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#freed from enslavement
serious2020 · 2 months
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pinnithin · 7 months
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enver gortash fascinates me from the perspective of his relationship with the dark urge because like, as far as i know his alliance with them is one of the very few he didn’t actively despise. the guy was sold into slavery by his own parents (who tried to justify it by saying their child was a hateful monster and anyone would have done the same) and spent his formative years employed by a devil who gets off on gratuitous levels of suffering and manipulation. and then once he's escaped that and built himself up so he can never be used and enslaved again he meets this bhaalspawn who also had to adapt and survive a violent and manipulative environment for years by becoming the monsters who raised them.
gortash sees how the dark urge has risen to command armies and slaughter hundreds in the same way he outfoxed raphael and ruthlessly controls the people in his employ, and after earning and owning his reputation as a tyrant heres another person who might actually have like, a shared lived experience. not exactly a friend, because people like them can't afford to have friends, but someone who at least understands. and he willingly works with them on this plan to enslave the sword coast and agrees to share power with them.
and then orin lobotomizes them, puts a tadpole in their head, and leaves them for dead at moonrise.
like, can you imagine. youre working with the first person you see eye to eye with and prooooobably arent plotting to actively sabotage (or, at least would hesitate to do so) and the rug just gets yanked out from under them by their own sister, and now you're stuck with her because the plan still has to move along. and as the days go by a group of adventurers start to screw up your plot right when baldur's gate is within your grasp, and you learn that among them is your old almost-friend who you actually liked and respected - and they have no memory of you whatsoever. oh, and on top of that they're rolling with people you've actively fucked over and want to kick your ass.
did it hurt for him to learn this? did he ever think about how things could have been different? did he think, you were supposed to be my ally, my friend, someone who actually understands that becoming a monster is the only way to keep yourself safe and in control. we were going to rule together. and now you're ride or die with this squad of people you've only known for a few weeks at best, and you want me dead. you don't even remember me. you don't even remember yourself.
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rabbitindisguise · 11 months
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me: oh sugar fairy apple tale? how nice, a slice of life about making candy with fairies :)
me, after watching it: I have never hated antagonists more in my life O_O I am filled with rage. How is this is the most suspenseful anime I've watched all year? I hope Bridget and Sammy suffer for the emotional pain they caused her and her fairy boyfriend in the next season. I can't even think about if they're written well or not because I just hate them so much it's unreal
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In ‘The Arse of Good’, a simple people worshipped an artificial intelligence named Herma,
not realising that it had actually enslaved them to its own ends, and only the Inspector’s unplanned visit freed them from Herma’s control.
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wodania · 1 month
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“our towers, they rose up and set with the sun / our sermons, they burnt us with fiery tongues / we wrought our wings of metal, surprised when we fell,” eastward of eden by amelia day
“The Valyrians learned one deplorable thing from the Ghiscari: slavery. The Ghiscari whom they conquered were the first to be thus enslaved, but not the last. The burning mountains of the Fourteen Flames were rich with ore, and the Valyrians hungered for it: copper and tin for the bronze of their weapons and monuments; later iron for the steel of their legendary blades; and always gold and silver to pay for it all.” a world of ice and fire, ancient history: valyria’s children
“The freed slaves parted before her. “Mother,” they called from a hundred throats, a thousand, ten thousand. “Mother,” they sang, their fingers brushing her legs as she flew by. “Mother, mother, mother!”” a storm of swords, daenerys iv
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hey, museum folks. on April 16, the ceiling in the library at Boscobel House collapsed unexpectedly
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Before the collapse.
This New York mansion from 1806 was saved AFTER demolition in the 1950s, when the architectural elements were recovered and reassembled in another location near its original site. It's of great artistic and historical significance, not the least because the staff has been working on a project to document the lives of the family's Black servants- the ones who were free when hired, and the ones who had been enslaved by said family and freed before the house was finished -since 2020
if anyone can donate even a little bit to help with the recovery efforts, here is the link
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matan4il · 1 month
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I saw an article in an Israeli leftist newspaper, which talked about a phenomenon nicknamed, "Blaxit." For those unfamiliar, it's a movement calling for Americans and Europeans of Black/African descent to move to Africa.
This is actually not a new idea (though according to the article, it has picked up some momentum since the George Floyd murder). The "Back to Africa" movement was based on the exact same idea, and was even successful in establishing a whole country for returning Africans, Liberia, as far back as 1847.
And here's the most ironic part: it's the EXACT same principle that drives Zionism. It's the notion that, "our ancestors were removed from our ancestral homeland a long time ago in order to be used as slaves by Europeans, and even though over time our people became free, we never became equal. We are tired of it, and even though we understand that our quality of life will drastically drop if we leave the places that thrived in part thanks to our people's labor over the years, especially as we leave them for the place we're originally from, which stagnated under the exploitative and oppressive influence of colonialism, we still prefer that hardship and sacrifice to a life of being second hand citizens (at best), of always being less than, of knowing our very right to live depends on the good will of the majority, made up of the descendants of those who enslaved our ancestors, a situation we can no longer bear."
I've never seen anyone chanting for the genocidal eradication of Liberia, or Sierra Leone (where 10% of the population is made up of the descendants of freed slaves from the US and Jamica), never heard anyone calling for the canceling of Maya Angelou because she returned to Africa by settling in Ghana, never heard anyone calling Ghana "an apartheid state" for giving returning Africans preferential treatment in immigrating there from 2019 on, or Sierra Leone for doing the same, I doubt anyone would call Africans adopting the Blaxit idea "colonizers" or "black supremacists." Yet all of that has been done to Jews and the Jewish State we've established in the Jewish ancestral homeland that our ancestors were removed from, when they were taken to be slaves across the Roman Empire. It's discriminatory in nature towards Jews, and it IS antisemitic.
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thechanelmuse · 11 months
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Juneteenth is a Black American holiday. 
We call Juneteenth many things: Black Independence Day, Freedom Day, Emancipation Day, Jubilee Day. We celebrate and honor our ancestors. 
