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Thank you, Linked Universe Community!
Figured I'd make a post since I just reached some personal milestones on Ao3! (Hope that's okay)
Anyways, at just over 100,000 words, a little under 24,000 hits (half of which are Blood Drops On Roses) and an even 1000 comments in my inbox (of which about half are replies to my own ramblings on others' works XD), I just wanted to say thank you to all of you for being such a lovely, supportive, interactive community.
I've been lurking in the Linked Universe fandom for about 5 years now, but I never felt confident enough (or had the means) to actually start posting my own works until last fall, and even less to interact with the community (thanks @unexpectedstormy for getting me onto Tumblr in the first place XD). So, I just wanted to say thank you to so many of you (especially @breannasfluff and @majorproblems77) for helping me come out of my shell and start interacting more with this fandom. You're all such kind people for entertaining my ramblings and questions and such.
(Additionally, thanks to @wanderlustmagician and @somer-writes for being such lovely fellow writers and creators that allow me to bounce ideas off of them. Also thank you to all the regular commentors and readers that I don't think I have the space to tag here. And SPECIAL callout to @needfantasticstories for being such a lovely beta reader and person for tackling all of BDOR arc 1, please go give her love you guys and also check out her fics on ao3 under SkipBreaker)
Anyways that's the post, thanks for celebrating with me! You'll be seeing me for a while now (at least another year and a half given my backlog of chapters), so thanks for putting up with me! <3
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queenboimler · 7 days
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w1nterk1tty · 1 year
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shades of pink ask game !
pastel #FFD1DC - do you prefer the day or the night ?
cherry blossom #FFB7C5 - what is your favorite season ?
bubblegum #FFC1CC - do you have any habits you find annoying ?
tea rose #F4C2C2 - what is your favorite drink ?
cotton candy #FFBCD9 - do you like sweets ? favorite if so ?
french #F64A8A - can you speak more than one language ?
lemonade #F2DBE7 - what is your perfect summer day ?
piggy #FDDDE6 - what is your dream pet ? (no restrictions)
nadeshiko #F6ADC6 - where do you wish to travel ?
rose bonbon #F9429E - what are your hobbies ? or dream hobbies ?
sherbet #F78FA7 - what kind of weather do you prefer ?
lace #FFD8F0 - what is your personal style ? dream or otherwise
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royalarchivist · 1 month
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[A sad violin song plays over an image of a sad hamster]
Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?
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[ Transcript continued ↓ ]*
Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.
Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!
Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.
* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.
#Pactw#QSMP#Pac#March 18 2024#As much as I love keeping people updated about Pac / the other Portuguese-speaking creators#I think I might not make as many transcribed posts for their clips anymore#I just don't think I'm qualified enough to be transcribing things for a language I don't know#like yeah we have the Qlobal Translator and Aypierre's translators to rely on#And I'm always upfront when I'm not 100% sure about a translation#but I've been thinking about it a lot and it kinda makes me feel a bit icky. Idk.#I might be overthinking this but I just I don't want to spread around translations I'm not super confident about#esp. since I know a lot of people cite my clips in analysis posts or link them to other people as resources#and 90% of the time I'm like ''Hell yeah I love seeing people getting a lot of use out of the archive''#but sometimes I get a bit anxious like ''Did I do a good enough job translating this''#''Am I ruining someone's entire perception of a conversation or character because I left one word out or mistranslated something?''#And like I said that's normally not a HUGE concern since if I'm not certain about a translation I just won't post a clip. but you know#idk it might just be the anxiety talking but I really really don't want to spread bad info#Happy to hear other folks' perspective#I'm really grateful for people like Bell and Pix and others who translate clips and I always try to reblog those#but we don't have a ton of people posting clips & translating things on Tumblr since we're so English-centric#which is part of the reason WHY I like sharing clips of the non-English-speaking CCs#but at the same time I want to do an accurate job representing what they're saying#Maybe I'll just start posting things and give a TLDR context of what they're talking about but not a transcript#that way native-speakers can hop in and add translations if that's something they're comfortable doing#and if not then well. at least I'm not sharing something that isn't super accurate#idk I'm just thinking out loud a bit in the tags#But I'm open to hearing other people's thoughts on the matter#Anyways giant rant aside. q!Pac is NOT doing ok rn
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babykittenteach · 3 months
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This post (suggestive) came along the dash and I had to use those knee tattoos.
