblr's search function likes to act up) with lots of recommendations by many different people, not all of them are tv shows, i think most are books? but still worth it to check it out imo
the only media with canon polycules i personally consumed have been two webcomics (Charity Case and Shootaround), one book (Iron Widow), and a game (Hades), also a spanish movie i watched before i knew what a polycule was and idk its name :( so yeah unfortunately i dont have too many personal recs, and none for shows, but i hope you find smth in the replies or in the polyam rep tag!
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dairy-farmer · 5 months
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Sorry if you've already touched on this, but what are your thoughts about the discourse/discussion about Tim in the comics and Tim from the lens of A03/fan fiction?
For example, I hear a lot from old comic fans about how the series with Tim dating Bernard was doomed to fail bc 'the writer wrote him like her fanfiction version of Tim and not the real character'. There was a lot of discourse with canonical announcing Tim as queer, and that's kinda all these older comic book fans seem to keep coming back to. Idk, there just kinda seems to be an underlying feeling of misogyny towards the female writers and anti lgtbq vibes that it's hard to hear like a real arguement against the series.
I guess as a long time a03/Fandom person, I'm so used to just creating another little reality for the things I disagree or want to explore with a character, that it's strange to see people so upset that Canon doesn't flow the way the want.
it's no problem!! and i haven't really touched on the newer comics all that much mostly because i also don't particularly like them, not for any specific reason-they're decent enough but i don't really think they're 'tim'-but i do know what you're talking about. on twitter and tumblr i see a lot of different takes regarding tim and how he's written in this newer robin series.
for starters: i get what you're talking about where criticism of the comics might partly because of anti-lgbt attitude. especially since tim getting confirmed to be bisexual made A LOT of people mad (including ppl who arent homophobic but are mad that it wasn't THEIR favorite robin who got confirmed queer like dick, jason, or damian etc). comic bros and even casual comic fans who had never even heard of tim or even gave a shit about him were now furious. and while there might be ppl with genuine critiques- some of hatred of the way tim is written in the newer comics you really have to take it with a grain of salt because it very well could be comic bros hating because "robin isn't gay".
same with the writer, meghan fitzmartin. in general, women DO have an uphill battle when it comes to working in comics because it is very male dominated. and it's no secret that a lot of comic fans are opposed to women writing in comics. so misogyny, and even jealousy also plays a role with how much criticism is ACTUALLY warranted. but that doesn't mean a woman in comics isn't allowed to be criticized if they do a bad job or do a botched execution when their job is supposed to be making good, enjoyable, stories that do justice to the characters. i do think meghan may have some decentish ideas but whether she genuinely has the writing chops to deliver on those big ideas is well...iffy. but then again i genuinely don't keep tabs on comic writers or they're projects so maybe that will change.
when it comes to the critique of tim being written like a "fanfiction" version and not a "real" version of him i do see what they mean.
when I think of fanon tim I think of all the mischaracterizations that have been popularized. a coffee obsessed gremlin that doesn't sleep who is deeply insecure and agonizes over his place in the family, thinking he doesn't belong. people LIKE that tim is portrayed like that (in fanfiction) otherwise that characterization wouldn't be so pervasive in fics (there's also the possibility that a lot of ff writers DON'T know any better because many don't read comics but they do read fics and so they base their portrayals solely off what they read in fics resulting in this racoon eyed, coffee loving character who they believe to be an actual portrayal when it's really just someone's idea/exaggerated interpretation of tim).
i really don't see a lot of that in meghan's writing, the issues with tim's writing with her are different. if anything WFA is the one that really have the 'written as a ff character' vibe. but that series is also SUPPOSED to be deeply unserious as a fun slice of life universe where nothing goes wrong for anyone ever as a soothing balm for the oftentimes depressing stories in batman comics.
but in meghan's writing I also don't see a lot of what i consider to be core tim values. is she the best writer for tim? no i don't really think so. but there is a certain degree of understanding for his character. I see the comics and I can recognize that it's tim. so it's not offensively OC.
