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#does the ending make sense?? i hope so
haunted-xander · 1 month
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Do you think Saix' emotional co-dependence started as a Nobody or did it start as human Isa and just grew to an unhealthy degree?
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skrunksthatwunk · 4 months
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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sokkas-therapist · 3 months
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Ok so I decided I am going to post that “atla live action hot take” I mentioned
Click below the cut if you’re interested in hearing my take on the whole “taking away sokka’s sexism” thing
1) nobody is glorifying sokka’s sexism by saying it should be kept in the show. It’s quite literally the opposite. The original series did a great job using his sexism as a lesson; any time sokka made a sexist remark in the first 4 episodes it was made abundantly clear that he was wrong, and as soon as Sokka was proven wrong he admitted that he was misguided, apologized, quite literally bowed down on his knees to ask for forgiveness, and even asked to learn from the kiyoshi warriors, and excepted wearing their traditional uniforms, further surrendering his flawed perspective of societal gender roles. A wonderfully executed example of writers using their characters to teach viewers a lesson: which was, in this case, that sexism is wrong. Sokka’s sexism was not left unresolved, so why take away a valuable lesson in the show??
2) if you take away a character’s flaws…then they don’t have development. A character can’t learn and grow from their mistakes if they never make mistakes.
If a charecter starts off perfect and unflawed then they are surface level and lack depth or the ability for an arc.
And no, this is not saying that Sokka didn’t have many other admirable qualities like his intelligence and adaptability etc.. He 100% had those qualities. But one of the coolest things about the original atla series was their ability to flesh out side charecters and give them depth. A charecter who is simply smart then becomes smarter, or adaptable then becomes even more adaptable, lacks depth and internal conflict.
Sokka’s sexism was the starting point for his internal conflict. Sokka wasn’t just sexist to be sexist, or because the entire southern water tribe was misogynistic (and we know for a fact they weren’t, because if they were misogynistic, then Katara wouldn’t have been shocked when the North denied her waterbending training). He was misogynistic because being seen/accepted as a “man” and a strong warrior was all Sokka wanted after his father left him behind. In reality, we know his father was only trying to protect his son from the horrors of war. But to a young and impressionable child, Sokka internalized this as him not being “man” enough, so he dedicated himself to becoming the person he thought would make his father proud. He was always reaching for this unattainable standard he set for himself, which lead to him having a skewed and toxic view of masculinity that he took out on the women around him. He associated being a worthy warrior with being a traditionally masculine man, and leaned way too far into fulfilling the gender roles men and women are told to play in society in hopes of gaining his father’s approval. We see him do this by suppressing his feelings of inferiority as a nonbender, along with all the aspects of himself that he thought could be seen as “weak” or “feminine” (ex: his love for shopping and poetry and art that we see develop up until the literal end of the series).
So clearly, the vast majority of sokka’s charecter development that deals with internal conflict stems from the toxic view of masculinity and gender roles that he adopted after being left behind by his father, which caused him to outwardly lash out toward katara and Suki with misogynist comments. So taking away the sexism we see in the first few episodes eliminates important context that makes sokka’s character development throughout the entire series significant, not just an “iffy unnecessarily bigoted message”, because it was quite literally used to show that sexism was wrong.
I wasn’t going to say anything about this at first but seeing so many people display a fundamental lack of understanding for the premise of character development and the usage of charecter flaws to promote positive messages in media set me off. Just…WTF????
(Also I know I wrote a summarized version of this in the tags for another post but I wanted to expand upon it more and make this a separate post)
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crybaby-bkg · 9 months
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sadly and soggily thinking about dating gojo and being so deep in the relationship, that you think you two were made for each other. two peas in a pod, two halves of a whole, two severed souls connecting once more. so perfect for each other that you don’t even think about mentioning marriage and kids, convinced that you guys are already on the same page.
all until it comes up in conversation and things aren’t as perfect as you thought they were. marriage—yes, absolutely, gojo is ecstatic about tying the knot, giving you the wedding of your dreams, calling you his for the rest of you guys’ lives.
but….kids? he’s thought about it and the answer has always been a clear no in his mind. he couldn’t even dream of bringing another him into the universe, fears that it might throw off the balance of the world. that he can’t exist if his child does, but why exist at all if his child’s lesser abilities will only result in them being shunned? of being told how much of a disappointment they are? of being isolated?
and sadly, it’s a breaking point for you. you just wanted one, at least, with your forever partner. and if he can’t give it to you, then he must not be the one for you. you didn’t wanna trap gojo or coerce or manipulate him into giving you the baby you always so selfishly desired, so you leave him.
and how broken does it make him. makes him resent a baby never even conceived or planted, makes him hate what used to be and would have never been.
but…it also makes him think. if his fears would come true, if his hesitance is justified. would he be able to go long lengths to protect his baby? to protect you? would that target his whole family having a weak spot? and is it…is it even worth it at all?