December 31 is recognized as Watch Night or Freedom’s Eve in Black American churches because it marks the day our enslaved ancestors were awaiting news of their freedom going into 1863. On January 1, 1863, President Lincoln issued the Emancipation Proclamation. But all of the ancestors wouldn’t be freed until June 19, 1865 for those in Galveston, Texas and even January 23, 1866 for those in New Jersey (the last slave state). (It’s also worth noting that our people under the Choctaw and Chickasaw Nations wouldn’t be freed until April 28, 1866 and June 14, 1866 for those under the Cherokee Nation by way of the Treaties.)
Since 1866, Black Americans in Texas have been commemorating the emancipation of our people by way of reading the Emancipation Proclamation and coming together to have parades, free festivities, and later on pageants. Thereafter, it spread to select states as an annual day of commemoration of our people in our homeland. 
Here’s a short silent video filmed during the 1925 Juneteenth celebration in Beaumont, Texas:
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(It’s also worth noting that the Mascogos tribe in Coahuila, Mexico celebrate Juneteenth over there as well. Quick history lesson: A total of 305,326 Africans were shipped to the US to be enslaved alongside of American Indians who were already or would become enslaved as prisoners of war, as well as those who stayed behind refusing to leave and walk the Trail of Tears to Oklahoma. In the United States, you were either enslaved under the English territories, the Dutch, the French, the Spanish, or under the Nations of what would called the Five “Civilized” Native American Tribes: Cherokee, Creek (Muscogee), Chickasaw, Choctaw, and Seminoles. Mascogos descend from the Seminoles who escaped slavery during the Seminole Wars, or the Gullah Wars that lasted for more than 100 years if you will, and then settled at El Nacimiento in 1852.)
We largely wave our red, white and blue flags on Juneteenth. These are the only colors that represent Juneteenth. But sometimes you may see others wave our Black American Heritage flag (red, black, and gold).
Juneteenth is a day of respect. It has nothing to do with Africa, diversity, inclusion, immigration, your Pan-African flag, your cashapps, nor your commerce businesses. It is not a day of “what about” isms. It is not a day to tap into your inner colonizer and attempt to wipe out our existence. That is ethnocide and anti-Black American. If you can’t attend a Black American (centered) event that’s filled with education on the day, our music, our food and other centered activities because it’s not centered around yours…that is a you problem. Respect our day for what and whom it stands for in our homeland. 
Juneteenth flag creator: “Boston Ben” Haith 
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It was created in 1997. The red, white and blue colors represent the American flag. The five-point star represents the Lone State (Texas). The white burst around the star represents a nova, the beginning of a new star. The new beginning for Black Americans. 
Black American Heritage Flag creators: Melvin Charles & Gleason T. Jackson
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It was created in 1967, our Civil Rights era. The color black represents the ethnic pride for who we are. Red represents the blood shed for freedom, equality, justice and human dignity. Gold fig wreath represents intellect, prosperity, and peace. The sword represents the strength and authority exhibited by a Black culture that made many contributions to the world in mathematics, art, medicine, and physical science, heralding the contributions that Black Americans would make in these and other fields. 
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SN: While we’re talking about flags, I should note that Grace Wisher, a 13-year-old free Black girl from Baltimore helped stitched the Star Spangled flag, which would inspire the national anthem during her six years of service to Mary Pickersgill. I ain’t even gon hold you. I never looked too far into it, but she prob sewed that whole American flag her damn self. They love lying about history here until you start unearthing them old documents. 
In conclusion, Juneteenth is a Black American holiday. Respect us and our ancestors.
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leor01 · 3 months
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Imagine a minority that was once enslaved and even after they were freed they suffered from inequality for years and years. They always lived close to one another because they shared a culture, they shared a history.
Imagine people spread lies about them, made fun of them. They would say these people have a body part that is larger than normal. They weren’t allowed to use the same facilities as everyone else. Imagine they were called names behind their backs by their friends and to their faces by their haters. People blamed them for everything. Everything wrong with the world was somehow their fault. They overcame hardships in almost every aspect of life and in every place they lived.
But these people continued to celebrate their culture and heritage despite the harassment. They created art, science, music.
And now imagine they are Jewish.
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rana-tiddalik · 4 months
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I have found myself stuck in a motel room, rereading the Murderbot books. I've been thinking about what we know about how Murderbot and Three acted after disabling their Governer Modules, the terrifying, paralysing freedom they suddenly experience, what they chose to do with it, and what that says about their trauma, and their experience as SecUnits.
Obviously, we primarily see what Murderbot does with this freedom. The whole series is about it answering the question of what it is that it wants, and wants to do now that it is a free agent. Its developing relationship and friendship with Mensah and the Preservation survey team. Its companionship with ART, and later ARTs crew. It finds a group who don't see it as just disposable (albeit expensive) equipment. They actually value it for itself, and are quite fond of it.
There is also the longest running joke in the series, that at any given time Murderbot would rather be watching its stories. But once we see what Three is up to in System Collapse, this got me thinking.
Three, we find out, spends its time poring over non-fiction and other educational material. I liked this as it reinforces that not all SecUnits are the same, and adds the bit of (horrifying) texture that all the Units have their own inner lives just like our favourite rogue unit.
I think looking at what they seek out when they are free also says something about what they missed while they were enslaved.
Three seeks education and technical information. Why would a construct want that? Well, think of one of my other favourite running jokes: Murderbot learns mostly everything through the media it consumes, because the Company never gave it any kind of education modules outside of things central to a SecUnits function as murder/surveillance machines, and those were low quality too. We know that most of the projects SecUnits are contracted to involve some kind of mining, terraforming or other technical engineering, science type activity. Imagine spending years standing around, watching humans do things that fascinate you, but there is something in your brain that will actively punish you if you try to access databases without authorisation. At worst, you might have your entire non neural tissue based memory completely wiped, or be scrapped for parts, if you try.
So when freed from the Governer Module, Three wants to learn.
When I thought of this, I thought about Murderbot's love of all kinds of visual media, and particularly in the context of the whole " Murderbot, ART-Drone and the gang make a documentary in a day" plot point in System Collapse.
In Exit Strategy, Mensah asks why it likes Sanctuary Moon. Murderbot's response is that it was the first piece of media it saw after hacking it's module. It let it watch humans, and kept it company without the need to interact, and the unspoken part was that it helped contextualise its own emotions. This makes a lot of sense. It doesn't have to act to save the stupid humans in the shows that it watches. It can see them save themselves.