a lot of complaints seem to stem from his relationship with bernard being too much of a focus. people say how tim does too much thinking about him when...he was a lot worse in the 90s with steph. I remember getting so irritated when entire comics of robin would be narrated by steph or about her, i'd be like 'I want to read about ROBIN and his adventures, not steph, why is she even relevant?'. but tim's relationships to other people are a core part about him so you just have to take it.
the part that i think is justified in critique is in talking about whether her writing of bernard dowd is good. that is a much easier thing to answer. and its that its not good writing. in fact it's a pretty bad, inaccurate portrayal of him given how he was written when we first knew him. he's sort of been...sanded down? kind of remade into some new, almost unrecognizable character that fits into what she believes would be a nice, wholesome, gay partner for tim. which is an issue for me because we have seen and know what tim is like in relationships. tim had tension with, disagreed with, got annoyed with, fought and argued with his other partners like stephanie and ariana. but he also enjoyed himself and was happy with them. there was a balance there of good and bad because tim's unique situation of being robin made it so there had to be good and bad. with bernard it's all very passive and easy. they don't argue, they don't really fight, or have any struggles in their relationship when trying determine compatibility. avoiding tension in the relationship when tim has a track record of it makes it almost seem like she's afraid of the risk of portraying a gay relationship in anything less than a golden light. which is not good writing. BUT it is also very NEW. so maybe that will change (but there's a similar problem with jon kent and his bf so idk)? i personally believe kon would've been a more ideal partner with their shared history, chemistry, tension, the fact that fans have wanted it for decades, and the fact that it would've been such a good addition to the arc of self acceptance for kon's character. and many of the issues that tim being with bernard wouldn't be a thing because tim and kon famously don't see eye to eye 100 percent of the time and so their relationship would struggle and grow as they go from friends to romantic partners.
ultimately in my opinion to write a truly good tim drake you need to be able to accurately portray the thing that made him such a great robin: his heart of gold. tim cares about doing the right thing SO much. he cares about helping people. he's not some cold, unfeeling calculated computer who uses people as pawns and abandons his morals at the slightest inconvenience or seduction to the 'dark side'. and he's not some coffee drinking hacker man that is 20 steps ahead and smug about it.
tim worries about people, he's upset at injustice, feels guilt at not being able to save people, is judgy, sometimes a brat, sarcastic, gets angry at people for throwing their lives away, gets very invested in things that catch his interest, is too curious for his own good, nosy. he lies through his teeth and then bats his eyes in sweet as pie innocence. will think VERY rude thoughts about people but will bite his tongue because he's a nice boy👼 but sometimes things slip out. he is somehow simultaneously able to be the 🥺 and 😈 emoji at the same time. his odds of making bad decisions increase by 100 fold if in the company of other stupid teenagers.
now i write tim as a very exaggerated version of that core self. that's what a lot of ff authors do. they choose a handful of traits they like best about him and spin entire fics about it. i don't think writing tim as a fanfiction version of himself is a bad thing because some fanfic is genuinely better than the source material and that comes from being very good at understanding the character. the tim of today can't be written the same way he was in his golden age, the 90s, because a lot of his struggles and hurdles that he dealt with in those comics are over. they're done. tim can't be 30 years old and still wondering if he's doing a shit job as robin. tim IS a good robin and he should be able to acknowledge that (funnily enough one of his clear acknowledgements of that is often wiped away by fics- that being the titans tower scene where jason asks if tim thinks he's the better robin and tim, without hesitation, says yes) a lot of older fans are clinging to problems that tim has already resolved. he's not thirteen and insecure about his abilities. he's not on his first relationship with someone (but he is in his first relationship with a boy). he's not still learning how to navigate his relationship with batman and the rest of the family or struggling to come to terms with his civilian and caped life. do some of those things still trouble him on occasion? yes but they're not the main focus anymore.
