saying "it is not necessary to have sweets every day" should not be seen as controversial, but i have had people go for my throat for that take. its literally unthinkable apparently not to have a sweet treat on the daily (or multiple times per day).
i'm not saying "sugar bad" or anything, it's good to enjoy a little dessert every now and then. but i think a lot of Americans are so used to having a diet high in sugary foods, and it's so normalized and what so many people grew up with, that me saying "your kids don't need to have dessert every day" is accused of toxic diet culture mindset and depriving children of joy.
and the thing is, our sweets are really sweet. you don't notice it when you grew up with it, it just seems normal. but if you travel elsewhere or go on a low-sugar diet, suddenly our ice cream and cookies and donuts seem un-appetizingly overly sweet.
anyways i'm not saying don't give your kids dessert, but i think a lot of Americans underestimate how addicted they are to sweets. if the mere suggestion to limit the intake to once or twice a week gives you a knee-jerk reaction of fear/horror/disgust, "i could never! i earned this!", there is a problem.
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thought about that one icarly meme and had to make monty getting acrobatic moon cuddles
chica: whatcha got there, monty?
monty: /holding sun and moon themed sodas/ fizzy faz
moon: /happy purring/
alternate version of this would've had moon winking at monty and saying 'hey there handsome'
art reference i used this meme
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My favorite color palettes are always just the ones I think look like something edible
Hmm.. Maybe that's one of the reasons I'm not a big fan of using blue? I can't think of much variety when it comes to blue food
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Maybe this was in the online digital Nimona artbook before it went offline, but I didn't pay attention to the costume design rules for all the people in the Kingdom, until this video "Visual Storytelling: The Production Design of 'Nimona'" by Gnomon (from which I screencapped all these pics).
It's interesting to consider how these clothing design rules symbolized Ballister's and Ambrosius's positions in society, but also might have reflected bits of their personalities.
"So we first approached it by a very anthropological approach, where we sat down and said, "if this world was to actually evolve in a closed setting, behind these walls, from the medieval, in this kind of fear-based world, how would society evolve from the medieval rules? And how would that work?" So we researched the medieval rules and found that there was the distinction between, you know, nobility and citizenry, and then non-citizens. And so that was a good place to start for us, to say of "How do we organize this massive pool and system of crowd characters? but in a---in a getable way, that also relates to our story and expresses this world that we're doing?""
The Institute:
Nobility:
"So we broke we broke it down into contemporary, um, a contemporary ideology, where our main---our nobility was much more based on, um you know, haute couture rules, where we were---they were simple. They were bold. They were evolution of the kind of royal colors and sumptuary laws that the medieval had, but in a modern, in a modern take."
Citizens:
"Same with the citizens, where we leaned more into broader scope, where we needed to have the ability to have business wear, and athleisure, and, um you know, the color palettes that would be associated. …The range of body types that you would need, and…the range of races and ethnicities."
The Magicals:
Interesting thing about The Magicals, is this note "NO blue or neutral grey (due to the Institute's persecution, magicals have refused to wear Institute colors)."
Ballister's regular clothes seem to be the same color palette as The Magicals. Given the order of these slides, The Magicals seem to be the lowest rank in the Kingdom's society. Previous concept art showed that the Nimona 2023 movie originally would have portrayed a secret society of people with magical powers like Nimona. I assume these costume design rules were for them, though they got cut from the final movie. It seems appropriate that though Ballister has no magical powers, he is dressed in the colors of the Kingdom's lowest societal rank. But as anyone who has drawn him has noticed, the pendant on his shirt is blue. The one color which The Magicals do not wear, because it is the color of The Institute. Ballister is a commoner trying to become a Knight of the Institute, so it makes sense for him. And though Ballister's clothes could maybe be considered shades of gray (as per The Institute), they have the same dark values of The Magicals and are actually more of the "earthy" tones, noted in The Magicals' palettes. Ballister does not wear the light, almost silver, grays of The Institute. But he does wear a blue pendant. And though his pants have a thin golden stripe running down the sides, which is another color emblematic of The Institute, on second look, it is less gold, and more of a light tan, another earthy color. Almost makes me think that after the end of the movie, maybe he should change his blue pendant to purple, since these design instructions for The Magicals also note "One subtle purple item on each magical as a symbol of resistance and solidarity". (It explains the shade of purple in Nimona's skirt.)
Interesting to look at Ambrosius's outfit, while considering these design instructions. Ambrosius does not wear the "bold" colors or high amount of patterns prescribed for Nobility. Instead, he wears white and a dark shade of blue, with mostly solid, non-patterned clothes, as prescribed for The Institute. He is their symbol, through and through. Except for one point: his hoodie's secondary color of tan. Not only is tan an earthy tone, like The Magicals, the lowest societal rank in the Kingdom, but is takes up a noticeable amount of space in his outfit. It is almost like his one little piece of rebellion against his birth position and the expectations of society for him to represent The Institute and Nobility. It may be his one expression of who he is as a person, rather than the expectations placed onto him. It's kind of interesting that they let him get away with that. Maybe he had to fight for it. Maybe it makes him feel closer to Bal. Maybe he likes the distance it puts between him and the Institute. Maybe he didn't get brave enough to start wearing such colors until after he met Bal. (Now I'm getting into headcanon territory.)
Medievals:
This was explained as the costume design instructions for the flashback characters from 1,000 years ago.
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