Des portraits de ses filles devant le miroir par Lady Clementina Hawarden au 19ème siècle
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Des portraits de ses filles devant le miroir par Lady Clementina Hawarden au 19ème siècle
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by Lady Clementina Hawarden (1822-1865)
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Lady Clementina Hawarden
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Sleep Hygiene
Jill Khoury
A bed should be a tender slab, devoid of insects.
A tired woman should be able to lie across diagonally,
headache to hag feet.
A bed should exist in crystalline silence.
It should have a sleepy blue view.
A nearby window not close to voyeurs.
A bed should have a special pillow to shush the head,
to coddle and safety the amygdala.
If established on the ground, a bed should have
a bioluminescent quilt to redirect the gaze: the prey
is over there.
If established in a tree, the quilt may allow for free feet
or a tossback with luxuriant abandon.
Among other things, do not build your bed on dictionaries
or books of any kind.
A bed is best made from a wood frame, or metal, or dark matter.
A bed should be free of lye, lime, and liars.
One should be able to enter the bed and think
I could fly far away in this. I could die; I could just die.
Copyright © 2023 by Jill Khoury. Originally published in Poem-a-Day on July 14, 2023, by the Academy of American Poets.
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Clementina Hawarden (UK, 1822 -1865)
Clementina Maude, ca. 1862
albumen print
17.4 x 15 cm. (6.85 x 5.91 in.)
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Lady Hawarden Clementina (1822-1865 English) • ‘Clementine’ 1864
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Clementina Hawarden, Photographic Study, early 1860s (Met Museum)
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Clementina Hawarden. Untitled, 1861.
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Portrait of a woman taken by Clementina Hawarden, UK, 1860s. Clementina Hawarden was considerate the first female fashion photographer. She usually used her daughters as her models. Married with Cornwallis Maude, 4th Viscount Hawarden she had 8 childrens and unfortunately died in 1864 at the age of 42.
However she left more than 700 photographs that were donated to the Victoria and Albert Museum.
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Las fotos paran
el tiempo nada más
que en su rectángulo.
Rafael Baldaya (Pessoa)
Ph: Clementina Hawarden - Early 1860s
.
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Clementina Hawarden (1822-65)
Photographic Study (Clementina Maude),early 1860s
© Metropolitan Museum of Art
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