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jaguarys · 11 months
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Don't mind if I do
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datcravat · 11 months
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crabsnpersimmons · 4 months
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I got my hair cut the other day and of course I had to draw the dca boys running a hair salon:
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Sun would be so effortlessly charming. Always chatting away with customers, explaining each product he uses and how to best maintain and style their hair.
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Moon I can see being popular with the less chattier customers (like me) but over time they begin to open up. I imagine he hums while working. Otherwise, he's all ears for the newest gossip.
(The clipped up hat idea came from @bamsara's solar lunacy doodles!)
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Also I love the popular headcanon that the dca can speak other languages, so I can imagine them being a hit with the aunties.
The full sketch page under cut! And some of my other thoughts
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Other thoughts about this... AU? Can I call it an AU? Feels kinda small for an AU, but whatever:
Eclipse works there too! Haven't decided if it would be canon or fanon Eclipse, though I really like the image of 4-armed Eclipse working on 2 clients at once (plus, the nickname Clip is perfect for this scenario)
of course they're great with kids! They'd be able to console kids that get scared of getting their hair cut. Sun would do a little trick and tell them how good and brave they are all the way through. Moon would console them and hum a soothing song (or hey maybe they notice the kid's wearing a disney shirt and starts humming some showtunes). Every kid gets a candydrop and a balloon on their way out.
y/n works at the hair salon as a part-timer and does tasks around the salon like sweeping, arranging bookings, washing hair, etc. They don't really care too much about their own hair, but the boys are always offering to style it, dye it, braid it. With y/n's permission, the boys always toy with their hair—patting it, combing their hands through it, brushing it over y/n's ear, ruffling it.
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sourlemonadez · 4 months
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cake batter goes boom and then splat
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superhumanfoods · 4 months
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We need to talk about Sending Rocks.
You probably don't understand what that means. That's fine. It's a weird little example I made up, and I'll explain.
I'm the creator of the near-future cyberpunk podcast SINKHOLE. SINKHOLE is weird, short-form, nearly impossible to explain to people, and utterly unmonetizable. It's also got a very healthy listenership for something so esoteric. (I promise season three is coming; life just keeps happening, constantly.)
Because of that, I have a reputation as a weird little indie creator. And if I were to run a crowdfund, I could set up a donation tier that was literally just
"I will go outside, find a rock on the ground, and mail it to you."
and most people would find that funny and charming. I think, at worst, people might find it puzzling, but they'd still opt in out of curiosity.
A lot of you would let me send you rocks.
Now we need to talk about the re: Dracula crowdfund- about the zines. A handful of people got very upset about the perceived lack of quality present in the zines.
That caught me off-guard. To me, a zine should always be kind of janky. You should be able to tell exactly how far down the pile your specific zine was based purely on how committed to hitting the fold lines the person folding it was. Zines are handmade and should feel handmade.
So it seemed like people were complaining about the zines being zines, and I didn't get it.
And then I realized something: it's not about the zines. It's about the fact that they were coming from Tal Minear.
If Tal Minear ran a crowdfund and set up a donation tier that was just
"I will go outside, find a rock on the ground, and mail it to you."
I would give it about a day before someone found a way to turn that specifically into a talking point about how Tal doesn't respect the audio drama community.
Tal Minear cannot send rocks. The zine was never the problem. The way people think about Tal is the problem.
We need to talk about how this community keeps trying to reinvent classism based on nothing but vibes and follower numbers.
I'm going to tell you something you already know but probably don't want to admit: the independent audio drama scene is to the independent film scene what a fish tank in a dentist's office is to the ocean.
The biggest names in this community are just a step up from being nobodies.
If you went outside right now and spoke to the first person you saw on the street, the only non-BBC fiction podcasts you would have any realistic hope of them knowing are Welcome to Night Vale or Archive 81- and the latter only because it got turned into a Netflix show, which means that they might not even realize it was a podcast first. There's also a chance they'll have heard of The Magnus Archives, but it's not a guarantee by any means.
Now, this last one I've mentioned to a few people, and was surprised to get a lot of pushback. There seems to be this thought that no, of course everyone has heard of The Magnus Archives.
No. No, man.
You're doing the Homestuck thing. I hate to hurt you like this, but you're doing that thing people did where they assumed everyone had at least heard of Homestuck.
There are people in your life that have never heard of Homestuck.
The Magnus Archives was a mini-zeitgeist in which the fandom engaged in wild speculating, plentiful shipping, and lots and lots of aligning yourself with a specific Fear.
