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#disney package films
twoheadedfilmfan · 6 months
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Original Title Card Artwork for Disney’s The Legend of Sleepy Hollow (1958 short film release; originally part of The Adventures of Ichabod and Mr. Toad from 1949.)
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disney-is-mylife · 1 year
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I 1000% expect this poll to get barely ANY votes lmao, but who knows? ¯\_(ツ)_/¯
For a little frame of reference, I'll include a list of the sequences from Make Mine Music onward, so that way those familiar with the sequences can still vote, if they wish ^^"
Make Mine Music:
The Martins and the Coys
Blue Bayou
All the Cats Join In
Without You
Casey at the Bat
Two Silhouettes
Peter and the Wolf
After You've Gone
Johnnie Fedora and Alice Bluebonnet
The Whale Who Wanted to Sing at the Met
Fun and Fancy Free:
Bongo (narrated by Dinah Shore in original; narrated by Jiminey Cricket in the VHS standalone short)
Mickey and the Beanstalk (narrated by Edgar Bergen and his puppets, Charlie McCarthy and Mortimer Snerd, in original; narrated by Professor Ludwig VonDrake in VHS standalone short)
Melody Time:
Once Upon a Wintertime
Bumble Boogie
The Legend of Johnny Appleseed
Little Toot
Trees
Blame It On the Samba
Pecos Bill
The Adventures of Ichabod and Mr. Toad
The Wind in the Willows
The Legend of Sleepy Hollow (aka, the Headless Horseman)
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fans4wga · 10 months
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"The studios thought they could handle a strike. They might end up sparking a revolution"
by Mary McNamara
"If you want to start a revolution, tell your workers you’d rather see them lose their homes than offer them fair wages. Then lecture them about how their “unrealistic” demands are “disruptive” to the industry, not to mention disturbing your revels at Versailles, er, Sun Valley.
Honestly, watching the studios turn one strike into two makes you wonder whether any of their executives have ever seen a movie or watched a television show. Scenes of rich overlords sipping Champagne and acting irritated while the crowd howls for bread rarely end well for the Champagne sippers.
This spring, it sometimes seemed like the Hollywood studios represented by the Alliance of Motion Picture and Television Producers were actively itching for a writers’ strike. Speculations about why, exactly, ran the gamut: Perhaps it would save a little money in the short run and show the Writers Guild of America (perceived as cocky after its recent ability to force agents out of the packaging business) who’s boss.
More obviously, it might secure the least costly compromise on issues like residuals payments and transparency about viewership.
But the 20,000 members of the WGA are not the only people who, having had their lives and livelihoods upended by the streaming model, want fair pay and assurances about the use of artificial intelligence, among other sticking points. The 160,000 members of the Screen Actors Guild-American Federation of Television and Radio Artists share many of the writers’ concerns. And recent unforced errors by studio executives, named and anonymous, have suddenly transformed a fight the studios were spoiling for into a public relations war they cannot win.
Even as SAG-AFTRA representatives were seeing a majority of their demands rejected despite a nearly unanimous strike vote, a Deadline story quoted unnamed executives detailing a strategy to bleed striking writers until they come crawling back.
Days later, when an actors’ strike seemed imminent, Disney Chief Executive Bob Iger took time away from the Sun Valley Conference in Idaho not to offer compromise but to lecture. He told CNBC’s David Faber that the unions’ refusal to help out the studios by taking a lesser deal is “very disturbing to me.”
“There’s a level of expectation that they have that is just not realistic,” Iger said. “And they are adding to the set of the challenges that this business is already facing that is, quite frankly, very disruptive.”
If Iger thought his attempt to exec-splain the situation would make actors think twice about walking out, he was very much mistaken. Instead, he handed SAG-AFTRA President Fran Drescher the perfect opportunity for the kind of speech usually shouted atop the barricades.
“We are the victims here,” she said Thursday, marking the start of the actors’ strike. “We are being victimized by a very greedy entity. I am shocked by the way the people that we have been in business with are treating us. I cannot believe it, quite frankly: How far apart we are on so many things. How they plead poverty, that they’re losing money left and right, when giving hundreds of millions of dollars to their CEOs. It is disgusting. Shame on them. They stand on the wrong side of history at this very moment.”
Cue the cascading strings of “Les Mis,” bolstered by images of the most famous people on the planet walking out in solidarity: the cast of “Oppenheimer” leaving the film’s London premiere; the writers and cast of “The X-Files” reuniting on the picket line.
A few days later, Barry Diller, chairman and senior executive of IAC and Expedia Group and a former Hollywood studio chief, suggested that studio executives and top-earning actors take a 25% pay cut to bring a quick end to the strikes and help prevent “the collapse of the entire industry.”
When Diller is telling executives to take a pay cut to avoid destroying their industry, it is no longer a strike, or even two strikes. It is a last-ditch attempt to prevent le déluge.
Yes, during the 2007-08 writers’ strike, picketers yelled noncomplimentary things at executives as they entered their respective lots. (“What you earnin’, Chernin?” was popular at Fox, where Peter Chernin was chairman and chief executive.) But that was before social media made everything more immediate, incendiary and personal. (Even if they have never seen a movie or TV show, one would think that people heading up media companies would understand how media actually work.)
Even at the most heated moments of the last writers’ strike, executives like Chernin and Iger were seen as people who could be reasoned with — in part because most of the executives were running studios, not conglomerations, but mostly because the pay gap between executives and workers, in Hollywood and across the country, had not yet widened to the reprehensible chasm it has since.
Now, the massive eight- and nine-figure salaries of studio heads alongside photos of pitiably small residual checks are paraded across legacy and social media like historical illustrations of monarchs growing fat as their people starve. Proof that, no matter how loudly the studios claim otherwise, there is plenty of money to go around.
