Voyeurism in Playboyy
First off, I will preface this by saying I am by no means an expert on film and it’s been years since I’ve written an essay so - uh - take that as you will!
One of the most fascinating elements of Playboyy to me is the overwhelming feeling of being observed. The most obvious way this is achieved is through the use of video. Characters are often recording themselves or other people and those clips are integral to the progression of major story arcs (Captain filming Keen without his consent, the clips of Nant used to investigate his disappearance, etc.) There’s this omnipresent gaze that can’t be hidden from. Someone, somewhere, is always watching. You could be recorded at any moment, your most intimate and personal moments put on display for an unseen audience, and you'd have no idea.
TV screens also play into this sense of being watched. There are often TVs on in the background of scenes. Sometimes they’re being used (Captain showing the video he made with Zouey to the rest of the rugby team, another voyeuristic act) but oftentimes they’re simply showing static (Nont has many scenes like this as do Nont and Prom together). The TV acts as a sort of window into the outside world and, in this case, we're the outsiders looking in. These characters are performing for our entertainment and Playboyy doesn't let you forget that.
Mirrors are another way that Playboyy heightens this sense of being watched. These are often most utilized with Nont as well. Private moments are being “reflected” back both to the character and the viewer. It's a double dose of being looked at. Twice the attention and judgment.
However, what I really want to touch on are the characters’ sense of being observed by us (the audience) thanks to some really neat camera work and breaking of the fourth-wall. We're voyeurs in our own way, another element that Playboyy plays with and draws our attention to (no, I will not be getting into the overarching theme of being surveilled by society because I'd be here all day).
To start, so we’re all on the same page, some basic definitions of voyeurism and the fourth wall.
Voyeurism can be described as “the practice of obtaining sexual gratification from observing others” which fits Playboyy in regards to cam work and the sharing of sexually explicit videos (often without the consent of all involved parties). However, the definition I’m most interested in is “the criminal act of surreptitiously viewing a person without their consent in a place where the person has a reasonable expectation of privacy (such as a home or public bathroom) or of using a device (such as a camera) for the purpose of such viewing.” Merriam-Webster
For fourth wall breaks, this video summarizes things pretty well:
Okay, with that out of the way, I want to get into how Playboyy utilizes fourth wall breaks and specific camera angles to bring the audience directly into the story and heighten the sense of voyeurism. We are as much a part of the mystery as the characters.
I won’t touch on every single instance of this in the series but a few of my favorite ones (thus far).
In the beginning of episode 2, we have Prom welcoming us to the Playboyy Lounge. The reason I say “us” is because he is addressing the viewer. We aren’t tailing some nameless, faceless person off the street; Prom’s facing the camera and we’re put in the position of a patron. We are the ones participating, looking at the sex workers who are available, being given the rundown. I think it’s a really fun way of establishing the location and preparing us for what’s in store at Playboyy Lounge in the future.
One of my absolute favorite scenes is in episode 6, where the university gang is talking about the best way to get all the suspects together, and the camera is hidden. It’s like the camera has been placed in a closet, left to capture whatever happens behind closed doors. We are given a glimpse into a private conversation that we should not be observing!
And then, the university boys all turn to the hidden camera - to us - and Nont says this:
Yes, he’s speaking to his friends but he’s also addressing the audience! We're riding along, anxiously awaiting what will be revealed next, passively watching as these characters go through difficult and terrible things. I think it’s a clever utilization of the fourth wall break that still ties into the show’s presentation overall (the characters, most specifically First, are often remarking about how their life isn’t a specific genre of movie or TV show. That’s another little fourth wall break in and of itself, but I digress).
On to another altered perspective moment that had me screaming: the interrogation scene in episode 12.
Nont and Captain are executing their half-baked torture plan and the camera is positioned above, lurking. We’re hiding up in the rafters, watching some very illegal activity going on that - again - we are not supposed to be seeing. We're a captive audience to some truly awful behavior but, hey, we shouldn't be here right? We've chosen to follow the story because we want to know what happens. We're voyeurs! There are also moments where the camera is low to the ground and nearest to a column, giving the illusion that we’re hiding. I just really love how these angles add so much extra tension!