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torgawl · 2 months
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i was a reading a bit more on purgatory and purgatorius ignis (cleansing fire), which is a concept that existed even before the notion that purgatory itself was a third other-world domain, similar to heaven and hell, when i suddenly remembered dante's la divina commedia and decided to revisit the story a little. and i found something interesting as i was scrolling through the wikipedia page.
so, purgatory is the second part of la divina commedia, following inferno, and is an allegory telling of the climb of dante up the mount of purgatory, guided by the roman poet virgil. alegorically, purgatorio represents the penitent christian life (and christianity, as we know, is one of the core themes of fontaine's archon quests that arlecchino was a part of). while describing the climb dante focuses a lot on the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the church. what's interesting, though, is that the poem posits the theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.
why is this interesting, you ask? let me add here a few quotes before i contextualise it:
"she is a god with no love left for her people, nor do they have any left for her" - dainsleif about the cryo archon, the tsaritsa
"her royal highness the tsaritsa is actually a gentle soul. too gentle, in fact, and that's why she had to harden herself. likewise, she declared war against the whole world only because she dreams of peace. and because she made an enemy of the world, i now have a friend in you." - childe about the tsaritsa
"everyone praises her for her kindness and benevolence, but they forget that love is also a form of sin. what if she's just trying to compensate for something?" - wanderer about the tsaritsa
the tsaritsa, the cryo archon and the person arlecchino is devoted to, is theorised and hinted multiples times to be the god of love. yes, the love that is said to be the origin of sin in la divina commedia. we can also draw parallels between the idea of perverted love talked about in the poem and the relationship between arlecchino and others, for instance the kids of the house of the hearth.
arlecchino's drip marketing including an excerpt where the scene goes from a gentle warm environment, seemingly mistaken as a loving family home full of innocent looking children, that quickly shifts into a somber and dark atmosphere under her authority - the children answering instantly, without hesitation and completely obedient -, is the perfect illustration of the duality within her character. there's an obvious exploitative and manipulative system making use of the house of the hearth and the orphans under its roof, where arlecchino (as the one running the orphanage) is the provider and the kids are brought up to be dependable and further dispatched as fatui soldiers when "potential" is recognised. and we can deduce that there's ways that their education is done from a very young age so it prevents or punishes any sort of dissent, something not hard to imagine when we know from freminet that arlecchino doesn't like when the kids cry or show emotional vulnerability, something she sees as weakness, for example. but if there's this dark side to her, there's also certain attitudes that demonstrate her care for the children or even her care for the world around her. arlecchino helping freminet get closure on his mother's death, the reformation of the house of the hearth (which we know used to have a much more punishitive and strict leader before arlecchino took over) or even her devotion and deep respect towards the tsaritsa are some examples of the way she shows care for other people. now, we can theorise that these good deeds directed towards the orphans under her care are very much purposeful to better manipulate them, but i think that's exactly what the notion of perverted love in la divina commedia tries to hint at.
besides this concept, there's something else that peaked my interest in dante's poem. dante pictures purgatory as an island at the antipodes of jerusalem, pushed up, in an otherwise empty sea, by the displacement caused by the fall of satan, which left him fixed at the central point of the earth. it's a cone-shaped island that has seven terraces on which souls are cleansed from the seven deadly sins or capital vices as they ascend. at the summit is the garden of eden, from where the souls, cleansed of evil tendencies and made perfect, are taken to heaven.