Topping that list is Warner Bros. Discovery Chief Executive Davd Zaslav. Having re-named HBO Max just Max and made cuts to the beloved Turner Classic Movies, among other unpopular moves, Zaslav has become a symbol of the cold-hearted, highly compensated executive that the writers and actors are railing against.
The ferocious criticism of individual executives’ salaries has placed Hollywood’s labor conflict at the center of the conversation about growing wealth disparities in the U.S., which stokes, if not causes, much of this country’s political divisions. It also strengthens the solidarity among the WGA and SAG-AFTRA and with other groups, from hotel workers to UPS employees, in the midst of disputes during what’s been called a “hot labor summer.”
Unfortunately, the heightened antagonism between studio executives and union members also appears to leave little room for the kind of one-on-one negotiation that helped end the 2007-08 writers’ strike. Iger’s provocative statement, and the backlash it provoked, would seem to eliminate him as a potential elder statesman who could work with both sides to help broker a deal.
Absent Diller and his “cut your damn salaries” plan, there are few Hollywood figures with the kind of experience, reputation and relationships to fill the vacuum.
At this point, the only real solution has been offered by actor Mark Ruffalo, who recently suggested that workers seize the means of production by getting back into the indie business, which is difficult to imagine and not much help for those working in television.
It’s the AMPTP that needs to heed Iger’s admonishment. At a time when the entertainment industry is going through so much disruption, two strikes is the last thing anyone needs, especially when the solution is so simple. If the studios don’t want a full-blown revolution on their hands, they’d be smart to give members of the WGA and SAG-AFTRA contracts they can live with."
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acozysoulwrites · 9 months
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✮ Dating Ken Headcanons (bc i adore him) ✮
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I watched the Barbie movie and i am in love with Ryan’s Ken… sooo here we are
✮ You met Ken at one of Barbie’s parties.
✮ He was slumped over in the corner of the room, his head resting in his hand with a pouty frown.
✮ “What’s wrong?” you asked, nearing him.
✮ He had never seen you before. You were a new Barbie, you wrote poetry, Writer Barbie is what people knew you as.
✮ “Oh you know, doin what i do best” he says unenthusiastically
✮ You frowned and looked around him… he was doing… nothing?
✮ “And that is…?”
✮ This made Ken glance up at you and when he did, his face quickly turned from solemn to shocked.
✮ After that night, the two of you started hanging out way more.
─ ⋆⋅☆⋅⋆ ── ─── ⋆⋅☆⋅⋆ ── ─── ⋆⋅☆⋅⋆ ─
✮ Soon you two made it official and threw a party at your dream house to announce it to the other Barbies and Kens
✮ Dating Ken was wonderful. He was this ball of happiness and energy that kept you on your toes.
✮ He often followed you around throughout the day.
✮ When you asked him to move in with you, he cried.
✮ “No freakin way” he said through teary eyes. “This is like… so cool” he said with a glossy eyed smile.
✮ He does face masks with you, and usually gets more enjoyment out of it than you.
✮ You write poems about him, which he also cries over.
✮ He was the first to say “I love you”.
✮ This was said at the beach, while he sang a song and played his guitar for you.
✮ You go on dinner dates all the time, he takes you to the nicest places.
✮ When he is sick, he clings to you, not letting you leave his side. You don’t mind it.
✮ He cried when you two watched the notebook together.
✮ He also cries during most Disney films.
✮ (He cries a lot)
✮ He is the best at cuddling, literally like a single hug from him is enough to soothe all your worries.
✮ 100% male-wife. He lets you pick his outfits out if you want, and he cooks breakfast for you, cleans your dream house while you write, he’s really the whole package.
if you want more Ken, interact with this somehow! i am also taking requests!
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motziedapul · 10 months
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HEY ANIMATION FANS
Do you want a mainstream animated movie that is EXPLICITLY QUEER and not Disney coward background queer?
Do you want a movie where queer characters literally say they're in love and kiss on screen?
Do you want a movie that's visually stylish, hilariously and charmingly animated, with a mix of modern and medieval fantasy tropes?
Do you want a movie created by a trans person that is an OVERT TRANS ALLEGORY that also deals with themes of STATE PROPAGANDA, ANARCHY, and INHERITED/GENERATIONAL PRIVILEGE as well as the OTHERING AND DEMONISATION OF MINORITIES and CLASSISM all packaged in a PG all ages film about a pink teen what turns into a shark?
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Then please watch NIMONA when it comes out on Netflix on June 30! You will not regret it.
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steddieas-shegoes · 1 year
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Eddie was acting weird.
Well, he was always a little weird. But this was weirder than usual.
For one thing, he kept sneaking into the bedroom as soon as he got home from work, not even acknowledging that Steve was cooking dinner in the kitchen. He always came up behind him and kissed his shoulder before going to shower. Always. But not for the last couple of weeks.
Then, Steve noticed he would be on the phone with Hopper of all people. It’s not that they didn’t get along, they’d moved well past that, but they didn’t exactly seek each other out for conversations. He waited until Steve was in the shower or already in bed, which rubbed Steve a bit wrong. Eddie never hid shit from him.
But the turning point, the moment that Steve decided he needed to say something, was when Eddie went to dinner with Robin. Alone.
Eddie and Robin were friends. Some would even say close friends. It’s hard not to be when you face what they have together. But they always hung out with Steve.
So when Steve found out they’d been out without him, he confronted Eddie.
“What the hell are you up to?”
Steve was maybe coming off as a bit of an asshole. His hands on his hips like he was ready to discipline a child, his face serious, voice stern. But he had to know what was going on.
Eddie raised an eyebrow, not used to being at this end of Steve’s mom pose. He usually stood behind him with a smirk, arms crossed in front of his chest to emphasize his disappointment and amusement at whatever child had earned it.
“What do you mean?”
Steve rolled his eyes.
“You know what I mean.”
“Do I?”
“Dinner with Robin? Without me?”
“Am I not allowed to be her friend without you?”