And it was never as big as Homestuck.
I'm sorry. Jonny Sims is not a household name. That's simply the truth.
He is also in this fish tank with us. As far as I am aware, he has not escaped to begin acting in feature films or begun voicing characters in massive video game franchises. Slay the Princess was pretty cool. It's not exactly fucking Assassin's Creed, though.
He doesn't even have a Wikipedia page.
And notice how my metric for breakout success involved going to other, better-known mediums? That's because a breakout success in this community involves getting a blurb on Buzzfeed or in Cosmo. There is no audio fiction podcasting elite. The idea is hilarious.
Even Markiplier doesn't count, because he's YouTube royalty. He's not famous because of The Edge of Sleep. The same is true of any celebrity. They're visitors. They didn't get their break here.
Tal Minear is not your landlord. They're a slightly bigger fish in the same tank as you that likes to poke around in the muck a bit more than you personally enjoy. And, well, you cannot argue that Tal's position as showrunner of re: Dracula justifies framing them that way.
Because the thing is, I'm not just the creator of SINKHOLE. I'm also the showrunner and head writer of Mayfair Watchers Society as of season two. Showrunning and writing is most of my income these days. Tal and I are very comparable in terms of the material power we wield. This isn't a secret.
And yet, a lot of you would still let me send you rocks.
Now the actually important thing.
We need to talk about how this exact illusion, this fanciful idea that there are real industry goliaths in this fishbowl, has already been used to justify the mistreatment of marginalized people.
When Tonia Ransom brought up the issues she had with how the AnonymousAD tumblr had characterized her crowdfunding campaign, this is the reason why people felt they could dismiss and ignore her. Because yes, she's a black woman speaking out about having been wronged, but she's also a "Big Creator," and therefore it evens out.
It doesn't even out.
A lot of the most successful creators you know in this space still have day jobs. I spent yesterday and today doing inventory at my retail job. I spent hours poring over shitty little badly printed tags and biting back swear words because our owner will not let us close, so there were still customers in the store, actively buying the things we were trying to count.
This Us vs Them shit has got to stop. It's nothing. It's a parody and a sham. If you tried to explain it to your grandmother, she'd give you the exact same reaction as if you had tried to tell her about drama in the Homestuck fandom.
Because it's the same.
And you don't get to use it to justify being shitty to someone who you know perfectly well would deserve your humility and understanding if you weren't pretending they were your boss.
Who can send rocks is not and has never been a reflection of real power or privilege. Deciding someone cannot send rocks is just a convenient excuse to disregard their perspective when it makes you angry or uncomfortable.
At best, it's tilting at windmills. At worst, it is punishing your peers for daring to defend themselves or speak out against injustice while being marginally more successful than you.
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pocketsizedann · 7 months
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The scene lives in my head rent free lmao. Also, really wanted to draw them all together so they are being their sad selves
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brown-spider · 3 months
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imo the pointing meme was 1,000x’s funnier in ITSV than in ATSV
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darkmuffinstudios · 26 days
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Killer loves his big dumb X too
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archivedible · 3 months
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cacaocheri · 26 days
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fun lil magma session i did with @spikeplate <3333 we are so normal about the new ldr chapter so so normal
(ldr by @spadillelicious of course!)
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allamericansbitch · 3 months
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just saw a taylor blog call others chronically online for being mad at Taylor right now and that she doesn't care because she's found peace in her creativity...... wow it's almost like that's the perfect example as to why people are mad. because she doesn't care. about anything anymore. because all that matters is herself. she became a climate criminal, she got caught taking her private jet on a trip that was a total of 28 miles, an easy, drivable distance. now she's threatened to sue the plane tracker under the disguise of 'harassment' when all they are doing is sharing information that is already public. she has ignored countless pleas to speak about the active genocide against the people of Palestine and sure, she doesn't have to talk about that, no one has to talk about anything ever and change never has to happen i guess, but wouldn't it be fucking decent if she did. wouldn't it be great if she cared about an active genocide happening that is in desperate need of awareness, awareness she is fully capable of spreading very very easily. within the past year she's surrounded herself with disgusting, vile, problematic people. but she doesn't care! none of that matters to her because she's found peace in her creativity!
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jaguarys · 6 months
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Hold isopod like hamburger.......
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illyrian-dreamer · 2 months
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And Then There Were None – Part 1
Azriel/fem!reader
Synopsis: In the lead up to the war, Hybern releases a catastrophic spell that wipes out all humans, sparing just one.