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theprideful · 11 months
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people like this exhaust me to no end. if artists asking for a little help getting visibility and traction for art that you enjoy and downloaded bothers you, then you don’t actually respect artists or the work, you just want the final product. believe it or not artists are not here at your beck and call to entertain you and then be tossed aside when you’ve gotten your fill. im not even asking for money or for you to tell your friends who made your phone wallpaper. im not asking you to make a post and link my socials or anything. im just asking for a simple reblog. there’s really no work required at all, im not even gonna know if you don’t reblog it and did save it, because it’s just a courtesy thing. but you just had to announce it anyway because you wanted to make sure i knew that you don’t respect my wishes for the people who like my art to support a starving artist with the click of a button while i’m making free content for you to enjoy. (and don’t get me wrong, i wouldn’t share my art if i didn’t enjoy it, but the support and feedback are my lifeline.) if you can’t respect my asking for a single reblog enough to even pretend you care by scrolling on by, then i don’t want you interacting with my content anyway. begone
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honeybleed · 5 months
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authors who support other authors >>>>>>>
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emotionsandphenomena · 2 months
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young adult, new adult, and fantasy fiction: the audience of a book is who reads it
title clumsily based on the purpose of a system is what it does.
before we begin, I want to focus a bit on defining our terms. young adult, new adult, adult, science fiction/fantasy, speculative fiction, contemporary romance - all of the terms I will use in this post are created by marketing companies and readers, and all of them have fuzzy and subjective applicability to any given book. there is no objectivity in cataloging, which is the lens through which I approach knowledge organization projects like this. there is no definitive answer to what any given book or genre "is", because these categories are not fixed values. instead, their values are expanded and developed by what gets placed in which category, by whom, and what criteria they base that decision on. that's what I want to discuss.
to provide some context: debates over age categories and who is reading what books for which age ranges currently dominate discussions among publishers, authors, librarians, and readers. ages of characters in YA are skewing up, sales are slowing down. young adult as a category has existed for 50+ years, but it is currently undergoing some growing pains. here's one more article for good measure. new adult is a term created by the publishing industry in 2009, which developed in fits and starts despite multiple bestselling authors publishing under the category. oh well. in 2015, sarah j mass published her new book, a court of thorns and roses, which is widely regarded as a turning point for the popularity of new adult (more on the classification of ACOTAR itself in a moment). NA stalled out for many years, but has recently very quickly grown in popularity, especially for romance readers on booktok. some of the most popular books listed under new adult on goodreads are colleen hoover's it ends with us and it starts with us, ali hazelwood's check & mate, and rebecca yarros' fourth wing.
I want to look at two of these currently very popular authors as case studies to really dig into what new adult has come to mean.
in this 2014 interview, SJM discusses her currently running throne of glass series and the upcoming release of ACOTAR in 2015. she notes that the book is intended for "a slightly older YA crowd (aka steamy times ahead!)". earlier in the interview, she dodges a question about whether throne of glass will be YA or NA by saying she appreciates her teen and adult readers - if I had to guess, the label was still too new and publishers didn't want to alienate anyone. in 2023, I can't find anything on her website or bookseller sites that specifically identify the series (or any of her series) as YA, NA, or adult. however, Goodreads (which relies on user generated tags and is, to put it lightly, a mess wrt information organization) firmly classes ACOTAR as YA - almost 9k tags in young-adult and ya (lack of authority control is just one aspect of the mess), as opposed to about 3.5k new-adult. the thing is, though, ACOTAR comes up in essentially every blog post and article I read on the definition of new adult. it is a flashpoint in the discussion: it either did or didn't restart the term, it is or isn't too sexually explicit to be classed for teens, the writing is filled with young adult tropes and this does or does not matter. the answers to these questions aren't particularly important to me, but it's very interesting to see how people are attempting to draw those boundaries. I took a quick census of how SJM's series are classed in my library system. her throne of glass series is uniformly shelved in YA; ACOTAR is mostly YA with a few copies in adult, and her newer crescent city series is mostly adult with a few copies in YA. I do think that any discussion of ACOTAR is partially colored by this divisive relationship to the new adult category itself, so I'd also like to bring in a much newer book facing similar conversation.