Eddie’s voice had turned guarded in a way that it hadn’t been with Steve in years.
Steve paused. Something was wrong. Eddie wouldn’t be acting like this if it wasn’t something big.
But what could he possibly be talking with Robin and Hopper about secretly? Was he in trouble? Were they trying to charge him with something from years ago? Why would he go to Robin about that and not Steve? Why would he have to sneak into the bedroom every evening?
The math wasn’t adding up, but Steve nearly failed math two years in a row so maybe he shouldn’t try to make the calculations.
“Are you in trouble? I can help. We can go somewhere. Hopper doesn’t have to know. Is he helping you? He should, he knows you’re innocent. They can’t even charge you for anything anymore right? There’s like, a statue of limits or something?”
Eddie was staring blankly at him.
It must be worse.
Maybe he was going into Witness Protection and Steve couldn’t come so he was trying to plan how to tell Steve. Oh God, Steve couldn’t let him go with no idea where he would end up or what his name would even be.
“Eds, please. You can’t go. They may not give you a choice, but you could maybe write to me so I can follow you? I’ll change my name too.” Steve felt tears in his eyes, and he hated it. He hated that his reaction to this was panic and crying as if he was the one in trouble and on the run. “Do they know we’re a package deal? And Robin. Robin will have to come. Is that what you talked about at dinner?”
Eddie was still just staring at him.
“Eddie please. Talk to me.”
Eddie shook himself out of his stupor, looking down at the floor and mumbling something Steve couldn’t quite hear.
“What? I can’t hear you.”
“I’m taking you to Disney World.”
That was not a sentence Steve ever thought he would hear. Especially not from Eddie fucking Munson.
His first reaction was to laugh, but when he saw the way Eddie’s face fell, he stopped.
“Um. Okay. You’re serious,” Steve let his thoughts wander as he watched Eddie’s whole body tense the way it did when he was working himself up.
Steve thought about how they had watched the Macy’s Thanksgiving Day Parade last year and saw a float from a new Disney film, he couldn’t remember which one now, but he remembered turning to Eddie and saying, “you know my parents never took me to Disney World? All that money and they spent it all on their exotic vacations and cruises and left me at home.” Eddie had looked at him like he broke his heart before he said “Wayne could never afford it so I never really bothered to ask.”
And it wasn’t that a lot of their friends had been. Growing up, more kids spent time at beach resorts or the lake for summer vacations. Disney was still so new to people, it seemed like a pipe dream for anyone who didn’t have at least a middle class income.
But Steve saw the commercials. He watched the movies. He secretly loved the idea of a whole park dedicated to the childhood happiness and magic he felt when he watched them.
But he never asked his parents, and by the time he thought he could try to go, he was “too old.”
He’d given up on the thought.
Eddie was playing with his rings nervously, still avoiding eye contact with Steve.
“You’re taking me to Disney World?” Steve felt his voice break as the realization washed over him.
Eddie was somehow finding the money to take him to a place he’d secretly wanted to go since he was a kid, even though it was a place he probably didn’t want to go, and he’d wanted to take him so badly he somehow involved Robin and Hopper in the planning process.
God, he loved him so much.
Steve stepped closer to Eddie, hesitantly reaching out to pull his hands apart and lace their fingers together.
Eddie finally looked up at him and Steve couldn’t help leaning in to kiss him softly.
“You’re taking me to Disney World.”
Eddie nodded, a smile slowly spreading across his face.
“How? When? Why does Robin know? Why does Hopper know?”
Eddie chuckled before he placed a kiss on Steve’s forehead.
“Robin knows because she’s been arranging everything. I couldn’t really do it here and work’s been busy so I couldn’t do it there. She offered to help. We’ve been planning it since last Christmas.”
Steve felt himself fall even more in love. Somehow, the love of his life and his platonic soulmate have been planning this incredible trip for him for six months and had only recently given anything away.
“Hopper knows because I did have to make sure I could leave the state. I know my name was cleared, but I just wanted to be certain. Then, he got involved with the planning because he wants to take El and Will this year.”
Steve was gonna start crying, probably any second. He could feel the lump in his throat getting thicker.
“I’ve been saving up anything extra for months. The kids all put in some money to buy your ticket. Mrs. Wheeler let me use Mr. Wheeler’s airline miles to book the flight so it was only about half the cost. Mrs. Henderson gave me her work bonus to put towards the hotel at Dustin’s insistence. Apparently she usually uses it to send him to camp, but he didn’t want to go this year. So. Yeah. Surprise?”
Steve was crying.
Everyone had played a part in this happening, and Eddie was the man behind it all.
Steve threw his arms around Eddie’s neck and jumped to wrap his legs around his waist. He did this all the time, so Eddie only stumbled a little before settling with his hands under Steve’s thighs to hold him up.
“I love you so fucking much,” Steve said against Eddie’s shoulder, tears staining his shirt. “Thank you.”
“I love you, too, sweetheart.”
Eddie placed a kiss on Steve's temple, letting his lips linger for a minute before pulling away.
“So we leave this weekend.”
Steve dropped his legs, immediately panicking about the trip.
“What? What about work? I have so much to do. How long will we be gone? I’m supposed to bring Dustin and Will to a show Sunday. Oh no. I don’t even have a bathing suit. There’s a pool at the hotel right?”
Eddie kissed him, effectively shutting him up, though not quite quelling his panic.
“I’ve already arranged all that. Mike got his license and got permission to drive them. Robin got you off the schedule. There’s a bathing suit in the bag I’ve been packing slowly for weeks.”
“Oh my God, that’s what you’ve been doing. I’ve been standing here waiting for my hello kiss while you secretly pack things for a surprise trip to Disney World. I’m so stupid.”
“Hey. None of that.”
Steve nodded once distractedly. Yeah, yeah, no talking negatively about his own intelligence or whatever they all made him agree to.