Abandoned in the desolate human lands, you scavenge to survive long enough to find your family.
Reluctantly, you are found by the Shadowsinger as fate intervenes to guide you under his watchful eye.
Part 2>>>
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Word count: 3.2k
Warnings: Death, blood, suggestions of miscarriage
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Twigs snapped beneath your boots, your steps heavy with exhaustion as you stumbled through yet another town, as barren and deserted as the last one. 
Exhaustion and dehydration weighed heavy, wisps of dust caking your skirts, your boots the only thing to disturb the rubble in days. 
There was no concern for a carriage that might pull up behind, or a bossy merchant to yell at you to clear the path. While the ghosts of the life that once flourished echoed in closed shops and abandoned stalls, you stopped looking over your back days ago.
There were no plumes of smoke from chimneys, no distant chatter or laughter or cries. Safe from the occasional grunts or mews of abandoned cattle - there was not a single sign of life, and no human in sight for the past ten days.
A jarring cramp ripped from your abdomen, pulling you from delirium with urgency.
Water, food, bathe and sleep. That was why you were here.
You tried not to think about how quickly resources were depleting, even though you were sure you were the only one using them. Without people to treat water, the stagnant liquid became increasingly dangerous. And you couldn’t farm a vegetable to save your life, and had spent too long journeying to have tended to any crops.
You’d have to go further into the woods soon, find a fresh stream, perhaps hunt too. But you'd need strength for that, and you had just about run out.
At least it was spring, and at least the trees bloomed with fruit as you travelled from town to town, feet blistered and chapped. You cursed you parents for not teaching you formidable survival skills - fighting, hunting, even the ability to ride a gods damned horse would have been an incomparable luxury these past hellish days. 
A clang of guilt, and frustration quickly churned to longing. Gods, you hoped they were alive. You would do anything to have them here, to journey this devastating isolation together, the little ones too. You prayed to the Mother for the umpteenth time that day that they were safe and well. 
It was not a concern when you woke to an empty house almost a fortnight earlier. Your father was likely at the market, your mother hard at work at the tailor in town. Your siblings were hard to catch at this time of year, with school out of term and the warm spring air, they would spend each waking moment by the river if your parents let them. 
It wasn't until you spotted your fathers wheelbarrow through the speckled glass of your kitchen window, held by rotting wood. Empty and unmoved, his tools lay flat on the ground, untouched since the day before. You could have sworn he told you he’d be at the market by dawn. 
Scanning the room, your eyes flicked to the doorway where your mothers workbag lay untouched. Needles sat poked in balls of yarn as stray thread sprawled over leather - but an eery stillness sang to you at your parent’s tools. 
Names and calls went unanswered, and after a quick search of the home you ran outside, urgent to ask your neighbours where they had gone, your heart fastening with every step.
Too frantic to observe the lack of movement and noise from your own street, you rapped on the door, waiting only a few seconds to push the rattling screen and forcing your way in.
Names went unanswered again, and it was instinct that steered you straight for the nursery. You halted at the sight of new born's empty crib, blankets rippled as if the babe was taken straight from it’s sleep.
Your calls turned frantic as you scoured each room, an upsetting, looming sensation creeping over your skin.
Bursting from the home, you shielded your eyes from the bright sun as you scanned the street with urgency. Your only greeting was a quiet breeze and snort of a horse left abandoned by a cart - as if it had stopped it's journey halfway through.
In a panicked haze, you searched the next home, and the next, and the next. The dizziness found you then. 
Clearly there was an emergency of some kind. But you had been abandoned, left to sleep until midday amongst the quiet. The thought pained you.
More calls to anyone who might have stayed behind, yet still no answer. Your heart was a thunder in your ears. 
Had the war finally reached you? Had your family fled in the dead of the night? You shook the thought from your head – they would have woken you, would have needed your help to escape with the youngens.
And then you were running – yelling, sprinting through the dusty streets, voice breaking as you dashed from home to home, shop to shop, calling, crying, pleading.
You were utterly alone. You had been left there, alone. 
In a swarm of panic, you pressed a palm at your heart, willing yourself to calm. It was a dream, surely. You were not abandoned, only stuck in a nightmare, the kind that often found you as murmurs of Hybern’s army reaching human lands became louder. 
In that dizzying thought, you willed yourself awake, forcing your eyes open to the walls of your dark and cramped room, to the noises as your siblings shouting and playing from downstairs, to the whistle of the kettle and the creak of the wood as your father came to wake you.