as we know, arlecchino is being introduced in fontaine, her homeland, and the idea of purgatory as an island in the sea leading its way to heaven caused by the fall of a sinful being sort of reminded me of remuria. remuria was the civilization in fontaine which directly preceded the previous hydro archon egeria's rule. its downfall occurred as a result of remus' attempt to avert its predicted destruction, and in particular, by his act of sharing his power and authority — reserved only for gods — with the four human harmosts he appointed to govern his cities. remuria eventually ended up being sunken into the abyss, devouring everything including the people and remus himself. we know there's still a region in fontaine's map that wasn't yet released, so how odd would it be that the last part to be revealed in fontaine might just be the land that was once sunken? after the little note about the samsara cycles near the tower of the narzissenkreuz ordo, which referenced a cycle called remuria, i would not be surprised at all. it's also particularly funny that fontaine is directly below celestia. yes, the floating island in the sky above teyvat which is the residence of the gods, the same gods that made remuria fall. as the contemporary philosophers of our time have said, that's sus!!!
i don't want to get too ahead of myself because i don't have a theory about what's going to happen or what role arlecchino will play exactly but i don't think it would be shocking if we got to know more about remuria during her release. and still in the purgatory idea, i think the angel of death (azreal) might be an interesting parallel to make with arlecchino. azrael's role is seen as benevolent, transporting souls after death. it fits perfectly well with the idea of purgatorius ignis, that signifies transformation. in different cultural and religious contexts, fire can also symbolize destruction renewal and even rebirth so i'm very very curious to see what arlecchino's story will be like.
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himejoshiangels · 2 months
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YOU DONT EVEN GET IT THEYRE THE CITYS FUTURE GOTHAM IS A CITY OF DEATH AND REBIRTH SHES AN UNOPENED BOX SHE IS ANYTHING YOU MAKE OF HER YOU JUST HAVE TO ANSWER THE QUESTION YOU JUST HAVE TO DECIDE GYAHHH
It's just, people born on Gotham are born into her curse, raised surrounded by tragedy and despair, but Gotham looks them all in the eyes and asks what are YOU going to do about it? Are you gonna perpetuate the suffering or are you going to Fight Back
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momentomori24 · 1 month
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Does anyone think about how isolated Fubuki might feel being the only one to keep her memories after rewinding time? Considering the amount of trouble she gets herself into or gets dragged into, ranging from relatively harmless to downright dangerous, how many times did she have to turn back time to save herself or someone else? She can get hurt or find herself in deadly danger, and while her powers can erase that ever having truly happened, they can't erase her memories. Someone could be injured or die on her watch and then just walk and talk to her like nothing ever happened, but she'd still remember. And that's the worst part: she remembers what happened, actually experienced it herself, but it never really happened. Not as far as anyone else is concerned. While she lives with whatever trauma she endured, everyone else remains completely indifferent and the world continues on the same. How alone do you feel living like that?
And it's not even like this all could've just happened before she arrived in Kanai Ward. She literally deals with this a bunch of times in the game. Whenever Yuma screws up in Chapter 3, Yakou being stabbed by the hitman in Chapter 4, that guy that fell from the casino in her DLC-- she has go back to prevent tragedy over and over again, and she only manages to save two of three people mentioned in the end. She had to live through watching Yakou dying, bleeding out on that floor twice, unable to do anything about it twice. Not to mention god knows how many times Yuma almost got them run over or blown into bits when failing to disable the bombs or caught by peacekeepers. Not to mention the two times the casino guy died on her before she unintentionally saved his life (by having him crash land onto her taxi which is already scary enough).
All this would be fucked up on its own, but her really spotty memory isn't doing her any favours at all (hell, her Forte might even be part of the reason she's as scatter-brained as she is). It kinda makes me wonder how she differentiates between what truly happened and what happened before she rewinded time (so what technically didn't happened). If she even can, that is. I would've loved to see a throwaway scene where she randomly mentions something that that only she knows happened or perfectly predicts the very near future only for someone to be like "wtf are you talking about" and brushing it off as typical Fubuki weirdness as a little hint of her Forte before its actual reveal.
Fubuki is pretty strong to deal with all the shit that gets thrown at her and still choose to be as happy and compassionate and optimistic as she is, but I'm so glad she had Yuma to lean on and didn't have to shoulder that burden of knowledge and the physical strain alone, even if it was only for a while. She deserves to finally confide in someone and some mental relief after all the times she didn't have anyone, I think. Her ability may be the most OP one out of everyone, but it's a blessing as much as it is a curse.
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skitskatdacat63 · 2 months
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I don't know how I'd ever convey this in art but. Thinking very deeply about how in boy king au, a very crucial part of characterization is that Seb is a wolf in sheep(or lamb more specifically)'s clothing and Fernando is a sheep in wolf's clothing.