“When were you gonna tell me? When we were on the plane?”
“As if you would have arrived at an airport without asking me ten million questions,” Eddie rolled his eyes. “I was gonna tell you tomorrow night at dinner. Will even made this card that had clues inside.”
“Shit, I ruined it.”
“Sweetheart, no. It’s okay. I won’t tell Will. You can still keep the card. It’s a really cool design. He made Disney World look like a D&D game, said you’d probably not get all of it, but thought it was cool. It is, and I think I want him to design a tattoo for me when we get back, but I may have to call the shop in Indy I go to and –”
It was Steve’s turn to cut off his rambling with a kiss.
“I can’t wait to go with you. I can’t believe you would want to.”
“I’d go anywhere with you, you know that.”
“Yeah, I guess I do.”
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thecursedprince · 6 months
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Monster High Skullector The Nightmare Before Christmas Dolls
$ 90.00
Launches Oct 27, 2023 12pm PT
Inspired by Halloween Town, we’re bringing you the latest Monster High Skullector dolls – Jack Skellington and Sally from Disney Tim Burton’s The Nightmare Before Christmas. This hauntingly lovable duo features premium fabrics with signature iconic details and special Easter eggs that make them oh-so-undead. We even designed the packaging to celebrate this iconic film with fun callbacks from the film.
Disney Tim Burton's The Nightmare Before Christmas Jack Skellington and Sally Monster High® Skullector™ Dolls 
Jack is 12 inches tall and Sally is 10.5 inches tall 
Jack is wearing his iconic black pinstriped tuxedo ensemble, complete with a bat bow tie  
Sally features her iconic stitch marks, long red hair, and her iconic patchwork dress reimagined into couture  
Packaging includes movie details and a special slip-cover sleeve with hidden Easter eggs 
Certificate of Authenticity included 
Dolls cannot stand alone. Doll stands included. Colors and decorations may vary. Purchase limits subject to change at the sole discretion of Mattel.
©2023 Mattel.​ 
©Disney 
SKU#: HNF99
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insanityclause · 19 days
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EXCLUSIVE: One year ago we told you that a second season of John le Carré adaptation The Night Manager was quietly being developed under the codename Steelworks.
Now, Deadline can reveal that the BBC and new co-pro partner Amazon have gone big on a supercharged two-season order of the thriller, with Tom Hiddleston returning to lead, Hugh Laurie coming back as EP and with a new director in I Hate Suzie’s Georgi Banks-Davies. A third season has also been greenlit. David Farr returns as writer and Stephen Garrett is showrunner.
The Night Manager Season 2 will begin filming later this year and will pick up with Hiddleston’s Jonathan Pine eight years after the explosive finale of Season 1, going beyond the original book, which was written by the celebrated British writer in 1993. Additional plot details are being kept under wraps and there is not yet confirmation as to whether EP Laurie’s Richard Roper, who was last seen in the back of a paddy wagon driven by arms buyers who were not best pleased with him, will return to star. Hiddleston will also EP and will discuss in more depth on tonight’s Jimmy Kimmel Live!
Produced by The Ink Factory in association with Character 7, Demarest Films and 127 Wall, and in co-production with Spanish partner Nostromo Pictures, The Night Manager Season 2 was sold to Amazon by Fifth Season. The first was co-produced with AMC.
New director Banks-Davies, a BAFTA-nominee who takes over from Susanne Bier, has credits including I Hate Suzie, Garfield and upcoming Netflix series Kaos.
The Night Manager Season 1 was a huge success, watched by millions and winning multiple BAFTAs, Emmys and Golden Globes including best actor for Hiddleston. Also starring Tom Hollander, Olivia Colman and Elizabeth Debicki, it followed Pine – who ran a luxury hotel in Cairo – as he attempted to infiltrate the inner circle of Roper’s crime syndicate after being hired by Foreign Office task force manager Angela Burr.
The first season was commissioned more than 10 years ago and the show has since been remade in India, lapping the UK version by swiftly having a Season 2 greenlit for Disney+ Hotstar in May last year.
Simon Cornwell and Stephen Cornwell, le Carré’s sons who run The Ink Factory, said Season 1 proved “a landmark moment for the golden era of television – uniting on-screen and behind-the-camera talent at the top of their game – and an audience reception which was beyond our wildest imagining.”
They added: “Revisiting the story of Pine also means going beyond the events of John le Carré’s original work: that is a decision we have not taken lightly, but his compelling characters and the vision David has for their next chapter were irresistible.”
Amazon MGM Studios Head of Television Vernon Sanders said: “We are elated to bring additional seasons of The Night Manager to our Prime Video customers. The combination of terrific source material, the wonderful team at The Ink Factory, a great writer in David Farr, an award-winning director in Georgi Banks-Davies, as well as the talented cast truly make the series the full package.”
Hiddleston said: “The first series of The Night Manager was one of the most creatively fulfilling projects I have ever worked on. The depth, range and complexity of Jonathan Pine was, and remains, a thrilling prospect.”
BBC content boss Charlotte Moore added: “After years of fervent speculation I’m incredibly excited to confirm that The Night Manager is returning to the BBC for two more series.”
The Night Manager series two is created and executive produced by Farr, based on the characters created by le Carré. Additional executive producers include Garrett for Character 7, Banks-Davies, Laurie and Hiddleston; Joe Tsai and Arthur Wang for 127 Wall; Stephen and Simon Cornwell, Michele Wolkoff, and Tessa Inkelaar for The Ink Factory; Adrián Guerra for Nostromo Pictures; William D. Johnson for Demarest Films, Nick Cornwell, Susanne Bier, Chris Rice for Fifth Season and Gaynor Holmes for the BBC.