tim has to have new problems, new challenges, new growth.
i had some hope for new tim comics.
would i like to have seen more tim centric material or at least good stories. and often times in the new tim comics tim was exactly the same at the end of the issue as he was at the beginning. tim struggling with his identity is something that made an appearance in 90s comics a lot but I think for the newer ones that it would've been better received/more interesting if it were...written better?
idk. i don't know a single comic fan that loved every detail of their fav's comics. was it the best run? no. but it was okay enough i guess. it was lukewarm, not standing ovation worthy but also nobody should be throwing tomatoes at the performers either, it just earned a polite clap of acknowledgement which i don't think is a very bad thing but still i hope we get something better!
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natsmagi · 7 months
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this ask is insanely late to the "nutmeg are weird" party but i hate hate when people think they aren't equally weirdos or tsumugi's more of a loser than natsume and is somehow worse than him like natsume doesn't canonically read bdsm books on school grounds for fun they are BOTH so weird and so cool for it.
NO RIGHT ????? natsume and tsumugi are both total weirdos and its genuinely odd to see people just pretend like they arent, or that they arent to the extent that they really are. ive talked abt it briefly before im sure so i doubt i need to highlight it again but the shit those two say to each other can be SO outta pocket at times on BOTH ends i guess people are just too uncomfortable with the thought that their favs canonically know what kink is ?? strange that they decide to make that OUR problem though
AND YEA THEYRE BOTH TOTAL LOSERS TOO!! people thinking tsumugi is more of a loser than natsume have fallen for natsumes lies. Look beneath the surface babes snap outta his spell and look at the bigger picture he is so cringe and loser and pathetic and thats what makes him so good and while we're at it i feel like people portray tsumugi as shy and timid too much when hes more. bashful and worried ? if that makes sense ? the difference is slim but i think its an important one bc i feel people forget tsumugi is very easily excitable, extremely blunt and usually just says whats on his mind in favor of making him more " stereotypically submissive" (i agree that he IS submissive btw, but his submissiveness portrayed by fans feels very. "Ideal Anime GF" at times if that makes sense. its fun to joke about ofc i do it too but the reality is more complex than that). and his blunt, excitable nature also plays into his weirdo factors since it usually results in him saying things that fluster natsume who tries his best to be more reserved and keep to himself (aka loser behavior) AND THATS WHAT MAKES THEIR DYNAMIC FUN!!!!!!!!! THATS WHAT MAKES IT UNIQUE AND EXCITING!!!!!!!!!!! they subvert your expectations!!!! i love them so much!!!!!!!! the two of them can also be really cool though...... i dont like putting either of them in definitive boxes or reduce them to stereotypes bc theyre complex characters that behave differently during different circumstances, all we can do is use context clues to try and figure out how theyd act during X Y and Z
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profilerhotch · 2 months
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For the Marchhotchness writing challenge by @hotchfiles
I have never posted any of my writing before and I don’t usually write head-canons, so nice feed back would be appreciated.
Tw- mentions of abuse and violence.
Word count- 490
1. [QUESTION] Childhood. What are some head-canons you have of his childhood, how do you think he was at school, at home, stuff like that, anything you can think about or have thought about
I think he grew up in a very strict religious household, where appearances were very important. As a child he was expected to be well behaved and well presented at all times, any small variance from perfection would be unacceptable.
I think, from the conversations with Vincent Perotta in 1.08 he grew up with a violently abusive father and maybe an absent or also abused mother. He vowed never to make any one feel the way he did as a child.
As a young child he would have realised the more time he spent away from home the less he could do wrong. He played out in the streets with the other neighbourhood kids, or would take his books outside to be away from his parents.
He skinned his knee and grazed his chin when was 7, on the eve of a party hosted by his family. This was the first time the abuse became physical and he learned then that he would not receive comfort for his injuries at home.