Seb is very unassuming, very delicate, seemingly very vulnerable and malleable. But, deep down, he can be very ruthless. It's in the the way he hesitantly declares war, with a spark in his eye and a suppressed smirk. In the way he challenges someone to a card game or a horse race, proclaiming that he's not great, but winning every round and prancing around the room and mentioning it ad infinitum. The way he's able to instantly turn the tide in a debate in one fell swoop. By showing all his cards constantly and letting himself be vulnerable, he's making himself invulnerable. No one would ever consider him to be able to make big moves, so he wins every single time, because no one even thinks to expect it from him.
Fernando on the other hand, is constantly committed to having a looming presence and harsh reputation, but deep down, he's soft. He knows what happens to people when they're vulnerable, and he's not going to let himself be taken advantage of. The way he keeps a brave face when being informed of the marriage proposal, but goes back to his room and cries. The way he proclaims that he was always going to be the rightful ruler of Spain, but confides to Flavio that he never thought there was any real chance of it ever happening. The way he takes himself so seriously in public, but inside feels so giddy whenever he can make someone laugh. Everything to him always feels unstable and ready to crumble at any moment, and he's not willing to contribute to that by letting himself relax.
I think thats why it's very difficult for them to get along at first, because they have completely different approaches to how they carry themselves and make their way through life. Seb is confused at Fernando because he feels that he's very bland and overly serious at first, but truthfully he's not really seeing the actual Fernando. And Fernando finds Seb to be naive and easily taken advantage of, but that's because he's never seen Seb at his most cruel. Seb really loves when he eventually gets to see Fernando being vulnerable, and Fernando really admires and respects Seb when he sees him being serious. I think it just takes a while for them to show the other their full and complete selves, even the parts they can sometimes be ashamed of. There's this very compelling dichotomy in Seb laying out all his cards, but still being very difficult to read, and Fernando keeping his cards to his chest, but his intentions often being easily seen through.
#meanwhile everyone else: what is this weird fucked up mating ritual they are participating in#though i think its very interesting how their motivations differ#seb wants to lull people into a false sense of security(and also really just likes to be his complete unadulterated self)#and fernando is guarding himself because he doesn't want to get hurt#and i think seb convinces Fernando that its okay to be openly soft and yourself :) not eveyrone is out to get you#and fernando teaches seb hey maybe dont invite this obvious assassin to your chambers?????#i think seb also has insecurites but Fernando's are just more easy to explain bcs hes in a much more difficult situation#at the end of the day both of them are putting on facades in some way#(i think seb likes to be himself but also does feel really hurt when people dont think he has the capacity or ability to rule effectively)#(he likes to be kind and playful and doesnt want to obscure that part of himself. but hes aware it can hurt his image unfortunately)#also lol the way i characterize fernando is very historically accurate btw#bcs the spanish court tradition was basically to be above it all and be a lofty unobtainable figure if that makes sense#yknow having just this insane level of confidence and infallible image of yourself as the ruler#the guy seb is based on really bought into that idea but i dont think it really suits seb so yeah#seb I think is very much a unique figure that others have a lot of trouble reading him and his intentions. which is great!#AAAAAHHH MAN FELT REALLY GOOD TO WRITE ALL THAT OUT !!!!!!!!!#i love writing their characterization so fucking much you dont understand#its nice to put it in words like this bcs yknow i dont rly enjoy actual writing. but this i enjoy greatly#hope this is compelling to more than just me hahaha#boy king au#catie.rambling.txt#vettonso
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sonknuxadow · 4 months
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now that sonic prime is over im even more confused about people insisting that its canon and will tie into the game timeline somehow and its place in the timeline will be clear by time the show ends . like all the little contradictions that make it hard to believe this is the game universe aside. theres no undeniable in universe evidence that this is the game canon and not just a separate universe thats more faithful to the games than any of the other sonic tv shows are. and theres also no hint to where this would take place if it was canon aside from shadow and rouge being there but that doesnt really narrow it down much . this whole situation is just confusing and weird
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icejello · 10 months
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Okay svsss fandom give me your thoughts
So i was thinking about that scene where sqq jokingly asks the system if it ever worked with the harry potter franchise before and got inspired to write a harry potter au for svsss. The characters that would be involved are bingqiu and moshang but i can't figure out what Hogwarts house they would be in so do tell me your ideas.
How the story would go?