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coqxettee · 10 months
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Coquette Summer
Bucket List: ☀️🧺🌸
Some ideas for your summer 2023 bucket list. Coquette activities, trips, days out and things you can do with friends or alone. Write these ideas in your journal and make your own bucket list if you like! <3
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Go on a picnic ~ You can do this with friends or on your own! Take an aesthetic picnic blanket and basket, pack fruit, sandwiches, salad, cookies, cupcakes (whatever you like!) and have a Coquette picnic. Dress cute for the occasion and make sure to take lots of pictures <3
Host a Tea Party ~ Invite friends over and decorate your dining table with a pretty tablecloth. Grab fancy cups and saucers (you can find these in antique stores, or better yet a whole tea set complete with a tea pot!) and have a tea party. Drink rose or jasmine tea, have scones, bread & jam, miniature sandwiches, cookies/biscuits, cake. You could even do it Marie Antoinette, high-tea inspired. Dress all regency and cute and make it the fanciest, coquette, tea party ever! <3
Beach day ~ Grab your heart shaped sunnies and have a beach day! Bring a pink towel with you, a large pretty sun-hat, and make sure you pack all the pretty-girl beach essentials. Tanning lotion, a romance novel, fresh fruit, a blanket to sit on (if you don’t have a deck chair) sun cream (spf) lipgloss, a hair brush, and your camera to snap some cute beach shots! Walk down the boardwalk, listen to Lana and grab an ice cream, wear pink flip flops and a cute pink and white gingham bikini <3
Berry picking ~ Wear the most dreamy, float cottage-core, princess dress, a large sun hat and take a wicker basket with you to go berry picking. You can book a slot online and go into a local field. Take pictures and pick ripe berries to take home with you, ready to use for baking later on in the week <3
Baking day ~ Wear a cute little apron, put Lana on your record player in the kitchen and have a baking day! Bake cherry pie, heart-shaped cookies, jam cookies, chocolate-chip cookies, scones, cupcakes, an actual cake… anything and everything! Take cute photos when you bake, it can be great to make memories with friends. Once you’ve baked all your sweet treats, package them up and choose some to give to friends and family, some for later occasions (picnics & tea-parties) and most importantly… some for you! <3
Go to a market ~ If you live in the country there are loads of cute farmers markets on in summer. Keep some money back with you, wear a long, flowing style skirt and a bow in your hair and take a cute tote-bag to keep everything you buy in. Look for small Coquette trinkets on some of the handmade stalls, buy fresh fruit and lemonade for lunch and have a slow, relaxing day at the market <3
Antique shopping ~ Go antique shipping. For your room or house. You can find so many beautiful, Coquette homeware items, clothes, trinkets, jewelry and much more in antique shops. Google the best ones in your area, set aside a day, and go <3
Try out new café’s in your area - Google fancy café’s or even café’s that do afternoon tea. You could go with friends or have a solo cafe trip. Bring a book with you if you go on your own, to read. Or a sketchbook to sketch the world around you. Try something new on the menu! <3
Coquette movie day ~ Plump out your bedroom or living room with pink pillows, fairy lights, candles and lavender room spray. Put on the comfiest pair of pajamas you have Grab snacks, popcorn, anything you baked earlier in the week, fresh fruit (anything you like!) And have a whole day of watching JUST coquette movies. Disney princess films, any period drama’s, any mystical and magical movies, romance movies. Movies that are super light-hearted and make you feel like the princess you are inside. This is really fun to do with friends too! <3
Jewelry making ~ Learn how to make prettt, coquette jewelry. I always see such cute jewelry online and want to know if I can make it myself. The kits might be a bit pricy to buy, but once you’ve built up a jewelry making collection your all set! Make some summer earrings, necklaces, and bracelets <3
Learn to Crochet ~ Something I have wanted to learn for ages! There are tons of tutorials on YouTube and you can pick up pretty colored yarn from the market. If you are really good you can crochet things for the summer like tank tops, bikini sets and headbands! <3
Start a summer journal ~ Or just start journaling in general. I’m making a summer journal full of scrapbook pages I can add all of my coquette summer pictures too when summer is over. Decorate it with coquette stickers and really make it your own. Get creative <3
Have a self care day ~ It’s not sunny everyday in Summer (usually) so set aside one of the cloudier or cooler days for a movie day, or self care day! Wake up early and have an everything shower, and take care of YOU! Do a face mask, manicure, pedicure, do every step to your skincare routine, wash and remake your bed, tidy your room. By the end of the day you will feel like a new person and trust me it’S WORTH IT! <3
Have a sleepover ~ You kinda need friends for this one. I’m sure everyone knows how to have one but do really coquette activities! Paint each others nails, style each others hair, Watch coquette movies, talk about boys. All the classic things you see in the girly movies that you feel never actually get done at sleepovers… do them! Order pizza, do face masks, bake things, and stay up as late as possible for a… midnight feast! <3
-HERE ARE SOME MORE IDEAS! <3 -
Re-decorate your room for summer <3
Go on vacation <3
Go bowling <3
Cute cinema trip (watch a romantic movie) <3
Go to a fancy restaurant <3
Make a summer scrapbook <3
Plan cute summer outfits for the weeks ahead <3
Try out new summer hairstyles <3
Go to a milkshake-bar/diner <3
Go roller-skating <3
Go to the arcade
Find some pretty summer walks in your area, take pictures of wildlife you spot etc <3
Go to a farm (farmers daughter vibes iykyk) <3
Go to the theatre and watch the ballet <3
Have a signature, coquette summer scent <3
Write in your daily summer diary every night and seal it with a lipstick kiss <3
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I hope you found these ideas helpful, aesthetic and fun! Have the best summer ever darling’s ~
🌸☀️🧺🍦🎀
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moonlayl · 6 months
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BDS Movement on Twitter:
Many companies are complicit in Israel’s genocidal war against 2.3 million Palestinians in Gaza. All peaceful popular efforts, including boycott and divestment, to hold these entities accountable for their support of Israel’s crimes against Palestinians are justified.