if you follow this blog you might already know that I have an entirely non-neutral relationship to ali hazelwood; I love her books both as books and as cultural objects deserving of study. previously, she published three adult romance novels and a set of adult romance novellas, which all fall firmly and inarguably into those defined categories, based on age range and content (I have an argument for the love hypothesis being a horror story, but that's a different conversation). last year, she published her newest book, check & mate, as a young adult romance. it was widely marketed as such by the young readers imprint at putnam. however, on reading it, I (and many goodreads commenters) were surprised to find that it aligned more with some hallmarks of new adult. the characters are out of high school, and the challenges and growth moments are more focused on evolution, rather than coming of age. one blog post I read made the argument that YA is about high school firsts and NA is about adulthood firsts. this is amorphous, partially because there is no real one life path into adulthood by which to judge this, so let's switch focus to something more concrete: sex. in each of Ali's adult novels, there are a few explicit sex scenes. they're not as explicit as other romance novels, but they're definitely not fade-to-black. in check & mate, characters have sex, but it happens entirely off-screen and any discussion is fairly chaste or, at most, relying heavily on implied content. this is a real disconnect to me. much of NA lit (ACOTAR included) is quite sexually explicit. among those most popular NA books on goodreads, there are many books that get marketed specifically for their sexual content (spicy🌶️ to the tiktokers, smut to everyone else). to me, this cements check & mate as a YA novel - if she was going to write a book with explicit sex, like her others, she could've. she's mentioned in interviews that her chess novel concept originally featured older characters, and she aged them down once she realized what kind of story she wanted to tell. to me, it is telling that moving from adult to YA creates more clumsy caution around the handling of sex, as opposed to SJM, whose books "aged" upwards over time.
another interesting example I've noticed in the emerging NA space is how the age category intersects with genre. YA as a category has a pretty expansive genre playing field - we've all read YA fantasy, contemporary romance, historical fiction, action/adventure, issue novels, etc. NA so far seems pretty exclusively limited to romance as a main focus, especially in the most popular offerings as discussed above.
I've seen many a tiktok alleging that despite the drawn out fight scenes, extensive lore, and huge interconnected web of characters, the ACOTAR books are not "real fantasy." even more so for the fourth wing books. I've seen these books compared to Tolkien, as if to say, well, if you didn't invent a language, you're not really on the same level. that's entirely unfair, imo - plenty of fantasy doesn't engage at that level. but there is a wide array of contemporary fantasy I do think we can contrast with ACOTAR and other popular NA series.
we've discussed some of the hallmarks of YA and NA as categories: the age range of characters, coming of age, explicit sex for NA. i'd add fast-paced, immersive writing, especially in first person or close third, because so much of the appeal described on booktok is a book sucking you in completely. now, i want to bring up a few books that, on the surface, might check several of these boxes: dune by frank herbert has an 18yo protagonist, and the first book is very much a coming of age story. eragon (christopher paolini) and the name of the wind (patrick rothfuss) focus on a young person coming into their magical abilities through school/mentorship, a similar setting to many YA series. mistborn (brandon sanderson) and game of thrones (george r.r. martin) both have prominent protagonists that are 18 or younger when the story starts. of all these series, only eragon has young-adult as its most popular age-related tag on goodreads, and eragon was, at the time of release, very specifically marketed to and shelved in young adult in bookstores and libraries. some of these books have explicit or non-explicit sexual content, but only GOT has even close to as much as your average NA novel (to my knowledge).
i am not alleging that any of these books should be classed as YA, necessarily. but the glaring difference in their marketing and readership does point to one thing: these books are largely about men, and they are all written by men. i am not the first person to point out this gender gap in fantasy writing, and i don't have anything particularly new to say about it, except to bring it back around to my original point. none of these novels "are" adult fiction, and plenty (plenty!) of teenagers read them, in an interesting reversal of the trends in YA. who is making the decisions about where these books go, and why? what can we draw out about the books and their marketing? how is the future of "adult fantasy" shaped when these are the benchmarks by which we measure new entries?