Basically the system malfunctions and suddenly transmigrated the 4 of them into the Harry Potter world. They can only escape if they help protect Harry and figure out who's the evil person trying to kill him (it's going to be centered in book 1). The problem? None of them knows about Harry Potter and so they're in a panic trying to solve who the evil person is without realizing Harry practically could not be killed because of the prophecy.
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itsjaywalkers · 6 months
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not sure if i actually ship bartylily but i am very intrigued by them….would definitely read if u ever wrote anything for them 👀👀
how do u think them and jeg would interact?? i feel like the existence of bartylily would throw james & reg off so much lmaooo
CASS I ADORE U AND I’M KISSING U SO HARD FOR THIS it’s such an honour to hear that you’d read them if i ever write anything for them <3 (which i definitely will, they’re in my mind too often)
OOOOOOH I JUST GIGGLED OUT LOUD i think their reactions would be . very fun and wildly different. like reg would be surprised at first and i don’t think he’d get it. like barty, he has this specific view of lily in his mind and he doesn’t understand how barty could’ve fallen for her in the first place and viceversa. they don’t make sense to him but he isn’t . mean or judgemental about it, i feel like none of barty’s friends would be (they’d tease him and take the piss out of him all the time tho, bc that man is Down Bad). after he actually Sees them together a couple of times he starts to get it. they shouldn’t make any sense but they do and they work surprisingly well together so . he stops questioning it at some point and is just supportive
james however. is Appalled. Baffled. Disgusted even. this might just be one of the worst things that’s ever happened to him. it’s not even about jealousy, he’s with reg (sorry it’s the jeggy obsession) and only sees lily as a friend but barty is his Least Favourite Person in existence. he already has to spend too much time around him bc he’s reg’s best friend and now??? now he’s with lily??? bc not only they get along but they’re also dating??? yeah no Fuck That
don’t get me wrong i feel like almost all of lily’s friends wouldn’t take kindly to the news at first (obviously this depends on how u portray both friend groups and their opinions of each other but to me . they never truly get along u know) but i think that they’d grow to accept it at some point. even if begrudgingly. marlene and mary at least. the jury is still out about sirius + remus + peter
but james??? oh he Hates it. and Hates it forever. he’s happy to see lily happy, yeah, but that’s about it. he’s the man who gets up in the middle of the wedding to try and oppose even if he knows there’s no stopping them (reg is incredibly embarrassed and hating his life choices and trying to get him to sit back down) (barty finds it absolutely hilarious and is delighted to know he’s causing james this much turmoil even after so many years) (lily is very much Done and this is exactly why she didn’t want to invite james) (but barty needed reg there and everyone knows that reg and james are a package deal) (anyway i digress)
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spicyicymeloncat · 2 years
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Concept: Nya and Kai post unseaification. (Too lazy to make into a comic or a fic)
After the ninja broke out of prison.
Kai and Nya hanging out, enjoying being reunited
At some point, Nya quietly says “I’m sorry”
Kai is confused but Nya goes on about how she feels so guilty
That she left him. When she became the sea, she left him and forgot about him and forgot about herself
And she left him just like their parents
And Kai takes her hands and tells her that
She’s always been there for him, every time he’s been low,
every time the loss of their parents made Kai curl up away from the world, Nya was there for him
Every challenge and set back kai has faced, she supported him
And Kai had never dealt well with loss, growing angry and distant but Nya never gave up or pushed him away for it
And so that’s how he got through it when she became the sea
He wouldn’t just fall apart after all her sacrifice
He got better, got a job, kept in touch with the world, because that’s what she wanted for him
Because she was there for him and she never left
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averlym · 1 year
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"oh my soul, is it here? or is it rotting somewhere with my head?"