But the light was blinding, the sun as true as the your abandonment.
Beads of sweat that ran down your neck, a gnawing anxiousness building in your stomach as it heaved and cramped, nausea and panic churning to one. 
Something truly terrible had happened.
And in that moment of utter disbelief, a stabbing pain ripped from your stomach, so great it forced a whimper from your throat. 
As silent trickles of blood ran from your thighs to your knees, tracing your calves beneath the fabric of your skirt, you found a numbing sort of courage. Pushing your legs forward, you mindlessly heeded the road out of your home town, and on to the next. 
People. You needed to find people.
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Ten days, and still not a single sole in sight. Each home, each tavern, each market and farm left eerily untouched. 
The silence was enough to drive you mad, if not besides the aide you so desperately sought. This was not your cycle - although the pains were familiar. You had known what you were, what this was.
Almost a fortnight, yet the blood still came. Slower now, spotting instead of trickles. You had stolen clothing from abandoned shops, food and water too. But you were distraught, moments away from folding into utter madness. And you were weak – very, very weak.
Water, food, a bath and rest. A list you repeated to yourself, your body begging to prioritise sleep with every step as you approached a farm at the town’s edge.
With a weak hand, you pushed past the gate to the yard, large rusty barrels sat open where a cow and her calf now drank. The water was murky with a distinct smell, but it would have to do. Tomorrow, you’d find fresh water tomorrow.
The trembling hand that dipped to the cool water hardly looked like your own. Dirt lay thick under your nails, your skin littered with cuts from the countless times you had shattered windows of stores and traders homes, scouring the stock for preserved goods and weapons. 
Bringing the cool liquid to your lips, you ignored the taste of iron as you willed it to soothe your throat - hoarse from the endless calls that went unanswered.
Ears pricking at sudden growl behind you, you jerked at the site of a pack of dogs who approached on stealthy paws. Their eyes were hungry - flicking between you and the calf. Once loyal farming dogs you were sure, now abandoned by owners and left to fend for themselves. They had formed packs - clever things. While you were sure they couldn't kill you, you didn't have the strength to fight an infection if they got close enough to sink their teeth. 
From your side, you unsheathed the hunting knife you had looted from a previous town. Swinging it with unpracticed skill, you shouted at the pack, your heart thundering as you waited for them to recline on hindered paws and leap. 
They pack seemed to weigh you up, deciding the calf was an easier target. You fled inside the house before you could see it meet it’s end. 
The home was neat, and you almost cried at the sight of a loaf of bread sitting atop the kitchen counters. Mould had attacked it’s edges, but you tore at it, fisting mouthfuls of the centre, dry crumbs coating your throat it was an effort not to choke.
Your stomach lurched, unhappy with the quality of the food and water, but you didn't care. You were on step closer to rest.
Another jarring cramp from your stomach, and you faltered, gripping at the wooden table as you trembled to keep yourself upright. This ailment, how much longer would you last? Sleep begged at you, your body moments from giving out. You’d have to forgo the bath, and prayed to the mother you’d find the strength for it in the morning.
Forcing yourself to the bedroom, swaying with each stumbled step, consciousness was already slipping as you collapsed on the bed, clothes and boots in tact. 
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It was a feverish sleep, your body doused in sweat as you stirred often, jolting awake in panics, phantom calls of your family mixed with the flap of wings, and the crunch of stone and rock under heavy boots.
Then a voice, voices – ones you were sure they were part of your slumber. 
But as those footsteps got closer, you woke in a startle, your heart fastened as you blinked furiously. 
Voices. Humans. People. Alive, well enough to talk. 
You leapt from the bed, ignoring the spin of your head as you clambered to the window, peering behind sheer drapes to the street in front.
Your stomach sank. Lurched. Then sank again. 
A large, demonic figure stalked for the home. Wings arched behind it’s head, it’s figure blackened by the leathers it bore, sword and knives strapped around. 
And, wisps of some kind. Deadly, reaping magic.
Fae.
Fae had come. 
Knees buckling, you stumbled back a few steps. 
The world around you reeled as adrenaline coursed through. You would have just moments to prepare if you wanted a chance to survive. 
Knife. Your hunting knife. Still strewn at your hip.
Grasping it’s hilt tightly with a trembling hand, you scanned the room for the best place to hide. 