He would have stuffed plasters in his pockets and become obsessive over making sure his shoes were tied. Doing anything he could to avoid being under his fathers rage again.
He excelled at school and truly enjoyed it, it was his escape from the terror he felt at home. He excelled at languages, being able to pick up as many new ones as they could teach, he’d mumble away to him self in French or Italian when he couldnt sleep at night.
When Sean was born he became protective, he thought that his father would be as cruel and violent as he was to him. But Sean was coddled- ate his dinner on his fathers knee and was whisked off in to a bubble bath if he spilled his food on himself.
After that Aaron started to rebel against everything, despite the abuse he knew was coming his way he got attention. He learned to read people knowing just what buttons to push to get a response, but also when some one wasn’t believing his falsified accidents.
When he met Hayley and her family, he fully realised how dysfunctional his home life was.
Yes he ended up marrying Hayley, but I think he shared more of the harsh truths with Jessica often going to her when he needed patching up.
These arent childhood things but I think they heavily influenced the man he became.
He became a lawyer and prosecutor as a last ditch effort to try and appease his father, hoping that following in his footsteps would please him. When he died it was the catalyst to realising he wanted to do more.
He has never fully got over the need for perfection, he wears his suits to work daily when the rest of the team are all in different levels of formalness, I think he would still have plasters in his pockets just incase.
He will hide injuries and struggle through anything rather than ask for help.
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gothibara · 1 year
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Okay, so related to that one post abt somebody with plant powers not really being able to control ibara, how DO you think she sees the world?? Like to be honest i live your interpretation of her quirk and could read a whole book on it. You said it was kinda translated right? so how would she expreince her senses then??
Haha, thats a really good question! Ive actually been reading a book on plant perception lately (What A Plant Knows, by Daniel Chamovitz) so while i cant say i definitely know everything, its helped put things into perspective. also for the sake of Not Being Buzzkills obviously horikoshi didnt think abt this its just hc im using canon to supplement and draw conclusions dont be silly
also um. im putting this under a cut because it really is a book's worth of meta. i got really excited.
But i think, from how we see Ibara, a large part of it is going to be filtered through religious experiences+delusions. It already seems like how she talks and understands thing is subconsciously put through this filter (i dont think shes calling shishida "apocalypse beast" out of spite or to be inflammatory-- there is religious theory that the beast of gevaudan may have been god-sent, albeit this theory is rare and far from widely accepted. Ibara doesnt seem to follow any specific doctrine, though, and i really think parts of it are just kinda her brain drawing connections in line with her deeply personal beliefs as opposed to dogma. To her it may just be that she believes theyre saying the same thing in essence, while he does not)
But on the topic of sensory experiences specifically, I would also say that Ibara is experiencing exponentially higher levels of sensory input than most people, so i cant blame her for being a space cadet. And while the fainting is an anime-only gag presumably to show her delicate sensibilities or whatever i personally am choosing to interpret it as an incredibly reasonable consequence of her brain hitting the limit. Like cut the cameras im OUT!!! It's documented frequently in the history of religious ecstasy and other spiritual experiences, so adding an assload of input i can imagine only heightens your chance.
And so onto your question about how that manifests-- its hard to say! But i have a few ideas.
Firstly, i think we should address what the plant is perceiving, and how. In a base function, we can say that they respond to stimuli in certain forms (light, sound, smell, balance, touch, etc) which loosely correlates with our own senses. They differ in the organs used, though, but Ibara having a centralized animal brain both simplifies and complicates it.
Plants don't "see" pictures-- they have sensory cells dedicated to seeing both light and different wavelengths of light (which helps control their circadian cycle and even flowing schedule! Even a small disruption of flashing a certain color light during the night can allow farmers to delay or change when certain plants flower), but these arent rods and cones connected to an optical nerve connected to a brain. But at the same time, they... ARE connected to a brain.