BDS focuses on a specific number of the most complicit targets in order to maximize our impact. We call for boycotts & divestment against Carrefour, Siemens, PUMA & others, due to their proven complicity in Israel’s violations of Palestinian human rights.
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Some companies, like Carrefour, have doubled down on their complicity by donating thousands of personal packages to the Israeli occupation army, thus directly supporting its commission of war crimes and crimes against humanity in Gaza.
Other companies, including
McDonalds
Dominos
PizzaHut and
PapaJohns
have also made generous donations to Israel’s genocidal military.
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They all deserve to be boycotted and divested from, regardless of the claim that their branches in various countries are wholly or partially owned by local businesses.
The parent company is complicit for allowing its Israel branch to support an ongoing military aggression that leading scholars of genocide have described as a “textbook case of genocide.”
We encourage continued pressure on entities that support apartheid Israel and its genocidal war against our people in Gaza.
Visit our website to learn how you can help to escalate our strategic BDS campaigns.
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(Many ppl are adding Starbucks and Disney to the list, meaning a LOT of people are boycotting them, please try to do so as well. Cancel Disney + subscriptions and don’t see any Disney/Marvel film in theatres)
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nikibogwater · 9 months
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Why is Disney so keen to cash in on nostalgia for everything EXCEPT the Disney Fairies franchise?? They're out here shoving their studio reputation into the meat grinder that is the live-action remakes, and for what??? They've been sitting on the abandoned goldmine that is Pixie Hollow all this time. It's the one series that no one would complain about being revived. In fact, I'd lose my ever-loving mind if they announced they were bringing back Tinker Bell and her squad. I'd buy multiple theater tickets for every release, even if I ended up going alone. I would pay Disney+ premium rates just to see the fully-realized Tinker's Academy movie that never went further than some concept-art and an animatic of the opening scene. I would buy a giant cardboard cutout of Iridessa and put it in my living room window. I would trade blows with a dozen other twenty-to-thirty-somethings as we stampede into a toy store for the chance to nab a limited-edition Silvermist doll that comes packaged with an all-new feature-length film about her teaming up with mermaids to save the seas of Neverland!!!!
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francesderwent · 3 months
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my brain is fried i'm so overtired I've cried spontaneously at least once a day for the past three days will you please help a girl out with a soft cozy wholesome movie recc please and thank you
I’m so sorry my dear!! I dug to the depths of a bunch of old tag games and my film tag and this is what I came up with!
when I’m strung out I tend to gravitate to movies that will make me happy-cry so this list will at moments tend in that direction. I tried to sort by what was available to stream now, and the sub-lists are in no particular order
if you have amazon prime (the basic package):
Penelope (2006). highly recommend, a funny little modern fairy tale about a lonely young girl searching for a way to break her curse. this one heals something in my heart
Stardust. also highly recommend! a chaotic fairy tale about true love and what a person would do for it.
Street Gang. the Sesame Street documentary. sometimes people are good and they’re trying to make the world a better place and they’re doing it with their friends.
How To Train Your Dragon. it’s a perfectly executed film and the score and animation is gorgeous. (also available on netflix)
if you have netflix:
Feel the Beat. a dance flick about a seemingly cold-hearted ambitious young woman becoming a dance teacher in her hometown
To All the Boys I’ve Loved Before. so so so rewatchable.
She’s the Man. the funniest movie on this list and possibly of all time. I have never shown this movie to a person who didn’t end up loving it. it’s Shakespeare’s Twelfth Night at boarding school as a soccer movie
if you have tubi?? you might not need a membership I don’t know how tubi works??
The Music Man. some of the best costumes and choreography my favorite age of movie musicals had to offer. a con man comes to a small Iowa town and starts to want to believe in the beautiful lie he’s selling.
Chitty Chitty Bang Bang. this movie was written by Roald Dahl and it is buck wild. widowed inventor and his two children buy a broken down racing car and?? hijinks and musical numbers ensue
if you have disney plus:
Princess Diaries (1&2). we know them, we love them.
Sky High. if you haven’t seen this, I highly recommend it because it is silly fun but it understands the genre it’s playing with.
Newsies (1992). scrappy newsboys form a union, sing songs, punch each other, ???, profit
Holes. the single best adapted book to film ever? the cast commentary is also hilarious
Rodgers and Hammerstein Cinderella (1997). absolutely delightful. Whitney Houston as the godmother! Jason Alexander as the butler! Brandy as Cinderella! Bernadette Peters as the stepmother!
if you feel up for a trip to the library, things to look for:
The Hundred Foot Journey. I only saw this one once but it’s about a family who opens up an Indian restaurant across from a Michelin-starred French restaurant and it’s gorgeous
A League of Their Own (1992). sisters! best friends! married women and their disreputable drunk coach friends!
The Secret Garden (1993). highly recommend! this one fixes me down to my bones.
This Beautiful Fantastic. also highly recommend! a woman who’s afraid of the world falls in love with it.
Secondhand Lions. also highly recommend!! a boy gets dropped off with his great-uncles for the summer, hears possibly made-up stories of their wild and adventurous youth
August Rush. a young musical prodigy searches for his parents.
Sense and Sensibility (1995). if you need Austen energy, this is the one.
Cinderella (2015). this movie is so gentle and so lovely.
Little Women (1994). life is gonna be hard and sad but it’s gonna be beautiful and the love will endure!!!