i did also look into a few of my own favorite sci-fi series by women to see how they ranked by similar parameters. parable of the sower by octavia butler, featuring an 18yo protagonist and sexual content, has no age category at all in the top 20 most popular goodreads tags. it's in adult fiction in every library in my system that owns a copy. ive seen gideon the ninth (18yo protag, and yeah lets go ahead and say explicit sexual content) on YA shelves in bookstores, but its adult tag on goodreads is more popular, and almost every library in my system has it in adult. in my opinion, these books are important in rejecting the "women write YA, men write adult" narrative around speculative fiction, but they're not necessarily an exception to a different trend. it is not difficult for me to think of more adult scifi/fantasy books by women, because i actively seek them out. however, almost every single one of them has a protagonist under 25, as is the case with so much of the adult fantasy written by men listed above. last year, i read the adventures of amina al-sirafi, by s.a. chakrabotry, which was (i believe) the first non-contemporary/realistic fiction book ive ever read with a middle aged mother as the main protagonist. the book club at my library branch, mainly composed of middle aged and older women, read it, and expressed such genuine joy and excitement over a fantastic, adventurous book featuring a woman they saw themselves in. representation really does matter, and it matters to everyone, not just young people. but that's a different soapbox.
young readers are extremely picky. i've watched many a teenager (or younger) browse the YA section and turn up their noses at books with a cringey cover, an overly dramatic blurb, or just because. marketing books to teens is hard. booktok is an incredibly powerful marketing tool and divisive social force. it skyrockets an author one day and by the next week, other accounts are tearing that same author to shreds. in this environment, its no surprise that the sensationalized books - extremely good or extremely bad, blatantly sexual, shocking, consumable - become flashpoints of discussion. who should be reading ya? who is it for? what is inappropriate for young teenagers to read? what is inappropriate for adults to read? i think about these topics a lot, especially as what the publishing industry terms a "gatekeeper" - i'm a children's librarian; i control the access teenagers in my community have to these books. i take that role seriously, and i want to be thinking deeply about the books i put in my YA section and who will read them. our decisions, about where we class books, how we label and present them, how we discuss them: that is part of what dictates what genre and age classification a book "is", in addition to marketing.
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illbeyourkeeper · 12 hours
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I'm curious about this
(note: allo = not ace/aro/other aspec microlabels)
Please reblog so we can get a lot of votes
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hollowslantern · 4 months
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it's end of year art summary season again and I would just like to extend my love to all the artists who can't make a standard flashy "one big piece per month" review. if you've got months where you only did small pieces, or didnt finish anything, or didn't draw at all, or didnt draw "good enough". everyone whos left feeling a bit lackluster after comparing their "year of art" to those around them...this one's for YOU! we rule!
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citylighten · 1 month
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queerofthedagger · 2 months
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as someone who personally really struggles to recognize AI art when mindlessly scrolling my dash, I can highly recommend adding 'ai art / ai generated / generative ai' to your filtered tags. it of course doesn't catch all of them, but certainly a bunch that I've seen people reblog who I don't think would if they knew <3
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vhstown · 2 months
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btw PLEASE buy your tech refurbished or second hand!!! there is genuinely no real difference as someone who does and has had those refurbished devices for years
refurbished typically refers to devices that had a slight flaw and couldn't be sold but went back to get fixed, and are tested thoroughly before theyre re-sold! a lot of refurbishers have warranties and good return policies too if you're unsatisfied with what you get.
not only do you save money but you also help to reduce the demand for new devices and the resources required to make that tech, which is costing human lives every day in congo.
you do not need a new phone if your old one is working fine. the constant urge to upgrade is an integral part consumerism and normalising this is detrimental for those who have to pay the cost of the latest release or 2 week trend for their whole life. if you have money, you should be spending it responsibly, and that means accounting for the people on the other side of the transaction.
here is a comprehensive twitter thread about the congo genocide with resources
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seaweedoverlord · 8 months
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The Monk and the Monkey
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''What are you?'' The monk asks the animal- no, the creature before him. It stands on its hind legs without any trouble nor struggle. It does not hunch, it does not move. He watches it warily, and his eyes struggle to maintain eye contact, and not to stare at the way he has been carried away from. Where the carcass of the enormous tiger that stands fallen, in a pool of blood and the heavy smell of the metallic blood that he no longer can see or smell. 