I think for Ibara, plant sight is like a murky, back-of the mind addition to her normal range of vision. It's not a picture the same way her Eyes work, but she knows intuitively theres light, shadow, and colors around her, and can focus in on it a little more if she tries. Details and motion that doesn't block light wouldnt be part of it-- the plant can only see what blocks light covering it or reflects light onto it. Ever-periphery flashes of shadowy shapes and colors. (and conversely: i think the prayer pose, with eyes closed and hands clasped makes it easier to focus on the information filtering through)
sound is also different-- while the studies about plant growth and music are bunk, plants do react to sound. the mechanics of it are still heavily under-explored, but we know they do, just so long as its sound that may be relevant to a plant, like running water or insects chewing. I don't think Ibara could do what Hawks does-- where he can focus in on sounds through his wings and hear conversations. The vines aren't a dedicated sensory organ, they just communicate signals back that are of relevance. She may KNOW there's sound somewhere, but it's background noise until it's something that triggers a response. The question is really what would be deemed important enough to do so.
See, the thing with plants is that they don't have emotions, or even a centralized brain, as we've established. Animals can and do. humans especially. Things deemed important by a person can be important for a variety of reasons, beyond just survival. While Ibara uses the vines as an extension of her limbs, it doesn't change the built in systems of stimuli response the plant has, but the plant isn't a brain in the sense that it will decide anything. So the question of What Ibara Hears from the plant is an interesting one. Personally, I don't think she hears the sounds "as is". Ibara doesn't HEAR insects chewing, because the cells are communicating a stimulus and response, so it would be an interpretation of the response. Sort of a plato's cave issue-- I think ibara may say she "hears omens of danger" or "tidings of great joy", but it's not like she's being told a Coherent Thought By The Vines. it's sound of water = good = we are safe and can find safety + an avidly catholic teenager = the angels bring tidings of joy. it's thing she "hears" but doesnt hear because its never actually touching her own aural organs or nerves. She may not be able to pinpoint what the sound itself is, just what it evokes or what her brain fills the gap in as, like talking.
Taste and smell are both something plants do, but defined slightly differently, as we associate these things with specific nerves in the human body that plants Dont Have. to define it the way my book does, we're going to say "taste is the reception of chemical signals through touch" and "smell is the reception of chemical signals dispersed through the air". and plants do taste, and taste one another-- many parasitic plants show preference for certain species, like the dodder vine. other vines, especially those that climb, will avoid climbing their own species because they know that the support is unstable. this is something they figure out by the chemicals they release onto their surface. This is something that would really be tightened up by ibara having an actual real world plant on her head but trust me trying to find anything that matches is a mess. more on that in a bit. but we know, in theory, she can "taste" other plants, and maybe even other type of similar compounds through these vines, which i think would then also manifest in at least a vague idea of a taste in her mouth-- once again, platos cave of sensation, although honestly its probably a bit more in line with what the actual thing would taste like. (tomatoes, for example). this taste may also correlate with a signal that associates emotionally, but ill touch on that in the pain part of this.
Smell is similar- once again, just detected through the air instead of touch. (The smell of cut grass? An airborne danger signal. Ibara probably can't stand being around freshly-cut lawns, it must feel like a giant panic attack. How this would manifest? Not sure! The smell of blood? As a sound instead? It's hard to say what could compare to the scope of fear that kind of flood would cause). I won't go into depth since it's the same as above, but I would also like to add carbon dioxide as a mention. Plants can detect levels of CO2 (and it can decide how they photosynthesize!) in the air, and I think because for Ibara, photosynthesis has to be accelerated (due to the faster growth and usage of energy being more akin to that of an animal instead of a plant) and she and the plant share an exchange of signals and nutrients.
I'm going to diverge briefly into the realm of digestion and nutrition. Firstly because I love it. Secondly because it will circle back to our carbon dioxide talk.