I hope this helps and I hope you feel better! ❤️❤️
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disney-is-mylife · 19 days
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I think most people can agree that "Hellfire" from Disney's The Hunchback of Notre Dame is the best Disney villain song, if not THE best villain song in movie history. But what about the others? 👀
Happy voting! ❤
Due to lack of slots, I did not count:
any of the Package-Era films
"The Elegant Captain Hook" from Peter Pan
"We are Siamese" from Lady and the Tramp (problematic aspects aside, the cats aren't major antagonists. They cause mischief for One Scene, and never show up again)
"The Phony King of England" from Robin Hood (as much as that song slaps, it is a roast of the villain by the main characters, not a villain's triumphant song)
"Yodel-Adle-Eedle-Idle-Oo" from Home on the Range
"Love is an Open Door" from Frozen
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twogyuu · 8 months
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[1050]
Pairing: mingyu x reader
Genre: Angst, kind of comfort, super humans(?), regenerative/self-healing!reader, super strong!mingyu lolol
Warnings: Profanity, mentions of fighting/bullets and reader getting hurt
WC: I'm on mobile . . .
. . . .
The mission was a bust.
Your clothing now tattered and filled with bullet holes, dirt streaking your cheeks from the hastened run in the dark of the night, you sigh and rest your head back on the flimsy, cracked walls of the barn. You squeeze your eyes shut, the events of the mission replaying in your head like a broken VCR film. You combed through every detail you could think of - from the missing code to the last bullet that left the barrel of your gun; one short from saving both you and Mingyu from your impending chase.
You hear him shuffling closer to be next to you. Mingyu pulls at his flimsy zip-up hoodie; you could feel the dust swirling and clouding your hands as his sneakers shuffle in the dirt and kick it up into the air. There's a quiet pause before he nudges your elbow and clears his throat loudly, urging you to wake up.
You peel one eye open and look up at him curiously. His lips waver, the right corner of his mouth twitching, as if he can't decide if he wants to smile or keep a poker face. Before he settles on one, he quickly ducks his head while reaching into his jean pocket.
Coins and keys click against one another as he fishes for something lost deep inside. It gives you a brief moment to really take all of him in after all that had happened. His profile glows blue underneath the full moon that peaked through the cracks of the barn. With Mingyu, the window to his heart was his eyes - quite literally. Like a silly mood ring, they changed colors with his emotions. The way his wavy locks hung heavy over his eyes and casted a black shadow made it hard to read how he was feeling. Was he upset? Worried? Desolate?
Your heart aches, not knowing.
Mingyu finally pulls his hand out of his pocket and holds his fist out to you. His fingers unwrap about the object, revealing a crumpled Band-Aid package with the signature, blue Disney logo on the front, faded and the edges folded over.
Your eyes flicker up to him in confusion. He finally commits and offers you a small smile. Mingyu waves his hands toward you a little closer.
"For you," he explains simply. His voice was soft, barely above a whisper that blended with the chirping of cicadas.
You pause, words choked up in your throat as you were unsure how to respond. You look down at his hand, furrowing your brows together in confusion. Gnawing at the inside of your cheek, you lower your head, eyes squinting hard at the Band-Aid just to make sure you were seeing things right. You had barely gotten any sleep and were exhausted. Let alone, Mingyu knows your ability to heal and regenerate quickly. This . . . didn't make sense. You wonder if this is what it feels like seeing an artifact from an excavation for the first time.
When you didn't make a move to take it, Mingyu started unwrapping the Band-Aid. Rather than pulling at the prepared ends, he roughly ripped open the package. There was a bright red strip inside, spotted with Mickey Mouse's - some smiling, some dancing, some being coy. Mingyu did not seem to care that the bandage was getting folded and dirty in his dust covered hands. He quickly stripped off the protective ends and held the bandage up to your forehead. Leaning in close, he hovers the bandage over your left temple, flipping it back and forth as if to adjust it to a scar on your face.
Except, there wasn't one.
More gently this time, he presses the sticky ends against your skin. he's even closer now; your breath hitches when you feel his breath fanning against your hairline. His arms encase you, not in a hug, but just in the nature of the position he needs to take to place the Band-Aid on your forehead where someone's knife had slit your skin open earlier.
"It's not doing anything," you mumble, "I already healed."
Mingyu leans back and examines his work. Nonchalantly, he reaches over and smooths the creases once more. Rather than letting go, however, he lets his fingers linger, tracing the curve of your face.
"Doesn't mean it didn't hurt," he finally replies.
His eyes finally flickers down to meet yours: silver.
Your heart twists and you clench your jaw as you can feel tears welling up.
This was . . . sorrow . . . perhaps he pities you.
It's slow and wordless - the way his hand trails down and his fingers intertwines with yours before tugging you towards him, before he wraps you in a hug.
Eyes fluttered shut, he presses his lips against the Band-Aid and squeezes you tighter. You could hear the rhythmic thump of his heart with how close you were. It grows faster the longer you embrace and you feels your own speeding up too.
It wasn't supposed to be like this.
Kim Mingyu and you were mere field agents - partners on a mission. Acquaintances at best.
No feelings because feelings compromised missions.
Yet, as time went on, you struggle to believe this mantra engrained into mind.
"Please don't get hurt anymore," Mingyu whispers.
"I can't though," you retort weakly.
There's a long pause before he answers again, the air only filled the sound of his clothes rustling as he shifted his head to the side rest against yours.
He ignores your comment.
"For me," he says a little louder, "Do it for me and don't get hurt."
Because that is the closest he can say to 'I love you' in this grim life you both pursued unknowingly.
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riddlerosehearts · 3 months
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...did disney just announce a moana 2 on twitter?? to come out this year??? when we're already supposed to be getting a tv show this year and a way-too-early live action remake next year?? 😐 i really enjoyed moana and have been excited for the show, and yet i'm honestly not the least bit excited at all and a little frustrated and confused because just... what. i literally had to check if this was a parody account when i saw it:
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because it is SO WEIRD to announce something like this so suddenly like this and i don't understand where it came from when, again, we were supposed to be getting a disney+ show in the works this year?! is that canceled in favor of this or what (edit because i added this in a reblog but i wanna make sure people who only come across the original post see it: the answer is yes. yes, this is a disney+ series that got canceled and turned into a movie)? 😭 also the only real sequel films, not counting stuff like package films, that walt disney animation studios has actually ever made are the rescuers down under, winnie the pooh 2011, ralph breaks the internet, and frozen 2, and the latter of those just gave me an inherent lack of faith in any future sequel WDAS would create because i don't like either of them. i'm half-expecting moana and maui to be really OOC and then go their separate ways because they're just too different for some reason at the end of this movie.