But to get distracted in the human’s case, would be a mistake if not the being was quite happy yet best not to risk it. 
One second, it stares and the next, it stands before him with a bright grin and a tilted head. He startles, dropping his staff as it opens its dangerous jaw to answer his question.
''I am many things,'' It starts speaking, and the Monk thinks it can see the silhouette of a monster behind, watching, in smokes and another thing, another thing that smiles, amused while the human starts to sweat, his palms getting colder and colder.
‘’A wicked demon,’’ It states, grinning with a mouth far too wide, and a grin far too sharp, while the monk gulps with tense shoulders.
‘’A celestial being,’’ It states, as it smiles with gratitude, and a smile full of joy, and the monk relaxes, without being aware, for its genuine smile resembles that of a child a bit too much, tricking him into a false sense of security. 
A false sense of security it is,
For a shark may be content, but it still has a mouth full of sharp teeth and a hunger for blood when you cut open your heart and lay it bare. 
‘’But moreover, I am human.’’ It says, shrugging and standing back while the monk stares. He continues to stare as it stares up at him, with its tail lazily swaying behind it. He is well aware that he should probably try to find a way to leave, instead of interacting with it, but he blurts out without thinking before his mind can catch up with him.
‘’H-human? Y-you don’t look human!’’ He exclaims, and rightfully so as well, for the being standing before him is a tad bit too hairy, with hands instead of feet and of course, not to mention, the tail it has! 
‘’...’’ It stares at him in silence, and it looks up and down while he nervously shuffles. 
‘’Your close minded view, as much as it amazes me, is also disappointing.’’ It finally states after an awkward amount of silence and the monk can only drape his bamboo hat over his face, halfway to avoid eye contact since it unnerves him and says nothing to refute its claims more so because he is too meek to argue with a creature who can topple over a demon four times its size.
‘’Tell me what is a god, and what is a demon?’’ It asks, and the monk has no answer which seems to frustrate the creature before him as it invades his personal space once again, forcing him to stare right into its bloody eyes with the moon in them.
The monk stutters as it sighs, snapping its fingers and the human sees magic come to life before his eyes.
‘’A god represents the ‘kind’ side of humanity, while a demon represents the ‘foul’,’’ It says with a crescent smile but a condescending tone, and the monk steps back as his eyes jump back and forth between the mirrored version of the creature.
‘’Here’s a riddle for you,’’ It doesn't look at him as it becomes one, but he thinks it might see inside him anyway.
‘’If I am both, then what am I?’’ 
The silence scratches on, as tiny crickets pass, and the forest quiets down as if to listen to his answer. 
It's a lot of pressure, he thinks when he sees it watching him like a hawk, like the rest of the world that holds its breath.
The human thinks as he lowers his head and thinks. He eventually comes to an answer as opens his mouth as the being before him stares at him nonchalantly, yet with a slightly wagging tail, clearly full of expectations about his answer.
‘’A monkey?’’
The monk, obviously, plays it safe for he feels like this is a trap.
The monkey’s nose scrunches up, and his eyes squint. 
‘’Hmph,’’ It- He almost sneers at the human. His eyebrow twitch, irritated, and his tail thumps the ground once, twice and stops still. The monk, for a second, thinks he almost might see a pout.
‘’Typical mortals.’’
He says with distaste and the Monk, Tang Sanzang,can only stare at the tiny murder monkey and think: 
What are the chances that if I beg, he’ll leave me alone?’
But the monk can only weep for it will be a long fourteen years.
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brother-emperors · 3 months
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Cassius Dio, 40.27 (trans. Earnest Cary) / Canto 20, 116-17 of Purgatorio, Dante Alighieri (trans. Durling)
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marivenah · 1 year
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ok because I'm a sucker for this and really curious. if one character of your ship was to die and the surviving character wanted revenge, which one of them would be scarier on their quest for revenge?
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