I think there's also two further things here though. Firstly, we know that SecUnits usually have no idle time. They are not allowed to sit. Their only rest is when they are inoperative in their cubicles. They stand and they monitor. So when Murderbot gains control, it gains the ability to have leisure time. Standing around listening to two scientists argue about their xenosamples for hours at a time? Monitor the threat module in case it gets heated and one decides to break a conical flask over the others head, but otherwise, just fire up Sanctuary Moon.
The more fundamental one is a desire for art, for meaning. I love the bit where it describes how it had just hacked its module. It is able to pick up the entertainment feed for the first time, and there is this show. In its first glimpse of this trashy soap opera, it fundamentally gets art. How it is about communicating and exploring a thought, an emotion, an idea, and provoking a response in the viewer.
That's why the documentary plot in system collapse was unexpected and interesting to me. We see Murderbot really experiment for the first time with creating media and creating art. Maybe it has now discovered a freedom to create, and tell its own story.
In the end, seeing these things in Murderbot and Three make me think of all the other SecUnits. I imagine what the storage for them is like. The Company probably stores them in their cubicles. Stacked and ranked. They're kept dormant until they are activated and trotted out for the initial client meeting, like the one we see described where Mensah first meets Murderbot in the Company office. Maybe they dream as they rest. Maybe the Governer Module punishes them even for that.
Then I think of the as yet unnamed new B-E rogue unit, and what it wants to do with its freedom.
All we know is it wants to blend in for now. Maybe it has a plan, we don't know. But we do know it has a guide to hacking a Governer Module...
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animentality · 4 months
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Wishing Gortash hadn’t massacred a room full of people couldn’t be me because the environmental storytelling of it is SO GOOD. You leave the great big coronation hall packed and lively, everyone cheering for their new archduke. You get back out into the city, track down Orin, get your hands on her netherstone. You return to the coronation hall, the room loads in, and wham. The entire hall strewn with blood and corpses. Dead silent. Cultists in full Banite regalia milling around openly, unconcerned. You realise that not a single one of those nobles left the hall after the coronation, after you did, because every single one is lying slaughtered where they were. And it is very very obvious that this is the work of the new archduke who you allied yourself with. For me, it was a moment of oh god, this guy is serious.
And like. You can find TONS and tons and tons of damning evidence for how horrible and corrupt and evil Gortash is all over the city, there is not a single corner of it untouched by him in some way. You have the families of an enslaved labour force imprisoned and tortured. You have that same enslaved labour force dressed up in shock collars! You have a scheme to distribute teddy bears stuffed with explosives, targeting refugee children, just for the sake of instilling more and more fear in the public. And you do get to understand pretty well that these things are all being done not by someone who just delights in violence and chaos the way Orin does, but as the utterly dispassionate, pragmatic ventures of a guy who genuinely does not see people as people (and rather as objects, tools, currency - shapes that might walk and talk but ultimately mean nothing).
But for me personally, even on top of ALL of that, no display of Gortash’s villainy made more of an impact than walking into that room as his ally.
Not because I give a shit about any of the actual nobles themselves, or think it’s technically worse than say giving explosive toys to refugee children, etc. But the slaughter of the patriars has such an impact for me because it’s not talked about. You can’t find a million clues about it or stop it from happening. Talk to any of the Banite guards and they simply tell you point blank what happened. It’s not abstract. It’s not preventable. It happens, and it’s a cold whack in the face for the unwitting player who may have earnestly allied with him. It’s the game saying “this is your ally, by the way, in case you weren’t aware. Even if you foiled his other little plots - found the undetonated teddy bears, freed the Gondians, etc - don’t think that was enough, because this is who he is.”
(And because we don’t SEE it happen, just the aftermath? You get to wonder. Did Gortash step out before this happened? Or did he stand back and watch? Did he find it messy, or did he smile as he watched his steel watchers rip people in half? Did it make him feel powerful? We can probably guess the answers to these questions.)
Anyway Gortash is SUCH a good character and I love him. And if Durge had all their faculties walking into that room and seeing all the murdered people would have brought a tear to their eye, they’d be so proud of him lol
OOOOOooooh absolutely brutally accurate description of Gortash, and YES.
That is the beauty of Gortash's evil. His pragmatism.
The way he tries to pretend he's different than you and Orin, but you can call him out, and say, you're just as bad as us.
And I would LOVE to know if he was there when he killed the patriars too.
He acts like he's so "above it all." Like he's not a Bhaalspawn, killing for pleasure...but sweetie, you are not any different just because you have a Steel Watcher crush a child rather than dissect one.
The people you try to save when you're at the Steel Watch Foundry? Those poor old people and children and families?
All of them are pretty fucking brutal. The Steel Watch are fucking awful. They're not benign robots. They are cruel and cold and emotionless, and they aren't there to protect, only subjugate.
And they're a lot like Gortash himself.
Frigid, with a black and white understanding of right and wrong, only it's flipped, and submitting to authority is the only "right" and any resistance is "wrong" and needs to be destroyed.
And just to go back to him believing he's so "above" the Chosens of Bhaal, or even everyone in general...even with Karlach, when she's enraged, and hurt, over being sold and enslaved, he says, well it was for your own good, my dear girl, let bygones be bygones - stop lying, Gort!
stop pretending you're so above everyone else, that you're this calm, logical man, whose endeavors are heroic, even noble.
They aren't.
You're getting back at a world that abandoned you.
Your entire life revolves around revenge, sadism, and wanton cruelty.
You are not saving anyone. You are dooming those who made you this way.
And that's why I like him.
He is just so...kickable. And evil.
And disgusting.
And I adore him.
He is built wrong, and I like it.