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lokiondisneyplus · 9 months
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How Marvel officially added McDonalds to the MCU
On the very last day of filming on the first season of the Marvel Disney+ TV series Loki, executive producer Kevin Wright sat on the steps of The Citadel at the End of Time with costar Sophia Di Martino (Sylvie), and they started to chat about what might be next for her character. Not in any official script capacity, just as fans of the story they’d just finished filming. 
“This character had been on a decades-long, maybe centuries-long revenge mission, and the classic trope of those stories is that it’s all-consuming and she’s not thinking about what comes next,” says Wright. “Now she has this moment of opportunity, where is she going to go?”
Di Martino thought about it for a moment, and said, “She’d probably be pretty hungry.
There are more than 13,000 McDonald’s across the United States right here in 2023, and untold more across the multiverse. In a new campaign launched this week, the fast-feeder gave Marvel and Loki fans a peek at its own cameo in the series’ upcoming second season, set to launch on October 6.
“As Featured In” is the Golden Arches latest Famous Orders meal campaign and, instead of being tied to a particular artist or character, it celebrates all the instances in TV and movies that McDonald’s has appeared or been mentioned by characters: Friends, The Office, Seinfeld, Space Jam, Coming to America, and many, many more. But at the center of the campaign is Loki, one that hasn’t even happened yet, which is probably appropriate for a show that revolves around the multiverse and many different timelines. 
The meal itself—a choice of a 10-piece Chicken McNuggets, Quarter Pounder with Cheese, or Big Mac, with medium fries, a Loki-branded Sweet ‘N’ Sour Sauce, and a medium soda—is, like the Famous Meals before it, nothing all that special, but that has always been the point. The genius of Famous Orders is that it drives customers to McDonald’s core menu items rather than a limited-time stunt. There is, of course, also a merch collaboration, this time with streetwear darling Palace Skateboards. The packaging features QR codes that customers can scan to get fun Loki content and buy pieces from the Palace collaboration.
Long after his conversation with Di Martino on the Citadel set steps, Wright and his team were developing season two, and they were finding it difficult to pick up a new Sylvie storyline. She had just killed He Who Remains in season one, where does she go? 
“When we stayed in the view of character, this woman who went on the run as a child, had been running through time, a fugitive of time, living in apocalypses, never being able to relax or slow down, the novelty of walking into a 1980s McDonald’s looked appealing,” say Wright. “You play a Little League game and go to McDonald’s. You go to a kid’s birthday party at McDonald’s. Someone like Sylvie would never have experienced that, and would be really taken by that.”
Marvel Studios has been a brand partnerships factory since Iron Man first ate a Whopper in 2008. Typically these things happen when there is a finished script, and producers go through it with the studio’s brand partnerships team to see where opportunities may be. A car chase, you say? What brand of car should we use? Maybe an Audi?
But this latest collaboration happened in reverse. A 1982 McDonald’s was specifically written into the script, so Wright approached Marvel’s partnerships people to talk to the brand about helping them out with the details. “I was worried that McDonald’s would think we wanted to do something ironic or make fun of them,” says Wright. “But we were selling an earnest story, a love letter to nostalgia through a character’s eyes who will see all of the novelty and joy of it.”
He needn’t have worried. “When I pitched it, our internal team said, ‘Uh, you realize we have a partnership with McDonald’s already, right? The fact we’re going to them wanting to do something makes it even better.”
Around that same time mid-last year, McDonald’s marketing execs were on a tour of sorts, meeting with content creators and creative teams at studios like Disney about the brand’s interest in participating in cultural moments beyond the typical product tie-in. That’s when the call from Marvel about Loki came in.
“We tend to embrace things like this,” says McDonald’s global chief marketing officer Morgan Flatley, “which we feel can be an opportunity for us to learn, especially because we felt that between Marvel and Loki, there was a real willingness to take their rabid fandom and mix it with a fan truth around McDonald’s and bring them together.”
The fan truth Flatley refers to is of McDonald’s as a congenial gathering place, a common experience for so many people. “Sylvie’s storyline perfectly aligned with how we think about our brand in terms of providing comfort and familiarity,” says Flatley. Familiarity is the key to the emotion of nostalgia and shelter that Wright was aiming for in the story.
That same familiarity is indicative of a brand so ubiquitous, it’s become a cultural touchpoint. Hence all the McDonald’s references in TV and movies. There’s a reason McDowell’s works as such a big bit in the classic comedy Coming to America. We all get it.
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That all sounds great, but many brands get nervous or overprotective when they aren’t in full control of the creative. Not that long ago, McDonald’s was among them. The success of Famous Orders, allowing artists and partners like Cactus Plant Flea Market to play with its brand logos and characters, and the passionate response from fans—along with the sold-out merch and boosted sales—has given Flatley and the brand more confidence than ever in what she calls “sharing the pen.”
“I’ve become a big believer that if we lean into the right kind of creators in the right cultural phenomenon, and loosen some of our control on the brand, magic will happen,” says Flatley. “A few years ago, I don’t know that we would have felt as comfortable handing over key aspects of our brand to be part of a storyline like this, but today we’re really aware of the authenticity of our brand and the role that it can play.”
Wright is very familiar with the pitfalls of ill-conceived brand partnerships, and the impact they can have. “Wayne’s World was making fun of this stuff 30 years ago,” says Wright. “When it’s done poorly, it looks like business not driven by story. I don’t think that was ever a concern for us, mainly because we knew it was being driven by our story, and the more McDonald’s partnered with us, the better we were able to service the story.”
Multiversal marketing? Let’s see McDowell’s try that.
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