Ibara's vines are, as we see, leafless. This is quite relevant. Leaves, as most people know, are responsible for the majority of photosynthesis. While chlorophyll in any parts of the plant can photosynthesize, leaves are by far the most effective way thanks to the broad surface area and certain specializations. Leafless plants (especially in the case of vines) tend to be parasitic. Plants that evolve photosynthetically-inefficient leaves tend to be carnivorous, which I would like to explore a little.
A plant is defined as carnivorous if, typically, it shows a form majorly inclined towards having prey-trapping mechanisms, and receives a substantial amount of nutrition from doing so. They tend to grow in areas that have high sunlight and water levels, but with incredibly nutritionally deficient soil. Nutrients like nitrogen, phosphorous, and proteins, which are found in meat (bugs included)
Now, Ibara's vines don't have visible roots, so I think it's safe to assume the root system is within her body, and goes deep below the surface. Water, nutrients, and neurological signals all need to be shared; and so I think her entire body is connected to this root system. Ergo, all the nutrition the plant gets that isn't photosynthesized comes from what Ibara digests-- which is also why I don't personally subscribe to the vegan or vegetarian Ibara headcanon-- because nitrogen and phosphorous are INTEGRAL to stem growth, and baby, she's all stem. In fact, I think she probably loves meat-- second only to bread, which provides long-term energy in the form of complex sugars. I personally think Ibara would dislike sweets in the traditional sense of candy and desserts outside of winter-induced cravings from a drop in photosynthesis, but that would be because the sugars her vines produce for her already maintain a decent level of homeostasis, so it would cause her blood sugar to spike and make her feel ill. Conversely, bread breaks down and is stored much more long term, so it would both benefit her and the plant, which is inefficient at photosynthesis compared to a plant of the same size with leaves, and would need a boost given how much energy it uses to grow, detach, and move.
I know this girl can put away a MEALLLL after training. Yaomomo style.
I think you could argue Ibara (and her quirk) qualifies as a carnivorous plant. Her vines lack leaves and instead have developed extensive thorns (which can be a type of modified stem-- its complicated and varies plant to plant), and we never see them branch off of each other, so they may not even be capable of developing stems. She also doesn't appear to have any flowering mechanism (nor does she need one!), although I will say I'm a sucker for the idea of Ibara having psuedo-blossoms that aren't functional flowers, but rather an indicator of health. Either way, the heavy focus on the vines for strength, complex movement, and grasping through pointed extrusions makes me think you could convincingly argue that they are the "trapping mechanism", which is a requirement for carnivorous plants.
So, once again, we've established that there's a complex nutrient exchange both from Ibara to the vines, but from the vines to Ibara. And because of this, I think there's an added level of complexity to her digestive system-- specifically regarding the stomach's direct connection to the brain. Just like her own nutritional needs can trigger certain responses like in any person, but the plant probably has the same access to these hormone signals. Things like craving sugar and being irritable in winter because of the inability to produce her own as much, but also conversely, I think the plant can trigger a digestive response to prepare for the influx of sugar being photosynthesized. A "heads up, we're about to start sending this your way" to help maintain proper levels.
So, back to carbon dioxide finally. When plants detect higher carbon dioxide levels in the air, they may photosynthesize more. This may result, in my opinion, to "phantom smells" and a trigger to the digestive system, resembling how our own mouth waters when we smell food. Whether it's just an ambiguous food smell or one specifically (maybe bread?) to Ibara I'm not sure, but what I'm saying is that if Bakugou's explosions over the course of an hour can produce about the same amount of carbon dioxide as an entire person throughout one day, she probably thinks he smells fucking delicious and for no reason why. It's funny to me.