The cupboard was too obvious, and there was room under the bed - but there’d be not enough to swing your knife, only enough for them to drag you by the ankle… 
The gentle click of the front door opening, and it took all you had not to whimper in panic.
Scrambling for the door as quietly as possible, you pressed your palm to your mouth, begging yourself not to cry as you pressed yourself behind the wood.
From what you could hear over the thunder of your heart, the steps of the fae were quiet despite it’s size. 
“Anything in there?” a deep voice boomed from the street. You jolted at the volume. More than one, then.
There was no reply from the creature in the home, only the creak of the wood as it made it’s way through. 
“Really, Azriel? Are we to check every home?” Female this time, impatience and ignorance laced in the somehow ancient voice.
No response again, instead a footstep, right by the door.
Something tickled your ankles then, and it was beyond you to stifle your compulsive scream. 
Black furling wisps coated your boots.
And then the door opened.
The creature made it one step inside before you had aimed your knife for it’s heart. 
A prepared, cool hand caught your wrist inches from it’s chest. Your bones crushing in it’s grasp, and you let out a yelp of pain. 
It’s face - his face - was one of shock. “S-sorry,” he stuttered, dropping his grip all together. 
You blinked back in shock, ignoring at the throb of your wrist as you snatched it back. 
For a dumb moment, you stared at each other with equally wide eyes. The male didn't seem to know what to do. 
“You’re human? How are you here, where-?"
The males sentence was clipped short as you drove the knife towards his chest again. 
Quick as an asp, he caught you by the forearm this time, more gently too. 
Hazel eyes scanned you, his features schooling as he called over his shoulder. “I’ve found someone.”
You were sure you looked mad, grunting with the effort to pull your arm from him, breaths ragged, eyes and hair wild. The male studied you as he might a rabid animal. 
Behind him appeared an even taller male, his form more terrifying than the one that gripped you. 
“Mother above,” the new one whispered, scanning you in the way the first one had. 
“L-let go of me,” you rasped, pulling your arm back, tears stinging at the pain of you surely broken wrist began to swell. 
It was a odd detail to note, the scars and ripples of the fae’s hand as he gently unfurled your fingers, prying the hunting knife from you before releasing his grip. 
“Let me see,” the female’s voice piped from behind, the males struggling to fold their wings further, cramming into the room to let her through. 
You faltered back on instinct, legs hitting the edge of the bed. 
As the female broke through the males, harsh silver eyes scanned you up and down. She was half their height, a little shorter than you actually, but the depth of her gaze kept your hands by your side.
“Seems the Mother has spared one after all,” she muttered, nose crumpling at your scent. 
Your answered with a scowl. 
“What is your name?” it demanded. 
“Amren,” the taller male warned, his eyes flicking back to you with softness. 
You refused to answer. Couldn’t if you wanted to. 
Amren sighed, casting her head sideways to the one with rippled hands. “She bleeds.”
“I know,” he answered, hazel eyes not breaking from you. You blushed, furious and humiliated. 
He stepped around her then, the movement graceful and soft despite his size. 
“You need aide.”
You gulped, unable to process his words. “L-leave me be,” you demanded, voice hoarse as you tried to create more distance between you and it. 
He crouched in front of you then, leathers stretching against ripples of muscle. You noticed them then, jewels, saphires, humming from his body as if they were alive.
He followed your eyes curiously, before answering you with a soft smile. 
“These are siphons,” he said plainly, giving one a friendly tap. 
You snapped your eyes back to him, disgust forming your features. “You are here on behalf of Hybern?”
The female snorted from behind, earning a shove from the larger male beside her, his siphons glowing red.
The one in front of you studied you. “No, absolutely not.” 
You scowled, not inclined to believe them. 
“We come one behalf of our High Lord Rhysand, and High Lady Feyre. Rulers of the Night Court. Do you know of them?”
Feyre - the human women who had freed the fae from the grasp of their enemy. You knew the story, the heroic tale of a human women who gave her life for the male she loved. Had heard of her triumphs Under the Mountain, that she had been made into fae herself in exchange for her sacrifice. 
“The-the curse breaker?”
A small smile cocked on both of the males faces. 
“That’s right,” the one crouched in front answered. “She sent us to retrieve you.”
A panic surged within you. “Me?” you spat. Oh the ignorance of the fae, as if you were some pawn to pluck and place elsewhere. 