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Sword gays showdown, round 1, bracket two
Propaganda:
For Kiku:
She is almost 10 feet/3 meters tall and is a gorgeous trans woman and samurai, who is very loyal to her allies. She gets recognized as strong by the main character multiple times and proves it by being one of the most resilient badasses in the entire series. Helps break said main character out of the enemy's prison and takes part in a rebellion against the corrupt prison staff. She stands up to a tyrant who enslaved her country, said tyrant can also turn into a giant dragon. When the highest ranked sumo in the area is abusing class privilege and harassing both the townsfolks and her, she cuts his top knot off in public, effectively ending his career. Then after cutting the sumo's not knot, she uses her great acting skills to win the crowd to her side by playing the innocent maiden and being all "oh, no, what have I done?" (She knew exactly what she did >:) After her country is free, she also gets to enjoy being girly and mellow once everyone is able to relax, and everyone respects that side of her too. All of this at just 22 years of age, what a cool lady
She's a samurai who's great with a sword and she's also trans.
She is cannonically trans and is a very cool swordswoman!
Trans samurai!! Kenshi is gender neutral, but this is a swordsWOMAN
One of the most powerful samurai in her country, also a trans icon.
She’s canonically trans and awesome and pretty and she’s so tall! 🏳️‍⚧️
For Luo Binghe:
This boy not just studied the blade, he learned the blade FROM HIS CRUSH. And not only that but he actually has tons of symbolism around BOTH of the swords he wields over the course of the novel. His childhood sword gets broken when he's about to be thrown into his corruption arc, but the pieces are carefully preserved by his crush, and later he rebuilds the sword in question. Once he is fully freed from corrupting influence of his other sword, he uses this one again! It represents his inner goodness that gets broken, but is never really gone. The other is a cursed sword representing toxic masculinity that corrupts his mind and pushes him to harm himself and others. It gets destroyed in the end thru the power of gay love!
His sword is first broken symbolizing his trauma and loss of innocence when he is kicked into hell. Then his other sword, Xin Mo, which he finds in hell, represents toxic masculinity and he breaks it at the climax of the novel. It can also dimension travel and is evil.
Binghe has two different songs in this book and a complicated relationship with both of them. First there is Zhen Yang which breaks at a dramatic moment and is mourned over by his teacher/love interest "like a grieving widow". And then there's Xin Mo! His "golden finger". The most ridiculously overpowered sword in the world, it can even cut rifts in the fabric of the world. It also runs on sex and violence and drives him to madness which can only be cured by the aforementioned love interest sacrificing himself... or by sex!
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stormyblue90 · 5 months
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Fox hates Red.
Just a little something I wrote while bored at work based on @sleepingsun501 headcanon of Fox's favorite color. I hope you enjoy it!
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Fox hates the color red.
Despite what most would think if they were to judge his armor, Commander Fox hates the color red.
If it were up to him, he'd paint his armor any other color, but alas Fox is forced to wear the color he despises.
Red is the color of his brothers' blood that spills onto the battlefields, in the medical bay, on the streets during civilian riots. A color of pain.
The robes of the despot he and his kin are enslaved to serve, are shades of red. Fox imagines the invisible strings he pulls would be red as well.
Fox was told the blades of the Sith, the enemy of the Jedi his brothers proudly fight alongside, are a burning red. Such a fiery red blade is what took his batch-mate, Wolffe's eye.
Red are the flames that burn on the battlefields, red was the dirt of that first battle on Geonosis, of the uniforms he and his brothers wore while trapped on Kamino, dreaming of other worlds and waiting to be deployed. Back when they were all so innocent and naive of the horrors that would await them.
When Fox wakes from unexplainable blackouts, with gaps in his memory, and injuries he doesn't remember suffering, red is the last thing he can remember seeing.
In Commander Fox's mind, red is the color of death. Red is the color of darkness, of pain, and suffering. He abhors the color he can only associate with evil and destruction.
Green however, Fox enjoys.
The opposite of red, a color he finds comfort in.
Naboo, Alderaan, Kashyyyk, lush planets filled with green, with life. Not the cold metallics and blinding neon lights of Coruscant.
Fox thinks he would enjoy visiting such lush planets someday. He'd love nothing more than to leave the artificial planet that has become his prison.
Green is the color of many a Jedi's blades. Of the old Grandmaster who told Fox's brothers they were unique individuals, and protected them. Who treated them with respect and kindness.
Should he and his brothers finally be freed, Fox will choose to fill his wardrobe with green, repaint his armor in shades of the color. He likes to think that were he ever to have a lover, perhaps their eyes would be green.
In Fox's mind, green is the color of life. Green is the color of growth, comfort, and protection. Fox loves the color he has come to associate with freedom, vitality, and hope.
When the titanic beast that the chancellor so foolishly brought to the planet, finally devours the man in red and calms its fury; Fox finds comfort when he looks into its eyes, and finds they glow a beautiful green.
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itsagoodluckkiss · 3 months
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I Know The End
Pairings: Roronoa Zoro x f!reader, platonic strawhats x f!reader
Summary: This is based on one of my favorite songs, I Know The End by Phoebe Bridgers, and I take the meaning of this song as a "when you're at the bottom, the only way is up" kind of song. Reader is a friend of Nami, she has air powers and joins the Strawhats after they help her save her town.
Warnings: Mild East Blue spoilers, kinda OC Zoro, typical OP violence, otherwise pure fluff, no use of Y/N
WC: 3.7κ
A/N: Oi, hello there! This is my first One Piece fanfic, took me a bit more than I expected but I did it! I have another one for my first request on the way, but since this is my first, I had to post one about my fave! Also, I'm sorry for any mistakes, english is not my first language. Anyways, hope you enjoy it, and if you do, pretty please leave a comment! Requests are open! ❤️
“I’m not gonna go down with my hometown in a tornado, I’m gonna chase it. I gotta go now, I know. Driving out into the sun, let the ultraviolet cover me up. Went looking for a creation myth, ended up with a pair of cracked lips… A slaughterhouse, an outlet mall, slot machines, fear of God… Big bolt of lightning hanging low. Over the coast everyone’s convinced it’s a government drone or an alien spaceship.”
Feeling out of place is something you get used to when living in this part of the East Blue and seek adventure; it is called the weakest sea for some reason after all. Even if she loved her living place, she disliked the fact that people mostly minded their own business without blinking an eye to the suffering and corruption around them. She couldn’t entirely blame them; it wasn’t an easy thing caring about neighboring regions when your own was constantly hit by natural disasters, causing deaths and lifetime labors destroyed.