The final fourth wall break I want to touch on is the rooftop party in episode 6 (you know, the one we sneakily listened to the planning for?). The uni boys (+Nont lol) do a toast and we’re included! They’re looking directly into the camera and raising their cups to us - we, the audience, are in on the plan and now we’re explicitly being invited to see how it unfolds.
There are more instances (and flavors) of voyeurism and fourth wall breaking but I don’t want this post to get crazy long. (Reiterating that I’m not a professional lol).
I really appreciate all that Playboyy does, not only narratively but stylistically. Each choice that’s made feels deliberate and enhances the story.
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During the brainstorming phase of Cryptid Sightings (so so long ago,) one concept I was fiddling with was demonic cryptids couldn't enter sunlight. They simply can't exist in such brightness due to their nature, except for, of course, Eclipse aka Sun while possessing a vessel. I even had a scene in mind of Moon cornering some poor sucker cryptid at the crack of dawn after said cryptid threatened/harmed Y/N. The cryptid taunted Moon by saying how he couldn't get them now—they were in the sunlight.
And Moon smiled wide, black goo seeping from between the faceplate's teeth as he stepped into the morning brightness, the vessel shifting to bright yellows and reds, and now bearing a terrible grin of ink and teeth.
"Oh, but I can, friend."
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Quirks i’ve noticed Sleep Token Members have
mind you, this is things i’ve just noticed from from the concert videos i have caught out of no where
Vessel
big stomps
flaps arms and hands when hes dancing
scrunches his face in photos with flash
squeezes himself with an arm to calm himself
II
broad stance
almost always wears vans
right eye is slower to open the his left (hes just super sleepy)
III
flicks his hands
brushes his hand over his head trying to “smooth back his hair”
pants are always regular length and never tall length just so socks are on display
head bangs like his hair is out
thumb holes in long sleeves (hes just like me for real)
loosy goosy dance moves
looks like he would punch you if you acted wrong to someone hes close to
IV
hood up almost always
40 year old dance moves
palms not painted purposfully
sassy/saucy body movements
adjusts the soft mask A LOT
props up guitar with his right thigh during the summoning solo
i feel i missed a couple but thats okay!
(i do indeed know that some of these are for technical reasons and such but i just notice them and want to write them down)
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In the possessed doll au, Bruce is definitely a creepy kid.
This is, after all, a haunted au.
He looks like a 'murdered victorian child' kid. Even before he watched his parents die.
Like, very big pale blue eyes. Significantly more striking /pos as a smiling adult than a perpetually blank faced unblinking child. He looks like he knows how you die. Pale skin, ink black hair traditionally styled, big dark lashes to frame those uncanny eyes. Just the hint of eye bags.
Alfred in any timeline has a spine of steel, but there must have been at least once when he was woken up in the night to a tiny shape staring unblinkingly deep into his eyes and thought 'I am going to die'. Normal kids are absolutely terrifying to wake up to, as any parent will attest, but imagine being an ex military spy now butler living alone on the most cursed land you've ever imagined, taking care of the only kid after your employers, his parents were brutally murdered, and suddenly you jolt awake in the middle of the night to see two enormous eyes less than a foot from your face, two engorged dots for pupils, staring, still as stone into your very soul.
Bruce, hushed because it's bedtime: Mr Alfred I threw up :(.
Alfred, trying to calm his thundering heart and not reflexively shoot his ward, dizzy from the sudden adrenaline from deep sleep rush, not letting himself freak out in front of the boy:.............................. Oh dear. That's not good.
Bruce, still not blinking or looking away: :(((
Wayne manor is a setting from a murder mystery at night, and it's not Bruce but Alfred that's the main character.
Perhaps, he thinks, it was always going to end this way. Not because of fate, but because the characters of the play would not know themselves to act otherwise.
@puppetmaster13u may I present?
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