Ok! On to touch. I think it's obvious that Ibara's vines react to touch and that's transmitted to her, given how she knows that she's found someone and is pulling them out in JTA. Plants definitely can feel touch, and respond, but I'd like to note that plants can't feel pain. They don't have the ability to feel pain. They can react to adverse touch, certainly-- for example, grass releasing their smell when cut, but they don't feel pain. It's solely for survival, and feeling pain isn't really important for a relatively stationary being. Nor do they really have the factor of emotional association with pain that typically is bundled together. But in the case of Ibara; who, once again, has the burden of the complex mammalian brain... maybe she does feel pain, even if it's not "real"! It likely has to do with whether she has the expectation of and emotional association of fear/pain/etc, so simply cutting away the vines aren't likely to make her hurt. But I don't think phantom pain is out of the question, especially for someone already as high-strung as Ibara and who has so many wires crossing at so many times because of the nuance of the signals transmitted from cell to cell.
And related to touch... a fascinating and storied study in plants includes gravitropism and proprioception, or-- balance and how they know what's up and what's down! People have incredibly complex proprioception systems (most people know about the inner ear, but it goes far deeper than that!), and plants, too, make use of this ability. In fact, it's integral for plant growth.
Plants have two main mechanisms for gravity sensing. The root caps, and then in the stems, the endodermis (which is also responsible for osmosis in cells, sorta) both have genes that develop statoliths, similar to the otoliths we have in the inner ear. These statoliths tell the plant which way gravity is pulling. The root caps make roots grow down, the endodermis makes the shoots grow up.
I think for Ibara, her vines have become an extension of her own balance and ability to know where she is in space. Losing all of them suddenly would result in something similar to a damaged ACL-- having to readjust and being wobbly for a while. Not only that, but I think quirks that impact someone's sense of balance would seriously waste Ibara. While Ibara does move her vines in more ways than up and down, the ability to tell what's what still relies on the individual cells in the stems and roots. While Ibara would still be able to produce the growth hormone and self-amputating mechanisms that detach her vines (i have to look more into this, honestly-- autotomy has only been recorded in one type of plant, and even with abscission ibara's vines dont follow typical patterns. smh my head.), there would be little if any control over the movement, especially if the balance reduction hits the endodermis in more ways than one, because that would impair the hydrolic movement that causes movement in plants.... Either way, Ibara's quirk would be rendered functionally useless. Deidoro Sakaki has this one. And in my opinion, with Uraraka's quirk, they would grow, but wouldn't show proper gravitropic bending, and so may also be impaired in their ability to perform actions.
And I think a complete removal of Ibara's vines would honestly feel like... overwhelmingly suffocating? Imagine having so much of the senses you're used to having cut off, it's probably incredibly jarring and upsetting. I don't think she would prefer it to the every day life she lives, because it seems like she's generally not that impeded by her own world view and strict standards, even if others oppose it (OCD queen lets go #1).
So...as a TLDR; I think Ibara experiences normal human sensory input, she just has another layer that bleeds into it. While I often refer to the plant separately in the above, that's solely for clarity of biological mechanic explanations-- they're one and the same, the same way we started reproducing mitochondria despite their likely beginning as a different organism. She may see things that aren't there (like in the case of warning signals from other plants, or in her mental translation of all sorts of things), "hear" things in her mind, smell or taste or even feel pain... while the mechanics aren't the "real" ones we associate with the senses in question, she's still reacting to stimuli she is receiving, and I think she's learned to adapt to it. It's hard to explain, because it almost has a sort of eldritch feel... but really, Ibara is Ibara, she's a bit stubborn and translates everything into her world view, and so that determinative personality probably helps streamline the constant influx of information. Angels, music, emotions, memories-- those are things she assigns to the experiences, but they are no less validated by the biological machinations behind them. Human survival also relies on our ability to feel and the more complex machinations of the brain, the social advantages of more refined expressions and speech, and Ibara's just as human as her classmates, and her quirk ultimately is another part of that, even if we know the individual cells of the plant are without that same neurological function.