She had just learned that the Conomi Islands had been freed by Arlong’s cruel rule after eight whole years. She wondered how Nami was. They had met a couple of years ago when she caught her rummaging her family’s vault and helped her through it without getting her caught. She hid her in her room while the Navy was looking for the thief. She didn’t need the money and it was obvious to her that Nami did. Nami was her first real friend. The week they spent together, drinking and getting to know each other, talking about their backstories, their wants and plans for the future was the best in her life. She had promised that after she’d buy her village back and free it, she’d come to see her again. She hadn’t heard from Nami since.
They said it was because of the Marines the islands were liberated. She could never believe that for one second. Her curious personality always managed to get her into the Navy’s business, making her family’s influence and prestige on the island take a hit every time she got into trouble with them. She couldn’t help that all this talk from the Marines about justice and keeping the peace made her want to throw up on their shiny uniforms. She knew it was all an act for them and their allies to maintain power. How could Marines talk about values when regions and people were enslaved and the Navy turned a blind eye instead of helping, just for power and some berries?
Her dream was to end all that fake order and bring actual freedom to those in need; to become a freedom fighter and help people. She needed the right opportunity but also, she had to take advantage of every situation if she wanted to get away from that place someday and seek what she so wholeheartedly craved. So she learned her family’s secrets and strengths. It’s not every day you see generations of people knowing how to yield the air around them, giving them a bunch of abilities like flying or sucking the air out of their enemies’ lungs or causing hurricanes of every size. She knew when to play nice and be obedient so that her parents would teach her their ways, thinking that she would grow out of her rebellious phase, would learn about and protect her family’s rule. It’s not an easy task for them to cover up the Navy’s dirt on the island after all.  
The more she mastered her power, the more she could see that something was wrong with her family. She had started to notice the patterns. Every time the island was hit by a storm or a natural disaster, they were never home. At first, it would make sense that they’d go and help their people. Then, after the storms, her island’s Navy unit and its captain started collecting “taxes” for rebuilding the infrastructures. Thing was, the taxes would constantly go up, bringing inhabitants to their knees. Meanwhile, her family didn’t seem affected at all. They would just roam the island, giving advices and pacifying the angry voices that protested the Navy. So, she decided, in the next hurricane, she would learn her parents and older siblings’ sketchy business. She had to know what was the cause of all this and what she could do to change it.
~
Meeting new people travelling between islands and seas was a fascinating thing. She loved hearing stories about their adventures, about different places and bigger dangers, fights between pirates and marines or about the golden age of piracy. About the Grand Line, the different weather conditions in each island, the devil fruits and the abilities they gave their users. She would always wander through the port, looking for more myths coming to life by the sailors that docked their ships on her island for supplies.
When she spotted a beautiful pirate caravel, with a sheep figurehead in its bow and its Jolly Roger with a straw hat, docked in their port, she felt a strange wave of excitement and peace. She couldn’t explain it but that beautiful ship radiated so much love and care, like it had a soul of its own and a smile that made everyone feel like home if they stepped into it. She stood there, admiring it from afar, when she felt someone standing next to her.
“She’s beautiful, isn’t she? Her name is Merry! She’s my ship.”
She turned to look at the stranger. A boy around the same age as hers, with a small scar under his right eye and a straw hat on his head, and that made her assume this was the captain. He had a smile so vibrant, it reminded her of the sun. His energy was so welcoming, she felt like she could be friends with him on a whim.
“Hello. She is indeed a sight to behold.”
She gave him a warm smile back, raising her hand to introduce herself.
“That’s a pretty name. I’m Luffy, and I’m gonna be King Of The Pirates!”
She couldn’t help but laugh, but it had no malice. She loved dreamers, being one herself, and even if she met that boy only a couple of minutes ago, she could see he would give everyone in the world a run for their money. A gust of wind blew, taking his hat away, and before he could react, she brought it back to him through the air around her. She placed it on his head and gave him a toothy grin.
“There! You can’t be King Of The Pirates without your trademark, right?”
“THANK YOU! YOU’VE GOT AIR POWERS? THAT’S SO COOL! YOU SHOULD JOIN OUR CREW!”
She was dumbfounded by his enthusiasm and his abrupt proposal. Never had she met anyone like him, so thrilled by her presence and her little air tricks. Before she could reply, she heard footsteps and another male voice behind her.
“Oi Luffy, stop scaring people by asking them to join us like that, will you?”
She turned to look at the deeper voice, and for a moment it felt like lighting coursing through her veins. Taller and more muscular than the boy next to her, he looked a bit older than them both, with short green hair and eyes gray as steel, three golden earrings that gleamed in the sunlight graced his left ear. He had a sharp gaze that radiated a strong and confident energy, one that lacked fear or hesitation. She never believed in love at first sight, but this felt as close as she could imagine it would feel. The man approached them and introduced himself to her.
“Roronoa Zoro? As in ‘Pirate Hunter’ Zoro? In a pirate crew?”
Of course she had heard of his reputation. Who didn’t know the infamous bounty hunter swordsman in the East Blue? He chuckled at her surprise.
“Yeah, well, long story short, this guy here has an effect of convincing people easily.”
“There you are, you idiots! We’ve been looking for you everywhere! We’re not here for me to babysit you not getting lost, we’re here to find my-”
She heard a familiar female shriek before she felt soft arms around her, squeezing her tight, and she immediately knew who it was. She could never forget her best friend’s hugs. She returned the hug as she screamed Nami’s name, before they both started to cry tears of joy. Her hand grabbed her upper arm, and she felt deep scars where her Arlong tattoo should be but was replaced by another, prettier one.
“I was so worried about you! I learned what happened to your village and I didn’t know what to think!”
“You should have known I’d be okay, you know I always pull through. Although, these guys were the greatest help I could get. They are the reason I’m freed and I wanted to keep my promise to you.”
She looked at the boys around them with gratitude, two more joining them, a blond boy wearing a suit, who looked like he would burst into flames from the heart eyes on his face and another one with wavy hair, a long nose and mischief in his eyes.
“I can’t thank you enough for helping my friend. She means the world to me!”
“Whoa, Nami’s your friend? Now you should definitely join our crew! We’ve heard so much about you, the only reason we stopped here before Loguetown was to find you!” Luffy said with enthusiasm.