#rtc#rtc musical#ballad of jane doe#? i think those are the tags? got into rtc over the december break and like. headless blorbos ig#it's oddly similar to six in the sense that six dead people have a concert competition with varying contexts#considering my prev obsession with cats the musical maybe there is a common trend here#hm. anyways!! found the ballad of jane doe online and spooked myself watching it at 3am and in hope to combat the terror (i am not good with#the horror genre. i'm fantastically awful i Will Cry) i went to watch like. the chaos compilations and read ao3 fics to yknow. make it less#scary. so like! yes?? rtc is a good musical. the greatest of my brainrot for it is over but it is really quite fun nonetheless. i may have#added another slime tutorial to my collection.#in terms of current brainrot. i am. a bit (read: maybe a Lot) thinking too much about dovesso. ??why is lesso so attractive in the movie??#truly it is a specific mood when it's like. this character is so?? so akshdhdjsj but also clearly they belong in otps with other characters.#idk how to describe it lmao! anyway the school of good and evil movie (i just watched it) came and called me a useless gay in multiple fonts#as one of my irl friends likes to say. women✨✨#mkay this shall end the tag ramble. thank you for enjoying the last khoward post we're back to just doodles now#(but seriously thank you i look into the tags and just go 'hehehe' :>>>>> it's nice)#along with miscellaneous not six musicals i might be going back into a firebringer tangent?? idk the plot bunnies are varied and plenty
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synthaphone · 12 days
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so there's a Stop Making Sense cover album coming out in honor of the movie's 40th anniversary, and i listened to the preview tracks that are out, and the best thing about it so far, for me, is that its reminded me that Girlfriend is Better is a really fucking good song
#i think girl in red's cover is fun but whenever i listen to it i have to listen to the original afterwards and be like DAMN!!!#i don't really like that she jumps into the chorus and 'stop making sense' parts early- kind of messes with the build up of the song for me#the original track is so killer. a song of all time#nothing is better than that!!!#i need a text post tag#i love MUSIC!!!! AAAAAAA (as a casual listener... i don't know like. any fucking music theory or terminology)#the thing about most of the tracks out for the cover album so far#is that they're like. not really very transformative?? they're very straightforward#so hayley williams is obviously having fun and doing a fine job singing burning down the house#but also its like. this isn't bringing anything new to the table for me... very listenable though. burning down the house!!!!#meanwhile in the little preview she's done; miley cyrus is sure putting a spin on psycho killer. but i don't like it#very excited for the full album to drop because i want to hear what kevin abstract does with once in a lifetime#and i love the national but i'm kinda like. can they do anything interesting with Heaven? i hope so! but i'm kinda expecting to be let down#like they'll just cover it straight and it'll be like. yep that sure is the national covering heaven by talking heads#im hoping they'll add something fun with drums... it'd dramatically change the vibe of the song but like. i like the national's drums#at the end of the day i think part of the problem is that talking heads are a tough act to follow
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andthen-light · 7 months
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okay girls im going to be a little hashtag critical here but i have been ruminating LONG ENOUGH and i really really do not like that scene in the graphic novel murder on the rockport limited where lucretia recognized the umbrastaff. i understand what they were trying to do and i understand you have to change things for the medium but its kind of a disservice to both lucretia and taakos characters imo. lucretia works so hard to keep the boys from questioning things like why would she have a reaction like that. like they couldve alluded to her recognizing it but a scene like that is so in your face and it takes power away from the scene in crystal kingdom where red robe barry recognizes it. and wrt taakos character like. hes never Particularly trustful of lucretia like on a personal level but overall he trusts the bureau and lucretia until reunion tour. adding in a scene like that at that point in the story makes no sense like u cannot convince me taako would not start questioning what the directors really up to and why she had such a personal reaction.
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finalism · 29 days
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7. What’s the best thing about the canon you are writing? ( HSR ) 😇
canon questionnaire / accepting
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PENACONY AND HOW THEY TACKLE NIHILITY. ngl i was gonna make my own post about it so i will simply gush about it here. i fucking LOVE the ending of 2.1 because of how acheron (and kinda aventurine) follow the path of nihility. before this, ix and the nihility path were of the stereotypical 'i should die because nothing matters.' okay, fair that's how nihilism is portrayed by most media.
but oh my god the ending?? when aventurine asks why live when death is always at the end?? acheron's answer, to me, is the true meaning of nihility. the idea that death is at the end but are not ready to die yet, we are not ready to end. fighting our fate is meaningless but that should allow us to break free from the shackles of fear and simply live our lives.
but before the end, there are many things that humans can do while on their journey. and because of this, the "end" will reveal a completely different meaning.
we are always moving towards the future and it is up to us to decide what we do on our journey to the end. i find stories like these so incredibly beautiful. they are about hope, about finding light in the darkness. the cherry on top is aventurine realizing this with the player and eventually choosing to live and continue his journey until the end when he can finally meet his family.
this is really the part that resonated with me the most about hsr. while i love the lore and the aeons and the different planets, i think the greatest thing a piece of media can do is carry a message. i think that's why belobog is loved by many because it also carries a strong message of fighting oppression and the status quo. for me, that moment was the story of aventurine in penacony.
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