Azriel frowned, eyes dancing as he realised the mistake in his words. “To help you, of course. There has been-"
"No-n-no. My family, they will seek for me-"
Azriel's brow pulled with softness, his tone falling flat. "We will search for them. Meanwhile, you must see a-"
“Where are the others?” Your voice was louder now, eyes dancing in panic, chest rising with fastening breaths. Had they taken them too? “The people, they've left, I don't know-"
“We are searching for others. You are… the first we have found.”
Your mind reeled. How could that be? You had searched by foot - but with those wings, and the strength and power of fae…
“WHAT HAS HAPPENED TO THE OTHER HUMANS?” the volume of your voice shocked even yourself, that strength, that demand from deep within your chest. 
Azriel gave you a pained look, before standing to turn to his counterparts. “Amren, can you heal-?”
“I’m spent,” she cut off the male with a flick of her fingers. “Those canines out back were hardly enough to keep me going until sundown, so forget about healing. Unless you suggest I drink her blood, though I doubt she’d survive.”
Mother above.
You were too hazed to see the glare both of the males cut her.
“Then she will need to see a healer before we can continue.”
“She might refuse,” the larger one countered. 
“If she’s smart, she won’t. She won't survive out here on her own,” Amren muttered, cleaning her nails as she leaned one on leg, checking her cat-like claws for flecks of blood. 
They continued their mutter without once turning to you.
“There is no option here. I’ll take her to Velaris, and return once she’s safe.”
A shaking, blubbering anger grew within you, the creatures in front of you as ignorant and obnoxious as you had always been told fae are – to discuss your own fate as if you weren't in the room.
A killer instinct flared in you then, and you remembered the second knife you bore, hidden within your corsette. A pocket knife, a tool from your father to help pit and peel the fruit from his farm. 
The oak handle was cool in your left hand, the right throbbing and limp. With the last remains of energy,  you pushed up from the bed, swinging with all your strength - aiming for the blue-siphoned back. 
In a graceful turn, the male caught your arm for the third time. You had to blink at the speed with which he stopped you. 
Bracing for cruel, unforgiving anger, you were instead met with sympathetic eyes. 
Loathing coiled within you. 
“Release me,” you spat.
“I’m sorry to do this,” was all he said, and then pads of those rippled fingers were grasping your jaw, pressing to the pressure points of your neck with precision. 
Grunting to fight his grasp, you didn’t struggle long before a ringing in your ear grew to defeating silence and the world tipped to black. 
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Part 2 >>> AN: HELLLOOO! And welcome to ATTWN - massive shout out to @kindasleepywriter for finding the perfect name for this series! I so so hoped you liked part 1. I edited it like a million times, still not 100% happy with it, but I think I just needed to get it out. Fair warning - this fic won't be light hearted, our reader is going to go through some really heavy stuff. I'll of course put my warnings ahead of each part, but please know I plan to explore some darker themes surrounding mental health etc. If you'd like to join the tag list for this fic, let me know in the comments! Always love hearing your feedback, and thank you so much for reading! <3 Nic
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seventh-district · 2 days
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Ratiorine Messages
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endivinity · 2 months
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i think the most bizarre reaction to seeing fanart (other than going "i thought this was [totally unrelated thing that it doesnt even look like]') is to go 'this isn't canon'. like.... yeah it's not supposed to be?
people have headcanons! there are also different interpretations of unclear or hard-to-quantify-exact-meaning canon!
but it doesn't even have to be a headcanon. art is an exploration of thoughts and concepts. it's an expression of creativity. sometimes it's just a fun exercise. for fun. any time i see someone go 'thats not what really happened' i dont think 'aw shit i got it so wrong', i think: wheres your joie de vivre. your whimsy. embrace things that arent real
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kuekyuuq · 2 months
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Kara's love language
It is rather easy to find scenes of Flirty!Lena (or Katie I-can't-help-it McGrath).
But how does Kara flirt / show her affection?
My answer is simply: Whenever she brings / shares food. 🍕🍩🥰
(and, yes, there are plenty moments Kara shares food with her beloved sister and her at the time boyfriend Mon-El - she even receives food from James and others, but bottom line is food is Kara's love language)
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(Even RedDaughter is aware! ...which makes me think 50% of Kara's diaries are about food and food places and whom she shared them with...)
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(someone pointed out how you can see her abs through her dress 👀. ...so I suppose sometimes she brings herself as a snack?)
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(…sometimes Kara on a TV is the real snack…)
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Been talkin' 'bout yourself, Kara?
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Girl's got a big heart stomach.
Anyone mad at me for not adding all the Mon-El & Kara scenes involving food, will just strengthen my point >.>
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