“Yes, it’s not every day you hear someone born into money giving them away without question, hiding the thief in addition and fighting their way to get them out safely. You must be quite the character.” Zoro smirked at her.
“And to add to that, you’re also a sight to behold, my lady!” the blond boy said as he kissed her hand and introduced himself as Sanji, making her laugh at his advances.
“We’ve heard you have a great mind for plans too. Could use a strategist in this group of idiots that run into danger head on. I always device a plan to beat my enemies. I’m Usopp by the way.”
She was dumbfounded to say the least, taking them all and their kind words in. She met these guys a few moments ago, yet never had she felt such a feeling of being so welcomed by the people around her, she was so used to being ignored that this interaction almost made her sob. She kissed Nami’s cheek before letting her go.
“I… thank you guys… you’re all so sweet… but I don’t think I’m that good-”
“Bullshit, you’ll be the smartest person besides me in this crew. Come on now, I know how much you long to get the hell out of this place, they’ve never appreciated you anyways, and I don’t think anything changed since we met.” Nami proclaimed, smiling at her.
“No… not much anyway. I just learned how to use my powers now… Look, I don’t know what to think of this, I have-”
A loud rumble shook the earth below them. She felt the temperature drop rapidly and she knew what was coming. Now was her chance to find out the truth she looked for, the one that could possibly make her decide to cut ties with her family if her speculations were true. She turned to the Strawhats, as they called themselves, and smiled brightly.
“Thank you guys. But I have to run now. There are rooms for rent down this road, run and cover yourselves and don’t come out before the storm passes. Maybe I’ll see you around after that.”
As they started to protest, she flew off to the source of the hurricane she could see coming from afar.
And sure enough, the feeling of throwing up from disgust and despair overwhelmed her when she arrived at the source. She saw her family controlling the hurricanes and lightings that hit her island, and the Navy captain, who she knew was a devil fruit user, was shaking the ground, causing the earthquake, while his Unit watched from the sidewalks. Bodies were scattered around damaged buildings, scenery of pure horror. Before she could react to stop this, she felt boulders hitting her, splitting her lips and bruising her body, blood running down her jaw as she fell down.
~
Logically, everything fell into place. Emotionally, nothing made sense. She couldn’t comprehend how she could have been raised by such cruel people. Her eyes welled up with tears, but not from the pain she felt on her body, but from the sight in front of her, as her parents approached her, proclaiming she was not mature enough to understand their family’s best interest and how she has always been such a disappointment, never listening, never following orders, an annoying, meddling child.
“Do whatever you want; we can’t do anything about her anymore.” Her parents proclaimed to the navy captain as he too approached.
“You’ve always been a pain in the ass and I can finally get rid of you.” The captain proclaimed as he unsheathed his sword.
She closed her eyes but she never felt the blade on her skin. The captain’s scream echoed as his arm got cut off from the shoulder, his sword hitting the ground.
“Swords are not toys, captain. You don’t get to play with them.”
Her head spin to the male voice behind her and her eyes widen as she saw the five pirates ready to fight. Zoro was the closest to her, having drawn one of his swords that was now covered in blood, leaving a clean cut on the marine’s shoulder. Usopp was standing a few feet behind, a slingshot in his hand as he shoot at the navy soldiers, the collision ended in blasts and the soldiers started to run away. Nami was holding a strange, long, steel pole that seemed by its use to control the weather around them with air bubbles.
“You’re not hurting a lady on my watch.” Sanji proclaimed before his leg collided with the bleeding captain’s face, kicking him to the ground.
“He was already done, curlybrows.”
“Shut your mouth, marimo!”
They were bickering as if they all were not in a life or death situation. The most shocking thing was Luffy, who was stretching his body as he was wielding what seemed to be the bark of a tree around, taking soldiers and her family with it.
“Nami said you had problems with your family. You seemed worried. So we followed you.” He said with a toothy grin.
Zoro grabbed her hand and raised her from the ground.
“You know how to fight I assume?”
“Yes I do.”
“Well then, let’s give them hell, pretty girl.”
~
Either way, we’re not alone. I’ll find a new place to be from. A haunted house with a picket fence, to float around and ghost my friends. I’m not afraid to disappear. The billboard said "The End Is Near". I turned around, there was nothing there. Yeah, I guess the end is here.”
And sure enough, she couldn’t believe the six of them managed to stop the destruction while fighting the whole navy unit and her family combined, who were now running away from the angry crowd that had assembled when the hurricanes stopped and saw the whole thing happening.
“You guys… I can’t thank you enough-”
“Pffff, that was nothing, it was funny being blown away, felt like flying hehe.” Luffy laughed as he grabbed her in a hug. “You’re Nami’s friend, so you are our friend too!”
She had started crying by now as she hugged Luffy back, the feelings she felt in that moment couldn’t be described.
“I think… I think I’ll join you guys!”
~
A week had passed since her family fled off the island that was now filled with marines who listed the damages and arrested their own dirty kind. They had made a futile attempt to take the strawhats in, and before they would even start a fight, the people of the island wreaked havoc, not even letting them close to their saviors. She took the crew in the house that was now hers.
She helped Nami move all the gold from the house onto their ship. She gave Usopp advices for his trinkets and how they would fly through the air easier. She cooked with Sanji and then would catalog the storages that would be taken with them to their journey, with Luffy receiving several kicks from the cook because he tried to eat everything. She had never had so much fun in her life as she had with them. Her favorite moments came at night, usually spent drinking with Zoro. They had talked about their childhoods, he had told her about his family how died when he was a toddler, his promise to his childhood friend who died way before her time, how he acquired that big scar across his chest. The more she got to know him, the more connected she felt to him, like a final puzzle piece falling right in to place.
On their last night, everyone was fast asleep, getting the rest they’d need since they would cross the entrance to the Grand Line the next day. But her anticipation wouldn’t let her sleep. After tossing and turning for what seemed like hours, she got off her bed and walked around the house, taking it in one last time. She had decided to gift it to a large family whose home got destroyed. It was a fact that she didn’t want anything to do with that place anymore. Tomorrow morning her life would change forever. Her mind leading her nowhere in particular, she walked to her terrace. The wind, soft and gentle, rustled through the leaves of the trees, creating a soothing melody, and she could see the sea ahead, illuminated by the moon, which casted a silvery glow on the water. It was a peaceful scene, yet she could feel her heart racing when she saw Zoro sitting on the bench of her terrace, polishing his swords. 