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My attempt at redesigning/rewriting joan of arc from clone high :p
I don’t have any issues w her canon design/personality, but i do feel she definitely got butchered in s2 so i decided to draw out some of my ideas
notes/ideas under cut
The design was much more heavily inspired by what we know of the irl joan of arc. for starters, due to her faith she was extremely uninterested in romance. i think it would bring some excellent comedy/irony if, like in s2, everyone was madly in love with her, but she was unaware that people were madly in love with her to the point of creating clubs around it and uninterested either way.
i got my ideas while reading kathryn harrison's book Joan of Arc, a Life Transfigured. its a rlly good book if u want to know more about joan's life and motivations. in the book she discusses joan's appearance and how even though we have lots of art of joan or arc, we don't know much of anything about her appearance besides the fact that she had black hair
along with that, its also mentioned that she likely had a more masculine figure due to a few different factors, so I tried to incorporate that as well. i tried to keep her outfit a little more conservative bc due to her religious nature i feel as though a clone would also prefer slightly more conservative dress? idk
i did rlly like the idea that joan is goth in clone high, idk why but it just feels right and as a goth i decided to keep it. but she is DEFINITELY a goth purist. like in her mind if you don't EXCLUSIVELY listen to goth music you arent a true goth and cannot be trusted under any circumstances
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windebris · 1 year
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the mcyt gods of war
they dont really have names but for the purposes of this post ill go by The Blood God (technoblades god), The Red Kind (rens 3rd life possession arc), and The Brothers (aeor and exor from empires. yes ik theyre not war gods ill get to it)
in my mind, all mcyt gods of war come from the same source. think darkseid from dc comics; every darkseid is canonically Him, just different facets of the same guy. yes even the kids books and fanfiction.
so every blood god, war god, weapon related deity etc comes from the same source. violence is the same everywhere after all.
technoblades blood god is the most amorphous, i think. it latches onto a worthy soul from an early age, and this person becomes effectively the god themself. they are incredibly practiced in battle and they are Long-lived but do eventually die. theb the spirit of this worlds 'god' passes on to a new soul, another believer who has the capacity to take it a bit beyond whats sane. every blood god is different, some are kind and some frightenjng, some just and some cruel, but they all share the same ruthlessness and battle cry: blood for the blood god.
the red king is also more of a spirit than a being in that they have no physical form of their own, but they do have a personality that is all thwir own, so it can grow and change over time. they arent attached to a single person or follower, but are summoned via ritual or call from someone on the brink of death. the red king then takes over that persons body, helping them either achieve their goal or survive. the former works via contract and the latter via pure human will to survive merging with the red kings will to do the same. i subscribe to the hc from a popular hermitcraft fic (doc and ren otw to season 8) that the red king mellowed after he was summoned by ren because hed never been called to protect before, only hurt and target.
youll have to excuse my ignorance about these last two, im not as familiar w empires as i am hc and dsmp.
aeor and exor are twin gods, unlike the other war gods. i know theyre popularly headcanoned to be order and chaos, but id like to think of them as twin facets of war: cold and hot, calculated and passionate, frosted/hidden and blazing/seen. aeor became more favored in rivendell, and exor became more obvious as a result (to balance the forces) via xornoth becoming corrupted and the war being very obvious to citizens. i also think aeor being a war god makes my hc that scott grew antlers after becoming his champion make a lot of sense; sacrifices must be made for war, after all, and the pain of one man is nothing next to the suffering of a nation.
a common thread among the mcyt war gods is an affinity for temperature (all: blood god and the arctic, red kind and red winter, and aeor with scotts ice powers) and a motif with some warm blooded animal (this ones more shakey: techno being a pig is solely technos and not really the blood gods trait, same with the red king and ren-- the brothers being stags is the only solid connection).
this idea first came to fruition bc i thought it might be cool if rens red winter was the same frost that took over scott in empires; the same god ruining/saving their lives. technoblade came in because you cant really touch one blood god without mentioning the other, and well. here we are.
i imagine every blood god/paladin/host/etc has a passing familiarity with the others but not much else. enough know how to give a nod of respect, a sense that they are kin, but no names or specifics.
death, though, is the same for them all. she is kind, but she is unshakeable.
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