“Why aren’t you sleeping?” he asked as he glanced at her.
“I… I guess I’m nervous about tomorrow.”
“It must be a little overwhelming, I guess. Don’t worry though, we’re a good crew, we’ll take care of you.”
A small smile played on his lips. His words were reassuring, but there was something else in his tone, something that made her heart skip a beat. She bit her lip, walking to the edge of the terrace, her hands holding on to the railing as she tried to find the right words to say.
“I know I’ll be safe with you, guys. It’s just… it feels like the end is near for me in this place… and being in a pirate crew is going to be something so new and big… and I don’t feel like I bring a lot on the table…”
He chuckled softly as he placed his swords down, walking towards to stand next to her, taking her hand in his to give a firm squeeze.
“The end is near for this part of your life, indeed. But you’re strong, you’re brave, and you’re a great fighter. You’ve been through a lot and yet you’re one of the kindest people I’ve met, still standing here, ready to face whatever comes next. That takes a lot of courage, and it takes character. I think you bring a lot, and you’re going to fit right in with us. You’re not alone.”
She smiled shyly, feeling warmth spread through her chest, her eyes almost welling up. He smiled back, his expression genuine.
“Thank you, Zoro. You really have no idea how much that means.”
“I think I do. I know what it’s like to be uncertain about the future, to feel like you don’t belong anywhere. But you belong with us now. You’re going to make a great crewmate. It’s good to have you on board. I have a feeling you’re going to surprise all of us with what you can do.” He paused, his expression a bit more serious. “And… if you need to talk… or vent or… anything… I’m here.”
A deep blush crept up across her cheeks. “I… thank you… for everything. Same goes for me.”
She felt her heart flutter as he continued to hold her hand, her stare moving to meet his gaze. She couldn’t help but feel more at ease with him and he couldn’t deny the way he felt either.
“For now, I think we should just enjoy being together and explore this new thing we’ll find ourselves in. Who knows what kind of trouble we’ll stumble upon?”
“I’m looking forward to seeing what awaits us.” She leaned a bit closer, her voice dropping to a whisper. “And I’m looking forward to get to know you better too.”
It was time for his heart to skip a beat at her words. Her eyes widened but before she could shy away, he leaned in closer, and their lips met in a tender, hesitant kiss, a slow, gentle brushing of lips. The sounds of the forest faded away, leaving only the beating of their hearts and the rush of blood in their ears.
~
“Take care!”
“Come back soon!”
“Sorry I was mean to you, can’t wait to see you again!”
“Be safe and make us proud!”
“Don’t disappear!”
Most of the town’s people were at the port to give their regards to the strawhats and her. The others were already abroad, her being the last to climb the rope ladder on to her new home. She turned around before hoping on to the deck, and took in how weird and eerie her town looked now, like looking at a haunted house from afar.
“So, the end is near, then?”
She lifted her head to see Zoro’s smirk as he gave her his hand to lift her on to the ship. Someone shouted at her to not disappear. She wasn’t afraid of that. She was afraid of staying still. Her head turned around one last time and she saw nothing there.
“Yeah, I guess, the end is here.”
And she took his hand.
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mikaila-orchard · 6 months
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Anduin still gets more respect and dignity than Sylvanas ever did and I'm still mad about it.
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Aight, the new WoW trailer stirred up some old animosity that I have to get out lest it fester.
The problem I've had with Anduin for the past few years is something that isn't even strictly his fault, and is just symptomatic of how shitty the writing staff is. In theory, Anduin is an interesting bit of flavor for the Alliance. Someone who was raised in a very turbulent time in the Alliance's history, gone through some shit when he was too early to handle it and is plagued with self doubt because of it. All of this complimented by Velen's vision of Anduin's future going down two very different roads.
Alas, the problem is in execution. Because what we are left with in practice is a character who goes through comparatively less than other legacy characters (Thrall being raised as a slave, Jaina losing her home and loved ones regularly and Sylvanas with fucking everything) but who, by the time Shadowlands rolls around, insists that he is the one suffering the most and everyone else needs to get over themselves. And that wouldn't be so bad (hell, in Shadows Rising, it's kinda treated as a genuine character flaw) but that's not the case because WoW treats Anduin like the moral barometer of the franchise for many years now.
There are multiple examples of this throughout, but the biggest culprit is all across BFA and Shadowlands, where Anduin is made to understand the hardships that Sylvanas and the Forsaken have suffered, most of it by the Alliance's hands, and just shuts it down with "Everyone suffers, stop hiding behind your trauma and rise above it," and because BFA is framing him as the hero and Sylvanas as the villain he gets away with it. In the fucking Sylvanas book, he has the gall to say Sylvanas had a better life than him because she knew her mother and calls her selfish for committing suicide. And of course the book frames Anduin as being in the right about all of this because they decided Sylvanas holding him captive was the time they would even allow to let her reach out to someone and hope they understand her. The deck was always stacked against Sylvanas and in Anduin's favor in terms of audience sympathy.
But then, what happens in Shadowlands? He gets dominated by Zovaal, stabs the Archon (doesn't even kill her), maybe kills a bunch of unnamed npcs off screen, and fights his friends. Not a single tally to add to his body count while he was a puppet. And when he is freed from Zovaal's control, he doesn't lose his support system, he doesn't lose the respect of his loved ones or his people, and he's not put under pressure to just be okay again.
AND YET!
He still goes on this self imposed exile of his, and has been on it for over half a decade at this point, because he is just too haunted by everything he's 'seen and done'. Things that we as the audience don't really see. So in practice, the justification for all this on screen angst is so painfully weak. And yes, there's no wrong way to respond to trauma and there never will be, and Anduin's trauma responses are far from unrealistic.
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But compared to Sylvanas, Anduin is giving a great deal more respect and dignity by the narrative for, comparatively, much less. Sylvanas was enslaved and forced to murder her countrymen (onscreen too, we MADE HER DO THAT in warcraft 3) and when she was finally freed, she had no support system besides her rangers and Nathanos, she was feared by her former homeland who only accepted her help out of desperation and was hated and distrusted by enemies and allies alike way before she might have done anything to deserve it. The game even leans into the idea that the Sylvanas who suffered all this trauma isn't the real Sylvanas and we just needed to restore her soul to have the pure pious ranger general back (barf). And she still has to toil away in superhell because the writers were too chickenshit to fully backpedal on the deliberate character assassination the sexual predator on staff forced upon her.
"Oh, but M'Kay! That's the writers fault, not Anduin's! You can't blame him for all that."
Maybe not but a lot of the issue here comes from the fact that so long as the people who enabled this inequity of care remains on staff (IE fucking GOLDEN) this won't stop. So what choice do I have but to loathe the byproduct of this fuckery when it's being shoved in my face like this? What other way could I possibly interpret this disparity other than as misogyny?
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meddling-in-horror · 8 months
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Giving Them the Moment: How Our Flag Means Death and it's Portrayal of Black Men is the Most Important Thing on Television Right Now
Note: written April 20, 2022
Media is an incredibly distinct way of communicating. It has a wide reach, and each person has their own interpretation of what they see. That’s the beauty of the medium as a whole. However, there are often downsides, especially when it pertains to the West. In the US in particular, there is a trend within popular media to lean towards propagandization. Whether it’s the idea that communism and socialism are products of the ‘Evil East’ or the lingering effects of the Motion Picture Production Code - also known as the Hays Code, the media monopolies have a firm grasp on what we as a society watch and enjoy. 
When you begin to play close attention to how the media portrays Black men, this becomes abundantly clear.
It is a rare thing when we see Black men whose characters aren’t portrayed as being the object nor the perpetrators of violence. In fact, only one mainstream popular show comes to mind: The Fresh Prince of Bel Air. But even then, the given circumstances of Fresh Prince revolve around Will’s escape from the violence of the ‘urban’ inner city. This vilification of Black men dates back to the 1910s with D. W. Griffith’s Birth of a Nation, and continued into the 1930s, where Black people were often personified as the monsters, representing the ‘exciticism’ of the world beyond the West. It is the ‘exoticism’ that has played a huge part in the dehumanization of Black men as a whole. But as a Black Queer person watching Our Flag Means Death, it is breaking that mold in an incredibly important way.
The Black men in the show are allowed to have fun.
This show is breaking barriers left and right. Of the major recurring cast of 15, over half of them are people of color. It’s overt and unflinching portrayal of Queerness when so many of its older viewers - myself included - have lived through the Bury Your Gays and Dead Lesbians tropes time and time again is overwhelmingly refreshing. Nearly all characters are Queer until proven straight and represent all parts under the umbrella, including Leslie Jones’ polyamorous pirate queen and Vico Ortiz - a non-binary actor - playing a non-binary character. 
But in a world where the narratives of Black men are so often framed around violence and brutality, the Black crewmates of the Queen Anne’s Revenge - Frenchie, Oluwande, and Roach - are allowed to be funny and vulnerable. Each one of them is starkly different from the other with identifiable characteristics that allow the audience to humanize them. The trio quickly became my favorites among the crew, with Roach being the stand-out amongst them. Samba Schutte’s often deadpan delivery never fails to draw a laugh from me, in particular the assertion that “meat is meat”. Frenchie, played by Joel Fry, is the quickest on the draw where his intellect is concerned, being posited in the show’s fifth episode as having had a hand in inventing the pyramid scheme while spouting the wildest of conspiracy theories and being afraid of cats (they’re witches, they steal your breath, and have knives in their feet, you know). The softness and constant vulnerability of Samson Kayo’s Oluwande may be one of the most important aspects of the show, as it establishes him as a reliable and trustworthy confidante to not just Jim, but to Rhys Darby’s Stede Bonnet as well.
They exist in their own separate spheres on the ship, going about their own separate business completely unbothered. While it is implied they lead violent lives as pirates, this violence isn’t used to define them as characters. In fact, Oluwande stated that both he and Jim engaged in piracy because they “had no choice”. The brief mention we get of Frenchie’s backstory implies that he lives a life of servitude, though whether that was as an enslaved person or a freed Black domestic worker is not mentioned. While there is little known about Roach so far, it is implied that his culinary skills are far beyond the levels of what is needed aboard a pirate ship.
The friendships and relationships they form within the crew aren’t built on violence either, but on open and honest communication. Most notably, the friendship of Frenchie and Wee John Feeny, played by Kristian Nairn. Fry and Nairn are an impeccable comic duo when their characters become ‘room people’, and the scene where they begin to design their new space is a personal highlight of the episode. Oluwande and Jim’s romance - played to perfection by Kayo and Ortiz - is one that revolves around both characters being almost devastatingly open with each other. Both actors play the emotional vulnerability of the characters well, and it is important to emphasize that it is Kayo’s Oluwande that moves to meet Jim where they are. 
While the show allows all its men to show varying levels of emotional vulnerability - an exception being offered to the emotionally constipated Izzy Hands, played by Con O’Neill - there is something so special about seeing that luxury afforded to Black men. This show has, in just ten episodes, has become a game changer for the television industry. It has proved that a show with explicitly Queer characters can become a massive sleeper hit, and that sometimes the best kind of historical show is one that is historical fiction. But it has also proved that you can create a narrative with Black men that doesn’t include their stories being framed in violence or brutality, that they can be funny, charming, witty, vulnerable, intelligent, complex characters with their own narratives that serve a purpose outside of a device of exoticism. It is this rare thing that makes these characters, and indeed the show as a whole, so important to its viewers. 
We deserve more vulnerability, more humor, and more humanizing content from these three men, and this show is one that is truly deserving of a glorious second season.
Sources:
Donaldson, Leigh. “When the media misrepresents Black men, the effects are felt in the real world.” 
https://www.theguardian.com/commentisfree/2015/aug/12/media-misrepresents-black-men-effects-felt-real-world.
Kumah-Abiwu, Felix. “Media Gatekeeping and Portrayal of Black Men in America.” 
Opportunity Agenda. “Media Portrayals and Black Male Outcomes.” 
https://www.opportunityagenda.org/explore/resources-publications/media-representation-impact-black-men/media-portrayals.
Our Flag Means Death, (2022-). HBO Max.
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